Sechs Lieder (1956-1957/03)
for soprano and piano
Texts: Christian Morgenstern
Comparable to Alban Berg - whose 'Sieben frühe Lieder' also shine through on a musical level - Heinz Holliger searched over many years for quixotic songs of youth, adapted them a shade and scored them for orchestra. Despite their use in this edition as a reduction for piano, their original purpose is still apparent: a further building block in the great tradition of the German 'Klavierlied'.
I. Vorfrühling
II. Der Abend
III. Schmetterling
IV. Vöglein Schwermut
V. Vor Sonnenaufgang
VI. Herbst
Duration: 12' 00"

Sechs Lieder (1956-1967/03)
for soprano and orchestra (2(2pic, afl).2(2ca).2(bcl).2(2cbn)/2.2.0.0/perc (glsp.tubular bells.mar.cym.tam.lrgedm.glass chimes) (2 players)/hp.cel/str(8.7.6.5.4)or(8.6.5.4.3))
Texts: Christian Morgenstern
Comparable to Alban Berg - whose 'Sieben frühe Lieder' also shine through on a musical level - Heinz Holliger searched over many years for quixotic songs of youth, adapted them a shade and scored them for orchestra.
I. Vorfrühling
II. Der Abend
III. Schmetterling
IV. Vöglein Schwermut
V. Vor Sonnenaufgang
VI. Herbst
Duration: 12' 00"

Zwei Jugendlieder (1956-1957/03)
for 16 voices (SSSSAAAATTTTBBBB)
Texts: Christian Morgenstern
Arranged by: Clytus Gottwald
I Vöglein Schwermut
II Herbst
Duration: 5' 00"

Sonate (1956-1957/99)
for oboe solo
Heinz Holliger has developed and influenced 20th century oboe playing like no other. His early oboe sonata is not only a virtuosic cabinet piece for concert and composition, the 'Capriccio' exhibits a high contrapuntal art and the 'Aria' deep sentiment.
Präludium
Capriccio
Aria
Finale
Duration: 15' 00"

Choral (1957)
for oboe and organ
Duration: 5' 00"
Manuscript

Sonatine (1958)
for piano
Duration: 8' 00"

Vier japanische Gedichte (1958)
for soprano, flute, viola and harp
Duration: 2' 00"

Advent (1959)
Motet
for soprano, alto and mixed choir
Texts: August Strindberg
Based on the mystery play 'Advent' by August Strindberg.
Duration: 12' 00"

3 Liebeslieder (1960)
for alto and orchestra (2(pic).2(ca).2(bcl).2(cbn)/2.4.2.0/timp/pf.cel.hp/str)
Texts: Georg Trakl
Duration: 9' 00"

Dörfliche Motive (1960-1961/94)
Bagatelles
for soprano and piano
Texts: Alexander Xaver Gwerder
Duration: 4' 00"

Erde und Himmel. Kleine Kantate nach Texten von Alexander Xaver Gwerder (Earth and Heaven. Short Cantata after Texts by A. X. Gwerder) (1961)
Short cantata based on a text by Alexander Xaver Gwerder
for tenor, flute, violin, viola, violoncello and harp
Texts: Alexander Xaver Gwerder
I. Erde und Himmel "Ich stehe am Ufer und male"; II. 1st interludel; III. Rondo "Ich bin wie schon gestorben"; IV. 2nd interlude; V. Die letzte Stunde "Dies ist die letzte Stunde".
Duration: 8' 00"

Elis. Drei Nachtstücke (Three Nocturnes) (1961)
Three night pieces
for piano
Duration: 6' 00"

Schwarzgewobene Trauer (1961-1962/66)
Study
for soprano, oboe, violoncello and harpsichord
Texts: Heinz Weder
Based on a poem by Heinz Weder. I. Nacht der grenzenlosen Kontinente (Night of the Boundless Continents); 1st Interlude (Cadenza); II. Im Schneestern (In the Snowflake), 2nd Interlude (Recitative); III. Kühl schwebt der Tag (The Day Floats with Freshness).
Duration: 6' 00"

Mobile (1962)
for oboe and harp
Duration: 12' 00"

Sequenzen über Johannes I, 32 (1962)
for harp
Duration: 4' 00"

Four Miniatures (1962-1963)
for soprano, oboe d'amore, celesta and harp
Texts: Mechthild von Magdeburg, Anonymus
I. Doppel-Herzkanon; II. Carillon; III. Bicinium; IV. Double.
Duration: 6' 00"

Elis (1961-1963/73)
Three nocturnes
version for orchestra (2(2pic).2.2(bcl).2(cbn)/3.3.2.1/perc(
The three nocturnes for piano were written in 1961. Although the three pieces (based on poems by Georg Trakl) were created for the specific characteristics of piano sound, I tried in 1963 to transpose this "Elis" music to an orchestra (it turned out to be a preliminary work for my scenic project "Der magische Tänzer" 1963/65). Next to a well differentiated organisation of tone colours, I put the main focus on getting the important pedal-resonances of the piano version into the score. I also made a version for orchestra of the 2nd nocturne in 1973 and tried to simplify the metric structure (originating from the use of Indian rhythms) of all three pieces.
The following lines from Georg Trakl's "Elis" poems stand as a motto before the three pieces:
I. "Elis, wenn die Amsel im
Schwarzen Walde ruft,
Dieses ist dein Untergang."
(aus "An den Knaben Elis")
II. "Blaue Tauben
Trinken nachts den eisigen
Schweiß
Der von Elis' kristalliner Stirne
Rinnt."
(aus "Elis II")
III. "Ein goldener Kahn
Schaukelt, Elis, dein Herz am
Einsamen Himmel."
(aus "Elis I")
Duration: 6' 00"

Glühende Rätsel (1964)
for an alto voice and ten instrumentalists (fl, bcl(cbcl), va, cimb, cel, hp, 5 perc)
Texts: Nelly Sachs
Text: Nelly Sachs.
Duration: 15' 00"

Der magische Tänzer (1963-1965)
for two dancers, two singers, choir, orchestra (3.2.2.3/3.3.3.1/2perc/hp.pf.cel/12.0.7.6.6) and electronic tape
Texts: Nelly Sachs
1. Concertante version for 2 singers, choir and orchestra
2. Versuch eines Ausbruchs, 2 scenes for 2 dancers (marionettes), 2 singers, choir, orchestra and tape
Duration: 35' 00"

Trio for Oboe (Cor Anglais), Viola and Harp (1966)
Duration: 14' 00"-15' 00"

Siebengesang (1966-1967)
for singing voices, oboe, loud speaker and orchestra (2.2.2.1/2.2.2.1/3perc/2hp.cel.pf/7.0.5.4.3)
Texts: Georg Trakl
Duration: 21' 00"

