Percussion

Pierre Thoma
Ode à Chronos (1976)

Instrumentation: for 4 percussionists

Duration: 10' 00"

SME/EMS
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CHF: 20.00
(Material: sFr. 30.-)
Louisa Lasdun
"Jabberwocky" (1978)

Instrumentation: for orator (most suitable would be a voice from the media known by children), piccolo, 2 bassoons, contrabassoon, amplified harpsichord (or synthesizer), piano, four percussion, mixed choir (4.4.4.4 also possible 2.2.2.2)

Texts: Lewis Carroll

Entertainment for anybody between the ages of four and ninety-nine. Suitable for a childrens programme. The text is from 'Alice through the looking glass' by Lewis Carroll, also available in French and German.
The original is in English gibberish but is easily transferable to German or French gibberish.


Duration: 10' 00"

SME/EMS
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CHF: 25.30
Raphael Staubli
Studien (1982-1983)

Instrumentation: for one percussionist


SME/EMS
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CHF: 15.30
Andreas Stahl
schneller werdender blues (1983-1984)

Instrumentation: for flute, clarinet, violin, double-bass, marimba, percussion and orator

Texts: Robert Peterhans

Quasi-accompanied readings of texts by Robert Peterhans. Mini-overture; country life; city life (the eventful 80's); love; music.

Duration: 30' 00"

SME/EMS
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CHF: 32.70
Mathias Steinauer
* . *, op. 1.1 (1984)

Instrumentation: for xylophone, marimba and two musical boxes (total of three percussionists)

An almost scenic confrontation: childlike, self-centred play contrasts with perfectionist, cold virtuosity. Play boxes are available on loan for performance.

Duration: 8' 00"

SME/EMS
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CHF: 23.00
Fritz Hauser
Die Welle (1986)

Instrumentation: for percussion ensemble (ten players)

Duration: 10' 00"

SME/EMS
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CHF: 17.40
Bruno Stöckli
Dal peso di un piccolo uccel (1991)
Seven pieces

Instrumentation: for female voice and instrumental ensemble (fl.cl/pf.hp/perc/vn.vc.db)

Texts: Erika Burkart

Based on poems by Erika Burkart.

Duration: 15' 00"

SME/EMS
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CHF: 37.80
Regina Irman
Speculum (1984)

Instrumentation: for four Eb clarinets, two percussion, sisyphus machine, mirrored scenery and coloured lighting

The Sisyphus machine, mirror stage-layout and lighting can all be obtained on request. In the case of a version without these accessories the machine must be replaced by a running electronic tape.

Duration: 15' 00"

SME/EMS
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CHF: 24.00
Mathias Steinauer
AnDante, op. 1.2 (1985)

Instrumentation: for percussion trio and large electronic tape loop

Duration: 10' 00"

SME/EMS
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CHF: 18.00
(Tape loop available on loan)
Maria A. Niederberger
Inferences (Rückschlüsse) (1985)

Instrumentation: for fl(afl).cl(bcl)bn/2perc/pf/vn.va.vc

Accentuated piano part.

Duration: 8' 00"

SME/EMS
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CHF: 32.00
Fritz Hauser
zytraffer (1992)

Instrumentation: for percussion ensemble (seven players)

Duration: 8' 00"

SME/EMS
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CHF: 21.00
Ursula Gut
Teddybear's Dream (1993)

Instrumentation: for violin, violoncello, bassoon, harp, percussion and celesta

Duration: 10' 00"

SME/EMS
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CHF: 16.70
Thomas David Müller
Trauerarbeit (1978)

Instrumentation: for viola, double-bass, harp, piano and percussion (six players in total)

Quite quiet music, easy to perform.

Duration: 7' 00"

SME/EMS
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CHF: 17.30
Pierre Thoma
Mutations (1983)

Instrumentation: for solo percussion (various instruments)

3 movements; in each a theme progressivvely transforms itself into a different theme. Virtuosic piece.

Duration: 10' 00"

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CHF: 21.30
Mathias Steinauer
Musik in 5 Teilen, op. 2 (1986)

Instrumentation: for three violoncelli and two percussionists

A play with formal superimpositions.

Duration: 17' 00"

SME/EMS
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CHF: 25.80
(Material for performance availbale on loan)
De-Qing Wen
Distance (1992)

Instrumentation: for mezzo-soprano, tenor, twelve female voices and three percussionists

Texts: Chinesisch

Text: four ancient Chinese poems. The female chorus is dispersed in four groups located on each side of the audience; each chorus-singer also plays a percussion instrument. The soloists on stage create a feeling of distance.

Duration: 14' 40"

SME/EMS
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CHF: 22.70
Ursula Gut
Clairières (1994-1995)
13 Pieces

Instrumentation: for piano, double-bass and percussion

Duration: 35' 00"

SME/EMS
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CHF: 32.00
Katharina Rosenberger
E.E.Cummings Miniatures (1999-2001)

Instrumentation: for voice and piano or voice and percussion

Texts: E.E. Cummings

there are so many tictoc (1999) voice, piano 1'30
dying is fine(but Death (1999) voice, piano 1'45
l(a (2001) mezzo-soprano, percussion 1'00
n (2001) mezzo-soprano, percussion 1'10

Duration: 4' 00"-7' 00"

SME/EMS
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CHF: 19.80
Pierre Thoma
Musiques pour fifres et tambours (1984)

Duration: 2' 30"

SME/EMS
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CHF: 12.60
Jannik Giger
Biest (2012)

Instrumentation: for piano, percussion, alto saxophone and baritone saxophone

Duration: 9' 30"

SME/EMS
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CH-6000 Luzern 7
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CHF: 20.70
Daniel Ott
para alberto alarcon (1991)
Scenic composition

Instrumentation: for one dancer with castanets

A musical portrait woven with words from the castanet story of the Spanish Civil War by Frederico Garcia Lorca: for diverse castanets of assorted origin.

Duration: 35' 00"

SME/EMS
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CHF: 28.00
Hans-Jürg Meier
etwas quintlastig (1993)

Instrumentation: for recorder, bass clarinet, viola, violoncello and two percussionists

The melody is expanded in a tower of quints. A row of variations in three parts where the melody sounds as a whole only in the second part.
Conductor is of use.


Duration: 6' 00"

SME/EMS
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CHF: 13.30
Irena Grieg
Ask Me No More... (1993)

Instrumentation: for a small ensemble (soprano, tenor, flute, horn, percussion) and electronic tape

Text: Pierre Emmanuel, William Butler Yeats, Paul Eluard, Gerald Griffin, Jacques Prévert, Vincent O'Sullivan, Maurice Maeterlink, Thomas Hardy, Alfred Lord Tennyson.
Drama for a man and a woman, in English and French.

Duration: 8' 00"

SME/EMS
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CHF: 35.40
De-Qing Wen
Complainte (Lament) (1994)

Instrumentation: for one reciter of Peking opera and three percussionists

Texts: Chinesisch

I chose unusual percussion instruments on purpose because these objects are part of our everyday life, yet their sound is rarely heard in concert halls. Some instruments and tones have symbolic meanings. Because there is no set pitch, rhythmic organization is of the utmost importance.

Duration: 13' 00"

SME/EMS
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CHF: 19.30
Valentin Marti
Euphotic Circles (1996)

Instrumentation: for soprano saxophone solo and ensemble (fl.cl/tpt/perc/pf/vn.va.vc.db)

"The fascinating colours, the successful combination of the three wind players and their perfect connection with the string players are very well mastered from a formal point of view, they let arise an ensemble piece in the truest sense of the word. (S. Palm)
World premiere: 31.7.97, Klagenfurt, Janus-Ensemble Wien Robert HP Platz (cond.).


Duration: 12' 00"

SME/EMS
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CHF: 34.00
Fritz Hauser
double exposition (1996)

Instrumentation: for percussion quartet

Duration: 30' 00"

SME/EMS
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CHF: 26.40
Bruno Stöckli
Getönt (1997)

Instrumentation: for flute, clarinet, violin, violoncello, piano and percussion

Duration: 10' 00"

SME/EMS
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CHF: 22.80
Ursula Gut
Postludium (1998)

Instrumentation: for violin, viola, violoncello and percussion

Duration: 17' 00"

SME/EMS
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CHF: 19.30
Vladislav Jaros
Sinfonie für Streicher und Schlagzeug (1986)

Instrumentation: (8, 8, 4, 4 - 4 Schlgz)

A rewarding piece, effective and relatively accessible to the public.

Duration: 25' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 44.70
Mathias Steinauer
Visions, op. 5 (1987)

Instrumentation: for wind ensemble, two percussion and piano (2(pic,fl-g)2.2(bcl)2/2.2.0.0)

In three movements; Grande danse froide, nine microludes, epilogue. Engraved in Nuremberg's ancient fire bell: "When I, the bell ring, it never means a futile thing (...)". - As is inscribed in my memory, the chemical catastrophe at Schweizerhalle in Basel on 01.11.86. Numerous bell sounds are featured, and there is a personal attempt to portray the event through both poles of the work. This piece is written for music students.

Duration: 13' 00"

SME/EMS
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CHF: 25.20
Daniel Ott
zweite liebe (1991)

Instrumentation: for one percussionist

Music for the play 'zweite liebe' (second love) by Jurg Amann. Sixty percussion interventions each between five and twenty minutes in duration; can also be performed without the play.

Duration: 30' 00"

SME/EMS
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CH-6000 Luzern 7
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CHF: 16.00
Maria A. Niederberger
Tandem Points (1993)

Instrumentation: for flute, oboe, bass clarinet, horn, two percussion, violin, viola, violoncello and double-bass

Horn and percussion accentuated.

Duration: 9' 00"

SME/EMS
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CHF: 43.80
Felix Baumann
Le guetteur mélancolique (1994)

Instrumentation: for two clarinets, two harps, piano, six percussion, two orators and four choir groups

Texts: Guillaume Apollinaire

For the 'Stadelhofer Death Dance'. A spatially performable score based on texts by Guillaume Apollinaire about the transition from this world to the next. Speechlessness in the face of death, a dance around the grave and the crossing of the threshold.

Duration: 16' 00"

SME/EMS
Postfach 7851
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CHF: 38.00
De-Qing Wen
Le Souffle (1994)

Instrumentation: for six instruments (flute, clarinet, violin, violoncello, piano and percussion)

For the Chinese, the 'Yin' and the 'Yang' were in the universe from the beginning and all creatures are animated by the 'Qi', the breath of life. Inspired by the order of the 64 hexagrams of the Book of Mutations and their composition in six masculine or feminine symbols, I divided this piece into six registers and wrote the music of the 64 hexagrams consecutively for six musicians.

Duration: 8' 00"

SME/EMS
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CHF: 16.70
(Parts: sFr. 18.-; € 18.-)
Alex Rüedi
Sandsaaga (1996)

Instrumentation: for percussion ensemble (seven percussionists, three mallet instruments, marimba, percussion, timpani and drum set)

Duration: 6' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 12.60
(parts: CHF 17.-)
Felix Schüeli
Sieben Geheimnisse (2000-2001)

Instrumentation: for mixed choir, orator, CD playback and ensemble (piano quartet and one percussionist: marimbaphone, vibraphone, large drum, small drum, flexatone, whip, cipher)

Texts: Alltags- Werbe- Mediensprache

Text: Commentary from the French national football team winning the world championships: "Aux larmes citoyens!", "La victoire est en eux!", "Ils iront tous aux paradis!".

Duration: 8' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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info@musinfo.ch
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CHF: 22.20
parts: CHF 22.-
Andreas Zurbriggen
... Mond Traum ... ich hör Sand und Steine weinen... (2009)

Instrumentation: for soprano, violoncello and percussion (vibraphone / percussion - 1 player)

Texts: Rose Ausländer


SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 17.40
Pierre Thoma
Batterie Connection (1985)

Instrumentation: for marching percussion

Duration: 2' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 10.00
(Material: sFr. 12.-, € 12.-)
Daniel Ott
skizze - 7 1/2 bruchstücke (1992)
Scenic composition

Instrumentation: for bass clarinet, percussion and string trio

A portrait study, 'Bilderbogen', developed from discussions with members of the 'Ensemble Recherche' concerning their relationship with their instruments; available also as a film version: '7 ½' (together with Reinhard Manz) Distribution: Video-Genossenschaft Basel, Postfach 511, CH-4005 Basel.

Duration: 11' 00"

SME/EMS
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CHF: 19.30
Valentin Marti
Rainshadows (1996-1999)

Instrumentation: for bass clarinet, trombone, violoncello and percussion

Shadowy diffused sounds are generated below the sound spectrum of the rainstick. Sounds which, the stronger and more corporeal they appear, the more fragile they really are.
Requires three rainsticks.
First performed by the 'Ensemble Avance' in Baden, 25.02.00.

Duration: 10' 30"

SME/EMS
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CHF: 25.80
Fritz Hauser
Le souvenir (1997)

Instrumentation: for percussion quartet

Duration: 10' 00"

SME/EMS
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CHF: 15.60
Regina Irman
Ein Trauermarsch. Nach Texten von Adolf Wölfli (1987)
Based on texts by Adolf Wölfli.

