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Dünki Jean-Jacques

(28. 02. 1948)

Dünki Jean-Jacques
Dünki Jean-Jacques
Bruderholzallee 12
CH-4059 Basel
Schweiz

Tel: +41 (0)61 363 04 84
Fax: +41 (0)61 363 04 85


Biography
Jean-Jacques Dünki was born in Aarau. He studied piano to soloist level with Rolf Mäser at the 'Musikakademie Basel' (Basel Academy of Music). He also studied in Berlin, London, New York and Baltimore with Leon Fleisher, Peter Feuchtwanger and Charles Rosen and others. He attended piano courses given by Maurizio Pollini, Claude Helffer and Edith Picht-Axenfeld, conducting with Michael Gielen and historical performances with Nikolaus Harnoncourt. He has attended Lectures in musicology given by Carl Dahlhaus in Berlin and Max Haas in Basel, music analysis with Hans Keller in London and studied English and ancient Greek literature at the John Hopkins University, Baltimore. As a composer he is mainly self-taught. In 1981 he received the Arnold-Schönberg-Preis in Rotterdam. Today Jean-Jacques Dünki is active as composer, soloist and chamber musician. He is a guest at the festivals of Berlin, Graz, Donaueschingen and Geneva. Since 1984 he heads a class for piano and chamber music at the Basel Academy of Music. He also gives courses on a regular basis in Switzerland, Germany, France, England, USA and Japan. He has limited publishing activities. He is more recently attracted to the hammer-piano and clavichord.
Dunki@tiscali.ch


Work list
Quién, quién, naturaleza.... (1971)
for mezzo-soprano and piano (or viola, violoncello)
Texts: J.R.Jimenez
Duration: 2' 00"
Manuscript
Knots (1973)
for mezzo-soprano, tenor, oboe and clarinet
Texts: Ronald D. Laing
Duration: 7' 00"
Manuscript
Landscape (1976)
for piano
Duration: 5' 00"
Manuscript
Lutezia 1842 (1978)
for soprano, saxophone, trumpet, piano, percussion and cello
Texts: Heinrich Heine
Duration: 25' 00"
Manuscript
Dartington Exercices (1975-1979)
for piano
Originated in Dartington (South West England).
Duration: 6' 00"
SME/EMS
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CHF: 16.00
Pendulum (1979)
for flute, English horn (or viola) and clarinet
Duration: 5' 00"
Manuscript
Tú...no tienes imaginación (1979)
for soprano, baritone, flute, clarinet, cello, organ and piano
Texts: Léon Felipe, Johannes Tauler
Duration: 27' 00"
Manuscript
Un souvenir de L. (1979)
for flute
Duration: 3' 00"
Manuscript
Flip-Flop (1979)
for oboe, trumpet, celesta and tape recorder
Duration: 6' 00"
Manuscript
Variationen über ein Menuett von W.F.Bach (variations over a minuet by W.F.Bach) (1979)
for orchestra (2.2.2.2/2.1.1.0/str)
Duration: 7' 00"
Manuscript
Lärm / Dänksch (1979)
for children's choir and various instruments ad lib.
Duration: 20' 00"
Manuscript
Tricorno (1980)
for horn and piano
Very virtuosic for the horn. The pianist sings in the second movement (ad libitum).