"h" (1968)
for wind quintet
Duration: 11' 00"

Dona nobis pacem (1968-1969)
for twelve singing voices
Duration: 15' 00"

Kadenzen zum Englischhornkonzert von Joseph Fiala (1970)
for cor anglais solo
Duration: 3' 00"
Manuscript

Pneuma (1970)
for thirty-four wind instruments (4.4.4.4/4.4.4.2/4melodica.4rec head joints), organ, four percussionists and four radios
Duration: 16' 00"

Psalm (1971)
for mixed choir
Texts: Paul Celan
Duration: 11' 00"

Cardiophonie (1971)
for a wind instrument and three magnetophones
A version for oboe and trombone is also available.
Duration: 13' 00"

Lied (1971)
for flute solo
Duration: 4' 00"

Studie über Mehrklänge (1971)
for oboe solo
Duration: 4' 30"

Kreis (1971-1972)
for between four and seven players
Duration: 14' 00"

String quartet (1973)
Duration: 30' 00"-35' 00"

Atembogen (1974-1975)
for orchestra (3.2afl.0.2.2bcl.cbcl.0/5.0.0.0/6.6.6.6.6)
Duration: 25' 00"

Chaconne (1975)
for violoncello solo
Duration: 10' 00"

Die Jahreszeiten (part of the 'Scardanelli' cycle) (1975-1979)
Lieder after poems from Scardanelli (Hölderlin)
for mixed a-cappella choir
Duration: 2h 00"

Come and go (1976-1977)
Chamber opera
for three flutes or three clarinets or three violas
Texts: Samuel Beckett
Duration: 35' 00"

Exercises for Scardanelli (part of the 'Scardanelli' cycle) (1978-1991)
for small orchestra (2(fl, 2pic).2(ca, obdam).2(bcl).cbcl.2/1(small tpt in high B).1.0.perc(xylorimba.vib.mar.17 Japanese temple bells [=rin].cym.Chinese cym.gong.water gong.tam.tom.lrge dm.superball.darabukka.bull roarer.wind tube.2sandbl.sandpaper.corrugated cardboard)(3 players)/hp.pf/str(1.1.2.2.1 [min. 5 strings].natural lute(dried leaves in a box.dried twigs.glass shards/stones in a metal mortar.sand or small stones on a tambourine.water in a bottle to pour on a well-resonating surface), tape and 4-5 female voices ad lib.
I. Ad marginem (1983) (8')
II. Bruchstücke [from Turm-Musik] (1984)
III. Choral à 4 (1983) (3')
IV. Choral à 8 (1983) (3')
V. Eisblumen (1985) (6')
VI. Engführung (1983/84) (9')
VII. Der ferne Klang (1983/84) (7')
VIII. Glockenalphabet [from Turm-Musik] (1984)
IX. Schaufelrad (1984) (8')
X. Sommerkanon IV (1978) (2')
XI Ostinato funebre (1991) (10')
Duration: 65' 00"

Sommerkanon IV (1978)
for chamber ensemble (fl(or hn).afl.obdam.ca.cl.hn(or fl)/va.2vc)
From "Übungen zu Scardanelli".
Duration: 2' 00"

Not I (1978-1980)
Melodrama / monodrama
for soprano and electronic tape
Texts: Samuel Beckett
Duration: 35' 00"

5 Stücke für Orgel und Tonband (1980)
Duration: 23' 00"

(t)air(e) (part of the 'Scardanelli' cycle) (1980-1983)
for flute solo
Duration: 14' 00"

Trema (1981)
for viola (or violoncello or violin) solo
Version for violoncello solo 1981; version for violin solo 1983.
Duration: 13' 00"

Studie Nr. 2 (1981)
for oboe
Duration: 7' 30"

Duo (1982)
for violin and violoncello
Duration: 6' 00"

Vier Lieder ohne Worte (1982-1983)
for violin and piano
Duration: 17' 00"

Choral à 8 (1983)
for chamber ensemble (0.0.1.bcl.0/2.0.0.0/1.1.2.2.0)
From "Übungen zu Scardanelli".
Duration: 3' 00"

Der ferne Klang (1983-1984)
for chamber orchestra and tape (pic.1.0.obdam.ca.2.1/1.0.0.0/1.0.2.1.0)
From "Übungen zu Scardanelli".
The tape (38 cm stereo) is available from the Electronic Studio of the Musikakademie Basel.
Duration: 7' 00"

Ad marginem (1983)
for chamber orchestra (2.0.2.0/str(1.1.2.2.1) and tape
From "Uebungen zu Scardanelli".
The tape is available from the Electronic Studio of the Musikakademie Basel.
Duration: 7' 30"

Engführung (1983-1984)
for chamber orchestra (afl.obdam.ca.2.1/2.0.0.0/1.1.2.2.1)
From "Uebungen zu Scardanelli".
Duration: 8' 00"

Schaufelrad (1983-1984)
for chamber orchestra (afl.0.obdam.ca.1.2/1.1.1.0/1.0.1.1.0)
From "Uebungen zu Scardanelli".
Duration: 8' 00"

Choral à 4 (1983)
for 6 players
From "Übungen zu Scardanelli".
Possibilities for instrumentation: 2 violins, 2 violas and 2 violoncelli / alto flute, clarinet, 2 horns, viola and violoncello / English horn, clarinet, horn, trombone and 2 violoncelli
Duration: 3' 00"

Turm-Musik (Part of the "Scardanelli-Zyklus") (1984)
for flute solo (afl, bfl) small orchestra (2(afl, pic).2(obdam, ca).2(bcl).2/2.1(small tpt in high B).1(t and b).0/perc (gong.cym.2tam.lrgdm.water gong.17 Japanese temple bells.[Rin].xylorimba.3 tuned glasses.superball) (2-3 players)/pf.hp/str(1.1.2.2.1) and tape (2(afl, pic).2(1obdam, 2ca).2(2bcl).2/2.1tpt-c.1.0/3perc/hp.pf/2.2.2.1)
I. Introduktion; II. Bruchstücke; III. Choral; IV. Glockenalphabet; V. Winter ("Nel cor più non mi sento").
The tape (38cm stereo) is obtainable from the Electronics Studio of the Musikakademie Basel, Leonhardstr. 6, CH-4051 Basel.
Duration: 25' 00"

Schlafgewölk (1984)
for alto flute solo (Japanese templeblock or tubular bells ad lib.)
Alternative to the movement 'Glocken-Alphabet' from 'Turm-Musik'.
Duration: 7' 00"

Eisblumen (1985/06)
for seven string instruments (1.1.2.2.1) and small mixed choir ad lib
From "Übungen zu Scardanelli".
Duration: 6' 00"
Manuscript

