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Trümpy Balz

(04. 08. 1946)

Trümpy Balz
Trümpy Balz
Dublerstr. 10
CH-4412 Nuglar
Schweiz

Tel: 41 (0)61 911 80 38
Fax: 41 (0)61 911 80 38


Biography
Balz Trümpy was born in Basel and spent his childhood in Glarus. His musical education took place at Basel Conservatory with piano under Rolf Maeser and Paul Baumgartner, music theory under Jacques Wildberger and Robert Suter and composition under Gerald Bennett. He also studied composition with Luciano Berio in Rome, during which time he became Berio's assistant. He has visited IRCAM (Institute of Research and Coordination in Acoustics) in Paris several times. He won the Basel Lions Club Arts Prize in 1977. He has taught composition and music theory at Basel Conservatory since 1979 and from 1982 to 1987 he was the deputy director of the conservatory. He lives in Nuglar near Basel.

Work list
Three pieces for piano (1965-1966/86)
Duration: 9' 00"
Manuscript
Stück für Streichorchester (1969)
Colourful sound surfaces alternate with melodic and rhythmically stamped passages.
Duration: 12' 00"
SME/EMS
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CHF: 42.00
Erleuchtetes Dunkel (1970/06)
for mezzo-soprano, alto flute and clarinet
Texts: Wolfgang Borchert, Max Bolliger
Based on poems by Wolfgang Borchert and Max Bolliger.
Duration: 8' 00"
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CHF: 16.00
Variations (1972/01)
for alto saxophone
Duration: 9' 00"
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CHF: 18.00
Luzifer (1973/75)
for string quartet and double-bass
The musical development of the string quartet is in conflict with the hecklings of the double-bass.
Duration: 18' 00"
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CHF: 34.00
Gesten, Figuren (1974-1975)
for piano solo
Two contrasting expression possibilities of the piano are set against each other: The brilliant, technically orientated 'figure' and the expressive 'gesture, which ultimately transcends the instrument.
Duration: 8' 00"
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CHF: 16.00
Libera (1975)
for eight voices, electronic organ and synthesizer
Texts: Bibel / Liturgie
A snippet of text from the Catholic Requiem Mass is phonetically ‘dissolved’, reassembled as loud formations and returned to its original unit.
Duration: 20' 00"
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CHF: 70.00
Facetten (1976)
for violin solo
This piece lays several musical levels along a single line. It is like an individual conversing simultaneously with various partners.
Duration: 12' 00"
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CHF: 18.00
Code (1976)
for four horns
A concept for improvisation.
This piece deals with the deciphering of rules, making possible a joint language for the four instruments.

