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Frischknecht Hans Eugen

(08. 05. 1939)

Frischknecht Hans Eugen
Frischknecht Hans Eugen
Kräyigenweg 93
CH-3074 Muri
Schweiz

Tel: +41 (0)31 951 61 81


Biography
Hans Eugen Frischknecht was born in St. Gallen. Following undergraduate studies and training for his piano teacher's diploma at the Swiss Music Teaching Association he studied from 1959 until 1962 at the Berlin School of Music under Michael Schneider (organ), Boris Blacher (composition), Josef Rufer (12-tone music) and Ernst Pepping (counterpoint). He passed his final exams for the organ in 1962. From 1962 until 1964 he studied in Paris under Olivier Messiaen (analysis class at the National Conservatory, Premier Prix 1964), Gaston Litaize (organ) and Robert Veyron-Lacroix (harpsichord). He obtained a theory teacher's diploma from Bern Conservatory in 1969 (Theo Hirsbrunner, J.E. Dähler). He has given concerts in several European and American countries. In 1971 he won the first prize at the Organ Improvisation Competition in St. Albans (England). Since 1964 he works in Bern as an organist and choir director of the 'Johanneskirche'. Since 1983 he teaches theory and improvisation at the Biel Conservatory. In 1970 he founded the ISCM (International Society for Contemporary Music) Vocal Soloists of Bern. He has experimented in new music with teenagers, given radio broadcasts and written articles for various periodicals. From 1977 until 1988 he was president of the ISCM section in Bern, from 1978 until 1990 president of the Bern section of the Swiss Music Pedagogic Association (SMPV), and for several years he was president of the SMPV's Presidents' Conference.

Work list
5 Praeambeln für Orgel (1961)
Five short, very characteristic pieces in different registers.
Duration: 8' 00"
SME/EMS
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CHF: 18.00
3 Stücke für Kleincembalo (1963)
Three short characteristic pieces with wild cascading, bubbly tone-chains or echo stop cantilena.
Duration: 4' 00"
SME/EMS
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CHF: 13.00
Monodie (1963-1964)
Organ music 1
for organ solo
Duration: 3' 00"
Müller & Schade AG
Moserstr. 16
CH-3014 Bern
Schweiz
Tel. +41 (0)31 320 26 26
Fax +41 (0)31 320 26 27
musik@mueller-schade.com
www.mueller-schade.com
Kristallisationen (1964)
for organ
Soft organ sounds at high frequency begin this piece, as if sounding from afar. First performed at the EXPO Lausanne in 1964.
Duration: 5' 00"
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CHF: 13.00
Komposition für Oboe und Orgel (1964)
Four opposing parts combine to form a whole. Written extensively in space notation.
Duration: 5' 00"
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CHF: 16.00
Streichquartett (1964)
Duration: 6' 00"
Manuscript
5 Stücke für Flöte und Orgel (1965)
Five single pieces of various character, from superficially structured to atmospherically cautious.
Duration: 8' 00"
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CHF: 16.00
Duo für Klarinette und Violine (1966)
Duration: 4' 00"
Manuscript
Leises für Gesinchen (1966)
Organ music 1
for organ solo
Duration: 2' 00"
Müller & Schade AG
Moserstr. 16
CH-3014 Bern
Schweiz
Tel. +41 (0)31 320 26 26
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musik@mueller-schade.com
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Komposition für Violoncello und Orgel (1967)
Duration: 6' 00"
Manuscript
Suite für Orgel (1967)
Organ music 1
Duration: 11' 00"
Müller & Schade AG
Moserstr. 16
CH-3014 Bern
Schweiz
Tel. +41 (0)31 320 26 26
Fax +41 (0)31 320 26 27
musik@mueller-schade.com
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Trio für Flöte, Oboe und Cembalo (1967)
Duration: 7' 00"
Manuscript
Klaviermusik in 5 Teilen (1968)
Duration: 8' 00"
Breitkopf & Härtel
Postfach 1707
D-65195 Wiesbaden
Tel. +49 611 45 00 80
Komposition für Violine und Klavier (1968)
Duration: 6' 00"
Manuscript
rosa loui (1969)
7 Lieder
for alto and piano
Texts: Kurt Marti
Duration: 9' 00"
Müller & Schade AG
Moserstr. 16
CH-3014 Bern
Schweiz
Tel. +41 (0)31 320 26 26
Fax +41 (0)31 320 26 27
musik@mueller-schade.com
www.mueller-schade.com
Für zwei (1970)
for two pianos or four-handed piano
Duration: 7' 00"
Manuscript
Wettspiele (1971)
for two young cellists
Composed for amateurs. Very short parts allow for different playing techniques. These parts can be 'self-assembled' based on certain rules of play.
