Estudio en dos Dimensiones (1989)for violoncello solo
The basic idea of this piece is to position opposing musical elements side by side, allowing them to be interpreted as contrasting (e.g. tone - noise, cycle - anti-cycle, homophony - polyphony etc…) These various dimensions and their relationship to each other are continuously redefined in the five parts of this piece. It is important however, that each plays a leading roll in one of the parts.
Duration: 13' 00"
SME/EMS
Folklore Planétaire I (1989-1990)for solo ensemble (nineteen instruments): (fl(pic,afl).ob(ca).cl(Ebcl).bcl.bn(cbn)/hn.tpt.tbn.tba/2perc/cel.hp.pf/2vn.va.vc.db)
The nineteen instruments in this piece are split twice into five groups. The first is grouped traditionally (woodwind, brass, keyboard instruments / harp, percussion and strings) and are known in this instance as homogenous groups.During the course of the piece new instrumental groups are gradually formed, each of these new groups contains one instrument from each of the above mentioned categories and are known in this instance as heterogenic groups. Both the homogenous and heterogenic groups have their own expressive repertoire, bound together by a specific number of tones and a specific rhythm.
Duration: 15' 00"
SME/EMS
Folklore Planétaire II (1990-1991)for nine instruments (fl(pic,afl,woodblock).ob(ca,claves).cl(bcl,claves)/perc/hp.pf (or two wood blocks)/vn.vc.db)
The instruments are split into three groups: woodwind, harp/piano/percussion and strings.
Duration: 10' 00"
SME/EMS
Protoi (1990-1991)for string quartet
Duration: 20' 00"
SME/EMS
Aura (1992)for two pianos
Duration: 15' 00"
SME/EMS