Voice

Peter Schärli
Ballade pour une pierre (1985)
for voice, trumpet (with mute), piano (or guitar) and double-bass
Texts: Sandy Patton
Duration: 6' 30"
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CHF: 13.00
Katharina Rosenberger
E.E.Cummings Miniatures (1999-2001)
for voice and piano or voice and percussion
Texts: E.E. Cummings
there are so many tictoc (1999) voice, piano 1'30
dying is fine(but Death (1999) voice, piano 1'45
l(a (2001) mezzo-soprano, percussion 1'00
n (2001) mezzo-soprano, percussion 1'10
Duration: 4' 00"-7' 00"
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CHF: 31.00
Andreas Brenner
Drei Gedichte nach Gottfried Benn (three poems after Gottfried Benn) (2007)
for medium voice and piano
I Drohung
II Melancholien
III Wohin –
Duration: 12' 00"
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CHF: 18.00
Yehoshua Lakner
"Morning Song" and "Day is Gone" (1949)
for singing and piano
Texts: Elisheba
The morning song is quick and rhythmical, the evening song slow and elegiac.
Duration: 4' 30"
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CHF: 18.00
Vladislav Jaros
Zwei Lieder nach Gedichten von Peter Weibel (1985)
for singing voice and strings (or string quartet)
Texts: Peter Weibel
The autumn atmosphere becomes music, as delicate as poems by Weibel. Relatively simple to perform. An appeal to the musicality of interpreters...
Duration: 14' 00"
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CHF: 23.00
De-Qing Wen
Complainte (Lament) (1994)
for one reciter of Peking opera and three percussionists
Texts: Chinesisch
I chose unusual percussion instruments on purpose because these objects are part of our everyday life, yet their sound is rarely heard in concert halls. Some instruments and tones have symbolic meanings. Because there is no set pitch, rhythmic organization is of the utmost importance.
Duration: 13' 00"
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CHF: 23.00
Sarah Haessig
Die Geister am Mummelsee (2008)
Melodrama
for voice, string quartet, flute and harp
Over a poem by Eduard Mörike.
Difficult interplay.
Duration: 9' 00"
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CHF: 34.00
Balz Trümpy
Libera (1975)
for eight voices, electronic organ and synthesizer
Texts: Bibel / Liturgie
A snippet of text from the Catholic Requiem Mass is phonetically ‘dissolved’, reassembled as loud formations and returned to its original unit.
Duration: 20' 00"
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CHF: 70.00
Raphael Staubli
Dionysos und Apollon (1995)
for viola, lire, overtone singing and eurythmics
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CHF: 16.00
Peter Schärli
Krieg I-IV (1998)
for brass quintet (1.2.1.1), voice and timpani
Duration: 10' 00"
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CHF: 16.00
Kit Powell
Father's Telescope (1989)
Musical theatre piece
for singers, orator and electronic tape
Texts: Michael Harlow
Playful work dealing with power and submission.
Duration: 15' 00"
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CHF: 34.00
Peter Schärli
Requiem für die Unschuld (1998)
for brass quintet, voice, timpani or for trumpet, french horn or saxophone, trombone, piano, double-bass and percussion
Duration: 9' 00"
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CHF: 13.00
Yehoshua Lakner
Been Arbaim Bayam - Dämmerung beim Meer (1959)
for singing and piano
Texts: Dvora Levinson
Quiet but syncopated undulations alternating with highly charged, stormy passages.
Duration: 2' 00"
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CHF: 13.00
Balz Trümpy
Phasia (1976)
for voices
Texts: Bertolt Brecht
Based on a poem by Bertold Brecht.
Duration: 10' 00"
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CHF: 31.00
Fortunat Frölich
5 Fragmente aus der Ersten Duineser Elegie von R.M. Rilke (1997)
for singing voice and piano
Duration: 13' 00"
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CHF: 36.00
Kurt Meier
Du Leuchte der Welten (1999)
for medium voice and lyre
Duration: 3' 00"
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CHF: 13.00
Kurt Meier
Der da ist die vollkommenste Liebe (1999)
for medium voice and lyre
Duration: 2' 00"
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CHF: 13.00
Michel Hostettler
Vendanges (1980)
for voice and piano
Texts: Marianne Bonzon
Duration: 3' 00"
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CHF: 16.00
Gary Berger
doppelte Wendung (2000)
for voice, percussion and live electronic
Duration: 6' 00"
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CHF: 18.00
Stephan Lauffer
Eschenzer-Lied (2006)
for voice and piano
Composed in the spring of 2006 for the open-air concert 'Dorfmais' in Eschenz.
Duration: 3' 00"
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CHF: 16.00
Balz Trümpy
Zwei Lieder (Rückert) (1984-1985)
for high voice and piano
Texts: Friedrich Rückert
Based on poems by Friedrich Rückert.