Duration: 7' 00"
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CHF: 13.00
Komposition für Flöte, Klarinette und Tonband (1971)
A two-channel tape plays recordings of a variety of diversely processed piano sounds as a background to the live instruments (flute and clarinet (bass clarinet)).
Duration: 9' 00"
SME/EMS
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CHF: 16.00
Es ist ein Wort ergangen (1972)
for organ solo
Duration: 2' 00"
Müller & Schade AG
Moserstr. 16
CH-3014 Bern
Schweiz
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Fax +41 (0)31 320 26 27
musik@mueller-schade.com
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Spielmusik für alte Instrumente (1973)
for three recorders, two gambas, trombone and positive
Duration: 7' 00"
Manuscript
Vokalisationen (1975)
for five singing voices (SSATB)
Five singers generate a multiplicity of vocal sounds on a purely phonetic basis. The pitch levels are purely graphically notated (with no exact indication to elevation) The work oscillates between dense superimpositions and stationary sound surfaces.
Duration: 8' 00"
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CHF: 16.00
Stimmen-Saiten (1976)
for female choir and piano with four players
Text: Phonetic.
A piano with two players at the keys and two players inside creating sounds accompany the female choir (youth choir). Mostly notated without fixed pitch and therefore good for amateurs.

Duration: 5' 00"
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CHF: 23.00
(Choir material available from SME)
Entwicklung (1977)
for harpsichord
Duration: 4' 00"
Manuscript
Klangflächen (1977)
for piano
Duration: 6' 00"
Manuscript
Fragend (1977)
for organ
Duration: 2' 00"
Manuscript
(1977)

Texts: Hans Eugen Frischknecht
Duration: 4' 00"
Manuscript
Farben (1978)
for symphony orchestra (3.3.3.3/4.3.3.0/hp/4perc/str)
The title relates partly to the timbre of the individual instruments (they remain side by side largely unmixed) and partly to the multifaceted 'colours' audible in the chords.
Duration: 15' 00"
SME/EMS
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CHF: 31.00
(Parts available from SME)
Schwarze Kla-4-klänge (1978)
for piano
Duration: 6' 00"
Manuscript
Fantasia für Violine, Schlagzeug und Orgel (1980)
Three instruments initially appear unfitting but never the less create a homogenous alliance or compliment each other well in contrast.
Duration: 10' 00"
SME/EMS
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CHF: 23.00
Ohn-Mächtige (1980)
for nine-part choir
Texts: Hans Eugen Frischknecht
Based on a text about political prisoners. On the musical level there is a continuously developing sound surface on a diatonic base throughout the work - a persisting expression of hope.
Duration: 10' 00"
SME/EMS
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CHF: 26.00
Rondeau für Flöte und Gitarre (1981)
Duration: 7' 00"
Manuscript
Rund um das Klavier (1983)
Duration: 30' 00"
Manuscript
Tonal - Atonal (1977-1984)
for organ
Music without taboos, neither those concerning clustering nor major triads. Contains fine transitions or rapid cuts between both areas.
Duration: 10' 00"
SME/EMS
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CHF: 21.00
Verflechtungen (1984)
for two organs
This piece is composed for a room with a large and small organ. It contains multifaceted interwoven sounds.
Duration: 12' 00"
SME/EMS
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CHF: 31.00
Komposition für 2 Trompeten und Orgel (1984)
Two high trumpets are required. This composition distances itself substantially from usual trumpet-organ pieces and unites the instruments in multifaceted sound combinations.
