Cammina cammina (1996)for mezzo-soprano, viola and theorbo
Texts: Giuseppe Ungaretti
Duration: 7' 00"
Bärenreiter-Verlag
Il pozzo sepolto (1998)for piano and five wind instrumentalists (fl(bfl), ob(ca), cl(bcl), bn, hn)
Duration: 6' 00"
Bärenreiter-Verlag
Pollux (1999)for chamber orchestra (1(pic, bfl).1(ca).0.1.cbn/2.0.0.0/6.5.4.3.2)
Duration: 12' 00"
Bärenreiter-Verlag
Im traum hab ich mit dir geredet . göttin . Kypris (1999)for female voice and four instrumentalists (cl(bcl), pf, perc, vc)
Texts: Sappho
Adaptation by Raoul Schrott.
Duration: 10' 00"
Bärenreiter-Verlag
Scartazzini: in giro (2000)for 3 instrumental groups
Group 1: cl, bn, hn, tbn, tba, hp, vc, db
Group 2: hn, tbn, perc, pf, vc
Group 3: fl, ob, cl, hn, perc, 2vn, va, vc
Duration: 10' 00"
Bärenreiter-Verlag
Aura (2000)for medium voice and percussion
The voice part consists entirely of vocal colourations.
Duration: 6' 00"
Bärenreiter-Verlag
Geleit (2001)for large ensemble (1(pic).1.1.1/1.1.1.cbtba/3perc/pf/2.1.1.1)
Duration: 10' 00"
Bärenreiter-Verlag
Sappho-Lieder (2002)for deep male voice and piano
Texts: Sappho
Adaptation by Raoul Schrott.
Duration: 11' 00"
Bärenreiter-Verlag
Katarakt (2003)for large ensemble (1.1.1(bcl).1/1.1.1cbtba/2perc/pf/2.1.2.1)
Duration: 10' 00"
Bärenreiter-Verlag
Abbracci auguri (2003)for piano
Duration: 3' 00"
Bärenreiter-Verlag
scongiuro (2001-2004)for ensemble (1(pic).0.0.0/1.0.0.cbtba/perc/hp.pf/1.0.1.1)
Duration: 7' 00"
Bärenreiter-Verlag
Aura II (2004)for two percussionists
Duration: 6' 00"
Bärenreiter-Verlag
Wut (2004-2006)Opera in seven acts and an epilogue
Loosely based on the story of Pedro I of Portugal and his lover Inês de Castro.
Libretto by Christian Martin Fuchs (German)
Cast:
Alfons (bass) / Pedro (hero-baritone/high baritone) / the broken one (countertenor) / Loucido (baritone) / the interrogator (character tenor) / Coelho (tenor) / Goncalvez (bass) / Judit (lyrical mezzo) / Ines (speaking part) / wardress (speaking part; choir lady) / boy, girl (extras) / sleeping lover (extra) / possibly also torturer, wardens (extras) / folk, women, soldiers (choir)
Orchestra: 2(1.pic).2(2.ca).2(bcl).1.cbn/3.2.2.1/timp.2perc/hp.pf/8.6.4.3.2
Duration: 75' 00"
Bärenreiter Verlag Basel/Kassel
Siegel (2007)for soprano and orchestra (3.3.3.3(3.cbn)/4.3.3(3.btbn).1/4perc/hp.pf.cel/14.12.10.8.6(all db five-stringed))
Texts: Rainer Maria Rilke
Duration: 12' 00"
Bärenreiter Verlag Basel/Kassel
Nachttief und Mond (2007)Three miniatures
for countertenor (or soprano) and violoncello
Texts: Arno Schmidt
Duration: 4' 00"
Bärenreiter Verlag Basel/Kassel
Kassiopeia (2008)for ensemble (fl, hn, cbtba, hp, pf, perc, vn, vc, db)
Duration: 20' 00"
Bärenreiter Verlag Basel/Kassel
Viaggiatori (2010)for soli (STB), choir (SATB) and orchestra (3.3.3.2.cbn/3.3.3.cbtba/hp.acn.org/4timp.4perc/10.10.8.6.4)
Texts: Hugo von Hoffmannsthal, Adolf Wölfli, Friedrich Hölderlin, Dante Alighieri
Duration: 30' 00"
Bärenreiter Verlag Basel/Kassel
Der Sandmann (2010-2012)Opera in 10 scenes
for soprano, 2 tenors, baritone, bass, mixed choir (SATB) and large orchestra (3.3.3.3/4.3.3.1/4 timp.4perc/pno acn.hp.cel/str[10,10,8,6,4])
Texts: Thomas Jonigk
Duration: 80' 00"
Bärenreiter Verlag Basel/Kassel
Fatton, Andreas: Silben, Szenen, Bilder, Räume. "Journées contemporaines" in Basel. Musiktheater von Francesc Prat, Michel Roth, Andrea Lorenzo Scartazzini und Alfred Zimmerlin, in: Dissonanz 120 (2012), S. 60-61
Meyer, Thomas: Wut. Die Biennale Bern mit Scartazzinis Oper "Wut" (September 2010), in:
Dissonanz 112 (2010), S. 52-53 [
Internet]
Allwardt, Ingrid: Die Brutalität der Oper. Der neue composer in residence Andrea Lorenzo Scartazzini, in: Semesterzeitung Studium fundamentale (Universität Witten/Herdecke) (2004), S. 17
Haefeli, Anton: Komponieren heisse für mich Suche, Ueberprüfung, Prozess und harte Arbeit. Ein Gespräch mit Andrea Lorenzo Scartazzini, in: Programm Lucerne Festival, Luzern 2001, S. 77 ff
Töpel, Michael: Italienische Oper als Muttermilch. Ein Gespräch mit dem Schweizer Komponisten Andrea Lorenzo Scartazzini, in: Takte 1 (2001), S. 12 f