Lieder ohne Worte II (Songs Without Words II) (1985-1994)
for violin and piano
Seven pieces for violin and piano (I. Frühlingslied; II. InterMezzo; III. ...fern...; IV. InterMezzo; V. ...Flammen...Schnee; VI. ...sam; VII. Berceuse matinale).
Duration: 23' 00"

Tonscherben. Orchesterfragmente in memoriam David Rokeah (1985)
Orchestral fragments in memory of David Rokeah
(4(pic,afl).3(ca).4(Ebcl,bcl).3(cbn)/4.3.3.1/4perc/hp.pf/14.12.10.8.6)
Duration: 15' 00"

Zwei Liszt-Transkriptionen (1986)
for large orchestra (4(pic,afl,bfl).3(ca).6(bcl,cbcl).3(cbn)/5.4.4.1/timp.4perc/hp/14.12.10.8.6)
Duration: 12' 00"

Quodlibet pour Aurèle (1986)
for two flutes, horn and two violins
Duration: 3' 00"

Introitus zu "Missa in festo Pentecostes" (1986)
for electronic tape
Part of a joint composition: Proprium part of the Whitsunday mass by H. Holliger, H.U. Lehmann, J. Haselbach, P. Wettstein, G. Bennett and J. Wildberger.
Duration: 8' 30"

Praeludium, Arioso und Passacaglia (1987)
for harp solo
Duration: 12' 00"

Gesänge der Frühe (1987)
for choir, large orchestra (4(2pic,afl,bfl).3(obda,ca).4(bcl,cbcl).3(cbn)/5.3.3.1/timp.perc/hp.pf/14.12.10.8.7) and electronic tape
Texts: Friedrich Hölderlin
Based on Schumann and Hölderlin.
Duration: 28' 00"

What Where. Chamber opera after a Play by Samuel Beckett (1988)
Chamber opera based on the piece by Samuel Becket
(1 baritone, 3 bass-baritones, 4 trombones, 2 percussionists)
Duration: 35' 00"

Variazioni su nulla (1988)
for four singing voices (A2TB)
Texts: Giuseppe Ungaretti
Duration: 6' 00"

Duo II (1988/94)
for violin and violoncello
Three for two - VIER Schab- und StriichZIGER - Adagi(tat)o - Mein (G)eigen - Felicity's Shake-Wag.

Duration: 10' 00"

Jisei I (1988)
for counter-tenor/alto, two tenors and bass (or four identical voices)
Texts: Japanische Dichter, Ernst Meister
Duration: 6' 00"

Jisei II (1989)
for counter-tenor/alto, two tenors and bass (or four identical voices)
Texts: Japanische Dichter
Duration: 6' 00"

Quintet for Piano and four Wind players (1989)
(oboe (also cor anglais), clarinet (also bcl), bassoon, horn)
Duration: 17' 00"

"Beiseit". Twelve Songs after Poems by Robert Walser (1990)
Twelve poems based on the poems of Robert Walser
for counter-tenor, clarinet (bcl), accordion and double-bass
Duration: 40' 00"

Alb-Chehr. Geischter- und Älplermüsig fer d'Oberwalliser Spillit (1991)
Ghosts and alp music for the Oberwalliser Spillit
for speaker and voices ad lib.
Duration: 26' 00"

Ostinato funebre (1991)
for small orchestra (2(+2pic).2.2(bcl).cbcl.2/2.1.1.0/timp(lrgedm.Chinese cym.tam [deep].tom [deep].2 Japanese temple bells[rin].bull roar.wind tube.superball.2 sandbl.sandpaper.corrugated cardboard.vib.mar.water gong)(3 players) natural lute(dried leaves in a box.dried twigs.glass shards/stones in a metal mortar.sand or small stones on a tambourine.water in a bottle to pour on a well-resonating surface))
From "Uebungen zu Scardanelli".
Duration: 10' 00"

Scardanelli-Zyklus (1975-1991)
for solo flute, small orchestra (2(2afl, pic), 2(1obdam, 2ca).2(2bcl).2/2.2tpt-c.1.0/3perc/hp/2.2.2.1), tape and mixed choir
Texts: Friedrich Hölderlin
1. "Die Jahreszeiten". Songs after poems by Scardanelli (Hölderlin) for mixed a cappella choir, in parts with instruments ad lib. (1975/78/79) (75').
2. "(t)air(e)" for flute solo (1980/83) (14').
3. "Übungen zu Scardanelli" for flute solo, small orchestra and tape (1978/85):
I. Ad marginem (1983) (8');
II. Bruchstücke [from Turm-Musik] (1984);
III. Choral à 4 (1983) (3');
IV. Choral à 8 (1983) (3');
V. Eisblumen (1985) (6');
VI. Engführung (1983/84) (9');
VII. Der ferne Klang (1983/84) (7');
VIII. Glockenalphabet [from Turm-Musik] (1984);
IX. Schaufelrad (1984) (8');
X. Sommerkanon IV (1978) (2').
XI. "Ostinato funebre" for small orchestra (1991) (10').
Many unusual percussion instruments, particularly in the part "Ostinato funebre".
The parts can also be performed separately.
Duration: 2h 30' 00"

3 Lieder (1992-1993/98)
for alto and orchestra (3(2afl.2(2ca).3.(bcl).bcl.2/4.4.2.1/timp.4perc/cel.pf.hp/gtr/14.12.10.8.6)
Texts: Georg Trakl
Duration: 17' 00"

Jisei III (1992)
for counter-tenor/alto, two tenors and bass (or four identical voices)
Texts: Heinz Holliger
Duration: 6' 00"-8' 00"

(S)irat(ó) (1992-1993)
Monody
for large orchestra (3(2pic), 3(ca).2.2bcl.cbcl.3(cbn)/4.3.4.1/timp.5perc/pf.cel.cym.hp/14.12.10.10.6)
Duration: 15' 00"

Zwei Lieder nach Gedichten von Georg Trakl (1992-1993)
for alto and large orchestra (3(2afl).2(2ca).3(bcl).bcl.2/4.4.2.1/4perc/pf.hp.cel.gtr/14.12.10.8.6)
1. Winterabend
2. Nachtlied
Duration: 14' 00"

Fünf Lieder nach Gedichten von Georg Trakl (1992-2006)
for alto and large orchestra (3(2afl).2(2ca).3(2. and 3. bcl).cbcl.2/4.4.2.1/4perc/pf.hp.cel.gtr/14.12.10.8.6)
I Ein Winterabend
II Nachtlied
III Rondel
IV Untergang
V Trompeten
Duration: 37' 00"