Duration: 10' 00"
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CHF: 23.00
Relief (1976)
for chamber orchestra (2.2.2.2/2.2.2.0/pf.cel.hp/str)
An expanded version of ‘Gesten, Figuren’. Constructed from the "translation" of specific, pianist-like formulated musical ideas into an orchestral language.
Duration: 14' 00"
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CHF: 70.00
Phasia (1976)
for voices
Texts: Bertolt Brecht
Based on a poem by Bertold Brecht.
Duration: 10' 00"
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CHF: 31.00
Anima (1977)
for high voice and piano
Texts: Anonymus, Heinrich von Morungen, Walter von der Vogelweide
This three-part work is based on text from a minnelied. The vocal line, which uses various sound modulations, is harmonically, melodically and rhythmically interwoven with the accompaniment.
Duration: 17' 00"
Hug & Co. Musikverlage
Limmatquai 28-30
CH-8001 Zürich
Anima (2. Fassung) (1977/78)
for high voice, clarinet, horn, string quartet and piano
Texts: Anonymus, Heinrich von Morungen, Walter von der Vogelweide
This three-part work is based on text from a minnelied. The vocal line, which uses various sound modulations, is harmonically, melodically and rhythmically interwoven with the accompaniment.
Duration: 17' 00"
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CHF: 68.00
Anima (3. Fassung) (1977/83)
for high voice (soprano or tenor) and orchestra (3(3pic).2.ca.2.bcl.2.cbn/4.3.3.1/1perc/cel/hp/str)
Texts: Anonymus, Heinrich von Morungen, Walter von der Vogelweide
This three-part work is based on text from a minnelied. The vocal line, which uses various sound modulations, is harmonically, melodically and rhythmically interwoven with the accompaniment.
Duration: 17' 00"
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CHF: 78.00
Fliessend. Piano trio (1979)
Piano trio
The title is on the one hand an indication of how to play, and on the other a reference to the compositional approach with regard to the flow of time.
Duration: 10' 00"
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CHF: 29.00
(Parts available from the SME: Fr. 14.-)
Zwei Lieder (Rückert) (1984-1985)
for high voice and piano
Texts: Friedrich Rückert
Based on poems by Friedrich Rückert.
Duration: 4' 00"
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CHF: 16.00
Polyptychon (1984-1985)
for vocal ensemble
Texts: Bibel / Liturgie, altgriechisch, Laotse, Carlos Castaneda, Meister Eckhart, indianisch
Three cycles, which can be performed each separately or in parts. Based on texts from the Mass, from the hymns of Orpheus, from the Oktoëchos, by Laotse, Castaneda, Meister Eckhart, and by the Sioux Indians. 14 Canons (sFr. 68.00) - 7 Motets (sFr. 42.00) - 7 Hymns (sFr. 44.00). Sponsored by the SME Lucerne.
Duration: 50' 00"
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CHF: 156.00
Dionysos-Hymnen (1985)
for Baritone and eight violoncelli
Texts: Altgriechisch
Based on texts from the hymns of Orpheus.
Duration: 17' 00"
Hug & Co. Musikverlage
Limmatquai 28-30
CH-8001 Zürich
Dionysos-Hymnen (2. Fassung) (1986-1988)
for Baritone, violoncello and percussion
Texts: Altgriechisch
Based on texts from the hymns of Orpheus.
Duration: 17' 00"
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CHF: 52.00
Dionysos-Hymnen (3. Fassung) (1985-2013)


Duration: 17' 00"
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CHF: 70.00
Pas de deux (1986/01)
for flute (afl) and clarinet (bcl)
Duration: 12' 00"
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CHF: 34.00
Three short pieces for piano (1986)
1. Wie eine Improvisation
2. Trio
3. Perpetuum mobile (published by: HBS Nepomuk, Aarau)

