Piano

Mela Meierhans
Vagabundinnen (1992)
for flute, string trio, harp (or bass), piano and electronic tape (CD/DAT or MD)
Texts: Christina Thürmer-Rohr
Duration: 13' 00"
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CHF: 73.00
Mela Meierhans
Sec''ondes (1995)
for wind quintet (fl.ob.cl.hn.bn), viola and piano
Duration: 12' 00"
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CHF: 31.00
Yehoshua Lakner
Corner Stones (1946)
for piano
Nineteen simple contrapuntal studies; Two-part, between Bach and Bartok.
Duration: 10' 00"
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CHF: 36.00
Walter Baer
Neun kleine Klavierstücke (1949-1990)
A light to intermediate piece, also suitable for tuition.
Duration: 13' 00"
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CHF: 23.00
Jürg Wyttenbach
Sonatine (über räto-romanische Volkslieder) (1952/01)
for piano
I. 'Lauda quella gloriusa'
II. Scherzino - Rondino.
Composed in Arosa (1952), revised in July 2001 for Davos.
Duration: 8' 00"
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CHF: 23.00
Rudolf Jaggi
Temps Perdu (1956-1957)
for piano
Tristan - Elle - Révolte - Bonheur à Deux - Pétulance - Mélancolie.
Duration: 9' 00"
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CHF: 18.00
Louisa Lasdun
"Jabberwocky" (1978)
for orator (most suitable would be a voice from the media known by children), piccolo, 2 bassoons, contrabassoon, amplified harpsichord (or synthesizer), piano, four percussion, mixed choir (4.4.4.4 also possible 2.2.2.2)
Texts: Lewis Carroll
Entertainment for anybody between the ages of four and ninety-nine. Suitable for a childrens programme. The text is from ‘Alice through the looking glass’ by Lewis Carroll, also available in French and German.
The original is in English gibberish but is easily transferable to German or French gibberish.

Duration: 10' 00"
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CHF: 34.00
Felix Baumann
Was, wenn Verwandlung nicht (1990)
for piano solo
Based on the 'Duineser Elegien' by R.M.Rilke.The radiation of a central motive changes through a process of different aspects.
Duration: 7' 00"
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CHF: 16.00
Bruno Stöckli
Dal peso di un piccolo uccel (1991)
Seven pieces
for female voice and instrumental ensemble (fl.cl/pf.hp/perc/vn.vc.db)
Texts: Erika Burkart
Duration: 15' 00"
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CHF: 57.00
Rico Gubler
Fünf Studien für Klavier in sechs Sätzen (1994-1995)
Duration: 12' 00"
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CHF: 23.00
Felix Schüeli
3 Klavierstücke (1997)
Duration: 3' 30"
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CHF: 16.00
Andreas Brenner
Figures de Rêve (2004)
for soprano, flute and piano
Original text: Giacinto Scelsi, L'Archipel Nocturne.
Duration: 15' 00"
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CHF: 18.00
Benedikt Wolfgang Schiefer
Stern (2004)
for violin and piano
Duration: 10' 30"
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CHF: 26.00
Yehoshua Lakner
3 Klavierstücke (1947)
Pieces of ‘temperately’ modern music.
Tanz - Legende - Finale.

Duration: 7' 00"
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CHF: 21.00
Rudolf Jaggi
Sonatine '58 (1958)
for piano
Duration: 6' 00"
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CHF: 18.00
Eric Gaudibert
Mélodies (1966)
for soprano (tenor) and piano
Texts: Paul Eluard
2 notebooks each with three melodies.
1st notebook: Dit de l'amour – L'unique – Dit de la force de l'amour.
This notebook has also been transposed one tone deeper.

Duration: 6' 30"
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CHF: 21.00
Thüring Bräm
Sechs Haikai (1969)
for solo Soprano, chamber choir, string trio and vibraphone
Texts: Japanische Texte
Six short Japanese three-liners. The choral part is on an advanced level but can be performed by good amateurs.
Duration: 8' 00"
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CHF: 44.00
René Wohlhauser
Nesut (1977)
Ergon 2
for piano solo
'Nesut' is a transliteration of a hieroglyph which stands as a symbol of power and repression; a relic from the study of the middle Egyptian language.
Duration: 8' 00"
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CHF: 42.00
Maria A. Niederberger
Inferences (Rückschlüsse) (1985)
for fl(afl).cl(bcl)bn/2perc/pf/vn.va.vc
Accentuated piano part.
Duration: 8' 00"
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CHF: 42.00
Peter Schärli
Ballade pour une pierre (1985)
for voice, trumpet (with mute), piano (or guitar) and double-bass
Texts: Sandy Patton
Duration: 6' 30"
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CHF: 13.00
Michael Schneider
Evokation (1991)
for violin, clarinet and piano
Impulsive, feverish movements with lyrical bright spells.
Duration: 5' 00"
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CHF: 18.00
Felix Schüeli
7 leichte Miniaturen (1998)
for two recorders guitar and piano
Composed for a school ensemble with circa 1-2 years of musical education.
Duration: 3' 30"
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CHF: 18.00
Andreas Brenner
Sykomoren (2005)
A small cycle about death
for soprano, alto saxophone and piano
I Auch (Abdo Wazin)
II Dunkel (Hans Arp)
III Aegyptisches Sterbegebet (anonym)
IV Patrouille (August Stramm)
V Schafott (Fuad Rifka)
Duration: 20' 00"
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CHF: 31.00
Cécile Marti
Im Würfel (2005)
for sextet (fl, cl, vn, vc, mar, pf)
"My form is created entirely out of straight lines and flat surfaces ordered at symmetrical right-angles. Every side, every line is the same as every other. Intersection facing intersection. This is me at peace with myself. I can begin rotating at the slightest movement, yet it is not always possible to forsee my path of motion, for the possibility of changing direction at any moment I leave open. My way is found along my edges or my corners. If I am not resting on a surface then I am moving in this linear fashion."
A square's eye view - its inherent form is the lead for musical transformation.
The ensemble follows characteristic figurations as a compact motional unit. The way leads from a description of the object through to the mechanisms of its motion and on to playfully gestural formulations.
Circular motions, rotation around a fixed axis, gradual advancement over sound layers, using pulses to create structure, fragmentary phases and moments of dancy movement are but a few aspects which infuse throughout this piece.
Duration: 8' 30"
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CHF: 49.00
Rudolf Jaggi
Klaviersuite 2 (1958)
Praeludium - Paraphrase - Tanz - An C.R. - Harlekin - Aus alten Zeiten.
Duration: 8' 00"
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CHF: 18.00
René Wohlhauser
cemaltorz (1977)
Ergon 3
for soprano and piano
Texts: René Wohlhauser
A joining of the montage principle with moderate to extreme expressive contrasts, set in relation to an imaginary artificial language disassembled into linguistic particles. In memory of Camilo Torres.
Duration: 11' 00"
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CHF: 42.00
Thomas David Müller
Trauerarbeit (1978)
for viola, double-bass, harp, piano and percussion (six players in total)
Quite quiet music, easy to perform.
Duration: 7' 00"
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CHF: 18.00
Alfred Knüsel
Coplas (1987)
for soprano, double-bass (or violoncello) and piano
Texts: Spanisch (Christof Jung)
A seven-part cycle based on anonymous Spanish verse, translated by Christof Jung.
Duration: 21' 00"
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CHF: 44.00
De-Qing Wen
Ji I et Ji II (1992-1993)
for piano
'Ji' means stratagem, guiding principle or calculation. I was inspired by the sound of the 'qin', the ancient Chinese zither, and paid particular attention to textures in this piece. Piano strings, when pressed with a finger in several places, produce different levels of sound, harmonics, glissando and pizzicato effects that evoke the sound of the 'qin'.
Duration: 8' 00"
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CHF: 16.00
Marc Kilchenmann
Depression oder vom Absinken unter einen Normalwert (1993)
for piano solo
Urs Peter Schneider produced this piece for a composed programme bearing the same title. It offers the interpreter numerous opportunities to develop freely.
Duration: 3' 00"
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CHF: 13.00
Ursula Gut
Clairières (1994-1995)
13 Pieces
for piano, double-bass and percussion
Duration: 35' 00"
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CHF: 47.00
Bruno Stöckli
(et) nunc et (1995)
for piano
Duration: 6' 00"
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CHF: 16.00
Katharina Rosenberger
E.E.Cummings Miniatures (1999-2001)
for voice and piano or voice and percussion
Texts: E.E. Cummings
there are so many tictoc (1999) voice, piano 1'30
dying is fine(but Death (1999) voice, piano 1'45
l(a (2001) mezzo-soprano, percussion 1'00
n (2001) mezzo-soprano, percussion 1'10
Duration: 4' 00"-7' 00"
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CHF: 31.00
Andreas Brenner
Drei Gedichte nach Gottfried Benn (three poems after Gottfried Benn) (2007)
for medium voice and piano
I Drohung
II Melancholien
III Wohin –
Duration: 12' 00"
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CHF: 18.00
Andreas Zurbriggen
... sonance... (2008)
for piano
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CHF: 18.00
Yehoshua Lakner
Notturno für Klavier (1949)
Short introduction and melody: elements of these two forms are developed further during the course of this piece.
Duration: 4' 00"
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CHF: 13.00
Rudolf Jaggi
Elégie (Suite 3) (1958-1959)
for piano
Moja bieda - Quand même - Chant des chiens morts - Prière.
Duration: 6' 30"
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CHF: 16.00
Thomas David Müller
Efeu I (1980)
for piano
Duration: 12' 00"
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CHF: 18.00
Edu Haubensak
Drei Klangbilder (1981)
for piano, electronic tape and scenery
Duration: 20' 00"
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CHF: 34.00
Kit Powell
Sonatina for Trombone (1986)
for trombone and piano
Composed in four movements (like a sonata da chiesa).
Duration: 8' 00"
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CHF: 26.00
(Trombone Part available from SME/EMS: sFr. 12.-; € 12.-)
Stefan Werren
Hölderlin-Gesänge (1988)
for soprano and piano
Duration: 6' 00"
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CHF: 23.00
Alfons Karl Zwicker
Erfrorene Träume (1990-1992)
Cycle based on poems by Josef Kopf
for mezzo-soprano and ensemble (fl(pic).cl(bcl)/hp.pf.hpd/2vn.va.vc.db)
Texts: Josef Kopf
Large-scale song cycle in which the metaphors of ice, cold and freezing are centralised. The leading part for the mezzo-soprano is extremely demanding in the emotional and technical areas. (Vocal range e# - b").
Duration: 29' 00"
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CHF: 78.00
Laurent Mettraux
Sonate en 1 mouvement, M. 463 (1991)
for piano
A tragic and elevated work with a large variety of nuances. Very passionate.
Duration: 8' 00"
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CHF: 23.00
Marc Kilchenmann
Angebetete Bergwelt (1994)
for a pianist (piano, large drum and voice)
Duration: 4' 00"
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CHF: 18.00
De-Qing Wen
Le Souffle (1994)
for six instruments (flute, clarinet, violin, violoncello, piano and percussion)
For the Chinese, the ‘Yin’ and the ‘Yang’ were in the universe from the beginning and all creatures are animated by the ‘Qi’, the breath of life. Inspired by the order of the 64 hexagrams of the Book of Mutations and their composition in six masculine or feminine symbols, I divided this piece into six registers and wrote the music of the 64 hexagrams consecutively for six musicians.
Duration: 8' 00"
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CHF: 18.00
(Parts: sFr. 18.-; € 18.-)
Sarah Haessig
D'ailleurs (2007)
for alto saxophone, violin and piano
Duration: 10' 00"
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CHF: 21.00
Yehoshua Lakner
"Morning Song" and "Day is Gone" (1949)
for singing and piano
Texts: Elisheba
The morning song is quick and rhythmical, the evening song slow and elegiac.
Duration: 4' 30"
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CHF: 18.00
Urs Peter Schneider
Käfig: Septett, Quintett, Terzett (1961-1962/92)
for any score (each with piano ad libitum)
Versions of considerable duration can be realised using the existing material, versions whose time / space characteristics are completely accidental. Musical grid structures are the unpredictable result. These pieces are dedicated to John Cage, Morton Feldman and Christian Wolff
Duration: var.
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CHF: 26.00
Walter Baer
Threnos, Hymnos. (1968)
Two piano pieces.
Both piano pieces point towards two realms of experience. Free rhythmical sequences alternate with metrically fixed ones in the mourning song, whereas the hymn presents bold tremoli followed by fanfare-like unisono sounds. A clearly articulated space/time feeling is achieved by using unusual playing techniques.
Duration: 9' 30"
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CHF: 13.00
Jean-Jacques Dünki
Dartington Exercices (1975-1979)
for piano
Originated in Dartington (South West England).
Duration: 6' 00"
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CHF: 16.00
Frédéric Bolli
Sonate in H (1981)
for piano (partly four-handed)
In three movements, the third movement is four-handed.
Duration: 9' 00"
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CHF: 29.00
Raphael Staubli
Piano piece (1985)
Duration: 4' 30"
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CHF: 18.00
Alfons Karl Zwicker
Pilgerfahrt zu blauen Eisziegeln (1990-1993)
for Baritone and piano
Texts: Josef Kopf
Two songs based on the later poems of Josef Kopf. A compromised winter journey: Death - congealment.
Duration: 8' 00"
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CHF: 23.00
Valentin Marti
Euphotic Circles (1996)
for soprano saxophone solo and ensemble (fl.cl/tpt/perc/pf/vn.va.vc.db)
"The fascinating colours, the successful combination of the three wind players and their perfect connection with the string players are very well mastered from a formal point of view, they let arise an ensemble piece in the truest sense of the word. (S. Palm)
World premiere: 31.7.97, Klagenfurt, Janus-Ensemble Wien Robert HP Platz (cond.).