Duration: 5' 00"
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CHF: 23.00
It's a Bagatelle (1980)
for piano and tape recorder
Duration: 4' 00"
Manuscript
Insiders (1980)
for 3 singer-actors
Texts: Jean-Jacques Dünki
Duration: 10' 00"
Manuscript
Auf die Pauke hauen (1981)
for five kettledrums (1 player)
Duration: 4' 00"
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CHF: 13.00
Prokrustes or The Laws of Hospitality (1981)
for boy soprano, 2 sopranos, mezzo-soprano, altus, tenor, 2 baritnones, bass; flute, clarinet, saxophone, trumpet, tuba, piano/e.org, violoncello, double bass
Texts: Jean-Jacques Dünki
Duration: 45' 00"
Manuscript
Morceau élégant (1982)
for flute, viola, celesta and singing saw
Duration: 2' 00"
Manuscript
Versi di Danilo Dolci (1982)
for soprano, flute, horn, piano, celesta, clavichord and viola
Duration: 12' 00"
Manuscript
JoJo's Song (1982)
for piano
Duration: 2' 00"
Nepomuk Musik Verlag
c/o Breitkopf & Härtel Musikverlag
Walkmühlstrasse 52
D-65195 Wiesbaden
BRD
Tel. +49 (0)611 45 0080
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www.breitkopf.com
Duetto for Bassclarinet and Piano (1983)
Duration: 5' 00"
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CHF: 21.00
Rückblick - Versuch einer Neukomposition (1983)
for soprano, saxophone, two cellos, piano and tape recorder
Texts: Jean-Jacques Dünki, Heinrich Heine
Duration: 15' 00"
Manuscript
Schumann-Variationen (1983)
for 2 violocelli
Duration: 6' 00"
Manuscript
Quintett (1983)
for 3 clarinets and 2 pianos
Duration: 10' 00"
Manuscript
Prélude (1983)
for large orchestra (3.3.3.3/4.3.3.1/3perc/hp.cel/str)
8'
Duration: 8' 00"
Manuscript
Spirale (1984)
for 13 pianists on 9 pianos
Duration: 8' 20"
Manuscript
"Das Wort ist nicht von mir" (1984)
for 3 actors/speakers; clarinet, trumpet, viola, violoncello, percussion, piano; tape recorder, slide projector, overhead projector
Texts: P. Bausch, C. Justi, A. Schopenhauer
Duration: 20' 00"
Manuscript
Ländlerische (1984)
for 17 musicians (2S, fl, 4bfl, cl, tpt, vn, gtr, hp, acn, 4handedpf, 2perc)
Duration: 13' 00"
Manuscript
Kammerstück II (1985)
for horn, piano and thirteen instruments (2.(pic,afl).2(obda,ca).2(Ebcl).bcl.asx(ssx).1/1.1.1.1/pf(clavichord))
The solo horn is scored also for an authentic 19th century invention-horn, and the solo piano part (normal tuning) also plays a hammer piano (five octaves F - f4, sounding a quarter tone lower). The second piano in the ensemble is tuned a quarter tone lower. A discourse with Robert Schumann's music.
Duration: 17' 00"
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CHF: 70.00
Kammerstück II/1 (1985)
for piano
Adaptation of the 1st movement from "Kammerstück II".
Duration: 1' 00"
Manuscript
Hommages à L. C. I-IV (1981-1986)
for piano
A subtle homage to Louis Couperin (1626-1661) both in content and notation.
Duration: 9' 00"
SME/EMS
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CHF: 18.00
Cinq Morceaux (1988)
for two clarinets
Playful but not easy.
Duration: 6' 00"
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CHF: 18.00
L'arbre bleu (1988)
for two flutes and harpsichord
The title is taken from Piet Mondrian. Flute 1 with the low h doubles flute in Bb. Flute 2 doubles bass flute.
Duration: 8' 00"
Manuscript
Solo per violino (1988)
Duration: 4' 00"
Manuscript
Trois miniatures pour clarinette seule (1988)
Highly virtuosic and concentrated.
Duration: 4' 00"
SME/EMS
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CHF: 13.00
Pour Valentin Claudio (1988)
for piano or pianoforte
Duration: 1' 00"
Manuscript
Drei Waldlieder (1988)
for mezzo-soprano and piano
Texts: A.Felder, Ch.Schmid, G.Musy
Duration: 8' 00"
Manuscript
Kammerstück III (1986-1989)
for piano
In the name of Robert Schuhmann. Demanding.
Duration: 4' 00"
Manuscript
Kammerstück VI (1989)
for violin (viola) and ten instruments (1(pic).1(obda,ca).2(Ebcl,bthn).1/1.0.1.1/1perc/pf)
In the first and at the end of the fifth movement the solo violin switches to viola.
Duration: 21' 00"
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CHF: 62.00
Kammerstück VII (1989)
for basset horn, viola and piano
Based on a thought by Robert Schumann. Virtuosic viola part.