Duration: 10' 00"
SME/EMS
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CHF: 26.00
Klanggruppierungen (1984)
for three flutes, two clarinets, trumpet, trombone and four-handed piano
Duration: 12' 00"
Manuscript
De l'Australopithèque à l'homme (1986)
for voice and piano
Texts: Gudrun Ryhming
This piece was created during an experimental cooperation with the singer Gudrun Ryhming. The almost cabaret like piece spans and presents in text, the stages of modern mans development from Australopithecus.
Duration: 13' 00"
SME/EMS
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CHF: 18.00
Impulse für Klarinettenensemble (1986)
or five clarinets and two bass clarinets
Duration: 5' 00"
Manuscript
Farbschimmerungen I (1987)
for organ
Duration: 10' 00"
edition gravis Musikverlag
c/o AMA Verlag GmbH
Wesselinger Str. 2-8
D-50321 Brühl
BRD
Tel. +49 (0)2232 96 930
Fax +49 (0)2232 96 93 66
info@editiongravis.de
www.editiongravis.de/
Orgelskizzen (1988)
Especially suitable for a small to medium sized double manual organ. Some passages have two versions, which can be used depending on use and organ type.
Duration: 9' 00"
Edition Gamma
Adolfstr. 71
D-65307 Bad Schwalbach
BRD
Tel. +49 6124 3719
Fax +49 6124 3472
editiongamma@t-online.de
www.editiongamma-ega.de/
Psalm der Hoffnung (1988/11)
for soprano oboe and organ (or clarinet and piano)
Texts: Anonymi
The texts, ranging from sorrow to hope, are derived from political prisoners of various dictatorships. The Soprano voice is identical for both versions.
Duration: 12' 00"
SME/EMS
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CHF: 36.00
Color Chart (1988)
for synthesizer
Manuscript
Dis-Kont (1988)
for four trombones
Duration: 10' 00"
Manuscript
Farbschimmerungen II (1989)
for organ
Duration: 12' 00"
edition gravis Musikverlag
c/o AMA Verlag GmbH
Wesselinger Str. 2-8
D-50321 Brühl
BRD
Tel. +49 (0)2232 96 930
Fax +49 (0)2232 96 93 66
info@editiongravis.de
www.editiongravis.de/
Labikiel (1990)
for flute and harpsichord
In a transverse flute sound is generated using a labium, in a harpsichord it is produced using a quill. In this piece various tones are set in contrast against each other.
Duration: 7' 00"
SME/EMS
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Schweiz
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CHF: 21.00
Orgorchestra (1990)
for organ and orchestra (2.2.2.2/2.2.2.0/2perc/str)
The organ and orchestra are equal concerting partners in this piece. An amateur orchestra can tackle the orchestral part but the organ, with its two large-scale cadenzas, requires an experienced organist.
Duration: 17' 00"
SME/EMS
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CHF: 52.00
(Parts available from SME)
Ein Haus voller Klaviere (1990)
for twenty-four pianos
Duration: 7' 00"
Manuscript
Wettspiele für zwei Violinen (1990)
Duration: 4' 00"
Nepomuk Musik Verlag
c/o Breitkopf & Härtel Musikverlag
Walkmühlstrasse 52
D-65195 Wiesbaden
BRD
Tel. +49 (0)611 45 0080
vertrieb@breitkopf.de
www.breitkopf.com
Stereophonie (1991)
for five transverse flutes
Composed for five good amateurs. They are to be arranged on a stage as far apart from each other as possible in order to produce a stereophonic effect.
Duration: 5' 00"
SME/EMS
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CHF: 21.00
Zwei Soli mit einem ruhigen Intermezzo (1991)
for organ
Duration: 8' 00"
Manuscript
5 liturgische Stücke (1974-1993)
for organ
Five pieces of circa 3' in length for the festive days of Christmas, Good Friday, the Ascension and Pentecost. Musically between terror and expectation.
Duration: 16' 00"
SME/EMS
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CHF: 26.00
Zwei erweiterte Orgelskizzen (1993)
Duration: 4' 00"
Manuscript
Trio für Klarinette, Violoncello und Klavier (1993)
Chamber music in fine sound shades. Space notation.
Duration: 11' 00"
SME/EMS
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CHF: 29.00
Eine neue Schöpfungsgeschichte (1994)
for twelve singing voices (3.3.3.3)
Texts: Südamerikanische Texte
The text is taken from an unknown South American commune where an end to war and exploitation is visualised in a seven-day creation.