Instrumentation: for percussion trio and speaking voice

Texts: Adolf Wölfli

Percussion set-up to include: Three pans, zinc bowl, water ladle, water gong, pedal timpani, Basel drum, military snare, piccolo snare, two wood-felt sets, ten cow bells, two tam tams, Peking opera gong, six cymbals, kazoo, vibraslap. The illogical and anti-perspectivist text, and a few Wölfli-like somisation fragments are formed and set to music in individual strata. These strata are laid one on top of the other in a collage, betraying Wolfli's frequent tendency towards queer folklorism. The timpani are the central and recurrent element throughout. Commissioned by the festival 'Tage für Neue Musik Zürich'.

Duration: 40' 00"

SME/EMS
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CHF: 48.00
Andreas Stahl
sonnetts VIII and LXIV by shakespeare (1990)

Instrumentation: for altus, three recorders and percussion

Duration: 18' 00"

SME/EMS
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CH-6000 Luzern 7
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CHF: 24.00
Daniel Ott
jammermusik (1993)

Instrumentation: for six - twelve players, variable scoring (obligatory drums, wind and accordion)

Extract from a larger, open-air theatre composition.

Duration: 2' 00"

SME/EMS
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CHF: 11.40
Alfons Karl Zwicker
Tropfen auf Stein (1995)
Cycle based on poems by Elisabeth Heck

Instrumentation: for baritone, flute (pic, afl, bfl), harp, piano, one percussion and viola

Texts: Elisabeth Heck

Very introspective and contemplative song cycle with an increasingly ruminant character. A very subtle and diversified sound world whose centre is the metaphor of stone in all its varieties.

Duration: 30' 00"

SME/EMS
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CHF: 50.70
Fritz Hauser
zytraffer zwei (1997)

Instrumentation: for percussion ensemble (eight players)

Duration: 8' 00"

SME/EMS
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CHF: 22.80
Peter Schärli
Krieg I-IV (1998)

Instrumentation: for brass quintet (1.2.1.1), voice and timpani

Duration: 10' 00"

SME/EMS
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CHF: 16.00
Ursula Gut
con moto e diavoletto (2001)

Instrumentation: for piano and percussion

Duration: 7' 00"

SME/EMS
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CHF: 15.00
Hans Eugen Frischknecht
4 Stücke für Schlagzeugensemble (1964)

Instrumentation: für Schlagzeugensemble

4 Stücke mit unterschiedlichen Charakteren - von meditativ bis virtuos

Duration: 9' 00"

SME/EMS
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CHF: 13.20
Josef Kost
Vesper (1994)

Instrumentation: for amateur choir, youth choir (both also speaking choirs), congregation, mezzo-soprano, baritone, liturgist, harp, organ and two percussion

Texts: Bibel / Liturgie

A composition in various scores based on texts from Psalms and paraphrases on the subject of creation. Both the youth and amateur choirs are accompanied by the organ or percussion instruments; the singing congregation is accompanied by harp and drums, and the female and male cantor are accompanied by marimbaphone.Intermediate to difficult level.Liturgical duration: 60'

Duration: 31' 00"

SME/EMS
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CHF: 36.00
Daniel Ott
17 1/2 (1995)
Scenic composition

Instrumentation: for four guitars, two mandolins, dulcimer, viola, 2 double-bass, saxophone, trombone, tuba, accordeon and three percussion instruments

Spatial composition based on the sound memories of the musicians/singers.

Duration: 25' 00"

SME/EMS
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CHF: 36.70
Peter Schärli
Requiem für die Unschuld (1998)

Instrumentation: for brass quintet, voice, timpani or for trumpet, french horn or saxophone, trombone, piano, double-bass and percussion

Duration: 9' 00"

SME/EMS
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CHF: 13.00
René Wohlhauser
Rosa Sumpf (1979/2022)
Parergon 12, Nr. 19, 2. Fassung, Musikwerknummer 2141

Instrumentation: Tenor, Sopran, akustische Gitarre, E-Orgel, E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 4' 12"

SME/EMS
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CHF: 23.40
Eliane Frances George
Gossamery Dreams (1993)

Instrumentation: for electronic, flute, violin, viola percussion, and dance (ad lib.)

A combination of live music, electronic tape and dance. This piece evokes the inside of archetypal images, images that, throughout time and evolution, have expressed to us the hope of a world of communication that lies beyond our illusory daily lives.

Duration: 17' 00"

SME/EMS
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CHF: 34.70
Parts incl.
Dieter Ammann
The Freedom of Speech (1995-1996)

Instrumentation: for flute (also bfl), clarinet (also bcl), violin, violoncello, percussion and piano

Duration: 18' 00"

SME/EMS
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CH-6000 Luzern 7
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CHF: 37.30
(Parts: SME sFr. 66.-)
Rico Gubler
In Sand gemeisselt (1998)

Instrumentation: for viola, violoncello and percussion

Duration: 6' 00"

SME/EMS
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CHF: 17.30
Fritz Hauser
nothing will ever change (1998)

Instrumentation: for percussion ensemble (ten players)

Duration: 5' 00"

SME/EMS
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CHF: 13.20
Stephan Lauffer
en dankopfergsang - dä hundertschti psalm (2003)

Instrumentation: for choir (SATB), oboe, viola, xylophone, percussion, organ and double-bass

Texts: Bibel / Liturgie

Musical setting of the 100th Psalm.

Duration: 7' 00"

SME/EMS
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CHF: 19.80
Instrumental parts CHF. 16.-;
choir score CHF. 14.-
Regina Irman
Schwarzes Glück 2 (1990-2001)

Instrumentation: for percussion quartet

Percussion set-up to include: four piccolo snares, Basel drum, eight tom-toms, two bongos, conga, darbouka, two large frame drums, two bass drums, four pedal timpani, three woodblocks, temple block, large slit drum, two tam-tams, gong in c, four cymbals, three cowbells, large Japanese temple bell, brake drum, guiro, and other small percussion instruments (no melodic instruments). Two movements and an epilogue based on sections from the piano composition 'Schwarzes Glück'. A rhythmical pulse and fine sounds predominate.

Duration: 10' 00"

SME/EMS
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CH-6000 Luzern 7
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CHF: 15.00
parts: CHF 18.-
Mathias Steinauer
Speculum sibyllinum, op. 9 (1992)

Instrumentation: for six voices (mezzo-soprano, altus, 2 tenors, baritone, bass), 5 recorder-players (div. instr.), 6 viola da gambas (2 disc, A, 2 T/B, violone in D) and two percussion

An adaptation of newly found manuscripts written by an anonymous twelfth century composer in the Vatican, in which aspects of the whole of musical history are anticipated. Spatial music.

Duration: 16' 00"

SME/EMS
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info@musinfo.ch
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CHF: 40.20
De-Qing Wen
Traces II (1996)

Instrumentation: for nine instruments (fl.cl/2perc/pf/vn.va.vc.db)

Chinese calligraphy is the essence of Chinese art. For me personally, it stands as an original score. From written characters, sounds emerge. With the words, music is created.

Duration: 12' 00"

SME/EMS
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CHF: 24.60
Paul Clift
objets à réaction poétique (2015-2016)

Instrumentation: for nineteen instruments

Texts: Duineser Elegien

with texts from Duineser Elegien: Die erste Elegie by Rainer Maria Rilke and citations from Maurice Ravel's Concerto for Piano in G Major

Duration: 12' 00"

SME/EMS
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CHF: 56.70
Hansruedi Willisegger
Suite über "Wenn alle Brünnlein fliessen" (1960)

Instrumentation: for piano, trumpet, horn, percussion and string orchestra

Duration: 23' 00"

SME/EMS
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CHF: 28.00
René Wohlhauser
Liechter (1980/2016)
Parergon 13, Nr. 1, Musikwerknummer 464

Instrumentation: Fassung für Sopran, Bariton, elektrische Gitarre, Klavier und Djembé

Texts: René Wohlhauser

Song

Duration: 4' 10"

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CHF: 18.60
Andreas Stahl
brudermord (1992)

Instrumentation: for piccolo trumpet, Eb-trumpet, horn and three percussion

Short, fierce (also complex) cry out against equality in its handling of various aspects such as mankind, musical instruments, parameters, etc.

Duration: 7' 20"

SME/EMS
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CHF: 29.00
Martin Imholz
Motto (1999)

Instrumentation: for soprano, piano and large drum

Duration: 30' 00"

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CHF: 10.80
Andreas Stahl
steinstück (1992)

Instrumentation: for three percussion and 12/11/10 stones

Two versions: one is based on a sculpture by Heinz Häberli; it consists of twelve stone pillars (roughly life-size), amongst which the percussionists shuffle about while playing. The other version is played in any combination on any twelve stones, slabs, pipes, bricks etc. With each performance of a series, one of the stones is destroyed, in this way a variety of interpretations is achieved.

Duration: 12' 00"

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CHF: 19.30
Marc-André Rappaz
Stances sur "La mort de Marie" (1992-1993/2000)

Instrumentation: for two percussion and violin

Based on 'Jamais la mort ne délira / Le noeud dont ta beauté me lie' by Ronsard. The second part is an improvisation over a group of short cells.

Duration: 8' 00"

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CHF: 16.70
Martin Schlumpf
Ostinato I (1980)

Instrumentation: for three improvising musicians (any instruments), string orchestra and harpsichord

The improvised part is composed for wind instruments, double-bass and drums, but can just as easily be realised using other instruments.

Duration: 31' 00"

SME/EMS
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CHF: 34.00
Hans-Jürg Meier
d'une autre vie (1996/1997)

Instrumentation: for three percussionists

Three parts: véhément / paralysé / -.

Duration: 14' 00"

SME/EMS
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CHF: 22.70
De-Qing Wen
Divination (1997)

Instrumentation: for six instruments (flute, clarinet, violin, violoncello, piano and percussion)

The ideal for ancient Chinese civilization is that nature and man are one. Although this piece seems to describe a divination ceremony and the natural elements, it mainly expresses the human feelings.

Duration: 19' 00"

SME/EMS
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CHF: 49.30
parts: CHF 30.60
René Wohlhauser
Dr Asfalttiger (1980/2022)
Parergon 12, Nr. 26, 3. Fassung, Musikwerknummer 2145

Instrumentation: Sopran, Bariton, el. Gitarre, E-Piano, E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 3' 04"

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CHF: 17.40
Alfred Felder
Im See ist Feuer (1990-1997)
Music

Instrumentation: for violin, violoncello and orchestra

Double concert;
Score for orchestra: strings and two percussionists.
"The fire below and the sea above battle and defeat one another…" from the symbol GO out of the Chinese oracle book I Ging.


Duration: 30' 00"

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CHF: 39.30
Alfred Knüsel
de profundis (1992)

Instrumentation: for soprano, flute, violoncello, harpsichord, and percussion

Texts: Henriette Hardenberg

Cycle of three songs.

Duration: 7' 00"

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CHF: 24.60
Thomas K. J. Mejer
Amandla Awethu (1993)

Instrumentation: for four wandering percussionists

A ring of instruments surrounds the audience. Four percussionists swap from one instrument to the next, accelerating as they do so, seeking the point at which tone and the power of rhythm meet.

Duration: 21' 00"

SME/EMS
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CHF: 35.30
Mathias Steinauer
Jahreszeiten ?, op. 11.3 (1995)

Instrumentation: for percussion trio resp. string trio

Slightly scenic. For glockenspiel, three flexatones, wind machine, two tubular bells (d#''' - d#'''') and a wind wheel with remote control.

Duration: 3' 00"

SME/EMS
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CHF: 10.80
Hans-Jürg Meier
par le murmure déchiré (1997-1998)

Instrumentation: for soprano, three Renaissance recorders, percussion and electronic tape

Texts: Samuel Beckett

Seven poems from the 'Mirlitonnades' by Samuel Beckett form the textual base of this piece.

Duration: 16' 00"

SME/EMS
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CHF: 25.30
Christophe Schiess
hors-jeu (2014-2015)

Instrumentation: pour clarinettiste et ensemble

Duration: 14' 00"

SME/EMS
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CHF: 43.20
Parts: CHF 58.00
Kit Powell
The Green Man (1989-1992)
Musical theatre.

Instrumentation: for solo percussionist

Work based on a poem by Michael Harlow, which is about the conflict between anima and animus – instruments are arranged as "male" and "female" left and right of the player.

Duration: 10' 00"

SME/EMS
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CHF: 22.20
Andreas Stahl
sextet (1993-1994)

Instrumentation: for soprano, violin, violoncello, trombone, percussion, piano, electronic tape and a piece of mechanical equipment

A half scenic attempt to look at the common ground between musical and theatrical operation and the resulting relationship between movement and sound.

Duration: 20' 00"

SME/EMS
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CHF: 24.70
Mathias Steinauer
Il rallentamento della sarabanda, op. 12 (1993-1995)

Instrumentation: for piano/percussion and orchestra (2(pic).3(3ca).2.2/4.2.2.1/1perc/14.12.10.10.3)

An attempt at a musical commentary on the poetry of the Sarabande - its presumed Aztec origins and its almost 200 year long chastisement. Spatial music. Can also be performed by a good amateur orchestra. Parts material, small additional instruments, and preparation devices for the piano (Steinway D-274) are available on loan.