Duration: 7' 00"
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CHF: 18.00
Four songs (Burkart) (1986-1987)
for deep voice (alto or baritone) and piano
Texts: Erika Burkart
The four poems of this short song cycle are the contribution of Erika Burkart to the 'Waldhandschrift' (Wood Manuscript) - a collection in which Swiss writers express their grief over the destruction of forests.
Duration: 10' 00"
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CHF: 29.00
Vier Gesänge (1986-1987)
for deep voice and piano
Texts: Jürg Signer, Ute Höllrigel, Eveline Hasler, Erwin Jaeckle
Based on poems by Jürg Signer, Ute Höllrigel, Eveline Hasler and Erwin Jaeckle.
Duration: 15' 00"
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CHF: 42.00
Spiralgesang (1987-1988)
for orchestra (2.2.2.2/2.2.0.0/timp.perc/8.6.4.4.2.)
‘Spiralgesang’ presents the route of a melody on its journey through various stages of transformation.
Duration: 12' 00"
Hug & Co. Musikverlage
Limmatquai 28-30
CH-8001 Zürich
Nacht (1988)
Cycle
for mixed choir, flute, two clarinets and horn
Texts: Joseph von Eichendorff
Night has probably never been praised higher and in so many facets by anyone other than Joseph von Eichendorff. For myself, his poems are equivalent to the music of Schubert and Schumann. A possible discovery of reality on the edge of the concrete, proceeding to point out another reality.
Duration: 18' 00"
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CHF: 55.00
Emphatischer Gesang (1989/00)
for violoncello solo
Four expressive areas - combined organically or alternating abruptly - are set against each other.
Duration: 12' 00"
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CHF: 18.00
Three piano pieces (1989)
The secondary titles of these three pieces are: ‘Eingang und Kanon’ (Entrance and Canon), ‘Lied’ (Song), ‘Kanon und Ausgang’ (Canon and Exit). Both of the outer movements symmetrically encapsulate a central movement, the whole of which utilises the full dynamic range of the piano and is developed from a paraphrase taken from a short passage from the second movement of Schubert's G Major sonata.
Duration: 14' 00"
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CHF: 26.00
Petrarca-Gesänge (1989)
for coloratura soprano and organ
Texts: Francesco Petrarca
Each of the four movements illuminates one of several aspects of love from the poet to Laura: The glorification, the steady sorrow in loss, the deceptive vision, and the final idolisation.
Duration: 22' 00"
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CHF: 68.00
Gesang der Ferne (1990)
for instrumental ensemble (fl(afl,pic).cl(bcl)/perc/pf/vn.va.vc)
The ensemble corresponds to that of Schoenberg's ‘Pierrot Lunair’, the only difference here being that the percussion replaces the speaking voice.
Duration: 15' 00"
Hug & Co. Musikverlage
Limmatquai 28-30
CH-8001 Zürich
Four Songs (Eichendorff) (1990)
for high voice (soprano or tenor) and piano
Texts: Joseph von Eichendorff
The four poems by Eichendorff are arranged so as to outline a day cycle.
Duration: 10' 00"
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CHF: 26.00
Zwei Lieder (Heine) (1990)
for medium voice and piano
Texts: Heinrich Heine
Based on poems by Heinrich Heine.
Duration: 4' 00"
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CHF: 18.00
Modale Studien (1992)
for violin solo
Four characteristic pieces based on modal melody.
Duration: 10' 00"
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CHF: 21.00
Nachtgesang (1993-1994)
for orchestra (2.2.2.2/2.2.0.0/1perc/8.6.4.4.2)
'Nachtgesang' has an inner affinity with 'Spiralgesang'.
Duration: 9' 00"
Hug & Co. Musikverlage
Limmatquai 28-30
CH-8001 Zürich
Indianisches Lied (1994)
for solo voice (version 1: alto solo; version 2: Countertenor solo)
Texts: Indianisch
Based on a text by the Laguno Pueblo Indians.
Duration: 3' 00"
SME/EMS
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CHF: 13.00
Rhapsodie (1994)
for guitar
Duration: 13' 00"
G. Ricordi & Co. Bühnen- und Musikverlag GmbH
Stralauer Allee 1
D-10245 Berlin
BRD
Tel. +49 (030) 520071321
info@ricordi.de
www.ricordi.de
Tahesha (1995)
for flute or recorder (sopranino and alto recorder), violoncello and strings (4.4.2.2.1)
A preliminary instrumental study for the second movement of 'Helios'.
Duration: 12' 00"
SME/EMS
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CHF: 70.00
Bläserquintett (1995)
for fl(afl).ob(ca).cl(bcl).bn/hn
The wind quintet is composed of three movements: 1. Leggero, 2. Tranquillo, 3. Pesante
Duration: 20' 00"
SME/EMS
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CHF: 60.00
Sunt etenim pinnae volucres mihi (1996)
Motet
for eight a-cappella voices
Texts: Boethius, Carlos Castaneda, Dietrich Bonhoeffer
Duration: 15' 00"
SME/EMS
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CHF: 73.00
Helios (1990-1996)
Symphony
for soli (SABar) choir and large orchestra (5.5.5.5.2sx/8.6.4.1/timp.6perc/2hp.cel.pf/14.12.10.12.8)
Texts: Altägyptisch, altgriechisch, indianisch, Thomas Mann
1. Aina
2. Tahesha
3. Mithras
4. Lullaby
5. Nachtgesang
6. Sakil
Based on ancient Egyptian text, text from Greek magic papers, texts from the Pawnee, Pima and Laguna Pueblo Indians, middle American Indians and Thomas Mann.
The six movements of 'Helios' can also be performed individually.
Manuscript
Passacaglia und Walzer (1997)
for tuba, string quartet and piano
A series of variations over a bass result in a cathartic waltz.
Duration: 7' 00"
SME/EMS
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CHF: 23.00
Concert (1997-1998)
for violin and orchestra (3.3.3.3/4.3.3.1/hp/10.8.6.8.4)
Duration: 27' 00"
SME/EMS
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CHF: 91.00
Two pieces for orchestra (1998)
(3.3.3.3/4.3.3.1/cel.hp/timp.3perc/12.10.8.10.6)
1. Aufschwung2. Abgesang
Duration: 25' 00"
SME/EMS
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CHF: 88.00
4 Interludien (2000)
for four-handed piano
Four characteristic pieces which, in numerous ways, transcribe the interplay of four hands into a musical meshwork.
Duration: 11' 00"
SME/EMS
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CHF: 44.00
(Score available from the SME/EMS: sFr. 38.-; € 38.-)
Turn around (2001)
for violin solo
For the 75th birthday of Hansheinz Schneeberger
Duration: 1' 40"
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CHF: 13.00
Intertwined Paths (2001-2002)
Six pieces
for violin solo
1. Interweave
2. Turn around
3. Up and down
4. Spread out
5. Descending
6. Taking turns
These six pieces form an associated cycle, each of them represents the idea of a motion sequence in an imaginary sound room. It is about the tensile progression of movement and its form of expression - reaching from forging ahead to tentative exploration, from calmly flowing to clouded volatility. The sound room itself connects the six pieces in a labyrinthine way. ‘Intertwined Paths’ has been written on the request of Hansheinz Schneeberger and is dedicated to him.