Duration: 12' 00"
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CHF: 49.00
Felix Schüeli
Untertitel (1999)
Trio
for female voice, violoncello and piano
Texts: Alltags- Werbe- Mediensprache
The musicalised texts are original subtitles from the talk show 'Vera am Mittag' (SAT 1). The theme of the show was "You've become so fat and lazy".
Duration: 7' 30"
SME/EMS
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CHF: 29.00
Lars Werdenberg
Three Lieder with texts in Rhaeto-Romanic (2001)
for soprano and piano
Texts: Luisa Famos, Arthur Caflisch
1. Margrittas (Artur Caflisch)
The soprano sings to a piano part, becoming ever thinner, similar to a flower whose petals are plucked one by one (…she loves me, she loves me not…)
2. Di d`inviern (Luisa Famos)
"Winter landscape" – piano clusters slowly 'thaw'. Shadow scales form, echo chords. Bells sound in the distance.
3. Queder engiadinais (Artur Caflisch)
Bizarre text about a man who is asked by his wife not to smoke in the living room. Half sung, half spoken. The piano part is strictly composed using a numerical series. There is no alignment between the two musicians.
Duration: 6' 30"
SME/EMS
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CHF: 31.00
Yehoshua Lakner
Mouvement in F (1950)
for piano
Energetic key beating, toccata-like segments alternate with a middle eastern influenced melody.
Duration: 15' 00"
SME/EMS
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CHF: 26.00
Rudolf Jaggi
Suite provençale (1957-1962)
for piano
Orange - Les Saintes-Maries-de-la-Mer - Arles I - Marseille I - Arles II - Marseille II.
Duration: 14' 00"
SME/EMS
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CHF: 23.00
Raymond Vauterin
Les petits palmiers (1973)
for violin, clarinet in A and piano
Duration: 10' 00"
SME/EMS
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CHF: 29.00
Balz Trümpy
Gesten, Figuren (1974-1975)
for piano solo
Two contrasting expression possibilities of the piano are set against each other: The brilliant, technically orientated 'figure' and the expressive 'gesture, which ultimately transcends the instrument.
Duration: 8' 00"
SME/EMS
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CHF: 16.00
Thomas David Müller
Wiegenlied (1983)
for piano
Crossing of whole-tone series; third intervals. Traditional playing techniques. Easy but not school music.

Duration: 2' 00"
SME/EMS
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CHF: 13.00
Raphael Staubli
Trio (1986-1987)
for clarinet, violin and piano
SME/EMS
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CHF: 26.00
Mathias Steinauer
Visions, op. 5 (1987)
for wind ensemble, two percussion and piano (2(pic,fl-g)2.2(bcl)2/2.2.0.0)
In three movements; Grande danse froide, nine microludes, epilogue. Engraved in Nuremberg's ancient fire bell: "When I, the bell ring, it never means a futile thing (...)". - As is inscribed in my memory, the chemical catastrophe at Schweizerhalle in Basel on 01.11.86. Numerous bell sounds are featured, and there is a personal attempt to portray the event through both poles of the work. This piece is written for music students.
Duration: 13' 00"
SME/EMS
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CHF: 31.00
Andreas Stahl
im selben raum (1989)
for Tenor and piano
Texts: Konstantin Kavafis
The Tenor sings the text of the Greek concerning his love of the male to the generally steady and soft sounds of the piano part (very resonant, many fermata, a few rough edges, a lot of time),
Duration: 35' 00"
SME/EMS
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CHF: 34.00
George Barcos
Danzas del Caribe (1990)
for three clarinets, bass clarinet and piano
Molto animato - Moderato con brio - Andante con ánima.
Duration: 7' 00"
SME/EMS
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CHF: 36.00
Felix Baumann
Le guetteur mélancolique (1994)
for two clarinets, two harps, piano, six percussion, two orators and four choir groups
Texts: Guillaume Apollinaire
For the 'Stadelhofer Death Dance'. A spatially performable score based on texts by Guillaume Apollinaire about the transition from this world to the next. Speechlessness in the face of death, a dance around the grave and the crossing of the threshold.
Duration: 16' 00"
SME/EMS
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CHF: 49.00
Felix Schüeli
Sieben Geheimnisse (2000-2001)
for mixed choir, orator, CD playback and ensemble (piano quartet and one percussionist: marimbaphone, vibraphone, large drum, small drum, flexatone, whip, cipher)
Texts: Alltags- Werbe- Mediensprache
Text: Commentary from the French national football team winning the world championships: "Aux larmes citoyens!", "La victoire est en eux!", "Ils iront tous aux paradis!".
Duration: 8' 00"
SME/EMS
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CHF: 34.00
(Choir parts: sFr. 14.-; € 14.-; instrument parts: sFr. 20.-; € 20.-)
Bruno Stöckli
Bribes (2001)
for viola, violoncello, trombone, tuba and piano
Duration: 10' 00"
SME/EMS
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CHF: 34.00
Lars Werdenberg
2 Lieder ohne Worte (2001)
for alto saxophone and piano
1. Margrittas
2. Di d'inviern
Transcription of two parts from "3 Lieder auf rätoromanische Texte" for saxophone and piano. The saxophone part highlights the text of the poem.
Duration: 5' 00"
SME/EMS
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CHF: 21.00
Benedikt Wolfgang Schiefer
Grave (2009)
for piano
Duration: 6' 20"
SME/EMS
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CHF: 16.00
Rudolf Jaggi
Struktur (1962)
for piano
Duration: 6' 00"
SME/EMS
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CHF: 13.00
Raymond Vauterin
Deux danses (1974)
for violin and piano
Duration: 6' 00"
SME/EMS
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CHF: 23.00
Martin Schlumpf
Les extrèmes se touchent (1975)
for violoncello and piano
Technically difficult piece; a series of characteristic pieces.
Duration: 14' 00"
SME/EMS
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CHF: 49.00
Regina Irman
Ein vatter=ländischer Liederbogen. Nach Texten von Adolf Wölfli (1985-1986)
Based on texts by Adolf Wölfli
for singing and speaking voice (mezzo-soprano) and partly prepared piano
Texts: Adolf Wölfli
A collection of piano songs setting the Swiss character against the self. Typical Swiss misconceptions are compared and contrasted. Unfathomably grotesque. Illustrated score. Commissioned by of the City of Zurich.
Duration: 20' 00"
SME/EMS
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CHF: 44.00
Pierre Thoma
Densités (1985)
for piano solo
Based on irregularly-regular progressions of various density:
- in time: notion of entropy in the 1st movement (within the 3 sequences the same number of chords is distributed differently over the same duration - going from a random repartition to a strict succession), notion of progressive densification in the 2nd movement.
- in space or pitch: in the 1st movement and within the progression from sequence 1 to 3, densification and equal distribution of the chord's notes, enlargement of the tonal range; in the 2nd movement, progressive reduction of the tonal range; in the 3rd movement, what I call melodious density and is progressively decrescent.
Duration: 12' 00"
SME/EMS
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CHF: 26.00
Heidi Baader-Nobs
Session (1988)
for two violins, viola, violoncello, double-bass, flute (pic), oboe (ca), clarinet (Ebcl, bcl), bassoon (cbn), piano and marimba
Duration: 17' 00"
SME/EMS
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CHF: 47.00
Eliane Frances George
Mirage (1991-1992)
for soprano, oboe, viola, violoncello and cymbalum (or soprano and piano)
A piece dealing with the transparency of life. An adventure into the essence of our elements: The moon - the soul - the sea - the sky - the guardian angel. The perfect man.
Duration: 5' 25"
SME/EMS
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CHF: 21.00
(Parts available from SME)
Maria A. Niederberger
Sounds of Space-Time (Klänge von Raum-Zeit) (1994)
for clarinet (also bass clarinet), marimba and piano
The clarinet plays solo. Virtuosic passages. Demanding.
Duration: 18' 00"
SME/EMS
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CHF: 44.00
Alex Rüedi
En Ufsteller (1996)
for violin (or alto saxophone) and piano
Duration: 3' 00"
SME/EMS
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CHF: 16.00
Kurt Meier
5 Lieder nach Fabeln von Rudolf Kirsten (1997)
for baritone and piano
Duration: 15' 00"
SME/EMS
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CHF: 34.00
Stephan Lauffer
Sinfonietta (1999)
for two flutes, clarinet and piano
Präludium - Scherzo - Tanz - Burleske.
Duration: 4' 00"
SME/EMS
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CHF: 18.00
Cécile Marti
Streifen (2007)
for quartet (vn, va, vib, pf
"Klänge streifen, Rhythmen streifen, Melodien streifen, Streifen schichten, Streifen verweben,
Streifen verdichten. Streifend durch Klanglandschaften ziehen, streifend Klangfarben berühren,streifend Streifen streifen......."
Two string instruments stand face on with two percussion instruments whereby the "percussion's" primary objective is to attempt tonal alignment with the strings. The vibraphone plays a coupling role between the two parties. Polar oscillating movements, stratifying and sometimes recolouring, flowing sound bands and flitting pulsations alternate throughout the piece.

Duration: 9' 00"
SME/EMS
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CHF: 44.00
Rudolf Jaggi
Kleine Suite über alte Weihnachtslieder (1963)
for piano
O Heiland, reiss die Himmel auf - Es kommt ein Schiff - Kommet, ihr Hirten - Vom Himmel hoch.
Duration: 11' 00"
SME/EMS
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CHF: 18.00
Edu Haubensak
Tiefer & Tiefer (1983)
for quintet (fl/vn.va.vc/pf)
Duration: 20' 00"
SME/EMS
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CHF: 47.00
Josef Kost
Non plus - pas encore (1994)
for piano
Characterised by stark contrasts with regard to range, tempo and movement density. Virtuosic chordal passages are followed by extremely slow, soft monophonic passages. Very low register alternating with very high.
Duration: 8' 30"
SME/EMS
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CHF: 18.00
Pius Haefliger
Spiegelungen (1994)
for piano solo
The name refers to the composition technique of the piece. Out of the prologue five reflections and an epilogue are formed. A very sensual piece allowing great freedom for the interpreter.
Duration: 10' 00"
SME/EMS
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CHF: 26.00
Alfons Karl Zwicker
Tropfen auf Stein (1995)
Cycle based on poems by Elisabeth Heck
for baritone, flute (pic, afl, bfl), harp, piano, one percussion and viola
Texts: Elisabeth Heck
Very introspective and contemplative song cycle with an increasingly ruminant character. A very subtle and diversified sound world whose centre is the metaphor of stone in all its varieties.
Duration: 30' 00"
SME/EMS
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CHF: 62.00
Alex Rüedi
Mättju (1996)
Trio
for flute, alto saxophone (or clarinet/soprano saxophone) and piano
Duration: 4' 30"
SME/EMS
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CHF: 21.00
(Parts: sFr. 12.-; € 8.00)
Ursula Gut
con moto e diavoletto (2001)
for piano and percussion
Duration: 7' 00"
SME/EMS
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CHF: 18.00
Andreas Zurbriggen
Hiroshima ist auch ein Schnee (2011-2012)

Duration: 9' 00"
SME/EMS
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CHF: 31.00
Rudolf Jaggi
Sonatine in D (1964)
for piano
Commodo - Sostenuto - Vivace.
Duration: 9' 00"
SME/EMS
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CHF: 18.00
Martin Imholz
Klavierstücke (1989)
Vom Einfachen - Fast ein Nachtstück - Anstelle eines Leeren.
Simple and simultaneously complex. Untransposed it is only possible on certain grand pianos.

Duration: 6' 00"-8' 00"
SME/EMS
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CHF: 13.00
Dieter Ammann
Morceau en forme d'improvisation (1995)
for choir (thirty-six voices), four-handed piano and jazz sextet
Duration: var.
SME/EMS
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CHF: 36.00
Nicolas Bolens
Quatro Sonetos de Amor (1996/09)
for vocals (soprano) and piano
Texts: Pablo Neruda
Duration: 15' 00"
SME/EMS
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CHF: 29.00
Michael Schneider
Kailash (1996)
for horn and piano
Drawn-out lines of the horn face gong-beats and dazzling interpolations of a piano prepared with two chains.
Duration: 8' 00"
SME/EMS
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CHF: 26.00
De-Qing Wen
Traces I (1996)
for clarinet and piano
Inspired by Chinese calligraphy. As a way of reaching a fusion of the visual and the auditory - while the two instruments play I do some calligraphy.
Duration: 6' 00"
SME/EMS
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CHF: 26.00
Katharina Rosenberger
ahom (2003)
for piano
Duration: 4' 30"
SME/EMS
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CHF: 18.00
Elvira Garifzyanova
"Hört ihr mich, ich bin Johanna" (2005)
Five episodes from the life of Johanna, the virgin of New Orleans
for piano and soprano
Texts: Friedrich Schiller
1. Erscheinung
2. Abschied
3. Johanna zu Johanna
4. Interludium
5. Gebet
Duration: 26' 00"
SME/EMS
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CHF: 47.00
Yehoshua Lakner
Been Arbaim Bayam - Dämmerung beim Meer (1959)
for singing and piano
Texts: Dvora Levinson
Quiet but syncopated undulations alternating with highly charged, stormy passages.
Duration: 2' 00"
SME/EMS
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CHF: 13.00
Eric Gaudibert
Solstice (1971-1976)
for piano and electronic tape
The pianist plays on the keyboard and the string on the interior of the piano. The notation is synchronised with the electronic tape. Contains aleatoric passages in the notation. The tape is composed exclusively of pre-recorded and studio processed piano sounds. The CD that accompanies this piece is delivered with the score.
Duration: 12' 30"
SME/EMS
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CHF: 18.00
(CD on loan)
Kit Powell
Tide Pools (1990)
for speaker, choir, SATB and piano
5 short pieces with amusing texts about the New Zealand foreshore.
Duration: 8' 00"
SME/EMS
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CHF: 44.00
Laurent Mettraux
Adagio, M. 473 (1993)
for violin and piano
A work of classic appearance with a glowing simplicity. The violin part is very singy.
Duration: 5' 00"
SME/EMS
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CHF: 18.00
(Seperate parts: sFr. 10.-; € 10.-)
Dieter Ammann
The Freedom of Speech (1995-1996)
for flute (also bfl), clarinet (also bcl), violin, violoncello, percussion and piano
Duration: 18' 00"
SME/EMS
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CHF: 49.00
(Parts: SME sFr. 70.-; € 47.-)
De-Qing Wen
Traces II (1996)
for nine instruments (fl.cl/2perc/pf/vn.va.vc.db)
Chinese calligraphy is the essence of Chinese art. For me personally, it stands as an original score. From written characters, sounds emerge. With the words, music is created.
Duration: 12' 00"
SME/EMS
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CHF: 39.00
Nicolas Bolens
Trois Chants (1996)
for soprano solo
To the poems of Adonis.
Duration: 8' 00"
SME/EMS
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CH-6000 Luzern 7
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CHF: 21.00
Kurt Meier
11 Lieder nach Gedichten von Hermann Kükelhaus (1997-1999)
for baritone and piano
Duration: 30' 00"
SME/EMS
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CHF: 47.00
Rudolf Jaggi
Sonate für Violine und Klavier (1964)
Allegro - Adagio - Rondo (leggiero).
Duration: 15' 00"
SME/EMS
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CHF: 36.00
(Violinstimme: sFr. 12.-; € 8.00)
Bernhard Sieber
Elegie for english horn and piano (1965)
Duration: 3' 00"
SME/EMS
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CHF: 13.00
Frédéric Bolli
Valse triste (1984)
for piano
Duration: 4' 00"
SME/EMS
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CHF: 13.00
Mischa Käser
Albumblätter (1988)
for piano
Pieces varying widely in character and difficulty.
Duration: 15' 00"
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CHF: 34.00
Regina Irman
Schwarzes Glück (1988-1989)
for partly prepared piano
A rhythmic piece based on the poems bearing the same name by Hans Arp. Twenty-three pitches of the piano are highly altered. Commissioned by the City of Zurich.
Duration: 25' 00"
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CHF: 49.00
Alfons Karl Zwicker
Vom Klang der Bilder: III. Gegenklänge (1988-1989/93)
Cycle
for large orchestra and piano solo (2.2.3.2/3.2.3.1/4perc/hp/24.6.6.4(five stringed))
‘Vom Klang der Bilder’ (from the sound of images):
An orchestral cycle based on pictures by Buchholz, Klee, Kandinsky, Klein and Fruhtrunk. The five pieces span a cyclic arch that is anchored in the laws of life.
I. ‘Blutgesang’ (blood song): destruction, swan song, tears, sadness, grievance
II. ‘Choral und Landschaft’ (choral landscape): hope, confidence, humbleness, belief, nature
III. ‘Gegenklänge’ (a mediant): re-polarisation, existence of contradictions
IV. ‘Monochromes Blau’ (monochrome blue): Movement in statics, pause, mediation, illusion, paradise on earth
V. ‘Orgelpunkt’ (pedal point): painful recurrence of the same in being different.