Duration: 4' 00"
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CHF: 16.00
Jacques Demierre
Je deviendrai Médée (1986)
for solo voice
Texts: Euripides, Heiner Müller, Pier Paolo Pasolini
What is stronger than to see this woman, Medea, who progressively propagates and accomplishes her own myth?
Duration: 30' 00"
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CHF: 42.00
Fortunat Frölich
5 Borchert-Lieder (1999)
for singing voice and piano
Texts: Wolfgang Borchert
Duration: 12' 00"
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CHF: 39.00
Jacques Demierre
Expinnocence (1986)
for voice, two pianos and violoncello
Texts: William Blake
Written for an improviser/reader, these pieces attempt to recreate a fantasy world in honour of some of William Blake's poems.
Duration: 45' 00"
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CHF: 68.00
Michael Schneider
Strassburgkonfiguration (1998)
for vocals and piano
Texts: Hans Arp
A text by Hans Arp on the emergence of Dada in 1916. Contains numerous musical cross references and aleatoric passages, with ambitious a-a" vocal range.
Duration: 3' 00"
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CHF: 18.00
Dieter Ammann
Venite a dire / Raummusik (2000)
2 madrigals
for 12 solo voices (3S3A3T3B)
The three pieces are formally independent of each other and can be performed seperately.
Duration: 14' 00"
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CHF: 42.00
Jacques Demierre
Bleu (1986)
for solo voices
Texts: Alltags- Werbe- Mediensprache
The performance of a singer who tries in vain to suppress her fit of giggles.Sponsored by the SME Lucerne.
Duration: 5' 00"
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CHF: 13.00
Alfred Knüsel
Erinnerung an Bevorstehendes (1993)
for double choir or between four and seven solo voices and a-cappella tutti choir
Texts: Fritjof Capra
In eleven parts, the form of which involves rather the integration of a heterophonic soundscape more than its actual development.
Duration: 17' 00"
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CHF: 52.00
Pierre Thoma
Rugir/écrire/marcher (1988)
for one voice and any brass instrument
Texts: Vahé Godel
Based on a text by Vahé Godel.
Duration: 9' 00"
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CHF: 29.00
Rudolf Jaggi
Zwei Lieder (1957-1969)
for high or medium voice and piano
Texts: Hans Schütz, Alfred de Musset
1. Ruhe (Hans Schütz) (3')
2. Tristesse (Alfred de Musset) (3')
Duration: 6' 00"
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CHF: 18.00
Gary Berger
scri (2002)
for voice, baritone saxophone, percussion and live electronic
Duration: 8' 00"
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CHF: 42.00
George Barcos
Bochorno (2004)
for voice, violin, bandoneon, piano and double bass
Duration: 5' 00"
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CHF: 21.00
Michel Hostettler
Tourne-girelle (1981)
for three identical voices and piano
Texts: Marianne Bonzon
Duration: 3' 00"
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CHF: 16.00
Balz Trümpy
Vier Gesänge (1986-1987)
for deep voice and piano
Texts: Jürg Signer, Ute Höllrigel, Eveline Hasler, Erwin Jaeckle
Based on poems by Jürg Signer, Ute Höllrigel, Eveline Hasler and Erwin Jaeckle.
Duration: 15' 00"
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CHF: 42.00
Alfred Knüsel
Sechs Miniaturen als Tafelmusik (1994)
for recorder quartet, string quartet, harpsichord and singing voice
Duration: 10' 00"
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CHF: 34.00
Pierre-André Bovey
3 Epigrammes d'André Chénier (1980)
for flute (also flute in G) and voice
Duration: 4' 00"
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CHF: 13.00
Gary Berger
Tank (2005)
for voice and percussion
Duration: 11' 00"
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CHF: 23.00
Alfred Knüsel
... und lässt in gewisser Weise Bindung hinter sich (1997)
Collection of four ecclesiastical songs
for singing, keyboard instrument (organ) and percussion instrument ad lib.
Texts: André Duplain
Duration: 14' 00"
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CHF: 31.00
Balz Trümpy
Zwei Lieder (Heine) (1990)
for medium voice and piano
Texts: Heinrich Heine
Based on poems by Heinrich Heine.
Duration: 4' 00"
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CHF: 18.00
Alfred Knüsel
Wort und Widerhall (1997)
Cycle of four songs
for singing, piano and percussion instrument ad lib.