Duration: 26' 00"

SME/EMS
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CHF: 56.70
Regina Irman
Wörter (1994-1995)

Instrumentation: for saxophone ensemble (4s2a2bar) and one percussion

This piece in five movements is derived from the same material as the vocal piece 'Requiem'. The sonogram of the same but differently pronounced words of a Russian text is processed in often very short sequences. With microtonal colouring. Commissioned by the City of Zurich.

Duration: 10' 00"

SME/EMS
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CHF: 22.80
Thomas David Müller
Secco (1994)

Instrumentation: for saxophone, piano and percussion

The running motion that characterises the 'Gehen' pieces is here tapered to a musicianly progression, with associated imminent crash.

Duration: 12' 00"

SME/EMS
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CHF: 23.30
Rajiv Satapati
Im Keim der Liebe erschlagen (2011)

Instrumentation: für Konzertflügel, zwei Perkussionisten und zwei Pianisten

Duration: 11' 00"

SME/EMS
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CHF: 26.40
Jean-Jacques Dünki
Auf die Pauke hauen (1981)

Instrumentation: for five kettledrums (1 player)

Duration: 4' 00"

SME/EMS
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CHF: 12.00
René Wohlhauser
Lied für dä Tag (1981/2016)
Parergon 12, Nr. 33, Musikwerknummer 496

Instrumentation: Sopran, Bariton, kleiner Chor (2. Sopranstimme, 2. Baritonstimme, Baß), Mandoline, Klavier, E-Bass und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 9' 00"

SME/EMS
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CHF: 27.00
Edu Haubensak
Bläser Konstellation (1990)

Instrumentation: for thirteen wind with viraphone and percussion

Duration: 13' 00"

SME/EMS
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CHF: 26.70
De-Qing Wen
kung-fu (1998)

Instrumentation: for solo percussion

The cry is a way of inducing the energy of Kung fu. The vocal imitations of the percussion sounds are a result of this Chinese oral tradition. One finds the contrast of yin and yang in the mixture and diversity of the changes in timbres and rhythms.

Duration: 11' 00"

SME/EMS
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CHF: 16.20
Felix Baumann
"nah / hautnah" (2000-2001)
'Radio Play'

Instrumentation: for orator, solo soprano, violoncello and ensemble (fl.cl/perc/pf/vn.vc)

Texts: Sarah Kirsch, Sappho, Michel Serres, Stefan Buri, Hans Magnus Enzensberger

Commissioned by and with support of 'Pro Helvetia', (the Swiss culture foundation) for the 50th anniversary of the Zurich Chamber Voice Choir. First performed in Zurich on the 20th November 2001 by the Chamber Voice Choir Zurich, Martina Fausch, Martina Schucan, Ensemble for New Music Zurich (Bernhard Erne). A piece dealing with the proximity of music and speech, the border area between commutation and murmuring, exactly there where the word is weak and the music has already begun.

Duration: 45' 00"

SME/EMS
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CHF: 56.00
(Parts available from the composer)
Alex Rüedi
To you (2004)

Instrumentation: ssx, asx ,tsx, pf, bass, dm

Duration: 11' 00"

SME/EMS
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CHF: 12.60
(parts SME: CHF 17.-)
René Wohlhauser
Musica Assoluta e Determinata (1981)
Ergon 8, Nr. 1

Instrumentation: Stimme und Kammerensemble (Stimme mit 4 Tempelblocks, Trompete in C mit Claves, Elektrische Gitarre mit Röhrenholztrommel, Große Schlitztrommel mit großer Kuhglocke, Pianoforte mit Woodblock)

Einzelne Tonpunkte verdichten sich, werden zu Figuren erweitert. Analog dazu wird jeder Instrumentalklang durch ein Perkussionsinstrument erweitert, bis ein dichtes Gewebe erregt oszilliert und sich dann allmählich beruhigt.

Duration: 3' 00"

SME/EMS
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CHF: 17.40
Alfred Knüsel
specularis (1993-1994)

Instrumentation: for soprano, violin, two organs, and percussion with two or three players

Texts: Clara von Assisi, Franziskus von Assisi, Bibel / Liturgie

Homage to Clara von Assisi. The soprano is expected to use her voice in a widely colourful manner.

Duration: 15' 00"

SME/EMS
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CHF: 35.40
Regina Irman
Vereinsamt (1995)

Instrumentation: for percussion solo (glockenspiel, cymbals and metal objects)

Quiet metallic sounds compliment a text by Friedrich Nietzsche.

Duration: 10' 00"

SME/EMS
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CHF: 13.20
Mathias Steinauer
Koren-Fantasien, op. 15 (1997)
27 imaginations - studies on Greek antiquity (approaches to stone)

Instrumentation: for double-reed quartet (double-reed instruments, heckelephone, bassoon), orator/singer (bass/baritone) and one percussion

Texts: Aristoteles, Hippokrates, Ch. Mullack, Xenophon, Aristophanes, Hans Saner, Platon, Leonides von Tarent, Epikur

Text by Aristoteles, Hippokrates, Ch. Mullack, Xenophon, Aristophanes, H. Saner, Platon, Leonides of Tarent and Epikur.

Duration: 45' 00"

SME/EMS
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CHF: 28.80
Valentin Marti
Passages (2000)

Instrumentation: for viola, piccolo/bass flute, baritone saxophone, guitar and percussion

'Passages' is determined by a hugely formal changing process, beginning with block-like, vertical melodies of the solo viola, leading to a linear, horizontal notation with five equal instrumental parts. Quarter tonal.
First performed: 28..8.00 in St.Moritz by the Ensemble Cattrall under the direction of Marc Kissoczy.


Duration: 12' 30"

SME/EMS
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CHF: 23.30
Erik Székely
Longimirance (2000)

Instrumentation: for strings min: (6.6.4.4.2), piano and percussion

Duration: 9' 00"

SME/EMS
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CHF: 37.30
Alex Rüedi
Quit evening (2005)

Instrumentation: ssx, asx ,tsx, bsx, pf, bass, dm

Duration: 5' 00"

SME/EMS
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CHF: 12.00
(parts SME: CHF 16.-)
Bruno Stöckli
Konzert für Klarinette (2012)
und kleines Ensemble

Instrumentation: Solo-Klarinette, Flöte, Violine, Violoncello, Klavier, Percussion

Teilweise in Vierteltontechnik

Duration: 13' 00"

SME/EMS
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CHF: 34.20
René Wohlhauser
Largo elettrificato (1981)
Ergon 8, Nr. 2

Instrumentation: for chamber ensemble with electronic sound alteration (voice, trumpet in C, electric guitar, percussion, piano, vocoder, harmonizer, ringmodulator, continuous electronic tape-loop and playback)

Elektronische Klangumwandlungen traditioneller Instrumentalklänge evozieren ein "ästhetisches Fluktuieren".
Elektronik: Vocoder, Harmonizer, Ringmodulator, Tonbandschlaufe, Zuspielband

Duration: 1 - 3 min

SME/EMS
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CHF: 14.40
Vladislav Jaros
CARMEN O CARMEN (1995)

Instrumentation: for seven percussionists

A symphony concertante in one movement with two themes from G.Bizet. A very effective and rewarding piece in which over thirty-five percussion instruments play. Polyrhythmic parts alternate with turbulent polyphony on the plate instruments, harmonic, multi tonal and rhythmic surprises, as well as a demanding drum solo part. A delicacy for every percussion ensemble and a chance to demonstrate virtuosity.

Duration: 24' 00"

SME/EMS
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CHF: 30.70
Michael Heisch
wechselspielwechsel I. "Fall" (2000)

Instrumentation: for organ and percussion

Duration: 12' 00"

SME/EMS
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CHF: 30.00
Dieter Ammann
A (tenir) tension (2002-2003)
Trio

Instrumentation: for flute, marimbaphone, vibraphone and persussion instruments

The completely dissimilar sound generation of flute and percussion, for example with regard to the acquisition and decay times, formed an important compositional aspect while working on this new ouvre.
This dissimilitude, by analogy, is also transferred to the temporal configuration insofar as the rhythmical form of extremely tight motorical passages ("moltoritmico") ranges over diverse intermediate stages to flexible handling parts ("tempo fluido") producing, thereby, tightly packed episodes with highly differentiated timbral play alongside processes where virtuosity in the traditional sense is central. It is so that the trio produces in quick succession various states, which are highly demanding for the interpreters, with regards interaction and playing technique.

Duration: 11' 30"

SME/EMS
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CHF: 18.00
Alex Rüedi
Outlooks (2006)

Instrumentation: ssx, asx ,tsx, bsx, pf, bass, dm

Duration: 7' 00"

SME/EMS
Postfach 7851
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CHF: 14.40
(parts SME: CHF 16.-)
Bruno Stöckli
Souvenir (2016)

Instrumentation: Flöte, Klarinette in B/Bassklarinette in B, Violine, Violoncello, Klavier, Vibrafon

Duration: 11' 00"

SME/EMS
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CHF: 27.60
René Wohlhauser
Din eigete Wäg (1981/2021)
Parergon-Nr. 12, Nr. 30, 2. Fassung, Musikwerknummer 2071

Instrumentation: Tenor, Sopran, Gitarre, el. Orgel, E-Piano, E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 4' 19"

SME/EMS
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CHF: 19.80
Balz Trümpy
Dionysos-Hymnen (2. Fassung) (1986-1988)

Instrumentation: for Baritone, violoncello and percussion

Texts: Altgriechisch

Based on texts from the hymns of Orpheus.

Duration: 17' 00"

SME/EMS
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CHF: 35.40
Mischa Käser
Einspruch (1990-1991)

Instrumentation: for baritone, orator, accordion, double-bass, saxophone, percussion and a dance duo

Texts: Thomas Huonker, Peter Zahl, Alltags- Werbe- Mediensprache

A piece requiring demanding rehearsals. The speaker should draw on his talent for rhythm. The sung sections can be performed by a tenor with a good lower register. Uses texts by Thomas Huonker, Peter Zahl, and newspaper cuttings.

Duration: 13' 00"

SME/EMS
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CHF: 46.00
Edu Haubensak
Gestes (1991)
Duo

Instrumentation: for saxophone and percussion

Duration: 4' 00"

SME/EMS
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CHF: 12.70
Laurent Mettraux
Exils, M. 484 (1994-1997)

Instrumentation: for violin, violoncello and two percussionists

Written in a non-traditional, but easily understandable notation. Mystery, parts of incantation with superposed tempi. The end is lyrical and nostalgic, the violin player leaves the concert hall while continuing to play.

Duration: 9' 00"

SME/EMS
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CHF: 31.00
Regina Irman
Fünf Sprach-Klang-Objekte (1996)

Instrumentation: for percussion solo (vibraphone, small percussion and speaking voice)

Based on texts by Sonja Sekula. Very short concentrated pieces that also require the interpreter to speak.

Duration: 5' 00"

SME/EMS
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CHF: 13.20
Andreas Stahl
again, sam! (1998)

Instrumentation: for violoncello, double-bass, baritone saxophone, bass clarinet, two tenor-bass trombones and two percussion

An initial piece based on repetition in such a way that the repeated elements, located on many different levels, are not always immediately recognizable. This gives the impression of a loosely fabricated form. It is sonorously very soft, with lots of sounds and lots of interlocking rhythms. Requires a conductor.

Duration: 20' 00"

SME/EMS
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CHF: 34.00
Alex Rüedi
Interact (2006)

Instrumentation: ssx, asx ,tsx, bsx, pf, bass, dm

Duration: 5' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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info@musinfo.ch
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CHF: 16.80
(parts SME: CHF 18.-)
René Wohlhauser
Ds Pole-Lied (1981/2017)
Parergon 12, Nr. 34, Musikwerknummer 510

Instrumentation: Solo-Bariton, Sopran, 2. Bariton, el. Gitarre, Klavier, Streicher, E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 4' 23"

SME/EMS
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CHF: 18.60
Thomas David Müller
Gehen, 13 "Unbewegliche", inklusive 19 Vorwärts- / Rückwärtsbewegungen (1998)

Instrumentation: for one percussionist

A mobile composition requiring a virtuosic performance. Uses unusual instruments such as three steel drums, a deep G gong, kalimba and cheng cheng. Not obligatory.

Duration: ad lib.

SME/EMS
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CHF: 18.00
Fritz Hauser
Zeichnung (2002)
Duo

Instrumentation: for percussion

Duration: 6' 00"

SME/EMS
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CHF: 10.80
Alex Rüedi
Marina d' oru (2006)

Instrumentation: ssx, asx ,tsx, bsx, pf, bass, dm

Duration: 10' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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info@musinfo.ch
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CHF: 21.00
(Parts SME: CHF 20.-)
Hans Eugen Frischknecht
Quadripartitum (1969)

Instrumentation: für Sopran, Alt, Klavier, Celesta und Schlagzeug

Zu Beginn verschmelzen die 3 angeschlagenen Instrumente (beim Schlagzeug: Vibraphon). Sehr kontrastreich verhalten sich dazu die drei weiteren Teile.