Duration: 7' 00"
Manuscript
Treize Tableaux (1989)
for two clavichords
Duration: 10' 30"
SME/EMS
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CHF: 23.00
Trois miniatures pour deux pianos (1989)
Duration: 5' 00"
Manuscript
Drei Szenen (1989)
for baitone and heckelphone
Texts: W.Heinze, R.Walser, H.Heine
Duration: 11' 00"
Manuscript
Sieben Stücke (seven pieces) (1990)
for guitar
Duration: 11' 00"
Nepomuk Musik Verlag
c/o Breitkopf & Härtel Musikverlag
Walkmühlstrasse 52
D-65195 Wiesbaden
BRD
Tel. +49 (0)611 45 0080
vertrieb@breitkopf.de
www.breitkopf.com
Musique pour un Guillaume Tell (1991)
for oboe (oboe d'amore, English horn)
Duration: 6' 00"
SME/EMS
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CHF: 13.00
Fantasie über einen Gedanken von Mozart (1991)
for orchestra (1.1.1.1/1.1.0.0//perc/hp/str)
Duration: 11' 00"
Manuscript
Tétraptéron 0-IV (1981-1992)
for piano, harpsichord, celesta and clavichord
An unprecedented, challenging combination of assorted keyboard instruments, enhanced by the use of amplification.
Duration: 14' 00"
Manuscript
Kammerstück VIII (1992)
for chamber orchestra (2.2.2.1.sx/1.1.1.1/2perc/hp.2pf/4.4.3.3.1)
Duration: 11' 00"
Manuscript
Mouvement (1992)
for three clarinets
Duration: 4' 00"
SME/EMS
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CHF: 13.00
Pessoa - Moment (1992)
for soprano, clarinet (also Ebcl, bcl), violoncello (also viola), piano (also clavichord) and DAT play-back
Texts: Fernando Pessoa
Eight scenes from the poems of Portuguese writer Fernando Pessoa (1888-1935). The Soprano sings and recites in Portuguese, German and French. Very demanding for all performers.
Duration: 48' 00"
SME/EMS
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CHF: 65.00
Pessoa lesen (1993)
for male speaker, female speaker, clarinet, violoncello and clavichord
Texts: Fernando Pessoa
Duration: 15' 00"
Manuscript
The five senses / In the Vicinity of the 6th Sense / The 6th Sense (1980-1994)
for piano
Seven concise studies dealing with the six human senses.
Duration: 8' 00"
SME/EMS
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CHF: 26.00
Kammerstück V (1987-1994)
for violoncello and piano
Highly virtuosic for both instruments.
Duration: 9' 00"
SME/EMS
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CHF: 23.00
Nulla Dies (1991-1994)
for (wood) flute and guitar
Also possible on the modern flute. Uses the 11th to 17th natural tones of the flute.
Duration: 6' 00"
G. Ricordi & Co. Bühnen- und Musikverlag GmbH
Stralauer Allee 1
D-10245 Berlin
BRD
Tel. +49 (030) 520071321
info@ricordi.de
www.ricordi.de
Etude Ia (1994)
for piano
Duration: 3' 00"
Manuscript
Etude Ib (1994)
for fortepiano
Duration: 3' 00"
Manuscript
Etude Ic (1994)
for harpsichord
Duration: 3' 00"
Manuscript
Solo per Oboe (1994)
Duration: 4' 00"
SME/EMS
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CHF: 13.00
Im Umkreis des 6. Sinns / Der 6. Sinn (1994)
for piano
Duration: 2' 00"
SME/EMS
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Acht Kinderstücke (1992-1995)
for piano
For adults. Seven pieces with e-bow ad libitum.
Duration: 7' 00"
SME/EMS
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CHF: 18.00
Eiland Stadt Ebene (1995)
for flute and guitar
Duration: 11' 00"
SME/EMS
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CHF: 21.00
Romance pour Violon solo (romance for violin solo) (1995)
With viola (ad libitum) in the last movement.
Duration: 6' 00"
SME/EMS
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CHF: 16.00
Etude III (1996)
for clavichord and piano forte
Etude III [sic] (1996)
Duration: 1' 00"
SME/EMS
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CHF: 13.00
Kammerstück IV (1996)
for flute (alto flute), clarinet in A (bass clarinet), horn, violin, viola and violoncello
Intensive chamber music, demanding for all players. Scordatura strings in the third movement.