Concerto for Violin and Orchestra "Hommage à Louis Sutter" (1993-1995/02)
(3(3pic,3.afl).3(3.ca).4(2.cl-a,3.+4.bcl).2/3.3.3/timp.3perc/hp.cym.cel/6.6.4.4.3)
Duration: 24' 00"

Chinderliecht (1993-1995)
for piano
"Chinderliecht": Schtückli für chliini u grossi Ching ou zum Erzeue und zum Mitsinge.
"Kinderleicht": A small piece for big and small children to narrate and sing along to.
Duration: 12' 00"

Mileva-Lieder (1994)
for soprano, piano and three instruments
Texts: Mileva Demenga
Duration: 12' 00"

Voi(es)x métallique(s) (1994-2000)
"Zinnessang"
for a hidden percussionist
Duration: 15' 00"

Sonate (in)solit(aire) (1995-1996)
for flute solo
Sonate (in)solit(aire) also known as 'le Piemontois Jurassien' or 'de Tramelan-dessus à Hameau-dessus'.
Duration: 16' 00"

Sieben Stücke (1995-2006)
for oboe (also oboe d'amore) and harp
Duration: 20' 00"

Für Rolf (1996)
version for flute (alto flute ad lib.), English horn and bass clarinet in B
Duration: 2' 00"

Für Rolf (1996-1999)
version for flute (also pic), eb clarinet, English horn, contrabass clarinet in B (or bass clarinet in B or bassoon)
Duration: 2' 00"

Dunkle Spiegel (1996)
for baritone SMezATB and ensemble (2bcl.cbcl/4tbn/perc.hpd(org).hp/2va.2vc)
Texts: Nelly Sachs, Fernando Pessoa, Johannes von Tepl, Bibel / Liturgie
Duration: 27' 00"

Lieder aus 50 Jahren (1956-1997)
for soprano and harp
"Valeria-Lieder" from Clemens Brentano's "Ponce de Leon" 1803:
O süsser Liebes-Schmerz
O böse Sklaverey
Ich wollt ein Sträußlein binden
Wenn die Sonne weggegangen
Nach Sevilla
"Der Abend" and "Schmetterling" from "6 Lieder" (Christian Morgenstern)
"Langsam" and "Auf der Wölbung" (N°. 3 and 4 from "4 japanische Gedichte")
"Die Hand im Gras" (from "Dörfliche Motive")
"Rondel" (Georg Trakl)
"Emily Dickinson Song" (To Elliott with Love
for soprano or oboe d'amore and Harfe)
"Zwei Linien, sich findend" (for soprano or oboe d'amore and harp)

Schneewitchen (1997-1998)
Opera
Texts: Robert Walser
Instrumentation: 2(both with pic and afl).2(2. with ca).3(2.,3. with bcl).2(2. with cbn)/2.2.2.1/4perc (tri.tubularbells.crotales.4gongs.3hg.cymbalpair.3tam.3tom.4bongo.2woodentom.paradedrum.4mar.guiro.geophone.2sandbl.2panlids.2metalbl.washboard with thimbles.bellchimes.metalchimes.glasschimes.bamboochimes.glass shards and stones in a clay pot.paper.sandpaper on tam.watergong.windmachine.hyoshigi.rod.ratchet.angle grinder.singingsaw.lotusfl.raintree.anvil.clav.stringdrum.superball.glock.vib.marimba)(4 players)/hp.cel.glassharmonica.acn/str(1.1.2.2.1)
Cast: Snow White – soprano; Queen – mezzo; Prince – tenor; Hunter – baritone; King - bass
Duration: 2h 00"

Vier Epigramme (1998-1999)
for four identical or mixed voices
Texts: Friedrich Hölderlin
From "Anhänge zu Scardanelli".

Souvenirs de Davos (1999-2000)
for various solo instruments (ob, hp, vn, va, vc)
I for oboe solo - II for violin solo - III for viola solo - IV for violoncello solo - V for harp solo.
Duration: 3' 00"-4' 00"

Partita (1999)
for piano solo
Duration: 35' 00"

My apprentice-ship in two kettles (2000/01)
for two timpani (one player)
From: COncErto? ... cErtO!
Duration: 2' 00"

Recicanto (2000-2001)
for viola and small orchestra
Duration: 25' 00"

COncErto? ... cErtO! (2000-2001)
solo for all (lost?....)!
for orchestra (2(2pic, afl, bfl ad lib).2(ca).2(bcl).2(cbn ad lib)/2.2.1.0/2perc/str: 10.8.8 or 6.6 or 5.5 or 4.3 [number futher reducable])
Soli:
I Das Märchen vom weißen Stein (vn solo)
II Irisierende Jig (vn solo)
III "Frühlingstanz (unstet)" (vn solo and zarb: darabuka, conga, 2 bongos)
IV La Molla (vn solo)
V Polonaise (vn solo)
VI Goldthread (vn solo)
VII für Hanno de Kogel (vn solo)
VIII Souvenirs trémaesques (va solo)
IX Fantasiestück (vc solo)
X Recitativo appassionato (vc solo)
XI Capriccio (trio 3 vc)
XII A reedy Double (for double reeds) (ob solo or duo, or ob solo with a bourdon of 2 hn or cl)
XIII Matthewmatics (bn solo)
XIV Martder aller Arten (bn solo)
XV La MORT d'ENOB (tbn solo)
XVI Cynddaredd-Brenddwyd (fury - dream) (hn solo)
XVII Fanfares (duo 2 tpt)
XVIII My apprentice-ship in two kettles (timp solo)
XIX [solo for percussion]

Duos:
XX Duo 2 violins
XXI Duo 2 violoncelli
XXII Duo 2 horns
XXIII Duo piccolo/flute
XXIV Duo 2 clarinets

Trios:
XXV 1. Trio 3 violins
XXVI 2. Trio 3 violins
XXVII Trio 3 double basses

Quintet:
XXVIII Quintet 5 violins
(optional):
XXIX The General ChairMan-agers unofficial off-Stage-Band

Ensemble/Tutti:
XXX SIGNET (tutti)
XXXI COming togEther (in search of a too well known rhythm) (octet)
XXXII Piccolo COncErto (with Piccolo) (sextet)
XXXIII quasi Scherzo (tutti)
XXXIV 5 Quartets
XXXV Zirkelkanon (4-part)
XXXVI Mehrklänge (ensemble)
XXXVII Soli me tangent (ensemble)
XXXVIII The Bat's Lullaby (ensemble)
XXXIX Linien (played) (tutti)
XXXX A flourished Florish (ensemble)
XXXXI Abeuratio (stru)mentalis (tutti)
XXXXII Flüster-Fuge (over A-B-B-A-Do) (20-part)
Duration: 35' 00" (variabel ab 20')

Soli (2001)
for violin
From "COncErto? ... cErtO!".