Duration: 13' 00"
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CHF: 65.00
Thomas David Müller
Gehen. 31 Forward and Backward Movements (1991)
for piano
Concerning the solo pieces: The (as much as possible) playful creation of a comprehensible entity from precisely notated fragments is left entirely to the interpreter and to the moment of play. It is hoped that the transitional merging instants will behave as a reflex of the whole.
Duration: ad lib.
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CHF: 13.00
Thomas K. J. Mejer
Three Miniature to Morton Feldman (1992-1993)
for violin and piano
Duration: 8' 30"
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CHF: 16.00
Eliane Frances George
Ea (1993)
for prepared piano
'Ea', the God of water and creation from Babylonian culture, creates mankind in the image of God. 'Ea' is a piece dealing with the underworld, the subconscious, emotions and the self. A work concerning the development of the self, from childhood to maturity.
Duration: 5' 40"
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CHF: 18.00
Maria A. Niederberger
Wait for Me (1995)
Song cycle
for soprano with piano accompaniment
Texts: Silja Walter, Pablo Neruda, Langstston Hughes, Ingeborg Bachmann
Four songs, two German and two English. All texts were translated by the composer.
Duration: 10' 00"
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CHF: 47.00
Nicolas Bolens
Il Croco (1997)
for vocals (B) piano and violoncello
Texts: Giovanni Pascoli
Duration: 5' 00"
SME/EMS
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CHF: 16.00
Felix Schüeli
Dreitonal (2002)
Trio
for oboe, violoncello and piano
Duration: 5' 30"
SME/EMS
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CHF: 23.00
Stephan Lauffer
Tränen... Für die unschuldigen Opfer eines sinnlosen Krieges (2003)
for viola and organ (possibly piano)
Duration: 4' 00"
SME/EMS
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CHF: 18.00
Cécile Marti
changing five (2010)
for piano solo
Duration: 6' 30"
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CHF: 29.00
Hansruedi Willisegger
Suite über "Wenn alle Brünnlein fliessen" (1960)
for piano, trumpet, horn, percussion and string orchestra
Duration: 23' 00"
SME/EMS
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CHF: 39.00
Rudolf Jaggi
Herbst '66 (1966)
for piano
Duration: 3' 00"
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CHF: 13.00
Eric Gaudibert
Vernescence (1973)
for clarinet (basset horn or bass clarinet), piano and electro-acoustic slide show
The title is a neologism evoking spring or birth. The notation is graphic and rules define its interpretation. Accessories for the piano: a glass with a stem, claves, a percussion stick and a screw. The electro-acoustic device consists of 4 or 6 loud speakers divided in the room, two microphones for direct amplification and 2 Revox, the second of which reproduces, with a delay of about 10", that which is recorded by the first.
Duration: 18' 00"
SME/EMS
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CHF: 26.00
Thüring Bräm
Sieben Bagatellen (1979)
for piano
These short, pregnant pieces are cloudy images from Beethoven and Webern. Precisely notated, they require certain technical enhancements such as ‘cluster play’. One piece is graphically notated.
Duration: 13' 00"
SME/EMS
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CHF: 21.00
Jean-Jacques Dünki
Tricorno (1980)
for horn and piano
Very virtuosic for the horn. The pianist sings in the second movement (ad libitum).
Duration: 5' 00"
SME/EMS
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CHF: 23.00
Alfons Karl Zwicker
Vom Klang der Bilder: IV. Monochromes Blau (1987-1996)
Cycle
for large orchestra and piano solo (2.2.3.2/3.2.3.1/4perc/hp/24.6.6.4(five stringed))
‘Vom Klang der Bilder’ (from the sound of images):
An orchestral cycle based on pictures by Buchholz, Klee, Kandinsky, Klein and Fruhtrunk. The five pieces span a cyclic arch that is anchored in the laws of life.
I. ‘Blutgesang’ (blood song): destruction, swan song, tears, sadness, grievance
II. ‘Choral und Landschaft’ (choral landscape): hope, confidence, humbleness, belief, nature
III. ‘Gegenklänge’ (a mediant): re-polarisation, existence of contradictions
IV. ‘Monochromes Blau’ (monochrome blue): Movement in statics, pause, mediation, illusion, paradise on earth
V. ‘Orgelpunkt’ (pedal point): painful recurrence of the same in being different.

Duration: 13' 00"
SME/EMS
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CHF: 57.00
Stefan Werren
3 Gesänge (1989)
for soprano and piano
Texts: Paul Celan
Duration: 6' 00"
SME/EMS
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CHF: 18.00
Mathias Steinauer
Omaggio ad Italo Calvino, op. 10 (1993-1994)
for clarinet (horn), violin (violoncello) and partly prepared piano
Version I: cl.hn.vn.pf (op. 10a)
Version II: cl.vn.vc.pf (op. 10b)
After three fantastical poems about the origin of the world.
Duration: 14' 00"
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CHF: 31.00
Nicolas Bolens
6 Airs de circonstance (1997)
for voice (baritone or mezzo-soprano) and piano
Texts: Stéphane Mallarmé
Duration: 5' 00"
SME/EMS
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CHF: 18.00
Martin Imholz
Motto (1999)
for soprano, piano and large drum
Duration: 30' 00"
SME/EMS
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CHF: 13.00
Felix Schüeli
Threetonality (2002)
Trio
for transverse flute, violoncello and piano
Duration: 5' 30"
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CHF: 26.00
(Parts: sFr. 14.-; € 9.50)
Lars Werdenberg
Trio (2006)
for clarinet, violoncello and piano
Drei gehen über Stock und Stein
jeder seines Wegs
suchen sich einen Partner
DAS ALTE LIED I
gehen zuweilen Hand in Hand
verlieren den Boden unter den Füssen
finden sich schliessllich ganz oben
fallen einander ins Wort
DAS ALTE LIED II
zwei gegen einen?
einer gegen alle?
GLOCKEN.

This trio is dedicated to Elliott Carter who celebrated his 100th birthday in 2008.
Duration: 13' 00"
SME/EMS
Postfach 7851
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CHF: 34.00
(Parts: sFr. 26.-; € 17.50)
Luigi Laveglia
Code of Light (2007-2008)
for flute, bass clarinet, violin and piano
Two movements (part one, part two)
My occupation with light and its spectrum of colours (in a poetic rather than scientific sense) formed the starting point of this composition. It lead to extraordinary answers on a formal and associative level. Intense and diversified at the same time.
Duration: 23' 00"
SME/EMS
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CHF: 34.00
(Parts SME: sFr. 48.-; € 48.-)
Rudolf Jaggi
Souvenir sentimental (1966)
for violin (or violoncello) and piano
Duration: 2' 00"
SME/EMS
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CHF: 13.00
(Including violin and violoncello parts))
Balz Trümpy
Anima (2. Fassung) (1977/78)
for high voice, clarinet, horn, string quartet and piano
Texts: Anonymus, Heinrich von Morungen, Walter von der Vogelweide
This three-part work is based on text from a minnelied. The vocal line, which uses various sound modulations, is harmonically, melodically and rhythmically interwoven with the accompaniment.
Duration: 17' 00"
SME/EMS
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CHF: 68.00
Alfred Knüsel
Collection of 7 Piano Pieces (1992)
For an instrument with a sostenuto pedal.
Einsichtnahme - Klangzeichen für Sprache - Laut-Folge zu einer Klangfigur - Antwortsuche - Klangbrücke - Vorsprachliches - Fortschreitende Erfahrung.
Duration: 17' 00"
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CHF: 31.00
Urban Mäder
der und die (1993)
for piano
Inspired by a text bearing the same name by Ernst Jandl. Comical tension between formal severity and dramatised allusions.
Duration: 9' 00"
SME/EMS
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CHF: 31.00
Fortunat Frölich
5 Fragmente aus der Ersten Duineser Elegie von R.M. Rilke (1997)
for singing voice and piano
Duration: 13' 00"
SME/EMS
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CHF: 36.00
Felix Schüeli
Riffs (2002)
for violoncello and piano
Duration: 4' 30"
SME/EMS
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CHF: 21.00
Luigi Laveglia
Black Bird (2008)
for clarinet, violin, violoncello and piano
This is actually a prelude for Messiaen's "Quatuor pour la fin du temps" and written for the same instrumentation. It does, however, stand just as well performed on its own. The music is very colourful, partly abrupt with a very intimate middle part …
Duration: 11' 00"
SME/EMS
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CHF: 21.00
(Parts SME: sFr. 30.-; € 30.-)
Bruno Stöckli
Kikakokú (2009)
2 recitatives + arias
for soprano, mezzo-soprano, flute, clarinet, violin, violoncello and piano
Texts: Paul Scheerbart, Oskar Pastior, Bruno Stöckli
Uses the quarter-tone system.
Duration: 14' 00"
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CHF: 55.00
Pierre Thoma
M.-M. (1987)
for trumpet and piano
A reference to the first names of two famous trumpet players: Maurice and Miles. Mixing of genres (baroque, contemporary, jazz). The audience, other musicians, his instrument, his inside/outside: how does the performer define himself with regard to all of these circumstances? To what extent does his personality influence our perception of the music?
Duration: 5' 30"
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CHF: 18.00
Alfons Karl Zwicker
Postludien (1995-1997)
for violin and piano
Ironic, humorous, partly satirical, characteristic pieces. The title and musical thoughts spring from graphic variations on the violin clef. The drawings are by the composer; the originals are available for inspection from the composer.
musikalisch 2’
gemächlich 6’
verschämt 5’
con fuoco 3’
romantisch 3’