Duration: 12' 00"
Manuscript
Verrufene Stelle (1996)
for horn, trumpet, trombone and percussion
Duration: 5' 00"
Manuscript
Capriccio I (1996-1997)
for violin and piano
Virtuosic, particularly for the violin. For a version with string orchestra and percussion (violin voice unaltered) see Capriccio II.
Duration: 7' 00"
Manuscript
Figures (1997)
for hammerclavier, violin, violoncello (old mensural notation)
Three concentrated movements for ‘old’ instruments.
Duration: 7' 00"
SME/EMS
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CHF: 26.00
Studien für 2 Gitarren (studies for two guitars) (1997)
Both guitars in scordatura.
Duration: 8' 00"
G. Ricordi & Co. Bühnen- und Musikverlag GmbH
Stralauer Allee 1
D-10245 Berlin
BRD
Tel. +49 (030) 520071321
info@ricordi.de
www.ricordi.de
Vers (1997)
for two cellos
Duration: 3' 00"
SME/EMS
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CHF: 13.00
Andere Kinderstücke (1997)
for piano or pianoforte
Duration: 3' 00"
Manuscript
Capriccio I/b (1997)
for violin solo, 1 percussionist and strings
Duration: 7' 00"
Manuscript
Canones nach Arnold Schönberg (1998)
for clarinet, mandolin, guitar and string trio
Duration: 4' 00"
Manuscript
Jumelles (1998)
for violin and organ
Duration: 5' 00"
SME/EMS
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CHF: 16.00
(Violin part: SME sFr. 10.-; € 6.60)
Quintette pour St. Julien (1998)
for wind quintet
Duration: 9' 00"
Manuscript
Vehicules (1998)
for lute and harpsichord
Duration: 7' 00"
Deutsche Lautengesellschaft

Postkartengruss für K.H. (1999)
for flute, violin, viola, violoncello, guitar, piano and percussion
Duration: 1' 00"
Manuscript
Contes obliques I+II (2000)
for piano
Duration: 5' 00"
Manuscript
"schwerverstimmt" (2000-2001)
for viola
Duration: 4' 00"
Manuscript
Nouveaux contes obliques (2001)
for 4-handed piano
Duration: 10' 00"
SME/EMS
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CHF: 34.00
Oïmé (2001)
for mezzo-soprano (vocalise) and liuto forte
Duration: 3' 00"
SME/EMS
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CHF: 16.00
Pipia (2002)
for flute (piccolo) and piano
Duration: 6' 00"
Manuscript
Kreuzungen (2002)
for six cellos (or more)
Suitable for a student ensemble.
Duration: 10' 00"
Manuscript
Pavane (d'après Robert Johnson) (2003)
for four clarinets (Eb high, b, Eb deep, bass)
Duration: 4' 00"
Manuscript
Cas obliques I, II, III (1993-2004)
for oboe, bass clarinet, bassoon, horn and piano
Duration: 6' 00"
SME/EMS
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CHF: 34.00
Oïmé (2004)
for (Baroque)violin and harpsichord (or piano)
Duration: 7' 00"
SME/EMS
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Zwei Studien (2 studies) (2004)
for clavichord
Duration: 3' 00"
Manuscript
incompletamente (2004)
for soprano/tenor, flute/alto flute, oboe/oboe d'amore, clarinet in A/E-flat, guitar, clavichord/celesta, violoncello, percussion(1)
Texts: Juan Gelman
Duration: 17' 00"
Manuscript
Trois plaintes (2004)
for solo voice
Duration: 5' 00"
Manuscript
Seis caprichos sobre poemas de Luis Alberto Crespo (2004)
for soprano
Duration: 8' 00"
Manuscript
Etude IV (2004)
for harpsichord or grand piano
Duration: 4' 00"
Manuscript
Seis caprichos sobre poemas de Luis Alberto Crespo (2004-2005)
for 3 singers
Trio version of the solo.