SME/EMS
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CHF: 16.70
René Wohlhauser
Jugendtreim (1981/2020)
Parergon 12, Nr. 31, 2. Fassung, Musikwerknummer 2004

Instrumentation: Tenor, Backvocal-Sopran, akust. Gitarre, Vibraphon (Keyboard), E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 6' 40"

SME/EMS
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CHF: 27.60
Mathias Steinauer
Klangfäden - einzeln, op. 17.1 (1999)

Instrumentation: for saxophone, piano and percussion or flute, clarinet, violin, violoncello, piano and percussion

Duration: 4' 00"

SME/EMS
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CHF: 15.60
De-Qing Wen
Piping and Drumming (2000)

Instrumentation: for wind and percussion instruments (fl.ob.cl.asx.bn/tpt.tbn/3perc/pf)

'Piping and Drumming' is a traditional Chinese musical form that uses only wind instruments and percussion. It is often played at ceremonies.

Duration: 12' 00"

SME/EMS
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CHF: 42.60
Parts: CHF 61.20
Martin Metzger
Du Doppelgänger (2001)

Instrumentation: for trumpet, alto saxophone, organ, glockenspiel, vibraphone, marimba and tubular bells (one player)

Duration: 8' 00"

SME/EMS
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CHF: 22.20
Lars Werdenberg
Manoeuvers (2011-2012)

Instrumentation: for flute, piano and percussion

Duration: 6' 00"

SME/EMS
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CHF: 15.60
Bruno Stöckli
Makadam (2019)

Instrumentation: Flöte, Bassklarinette in B, Horn, Violine, Violoncello, Kontrabass, Klavier, Percussion

Duration: 12' 00"

SME/EMS
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CHF: 31.20
René Wohlhauser
No nes Lied (1982/2020)
Parergon 12, Nr. 36, 2. Fassung, Musikwerknummer 1940

Instrumentation: Bariton, Klavier, Violine und Sopran-Backvocal, E-Baß und Schlagzeug ad lib.

Texts: René Wohlhauser

Song

Duration: 6' 04"

SME/EMS
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CHF: 20.40
Maria A. Niederberger
Sonnenspur: Tonbilder aus Kalifornien (1996-1997)

Instrumentation: for flute, oboe, clarinet, bassoon, two percussion, piano, string quartet and double-bass

Fantasy, prelude, I. Nächtlicher Kojotentanz, II. Morgensonn' das Meer enthüllet, III. Purple Horses, IV. Yosemite.
Accentuated percussion.

Duration: 11' 00"

SME/EMS
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CHF: 63.00
De-Qing Wen
Soliloqui (2000)
Trio

Instrumentation: for twelve crystal glasses

Duration: 5' 00"

SME/EMS
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CHF: 10.80
George Barcos
Hymne au Soleil (2006)

Instrumentation: for mixed choir, piano and percussion (2)

Texts: Edmond Rostand

Duration: 12' 00"

SME/EMS
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CHF: 25.30
Thomas K. J. Mejer
Macula Matris (1995-1996)

Instrumentation: for seven musicians (fl(pic,bfl,cbfl).cl(bcl,cbcl).bn(cbn)/tbn/hp/perc/vc), seven orators and seven dancers.

Texts: Hermann Berger, André Gide, Marisa Holder, Elfriede Jelinek, Milan Kundera, Irmgard Morgner, Karin Struck

A stage work, somewhere between performance and installation.


SME/EMS
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CHF: 125.20
Alfred Knüsel
Fundstücke (1995)

Instrumentation: for violin, piano and percussion ad libitum (2-4 players)

A collection of six non-cyclic works. Piano with sostenuto pedal.

Duration: 38' 00"

SME/EMS
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CHF: 47.40
(Also available seperately. Price on request.)
Kit Powell
Boundaries (1997)

Instrumentation: for two string orchestras and percussion

Stereophonic work for two amateur choirs and percussionists.

Duration: 17' 00"

SME/EMS
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CHF: 43.20
(parts: 90.00)
Urban Mäder
fast zerrissen (1997)

Instrumentation: for flute, clarinet, violin, violoncello, piano and percussion

Duration: 10' 00"

SME/EMS
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CHF: 38.70
Mathias Steinauer
Steinschlag, op. 17.2 (1999)

Instrumentation: for lithophone (c-c4) or marimba

Duration: 8' 00"

SME/EMS
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CHF: 15.00
Michael Heisch
wechselspielwechsel II. "Fälle" (2001)

Instrumentation: for accordion and percussion

Based on texts by Daniil Charms.

Duration: 15' 00"

SME/EMS
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CHF: 40.20
Valentin Marti
Exposure (2003)

Instrumentation: for alto saxophone, trombone, accordion, piano and percussion

Premiered: 20.9.03, Lugano, Ensemble Oggimusica

Duration: 7' 00"

SME/EMS
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CHF: 19.30
Pierre Thoma
Amplitudes (1991)

Instrumentation: for one or two percussion instruments

'Amplitudes' is based on a triple concept: 1) The amplitude of bodily movements naturally arising from the score in big or small gestures which evolve in the 3 dimensions. 2) The possibility to be played in two different versions: that is to say with 1 or 2 percussion instruments. 3) The dynamic correlations, where hardly audible sounds can be overlapped by loud tones exactly like whispering can be drowned out by screaming.

Duration: 9' 30"

SME/EMS
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CHF: 18.00
Edu Haubensak
Message (1994)
A choreographed music performance

Instrumentation: for four percussionists (cymbals)

Four percussionists traverse the rows where the audience sit following a pre-drawn choreographic plan. The crashing of the cymbals behind the head and close to the ears allows the sound to reach directly into the inner body. There develops a kaleidoscope of overlapping pitches which intensify or extinguish each other, interfere or harmonise - the result is an almost 'private' sound. The inner and outer, the near and far, the slowly changing sculptural figure from sounding metal is a communication transcending explanation: Message.

Duration: 20' 00"

SME/EMS
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CHF: 12.70
Hans-Jürg Meier
raum (1999-2000)

Instrumentation: for percussion, tenor recorder, viola and violoncello

A music that evolves in extended development, for a performance location with a lot of reverberation. An additional tone installation can sound simultaneously.

Duration: 18' 00"

SME/EMS
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CHF: 33.30
Mathias Steinauer
Sott'acqua, op. 17.3 (1999)

Instrumentation: for soprano saxophone, horn, trombone, percussion and piano

Partly with an improvised second piano (ad libitum).

Duration: 10' 00"

SME/EMS
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CHF: 19.80
Valentin Marti
Tempio in tre impressioni (2004)

Instrumentation: for Rennaissance alto recorder and percussion

'Tempio in tre impressioni' associates three imaginary encounters with the remains of the portico of a Doric temple, each from a different temporal perspective. The percussion consists of a 'Ching' (a Korean gong) or similar instrument, 2 templeblocks, a very high tambourine and a large framedrum.
World Premiere: 24.9.04, Malans, strumentale opera

Duration: 8' 30"

SME/EMS
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CHF: 15.60
Rajiv Satapati
Im Hauch von Eisen (2013)

Instrumentation: 1 Vln, 1 Bkl, 2 Perk

Duration: 6' 15"

SME/EMS
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CHF: 19.20
René Wohlhauser
Diä Verschwundene (1982/2022)
Parergon 12, Nr. 35, 2. Fassung, Musikwerknummer 2140

Instrumentation: Sopran, Bariton, el. Gitarre, E-Orgel, E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 5' 00"

SME/EMS
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CHF: 18.00
Alfred Knüsel
Untersuchung - das Hörbare und das Vermutbare (1996)

Instrumentation: for clarinet (Ebcl, bcl, bthn-f, bcl, cbcl-b), percussion instruments (2-4) and strings (4.2.2.1)

Duration: 15' 00"

SME/EMS
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CHF: 28.00
Kit Powell
Concerto, op. 90 (1998)

Instrumentation: for five percussionists and orchestra (1.1.1.1/1.1.1.0/str)

A work in three movements for a junior choir.

Duration: 21' 00"

SME/EMS
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CHF: 50.70
Regina Irman
Otto mane (1999)

Instrumentation: for orator, soprano, piano and large drum

Texts: E.T.A. Hoffmann

A 'carnival' for four players in fifteen combinations with R. Schuhmann and E.T.A Hoffmann. For the 60th birthday of Urs Peter Schneider.

Duration: 3' 00"

SME/EMS
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CHF: 14.40
Claude Ferrier
4 petites pièces (1999)

Instrumentation: for eight instrumentalists (fl.cl.bn/perc/hp/2vn.vc)

Duration: 6' 00"

SME/EMS
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CH-6000 Luzern 7
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CHF: 19.80
Michael Heisch
kitchen accidents (2002)

Instrumentation: for percussion quartet and speaker

Texts: M. Vänçi Stirnemann

Based on texts by M. Vänçi Stirnemann.

Duration: 12' 00"

SME/EMS
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CHF: 31.80
Alex Rüedi
Refreshment (2010)

Instrumentation: trp,asx,tsx,pos,pno,b,dr

Jazzseptett

Duration: 5' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 15.60
Cécile Marti
Dancing Spectra (2018)

Instrumentation: For mixed Sextett

Instrumentation: Fl/Cl/Vl/Vc/Perc/Pno

Duration: 7' 00"

SME/EMS
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CHF: 25.20
Pierre Thoma
Drums (1991)

Instrumentation: for 7-10 young percussionists

Medium level.

Duration: 6' 00"

SME/EMS
Postfach 7851
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CHF: 31.80
(Material: sFr. 31.-)
Martin Schlumpf
... wie die Zeit vergeht ... 8 rationale Zeitsprünge am Punkt 662/264 (1993)
8 rational time jumps at the point 662/264

Instrumentation: for piano and percussion quartet

2 marimbas, vibraphone, crotales, 6 cowbells, 5 toms, 3 log drums, 4 calabassas, 2 bass-strings, 5 tubular bells, large drum-set (with 5 toms), 8 gongs, div. cymbals, 4 whips, 2 metal-sets, tambourine, tam-tam, amongst others.For percussionists who feel comfortable in a groovy environment. Frequently pulsating rhythm with hanging ostinato figures of varying length; difficult part for the first marimba. The solo pianist is chiefly improvising.

Duration: 20' 00"

SME/EMS
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CHF: 47.00
Maria A. Niederberger
Images (1997)

Instrumentation: for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, double-bass, piano and percussion

I. Fluid Shapes, II. Light and Shadow, III. Symmetries - Broken Symmetries.Piano and trumpet accentuated.

Duration: 20' 00"

SME/EMS
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CHF: 45.30
Nicolas Bolens
Cinq Divagations (2003)

Instrumentation: for saxophone, trombone, accordion, piano and percussion

Duration: 8' 00"

SME/EMS
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CH-6000 Luzern 7
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CHF: 22.20
Andreas Stahl
zeit.druck (4 skins) (2003)

Instrumentation: for four large drums with auxillary instruments (four players)

A permanent accellerando, an initial eight bar metre is compressed into 2 1/4 notes at the end. Rather quiet - the membranes should be stroked rather than beaten. For the percussion art ensemble, Bern.

Duration: 19' 00"

SME/EMS
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CHF: 37.30
René Wohlhauser
Du wirsch nüm weich! (1982/2021)
Parergon-Nr. 13, Nr. 9, 2. Fassung, Musikwerknummer 2073

Instrumentation: Tenor, Sopran, el. Gitarre, el. Orgel, E-Baß und Drums

Texts: René Wohlhauser

Song

Duration: 3' 53"

SME/EMS
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CHF: 18.60
Urban Mäder
Windstriche I (1998)

Instrumentation: for shakuhachi, string trio and percussion

Fine, transparent sound piece using the Japanese Zen flute, the shakuhachi. An attempt to converge.

Duration: 18' 00"

SME/EMS
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CHF: 39.00
Fritz Hauser
As we are speaking (2004)

Instrumentation: for percussion quarte

Duration: 8' 00"

SME/EMS
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CHF: 17.40
Alex Rüedi
Pipello (2011)

Instrumentation: 1.fl,2.fl,trp,pos,pno,b,dr

Jazzseptett

Duration: 4' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 16.20
Josef Haselbach
Prélude (1979)

Instrumentation: for large orchestra (3.2.ca.2.2/4.0.0.0/2hp/str) and two percussion

Melody and counter-melody. A piece rich in contrast and full of distinguished sounds.

Duration: 12' 00"

SME/EMS
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CHF: 49.00
Rico Gubler
Märchenerzählung (y-song) (2002)

Instrumentation: for soprano and percussion

Duration: 3' 00"

SME/EMS
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CHF: 14.40
Victor Alexandru Coltea
…zwei oder… drei… gefühle, musik mit .com (2014)

Instrumentation: for saxophone tenor, electric guitar, drum set and piano

Duration: 6' 00"

SME/EMS
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www.musinfo.ch
CHF: 31.50
René Wohlhauser
Hundert Lieder (1983/2018)
Parergon 13, Nr. 16, 2. Fassung, Musikwerknummer 1844

Instrumentation: Sopran, Tenor, Synthesizer, Klavier, Orgel (Keyboard), E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 6' 00"

SME/EMS
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CHF: 21.60
Edu Haubensak
Deux Mondes (1996)

Instrumentation: for solo marimba and eight gongs

Duration: 10' 00"

SME/EMS
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CHF: 15.00
Alfred Felder
Regen über der Wüste (1997)

Instrumentation: for clarinet, bass clarinet, percussion and speaker

Texts: Eva Eisenmann-Westphal

Text: Eva Eisenmann-Westphal.