Duration: 19' 00"
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CHF: 39.00
De-Qing Wen
Divination (1997)
for six instruments (flute, clarinet, violin, violoncello, piano and percussion)
The ideal for ancient Chinese civilization is that nature and man are one. Although this piece seems to describe a divination ceremony and the natural elements, it mainly expresses the human feelings.
Duration: 19' 00"
SME/EMS
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CHF: 62.00
Bruno Stöckli
Rest (1999-2010)
for flute, clarinet, violin, violoncello and piano
Duration: 10' 00"
SME/EMS
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CHF: 49.00
Valentin Marti
Den Schatten der Rose entdecken (1999/03)
for flute, clarinet, violin, violoncello and piano
First performed on 27.11.1999 in Boswil by 'Klangforum Vienna' under the direction of V. Kiradjiew.
Duration: 13' 00"
Manuscript
CHF: 29.00
Martin Imholz
5 Stücke für 16tel Ton Klavier (2001)
Duration: 6' 00"
SME/EMS
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CHF: 26.00
Luigi Laveglia
Dinge, dange, donge... (2008)
for piano
Duration: 13' 00"
SME/EMS
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CHF: 31.00
Ursula Gut
Pas de deux du piano... et pour D. (2012)
for piano
Duration: 8' 30"
SME/EMS
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CHF: 23.00
Thüring Bräm
Album Goodbye Seventies (1979-1980)
for clarinet or violin (or any other melodic instrument) and piano
This cycle of seven pieces encompasses mostly notated memories: a (quasi) summary of the seventies. Where one movement requires the courage to improvise, another contains a sung alternative version.
Duration: 17' 00"
SME/EMS
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CHF: 26.00
Michel Hostettler
Vendanges (1980)
for voice and piano
Texts: Marianne Bonzon
Duration: 3' 00"
SME/EMS
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CHF: 16.00
Frédéric Bolli
Zwei Inventionen (1985)
for harpsichord or piano
Duration: 3' 00"
SME/EMS
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CHF: 13.00
Kit Powell
Vlaminck's Tie (1985-1992)
for baritone and piano
Texts: Michael Harlow
A cycle of phrases in mirrored form.
Duration: 18' 00"
SME/EMS
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CHF: 57.00
Urban Mäder
Drei Sätze für Klavier (1993)
Three miniatures. Volatile figure play requiring agile manoeuvrability.
Duration: 6' 00"
SME/EMS
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CHF: 18.00
Thomas David Müller
Zwei Sequenzen: Stehstelle / Gehstelle (1993)
for violin, violoncello, clarinet, three trombones and piano
Both sequences are attempts at reaching emptiness, and consequently to liberate space through non-speech and anti-speech methods respectively. The performers perform and as it were 'speak' on scrap metal texts taken from Thomas Bernhard's 'Gehen'.
Duration: 13' 00"
SME/EMS
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CHF: 42.00
Stephan Lauffer
Eschenzer-Lied (2006)
for voice and piano
Composed in the spring of 2006 for the open-air concert 'Dorfmais' in Eschenz.
Duration: 3' 00"
SME/EMS
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CHF: 16.00
Luigi Laveglia
An obsession, a prayer & something else (2008)
for piano
Three very different, quite difficult pieces for piano, which have been combined to form a trilogy but also function very well as individual pieces.
Duration: 25' 00"
SME/EMS
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CHF: 36.00
Bruno Stöckli
Melodie in d (2010)
for piano (with flute, clarinet, violin and violoncello ad lib.)
Duration: 1' 00"
SME/EMS
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CHF: 16.00
Walter Baer
Somnium Daedali (1976)
for tenor/bass trombone and piano
The Dream of Daedalus is a vision of the inventor of momentous creations such as flying machines or the labyrinth. We hear amorphous material confronted by predictable structures in several sequences. An extremely differentiated handling of sound.
Duration: 9' 40"
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CHF: 26.00
Eric Gaudibert
Pour main gauche seule (1976)
for piano
In two parts: the first is rhythmical, the second slow and soft. Easy to perform.
Duration: 4' 40"
SME/EMS
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CHF: 13.00
Thüring Bräm
Quiet Music I-III (1980-1981)
for piano, flute, clarinet, oboe, violin and violoncello
No. III is a markedly beautiful piece to commemorate Berios 'O King'. No. I and II are confined to the piano and a melodic instrument of choice.
Duration: 8' 00"
SME/EMS
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CHF: 29.00
Balz Trümpy
Zwei Lieder (Rückert) (1984-1985)
for high voice and piano
Texts: Friedrich Rückert
Based on poems by Friedrich Rückert.
Duration: 4' 00"
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CHF: 16.00
Andreas Stahl
sextet (1993-1994)
for soprano, violin, violoncello, trombone, percussion, piano, electronic tape and a piece of mechanical equipment
A half scenic attempt to look at the common ground between musical and theatrical operation and the resulting relationship between movement and sound.
Duration: 20' 00"
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CHF: 31.00
Mathias Steinauer
Il rallentamento della sarabanda, op. 12 (1993-1995)
for piano/percussion and orchestra (2(pic).3(3ca).2.2/4.2.2.1/1perc/14.12.10.10.3)
An attempt at a musical commentary on the poetry of the Sarabande - its presumed Aztec origins and its almost 200 year long chastisement. Spatial music. Can also be performed by a good amateur orchestra. Parts material, small additional instruments, and preparation devices for the piano (Steinway D-274) are available on loan.
Duration: 26' 00"
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CHF: 57.00
Alfons Karl Zwicker
Konstellation mit Mondtransit (1998-1999)
for soprano, violin, trombone, violoncello, clarinet and piano
A piece with aperspective performance practice. The ever-changing aspects on the radix planets (instrumentalists) by the transitory moon (soprano) are made audible.
Duration: 16' 00"
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CHF: 55.00
Michael Schneider
Mandorla (1998)
for piano
The piano piece 'Mandorla' was composed in Sydney in 1998 at the request of the Swiss organist and pianist Helene Thürig, who commissioned a "sacred piano piece". The piece is based on the mandorla form, a medieval halo, which is reflected in the arching form of the composition. Central elements include the (sacred) numbers 3 and 7, as well as the numbers 8 (=mandorla) and 12 (the number of notes in the chromatic scale) upon which the structure of the piece is based. A musical reference to the medieval representation of the mondorla is evident in the piano's upper voice. To be played as a 'lontano' vision, the rapid, melodic phrases use the perfect 8th, 5th, 4th and unison tones to adopt characteristics of the medieval two-voice spiritual song (organum).
Duration: 3' 00"
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CHF: 16.00
Felix Baumann
spöttisch leicht - 5 Lieder nach Gedichten von Sarah Kirsch (1999-2000)
5 Songs based on poems by Sarah Kirsch
for singing voice (mezzo-soprano), clarinet, violin, violoncello and piano
Texts: Sarah Kirsch
The line skips by Sarah Kirsch turn the readers into stumblers. Stumblers have to re-read the text if they want to understand its content. They gain, thereby, unexpectedly in time and fall to a deeper level.
Duration: 15' 00"
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CHF: 34.00
Fortunat Frölich
5 Borchert-Lieder (1999)
for singing voice and piano
Texts: Wolfgang Borchert
Duration: 12' 00"
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CHF: 39.00
Luigi Laveglia
REVERSE (2008)
for piano
A very rhythmically urgent piece, which makes a quasi reversal in the middle …
Duration: 6' 00"
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CHF: 16.00
Walter Baer
Sonatina Nostalgica (1977)
for violin and piano
Duration: 12' 00"
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CHF: 23.00
(violin part: sFr. 12.-; € 8.00)
Yehoshua Lakner
Alef - Beth - Gimmel (1991-1992)
for piano
The whole piece is derived from three chords (Alef, Beth, Gimmel). Already the beginning reproduces the speech rhythm of the first three letters of the Hebrew alphabet.
Duration: 12' 00"
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CHF: 18.00
Thomas David Müller
Secco (1994)
for saxophone, piano and percussion
The running motion that characterises the ‘Gehen’ pieces is here tapered to a musicianly progression, with associated imminent crash.
Duration: 12' 00"
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CHF: 26.00
Mathias Steinauer
Rumori cardiaci, op. 13 (1996)
for flute, clarinet, violin, violoncello and piano
A short nocturne for the first heart beat of the ensemble 'Oggimusica'.
Duration: 5' 00"
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CHF: 18.00
George Barcos
Cinco Piezas Recreativas (1996)
for flute, violin, clarinet and piano
Danza Idilica - Ikebana - Caja de recuerdos - Nieve - El Ángel de la Guardia.
Duration: 12' 30"
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CHF: 31.00
(Parts: SME sFr. 32.-, € 32.-)
Alfons Karl Zwicker
Kosmogramm I (1998-1999)
for piano solo
An expansive and very demanding piece taking the main outlines and aims of the age of Aquarius as its theme.
Duration: 25' 00"
SME/EMS
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CHF: 47.00
Michael Schneider
Strassburgkonfiguration (1998)
for vocals and piano
Texts: Hans Arp
A text by Hans Arp on the emergence of Dada in 1916. Contains numerous musical cross references and aleatoric passages, with ambitious a-a" vocal range.
Duration: 3' 00"
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CHF: 18.00
Luigi Laveglia
Ulalume (2008)
for violin and piano
After the poem bearing the same title by E. A. Poe. Very dark and foreboding music …
Duration: 9' 00"
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CHF: 34.00
(incl. violin part)
Hansruedi Willisegger
14 Variationen über ein eigenes dorisches Thema (1961)
for piano
Duration: 17' 00"
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CHF: 36.00
Roland Moser
Heinelieder. For Voices with Accompaniment (1970-1985)
Version 1985
for Soprano, piano, actor, small amplification equipment and a small wooden table
Texts: Heinrich Heine
Twelve pieces of music (songs and a piano piece) with texts by Heine throughout, representing a biography in five stages. The Soprano needs a strong low register.
Duration: 40' 00"
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CHF: 52.00
Pierre Thoma
Hérag (1988)
for junior pianist solo
Score containing an improvised part.
Duration: 2' 00"
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CHF: 13.00
Kit Powell
Amselbaum (1992)
for soprano and piano
Texts: Brigitte Powell
A cycle in three movements with bird themes.
Duration: 15' 00"
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CHF: 47.00
Stefan Werren
6 kleine Stücke (1992)
for oboe and piano
Duration: 8' 00"
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CHF: 16.00
Thomas David Müller
"Duetti" und "Ansfelder Skizze" (1994-1995)
for two violins and piano
From very easy to easy / intermediate progressing to intermediate and back again. The piano piece is to be freely interpolated (also when repeated) solo and / or colla parte. ‘Ansfelder Skizze’ refers to Bruckner’s theme in the VII. Symphony, first movement.
Duration: 17' 00"
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CHF: 13.00
Vladislav Jaros
Staub der Zeit (1995)
Song cycle
for mezzo-soprano and piano
Texts: Ruth Loeb
A cycle of songs based on the poems by Ruth Loeb. Lyrical, colourful and expressive songs that can be interpreted as a cycle or as a selection ad libitum of individual songs. Relatively easy to perform.
Duration: 40' 00"
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CHF: 49.00
Rico Gubler
1. Suite für Viktor (2000)
for clarinet, saxophone, violin, violoncello and piano
Quartet for bass clarinet, violin, violoncello, and piano
[vetro] (3')
Quintet [incontro] (2')
Quartet for clarinet, baritone saxophone, violin and violoncello [with bundled energy] (1'45)
Solo violin with accompaniment [like eternally broken glass] (4')
Quintet II [Melody granulated] (2'30)
Duration: 14' 00"
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CHF: 49.00
(4 Suites for Viktor: sFr. 94.-; € 94.-)
Felix Baumann
"nah / hautnah" (2000-2001)
'Radio Play'
for orator, solo soprano, violoncello and ensemble (fl.cl/perc/pf/vn.vc)
Texts: Sarah Kirsch, Sappho, Michel Serres, Stefan Buri, Hans Magnus Enzensberger
Commissioned by and with support of 'Pro Helvetia', (the Swiss culture foundation) for the 50th anniversary of the Zurich Chamber Voice Choir. First performed in Zurich on the 20th November 2001 by the Chamber Voice Choir Zurich, Martina Fausch, Martina Schucan, Ensemble for New Music Zurich (Bernhard Erne). A piece dealing with the proximity of music and speech, the border area between commutation and murmuring, exactly there where the word is weak and the music has already begun.
Duration: 45' 00"
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CHF: 70.00
(Parts available from the composer)
Luigi Laveglia
Black Mirror (2008)
for piano
Two thoughts (not my own), mirrored in a black mirror …
Duration: 4' 00"
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CHF: 16.00
Thüring Bräm
Zeitlupenstücke (1983)
for clarinet, violoncello and piano
A single musical idea or gesture is explored in quasi slow motion.
Duration: 17' 00"
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CHF: 26.00
Stefan Werren
Schatten-Risse (1992)
for piano
Duration: 6' 30"
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CHF: 18.00
Urban Mäder
s'ébranler (1994)
for piano
Preoccupation with motion, with its origins in dance.
Duration: 10' 00"
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CHF: 31.00
Thomas David Müller
Quintett (J'en ai perdu le souvenir) (1997)
for flute, clarinet, violin, violoncello and piano
Elementary rhythm and sonority; little bass - uses Schubert’s ‘Ave Maria’ as its structural reservoir. Very little instrumental alienation but it does alienate the usual techniques. Simple music, not particularly simple to play. The interplay (with conductor) is traditional.
Duration: 9' 00"
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CHF: 23.00
Rico Gubler
2. Suite für Viktor (2000)
for clarinet, saxophone, violin, violoncello, and piano
Duo for violin and violoncello [battuto – roughly a dance] (2’)
Trio for clarinet, soprano saxophone and violin [approximately] (2’15)
Duo for clarinet and violoncello [mute ballet from billiard balls] (2’)
Solo for clarinet (with additional instrumentation) [uneasy, murky] (2’)
Trio for violin, violoncello and piano [inside pulsating] (2’)
Quartet for bass clarinet, baritone saxophone, violoncello, and piano with poco solo violin [conspicuously quiet] (2’)

Duration: 13' 00"
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CHF: 47.00
(4 Suites for Viktor: sFr. 94.-; € 94.-)
Martin Metzger
Kleine HipHop-Romanze (2000)
for piano
Duration: 8' 00"
SME/EMS
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CHF: 21.00
Alex Rüedi
To you (2004)
ssx, asx ,tsx, pf, bass, dm
Duration: 11' 00"
SME/EMS
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CHF: 18.00
(Parts SME: sFr. 20.-; € 20.-)
Rudolf Jaggi
Zwei Lieder (1957-1969)
for high or medium voice and piano
Texts: Hans Schütz, Alfred de Musset
1. Ruhe (Hans Schütz) (3')
2. Tristesse (Alfred de Musset) (3')
Duration: 6' 00"
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CHF: 18.00
Martin Wendel
Musik für Klavier und Orchester, op. 20 (1966)
(2(pic).2(ca)2(bcl).2/2.2.2.0/timp/3perc/hp.cel/str)
This composition was awarded the 'Primo Premio Città di Trieste' in 1967.
Duration: 14' 00"
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CHF: 62.00
Jean-Jacques Dünki
Duetto for Bassclarinet and Piano (1983)
Duration: 5' 00"
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CHF: 21.00
Margrit Zimmermann
Bianchi-Neri, op. 36 (1984)
for piano
6 excercises for piano, booklet 1: Eléments; Jeux; Berceuse; Capricieux; Ombre; Arléquin
Duration: 18' 00"
SME/EMS
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CHF: 34.00
Pierre Thoma
Strates (1989)
for cello and piano
A drama about communication.
Duration: 9' 00"
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CHF: 26.00
Urban Mäder
... Ma-non troppo (1995)
for violin and a prepared piano
Aphoristic - in memory of Alban Berg and his violin concerto; with post-serial roots, ...but only just!
Duration: 4' 00"
SME/EMS
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CHF: 23.00
Andreas Stahl
rufen wir charon? - und wenn er nicht kommt? (1997-1998)
for altus, bass clarinet, double-bass and piano
This piece, without text, was written for the altus Luiz Alves da Silva. It works primarily with oscillating, non transition forming elements such as register change, upbow - downbow, to and fro movements etc. Continually changing parameters such as dynamics and tempo transitions are to be avoided in so far as they are not induced by the instrument or the human being itself.
Duration: 8' 00"
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CHF: 26.00
Thomas David Müller
Rast (1998)
for piano solo
An informal reference to Schubert’s version in the ‘Winterreise’. Action notation. Once read the performance is of a medium level of difficulty. Tools: Steel slide for guitar and a lead bar of app. 3 x 15 cm.
Duration: 7' 00"
SME/EMS
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CHF: 16.00
Rico Gubler
3. Suite für Viktor (2000)
for clarinet, saxophone, violin, violoncello and piano
Trio for clarinet, tenor saxophone, and violoncello [too coarsely assembled, rupturing] (2')
Quartet for clarinet, tenor saxophone, violin and piano [inert, of stone and columns] (2')
Quintet [somewhat course, in the interstice] (1'45)
Duo for violoncello and piano [reserved, singing I] (2')
Duo for clarinet and tenor saxophone [linear, with defiance] (2'30)
Duo violin and piano [reserved, singing II] (2')
Duration: 13' 00"
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CHF: 49.00
(4 Suites for Viktor: sFr. 94.-; € 94.-)
De-Qing Wen
Piping and Drumming (2000)
for wind and percussion instruments (fl.ob.cl.asx.bn/tpt.tbn/3perc/pf)
'Piping and Drumming' is a traditional Chinese musical form that uses only wind instruments and percussion. It is often played at ceremonies.
Duration: 12' 00"
SME/EMS
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CHF: 62.00
(Parts SME/EMS: sFr. 62.-; € 20.-)
Valentin Marti
Fernruf J 12 (2001)
for soprano, oboe, violoncello and piano
Texts: Alltags- Werbe- Mediensprache
The basis of the text for ‘Fernruf J 12’ is the the list of the Bolshevist musicians from the Berlin department for art preservation from 1935: it is the list of musicians which had to be displaced from the music scene. The piece works, from a musical point of view, with different levels of understanding i.e. repression and forgetting.
World premier: 22.05.02 in Basel by the aequator ensemble.