Duration: 5' 00"
Manuscript
Mauerstück (2005)
for 3 female speakers/singers
Texts: Jean-Jacques Dünki
Duration: 3' 00"
Manuscript
Ingrimm (2005)
for 3 female speakers/singers, flute, oboe d'amore, bass clarinet, viola and percussion
Texts: Gebrüder Grimm
Duration: 14' 00"
Manuscript
¿oíste/corazón? (Hörst du, mein Herz?) (2005-2006)
Musical reflection over a poem by Juan Gelman
for flute/alto flute, bass clarinet, viola, guitar, percussion and electronic tape
Juan Gelman, born in 1930 the child of Ukranian-Jewish parents in Buenos Aires, fled in 1975 from the Argentinean military dictatorship via Rome to Mexico where he still lives today. His poetry is among my strongest impressions of South American literature. Gelman wrote the poem 'otras partes' in Rome in 1981. It commemorates the dead and the haunted of the military dictatorship during the seventies in Argentina and conceptualises a continued life for the escapees.
I did not want to simply musicalise Gelman's poem, which is why I left the voice of the poet to the poet himself in a reading from April 4, 2000 in Montevideo, where his voice sounds over a loud speaker. Three layers of music on the clavichord, the most reticent and vulnerable of all keyboard instruments, accompanies the voice: a continuous improvisation layer in eight different patterns (mostly generated directly on the chords of the instrument), strewn fragments and a "musicalisation" of the ten verses of the poem on the clavichord.
Cornelius Bohn produced the electronic tape for '¿oíste/corazón' in February and March 2006 at the electronic studio of the Basel Academy of Music.
For this purpose five instrumentalists play short, notated and improvised interjections each "reciting" the poem in their own way. Again there is a thread: my piece for wood flute and guitar from 1991/94 'Nulla dies'. During composition I feel less like a composer and more like carpet weaver. The most difficult task was to bring together the free-floating elements in a time based order within the immense room opened up by the poem. The calm voice of the poet is often in contrast to the restlessness of the instruments. I understand the heterogeneous whole as an attempt, in the sense of Gelman, to give a voice to those who are no longer able to speak.
Duration: 11' 00"
Manuscript
Kammerstück I (2002-2008)
for clarinet, pianoforte, viola and guitar
Duration: 7' 00"
Manuscript
Un retour de Cythère (2006-2007)
Conte fantastique
for 15 instruments (1.1.1.1/1.1.1.0/perc/pf/1.1.1.1.1) and recorded tape
"My composition for chamber ensemble with fifteen instrumentalists and recorded tape is a journey of sound through an imaginary Aegean sea. My fictional anti-hero brings back a single trunk containing poems by Baudelaire, Heine and Lord Byron from Kythera, immortalised in Watteaus' painting and known as the "Island of Love" since antiquity. Thus, in my "fantastic tale", the poetic word is as omnipresent as the sound of the waves and the wind, sometimes mumbled, other times clear and comprehensible as it emanates from the loudspeakers, but mostly it is integrated into the instrumental play. For the background I took a fine carpet woven out of recorded clavichord pieces and improvisations. This composition contains "constants" and "variables", that is to say aleatoric sound elements. The excerpts in this piece (rarely identifiable) pertain to earlier works by myself, however, they are also reverences to great influences. I would compare the whole piece to an archipelago of islands and islets. It was a commissioned piece for the "Amplitudes" festival in La Chaux-de-Fonds and celebrated its word premiere on May 9, 2007 by the Nouvel Ensemble Contemporain under the baton of Pierre-Alain Monot."