Duration: 6' 00"

SME/EMS
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CHF: 12.00
Alfred Knüsel
... und lässt in gewisser Weise Bindung hinter sich (1997)
Collection of four ecclesiastical songs

Instrumentation: for singing, keyboard instrument (organ) and percussion instrument ad lib.

Texts: André Duplain

Duration: 14' 00"

SME/EMS
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CHF: 20.40
René Wohlhauser
Percussion trio (Schlagzeugtrio) (1984-1985)
Ergon 10

Instrumentation: for three percussionists

Polyphonic time levels shifting within the area of tension which exists between determination and indetermination act as a multi-dimensional rhizome-Labyrinth without centre, periphery or exit and therefore potentially eternal. Based on Gilles Deleuze.

Duration: 9' 00"

SME/EMS
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CHF: 63.60
Alfred Knüsel
Wort und Widerhall (1997)
Cycle of four songs

Instrumentation: for singing, piano and percussion instrument ad lib.

Texts: Heinz Zimmermann

Duration: 13' 00"

SME/EMS
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CHF: 16.80
Werner Bärtschi
Rotondo (1999-1999)
Ein musikalisches Patchwork oder die Kunst des Fügens

Instrumentation: for nonet (oboe, bassoon, trumpet, trombone, viola, double-bass, accordion, piano and percussion)

A collaboration between members of the 'Komponistensekretariats Zürich' (Werner Bärtschi, Ulrich Gasser, Max Eugen Keller, Martin Sigrist und Peter Wettstein): The score is sent back and forth between the five composers, each fills in a 50-second section before sending it on to the next.

Duration: 50' 00"

SME/EMS
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CHF: 100.40
Fortunat Frölich
Spruch (2000)

Instrumentation: für Sopran, Bariton und Klavier

Duration: 3' 00"

SME/EMS
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CHF: 13.20
Rico Gubler
bored (2003)
Three small scenes

Instrumentation: for small drum

For a bored, speaking, small drum, a bored drumming voice or a bored, small drum and a bored voice.

Duration: 3' 00"

SME/EMS
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CHF: 12.60
Lukas Langlotz
Trittico ritmico (2010)
Three movements

Instrumentation: for five drums (tom toms)

Duration: 8' 00"

SME/EMS
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CHF: 21.00
René Wohlhauser
Alti Gschichte, alti Gfüehl (1984)
Parergon 13, Nr. 19, Musikwerknummer 658

Instrumentation: Tenor, Sopran-Duo, Mandoline, Klavier /Keyboard, E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 5' 14"

SME/EMS
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CHF: 17.40
Martin Schlumpf
Cumuli III (3-4-1-5-2 - Kapitel II im Buch der Proportionen) (1999)

Instrumentation: for flute, clarinet, soprano saxophone, trombone, electric piano (or piano), electric bass (or double-bass) and percussion

Duration: 20' 00"

SME/EMS
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CHF: 34.00
De-Qing Wen
Les saules ne se plaignent pas aux sons de la flûte (2002)

Instrumentation: for xiao (chinese flute) (or flute), bottles, crystal glasses and percussion (14 players)

Duration: 6' 00"
Manuscript
CHF: 21.00
René Wohlhauser
Rabe (1984/2015)
Parergon 13, Nr. 18, Musikwerknummer 656

Instrumentation: Bariton, Sopran-Backvocal, el. Gitarre, Klavier, E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 4' 56"

SME/EMS
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CHF: 20.40
Pierre Thoma
Déchirure (Alinnik) (1993)

Instrumentation: for flute and two percussion

In the Inuit language the word "Alinnik" means point of no return, irreversibility, break. Greenland's Inuit are a population with an extremely original cosmogony based on the relation between sun and moon. Their view of the world is completely coherent in itself, mediated by shamanism but seems utterly unordered and chaotic from a perspective based on Descartes and western ideology. Some 200 years ago, tradesmen and missionaries set out to cultivate this population, which now has one of the highest suicide rates in the world. A culture - a way of thinking, feeling and acting - in a process of destructuration if not destruction, heading towards a point of no return.

Duration: 6' 00"

SME/EMS
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CHF: 28.70
Urban Mäder
orten (2000)

Instrumentation: for tenor recorder, viola, violoncello and percussion

These three studies of intermediate difficulty are composed for a small resonant room.

Duration: 17' 00"

SME/EMS
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CHF: 21.00
Regina Irman
Landschaften (2003)
Five pieces

Instrumentation: for percussion sextet

1. Schneelandschaft
2. Eisblumen
3. Maschinenlandschaft, zerschnitten
4. Eisgitter, amorph
5. Maschinenlandschaft, rotierend

Duration: 12' 00"

SME/EMS
Postfach 7851
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CHF: 34.20
Alfred Knüsel
Frühling gestehen (1997)

Instrumentation: for singing voice, strings (1.1.1.1.1), flute and percussion

Duration: 23' 00"

SME/EMS
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CHF: 32.70
Alfred Knüsel
Drei Konzertante Stücke: 1. Spielplan (1997)

Instrumentation: for violin solo, strings and percussion

It is possible to perform the 'three concertante pieces' separately but they are also meant as a cycle with the following order: 'Spielplan' - 'Schwebende Zentren' - 'Wendepunkt' where a movement from J.H.F. Bibers 'Mysterien-Sonaten' or J.S. Bachs 'Sonaten und Partite' is interposed between 'Spielplan' and 'Schwebende Zentren' and 'Schwebende Zentren' and 'Wendepunkt'.

Duration: 6' 00"

SME/EMS
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CHF: 26.00
Alfred Knüsel
Drei Konzertante Stücke: 2. Schwebende Zentren (1997)

Instrumentation: for violin solo, strings and percussion

It is possible to perform the 'three concertante pieces' separately but they are also meant as a cycle with the following order: 'Spielplan' - 'Schwebende Zentren' - 'Wendepunkt' where a movement from J.H.F. Bibers 'Mysterien-Sonaten' or J.S. Bachs 'Sonaten und Partite' is interposed between 'Spielplan' and 'Schwebende Zentren' and 'Schwebende Zentren' and 'Wendepunkt'.

Duration: 6' 00"

SME/EMS
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CHF: 17.30
Alfred Knüsel
Drei Konzertante Stücke: 3. Wendepunkt (1997)

Instrumentation: for violin solo, strings and percussion

It is possible to perform the 'three concertante pieces' separately but they are also meant as a cycle with the following order: 'Spielplan' - 'Schwebende Zentren' - 'Wendepunkt' where a movement from J.H.F. Bibers 'Mysterien-Sonaten' or J.S. Bachs 'Sonaten und Partite' is interposed between 'Spielplan' and 'Schwebende Zentren' and 'Schwebende Zentren' and 'Wendepunkt'.

Duration: 6' 00"

SME/EMS
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CHF: 22.70
Urs Peter Schneider
Hölzerner Himmel: Ohrwurm, Uhrwerk, Ehrwort (1976-1979/1993)

Instrumentation: for eight - thirty two strings, eight - thirty two percussionists and eight - thirty two orators

Three concept pieces for a half-theatrical performance in purely verbal notation. Merry musical fairytale pieces created for children where each piece can also be performed singularly. Barely any technical difficulties but does require carefully controlled study of the tonal procedures. A stage director takes care of all the sensibly formed optical moments.

Duration: var.

SME/EMS
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CHF: 13.80
Alfred Knüsel
Katharsis I - III (1997)

Instrumentation: for 5 flutes and percussion instrument


SME/EMS
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CHF: 17.30
Stefan Werren
Kantate (1998)

Instrumentation: for choir, piano and percussion

Texts: Friedrich Hölderlin, Friedrich Nietzsche

Text: Friedrich Hölderlin, Friedrich Nietzsche.

Duration: 12' 00"

SME/EMS
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CHF: 22.00
Edu Haubensak
Locomozione (2000)

Instrumentation: for violin, viola and percussion

Duration: 16' 30"

SME/EMS
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CHF: 24.00
Kit Powell
Das Ausland (2003)

Instrumentation: for soprano, bass clarinet, trombone and percussion

1) for soprano and trombone
2) for soprano, bass clarinet and percussion.
Setting of a short story by Jürg Schubiger.

Duration: 7' 00"

SME/EMS
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CHF: 21.60
(Parts: CHF 25.00)
Victor Alexandru Coltea
Hyper Atom (2016)

Instrumentation: for flute, clarinet, violin, viola, cello, percussion, piano

Duration: 12' 00"

SME/EMS
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CHF: 32.40
Nicolas Bolens
Cercle (2009)

Instrumentation: for six female voices (2 sopranos, 2 mezzo-sopranos, 2 altos) and percussion instruments (6 Chinese blocks played by the singers, 7 terracotta bells or high-sounding gongs (one player))

Words deriving from the spoken language of the Lisu, a Tibetan-Burmese population.

Duration: 7' 00"

SME/EMS
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CHF: 22.20
Victor Alexandru Coltea
Blast (2016)

Instrumentation: for saxophone and drums

Duration: 12' 00"

SME/EMS
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CHF: 18.00
Alfred Knüsel
Fluchtweg ist nicht zu erkennen (1999)
Lieder cycle

Instrumentation: for singing, piano and percussion ad libitum

Texts: Michèle M. Salmony

A cycle in five parts based on text fragments by Michèle M. Salmony.

Duration: 16' 00"

SME/EMS
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CHF: 23.40
Urban Mäder
Der Hosenträger (2001)
Five short scenes

Instrumentation: for one percussionist (one floor tom-tom and three cymbals)

The presentation of this piece goes beyond pure percussion playing. The performance concepts have theatrical significance and have to be accomplished with a concentrated stage presence.

Duration: 9' 00"

SME/EMS
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CHF: 12.60
Katharina Rosenberger
Erzählung (2013)

Instrumentation: for flute, clarinet, percussion, piano, violin and violoncello

Duration: 11' 00"

SME/EMS
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CHF: 23.40
Hans Eugen Frischknecht
Fantasia für Violine, Schlagzeug und Orgel (1980)

Three instruments initially appear unfitting but never the less create a homogenous alliance or compliment each other well in contrast.

Duration: 10' 00"

SME/EMS
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CHF: 16.80
René Wohlhauser
Niemertsland (1985/2021)
Parergon 12, Nr. 37, 2. Fassung, Musikwerknummer 2081

Instrumentation: Sopran, Tenor, el. Gitarre verzerrt, Klavier/Keyboard, E-Baß und Drums

Texts: René Wohlhauser

Song

Duration: 5' 50"

SME/EMS
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CHF: 17.40
Jacques Demierre
Une table pour trois, ou la troïka s'ennuie (1990)

Instrumentation: for three percussionists

This piece is based around numerous hand playing techniques (from the most common gestures to the orthodox playing techniques of the darbuka). It develops theatrically according to the gestures of each performer.
Sponsored by the SME Lucerne.


Duration: 20' 00"

SME/EMS
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CHF: 28.20
(Parts: CHF 35.-)
René Wohlhauser
Troumwält (1985)
Parergon 13, Nr. 24, Musikwerknummer 689

Instrumentation: Sopran, Bariton, el. Gitarre, Klavier/Keyboard, E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 4' 55"

SME/EMS
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CHF: 15.00
Thomas K. J. Mejer
Sulphur (2001-2002)

Instrumentation: for improvisation trio (reeds, cello percussion) and symphony orchestra (4pic.4.3bcl.cbcl.3.cbn/4.4.4.1/3perc/16.14.12.10.8)

For the 'Koch-Schütz-Studer' trio and basel sinfonieta.
a commission for the Lucerne Festival.

Duration: 22' 00"

SME/EMS
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CHF: 58.70
Nicolas Bolens
Winds Inland (2010)

Instrumentation: for multi-percussion and real-time electronics

Percussion: 3 wood blocks, 5 temple blocks, 2 log drums, 2 bongos, 4 toms, 1 bass drum, 5 suspended cymbals / 1 performer
Electronics: A series of numbered events determine the modifications of the electronic processing. The events can be activated by the percussionist (via pedal or midi) or by a sound technician.
Equipment: 7 wireless micros, 8 loudspeakers arranged throughout the audience, 1 macintosh computer with Max MSP 5 software installed, 1 sound card with 8 line-in and 8 line-out.

Duration: 11' 00"

SME/EMS
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CHF: 27.60
René Wohlhauser
Ds Land vom ewige Luxus (1985)
Parergon 13, Nr. 23, Musikwerknummer 684

Instrumentation: Tenor, 3 Frauenstimmen, Klavier, el. Gitarre, E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 5' 02"

SME/EMS
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CHF: 18.00
Burkhard Kinzler
Nürnberger Choräle (2012)

Instrumentation: for flute, clarinet, saxophone, trombone, cello, double bass, percussion

Duration: 16' 30"

SME/EMS
Postfach 7851
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CHF: 27.00
Max E. Keller
Konfigurationen II (1989)

Instrumentation: for alto and instrumental ensemble (flute, clarinet (bass clarinet), violin, violoncello, percussion and piano

Texts: Franz Hohler, Hansjörg Schneider, Jürg Schmied, Sascha Anderson, Max E. Keller

Eight texts, different in kind, from poetry to excerpts from military regulations. Theme: order fetishism as a contrast to a chaotic, self-destructive world. Authors: Franz Hohler, Hansjorg Schneider, Jürg Schmied, Sascha Anderson, Max E. Keller.