Duration: 13' 00"
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CHF: 36.00
Alex Rüedi
Quit evening (2005)
ssx, asx ,tsx, bsx, pf, bass, dm
Duration: 5' 00"
SME/EMS
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CHF: 16.00
(Parts SME: sFr. 18.-; € 20.-)
Rico Gubler
4. Suite für Viktor (2000)
for clarinet, saxophone, violin, violoncello and piano
Quintet [Impulse, a choice] (2')
Solo for violoncello [circling the resistance] (2'45)
Quartet for clarinet, tenor saxophone, violoncello and piano [muted screaming] (2')
Duo for baritone saxophone and violoncello [deep ground] (2')
Duo for clarinet and piano [... and a waltz] (1'45)
Duo for violin and soprano saxophone [exercise for the death of agogics] (2'30)
Duration: 13' 00"
SME/EMS
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CHF: 47.00
(4 Suites for Viktor: sFr. 94.-; € 94.-)
Nicolas Bolens
La Rosa Enflorece (2000/09)
for three female voices (or female choir) and piano
After a Sephardi song. Extracted from "Terres".
Duration: 5' 00"
SME/EMS
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CHF: 18.00
Alex Rüedi
Outlooks (2006)
ssx, asx ,tsx, bsx, pf, bass, dm
Duration: 7' 00"
SME/EMS
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CHF: 21.00
(Parts SME: sFr. 20.-; € 20.-)
Thüring Bräm
Vier Lamenti (1984-1985)
for piano
Four characteristic pieces. The last of which requires (in an ideal situation) grand rubber mutes in the piano but an alternative version can be played on the keys.
Duration: 6' 00"
SME/EMS
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CHF: 16.00
Balz Trümpy
Three short pieces for piano (1986)
1. Wie eine Improvisation
2. Trio
3. Perpetuum mobile (published by: HBS Nepomuk, Aarau)

Duration: 7' 00"
SME/EMS
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CHF: 18.00
Edu Haubensak
Campi Colorati I-III (1989-1992)
for piano solo (scordatura)
Duration: 24' 00"
SME/EMS
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CHF: 49.00
Alfred Felder
==-== (1994)
Music for piano
-- -- ‘das Nachgebende’, airy, soft.
----- ‘das Feste’, ostinate, earthy.

Duration: 11' 00"
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CHF: 18.00
Andreas Stahl
126 pbm (1998-1999)
for violin and piano, with or without amplification
This open-form piece (with three piano and twenty eight violin parts) in techno-tempo, can be assembled in accordance with the performers own preference for bodily movement. Because all the violin parts must not necessarily be played it can, to a certain extent, be adapted to the performers technical skills. In opposition to music in the disco, upon which it is based, the non-amplified version is almost inaudible. This work takes as its central theme time related categories such as duration, pulse, metre, rhythm, continually questioning and changing them.
Duration: 8' 00"
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CHF: 29.00
Michael Schneider
Distant calls (1999-2000)
for saxophone quartet and piano
Right up until the beginning of the 20th century, the Tasmanian Tiger, a wolf-like mammal not related to the tiger at all, but with fur markings similar to the tiger, traversed the archipelago of Tasmania off the Southern coast of Australia. After decades of being hunted, it disappeared from the face of the earth in 1936. Exterminated because of its alleged inclination to tear up sheep, a price was offered for every one of these animals shot. Since then, people have continued to claim having seen a Tasmanian Tiger: They nourish the persisting hope that Tasmanian Tigers have survived in some inaccessible areas. The mystery of the Tasmanian Tiger has emerged as a parable for modern man, and his wish to reverse the destruction of the Garden of Eden.
The piece 'Distant Calls' was inspired by the 'The Mystery of the Thylacine' exhibition shown in Hobart/Tasmania in 1998/99. The structure of the piece is based entirely on the Tasmanian Tiger's charachteristic fur markings and its singular ability to open its jaw to an angle of 120°.
Duration: 11' 00"
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CHF: 31.00
Valentin Marti
Nachtschatten (2001)
for clarinet and piano
The work with under blown tones is an essential part of this composition. The fingered overblown tones sound merely as a reflection of the under blown shadow-sound.
First performed: 26.5.02 in Zollikon by Sarah Chardonnens-Lehmann (clar.), Eriko Kagawa (piano).

Duration: 6' 30"
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CHF: 34.00
George Barcos
Bochorno (2004)
for voice, violin, bandoneon, piano and double bass
Duration: 5' 00"
SME/EMS
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CHF: 21.00
Alex Rüedi
Interact (2006)
ssx, asx ,tsx, bsx, pf, bass, dm
Duration: 5' 00"
SME/EMS
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CHF: 23.00
(Parts SME: sFr. 18.-; € 18.-)
Felix Schüeli
5 Lieder (2007)
for soprano and piano
Morgen! (John Henry Mackay) 4'
Um Mitternacht (Friedrich Rückert) 4'
Dein Angesicht (Heinrich Heine) 2'
Von ewiger Liebe (Josef Wenzig) 3'
Widmung (Friedrich Rückert) 3'
and:
Cäcilie (Heinrich Hart) 2'30"

Romantic poems, which have already served as textual templates for the great lieder composers (Schumann, Brahms, Strauss, Mahler), are set anew to music. The musical language of the lieder can be classified as being somewhere between the romantic lied and commercial (pop) song, where the influence of new music is apparent.
Duration: 19' 00"
Manuscript
CHF: 42.00
Katharina Rosenberger
torsion (2008)
for piano
Duration: 9' 30"
SME/EMS
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CHF: 31.00
Lars Werdenberg
Manoeuvers (2011)
for flute, piano and percussion
Duration: 6' 00"
SME/EMS
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CHF: 23.00
Urs Peter Schneider
Blumen (1971)
for four pianos
Duration: 38' 00"
SME/EMS
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CHF: 34.00
Michel Hostettler
Tourne-girelle (1981)
for three identical voices and piano
Texts: Marianne Bonzon
Duration: 3' 00"
SME/EMS
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CHF: 16.00
Balz Trümpy
Four songs (Burkart) (1986-1987)
for deep voice (alto or baritone) and piano
Texts: Erika Burkart
The four poems of this short song cycle are the contribution of Erika Burkart to the 'Waldhandschrift' (Wood Manuscript) - a collection in which Swiss writers express their grief over the destruction of forests.
Duration: 10' 00"
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CHF: 29.00
Frédéric Bolli
Vier Klavierstücke (1990)
Duration: 7' 00"
SME/EMS
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CHF: 18.00
Mathias Steinauer
Klangfäden - einzeln, op. 17.1 (1999)
for saxophone, piano and percussion or flute, clarinet, violin, violoncello, piano and percussion
Duration: 4' 00"
SME/EMS
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CHF: 21.00
Marc-André Rappaz
Solitude (Une femme chaque nuit voyage en grand secret) (1999)
for piano
Based on the poem 'L'univers-solitude' from 'La Vie immédiate' by Paul Eluard.
Duration: 3' 00"
SME/EMS
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CHF: 13.00
Valentin Marti
splitting (2002)
for clarinet, violoncello and piano
A tone is coloured and set in motion, fragments of this tone develop their own life, fan out and become tonally coloured.
First performed in Basel 04.06.02 by the Avalon Trio.

Duration: 12' 00"
SME/EMS
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CHF: 36.00
George Barcos
4 Pièces (2005)
for mixed voices (SATB), piano, violoncello and bassoon
Texts: Antoine de Saint Exupéry, Alfonsina Storni, Beaucarné, Théophile Gautier
Passarelles dans a nuit - Maisons alignées - Une triste boutique - Les batôns.
Duration: 10' 00"
SME/EMS
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CHF: 34.00
Alex Rüedi
Marina d' oru (2006)
ssx, asx ,tsx, bsx, pf, bass, dm
Duration: 10' 00"
SME/EMS
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CHF: 34.00
(Parts SME: sFr. 26.-; € 26.-)
Lars Werdenberg
Manœuvers (2009-2010)
for piano
Two hands maneuver on the keyboard - going apart from each other, coming together. They have to cover long distances - need to rest sometimes. They rotate, they run, they depart. Some keyboard areas have their own solo parts. From time to time, a strange type of polyphony occurs. "Unusual" intervals preferred.
Duration: 6' 00"
SME/EMS
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CHF: 21.00
Balz Trümpy
Vier Gesänge (1986-1987)
for deep voice and piano
Texts: Jürg Signer, Ute Höllrigel, Eveline Hasler, Erwin Jaeckle
Based on poems by Jürg Signer, Ute Höllrigel, Eveline Hasler and Erwin Jaeckle.
Duration: 15' 00"
SME/EMS
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CHF: 42.00
Stefan Werren
Hölderlinfragmente (1994)
for violoncello and piano
Duration: 18' 00"
SME/EMS
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CHF: 34.00
Maria A. Niederberger
Sonnenspur: Tonbilder aus Kalifornien (1996-1997)
for flute, oboe, clarinet, bassoon, two percussion, piano, string quartet and double-bass
Fantasy, prelude, I. Nächtlicher Kojotentanz, II. Morgensonn' das Meer enthüllet, III. Purple Horses, IV. Yosemite.
Accentuated percussion.
Duration: 11' 00"
SME/EMS
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CHF: 83.00
Michael Schneider
Intarsien (1998-2000)
Four miniatures
for Soprano and piano after text by Ulrich Suter
Texts: Ulrich Suter
Filigree sketches where the almost obligatory piano sparingly adds shades to the central Soprano.
Duration: 7' 00"
SME/EMS
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CHF: 16.00
Vladislav Jaros
Quaerendo invenietis (1999)
for piano (only possible on a grand with three pedals)
A rewarding, virtuoso piece with numerous special effects, partly graphic but mostly conventionally notated. Lyrical episodes are set against turbulent, rhythmical and eruptive parts. Together they search for and find the compositions equilibrium, the outcome being the musical landscape and form of the piece. To be devoured by every pianist who, not only likes to play music, but also searches for a challenge therein.
Duration: 12' 00"-20' 00"
SME/EMS
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CHF: 21.00
Raymond Vauterin
Seetalhorn (1999)
for violin and piano
Duration: 14' 00"
SME/EMS
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CHF: 47.00
Thomas David Müller
Howl (2000)
for viola, violoncello, clarinet, piano counter tenor (or alto) CD player and short wave radio (possibly one actor)
Texts: Allen Ginsberg
Alternating score and part notation. The solo voice is simple to intermediate. The interplay is not bound throughout by time.
Duration: 16' 00"
SME/EMS
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CHF: 34.00
Rico Gubler
KAL (2001)
for soprano, oboe, violoncello and piano
Duration: 8' 00"
SME/EMS
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CHF: 52.00
(Spielpartitur)
George Barcos
Hymne au Soleil (2006)
for mixed choir, piano and percussion (2)
Texts: Edmond Rostand
Duration: 12' 00"
SME/EMS
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CHF: 34.00
Bernhard Sieber
2 Lieder (1973-1977)
for soprano and piano
Texts: Conrad Ferdinand Meyer, Gottfried Keller
1. Lass scharren deiner Rosse Huf (C.F. Meyer)2. Erster Schnee (G. Keller)
Duration: 5' 00"
SME/EMS
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CHF: 16.00
Edu Haubensak
Spazio (1993-1994)
2nd tuning
for piano solo (scordatura)
Equidistant, choral sixteenth tone tuning
In this tuning the sound of the concert piano is crucially altered and the first aural impression is that of an alien, unknown instrument. ‘Spazio’ means room or fading speech. Each pitch in the middle and high registers of the piano is ‘spatially’ tuned. The three strings of every individual tone differs by a sixth-tone (33 cents), only the single bass strings remain unaltered. With this scordatura it is possible to play dense clusters, which, through the pressing of ten keys, allows thirty different pitches to sound. To suggest a word: ‘soundcubes’.