Duration: 16' 00"
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CHF: 23.00
EIS EROTA (2002)
for soprano, baritone, horn, two trumpets, trombone, percussion and strings
Texts: Altgriechisch
Sappho and Alkaios from the isle of Lesbos are amongst the most prestigious representatives of Greek lyrics strongly connected with the Orpheus saga. After the heavenly singer has lost his beloved Eurydice to the underworld and, spurned by his endless mourning, he seeks the love of other women. Bacchante tear him to pieces in an angry rage and cast his head into the sea. The tide washes it onto the shores of Lesbos - here his mouth is once again brought to speech by the lyric of the island.
Mythological notions merge with personal experience and sufferance in connection with the erotic. Eros is the ‘weirdest God’ (Alkaois) whose effect is to rip open the abyss between the highest fulfilment and the degeneration towards death. The elemental force with which he encompasses man awakes in him an orpheic longing for immortality and the desire to overcome the underworld; simultaneously bringing even more painfully the forlornness of his wish to consciousness. While Alkaios attempts to forget in wild drunkenness and sexual indulgence, we eavesdrop on Sappho, and the dark tones of a wish for love in which pain resonates with the transient.
EIS EROTA combines fragments from both poets to produce a dialogue on the subject of love and death.

Duration: 12' 00"
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CHF: 62.00
EIS EROTA (2. Version) (2002-2014)