Souvenirs trémaësques (2001/09)
for viola
From "COncErto? ... cErtO!".

Machaut-Transkriptionen (2001-2009)
for four voices and three violas
Texts: Guillaume de Machaut
Duration: 60' 00"

a reedy Double (2001)
a double reading for doublereeder
for oboe solo or 2 oboes (or oboe solo with a bourdon using two horns or two clarinets or two string instruments)
From "COncErto? ... cErtO!".

Cynddaredd - Brenddwyd (Fury - Dream) (2001/04)
for horn
From "COncErto? ... cErtO!".
Duration: 6' 30"

Fantasiestück und Recitativo passionato (2001)
for violoncello solo
From "COncErto? ... cErtO!".

Flüsterfuge und Zirkelkanon (2001)
for 4 violoncelli or 4 bassoons or 4 bass clarinets
From "COncErto? ... cErtO!".
Duration: 9' 00"

KLAUS-UR (2001-2002)
Three pieces
for bassoon solo
Duration: 12' 00"

Ma'mounia (2002)
for percussion solo and instrumental quintet (piccolo/flute/alto flute - clarinet in B/bass clarinet - horn in F - violoncello - piano)
Duration: 13' 00"

Puneigä (2002)
for soprano, flute, clarinet, horn, viola, violoncello and percussion (with cimbalum)
Texts: Anna Maria Bache
10 lieder with interludes after poems by Anna Maria Bacher (in Pumatter Titsch).
Duration: 25' 00"

Unbelaubte Gedanken zu Hölderlins "Tinian" (2002)
for double-bass solo
Duration: 3' 00"

Romancendres (2003)
for violoncello and piano
Duration: 15' 00"

Lay VII (2003)
for 4 voices (ACtTTB, solo or choral)
Composed by: Guillaume de Machaut
Arranged by: Heinz Holliger
Duration: 14' 00"

Partita (II) (2003-2004)
for harp solo
Duration: 20' 00"

Sechs Lieder nach Gedichten von Christian Morgenstern (2003)
version for soprano and orchestra (2(2.pic and afl).2(2.ca).2(2.bcl).2(2.cbn)/2.2.0.0/2perc/hp.cel/str: 8.7.6.5.4 or 8.6.5.4.3)
I Vorfrühling
II Der Abend
III Schmetterling
IV Vöglein Schwermut
V Vor Sonnenaufgang
VI Herbst
Duration: 12' 00"

Shir Shavur (Zerbrochenes Lied) (2004)
12 poems from David Rokeah
for mixed a cappella choir with soli (SATBar)
Duration: 20' 00"

Utopie Chorklang (2004)
for 3 twelve-part choral groups (a third-tone apart)
Duration: 3' 00"

(Ma)(S)Sacrilegion d'horreur (2004)
for 8 piccolo flutes and 4 parade drums (or field drums) with police whistles
Duration: 8' 00"

Induuchlen (2004)
Four Lider
for counter tenor and natural horn in F and E flat
After "Briensertiitsch Väärsa" by Albert Streich.

Duration: 19' 00"
Manuscript

pour Roland Cavin (2005)
for piccolo flute and alto flute
Duration: 3' 00"

Toronto Exercises (2005)
for flute (alto flute), clarinet, violin, harp and marimbaphone
Duration: 7' 00"

Rosa Loui (2006-2007)
four choral songs in 10 versions based on four poems by Kurt Marti
Texts: Kurt Marti
In the Bernese dialect.
Duration: 18' 00"

6 kleine Klavierstücke, op. 19 (6 little piano pieces, op. 19) (2006)
Adaptation of the piano pieces from 1911.

(é)cri(t) (2006)
for flute solo
Duration: 8' 00"

Drei Skizzen (2006)
for violin and viola (viola in the scordatura of Mozart's Sinfonia concertante KV 364)
Duration: 12' 00"

Récit (2007)
for 4 peadal drums (1 player)
Duration: 11' 30"

Streichquartett Nr. 2 (string quartet N° 2) (2007)
Duration: 22' 00"

Contrechant (2007)
Over the name Baudelaire
for clarinet

Ardeur noire (2008)
After Claude Debussy
for large orchestra (3(3pic&afl).2(2ca).ca.3(3bcl).cbcl.3(3cbn)/4.3.3.1/perc(crot.bell plate.gong.2cym.sizzle cym.3tam.lrgedm.[very deep]) (3 players)/2hp.cel/str (14.12.10.8.7[6]) and choir (ad lib.))
Duration: 7' 00"

Duöli (2008-2009)
for 2 violins (ad lib also violin and viola)
24 Duöli für zwee und meh Giige ou zum Mitsinge und Mitpfyffe.
24 Little duets for two and more violins to sing/whistle along to.
Manuscript

Rechant (2008)
for clarinet solo
Duration: 7' 00"

Lunea (2009-2010/12)
23 sentences by Nikolaus Lenau
for baritone and piano

Preludio e Fuga (a 4 voci) (2009-2010)
for double bass solo in "Viennese tuning"
Duration: 10' 00"

nicht Ichts - nicht Nichts (2010-2011)
10 monodistics from Angelus Silesius
for four voices SATB a cappella (a 4, a 8, a 12, a 16)
Texts: Angelus Silesius
Duration: 20' 00"

Janus (2011-2012)
Double concert
for violin, viola and small orchestra

hölle himmel (2011-2012)
Motet after poems by Kurt Marti
for a cappella SATB choir (and 1 percussion ad lib)
Texts: Kurt Marti
Duration: 25' 00"

Zwei Stücke nach Mani Matter (2011)
for piano solo
Duration: 10' 00"
Manuscript

Feuerwerklein (2012)
To "Quatorze juillet"
for piano

Meta Arca (2012)
for string orchestra

Biaute ... estrange (2012)
Four Machaut transcription
for three violins
Composed by: Guillaume de Machaut
Arranged by: Heinz Holliger

Heinz Holliger: Mobile for oboe and harp

Heinz Holliger: Studie über Mehrklänge for oboe solo

Heinz Holliger: Studie Nr. 2 for oboe

Heinz Holliger: Sonate for oboe solo

Heinz Holliger: Sieben Stücke for oboe (also oboe d'amore) and harp

Sándor Veress: Passacaglia concertante for oboe and strings

Wladimir Vogel: Zusammenspiel, VWV 125 for oboe and string trio

Metamorphoses (pre art music Nr. PAM 001, 2014)

Interpreten:

Arter, Matthias
Brenner, Andreas

Werke:

Holliger, Heinz: Sonate (1956-1957/1999)
Mit weiteren Werken von: Benjamin Britten, Emre Sihan Kaleli, Paul Huber

New horizons (GENUIN classics Nr. GEN 14315, 2013)

Interpreten:

Weiss, Marcus

Werke:

Holliger, Heinz: Partita (1999)
Kelterborn, Rudolf: Kammersonate in 3 Sätzen (2008)
Wirth, Stefan: Acedia (2012)
Mit weiteren Werken von: Bernhard Lang, Helena Winkelman

Info: www.fonoteca.ch

Collegium Novum Zürich (Musiques Suisses Nr. MGB CTS-M 135, 2012)

Interpreten:

Collegium Novum Zürich

Werke:

Schmid, Erich: Notturno, op. 10 (1935)
Käser, Mischa: City 1 (2004)
Holliger, Heinz: Arnold Schönberg: 6 kleine Klavierstücke, op. 19 (2006)
Scartazzini, Andrea Lorenzo: Kassiopeia (2008)
Kelterborn, Rudolf: Das Ohr des Innern (2011)

Grammont Sélection 5 (Musiques Suisses Nr. MGB CTS-M 137, 2012)

Interpreten:

Gubler, Rico
Brotbeck, Conradin
Kernjak, Anton
Näf, Fritz
Henneberger, Jürg
Scheidegger, Mats
Leimgruber, Urs
Blum, Dominik
Basler Madrigalisten
Cattrall

Werke:

Wüthrich, Hans: Peripherie und Mitte (2009-2011)
Roth, Michel: Räuber-Fragmente (2011)
Keller, Max E.: Die Schwestern (2011/2012)
Henking, Christian: Keine Zeit ist zeitig mit der Sehnsucht Zeit (2011)
Glaus, Daniel: Passacailles fugitives (2011)
Weissberg, Daniel: Hausmusik für H.G. (2011)
Profos, Felix: Real Fire (2011)
Holliger, Heinz: Zwei Stücke nach Mani Matter (2011)
Schneider, Urs Peter: Dieselben (2009-2010)
Tara, Dragos: Horde (2011)
Fachard, Antoine: L'instant c'est déjà la solitude... (2011)
Satapati, Rajiv: Im Keim der Liebe erschlagen (2011)

Info: www.fonoteca.ch

Contrechant - Music for clarinet solo (ECM New Series Nr. 2209, 2011)

Werke:

Holliger, Heinz: Contrechant (2007)
Holliger, Heinz: Rechant (2008)
Mit weiteren Werken von: Luciano Berio, Elliott Carter, Peter Eötvös, Salvatore Sciarrino

Info: www.fonoteca.ch

Heinz Holliger: Induuchlen (ECM New Series Nr. 2201, 2011)

Interpreten:

Holliger, Heinz
Nopper, Sylvia
Würsch, Matthias
Darbellay, Olivier

Werke:

Holliger, Heinz: Ma'mounia (2002)
Holliger, Heinz: Puneigä (2002)
Holliger, Heinz: Induuchlen (2004)
Holliger, Heinz: Toronto Exercises (2005)

Info: www.fonoteca.ch

Schumann / Holliger (ECM New Series Nr. 2104, 2011)

Werke:

Holliger, Heinz: Partita (1999)
Mit weiteren Werken von: Robert Schumann

Info: www.fonoteca.ch

Yeon-Hee Kwak: Oboe (MDG Nr. 903 1586-6, 2010)

Werke:

Holliger, Heinz: Sonate (1956-1957/1999)
Mit weiteren Werken von: Antal Dorati, Bohuslav Martinu

Edu Haubensak (Musiques Suisses Nr. MGB CTS-M 118, 2009)

Interpreten:

Holliger, Heinz
Nopper, Sylvia
Bächli, Tomas
Dähler, Jürg

Werke:

Haubensak, Edu: Sechs Walserminiaturen (1996)
Haubensak, Edu: Falsches Konzert für 97 Saiten I - IV (1994-1997)
Haubensak, Edu: Fünf Zusammenhänge (2003)
Haubensak, Edu: Suite (2003-2004)

Festival L'art pour l'Aar. Die Konzerte 2008/2009 (Müller & Schade Nr. 5071/2, 2009)

Interpreten:

Bovey, Pierre-André

Werke:

Darbellay, Jean-Luc: Aulos (2000)
Henking, Christian: 3 Bagatellen für 3 Englischhörner (1999)
Holliger, Heinz: KLAUS-UR (2001-2002)
Wohlhauser, René: Streichtrio (2007)
Keller, Max E.: Cinque (2008)
Schweizer, Alfred: Burleske (2008)
Frauchiger, Katrin: "Estos dias azules" (2008)
Frischknecht, Hans Eugen: FanSolSi (2002)
Darbellay, Jean-Luc: Vif (2008)
Frischknecht, Hans Eugen: Quartett (2009)
Mit weiteren Werken von: Gabrielle Brunner, Stefan Werren, Anastasiya Lozova, Theo Hirsbrunner, Daniel Andres, Pierre-André Bovey, Christian Giger, Markus Hofer, Ursula Gut

Info: www.fonoteca.ch

Nachtstücke (OEHMS CLASSICS Nr. OC 733, 2009)

Werke:

Holliger, Heinz: Elis (1961)
Mit weiteren Werken von: Robert Schumann, Alexander Skriabin, Maurice Ravel, Wolfgang Amadeus Mozart

Romancendres (ECM NEW SERIES Nr. 2055, 2009)

Interpreten:

Holliger, Heinz

Werke:

Holliger, Heinz: Gesänge der Frühe (1987)
Holliger, Heinz: Romancendres (2003)
Mit weiteren Werken von: Clara Schumann

Info: www.fonoteca.ch

Works for Flute solo (GENUIN GEN Nr. 88129, 2008)

Interpreten:

Renggli, Felix

Werke:

Holliger, Heinz: Sonate (in)solit(aire) (1995-1996)
Holliger, Heinz: (t)air(e) (Teil des "Scardanelli-Zyklus") (1980-1983)
Holliger, Heinz: Schlafgewölk (1984)
Holliger, Heinz: (é)cri(t) (2006)
Holliger, Heinz: pour Roland Cavin (2005)
Mit weiteren Werken von: Johann Sebastian Bach, Carl Philipp Emmanuel Bach

Info: www.fonoteca.ch

Zürcher Bläserquintet (Musiques Suisses Nr. MGB CTS-M 112, 2008)

Werke:

Holliger, Heinz: "h" (1968)
Veress, Sándor: Diptychon (1968)
Wyttenbach, Jürg: Serenade vor Luftschlössern (2003)
Moser, Roland: Kleine Differenzen über einem Grund (2005)

Heinz Holliger (Grammont Nr. MGB CTS-M 105, 2007)

Interpreten:

Holliger, Heinz

Werke:

Holliger, Heinz: Atembogen (1974-1975)
Holliger, Heinz: 5 Stücke für Orgel und Tonband (1980)
Holliger, Heinz: (S)irat(ó) (1992-1993)
Holliger, Heinz: Recicanto (2000-2001)
Holliger, Heinz: COncErto? ... cErtO! (2000-2001)

Info: www.fonoteca.ch

Olivier Darbellay (Grammont Porträt Nr. MGB CTS-M 106, 2007)

Interpreten:

Darbellay, Olivier

Werke:

Darbellay, Jean-Luc: Spectrum (1993)
Darbellay, Jean-Luc: Espaces magiques (2001)
Holliger, Heinz: COncErto? ... cErtO! (2000-2001)
Holliger, Heinz: Induuchlen (2004)
Mit weiteren Werken von: Francis Poulenc, Jane Vignery

Info: www.fonoteca.ch

Aequatuor (Musiques Suisses Nr. 102, 2006)

Interpreten:

Aequatuor

Werke:

Holliger, Heinz: Schwarzgewobene Trauer (1961-1962/1966)
Lehmann, Hans Ulrich: Canticum II (1981)
Marti, Valentin: Fernruf J 12 (2001)
Gubler, Rico: KAL (2001)
Mit weiteren Werken von: Caspar Johannes Walter, Robert Schumann, Nicolas A. Huber

Festival l'art pour l'Aar. Januar 2003 (Müller &Schade Nr. 5041/2, 2006)

Interpreten:

Monot, Pierre-Alain
Ebner, Matthias

Werke:

Darbellay, Jean-Luc: Concerto pour Violoncelle (1989)
Darbellay, Jean-Luc: Incident Room (1998)
Darbellay, Jean-Luc: Alea (2003)
Glaus, Daniel: "Il y a une autre espèce de cadence" (G. Tartini) (1984)
Glaus, Daniel: Tiphereth (1999)
Holliger, Heinz: Scardanelli-Zyklus (1975-1991)
Holliger, Heinz: Duo II (1988/1994)
Wyttenbach, Jürg: Harmonie mit schräger Dämpfung (1990)
Frischknecht, Hans Eugen: Oktett für drei Bläser und fünf Streicher (1996)
Werren, Stefan: Akróasis 1 (1996)
Bovey, Pierre-André: Une lueur dans l'infini (1997)
Frauchiger, Katrin: Es ist alles anders (1999)
Veress, Sándor: Sonate (1967)
Mit weiteren Werken von: Gerhard Holzer, Beatrix Graf, Sandor Veress, Christian Giger, Thomas Demenga, Alfred Schweizer

Gitarren-Duo Scheidegger/Schmidt (Grammont Porträt Nr. 90, 2004)

Interpreten:

Frauchiger, Katrin
Scheidegger, Mats

Werke:

Holliger, Heinz: Praeludium, Arioso und Passacaglia (1987)
Feldmann, Walter: how many parts of it – the one, – and [how many] [the] other, nr. 2 the other (2002)
Mit weiteren Werken von: Helmut Lachenmann, Adriana Hölszky

Info: www.fonoteca.ch

Violinkonzert "Hommage a Louis Soutter" (ECM NEW SERIES Nr. 1890, 2004)

Interpreten:

Holliger, Heinz

Werke:

Holliger, Heinz: Konzert für Violine und Orchester "Hommage à Louis Sutter" (1993-1995/2002)
Mit weiteren Werken von: Eugène Ysayë

Info: www.fonoteca.ch

Ensemble Contrachamps (Grammont Porträt Nr. 82, 2003)

Interpreten:

Holliger, Heinz
Cuendet, Olivier
Ensemble Contrechamps

Werke:

Lehmann, Hans Ulrich: Book of Songs (1998-1999)
Dayer, Xavier: "J'étais l'heure qui doit me rendre pur..." (1998)
Wen, De-Qing: Piping and Drumming (2000)
Mit weiteren Werken von: Brian Ferneyhough, Elliott Carter

Info: www.fonoteca.ch

Jacques Wildberger (Grammont Porträt Nr. 77, 2002)

Interpreten:

Holliger, Heinz
Nopper, Sylvia
Amati Quartett (ehemalig)

Werke:

Wildberger, Jacques: "An die Hoffnung" (1979)
Wildberger, Jacques: Commiato (1997)
Wildberger, Jacques: Tempus cadendi tempus sperandi (1999)

Info: www.fonoteca.ch

Camerata Bern (Musikszene Schweiz Nr. MGB CTS-M 69, 2000)

Interpreten:

Holliger, Heinz
Camerata Bern

Werke:

Kelterborn, Rudolf: Variationen (1960)
Schoeck, Othmar: Sommernacht, op. 58 (1945)
Martin, Frank: Pavane couleur du temps (1920)
Martin, Frank: Etudes (1955-1956)
Huber, Klaus: Alveare vernat (1965)
Holliger, Heinz: Eisblumen (1985/2006)

Info: www.fonoteca.ch

Rudolf Kelterborn (Sony col legno Nr. CD 31 878, 1995)

Interpreten:

Holliger, Heinz
Wyttenbach, Jürg

Werke:

Kelterborn, Rudolf: Changements pour grand orchestre (1972-1973)
Kelterborn, Rudolf: Escursioni (1989)
Kelterborn, Rudolf: Ensemble-Buch I (1990)
Kelterborn, Rudolf: Fantasia a trè (1967)
Kelterborn, Rudolf: Variationen (1960)

Info: www.fonoteca.ch

Scardanelli-Zyklus (1975-1991) (ECM NEW SERIES Nr. 1472, 1993)

Interpreten:

Holliger, Heinz

Werke:

Holliger, Heinz: Scardanelli-Zyklus (1975-1991)

Info: www.fonoteca.ch

Heinz Holliger (Accord Nr. 201922, 1992)

Interpreten:

Holliger, Heinz

Werke:

Holliger, Heinz: Quintett für Klavier und vier Bläser (1989)
Holliger, Heinz: Praeludium, Arioso und Passacaglia (1987)
Holliger, Heinz: Glühende Rätsel (1964)
Holliger, Heinz: (t)air(e) (Teil des "Scardanelli-Zyklus") (1980-1983)
Holliger, Heinz: Vier Lieder ohne Worte (1982-1983)

Info: www.fonoteca.ch

Robert Suter (Grammont Porträt Nr. 6-2, 1992)

Interpreten:

Holliger, Heinz

Werke:

Suter, Robert: Musikalisches Tagebuch Nr. 1 (1946/1960)
Suter, Robert: Sonata per orchestra (1967)
Suter, Robert: La Scesa (1977)

Info: www.fonoteca.ch

Hans Ulrich Lehmann (Grammont Porträt Nr. 4-2, 1989)

Interpreten:

Holliger, Heinz
Schiller, Christoph
Camerata Bern

Werke:

Lehmann, Hans Ulrich: Kammermusik II (1979)
Lehmann, Hans Ulrich: Streichquartett (1987-1988)
Lehmann, Hans Ulrich: Tractus (1971)
Lehmann, Hans Ulrich: Triplum (1984)

Info: www.fonoteca.ch

Missa in Festo Pentecostes (Jecklin Nr. JD 617, 1987)

Interpreten:

Graf, Kathrin
Schiller, Christoph

Werke:

Holliger, Heinz: Introitus zu "Missa in festo Pentecostes" (1986)
Lehmann, Hans Ulrich: Alleluja 1 zu "Missa in festo Pentecostes" (1985)
Wettstein, Peter: Sequenz zu "Missa in festo Pentecostes" (1985)
Wildberger, Jacques: Communio zu "Missa in festo Pentecostes" (1985)
Haselbach, Josef: Alleluja II zu "Missa in festo Pentecostes" (1985)
Bennett, Gerald: Offertorium: confirma hoc (1986)

Info: www.fonoteca.ch

Thomas Demenga: Heinz Holliger/Bach (ECM Nr. 833 307-2, 1987)

Interpreten:

Holliger, Heinz
Demenga, Thomas

Werke:

Holliger, Heinz: Trema (1981)
Holliger, Heinz: Studie über Mehrklänge (1971)
Holliger, Heinz: Duo (1982)
Mit weiteren Werken von: Johann Sebastian Bach

Info: www.fonoteca.ch

Alfred Keller (Grammont Porträt Nr. 19-2)

Interpreten:

Holliger, Heinz
Graf, Kathrin
Schweizer, Daniel
Schiller, Christoph
Dobler, Charles

Werke:

Keller, Alfred: Pastorella (1973)
Keller, Alfred: Ossia (1980-1981)
Keller, Alfred: Vier Lieder nach verschiedenen Dichtern, op. 30 (1941)
Keller, Alfred: Ewiger Augenblick (Kammerkantate) (1962-1963)
Keller, Alfred: Der enthüllte Stern (1974-1975)

Info: www.fonoteca.ch

Sándor Veress (Grammont Porträt Nr. 16-2)

Interpreten:

Holliger, Heinz
Füri, Thomas
Camerata Bern

Werke:

Veress, Sándor: Musica concertante (1965-1966)
Veress, Sándor: Konzert (1981)
Veress, Sándor: 4 Transsylvanische Tänze (1944-1949)

Info: www.fonoteca.ch

Holliger, Heinz: Diskussion zum Gespräch Kurt von Fischer / Sandor Veress, STV 2006 [Internet]

Holliger, Heinz: Ein Gespräch mit Elliott Carter, in: Dissonanz 95 (2006), S. 35 [Internet]

Holliger, Heinz: Incipit laudatio Romani Brotbecki mediatoris culturae causa. Neun Minuten in der Dampfzentrale, in: Dissonanz (März 10) 109 (2010), S. 30-31 [Internet]

Verdier, David: Bad Trip sous Walser. "Schneewittchen" de Heinz Holliger (Theater Basel, 6. avril 2014), in: Dissonanz (Juni 2014) 126 (2014), S. 37-38 [Internet]

Andreyev, Samuel: De l'écrit au perçu. Rélexions sur le premier Quatuor à cordes de Heinz Holliger, in: Dissonanz 124 (2013), S. 10-17 [Internet]

Kenneweg, Friederike: Grammont Sélection 5, in: Dissonanz 122 (2013), S. 76-77 [Internet]

Brotbeck, Roman: Zwischen den Rändern. Zum Scardanelli-Zyklus von Heinz Holliger, in: Salzburg contemporary (5.8.2012) (2012), S. 6-9

Brotbeck, Roman: Zwei mal zwei mal zwei und zwei. Duos und Quartette von Eliott Carter, Gustav Friedrichssohn und Heinz Holliger, in: Salzburg contemporary (13.8.2012) (2012), S. 6-9

Brotbeck, Roman: Grammont Sélection 5. Uraufführungen aus dem Jahr 2011, in: Kuratierung und Kommentierung der CD, Musiques Suisses, Zürich 2012

Verdier, David: Heinz Holliger: Toronto Exercices; Puneigä; Induuchlen; Ma'mounia (ECM New Series 2201), in: Dissonanz 117 (2012), S. 91 [Internet]

Kunkel, Michael: "Ach, wär' ich bei den Zwergen doch". Lob-ABC für Heinz Holliger, in: Dissonanz 105 (2009), S. 33-35 [Internet]

Brotbeck, Roman: Aschenmusik. Heinz Holligers Re-Dekonstruktion von Robert Schumanns Romanzen für Violoncello und Klavier, in: Dissonanz 103 (2008), S. 4-15

Rothfahl, Tobias: Sprechende Feuerzungen, in: Dissonanz 101 (2008) [Internet]

Brotbeck, Roman: Schneewittchen, in: Heinz Holliger. Textes, entretiens, écrits sur son oeuvre, Genève 2007, S. 247-258

Brotbeck, Roman: Musique de cendres. Reconstruction – déconstruction, in: Heinz Holliger. Textes, entretiens, écrits sur son oeuvre, Genève 2007, S. 295-315

Brotbeck, Roman: Werkeinführung zu Heinz Holligers "Beiseit" und "Die Jahreszeiten", in: Internationale Musikfestwochen Luzern 1998: Heinz Holliger Composer in Residence, Luzern 2007, S. 58-64, 85-86

Kunkel, Michael: "…im Dialog mit der Geschichte…". (Keine) Aneignungen im Werk von Heinz Holliger, in: Dissonanz 82 (2003)

Kunkel, Michael: ... Werk? ... Aktion? ... Zu Heinz Holligers "Cardiophonie" für einen Bläser und drei Magnetophone (1971), in: Dissonanz 75 (2002)

Bitterli, Peter: An den Ursprüngen des schöpferischen Prozesses. Heinz Holliger an den IMF Luzern, in: Luzern heute (10. September 1998) 37 (1998), S. 16

Bitterli, Peter: Heinz Holliger: Der Schweizer Komponist von seelischen und körperlichen Grenzzuständen, in: Luzern heute (13. August 1998) 33 (1998), S. 12-13

Brotbeck, Roman: Scardanelli et l'/d'après Scardanelli. Heinz Holligers Dichterkreise, in: Heinz Holliger. Komponist. Oboist. Dirigent, hrsg. von Annette Landau, Bern 1996, S. 140–190

Brotbeck, Roman: Komponierte Erkaltung. Anmerkungen zum Scardanelli-Zyklus von Heinz Holliger, in: zur Gesamteinspielung des Scardanelli-Zyklus, ECM Records 1993