Texts: Heinz Zimmermann
Duration: 13' 00"
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CHF: 21.00
Rudolf Jaggi
Phasen (1974-1975)
for medium voice, flute and guitar
Texts: Giuseppe Ungaretti (Ingeborg Bachmann)
1. Ich bin eine Kreatur
2. Freude der Schiffbrüche
3. Morgen
4. Phase I
5. Phase II
6. Finale
Duration: 15' 00"
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CHF: 31.00
Jacques Demierre
Désir d'azur: musique de danse (1988)
for eight voices and two pianos
Texts: Roberto Juarroz
The electric pianos remind one of toy pianos that grew too fast. The words are sonorous, the lists long and dense.
Duration: 42' 00"
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CHF: 70.00
Alfred Knüsel
Frühling gestehen (1997)
for singing voice, strings (1.1.1.1.1), flute and percussion
Duration: 23' 00"
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CHF: 47.00
Hans Eugen Frischknecht
De l'Australopithèque à l'homme (1986)
for voice and piano
Texts: Gudrun Ryhming
This piece was created during an experimental cooperation with the singer Gudrun Ryhming. The almost cabaret like piece spans and presents in text, the stages of modern mans development from Australopithecus.
Duration: 13' 00"
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CHF: 18.00
Nicolas Bolens
Ou le mystère précipité hurlé (2007)
for 8 solo voices (2S2A2T2B)
After "Un coup de Dés…" by Stéphane Mallarmé.
Duration: 18' 00"
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CHF: 73.00
Rudolf Jaggi
Roserich (1977)
for medium voice and guitar
Texts: Emanuel Geibel
1. Beim letzten Erntefeste
2. Intermezzo 1
3. Lass mir die Knaben vom Feste
4. Intermezzo 2
5. ...und horch!
Duration: 15' 00"
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CHF: 18.00
Alfred Knüsel
Fluchtweg ist nicht zu erkennen (1999)
Lieder cycle
for singing, piano and percussion ad libitum
Texts: Michèle M. Salmony
A cycle in five parts based on text fragments by Michèle M. Salmony.
Duration: 16' 00"
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CHF: 34.00
Ruedi Debrunner
Musaka Songs (2003)
Praphrase of Cameroonian hymns
for precentor (m/f), monophonic choir, oboe, clarinet, bassoon, violin, violoncello and double-bass
Duration: 18' 00"
SME/EMS
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CHF: 62.00
(Parts: sFr. 73.-; € 56.-)
De-Qing Wen
A New legend of Yang Zongbao and Mu Guiying (2008)
for voice and recorder
The hero Yang Zhongbao and his wife Mu Guiying were two of the impressive warriors from the famous historical story in China, Heroic Legend of the Yang's Family, which was set in the Northern Song Dynasty (960-1127). Although as time goes, the social value has been changed and people today easily find incredible and ridiculous what was cherished in the time of Yang Zhongbao and Mu Guiying, they still love the story. That is where the charm of traditional culture lies.
This piece makes the two ancient characters live in today's setting by traveling through time and do what they did in their own time, which is full of humor and wit. Besides, it combines factors of contemporary music with the Chinese traditional form of talking and singing, the arrangement of the tenor and soprano part sung by one male and the artistic appeal of Xi'an dialect and Qin Opera of China.
Duration: 12' 00"
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CHF: 39.00
Burkhard Kinzler
a curl (2013)
for voice and percussion
Duration: 7' 00"
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CHF: 16.00
Pierre Thoma
Vocando (1997)
for single voice in any register
Vocally and gesture-wise free interpretation of a text in truncated language by Pierre Thoma.
Duration: 10' 00"
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CHF: 23.00
Hans-Jürg Meier
Arianna: scena sesta - coro (2007)
for solo voice and a wind instrument
Texts: Ottavio Rinuccini
Music in four parts, presented between the four sections of the madrigal version of "Lamento d'Arianna" in five voices (1610) by Claudio Monteverdi.
Duration: 3' 00"
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CHF: 16.00
Burkhard Kinzler
Müthel-Brücken (2013)
for choir, soloists, strings, horn, Alphorn and bassoon
For a composed programme with works by Johann Gottfried Müthel.
Duration: 20' 00"
SME/EMS
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CHF: 62.00
Jacques Demierre
Nous ici (1993)
for voice, flute, clarinet, violin, violoncello and piano
Texts: Jacques Roman
Three main 'characters'. A text by Jacques Roman based on African rhythm organisation and inspired by the solo fragments of jazz saxophonist Charlie Parker.
Duration: 13' 00"
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CHF: 70.00
Martin Wendel
Anmerkungen, op. 52 (1995)
for high singing voice, clarinet and piano
Texts: Chinesisch
I tried to avoid all allusions to ancient Chinese exotics in the realisation of the aphoristic and directness of the still up-to-date texts. All fourteen pieces are connected in a meaningful compositional manner.
Duration: 21' 00"
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CHF: 49.00
René Wohlhauser
Ly-Gue-Tin (2008)
Ergon 38
for voice(s) and piano
Based on an onomatopoeic text by the composer.