Texts: Sappho, Alkaios

Duration: 12' 00"
SME/EMS
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CHF: 60.00
Im Labyrinth (2002)
21 pieces
for piano
'Im Labyrinth' is a loose collection of twenty-one pieces for piano and are comparable to the 'Album für die Jugend' by Schumann. Various play and notation techniques of varying difficulty are used throughout.
Duration: 30' 00"
SME/EMS
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CHF: 47.00
Streichquartett (2000-2001)
Six movements convoluted into a series consisting of ten parts to be played attacca.
Duration: 40' 00"
SME/EMS
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CHF: 122.00
(Parts: Fr. 70.-; € 46.-)
Introduktion und Aria (2002-2003)
for clarinet solo
This virtuosic solo piece unites the complete palette of the clarinet's classical expressionistic possibilities.
Duration: 12' 00"
SME/EMS
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CHF: 16.00
A Valediction (2003/04)
Six songs
for bass and orchestra (2(pic).2.2.(bcl).2(cbn)/2.2.0.0/timp.perc/str)
Texts: John Donne
Orchestral version of the six songs for bass and piano.
In 'A Valediction' I have taken six poems by the Baroque poet John Donne with one prevailing theme: the saying of farewells, the leaving of loved ones. The theme is circumscribed in Donne's picturesque language in a multitude of modes ranging from tender pain to powerful and reckless claims of freedom, and on further to ecstatic delirium in the knowledge that physical separation is revoked by spiritual unification.
In a similar manner to the text, the music circles around a complex nucleus of themes that merge into great lines and trace the various shades of feeling.
'A Valediction' is dedicated to Ute and Susanne Stoecklin.
Duration: 24' 00"
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CHF: 99.00
Carmen Sibyllae (2003)
for baritone and percussion
After texts from the Oracula Sibyllina.
The simultaneously forboding yet salvational Sibylline Oracle in alternation between noise and exstatic song.
Duration: 12' 00"
SME/EMS
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CHF: 31.00
A Dialogue (2003-2004)
Three songs
for two sopranos and piano
Texts: Andrew Marvell
The voices are as a singular unit or in a dialogue with the complicated piano accompaniment.
Duration: 18' 00"
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CHF: 52.00
Invocatio Domini (2004)
for mezzo-soprano and organ
After Psalms 116.
Glorification of the soul and relive its torments.
Duration: 14' 00"
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CHF: 52.00
La Notte Bella (2004)
Six lieder
for baritone and piano
Texts: Giuseppe Ungaretti
The headline-like length of the texts is reflected in the formal compendiousness of the lieder.
Duration: 7' 00"
Manuscript
CHF: 21.00
Duetti Concertanti (2004-2005)
for violin and violoncello
The reference to old forms and techniques stands in dialectical tension to the expressive complexity of the four pieces.
Duration: 22' 00"
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CHF: 44.00
Wendungen (2005)
Seven duos
for two violas
Gespräch (1')
Uneins (1'40)
Vexierspiegel (0'50)
Wechselgesang (2')
Schatten (1'20)
Fantasie (5'30)
Kreisel (2')
Duration: 15' 00"
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CHF: 31.00
Ballade (2005)
for guitar solo
Duration: 17' 00"
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CHF: 23.00
Passages in the Labyrinth (2005)
for piano solo
Duration: 1' 00"-20' 00"
Manuscript
Drei Haikus (2006)
For the sixtieth birthday of Robert Kahnt
for voice and piano
Texts: Martine Lovis
Duration: 2' 00"
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CHF: 16.00
Vier Stücke (four pieces) (2006)
for horn
Duration: 8' 30"
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CHF: 18.00
Proteus (2006-2007)
for symphonic orchestra (2(pic).2.2(bcl).2/2.2.0.0/timp/12.10.8.6.4)
Duration: 14' 30"
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CHF: 75.00
Oratio Sibyllae (2007)
for soprano and flute
Texts: Vergil
The sixth book of Vergil's 'Aeneid' describes Aeneas' descent into the underworld and his subsequent ascent from Pluto's realm. He is accompanied on his dangerous journey by the Cumean Sibyl. The texts of the piece Oratio Sibyllae for soprano and flute are based on some of her warnings and prophecies. The flute, which guided Gluck's Orpheus into the underworld and also plays the role of protector from the dangers of the "other world" in the Magic Flute, floats above and beside the singing voice, merging into one.
Duration: 10' 00"
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CHF: 21.00
Canti elegiaci (2007-2008)
for soprano, flute and piano
Texts: Giacomo Leopardi, Michelangelo Buonarroti
Two poems by the Italian romantic poet Giacomo Leopardi flank a lament on the effects of ageing carved in stone by Michelangelo. In spite of all the despair over vanishing powers and the insight not to have ended one's life successfully at its climax, Michelangelo's work still emanates an unbroken will for life fighting against faith. Leopardi's deep melancholy, however, appears in a tender and ambiguous light, giving space to a slight glimmer of hope.
The two different works were set into music accordingly: The music for Michelangelo's poem is rhythmically firm, while Leopardi's is rhythmically and metrically free and floating.
Duration: 22' 00"
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Oracula Sibyllae (2008)
for soprano, baritone, flute and percussion
After texts from 'Oracula Sibyllina' and Vergil's 'Aeneid' (adaptation of CARMEN SIBYLLAE and ORATIO SIBYLLAE).
'Oracula Sibyllae' is the combination of two works that deal with the sibyls: Carmen Sibyllae for baritone and percussion and Oratio Sibyllae for soprano and flute. The ancient books 'Oracula Sibyllina' contain the prophecies of the Sibylla which, engulfed by divine powers, utters her usually unrequested and fatal predictions.
Duration: 24' 00"
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CHF: 47.00
Die Elemente (2008)
for vocal ensemble (2.2.2.2) and instruments (1.1.2.0/2.0.2.0/2perc/2.2.2.2.0)
Texts: Eduard Mörike
The music of my piece 'Die Elemente' refers in a simple and immediately understandable way to the text in the poem of the same name by Eduard Mörike. This poem impressed me with its combination of raging elemental force and naive tenderness. Despite the biblical citation that Mörike adds as a motto, I find the essence of his poem more archaic-antique, like a Greek or Germanic myth.
Duration: 17' 00"
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CHF: 75.00
Arcadia (2007/09)
for piano solo
The title of my piano piece reflects the idea of a landscape that is explored musically in an unrestricted manner, following only a track that is created from moment to moment. The result is a labyrinthine form that is most comparable to Schumann's Fantasie in C major. The reference to an ancient landscape is, however, not to be understood in the sense of the Virgilian pastoral idyll: My Arcadia is a wild, rugged, rocky landscape shaped by storms, where Pan chases nymphs and Dionysian forces fill the sultry-laden air.