Duration: 14' 00"
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CHF: 23.00
Alfred Knüsel
Fundstücke (1995)
for violin, piano and percussion ad libitum (2-4 players)
A collection of six non-cyclic works. Piano with sostenuto pedal.
Duration: 38' 00"
SME/EMS
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CHF: 62.00
(Also available seperately. Price on request.)
Urban Mäder
fast zerrissen (1997)
for flute, clarinet, violin, violoncello, piano and percussion
Duration: 10' 00"
SME/EMS
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CHF: 49.00
Stefan Feingold
Tantal (1997-1999)
''Planet Music"
for brass quintet (1.2.1.1) and piano
This work is in three movements, parts of which are in aleatoric notation.
Duration: 40' 00"
SME/EMS
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CHF: 57.00
Valentin Marti
Exposure (2003)
for alto saxophone, trombone, accordion, piano and percussion
Premiered: 20.9.03, Lugano, Ensemble Oggimusica
Duration: 7' 00"
SME/EMS
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CHF: 26.00
Rudolf Jaggi
Duo (1972)
for viola and piano
Duration: 7' 30"
SME/EMS
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CHF: 26.00
(Parts: sFr. 12.-; € 8.-)
Regina Irman
Drei Tänze (1996-1997)
for soprano, speaking voice/ piano, clarinet and accordion
Texts: Anna Achmatova
Midnight ghostly spook. The concert version of a scene from the forthcoming opera 'Poem ohne Held'. Composition commisioned by the 'Ensemble Klangheimlich', Bern.
Duration: 18' 00"
SME/EMS
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CHF: 60.00
Alfred Felder
Night Chant (1996)
Music
for violoncello and piano
An attempt to produce in music the secretive and magic text of the Indian ritual 'Night Chant'.
Duration: 25' 00"
SME/EMS
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CHF: 29.00
(Cello part available from SME: Sfr. 18.-; € 18.-)
Stefan Werren
Ahnendes Spiel (1996)
for piano
Duration: 8' 00"
SME/EMS
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CHF: 23.00
Mathias Steinauer
Sott'acqua, op. 17.3 (1999)
for soprano saxophone, horn, trombone, percussion and piano
Partly with an improvised second piano (ad libitum).
Duration: 10' 00"
SME/EMS
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CHF: 29.00
Andreas Stahl
erinnern - an sich (2001)
for female voice, flute, oboe, violin, violoncello and piano
Written for the ensemble ‘pre-art’ for the 1700 anniversary of the Christianisation of Armenia. Text (mostly spoken) and music refer to the processes of memory and remembrance (resp. forgetting). Formally it is a triple duet (fl/vn, ob/vc, voc/pno) and is, as usual, situated on the rather extreme sector of sound production.
Duration: 18' 00"
SME/EMS
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CHF: 47.00
Michael Heisch
6 Serifen (2001)
for soprano and piano
Texts: Robert Walser
Duration: 8' 00"
SME/EMS
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CHF: 26.00
Frédéric Bolli
Die Maus im Haus (1991)
for piano
A three-movement sonatina.
Duration: 5' 00"
SME/EMS
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CHF: 16.00
Stefan Werren
In lichten Höhen (1996)
for cello and piano
Duration: 6' 00"
SME/EMS
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CHF: 21.00
Maria A. Niederberger
Images (1997)
for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, double-bass, piano and percussion
I. Fluid Shapes, II. Light and Shadow, III. Symmetries - Broken Symmetries.
Piano and trumpet accentuated.
Duration: 20' 00"
SME/EMS
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CHF: 57.00
Barbara Rettagliati
Enchained figures (2004)
for clarinet and piano
Duration: 7' 30"
SME/EMS
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CHF: 26.00
(Clarinet: sFr. 12.-; € 12.-)
Henri Scolari
Suite pour piano (1949/99)
Prélude - Sicilienne - Menuett - Gavotte - Gigue.
Duration: 7' 00"
SME/EMS
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CHF: 26.00
Jean-Jacques Dünki
Kammerstück II (1985)
for horn, piano and thirteen instruments (2.(pic,afl).2(obda,ca).2(Ebcl).bcl.asx(ssx).1/1.1.1.1/pf(clavichord))
The solo horn is scored also for an authentic 19th century invention-horn, and the solo piano part (normal tuning) also plays a hammer piano (five octaves F - f4, sounding a quarter tone lower). The second piano in the ensemble is tuned a quarter tone lower. A discourse with Robert Schumann's music.
Duration: 17' 00"
SME/EMS
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CHF: 70.00
Balz Trümpy
Three piano pieces (1989)
The secondary titles of these three pieces are: ‘Eingang und Kanon’ (Entrance and Canon), ‘Lied’ (Song), ‘Kanon und Ausgang’ (Canon and Exit). Both of the outer movements symmetrically encapsulate a central movement, the whole of which utilises the full dynamic range of the piano and is developed from a paraphrase taken from a short passage from the second movement of Schubert's G Major sonata.
Duration: 14' 00"
SME/EMS
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CHF: 26.00
Mischa Käser
7 little Pieces (1993)
for viola and piano
Duration: 8' 00"
SME/EMS
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CHF: 23.00
Martin Schlumpf
... wie die Zeit vergeht ... 8 rationale Zeitsprünge am Punkt 662/264 (1993)
8 rational time jumps at the point 662/264
for piano and percussion quartet
2 marimbas, vibraphone, crotales, 6 cowbells, 5 toms, 3 log drums, 4 calabassas, 2 bass-strings, 5 tubular bells, large drum-set (with 5 toms), 8 gongs, div. cymbals, 4 whips, 2 metal-sets, tambourine, tam-tam, amongst others.For percussionists who feel comfortable in a groovy environment. Frequently pulsating rhythm with hanging ostinato figures of varying length; difficult part for the first marimba. The solo pianist is chiefly improvising.
Duration: 20' 00"
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CHF: 47.00
Maria A. Niederberger
Vernissage: Musikalische Gedanken und Skizzen für Klavier (1998)
Musical thoughts and sketches for piano
I. Antezendenz, II. Blautöne, III. Stilleben, IV. Szene, V. Wellen und Vektoren, VI. Finale.
Duration: 10' 30"
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CHF: 31.00
Regina Irman
Otto mane (1999)
for orator, soprano, piano and large drum
Texts: E.T.A. Hoffmann
A 'carnival' for four players in fifteen combinations with R. Schuhmann and E.T.A Hoffmann. For the 60th birthday of Urs Peter Schneider.
Duration: 3' 00"
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CHF: 18.00
Martin Wendel
Musik für Oboe / Klarinette und Flöte / Klavier, op. 29 (1975)
Two sound pairs set borders, isolate themselves and re-converge in a quartet relationship. A multi-faceted composition in five parts.
Duration: 12' 00"
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CHF: 29.00
Rico Gubler
En bref (2002)
for violin, clarinet, saxophone and piano
Duration: 10' 00"
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CHF: 55.00
Martin Wendel
Railways, op. 30 (1975-1982)
Trio
for clarinet, viola and piano
Bits of this four-movement chamber music piece were drawn-up on train journeys, hence the title.
Duration: 14' 00"
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CHF: 42.00
Jean-Jacques Dünki
Hommages à L. C. I-IV (1981-1986)
for piano
A subtle homage to Louis Couperin (1626-1661) both in content and notation.
Duration: 9' 00"
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CHF: 18.00
Alfred Knüsel
Fliessendes festgehalten (1996)
for pianoforte
Duration: 14' 00"
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CHF: 29.00
Barbara Rettagliati
Seirios (2005)
for piano
Duration: 4' 50"
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CHF: 16.00
Thüring Bräm
2 Versuche über einen Ikarus (1989)
for piano
Two preliminary studies for the chamber orchestra work 'Plainte d'un Icare' based on a poem by Baudelaire.
Duration: 6' 00"
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CHF: 13.00
Balz Trümpy
Four Songs (Eichendorff) (1990)
for high voice (soprano or tenor) and piano
Texts: Joseph von Eichendorff
The four poems by Eichendorff are arranged so as to outline a day cycle.
Duration: 10' 00"
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CHF: 26.00
Michael Schneider
Fussball (2008)
4 Etudes
for piano solo
Die Angst des Tormanns beim Elfmeter - Die Kunst des Dribblings - Die Euphorie der Welle - Kanon für 11 Spieler.
Manuscript
CHF: 21.00
Rudolf Jaggi
Barcarole (1974)
for violin (or flute) and piano
Duration: 2' 30"
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CHF: 13.00
(Including violin part)
Pierre-André Bovey
5 Echappées (1985)
for flute (flute-G), violoncello and piano
For the 'Trio Coriolan'.
Duration: 7' 00"
SME/EMS
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CHF: 23.00
(Parts: sFr. 12.-; € 12.-)
Balz Trümpy
Zwei Lieder (Heine) (1990)
for medium voice and piano
Texts: Heinrich Heine
Based on poems by Heinrich Heine.
Duration: 4' 00"
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CHF: 18.00
René Wohlhauser
vocis imago (1993-1995)
Ergon 20
for flute, clarinet, percussion, piano, violin and violoncello
Conception of a dialectic tension between textual narrative and formal architectonically composite parts (inspired by literary narrative forms) integrated into a system of metric modulations.
Duration: 19' 00"
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CHF: 47.00
Alfred Knüsel
Wort und Widerhall (1997)
Cycle of four songs
for singing, piano and percussion instrument ad lib.
Texts: Heinz Zimmermann
Duration: 13' 00"
SME/EMS
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CHF: 21.00
Stefan Werren
Nachtstück (1997)
for violin and piano
Duration: 9' 00"
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CHF: 26.00
Werner Bärtschi
Rotondo (1999-1999)
for nonet (oboe, bassoon, trumpet, trombone, viola, double-bass, accordion, piano and percussion)
A collaboration between members of the 'Komponistensekretariats Zürich' (Werner Bärtschi, Ulrich Gasser, Max Eugen Keller, Martin Sigrist und Peter Wettstein): The score is sent back and forth between the five composers, each fills in a 50-second section before sending it on to the next.
Duration: 50' 00"
Manuscript
CHF: 122.00
Hans-Jürg Meier
die ganze übrige spanne ist nicht leben, sondern zeit (2001-2002)
for voice (alto), flute (pic, afl)bassoon, trumpet, vioal, violoncello and piano,
Texts: Johann Peter Hebel, Hans-Jürg Meier
Music to the story 'Unverhoffte Wiederbegegnung' by Johann Peter Hebel. Composed partly rhythmically open.
Duration: 17' 00"
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CHF: 49.00
Burkhard Kinzler
(2008-2009)

Duration: 20' 00"
Manuscript
CHF: 27.50
Vladislav Jaros
Drei Fugen (2005)
for piano
A free adapatation of the version for string orchestra.
Duration: 10' 00"
SME/EMS
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CHF: 18.00
Gary Berger
übersetzte Geschwindigkeit (2006)
for piano trio and electronic playback
Duration: 10' 00"
SME/EMS
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CHF: 34.00
Rudolf Jaggi
Drei Klavierstücke (1975)
Duration: 5' 00"
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CHF: 13.00
Edu Haubensak
Veränderte Luft (1998)
3rd tuning
for piano in scordatura
I. Zehn Kugeln (Prolog) - Ten Spheres (prologue)
II. Veränderte Luft - Altered Air
III. Achtundachzig Punkte (Epilog) - Eighty-eight Points (Epilogue)
Nonequidistant complete retuning (non octave repetitative)
This three-part composition is based on a tuning of the piano whereby all of the pitches are altered. The mutations of the frequencies amounts to 1-44 cents higher or deeper (smaller than a quarter tone) and results in a variety of different intervals. The effect of the scordatura is likened to the slight movement of a hand through a regular, organised structure. The main body of the work is occupied with the shifted fifths and octaves which join to produce great harmonic figures before dissolving. The slow prologue and the quick epilogue consist of the 88 pitches of the piano, firstly as ‘harmonic spheres’ and finally as additive rows of points in a quick continuous tempo.

Duration: 11' 00"
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CHF: 26.00
Kit Powell
Ophelia Songs (1999)
for soprano (or mezzo-soprano) and piano
Texts: William Shakespeare
Four of Shakespeare's texts dealing with the increasing loss of Ophelia's sanity are set to music.
Duration: 11' 00"
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CHF: 52.00
Felix Baumann
ich und ich (2009)
für Klavier solo
Dedicated to Siang Wong.
Following 'Ich und Du' for two oboes, 'ich und ich' for piano solo is the second part of a cycle in progress tackling the issue of one's own position.
'ich und ich' is a work about the sound of the piano and an exploration of a mediation between expressively charged material and musical facts, which develop of their own accord.