Duration: 16' 00"

SME/EMS
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CHF: 30.70
Stefan Werren
To Axion Esti 2 (2000)

Instrumentation: for piano and percussion

Duration: 9' 00"

SME/EMS
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CHF: 24.70
Alfred Knüsel
Fragmente I-IV (2000)

Instrumentation: for strings (1.1.1.1.2) and percussion

Four short contrasting pieces as a discourse on the archaic communication forms like the refrain forms, antiphonal singing or the repetition form.

Duration: 15' 00"

SME/EMS
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CHF: 36.70
Vladislav Jaros
Due minuti capricciosi (2009)

Instrumentation: for saxophone, bassoon, violin, violoncello, guitar, piano and percussion

A very turbulent piece. Hasty, breathless tempo.

Duration: 2' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
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CHF: 20.00
Burkhard Kinzler
a curl (2013)

Instrumentation: for voice and percussion

Duration: 7' 00"

SME/EMS
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CHF: 12.00
René Wohlhauser
Jumping Pictures (1986)
Parergon 13, Nr. 27, Musikwerknummer 809

Instrumentation: Tenor, Sopran, E-Gitarre, Keyboard, E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 4' 43"

SME/EMS
Postfach 7851
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CHF: 14.40
Alfred Knüsel
gezogene Klänge (2000)
Six part work block

Instrumentation: for double-bass solo and chamber ensemble (1(pic).1.1.1(cbn)/1.0.0.0/perc/pf/2vn.va.vc)

Duration: 20' 00"

SME/EMS
Postfach 7851
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CHF: 54.00
Balz Trümpy
EIS EROTA (2002)

Instrumentation: for soprano, baritone, horn, two trumpets, trombone, percussion and strings

Texts: Altgriechisch

Sappho and Alkaios from the isle of Lesbos are amongst the most prestigious representatives of Greek lyrics strongly connected with the Orpheus saga. After the heavenly singer has lost his beloved Eurydice to the underworld and, spurned by his endless mourning, he seeks the love of other women. Bacchante tear him to pieces in an angry rage and cast his head into the sea. The tide washes it onto the shores of Lesbos - here his mouth is once again brought to speech by the lyric of the island.
Mythological notions merge with personal experience and sufferance in connection with the erotic. Eros is the 'weirdest God' (Alkaois) whose effect is to rip open the abyss between the highest fulfilment and the degeneration towards death. The elemental force with which he encompasses man awakes in him an orpheic longing for immortality and the desire to overcome the underworld; simultaneously bringing even more painfully the forlornness of his wish to consciousness. While Alkaios attempts to forget in wild drunkenness and sexual indulgence, we eavesdrop on Sappho, and the dark tones of a wish for love in which pain resonates with the transient.
EIS EROTA combines fragments from both poets to produce a dialogue on the subject of love and death.


Duration: 12' 00"

SME/EMS
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CHF: 48.70
Walter Baer
Das Symposion des Xenophanes (2003)
Cantata

Instrumentation: for soli (AB from the choir) two choirs, flute, oboe, harp percussion and organ

Texts: Xenophanes von Kolophon, Marie Luise Kaschnitz

The two choirs are situated as far apart as possible. The vocal parts are demanding both for the soloists and the choir.

Duration: 38' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 48.00
Alfred Knüsel
von vielfältigen Kreisläufen durchpulst (2000)

Instrumentation: for double bass solo, string quintet, wind quintet, piano and percussion

Duration: 38' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 74.90
Hans-Jürg Meier
apprendista stregone (mit flatterecho) (2007)

Instrumentation: for 3 small drums

Spatial music for a courtyard with a very strong echo.

Duration: 27' 00"

SME/EMS
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CHF: 14.40
Alfred Knüsel
Detail (2003)

Instrumentation: for trumpet and percussion

The middle section sits between rowdy sound and composed form.

Duration: 3' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 12.60
(score and parts)
Alfred Knüsel
Abschied und Neubeginn (2003)

Instrumentation: for trumpet and percussion

Duration: 4' 40"

SME/EMS
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CHF: 13.20
(Partitur und Stimme)
Hans-Jürg Meier
Kringel Kreisel Kranz (2008)

Instrumentation: for 8 small drums

Rotary spatial composition. For students.

Duration: 8' 00"

SME/EMS
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CHF: 15.00
Stefan Werren
Mantra (2002)

Instrumentation: for cello solo, strings and percussion (two players)

Duration: 11' 00"

SME/EMS
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CHF: 26.70
Balz Trümpy
Carmen Sibyllae (2003)

Instrumentation: for baritone and percussion

After texts from the Oracula Sibyllina.
The simultaneously forboding yet salvational Sibylline Oracle in alternation between noise and exstatic song.

Duration: 12' 00"

SME/EMS
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CHF: 24.70
Alfred Knüsel
Gleichklang (2004)

Instrumentation: for soprano/alto saxophone and tam-tam

Duration: 5' 00"

SME/EMS
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CHF: 13.30
Hans-Jürg Meier
goldiger Gupfhupf (2008)

Instrumentation: for 5 instrumental groups (piano and alto sax; alto sax and violoncello; violoncello and trombone; trombone and piano; e-bass and large drum) and 3 soloists (alphorn, violin and voice)

Several ups and downs in a hilly area. Enjoying the view on each occasion with a musical solo. For students.

Duration: 6' 00"

SME/EMS
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CHF: 16.80
Alfred Knüsel
Chiffren (2004)

Instrumentation: for soprano/alto saxophone and tam-tam

Duration: 6' 30"

SME/EMS
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CHF: 15.30
De-Qing Wen
Ink Splashing IV (2018)

Instrumentation: for eight instruments

Duration: 11' 00"

SME/EMS
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CHF: 53.40
Parts CHF 36.00
Alfred Knüsel
Lakonie (2004)

Instrumentation: for alto saxophone and tam-tam

Duration: 4' 00"

SME/EMS
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CHF: 13.30
Hansruedi Willisegger
Impressionen (1967)

Instrumentation: for eight instruments (fl.cl/hn/cel/hp.pf/2perc)

Duration: 15' 00"

SME/EMS
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CHF: 30.00
Ernst Pfiffner
Componimento (1974-1976)

Instrumentation: for organ, strings (min. 12.12.10.8.6) and four percussion instruments

The title here comes from Gottlieb Muffat's (1690-1770) 'Componimenti Musicale'. In this piece two rather contrasting movements are set against each other (chamber musical registration and 'Pleno' effects, combine agile percussion and string figuration with long held single notes with chords, strict structures with improvisatory elements, and various blends of organ and orchestral sound).
Work series A: Music for concerts.


Duration: 20' 00"

SME/EMS
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CHF: 41.30
Urban Mäder
Ballast (2009)

Instrumentation: for flute, clarinet, violin, violoncello, piano and percussion

Three movements: gestaut, dickflüssig, überschwappend.

Duration: 12' 00"

SME/EMS
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CHF: 26.40
René Wohlhauser
vocis imago (1993-1995)
Ergon 20

Instrumentation: for flute, clarinet, percussion, piano, violin and violoncello

Conception of a dialectic tension between textual narrative and formal architectonically composite parts (inspired by literary narrative forms) integrated into a system of metric modulations.

Duration: 19' 00"

SME/EMS
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CHF: 56.00
Max E. Keller
Neungestalt (1993)

Instrumentation: for percussion solo

A musical form of nine groups with nine variations in which one of the nine membranophones is featured. Drum kit, containing two bass drums (with pedals).

Duration: 14' 00"

SME/EMS
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CHF: 17.30
Alfred Knüsel
trotz ständigem Wechsel in immer derselben Rolle (2001-2006)
Nine variations

Instrumentation: for trumpet solo, string orchestra and percussion

Duration: 18' 00"

SME/EMS
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CHF: 30.00
Hans-Jürg Meier
herbst (abtasten) (2010-2011)

Instrumentation: for 4 alto recorders, guitar, tromba marina, percussion

A tentative musical exploration of the 1907 painting "Herbst (Schule)" by Marianne Werefkin.

Duration: 7' 00"

SME/EMS
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CHF: 17.30
Edu Haubensak
Three Timpani (2010)

Instrumentation: for one percussionist

Duration: 44' 00"

SME/EMS
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CHF: 23.30
René Wohlhauser
c-Moll-Drive (1995-2019)
JazzRockBlues-Stück Nr. 2,2, Parergon 38, Nr. 2,2, 2. Fassung, Musikwerknummer 1886 / JazzRockBlues Piece No. 2,2, Parergon 38, No. 2,2, 2nd version, music work number 1886

Instrumentation: für 2 Klavier und Djembé ad lib. / for two pianos (and djembé ad lib.)

Duration: 4' 02"

SME/EMS
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CHF: 12.60
Alfred Felder
9ten Novemb. 1828 Tagebuch Robert Schumann (2009)
Music

Instrumentation: for clarinet, viola, piano and percussion

Duration: 16' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 16.80
De-Qing Wen
Concavity and Convexity (2020)

Instrumentation: for percussion solo

Commissioned by China-Fujian Musicians Associasion

Duration: 5' 00"

SME/EMS
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CHF: 21.00
Alfred Knüsel
Cadenza I - IV (2006)

Instrumentation: for double bass solo and percussion (large drum, cymbals, guiro)


SME/EMS
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CHF: 18.00
Edu Haubensak
Oneonetwo (2011-2012)

Instrumentation: for piano in scordatura and percussion

Duration: 22' 30"

SME/EMS
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CHF: 34.70
De-Qing Wen
A Song Once Sung (2021)

Instrumentation: for marimba, pipa and guzheng


SME/EMS
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CHF: 52.20
including parts
Alfred Felder
Songs of time (2010-2010)

Instrumentation: Countertenor, Flöte (+Altflöte), Klarinette (+Bassklarinette), Violine, Viola, Violoncello, Kontrabass, Klavier, Schlagzeug

1. Bereschith (hebräisch), 2. Abwun d'bwaschmâja (aramäisch), 3. Sura Al-Imran (arabisch), 4. Kadacit (sanskrit), 5. Essais (Montaigne, alt-französisch), 6. Phaidon (Platon, griechisch) 7. Vivamus (Catull, latein), 8. Leaves of Grass (Whitman, englisch) 9. Em-chet (Ptahhotep, alt-arabisch) dazwischen Sequentia I - VI

Duration: 59' 44"

SME/EMS
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CHF: 83.20
Stimmenmaterial ist beim Komponisten erhältlich
Michel Hostettler
Kaïros (1993)

Instrumentation: for clarinet (bass clarinet) and percussion (marimba, vibraphone)

Duration: 6' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 18.00
incl. Parts
Max E. Keller
Walk-Music (1994)

Instrumentation: for flute, violin, guitar and percussion

Each of the musicians follows his/her own course, whereby each independently repeats and varies a single sequence: Isolation, without contact, narcissism - sign of the times...

Duration: 11' 00"-15' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 18.00
Alfred Knüsel
... Höchst gegenwärtig aufgeladen (2006)

Instrumentation: for 5-6 tam-tams and chain

Duration: 4' 20"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 12.00
Vladislav Jaros
Pepita (2011)

Instrumentation: for baritone, mezzo-soprano, 2 trumpets, accordion, guitar, e-bass, percussion and strings

Texts: Vladislav Jaros

A cheerful song with a catchy, typically Mexican rumba rhythm for a small orchestra.
A reminder of Mexico.

Duration: 3' 00"

SME/EMS
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CH-6000 Luzern 7
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CHF: 21.60
Edu Haubensak
Schnee (Ein Ritual) (2013)
Trio

Instrumentation: for horn, voice and percussion

Duration: 21' 00"

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Eric Gaudibert
Deux airs (1995)

Instrumentation: for soprano, violoncello and percussion

Texts: Giambattista Marino, Catharina von Greiffenberg

Extracts of the Concerto lirico.
1) " Miro, rimiro… " for soprano and violoncello (or accordion)
Lyrical air on a poem by Giambattista Marino.
2) " Schwing dich, meine Seel" for soprano and percussion ad libitum
Large dramatic air on a poem by Catharina von Greiffenberg. The percussion comprises a tam tam and six temple blocks.


Duration: 12' 30"

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Vladislav Jaros
Stop That Game (2011)

Instrumentation: for alto, baritone, tenor sax, trumpet, trombone, percussion, 2 e-guitars and e-bass

Texts: Vladislav Jaros

A rhythmical and lively jazz-funk song capturing the atmosphere of New York and life in this fascinating city.

Duration: 3' 00"

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Thomas K. J. Mejer
Princes' balls (2013)

Instrumentation: for contrabass flute, contrabass saxophone, tuba and sextet (fl, cl, pf, perc, vn, vc)

Written for the "Kontra-Trio" Lucerne and the "Moscow Contemporary Music Ensemble", created for the project "Stravinskij Revisited".
Suite in five movements:
Wickedly
Obscured Beautiful
Insisting
Seductive
Concealed

Duration: 13' 00"

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CHF: 34.20
parts: CHF 52.00
Edu Haubensak
Trio (2016)

Duration: 17' 30"-18' 00"
Manuscript
CHF: 20.70
Thomas K. J. Mejer
Rusty Engines Resume (2017)

Instrumentation: für sextet (fl, cl, vn, vc, perc, pno)

Duration: 13' 00"

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Balz Trümpy
Oracula Sibyllae (2008)

Instrumentation: for soprano, baritone, flute and percussion

After texts from 'Oracula Sibyllina' and Vergil's 'Aeneid' (adaptation of CARMEN SIBYLLAE and ORATIO SIBYLLAE).
'Oracula Sibyllae' is the combination of two works that deal with the sibyls: Carmen Sibyllae for baritone and percussion and Oratio Sibyllae for soprano and flute. The ancient books 'Oracula Sibyllina' contain the prophecies of the Sibylla which, engulfed by divine powers, utters her usually unrequested and fatal predictions.

