Adolf Wölfli (1980-1981)Short opera after Adolf Wölfli
for baritone, oboe, Enlish horn, bass clarinet, bassoon, prepared piano, 2 violines, viola, violoncello, double bass and tape
Duration: 25' 00"
Universal Edition
Sextett (1982)for 3 violins and 3 violoncelli
Duration: 3' 00"
Universal Edition
Quasi una Tânpûrâ (1990-1991)for chamber orchestra (1.0.1.0/1.0.1.1/2perc/preppf/3.2.2.1)
Duration: 28' 00"
Universal Edition
"... sodaß ich's hernach mit einem Blick gleichsam wie ein schönes Bild ... im Geist übersehe" (1990-1991)for string orchestra (10.6.64.2)
Duration: 16' 00"
Universal Edition
"... Schatten ... durch unausdenkliche Wälder" (1992)for 2 pianos and 2 percussion instruments
Schichtung, Schwingung, Abbruch.
In memoriam Richard H. Stern.
"...while I bring the invisible protagonist before the curtain..." (for Gösta Neuwirth).
Duration: 24' 00"
Universal Edition
Descendiendo (1993)for large orchestra (4.3.4.3.2sx/6.4.4.1/8perc/pf.2hp.2acn/str)
Duration: 30' 00"
Universal Edition
"...." (1994)Double concert
for accordion, viola and chamber ensemble (2cl/2tbn/perc/hpd/2vn.va.2vc.db)
Duration: 14' 00"
Universal Edition
"... über den Atem, die Stille und die Zerbrechlichkeit..." (1994)Attempt
for 7 brass instruments (2hn, 2tpt, 2tbn, btba)
Duration: 23' 00"
Universal Edition
Sextett (1992-1996)for flute, clarinet, percussion, piano, violin and violoncello
Duration: 15' 00"
Universal Edition
"... Einklang freier Wesen ..." (1994-1996)for 10 instruments (bfl, bcl, tpt, tbn, btba, 2perc, va, vc, db)
In addition to being a piece for ensemble, "... Einklang freier Wesen ..." can also be performed by smaller formations. All works in the reduced versions carry the title "... aus freier Lust ... verbunden ...".
Duration: 11' 00"
Universal Edition
"... aus freier Lust ... verbunden ..." (1994-1996)for percussion I
Duration: 1' 00"
Universal Edition
"... aus freier Lust ... verbunden ..." (1994-1996)for trombone
Duration: 11' 00"
Universal Edition
"... aus freier Lust ... verbunden ..." (1994-1996)for violoncello
Duration: 11' 00"
Universal Edition
"... aus freier Lust ... verbunden ..." (1994-1996)for 7 instruments (bfl, bcl, 2perc, va, vc, db)
Duration: 11' 00"
Universal Edition
"... aus freier Lust ... verbunden ..." (1994-1996)for double bass
Duration: 11' 00"
Universal Edition
"... aus freier Lust ... verbunden ..." (1994-1996)for viola
Duration: 11' 00"
Universal Edition
"... aus freier Lust ... verbunden ..." (1994-1996)for viola, violoncello and double bass
Duration: 11' 00"
Universal Edition
"... aus freier Lust ... verbunden ..." (1994-1996)for bass tuba
Duration: 11' 00"
Universal Edition
"... aus freier Lust ... verbunden ..." (1994-1996)for trumpet in C
Duration: 11' 00"
Universal Edition
"... aus freier Lust ... verbunden ..." (1994-1996)for 2 percussionists
Duration: 11' 00"
Universal Edition
"... aus freier Lust ... verbunden ..." (1994-1996)for bass clarinet
Duration: 11' 00"
Universal Edition
"... aus freier Lust ... verbunden ..." (1994-1996)for percussion II
Duration: 11' 00"
Universal Edition
"... aus freier Lust ... verbunden ..." (1994-1996)for bass flute, bass clarinet and 2 percussionists
Duration: 11' 00"
Universal Edition
"... aus freier Lust ... verbunden ..." (1994-1996)for bass flute
Duration: 11' 00"
Universal Edition
Nacht (1995-1996/98)Chamber pera in 24 scenes
After Friedrich Hölderlin (Hyperion, Empedokles, Oedipus, Letters).