Duration: 19' 00"
SME/EMS
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CHF: 55.00
Clav Cemb (1994)
for two harpsichords
Duration: 10' 00"
Manuscript
Gleich ungleich (1994)
for organ
Duration: 11' 00"
Manuscript
"Jehan Alain, Facteur d'orgue" (1996)
for mixed choir
Texts: Jehan Alain
The composer Jehan Alain (1911-1940) also produced surreal drawings that he branded with text. The composition, written without fixed tone pitch, is based on one of these texts. It can be performed easily by an amateur choir.
Duration: 4' 00"
SME/EMS
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CHF: 16.00
Flöten im Raum (1996)
for two piccolos, nine flutes and three alto flutes
Duration: 14' 00"
Manuscript
Oktett für drei Bläser und fünf Streicher (1996)
for clarinet, bassoon, horn, string quartet and double-bass
Duration: 10' 00"
Manuscript
5 einfache Stücke in neuen Notationsarten (1997)
for organ
Contemporary organ music is normally very difficult to play and rarely suitable for amateurs. Here are five simple pieces. An introduction to the new methods of notation and composition techniques is provided.
Duration: 6' 00"
SME/EMS
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CHF: 23.00
Psalm 113 (1997)
for three-part choir and piano
Duration: 3' 00"
Manuscript
Actions - Réactions (1998)
for percussion and organ
The percussionist generates a sound - the organist reacts - the percussionist reacts on his part. Every action of one instrument results in a certain reaction.
Duration: 12' 00"
SME/EMS
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CHF: 26.00
Quintett (1999)
for flute, clarinet, violin, violoncello and piano
A multi-part composition with contrasting parts.
Duration: 16' 00"
SME/EMS
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CHF: 39.00
Sprungbrett (1999)
for female choir, two mixed choirs, four choir groups (female voices), two choir groups (male voices), four-handed piano, two percussionists, two trumpets, two trombones, six flutes, two violoncelli, two violins, sounding metal rods
Texts: Anonymus
Duration: 28' 00"
Manuscript
5 Bilder für Cembalo (2000)
The single pieces are very self-contained yet opposed to each other: An den Rändern - suchend - temperamentvoll geschichtet - leiselaut - leichtfüssig.
Duration: 10' 00"
Edition Gamma
Adolfstr. 71
D-65307 Bad Schwalbach
BRD
Tel. +49 6124 3719
Fax +49 6124 3472
editiongamma@t-online.de
www.editiongamma-ega.de/
Dona nobis pacem (2000)
for mixed choir
Texts: Bibel / Liturgie
The final text of the Catholic Mass is set opposite reports of things such as war, concentration camps and mobbing which all circumvent peace. Suitable for a good amateur choir.
Duration: 11' 00"
SME/EMS
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CHF: 47.00
Organo pleno (2000)
for organ solo
Duration: 3' 00"
Müller & Schade AG
Moserstr. 16
CH-3014 Bern
Schweiz
Tel. +41 (0)31 320 26 26
Fax +41 (0)31 320 26 27
musik@mueller-schade.com
www.mueller-schade.com
Sesquialtera (2000)
for organ solo
Duration: 2' 00"
Müller & Schade AG
Moserstr. 16
CH-3014 Bern
Schweiz
Tel. +41 (0)31 320 26 26
Fax +41 (0)31 320 26 27
musik@mueller-schade.com
www.mueller-schade.com
5 Bilder für Querflöte (5 pictures for flute) (2000)
Duration: 11' 00"
Manuscript
"So benötigt der Friede dich" (2001)
for mixed choir
The anonymous text was recited at an ACAT general meeting (Action des chrétiens pour l'abolition de la torture). The emphasis is on how important the individual is in world affairs.
Duration: 6' 00"
SME/EMS
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CHF: 23.00
FanSolSi (2001)
for piano
Duration: 11' 00"
Manuscript
4 Stücke (2001)
for violin and organ
Duration: 9' 00"
Manuscript
4 Stücke (4 pieces) (2002)
for violin and piano
The two instruments face each other as equals, once the violin dominates, then the piano. These pieces can also be performed seperately.