Duration: 25' 00"
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CHF: 47.00
Flötenbuch (2008-2009)
11 pieces
for flute ensemble (12 fl, 6 afl, 2 bfl)
My 'Flötenbuch' (flute book) comprises eleven character pieces for flute ensemble, ranging in formation from four to 20 flutes. In addition to transverse flutes in C, up to six alto and two bass flutes may also be used. The voices can be partly arranged chorally. Any number of pieces can be performed in any order.
Duration: 24' 00"
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CHF: 75.00
Verstreute Blätter (2009)
Eight pieces from the piano cycle 'Im Labyrinth' scored for orchestra
for symphony orchestra (pic.2.2.3.2/4.0.0.0/hp.perc/str)
These eight short pieces are orchestrations from the piano cycle 'Im Labyrinth'. This collection, similar in form to Schumann's Album for the Young, contains 21 piano pieces of varying degrees of dificulty. The titles can be understood as romantic miniatures even though they are written in a contemporary musical language.
Duration: 14' 00"
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CHF: 52.00
Trio (2009)
for violin, violoncello and piano
In my second trio for piano, I treat the ensemble in a classical sense. This piece in one movement connects several parts in different moods.
Duration: 15' 00"
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CHF: 60.00
Daimon (2009)
Socrates' speech in Plato's "Symposium"
for 14 baritones and 14 strings

Duration: 16' 00"
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CHF: 78.00
Vier Duette (2009)
for marimbaphone and guitar
Each of the four duets originates in a basic constellation of musical dialogue, which develops in the interplay between the two instruments. The marimba-guitar combination offers a myriad of colour and expressive shades, which are not possible with each instrument alone.
Vier Duette is dedicated to the duo Christina Schorn and Ivan Mancinelli.
Duration: 16' 00"
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CHF: 35.00
Sechs archaische Melodien (2009)
for recorder solo
For me the recorder represents a basic layer of music - on one hand because it reminds me of my earliest musical practice and on the other hand it is in its refined tonal simplicity THE melodic instrument per se. In my work "Sechs archaischen Melodien" I composed prototypical melodies in the sense of internal flows of energy such as I imagine them to be as a base for my harmonic modalities. The pieces can be played on different instruments of one's own choice, such that a complete performance is possible with a soprano recorder solo or with different instruments (sopranino, soprano, alto, tenor).