Duration: 24' 00"
Manuscript
Etude V (2007)
for clavichord
Duration: 4' 00"
Manuscript
Trois fragments du "retour de Cythère" (2008)
for piano
Duration: 3' 00"
SME/EMS
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CHF: 16.00
"bas-fonds" (2008)
for flute, viola d'amore, clavichord
Duration: 9' 00"
Manuscript
"Toccata XI de G. Frescobaldi" (2008)
for flute (430 Hz), clarinet (430 Hz), salterio (415 Hz), clavichord (415 Hz)
Duration: 4' 00"
Manuscript
...ins... (2008-2009)
Scenes
for string quintet (2.2.1)
Duration: 19' 00"
Manuscript
Schumann-Momente (2010)
for oboe, clarinet, horn, viola, violoncello, double bass (piano, only pedal pressed)
Duration: 9' 00"
Manuscript
Étude II, "nulle part" (2011-2012)
for clavichord (pf)
Duration: 4' 00"
Manuscript
Madrigaux (2011-2012)
for string quartet
Duration: 18' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 42.00
Repertory
Jean-Jacques Dünki: Tétraptéron 0-IV for piano, harpsichord, celesta and clavichord
Alfred Zimmerlin: Piano Piece 5 for grand piano with scordatura
Alfred Zimmerlin: Clavierstück 4 for any keyboard instrument (harpsichord, piano, clavichord, organ, harmonium, keyboard)
Alfred Zimmerlin: Quintet for clarinet in A, two violins, viola and violoncello
Diskographie
Ensemble TaG Neue Musik Winterthur (Edition Musiques Suisse Nr. CTS-M 87, 2003)
Werke:
Dünki, Jean-Jacques: Canones nach Arnold Schönberg (1998)
Kelterborn, Rudolf: Ensemble-Buch III (1997)
Voegelin, Fritz: Thebaïs (1994)
Stauder, Andréas: Gloriette (2000)
Mit weiteren Werken von: Yori-Aki Matsudaïra, Faradsch Karajev
Info: www.fonoteca.ch
Ensemble TaG, Winterthur (Grammont Porträt Nr. 87, 2003)
Interpreten:
Monot, Pierre-Alain
Jäggin, Christoph
Cuendet, Olivier
Werke:
Dünki, Jean-Jacques: Canones nach Arnold Schönberg (1998)
Kelterborn, Rudolf: Ensemble-Buch III (1997)
Voegelin, Fritz: Thebaïs (1994)
Stauder, Andréas: Gloriette (2000)
Mit weiteren Werken von: Yori-Aki Matsudaïra, Faradsch Karajev
Info: www.fonoteca.ch
Spielmannsweisen. Schweizer Lieder zwischen Romantik und Moderne (Musikszene Schweiz Nr. MGB 6179, 2001)
Interpreten:
Dünki, Jean-Jacques
Werke:
Burkhard, Willy: Neun Lieder auf Texte von Christian Morgenstern, op. 70 (1943-1944)
Schoeck, Othmar: Spielmannsweisen, op. 56 (1944)
Andreae, Volkmar: Der Spielmann, op. 5 (1903)
Mieg, Peter: Drei Gesänge nach Hofmannsthal (1968)
Mit weiteren Werken von: Friedrich Hegar, Hans Huber
Info: www.fonoteca.ch
Alfred Zimmerlin (Edition Wandelweiser Records Nr. 9605, 2000)
Interpreten:
Dünki, Jean-Jacques
Frey, Jürg
Moster, Tobias
Werke:
Zimmerlin, Alfred: Clavierstück 4 (1992)
Zimmerlin, Alfred: Klavierstück 5 (1990-1992)
Zimmerlin, Alfred: Quintett (1989-1990)
Tetraclavier (Jecklin Szene Schweiz Nr. 289-2, 1993)
Interpreten:
Dünki, Jean-Jacques
Sublet, Pierre
Werke:
Dünki, Jean-Jacques: Tétraptéron 0-IV (1981-1992)
Glaus, Daniel: Toccata per Girolamo (... pour Claude) (1985)
Pepi Alós, Jorge: Metamorfosis I (1989)
Zimmerlin, Alfred: Klavierstück 2 (1985)
Mit weiteren Werken von: Karlheinz Stockhausen
Info: www.fonoteca.ch
Bibliography
Dünki, Jean-Jacques: Schönbergs Zeichen. Wege zur Interpretation seiner Klaviermusik, Lafite, Wien 2005
Dünki, Jean-Jacques: Zeichen setzen Zeichen lesen. Zu einigen Vortragsbezeichnungen in Robert Schumanns "Intermezzo" op. 2/4 für KLavier, in: Dissonanz 113 (2011), S. 44-51 [Internet]
Ensembles