Duration: 9' 00"
SME/EMS
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CH-6000 Luzern 7
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CHF: 18.00
FanSolSi (2002)
for violin
Duration: 12' 00"
Manuscript
FanSolSi (2003)
for horn
Duration: 12' 00"
Manuscript
4 Stücke (2003)
for violin and piano
Duration: 9' 00"
Manuscript
"Kantone" (2005)
for female choir or youth choir
This work is composed without a fixed pitch, the choir finds this themselves. The text is phonetically notated, the source of the sound is the different Swiss canton's car registration plates.
Duration: 5' 00"
SME/EMS
Postfach 7851
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CHF: 16.00
Quartett (2005)
for flute and three strings (vn, va, vc)
This work lives for the most part from the contrast between the flute and the three string instruments. The string players sit during the performance and the flutist stand behind them.
Duration: 11' 00"
SME/EMS
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CHF: 31.00
4 Stücke (4 pieces) (2005)
for trumpet and organ
These pieces can be performed together or seperately. Each piece has its own character and brings the various tonal possibilities of the instruments to the fore.
Duration: 9' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
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CHF: 26.00
4 Bilder (2005)
for percussion
Each of these images is restricted to certain instruments:
1) Glockenspiel, triangle
2) Marimbaphone, templeblocks
3) Jazz percussion
4) Vibraphone
Duration: 11' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
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CHF: 16.00
Nov - Org (2005)
3 pictures
for dynamic organ
For the 'prototype 2' of the INNOV-ORGAN-UM project.
Duration: 30' 00"
Manuscript
18 Bilder (1988-2006)
for piano
Short, homogonous pieces. However, great contrasts are present between the pieces. Texts are enclosed to explain the character of each piece.
Duration: 38' 00"
SME/EMS
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CHF: 39.00
Musik (2006)
for 15 wind instrumentalists (0.2.2.2/4.2.3.0)
Duration: 15' 00"
Manuscript
5 Impressionen zur Apokalypse (2007)
for soprano, flute, percussion and organ
Texts: Regula Riniker
Duration: 23' 00"
Manuscript
Saiten - Pfeifen (2007)
for harp and organ
Duration: 12' 00"
Manuscript
D Bewegig - Schmärz (2008)
for singing violinist (or mezzo-soprano and violinist)
Texts: Guy Krneta
Duration: 9' 00"
Manuscript
Klee-Impressionen (2008)
7 short pieces
for oboe (ca), bassoon, viola and guitar
Duration: 10' 00"
Manuscript
Bilder (2008)
for a large organ
Duration: 17' 00"
Manuscript
Stereophonie (2009)
for 5 trumpets
Suitable for advanced amateuers.
The five players are distributed across the whole width of the hall, thus giving a sterophonic effect. Emphasis is placed upon the tonal possibilities of the instruments.
Duration: 5' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 18.00
Quartett (2009)
for transverse flute, Baroque violine, Baroque bassoon and harpsochord
Duration: 11' 00"
Manuscript
6 Stücke (6 pieces) (1997-2013)
for a 24 note organ
Duration: 13' 00"
Manuscript
Lupoforte (2013)
Quintet
for oboe/lupophon, contraforte, harp, violin, violoncello
Duration: 15' 00"
Manuscript
Nov-Org 4 (2013)
4 images for the 4th prototype of the ORGANINNOVUM project
for organ
Duration: 18' 00"
Manuscript
Diskographie
Festival L'art pour l'Aar. Die Konzerte 2008/2009 (Müller & Schade Nr. 5071/2, 2009)