Duration: 24' 00"

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Edu Haubensak
ON (2016)
Duo für Schlagzeug und Gitarre (in Skordatur)

"ON bedeutet hier ein Vorwärtsgehen eines Pulses, ein 'go onʼ von wechselnden
Metren und Tempi. Das meist langsam pulsierende Werk wird durch das Schlagzeug polyrhythmisch verändert. Diese etwas rascheren oder langsameren Tempi sind variierend gegen das Grundtempo verschoben und irritieren die Wahrnehmung der etablierten Zeitebenen. Ein kleines Set von Schlaginstrumenten, eine kleine Trommel und ein grosses Becken ist klanglich äquivalent zur akustischen Gitarre.
Mit der gesetzten Skordatur von drei Saiten (E-20 Cent, D+40 Cent und H-60 Cent) erscheinen neue harmonische Konstellationen im Zusammenklang mit den temperiert gestimmten Saiten. Insbesondere ist für die akustische Gitarre eine reiche Palette von erweiterten Klängen zu hören. Unterstützt oder verändert werden diese Klänge durch die Anweisungen stufenweise sul ponticello oder sul tasto zu spielen. So entstehen, neben den Mikroharmonien, unterschiedlich abgestufte Obertonqualitäten.
Die Uraufführung fand am 6. April 2017 im Kunstraum Walcheturm in Zürich mit Christian Buck (Gitarre) und Christian Wolfarth Schlagzeug) statt."

Duration: 16' 00"

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Hansruedi Willisegger
Lazarus: Musik für einen Gottesdienst (1969)

Instrumentation: for baritone solo, congregation, flute, trumpet, percussion and strings

Duration: 29' 00"

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Hans-Jürg Meier
petite danse macabre (2014)

Instrumentation: für Sopraninoblockflöte, Klarinette, Englischhorn, Violine, Kastagnetten, Tempelblock, Zink, Trompete, Horn, Posaune, Laute, Harfe

12 Fragmente zum Heidelberger Totentanz: Der Konig, von allem stadt, Der bruder, Die junckfrauiwe, Der artzt, Der ritter, Der spieler, Der schriber, Der wucherer, Der kaiser, Der wirt, der dumherr.

Duration: 2' 00"

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Max E. Keller
Solitario (1996)

Instrumentation: for flute, guitar and percussion

Each instrument builds its own world using eight elementary figures; each goes its own way yet parallels are shown to exist. Relationships form and the dialectic of the controlled 'own way' and random combination begin to play.

Duration: 14' 00"

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Hans Eugen Frischknecht
Actions - Réactions (1998)

Instrumentation: for percussion and organ

The percussionist generates a sound - the organist reacts - the percussionist reacts on his part. Every action of one instrument results in a certain reaction.

Duration: 12' 00"

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Hans-Jürg Meier
durchscheinend (diaphanés) (2015)

Instrumentation: für drei Traversflöten und Schlagzeug

Musik zu Santo Stefano Rotondo (Rom, ca. 460). Die architektonischen Themen der frühchristlich-spätantiken Rundkirche werden musikalisch umgesetzt: kreisende Bewegungen; diaphane Strukturen, welche die Raumstaffelung in musikalischen Schichten wiedergeben; das Licht, welches von den Oberfenstern des Zentralraumes in die Kirche einströmt, spiegelt sich in der wechselweise hellen oder dunklen Harmonik.

Duration: 21' 00"

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Hans-Jürg Meier
tre (2015)

Instrumentation: für Lithophon

Ein konstanter Wirbel führt das Ohr zu den eigenartigen Obertonspektren des Lithophons.

Duration: 5' 00"

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Ernst Pfiffner
Cambiamenti concertanti (1981-1983)

Instrumentation: for oboe, string orchestra (6.6.5.4.3) and percussion

The oboist plays the oboe d'amore in the movements I, III, IV; oboe in the movements II, V and the English horn in movement IV.Work series A: Music for concerts.

Duration: 16' 00"

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René Wohlhauser
Die Auflösung der Zeit im Raum (2000-2001)
Ergon 26

Instrumentation: for saxophone, percussion and piano

First performed by the Oggimusica Ensemble at the Expo 02, this work deals with various time-space concepts and attempts to fathom the depth of the sounding room, which has the capability to develop in time only - there were space and time converge and fuse together.

Duration: 14' 00"

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Max E. Keller
Food (1999)

Instrumentation: for percussion solo

This piece is to be played on six plates, three glasses, pan lids, small bowls (and other things) while being seated at a table. The percussionist also sings. Eating as a celebrated ritual - in a world of famine.

Duration: 13' 00"

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Balz Trümpy
Komm, o Tod, du Schlafes Bruder (2012)

Instrumentation: for mixed choir, violin and 4 tom toms

After a choral melody by Johannes Crüger and a Teton Sioux melody. A Baroque longing for death vis-a-vis the Teton Sioux's unconditional will to live.

Duration: 6' 00"

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Jing Yang
"Himmlischer Fluss" (2020)

Instrumentation: Soprano, Flute/Piccolo, Bass Clarinet Bb, Piano, Violin, Cello, and Percussion (one player)

Texts: Li Bai (701 -762)

Instrumentation: Soprano Flute/Piccolo (Paper + Paper Roll) Bass Clarinet Bb (Paper + Paper Roll) Piano + Nylon string or fishing string for bowing Glass soft Tree branch Violin (Paper + Paper Roll) Cello (Paper + Paper Roll) Percussion (one player): Bass Drum (or CN big Drum) Cymbals Metal Board Little Tibet metal temple bowls 8 (pieces in micro Tone) Big Gong + little river Stone Shell Chain Cello Bow Stick Vibraslap

Duration: 10' 20"

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Eric Gaudibert
"Pierrot, à table !" ou le souper du poète (2003)

Instrumentation: for percussion, accordion, saxophone, horn and piano

The percussionist plays both a principal and theatrical role performing on a table. The remaining instruments are, for the most, independent of one another; the piano is placed at the far-end of the scene. The sounds produced on the table are amplified.

Duration: 10' 00"

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Michel Hostettler
Ballad (2002)

Instrumentation: for horn and percussion

Duration: 9' 00"

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(2 parts and horn part)
Max E. Keller
Dialogfelder (2000)

Instrumentation: for double-bass and percussion

The instruments form a dialogue on fields of varying length, either in harmony or in contrast; differentiated rubbing noises play an important part in the adaptation. The percussion uses only two toms, two bongos, a cymbal, a thunder sheet and two woodblocks.

Duration: 10' 00"

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Max E. Keller
insieme, a coppie, indipendente (2000)

Instrumentation: for four percussion

This work is composed of a series of seven basic, quasi-archetypal structures which are repeated varyingly and superimposed up to four times: roll, punctual field, fade outs, pulse etc..

Duration: 11' 00"

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Balz Trümpy
Der Geist des Tals (2013)

Instrumentation: for soprano, trombone, cello, percussion and piano

The Ensemble Eunoia's suggestion that I write a piece dealing with the letter 'U' set off in me a chain of associations relating to this vowel. The starting point was the tonal character of the phoneme U: For me its dark, earthy, warm timbre equated to the symbolic image of the Mother ("uterus", "ursprung" (=origin)...). My text selection combines the following excerpts taken from literature and lore that evoke different aspects of the Mother symbol: In the 3rd hymn of the legendary poet and Dionysus priest Orpheus, night is celebrated as the Mother of gods and men. In the second part of Goethe's "Faust", Mephistopheles describes the nocturnal and sinister descent into the obscure realm of the Mothers ("No way! Into the untrodden ..."), where Faust wants to lead Helena back to life. A mother grieving for her son and creation forms the basis of the liturgical "Stabat Mater". And finally, the text of "Tao te Ching" to the "valley spirit" elevates the image of the Mother as the origin of heaven and earth to the spiritual.

Duration: 17' 00"

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René Wohlhauser
Musikalisches Tagebuch Nr. 91 vom 26.10.2005 / Musical Diary No. 91 from 26 October 2005 (2005/2019)
Parergon 17, Nr. 91,2 / 2. Fassung (2019), Musikwerknummer 1901

Instrumentation: für ein Melodie-Instrument, Klavier und Djembé

Andere Genres / Other styles (zwischen Neoklassik und Jazzrock).

Duration: 2' 36"

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Max E. Keller
Schnitt-Muster (2002)

Instrumentation: for flute, clarinet, piano, percussion and string trio

Sometimes completely different musical types or structural samples are set aside each other in a similar way to the effect achieved while zapping through television channels, sharp cuts which seem at first random are yet intentional. Even the other meaning of 'cut-sample', the prefabrication of something based on a template or the stereotypical also receives acknowledgement through the mimicry of musical styles. In this manner various fields of popular music are touched upon - even contemporary music cannot escape.

Duration: 7' 00"

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Roland Moser
Pierrot Soldat (2012)
Extended moments I

Instrumentation: for flute, clarinet, percussion, piano, violin and violoncello

Duration: 11' 00"

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René Wohlhauser
Musikalisches Tagebuch Nr. 101 vom 8.6.2006 / Musical Diary No. 101 from 8 June 2006 (2006)
Parergon 17, Nr. 101,2 / Fassung für Klavier und Djembé, Musikwerknummer 2160

Instrumentation: Klavier und Djembé

Andere Genres / Other styles

Duration: 2' 07"

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Max E. Keller
Changements (2003)

Instrumentation: for tuba, percussion, piano and live electronic (BOSS SE-70)

Changements - between various instrumental groups, between natural and transformed sound, between calm and hectic, between cut and transition, between air and tone, between pulse and free rhythm, between repetition and progress, between sound and noise, between…

Duration: 11' 00"

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CHF: 16.80
Eric Gaudibert
Trivium (2008-2009)

Instrumentation: for recorder, pipa and percussion

This is an encounter between 3 instruments originating in different worlds: the Baroque recorder, the pipa (Chinese lute with 4 strings) and modern percussion instruments. The various timbres of the flute (soprano, alto and bass) and percussion instruments (vibraphone, triangle, cymbals, crotales, tam, snare drum, bass drum) merge with those of the pipa.


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Ernst Pfiffner
"... ahnten sie nicht" (1992)

Instrumentation: for alto, flute, English horn, viola, violoncello, small percussion

Texts: Karl Mittlinger

Work series A: Music for concerts.

Duration: 16' 00"

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Hansruedi Willisegger
Bitte, Lob und Dank (1973)

Instrumentation: for cantor, three sopranos, mixed choir, congregation, three orators, three flutes, violoncello, double-bass and bongos

Duration: 12' 00"

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Ernst Pfiffner
Eine Kantilene vom Menschen (1992)

Instrumentation: for choir, oboe, violoncello and percussion

Texts: Matthias Claudius

This piece is based on the poem 'Empfangen und genähret' (Received and Nourished) by Matthias Claudius in connection with extracts from the book Kohelet (300 BC). Despite being scored for three vocal and three instrumental parts, the fascinating phenomenon of monophony is kept throughout,Work series A: Music for concerts.

Duration: 4' 00"

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Max E. Keller
Graduale (2005)

Instrumentation: for mixed choir, clarinet in B ad libitum, and percussion (2 toms, 2 bongos, cymbals) ad libium

Texts: Silja Walter.

Duration: 4' 00"

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(Including clarinet part)
René Wohlhauser
Rock Riff from 25 June 2006 (2006/2017)
JazzRockBlues-Stück Nr. 17, Parergon 38, Nr. 17, Musikwerknummer 1290 / JazzRockBlues Piece No. 17, Parergon 38, No. 17, music work number 1290

Instrumentation: für Klavier und Djembé ad lib. / for piano and djembe ad lib.

Duration: 3' 18"

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Ernst Pfiffner
"Da der Tod" (1991-1993)

Instrumentation: for monophonic choir, alto, orator, flute, English horn, viola, violoncello and small percussion

Texts: Karl Mittlinger und W.A. Mozart

Work series A: Music for concerts.

Duration: 25' 00"

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Max E. Keller
Schlaglichter (2006)

Instrumentation: for oboe, clarinet, bassoon, double bass and percussion

The three miniatures are the reshaping of the structure and instrumentation of three laconic parts of my opera "Die Axt" after "Graf Öderland" by Max Frisch, which I composed as a commission for the Komischen Oper Berlin.
Schlaglicht I is taken from the end of the 2nd act. In Schlaglicht II, the wind instrumentalists play excerpts from the three trumpets in the 1st act, while the percussion and double bass develop a new oppositional layer. Schlaglicht III transposes almost the entire 5th act where the bassoon and oboe intonate the duet between the central character and his partner, while the clarinet and double bass play the accompanying trumpet and tuba and the percussion brings in a new line.