Roles: Soprano, mezzo soprano, tenor, baritone, bass, speaker
Instrumentation: 1.0.2.1/0.0.3.2/4perc/acn/1.1.1.4.3
Duration: 75' 00"
Universal Edition
Fremde Welten (1997)Concert
for piano and 20 strings (8.5.4.3)
Duration: 27' 00"
Universal Edition
1. Streichquartett (1st string quartet) (1997)Duration: 30' 00"
Universal Edition
2. Streichquartett (2nd string quartet) (1998)Duration: 18' 00"
Universal Edition
Monodie (1998-1999)for 18 instruments (1.1.2.1/1.1.1.0/2perc/hp/1.1.2.2.1)
Duration: 15' 00"
Universal Edition
Wer, wenn ich schriee, hörte mich... (1999)for percussion and ensemble (1.1.2.1.ssx/1.2.2.1/perc/acn/3.2.2.1)
Duration: 25' 00"
Universal Edition
Nach-Ruf ... ent-gleitend ... (1999)for flute, oboe, clarinet, violin, viola and violoncello
Duration: 16' 00"
Universal Edition
Torso (1999-2000/01)for large orchestra (4.3.4.4.2sx/5.4.3.1/timp.2perc/2hp.acn/12.10.8.8.6)
After the unfinished piano sonata in C major D840 by Franz Schubert.
Duration: 40' 00"
Universal Edition
in vain (2000)for 24 instruments (2.1.2.1.sx/2.0.2.0/2perc/pf.hp.acn/3.2.2.1)
In conjunction with a visual implementation (light management).
Duration: 70' 00"
Universal Edition
Blumenstück (2000)for choir (8.8.8.8), bass tuba and string quintet
Text source: "Siebenkäs" by Jean Paul.
Duration: 18' 00"
Universal Edition
lied (2000)for tenor and 2 percussionists
Texts: Süsskind von Trimberg
Duration: 5' 00"
Universal Edition
olo für Viola d'amore (solo for viola d'amore) (2000)Duration: 15' 00"
Universal Edition
tria ex uno (2001)Sextet
for flute, clarinet, percussion, piano, violin and violoncello
Duration: 12' 00"
Universal Edition
de terrae fine (2001)for violin solo
Duration: 17' 00"
Universal Edition
flow and friction (2001)Small study
for four-handed sixteenth tone piano
Duration: 9' 00"
Universal Edition
"In iij Noct." (2001)3rd string quartet
This piece is performed in total darkness, the musicians play from memory. The score contains notes and elaborate instructions.
Duration: variabel
Universal Edition
"für Hans Landesmann" (2001-2002)for 12 instruments (0.0.2.0.sx/1.1.1.0/perc/hp.acn/vn.va.vc)
Duration: 7' 00"
Universal Edition
ein Saitenspiel (2002)for re-tuned discant zither
Duration: 4' 00"
Universal Edition
Die schöne Wunde (2002-2003)Opera in two acts
After Franz Kafka's "Ein Landarzt" and Edgar Allan Poe's "The Pit and the Pendulum".
Roles:
Prisoner - baritone
Country doctor and the 7th white candle - bass
Julia, Baucis, the sister, Rosa Luxemburg II, the 1st white candle - soprano
Rosa, the mother, Rosa Luxemburg III, the 2nd white candle - mezzo-soprano
Romeo, Philemon, the ill boy, the 4th white candle - counter tenor
Horsehand, the old one, the 5th white candle - tenor
Enthusiast, the 6th white candle - actors
Choir: 5.5.5.4 "choir of the family/neighbourhood of the ill boy", "the judge's choir", "the rat's choir"
Score: 2.1.2.1.sx/2.2.2.1/3perc/hp.pf.acn.cel/4.2.2.1
8 musical statistics: 5vc, 3db
Duration: 2h 30' 00"
Universal Edition
Natures mortes (2003)for large orchestra (3.3.4.3.2sx/4.3.4.1/4perc/hp.pf.acn/10.8.8.8.6)
Duration: 26' 00"
Universal Edition
4. Streichquartett (4th string quartet) (2003)for string quartet and live electronics
Duration: variabel
Universal Edition
Konzert (concert) (2003-2004)for violoncello and orchestra (4.4.4.4/6.4.4.1/timp.3perc/12.12.10.8.6)
Duration: 30' 00"
Universal Edition
RITUAL (2004)Open-air music
for 12 large drums and 3 brass bands with church bells ad lib
Duration: 70' 00"
Universal Edition
Rondeau (2004)for ensemble (also suitable for amateur or student ensemble)
Duration: 14' 00"
Universal Edition
Finale (2004)for flute
Duration: 10' 00"
Universal Edition
Haiku (2004)for baritone and ten instruments (ob, bn, 2perc, hp, pf, acn, vn, vc, db)
Duration: 15' 00"
Universal Edition
Poème (2005)for large orchestra (4.4.4.4/6.4.4.1/2timp.4perc/18.16.11.11.9)
Duration: 7' 00"
Universal Edition
7 Klangräume (2005)To the incompete fragments of W. A. Mozart's Requiem
for choir and orchestra (0.0.0.2/0.2.3.0.bsthn/perc/org/6.5.4.3.3)
Duration: 28' 00"
Universal Edition
3 Liebesgedichte (2005)for 6 voices (SMezATBar)
Texts: August Stramm
Blüte - Heimlichkeit - Spiel.