Interpreten:
Bovey, Pierre-André
Werke:
Darbellay, Jean-Luc: Aulos (2000)
Henking, Christian: 3 Bagatellen für 3 Englischhörner (1999)
Holliger, Heinz: KLAUS-UR (2001-2002)
Wohlhauser, René: Streichtrio (2007)
Keller, Max E.: Cinque (2008)
Schweizer, Alfred: Burleske (2008)
Frauchiger, Katrin: "Estos dias azules" (2008)
Frischknecht, Hans Eugen: FanSolSi (2002)
Darbellay, Jean-Luc: Vif (2008)
Frischknecht, Hans Eugen: Quartett (2009)
Mit weiteren Werken von: Gabrielle Brunner, Stefan Werren, Anastasiya Lozova, Theo Hirsbrunner, Daniel Andres, Pierre-André Bovey, Christian Giger, Markus Hofer, Ursula Gut
Info: www.fonoteca.ch
Festival L'art pour l'Aar. Die Konzerte. 2006 / 2007 (Müller und Schade Nr. 5050/2, 2007)
Interpreten:
Frischknecht, Hans Eugen
Monot, Pierre-Alain
Nouvel Ensemble Contemporain NEC
Werke:
Henking, Christian: Ich bin so müde von Seufzen (2001)
Schweizer, Alfred: Gitarrenmusik 5 (2002)
Frauchiger, Katrin: Lontano (2003-2004)
Furer, Arthur: Sechs geistliche Lieder (1963-1964)
Darbellay, Jean-Luc: Tschara (2007)
Schweizer, Alfred: Orchesterstück Nr. 5 "Greina" (2007)
Darbellay, Jean-Luc: Alize (2006)
Darbellay, Jean-Luc: Postojna (2004)
Frischknecht, Hans Eugen: 4 Bilder (2005)
Frischknecht, Hans Eugen: 4 Stücke (2001)
Gut, Ursula: ricercare (2006)
Mit weiteren Werken von: Hans Studer, Pierre-André Bovey, Gerhard Holzer, Olivia Schweingruber, Raphael Gogniat, Alain Corbellari, Daniel Andres, Christian Giger, Daniel Glaus, Willy Merz
Info: www.fonoteca.ch
Festival l'art pour l'Aar. November 2003 (Müller &Schade Nr. 5042/2, 2006)
Interpreten:
Frischknecht, Hans Eugen
Monot, Pierre-Alain
Werke:
Darbellay, Jean-Luc: Ecumes (1996)
Darbellay, Jean-Luc: Shadows (1998-1999)
Keller, Max E.: insieme, a coppie, indipendente (2000)
Marti, Heinz: Passages (1970)
Frischknecht, Hans Eugen: Streichquartett (1964)
Zinsstag, Gérard: Sept fragments ou Cinq fragments (1982-1983)
Gut, Ursula: Aquamarin (1992)
Roth, Michel: Patera (2003)
Mit weiteren Werken von: Hans Eugen Frischknecht, Jürg Wyttenbach, Jost Meier, Katrin Frauchiger, Daniel Andres, Alfred Schweizer
Festival l'art pour l'Aar. Januar 2005 (Müller &Schade Nr. 5043/2, 2005)
Interpreten:
Frischknecht, Hans Eugen
Spina, Anna
Monot, Pierre-Alain
Werke:
Darbellay, Jean-Luc: Bach (2003)
Gasser, Ulrich: Engel, den toten Christus haltend, und Maria lächelt (1995)
Lehmann, Hans Ulrich: de profundis (1988-1989)
Marti, Heinz: Vierung und Umkreis (1967)
Wyttenbach, Jürg: Vier Kanzonen und Two nonsense Verses, an Epigram and a Madrigal (1964)
Frischknecht, Hans Eugen: Komposition für Oboe und Orgel (1964)
Frischknecht, Hans Eugen: Komposition für Flöte, Klarinette und Tonband (1971)
Andres, Daniel P.: Concerto für Bassposaune und Ensemble (2002)
Huber, Klaus: Ein Hauch von Unzeit III (1972)
Gut, Ursula: Mouchoirs (2005)
Mit weiteren Werken von: Hans Eugen Frischknecht, Jean-Luc Darbellay, Lukas Vogelsang, André Richard, Hans Studer, Stefan Daeppen, Alfred Schweizer, Christian Giger
Bibliography
Frischknecht, Hans Eugen: Potential und Grenzen einer musikalischen Sprache. Olivier Messiaens "Modes à transpositions limitées" unter der Lupe, in: Dissonanz 104 (2008), S. 32-34 [Internet]
Hirsbrunner, Theo: Frischknecht, Hans Eugen; Improvisationen, notiert, in: Au carrefour des mondes, édition dissonance 1 (2008), S. 129-136
Hirsbrunner, Theo: Improvisationen, notiert. Der Komponist Hans Eugen Frischknecht, in: Dissonanz 63 (1998)