Duration: 7' 00"
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CHF: 18.00
Rudolf Jaggi
Phase (1975)
for violin (or violoncello) and piano
Duration: 2' 00"
SME/EMS
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CHF: 13.00
Jacques Demierre
Terminus (take two) (1988)
for flute and piano
This piece stages its own silence, even the fragile and dramatic silence that emerges only after the final tone has sounded.
Duration: 11' 00"
SME/EMS
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CHF: 26.00
Walter Baer
Fragments of a Dream (1989)
for alto saxophone and piano
The title relates to the dream experiences of Indians.
Duration: 13' 30"
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CHF: 26.00
(saxophone part: sFr. 16.-; € 16.-)
René Wohlhauser
Gedankenflucht (1995)
Ergon 22
for violoncello and piano
'Flight of thought' is a term used in psychiatry and means a mad, neurotic drifting of thoughts. The procedure of the slowed intuitive improvisation which declines all planable construction (like the crisis of analytical rationality), should lead to the formal categories of order dissolving into a flow and allow space for a new audio-experience.
Duration: 11' 00"
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CHF: 23.00
Werner Bärtschi
Three lines (2000)
for piano
A composition in cooperation with Werner Bärtschi and Martin Sigrist. A homage to J.S. Bach. Three very different strata combine to form surprising sounds.
Duration: 4' 00"
SME/EMS
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CHF: 16.00
Rico Gubler
IR (2003)
for clarinet, viola and piano
Alpsegen - Choral and Waltz - Choral and New Year's Song - Choral, Scottish and Choral.
Duration: 7' 00"
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CHF: 36.00
De-Qing Wen
Love Song and River Chant (2006)
for piano solo
Pentatonic music is a yoke for a Chinese composer. I want to shake it off, but at the same time I want to keep some trace of this "yoke". My goal with this piece is to demand virtuosity and to obtain a new sound for the piano. The first song is based on the folk song "Small Road". The original song contains a deep helplessness. The melody is continually descending, perfectly expressing the sense of the lyrics. In China, love between the young was taboo in the past. My composition's melody continually rises, and the whistling of the pianist in the coda may be considered a kind of rebellion. I composed the second song myself - it imitates the style of a river chant. The song conjures up the image of the incredible manpower required for this task.
Duration: 9' 30"
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CHF: 26.00
Hansruedi Willisegger
Konzert in d-moll (1963)
for piano and orchestra (2.1.2.1/2.2.0.0/str)
Duration: 25' 00"
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CHF: 55.00
Martin Wendel
Fünf Flugblätter für Klavier, op. 34 (1978)
This confession-like cycle of five short parts is merged with a motive of seven notes that constantly reappears in different versions.
Duration: 12' 00"
SME/EMS
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CHF: 29.00
Hans Eugen Frischknecht
De l'Australopithèque à l'homme (1986)
for voice and piano
Texts: Gudrun Ryhming
This piece was created during an experimental cooperation with the singer Gudrun Ryhming. The almost cabaret like piece spans and presents in text, the stages of modern mans development from Australopithecus.
Duration: 13' 00"
SME/EMS
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CHF: 18.00
Pierre-André Bovey
Ephémérides (1987)
Five pieces
for piano
Duration: 5' 30"
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CHF: 16.00
Stefan Werren
Splitter (1998)
for piano
Duration: 5' 00"
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CHF: 16.00
Kit Powell
Scheint denn die Sonne heut nicht? (2001)
for soprano and piano
9 settings of texts by Robert Walser.
Duration: 20' 00"
SME/EMS
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CHF: 55.00
Bernhard Sieber
Psalm 113 (1984)
for mixed choir and piano
Duration: 6' 00"
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CHF: 13.00
Michel Hostettler
Ballade (1986)
for bassoon and piano
Duration: 7' 30"
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CHF: 21.00
(With bassoon part)
Margrit Zimmermann
Piano Time, op. 46 (1987)
Toccata
for piano solo
Duration: 3' 00"
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CHF: 21.00
Thomas K. J. Mejer
Einmal ich und du: Die Bombe im Herzen (1995-1999/05)
Cycle of "songs" after poems by Ludwig Fels
for flute (afl, pic), clarinet (bcl) and piano trio
N° 1: Elegische Ballade
N° 5: Sterbenswort
N° 10: Sexuelle Panik
Duration: 10' 00"
Manuscript
CHF: 52.00
René Wohlhauser
Quantenströmung (1996/97)
Ergon 23b
for flute, cello and piano
'Quantum streaming' is defined by Gilles Deleuze as the transition of one energy state to another. In this piece I am mainly interested in the different energy forms, primarily potential energy and kinetic energy: What is the nature of the positional condition and the positional orientation, resp. energy density and energy transformation capabilities which charge a potential energy and set a process in motion.
Duration: 10' 00"
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CHF: 57.00
Laurent Mettraux
Sonate, M. 533 (1996)
for flute and piano
Three connected parts, amongst them is a scherzo which is inspired by the music of the Andees and a ruminant final, becoming increasingly intimate.
Duration: 14' 00"
SME/EMS
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CHF: 29.00
(Seperate parts: sFr. 14.-; €14.-)
Alfred Felder
Traviata-Fantasie (2001)
for violoncello and piano
A fantasy about the opera 'La Traviata' by Giuseppe Verdi.
Duration: 15' 00"
SME/EMS
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CHF: 31.00
Vladislav Jaros
Weihnachtsgeschichten (2005)
for piano
Character pieces ranging from easy to difficult. 10 pictures (the dreams of a boy centred around Christmas). Accessible, full of humour and colours. Postmodern - surprising harmonies and rhythms.
Duration: 24' 00"
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CHF: 36.00
Michel Hostettler
Trois mélodies (1986)
for soprano and piano
Texts: Marianne Bonzon
Duration: 8' 00"
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CHF: 18.00
Margrit Zimmermann
Cloccachorda, op. 40 (1987)
for piano
Duration: 12' 00"
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CHF: 26.00
Roland Moser
Brentanophantasien. Nach den Zeiten von Philipp Otto Runge (1988-1995)
Based on 'Den Zeiten' by Philipp Otto Runge
for soprano (with a strong lower register), baritone and piano
Texts: Clemens Brentano
The Morning (fantasy for piano solo), The Day (Scherzo for vocals and piano), The Evening (song cycle), intermezzo, The Night (fragments for voices and piano). Text by C. Brentano and others.
SME/EMS
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CHF: 88.00
Eric Gaudibert
Songes / songs (1989)
for violin and piano
Traditionally written piece with the exception of certain passages. The parts are independent and notated on separate sheets - this leaves temporal relationships open and allows room for free interpretation. Employs standard playing techniques. Additional items: child-sized violin, and a weight to press down on the lower register of the piano.
Duration: 10' 00"
SME/EMS
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CHF: 18.00
Stefan Werren
7 Stücke (1998)
for clarinet, cello and piano
Duration: 15' 00"
SME/EMS
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CHF: 31.00
Ruedi Debrunner
IM PULS (1999)
for cello and piano
Duration: 7' 00"
SME/EMS
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CHF: 34.00
(Part: sFr. 18.-; € 14.-)
Vladislav Jaros
Ungarische Rhapsodie (2006)
for flute (or violin), bassoon (or bass clarinet or violin) and piano (or harp)
A varied music full of life with an Hungarian rhythm.
1 - fl.bn.hp
2 - fl.bn.pf
3 - fl.bcl.pf
4 - v.vc.pf
Duration: 12' 00"
SME/EMS
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CHF: 36.00
Burkhard Kinzler
circles &commas (2010)
Variations over See Siang Wong
for piano
Duration: 9' 00"
SME/EMS
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CHF: 16.00
Margrit Zimmermann
Quadriga, op. 51 (1987)
for piano
Duration: 15' 00"
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CHF: 34.00
Stefan Werren
Kantate (1998)
for choir, piano and percussion
Texts: Friedrich Hölderlin, Friedrich Nietzsche
Duration: 12' 00"
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CHF: 29.00
Alfred Felder
... zu den Rändern ... (2002-2003)
Music
for viola, bass clarinet and piano
Based on a picture by the Lucerne painter Thyl Eisenmann. Delicate, subtle colour tones possessing an intensive force.
Duration: 20' 00"
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CHF: 23.00
(Parts: sFr. 20.-; € 13.50)
Vladislav Jaros
Johann(a), der Wandermusikant (2006)
Musical fairytale
for speaker and orchestra (2(pic)2.2.2/2.2.0.0/cel.3perc/str)
Texts: Vladislav Jaros
Also versions for:
speaker and string orchestra
speaker and wind quintet
speaker and piano
An amusing, modern and completely atypical fairytale in which, for once, the woman plays the active role and takes her destiny into her own hands. A diversified, colourful story with lively music.
Duration: 35' 00"
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CHF: 49.00
Hans Eugen Frischknecht
Psalm der Hoffnung (1988/11)
for soprano oboe and organ (or clarinet and piano)
Texts: Anonymi
The texts, ranging from sorrow to hope, are derived from political prisoners of various dictatorships. The Soprano voice is identical for both versions.
Duration: 12' 00"
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CHF: 36.00
René Wohlhauser
Die Auflösung der Zeit im Raum (2000-2001)
Ergon 26
for saxophone, percussion and piano
First performed by the Oggimusica Ensemble at the Expo 02, this work deals with various time-space concepts and attempts to fathom the depth of the sounding room, which has the capability to develop in time only - there were space and time converge and fuse together.
Duration: 14' 00"
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CHF: 49.00
Edu Haubensak
H A L O (2001)
4th tuning
for piano in scordatura
Equidistant, choral five sixths tone tuning.
All tones of the piano (excluding those in the bass register) are chorally modified and tuned at twice 166 cents augmented. A tone (key) results in a ‘triad’ which is somewhat larger than a minor third. This tone is the material for the composition entitled ‘HALO’ which means a circle of light (around the moon) or a hue.
Here, as in ‘Spazio’ (there it was chorally twice 33 cents), pitches are explicitly perceivable only in the bass register. In the middle and high registers the melodies are scattered and are only perceivable as a whole. The sounds are by no means intended as purely harmonic, the predominantly soft and gentle sounds are interspersed with percussive, drum-like hard (martellato) beats. In this fourth tuning the multidimensionality of a sound is explored anew and is a further attempt to remove the piano from its idiosyncratic position.

Duration: 20' 00"
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CHF: 29.00
Kit Powell
Today is the Piano's Birthday (2003)
for soprano and piano
Setting of a prose poem by Michael Harlow.
Duration: 7' 00"
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CHF: 36.00
Walter Baer
Passagen I (1996)
Three piano pieces
Widmung - Sonnenbild - Epitaph für Anton Webern form the first part of a cycle. The pieces differ in style and assertion. With a short commentary.
Duration: 9' 00"
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CHF: 18.00
Balz Trümpy
Passacaglia und Walzer (1997)
for tuba, string quartet and piano
A series of variations over a bass result in a cathartic waltz.
Duration: 7' 00"
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CHF: 23.00
Alfred Knüsel
Fluchtweg ist nicht zu erkennen (1999)
Lieder cycle
for singing, piano and percussion ad libitum
Texts: Michèle M. Salmony
A cycle in five parts based on text fragments by Michèle M. Salmony.
Duration: 16' 00"
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CHF: 34.00
Stefan Werren
Akróasis 2 (1999)
for piano
Duration: 5' 00"
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CHF: 18.00
René Wohlhauser
Die Auflösung der Zeit in Raum (2000-2001/11)
Ergon 26f, work number 1607
for clarinet (bass clarinet), violoncello and piano
A piece dealing with the volatility of temporal experience in the infinitude of room.
Duration: 15' 00"
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CHF: 57.00
Edu Haubensak
Gefärbte Variationen (2002)
5th tuning
for piano in scordatura
Non-equidistant, complete retuning (3-89 cents)
The symmetrically built, modified tuning of the 88 pitches is related to the scordatura in ‘Veränderte Luft’ - in this case however the degree of modification has doubled and amounts to not more than 89 cents. The possible interval combinations are exceedingly manifold and coloured differently in every octave.
The variations have no theme in the classical sense but are rather more rotationally permutable. The consonant intervals, like the octaves, fifths or fourths, are perceived as being subtly altered through the scordatura and acquire a vibrating form. By crossing the voices it is possible for the ear to continually select the melodic ways anew, the sound combinations are arranged symmetrically or additively. The accumulated tones at the end of the composition are gradually lost in the deepest registers and fade away like a dark trail….