Duration: 4' 00"

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René Wohlhauser
Blues-Rock-Riff vom 27.4.2007 / Blues Rock Riff from 27 April 2007 (2007/2022)
JazzRockBlues-Stück Nr. 20,2, Parergon 38, Nr. 20,2, Musikwerknummer 2030 / JazzRockBlues Piece No. 20,2, Parergon 38, No. 20,2, music work number 2030

Instrumentation: Saxophon, Klavier und Perkussion / saxophone, piano and percussion

Duration: 2' 53"

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Max E. Keller
accent - figure - layer (2008)
A project between improvisation and composition

Instrumentation: for bass clarinet/tenor saxophone, percussion, piano, violin, viola and double bass

The wide scope between improvisation and composition is calibrated. There are, however, no long notated passages but form sequences, short notated phrases as starting points, verbal instructions and graphics - right through to improvisation as one extreme. The musical material is based on the archetypal elements 'accent', 'figure' and 'layer' as mentioned in the title. The through-composed parts "unione e tremolo" for violin and viola (movement II) and the violin solo "NONONONO" (movement VII) are inserted between the six movements as the other extreme.

Duration: 58' 00"

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Ernst Pfiffner
Sestetto d'Isissa (1995-1996)

Instrumentation: for oboe, clarinet, bassoon, horn, trombone and percussion

Work series A: Music for concerts.

Duration: 11' 00"

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Max E. Keller
Wendepunkte (2009)

Instrumentation: for piano, percussion and string quartet

For advanced amatuers.
This piece was composed for the music Matura. The education of young people is the same for all until the Matura stage. Here, at the first major turning point in their lives, individuals must decide which direction they wish to take. Thus the 'turning point' became one fundamental concept behind this work, walking together and walking alone became another. They are processed on various levels - both on the quasi-motif and the formal.

Duration: 13' 00"

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Rudolf Jaggi
Im Santyhans (2011)

Instrumentation: for male choir T1T2B1B2 and four brass instrumentalists and timpani (2tpt in b/2tbn/3timp)

Texts: Martin J.P. Schwitter

Duration: 4' 30"

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(Parts: CHF 18.-)
Max E. Keller
ich, du, wir (2010)

Instrumentation: for flute, clarinet, percussion, piano, violin, violoncello

Composed for the 25th anniversary of the 'ensemble für neue musik zürich', this short piece attempts to trace the path to togetherness (ensemble), from I to we. A unity is drawn twice from a dense fabric of independent lines, initially on a trill surface and then in unison at the end.

Duration: 1' 00"

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Thüring Bräm
Tabor and Pipe (2009)

Instrumentation: für Klarinette und Schlagzeug (Darabukka und 2 Becken)

Duration: ca. 8'

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Max E. Keller
Gravuren (2010)

Instrumentation: for string quartet and percussion

This composition is based on a process or a figurative concept: one or several lines are engraved into a surface, derived from the opposing string surface and percussion line. Surfaces and lines exist in the most varied of forms, colours, intensities and mutations thereof, and the contrast traverses various grades and forms. By utilising three cardboard boxes, the percussion section is also able to play flat rubbing noises that create an approximation of everyday sounds. The spectrum expands at various points throughout the work when totally different elements are suddenly introduced.

Duration: 7' 00"

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René Wohlhauser
Marakra Code 02.2 (2011)
Ergon 44, Nr. 4, Musikwerknummer 1619, auf ein Gedicht des Komponisten zwischen Lautpoesie und Halbsemantik

Instrumentation: Soprano, Baritone and Percussion

Vokalexperimentelle Virtuosität bis hin zu zweistimmigem Obertongesang.

Duration: 5' 30"

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René Wohlhauser
Buried Memories (2012/2013)
JazzRockBlues-Stück Nr. 23, Parergon 38, Nr. 23, Musikwerknummer 1642 / JazzRockBlues Piece No. 23, Parergon 38, No. 23, music work number 1642

Instrumentation: für Klavier und Djembé ad lib. / for piano and djembe ad lib.

Duration: 4' 30"

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René Wohlhauser
Uom Raswékje Nadak (2012)
Ergon 45, Nr. 2, Musikwerknummer 1638, auf formantengenerierte Phoneme des Komponisten

Instrumentation: Sopran, Bariton, Flöte, Klarinette, Schlagzeug, Klavier, Violine und Violoncello

Duration: 20' 00"

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René Wohlhauser
Keep on moving! (2012)
JazzRockBlues-Stück Nr. 22,1, 1. Fassung, Parergon 38, Nr. 22,1, Musikwerknummer 1640 / JazzRockBlues Piece No. 22,1, 1st version, Parergon 38, No. 22,1, music work number 1640

Instrumentation: für Klavier und Djembé ad lib. / for piano and djembe ad lib.

Duration: 3' 50"

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René Wohlhauser
Untitled from 21st June 2013 (2013)
JazzRockBlues-Stück Nr. 25, Parergon 38, Nr. 25, Musikwerknummer 1653 / JazzRockBlues Piece No. 25, Parergon 38, No. 25, music work number 1653

Instrumentation: für Klavier und Djembé ad lib. / for piano and djembe ad lib.

Duration: 4' 34"

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René Wohlhauser
Untitled from 21st May 2013 (2013/2018)
JazzRockBlues-Stück Nr. 24, Parergon 38, Nr. 24, Musikwerknummer 1650 / JazzRockBlues Piece No. 24, Parergon 38, No. 24, music work number 1650

Instrumentation: für Klavier und Djembé ad lib. / for piano and djembe ad lib.

Duration: 3' 47"

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Hansruedi Willisegger
Passionierte Violinistin (1989/1992)

Instrumentation: for coloratura Soprano, violin, oboe (musette) and percussion

Texts: Hans Erni

Based on a picture by Hans Erni.

Duration: 9' 00"-15' 00"

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Max E. Keller
Holzschnitte (2017)

Instrumentation: Flöte, Klarinette in B (Bassklar.), Schlagzeug, Harfe, Violine, Viola, Violoncello

Holzschnitte sprechen einfache Wahrheiten ohne viel Beiwerk unzweideutig, unmissverständlich und bisweilen auch verletzend direkt aus. Nicht zuletzt deshalb sind Holzschnitt in der politischen Kunst des 20. Jahrhunderts oft verwendet worden. In der Komposition "Holzschnitte" geht es in diesem Sinne in 7 sehr unterschiedlich langen Teilen um einfache musikalische Archetypen, die durch Überlagerung der 7 Instrumente (also Polyphonie) und Variation durchaus eine gewisse Komplexität entwickeln können. Im 4. Teil werden analog dazu in Stichworten das Scheitern und die enorme Zahl menschlicher Opfer bei der Umsetzung sozialistischen Ideologie in der Realität verbal ausgesprochen. Nur Vietnam bleibt als positives Beispiel übrig.



Duration: 12' 00"

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Max E. Keller
Ins Freie (2017)

Instrumentation: Improvisationskonzept für Bassklarinette, Marimba oder Vibraphon & Schlagzeug ad libitum, Klavier, Violine, Viola und Violoncello

In den 68er-Jahren wurde in der Neuen Musik oft mit einem politischen Hintergrund improvisiert, quasi als antiautoritäre Praxis. Die Konzepte wollten nicht vorschreiben, was zu spielen sei, sondern zur Kreativität anregen. "Ins Freie" knüpft an meine langjährige Beschäftigung mit Improvisation an, ist aber nicht - wie viele Konzepte - für den Eigengebrauch im "inner circle" geschrieben, sondern versucht, allgemein gängige Wege "ins Freie" zu entwerfen.


Duration: 11' 00"

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René Wohlhauser
Die große und die kleine Vokaltrilogie "Drei Gesänge" (2016)
Gesamter Zyklus, Druckfassung

Instrumentation: Sopran, Bariton, Baßflöte, Baßklarinette und Violoncello, Perkussion / Schlagwerk: Maraca, Ossia: Gran Cassa

Duration: 54' 00"

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René Wohlhauser
Doste Raif (2016)
Ergon 56, Nrn. 1-7, Musikwerknummern 1759, 1764-1768, 1771, auf Texte des Komponisten

Instrumentation: Sopran, Bariton und Perkussion

Duration: 7' 00"

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René Wohlhauser
Quala Mirs (Fassung mit Maraca) (2016)
Ergon 58, Nr. 6a, Musikwerknummer 1781a, auf ein Gedicht des Komponisten

Instrumentation: for Soprano, Baritone and Maraca

So wie in unserer Gesellschaft Gegensätze aufeinander prallen, die sich mit der Zeit
entweder als integrierbar oder als unvereinbar herausstellen, so lasse ich oft auch in meiner Kompositionsarbeit Gegensätzliches aufeinander prallen und schaue dann, was sich daraus entwickelt.

Duration: 8' 00"

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René Wohlhauser
Quala Mirs (Fassung mit Gran Cassa) (2016)
Ergon 58, Nr. 6b, Musikwerknummer 1781b, auf ein Gedicht des Komponisten

Instrumentation: for Soprano, Baritone, and Gran Cassa

Die Fassung mit der Gran Cassa verstärkt die dunkel raunende Seite des Stückes.

Duration: 8' 00"

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Max E. Keller
miteinander - zerfasern - verweigern (2021)

Instrumentation: for flute, clarinet, drums, violin

Duration: 8' 30"

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Hansruedi Willisegger
Die schönsten Schweizer Kinderlieder (2018)


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Max E. Keller
Kollektiv - Individuell (2022)

Duration: 11' 00"

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René Wohlhauser
Rausgeworfen, irgendwo (Wie lange noch?) (2019)
Parergon 12, Nr. 38, Musikwerknummer 1880

Instrumentation: Tenor, akustische Gitarre, el. Clavichord, E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 4' 53"

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René Wohlhauser
Krähenhauber (2019)
Ergon 71, Musikwerknummer 1909, auf ein Gedicht des Komponisten

Instrumentation: Sopran, Bariton (mit zusätzlicher Sprechstimme) und Perkussion

Duration: 7' 07"

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René Wohlhauser
Bluesrock vom 11.6.2020 / Blues Rock Riff from 11 June 2020 (2020/2021)
JazzRockBlues-Stück Nr. 38, Parergon 38, Nr. 38, Musikwerknummer 2027 / JazzRockBlues Piece No. 38, Parergon 38, No. 38, music work number 2027

Instrumentation: für Keyboard, Klavier und Djembé ad lib. / for keyboard, piano and djembé ad lib.

Duration: 2' 50"

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René Wohlhauser
Rock-Riff vom 5.2.2020 / Rock Riff from 5 February 2020 (2020)
JazzRockBlues-Stück Nr. 33, Parergon 38, Nr. 33, Musikwerknummer 1935 / JazzRockBlues Piece No. 33, Parergon 38, No. 33, music work number 1935

Instrumentation: für 2 Klavier und Djembé ad lib. / for two pianos (and djembé ad lib.)

Duration: 3' 47"

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René Wohlhauser
Nein, ich akzeptier' es nicht (2022)
Ergon 89, Musikwerknummer 2165, auf ein Gedicht des Komponisten

Instrumentation: Sprechstimme und Perkussion

Texts: René Wohlhauser

Eine Art Protestsong, der nicht gewillt ist, die aktuellen Zustände auf dieser Welt so
zu akzeptieren, wie sie derzeit sind.

Duration: 5' 00"

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René Wohlhauser
Old Revolution (1969/1986)
Version 28 July 1986, Parergon 16, No. 15, music work number 817 (Previous version: Parergon 2, No. 3, music work number 13, 22 June 1969)

Instrumentation: Keyboard, E-Bass, Percussion

Instrumental piece.

Duration: 1' 32"

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René Wohlhauser
Heissi Nacht (1985)
Parergon 13, Nr. 25, Musikwerknummer 692

Instrumentation: Sopran, Tenor, elektrische Gitarre, Keyboard, E-Baß und Schlagzeug

Texts: René Wohlhauser

Song


Duration: 4' 19"

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ISBN 978-3-907467-12-1
René Wohlhauser
Musikalisches Tagebuch Nr. 114 vom 30.11.2010 / Musical Diary No. 114 from 30 November 2010 (2010)
Parergon 17, Nr. 114b, Musikwerknummer 1566 / Parergon 17, No. 114b, music work number 1566

Instrumentation: saxophone, piano and percussion

Andere Genres / Other styles

Duration: 2' 11"

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Pia Blum
Nam (2020)

Instrumentation: for prepared piano and/or for percussion

Nam is a comprovisation, i.e. one part is fixed and the other part is improvisational.


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René Wohlhauser
JazzRockBlues-Stück Nr.32 vom 4.2.2020 / JazzRockBlues Piece No 32 from 4 February 2020 (2020/2023)
Parergon 38, Nr. 32,2 (2. Fassung), Musikwerknummer 2198 / Parergon 38, No. 32,2 (2nd version), music work number 2198

Instrumentation: Sopran, Klavier und Perkussion / soprano, piano and percussion

JazzRockBlues piece, premiered on Sunday, 25 June 2023 at Haus zur Musik, Basel, by Christine Simolka (soprano), Elia Seiffert (piano) and René Wohlhauser (percussion)

Duration: 1' 56"

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parts total: 13.20 CHF