Duration: 12' 00"
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CHF: 31.00
Missa ad te levavi (2010)
for a cappella vocal ensemble (SATB)
The "ad te levavi" mass is the compositional result of a research project, in which I investigated the implementation of the adiastematic neumes. It combines the Gregorian proper for the first Sunday of advent with those parts of the ordinary that I used in my vocal cycle "Polyptychon". The Gregorian template is used in the original form and in various compositional adaptations in such a way that the two styles merge.
Duration: 35' 00"
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CHF: 78.00
Konzert in zwei Sätzen (2010)
for piano and orchestra (3.3.3.3/4.3.3.1/4perc.timp/hp.cel.mandoline/14.12.10.12.6)
My concert for piano and orchestra essentially follows the traditional idea of a solo concert.
Duration: 33' 00"
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CHF: 114.00
An Florestan und Eusebius (2010-2011)
Duos and trios
for saxophone (soprano, baritone), trombone and piano
In December 2010, I held a lecture on polyphony in the music of Schumann. This event led me to perform the complete piano works by this composer, who has remained dear to me since childhood. My composing has been influenced on a subliminal level by Schuhmann's sound meshes and quirky-fantastical lines. I became accutely aware of this fact while working on my piece for the trio Weiss-Svoboda-Henneberger. Since the content of the three main pieces ("Rezitativ und Arioso" for trombone and piano, "Lied" for saxophone and piano as well as "Mit Leidenschaft" for the trio) turned out to be rather Schumannian, I decided to dedicate it to the two main characters of the circle of the Davidsbündler (League of David).
Duration: 19' 00"
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CHF: 57.00
Nachtgedanken (2011)
for medium voice and piano
Texts: Johann Wolfgang von Goethe
A song cycle in the classical sense.
Duration: 27' 00"
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CHF: 44.00
The Bonds of Heaven are dissolved (2011)
for soprano, tenor, 2 baritones, speaker and instrumental ensemble (1.1.1.1/1.1.1.0/perc/2.2.1.1)
After a scene from Shakespeare's "Troilus and Cressida". The psychological complexity of the scene is realised musically in polyphonic layers.
Duration: 18' 00"
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CHF: 83.00
So fülle denn den Wanderschlauch (2011)
2 songs
for male choir
Texts: Wilhelm Busch
The songs centre around the topic of walking, about which Busch wrote ironic poems.
Duration: 4' 00"
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CHF: 26.00
Aeolian Song (2011-2012)
for flute solo