A dialogue between contrasting fragments as a sounding monograph for the inauguration of Jean Tinguely's life tables in Basel, 22 May, 2008.
Duration: 10' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 49.00
Hans-Jürg Meier
les mots jaunes (plötzlich diese Ganzheit) (2008)
for voice (mezzo-soprano) and flute
Text by Marianne Schuppe (staging: Hans-Jürg Meier)
"Between two languages lies a room. Between language and music lies a room. And between reading, resp. listening and writing lies time. Translating is the setting of one's own words resp. signs in relation." (Marianne Schuppe)

Duration: 9' 00"
SME/EMS
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CHF: 18.00
Pierre Thoma
Vocando II (1999)
for three voices in any register
Vocally and gesture-wise free interpretation of a text in truncated language by Pierre Thoma.
Duration: 3' 30"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
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CHF: 23.00
Balz Trümpy
Drei Haikus (2006)
For the sixtieth birthday of Robert Kahnt
for voice and piano
Texts: Martine Lovis
Duration: 2' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 16.00
Thüring Bräm
Piccoli Stagioni (1997)
for piano trio, flute and singing voice
Texts: Anna Maria Bacher
Four seasons poems by the poet Anna Maria Bacher from Pomatt in the Italian version; short, transparent pieces.
Duration: 7' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 31.00
Alfred Knüsel
Marianische Antiphon 2007 (2007)
A-cappella choir piece
for 9 voices
Text from "Salve Regina".
Duration: 8' 50"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 23.00
Edu Haubensak
Schnee (Ein Ritual) (2013)
Trio
for horn, voice and percussion
Duration: 21' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 31.00
Rudolf Jaggi
O Westen, öffne mir deine Arme (1991)
for high voice, flute and guitar
Texts: Altägyptische Texte
1. Lobpreis sei dir, Re
2. O Re, komm zu mir
3. Betrachtet mich doch
Duration: 16' 00"
SME/EMS
Postfach 7851
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CHF: 34.00
Balz Trümpy
Nachtgedanken (2011)
for medium voice and piano
Texts: Johann Wolfgang von Goethe
A song cycle in the classical sense.
Duration: 27' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 44.00
Rudolf Jaggi
Drei Morgenstern-Lieder (1997)
for singing voice and piano
Texts: Christian Morgenstern
1. Die Stadt aus Elfenbein2. Es ist Nacht3. Früh-Herbst
Duration: 8' 30"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 21.00
Ernst Pfiffner
Monologe über Frieden und Krieg (1983)
for voice and string quartet
Texts: Dschang Dji, Andreas Gryphius, Hugo Ball, Li-Tai-Pe
Work series A: Music for concerts.
Duration: 12' 00"
SME/EMS
Postfach 7851
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CHF: 29.00
Balz Trümpy
Weit weg (2014)
for solo voice
After texts by Lisa Elsässer and after questions from newspapers (selected by Claudia Vonmoos).
A monologue that also includes theatrical aspects.
Duration: 15' 00"
SME/EMS
Postfach 7851
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CHF: 26.00
Ernst Pfiffner
Biblische Szene (1989-1991)
for high voice and orchestra (2.2(2obda).2.2/ 2.2.0.0/perc/str)
Texts: Bibel / Liturgie
This piece is based on the story of the healing of the boy in Mark’s gospel. The voice assumes the roles of Jesus, the Father and a chronicler, by singing, whispering, speaking, and humming. Four timpani and nine other percussion instruments (two players) enlarge the classical strings and wind orchestra. In the final section there is a Gregorian credo motive and Beethoven's credo motive from the ‘Missa Solemnis’.
Work series A: Music for concerts.

Duration: 20' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 55.00
Hansruedi Willisegger
Bitte, Lob und Dank (1973)
for cantor, three sopranos, mixed choir, congregation, three orators, three flutes, violoncello, double-bass and bongos
Duration: 12' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 18.00
Rudolf Jaggi
Five Ayres (2006)
for medium voice and guitar
After anonymous texts from the 15th and 16th centuries.
I. Come let us all amaying go
II. Weep, o mine eyes
III. If it be love to sit and mourn
IV. O yes! Has any found a lad?
V. Though Philomel
Duration: 9' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
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Fax +41 (0)41 210 60 70
mail@musicedition.ch
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CHF: 23.00
Rudolf Jaggi
Die grosse Gondel (2009)
15 songs
for high voice and piano
Duration: 24' 00"
SME/EMS
Postfach 7851
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CHF: 36.00
Rudolf Jaggi
Die zwei Wurzeln (2013)
Song
for high voice and piano
Texts: Christian Morgenstern
Duration: 1' 20"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
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CHF: 16.00