Duration: 12' 00"
Universal Edition
....... (2006)
for viola and 6 voices
Vocalists.
Duration: 15' 00"-16' 00"
Manuscript
Sayaka (2006)for percussion and accordion
Duration: 9' 00"
Universal Edition
Hertervig-Studien (2006)for 6 voices
Duration: 20' 00"
Universal Edition
Hyperion (2006)Concert
for light and orchestra (3.3.3.3.tsx.bsx/4.3.3.2/4perc/2pf.pf(tuned normally)/14.12.10.8.6)
Universal Edition
Melancholia (2006-2007)Opera in three parts
for 24 chorists, 10 soloists and orchestra (1.1.1.1.sx/2.1.1.0/2perc/pf.acn/4.2.3.2)
After the first episode of Jon Fosse's novel "Melancholie".
Duration: 90' 00"
Universal Edition
... in progress (2007)for chamber ensemble (fl, cl, hn, tbn, perc, pf, str(10))
Universal Edition
Quartett (2007)for 4 guitars
Universal Edition
ins Licht (2007)Trio
for violin, violoncello and piano
Universal Edition
Bruchstück (2007)for large orchestra (4.4.4.4/8.4.4.2/4perc/16.14.12.10.8)
Duration: 30' 00"
Universal Edition
REMIX (2007)for chamber ensemble (1.1.1.1/1.1.1.0/2perc/pf/string quintet)
Duration: 25' 00"
Universal Edition
Konzert (concert) (2007)for piano and orchestra (3.3.3.3/4.3.3.1/3perc/14.12.10.8.6)
Duration: 25' 00"
Universal Edition
5. Streichquartett (5th string quartet) (2007)Duration: 22' 00"
Universal Edition
Open Spaces (2007)for 12 string instruments (6.2.2.2) and 2 percussion
Duration: 16' 00"
Universal Edition
Open Spaces II (2007)for 12 string instruments (6.2.2.2) and 2 percussion
Version for four-part spatial arrangement of the instruments.
Duration: 16' 00"
Universal Edition
Konzert (concert) (2008)for baritone saxophone andorchestra (3.3.3.3/4.3.4.1/3perc/str)
Duration: 25' 00"
Universal Edition
Haas, Georg Friedrich: Grundlagen für eine neue Musiktheorie. Sechs Thesen, in:
Dissonanz 117 (2012), S. 15-21 [
Internet]
Neufeld, Marc: Was ist Musiktheorie? Erweiterter Bericht über eine Zürcher Podiumsdiskussion aus Anlass von Georg Friedrich Haas' "Grundlagen für eine neue Musiktheorie. Sechs Thesen" (dissonance 117, März 2012, S. 15-21), in:
Dissonanz 121 (2013), S. 67-68 [
Internet]
Pohlit, Stefan: Unterwegs zu einer Epistemologie des Tons, in: Dissonanz 121 (2013), S. 54-55
Meyer, Thomas: Am oberen Limit? Neue Musik am Lucerne Festival 2011, in:
Dissonanz 116 (2011), S. 60-61 [
Internet]
Kunkel, Michael: Quasi un attraversamento - Saxophonmehrklänge in Kunst und Forschung von Giorgio Netti, Marcus Weiss und Georg Friedrich Haas, in:
Dissonanz (Juni 2010) 110 (2010), S. 20-35 [
Internet]
Knipper, Till: "Ich leiste mir den Luxus...". Die Bedeutung von Tonsystemen in der Oper "Melancholia" von Georg Friedrich Haas, in: Dissonanz 108 (2009), S. 38-41
Topolski, Jan: Le fantôme du spectralisme circule en europe. Des inspirations et des filations spectrales chez Fausto Romitelli, Georg Friedrich Haas, Pawel Mykietyn et quelques autres, in:
Dissonanz 107 (2009), S. 22-28 [
Internet]