Duration: 8' 00"
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CHF: 16.00
Ein Märchen (2012)
for male a cappella choir
Texts: Sabine Gisin
A half serious, half ironic text about a touring male choir.
Duration: 4' 00"
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CHF: 23.00
Tarots (2012)
for mezzo-soprano and harp
Texts: Niki de Saint Phalle
These nine pieces set to music texts written about the tarot cards by Niki de Saint Phalle. The texts are 'programme notes' for her sculptures in the "Jardin des Tarots".
Duration: 16' 00"
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CHF: 36.00
Streichquartett II (2012)
These three movements have titles that refer to literary forms or genres: Novelle - Elegie - Ballade.
Novelle, fittingly, is a 'prose form', while Elegie displays a metrical form. Ballade refers not to the romantic narrative poem, but to the medieval dancing song.
Duration: 25' 00"
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CHF: 78.00
Komm, o Tod, du Schlafes Bruder (2012)
for mixed choir, violin and 4 tom toms
After a choral melody by Johannes Crüger and a Teton Sioux melody. A Baroque longing for death vis-a-vis the Teton Sioux's unconditional will to live.
Duration: 6' 00"
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CHF: 29.00
Antico Inverno (2012-2013)
for soprano and clarinet
Texts: Salvatore Quasimodo
Quasimodo's multilayered poetry is transposed into four musical images.
Duration: 10' 00"
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CHF: 26.00
Aufschwung (2013)
for violoncello solo
A further virtuosic solo piece with the parts 'Introduction', 'Aria', 'Ballad' and 'Aeolian Song'.
Duration: 9' 00"
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CHF: 16.00
Verstreute Blumen (2013)
four pieces
for flute and piano
Eisblumen - Zephir - Winterblume - Windgesang are based indirectly on Schubert's well-known variations over 'Trockene Blumen' (dried flowers). Two fragments of this song are quoted.
Duration: 11' 00"
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CHF: 29.00
Sicut Cervus Desiderat (2013)
for three female voices a cappella
Uses the tractus 'Sicut cervus desiderat' from the Graduale Triplex.
This piece, as with 'Missa', is the compositional adaptation of a Gregorian chant.
Duration: 9' 00"
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CHF: 34.00
Cinque pezzi per marimbafono (five pieces for marimba) (2013)
Virtuosic character pieces.
Duration: 10' 00"
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CHF: 21.00
Der Geist des Tals (2013)
for soprano, trombone, cello, percussion and piano
The Ensemble Eunoia's suggestion that I write a piece dealing with the letter 'U' set off in me a chain of associations relating to this vowel. The starting point was the tonal character of the phoneme U: For me its dark, earthy, warm timbre equated to the symbolic image of the Mother ("uterus", "ursprung" (=origin)...). My text selection combines the following excerpts taken from literature and lore that evoke different aspects of the Mother symbol: In the 3rd hymn of the legendary poet and Dionysus priest Orpheus, night is celebrated as the Mother of gods and men. In the second part of Goethe's "Faust", Mephistopheles describes the nocturnal and sinister descent into the obscure realm of the Mothers ("No way! Into the untrodden ..."), where Faust wants to lead Helena back to life. A mother grieving for her son and creation forms the basis of the liturgical "Stabat Mater". And finally, the text of "Tao te Ching" to the "valley spirit" elevates the image of the Mother as the origin of heaven and earth to the spiritual.
Duration: 17' 00"
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Weit weg (2014)
for solo voice
After texts by Lisa Elsässer and after questions from newspapers (selected by Claudia Vonmoos).
A monologue that also includes theatrical aspects.
Duration: 15' 00"
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CHF: 26.00
Zwei Präludien (2014)
for piano
Duration: 9' 00"
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CHF: 21.00
Diskographie
Canti Elegiaci, An Florestan und Eusebius, Lieder der Ferne (Genuin classics Nr. GEN 15546, 2015)
Interpreten:
Henneberger, Jürg
Weiss, Marcus
Werke:
Trümpy, Balz: An Florestan und Eusebius (2010-2011)
Trümpy, Balz: Canti elegiaci (2007-2008)
Info: www.fonoteca.ch
Balz Trümpy: Orchesterwerke (Selbstverlag (erhältlich via SME/EMS) Nr. SME 196, 2007)
Werke:
Trümpy, Balz: Konzert (1997-1998)
Trümpy, Balz: Zwei Stücke für Orchester (1998)
Trümpy, Balz: Proteus (2006-2007)
Intertwined Paths (Selbstverlag (erhältlich via SME/EMS) Nr. SME 197, 2007)
Interpreten:
Schneeberger, Hansheinz
Schiller, Christoph
Werke:
Trümpy, Balz: Im Labyrinth (2002)
Trümpy, Balz: Intertwined Paths (2001-2002)
Trümpy, Balz: Introduktion und Aria (2002-2003)
Trümpy, Balz: Carmen Sibyllae (2003)
Trümpy, Balz: Wendungen (2005)
Trümpy, Balz: Ballade (2005)
Hansheinz Schneeberger (Musiques Suisses Nr. 101, 2006)
Interpreten:
Schneeberger, Hansheinz
Werke:
Gaudibert, Eric: Capriccio (1978)
Trümpy, Balz: Intertwined Paths (2001-2002)
Baader-Nobs, Heidi: Duo pour Hansheinz (1996)
Looser, Rolf: Rezitativ und Hymnus (1960)
Mit weiteren Werken von: Kolja Lessing, Friedemann Treiber, Elliott Carter
Info: www.fonoteca.ch
CIEM 1994 (Musica Helvetica Nr. 84.2, 1994)
Interpreten:
Kissóczy, Marc
Werke:
Blank, William: Nachtmusik (1994)
Gaudibert, Eric: Jardins d'Est (1994)
Trümpy, Balz: Nachtgesang (1993-1994)
Voegelin, Fritz: Ecstatic - Prelude (1960/1993)
Calame, Geneviève: Sur la margelle du monde (1987)
Kelterborn, Rudolf: Canto appassionato (1959)
Mit weiteren Werken von: Renzo Rota, Jost Meier
Info: www.fonoteca.ch
Balz Trümpy (Grammont Porträt Nr. 39-2, 1991)
Interpreten:
Näf, Fritz
Cuendet, Olivier
Werke:
Trümpy, Balz: Anima (3. Fassung) (1977/1983)
Trümpy, Balz: Polyptychon (1984-1985)
Trümpy, Balz: Dionysos-Hymnen (1985)
Info: www.fonoteca.ch
Bibliography
Trümpy, Balz: Komponieren in der Zeit, Schaub, Reinach 1991
Trümpy, Balz: Die Raumvorstellung in Schuberts Harmonik (Musikreflexionen 5), Amadeus, Winterthur 1995
Trümpy, Balz: Zeit für Zeit, hrsg. von Leo Jenni (MGV 3), Kanton Baselland, Liestal 1998