Duration: 14' 00"
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CHF: 36.00
Alfred Felder
Rhythm (2003)
Five movements
for piano solo
There are five fundamental life rhythms: the chaotic, the flowing, the staccato (detached) the lyrical and the rhythm of silence.
Duration: 14' 00"
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CHF: 34.00
Barbara Rettagliati
Ricordi Furtivi (2010)
for soprano and piano
Texts: Claudio Saltarelli
Duration: 4' 00"
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CHF: 21.00
Martin Wendel
Quintett, op. 40 (1981)
for three clarinets, bass clarinet and piano
Five passages connected by various associations.
Duration: 18' 00"
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CHF: 52.00
Laurent Mettraux
Auf die erniedrigende Erhebung und erhebte Niedrigkeit, M. 548 (1997)
for high voice and piano
Texts: Catharina Regina von Greiffenberg
Conflict between mysticism and human torture. Sedation in the coda of the piano solo.
Duration: 5' 00"
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CHF: 16.00
Kit Powell
Verschiedene Tiere (2004-2005)
for soprano, trombone and piano
Setting of 4 prose texts by Jürg Schubiger.
Duration: 17' 00"
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CHF: 57.00
(Parts: sFr. 16; € 12.-)
Max E. Keller
Ausharren im Grauen (1988)
for oboe, violoncello and piano
"A trio-piece of coagulate sound, quasi-captivated nerviness with bursts of desperate fury" (Frank Schneider on the world premiere).
Duration: 10' 00"
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CHF: 21.00
Laurent Mettraux
Elògio della Nòtte, M. 549 (1997)
for bass and piano
Texts: Michelangelo Buonarrotti
First dark and tortured, then ruminant and calm. Written especially for the bass voice. The accompaniment is particularly impressive because of its sobriety.
Duration: 8' 00"
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CHF: 26.00
René Wohlhauser
Manía (2001-2002)
Ergon 28
for piano
This piece is concerned with a compulsive obsession which should be chisselled so relentlessly and radically into the artistic expression such that it appears transformed into a completely different, transcended form.
Duration: 10' 00"
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CHF: 52.00
Kit Powell
5 Schwitters Songs for Andres (2005)
for soprano, alto and piano
Settings of 5 texts by Kurt Schwitters.
For Andres Giedion's 80th birthday.
Duration: 8' 00"
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CHF: 44.00
Walter Baer
Passagen II (1997)
Three piano pieces
Integraal, The Sunpainter’s Delight and Nachhall begin this series of short piano pieces with a short commentary.
Duration: 11' 00"
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CHF: 18.00
Edu Haubensak
Fünf Zusammenhänge (2003)
for piano in scordatura
Duration: 21' 00"
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CHF: 31.00
Alfred Felder
Song of the Blue Lizard (2004)
for piano solo
To be played very freely, like an improvisation.
Duration: 6' 00"
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CHF: 16.00
Kit Powell
Kapiti (2005)
for Piano
Sound picture of the New Zealand island Kapiti and it's many bird-inhabitants.
Duration: 4' 30"
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CHF: 31.00
Gary Berger
encode (2012-2013)
for ensemble (fl, bcl, tsx, pf, perc I and II, vn, vc) and live electronics
Duration: 9' 00"
Manuscript
CHF: 57.00
Martin Wendel
Sonate für Violoncello und Klavier, op. 43 (1983)
In a lyrically soft manner this music copes almost completely without the typical violoncello cantilenas. Instead combinations of intervals full of tension are used in order to accentuate the active gestures in all three aspects of a whole.
Duration: 12' 00"
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CHF: 34.00
Jacques Demierre
Quelques remarques (1991)
for flute, clarinet, horn, trombone and four-handed piano
Duration: 13' 00"
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CHF: 57.00
(Parts: sFr. 90.-; € 90.-)
Thüring Bräm
Krajiny Snu (1992)
for piano trio, chamber orchestra (2.2.2.2/2.2.0.0/str) and one crotale
The title 'Krajiny Snu' means 'dreamlandscape' and represents shreds of the composers associations with his work as a conductor from 1985 to 1995 in Pardubice. This work, originally dedicated to the 'Guarnieri Trio', Prague and the Pardubice Chamber Phillharmonic, enriches the category of concert for piano and orchestra.
Duration: 17' 00"
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CHF: 55.00
Laurent Mettraux
Lied, M. 551 (1997)
for soprano saxophone and piano
Very song-like piece accentuating the expressive qualities of the saxophone.
Duration: 6' 00"
SME/EMS
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CHF: 18.00
(Seperate parts: sFr. 10.-; € 10.-)
Stefan Werren
5 Lieder (1999)
for soprano and piano
Texts: Peter Härtling
Duration: 6' 00"
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CHF: 23.00
Kit Powell
A Shout (2005)
for soprano, female choir & piano
4 texts by Michael Harlow.
Im memoriam William Cumming, NZ painter.
Duration: 10' 00"
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CHF: 44.00
Rudolf Jaggi
Kleine Elegie (1981)
for piano
Duration: 3' 00"
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CHF: 13.00
Michel Hostettler
Clairières (1985-1988)
for piano
- Sylt
- Galinette
- La Biche
Duration: 8' 00"
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CHF: 21.00
Max E. Keller
Konfigurationen II (1989)
for alto and instrumental ensemble (flute, clarinet (bass clarinet), violin, violoncello, percussion and piano
Texts: Franz Hohler, Hansjörg Schneider, Jürg Schmied, Sascha Anderson, Max E. Keller
Eight texts, different in kind, from poetry to excerpts from military regulations. Theme: order fetishism as a contrast to a chaotic, self-destructive world. Authors: Franz Hohler, Hansjorg Schneider, Jürg Schmied, Sascha Anderson, Max E. Keller.
Duration: 16' 00"
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CHF: 39.00
Walter Baer
Passagen III (1998)
Three piano pieces
Prélude bien tempéré - Promenade plantée - Souvenir.
Duration: 13' 30"
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CHF: 21.00
Edu Haubensak
Suite (2003-2004)
(7 th tuning)
for piano in scordatura
I. Ostinato
II. Imitation
III. Fantasie
IV. Abweichung
V. Monochrom
VI. Einzeller
Duration: 22' 00"
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CHF: 34.00
Alfred Felder
all songs are good (2004)
Trio
for flute (afl), clarinet (bcl) and piano
This piece is concerned with the journey into another reality, a reality where one can encounter various magical animals.
Duration: 30' 00"
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CHF: 42.00
(Flute and clarinet parts: sFr. 30.-; € 30.00)
René Wohlhauser
Rachearie aus der Oper "Gantenbein" (2004)
Ergon 30/II
arranged for soprano and piano
Based on the novel "Mein Name sei Gantenbein" by Max Frisch.
The opera "Gantenbein" saw its premiere in November 2004 at the Lucerne Theater, performed by four vocal soloists and the Lucerne Symphony Orchestra. The subject of the opera is the relationship between Max Frisch and Ingeborg Bachmann. In the "Rachearie" (revenge aria) she strikes back at his accusations and suspicions made out of jealousy.
Duration: 2' 00"
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CHF: 31.00
Michel Hostettler
L'eau mystérieuse (1988)
for piano
Duration: 4' 00"
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CHF: 13.00
Laurent Mettraux
Sonate, M. 553 (1997)
for violoncello and piano
An epic and dark work with an elegiac movement in the centre part.
Duration: 16' 00"
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CHF: 34.00
(Seperate parts: sFr. 12.-; €12.-)
Walter Baer
Erscheinungen (1999)
for piano
Duration: 16' 20"
SME/EMS
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CHF: 21.00
Frédéric Bolli
13zu2 (2000-2002)
13 short piano pieces
Duration: 10' 00"
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CHF: 34.00
Edu Haubensak
Coro Nuovo (2004)
for prepared piano (scordatura)
Duration: 18' 30"
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CHF: 31.00
Vladislav Jaros
Capriccio d'estate (2009)
for violoncello and piano
A spirited, rhythmical first part leads to a calm, poetic middle part broken only by motives from the first part. The sultry reprise and coda finish this piece that is rousing in every aspect.
Duration: 11' 30"
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CHF: 34.00
Martin Wendel
Music for flute and piano op. 46 (1985)
A sonata-like formation which forms a congruent statement by bringing together two very oppositional instruments which are hardly capable of a tonal unity: the flute associated rather with the quiet and intimate and the expansive, differentiating modern grand piano.
Duration: 12' 00"
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CHF: 42.00
Max E. Keller
senza e con (1989)
for ensemble (fl.ssx.tsx.barsx/hn.3tpt.3tbn/pf/db)
Duration: 10' 00"
SME/EMS
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CHF: 18.00
Stefan Werren
To Axion Esti 2 (2000)
for piano and percussion
Duration: 9' 00"
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CHF: 34.00
Frédéric Bolli
Klakofonie (2001-2003)
for piano and chamber orchestra (2.1.1.1/1.0.0.0/perc/str)
Duration: 15' 00"
SME/EMS
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CHF: 114.00
Edu Haubensak
Pur (2004-2005)
9th tuning
for piano in scordatura
Duration: 10' 30"
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CHF: 29.00
Kit Powell
Mother Goose Medley (2006)
for trombone and piano
A medley of English nursery songs.
Duration: 5' 00"
SME/EMS
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CHF: 23.00
(Parts: sFr. 29; € 22.-)
Vladislav Jaros
Due minuti capricciosi (2009)
for saxophone, bassoon, violin, violoncello, guitar, piano and percussion
A very turbulent piece. Hasty, breathless tempo.
Duration: 2' 00"
SME/EMS
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CHF: 26.00
Max E. Keller
Das ganze Leben (1989-1990)
Piano concert in eight parts
(2.2.2(2bcl).2/2.2.1.0/perc/7.7.4.4.2)
To explore the whole of vastness is the utopic aim, and yet the whole can only be seen in part. Dialectic between part and whole is expressed in terms of the exploration to extremities of a dimension and the freezing of other parameters. A simple orchestral part with aleatoric passages in which each individual plays independently.
Duration: 15' 00"
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CHF: 44.00
Laurent Mettraux
Al cor di zolfo..., M. 559 (1997)
for bass and piano
Texts: Michelangelo Buonarrotti
Between passion and reflection. Based on a sonnet by Michelangelo.
Duration: 5' 00"
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CHF: 16.00
Alfred Knüsel
gezogene Klänge (2000)
Six part work block
for double-bass solo and chamber ensemble (1(pic).1.1.1(cbn)/1.0.0.0/perc/pf/2vn.va.vc)
Duration: 20' 00"
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CHF: 65.00
Balz Trümpy
Im Labyrinth (2002)
21 pieces
for piano
'Im Labyrinth' is a loose collection of twenty-one pieces for piano and are comparable to the 'Album für die Jugend' by Schumann. Various play and notation techniques of varying difficulty are used throughout.
Duration: 30' 00"
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CHF: 47.00
Frédéric Bolli
Sieben Volks- oder Studentenlieder und eine Zugabe (2003)
for mixed choir, partly with and partly without piano accompaniment
Texts: Volkslied
The text and melodies were taken from the volume ‘Allgemeines Deutsches Kommersbuch’ originally published by Hermann and Moritz in Schauenburg. The musical directors were Friedrich Silcher and Friedrich Erk. The choral parts are by Frédéric Bolli.
Duration: 25' 00"
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CHF: 60.00
Edu Haubensak
Mon silence discontinue! (2005)
for soprano, oboe (English horn), violoncello and piano forte
Duration: 24' 00"
Manuscript
CHF: 42.00
René Wohlhauser
mira schinak (2006)
Ergon 33
trio for soprano, flute and piano
Moment forms, contrasting structures and characters between complexity and simplicity combined with a particular kind of lyricism leads to changes in the perception of tempo. Parallel to the conflict with various forms of perception, there develops a grammar of constructive congruity, which should allow the beaten path to emerge as conclusive.
Duration: 13' 00"
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CHF: 47.00
Max E. Keller
Zuflucht (1990)
for alto and piano
8th text of the 'Konfigurationen II' in a reduction for Alto and piano.
Duration: 4' 00"
Manuscript
CHF: 13.00
Jean-Jacques Dünki
Pessoa - Moment (1992)
for soprano, clarinet (also Ebcl, bcl), violoncello (also viola), piano (also clavichord) and DAT play-back
Texts: Fernando Pessoa
Eight scenes from the poems of Portuguese writer Fernando Pessoa (1888-1935). The Soprano sings and recites in Portuguese, German and French. Very demanding for all performers.
Duration: 48' 00"
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CHF: 65.00
Laurent Mettraux
Sonata, M. 566 (1997)
for pianoforte (can be performed on a modern piano)
Accentuates the clearness of the lower registers of historic pianos - can be performed on modern pianos.
Duration: 8' 00"
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CHF: 21.00
Alfred Knüsel
von vielfältigen Kreisläufen durchpulst (2000)
for double bass solo, string quintet, wind quintet, piano and percussion
Duration: 38' 00"
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CHF: 99.00
Edu Haubensak
Collection (2005)
10th Tuning
for piano in scordatura
I Collection
II Cercle
III Stamp
IV Three Planes
Duration: 19' 00"
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CHF: 31.00
Henri Scolari
Eoliennes (1974-1975)
Four pieces
for piano
Duration: 16' 00"
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CHF: 39.00
Edu Haubensak
Grosse Stimmung (1989-2005)
for piano solo in 10 different tunings
Ten works for piano solo (10 scordaturas). All scordaturas are practicable and do not damage the instruments.
The ten compositions can be put together in any order and performed singularly or in groups of works.
Four Steinway B's for smaller concert halls or 4 concert pianos (Steinway D) for larger concert halls (more than 200 people) are necessary for the complete performance.

Campi Colorati I-III – composition for piano in new tuning
Spazio – 2nd tuning
Veränderte Luft – 3rd tuning
H A L O – 4th tuning
Gefärbte Variationen – 5th tuning
Fünf Zusammenhänge – 6th tuning
Suite – 7th tuning
Coro Nuovo – 8th tuning
Pur – 6th tuning
Collection – 10th tuning
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CHF: 240.00
René Wohlhauser
Studie über Zustände und Zeitprozesse (2007)
Ergon 35
for flute and piano
Extreme radicalness in the work with exactly measured time structures in relation to reduced yet obsessively used material.
Duration: 11' 00"
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CHF: 34.00
Rico Gubler
RIT (2007)
for horn in F, violin and piano
Duration: 9' 00"
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CHF: 73.00
(Parts included)
Jean-Jacques Dünki
The five senses / In the Vicinity of the 6th Sense / The 6th Sense (1980-1994)
for piano
Seven concise studies dealing with the six human senses.
Duration: 8' 00"
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CHF: 26.00
Josef Haselbach
Leporellos Traum (The Dream of Leporello) (1989)
for string orchestra, flute, clarinet, saxophone, trumpet and piano
"A rhythmically moved, gesture-full, richly chromatic music." (Th. Gartmann) Second part of the trilogy based on Mozart's 'Don Giovanni'.
Duration: 24' 00"
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CHF: 109.00
Max E. Keller
Konfigurationen III - January 1991 (1991)
for oboe (or flute), bassoon, guitar and piano
The musicians also perform scenic actions and speak a couple of sentences.
Duration: 8' 00"
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CHF: 18.00
Hans Eugen Frischknecht
Trio für Klarinette, Violoncello und Klavier (1993)
Chamber music in fine sound shades. Space notation.
Duration: 11' 00"
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CHF: 29.00
Edu Haubensak
Spazio Due (2006)
Quartet
for trumpet in B, Eb Alto saxophone, trombone and piano in skordatura (2nd tuning)
Duration: 13' 00"
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CHF: 31.00
Rico Gubler
Xanadu (2007-2008)
for alto saxophone and piano
Duration: 9' 00"
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CHF: 47.00
(Sax part included)
Vladislav Jaros
Home Is The Sailor (2010)
for mezzo-soprano, baritone and piano
Texts: Vladislav Jaros
Duration: 3' 00"
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CHF: 16.00
Henri Scolari
Arghoul 2 (1977)
Ballad
for clarinet in Bb and piano
Demands a very high degree of virtuosity by the clarinet player. Written for Michel Lethiec.
Duration: 8' 00"
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CHF: 21.00
Jean-Jacques Dünki
Kammerstück V (1987-1994)
for violoncello and piano
Highly virtuosic for both instruments.
Duration: 9' 00"
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CHF: 23.00
Michel Hostettler
Cantilène (1989)
for flute and piano
Duration: 3' 00"
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CHF: 16.00
(with flute part)
Jacques Demierre
Nous ici (1993)
for voice, flute, clarinet, violin, violoncello and piano
Texts: Jacques Roman
Three main 'characters'. A text by Jacques Roman based on African rhythm organisation and inspired by the solo fragments of jazz saxophonist Charlie Parker.
Duration: 13' 00"
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CHF: 70.00
Rico Gubler
The Slant Song (2008)
for alto saxophone and piano
Duration: 8' 00"
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CHF: 42.00
Hans-Jürg Meier
goldiger Gupfhupf (2008)
for 5 instrumental groups (piano and alto sax; alto sax and violoncello; violoncello and trombone; trombone and piano; e-bass and large drum) and 3 soloists (alphorn, violin and voice)
Several ups and downs in a hilly area. Enjoying the view on each occasion with a musical solo. For students.
Duration: 6' 00"
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CHF: 23.00
(Stimmen beim Autor)
Martin Wendel
Anmerkungen, op. 52 (1995)
for high singing voice, clarinet and piano
Texts: Chinesisch
I tried to avoid all allusions to ancient Chinese exotics in the realisation of the aphoristic and directness of the still up-to-date texts. All fourteen pieces are connected in a meaningful compositional manner.
Duration: 21' 00"
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CHF: 49.00
René Wohlhauser
Ly-Gue-Tin (2008)
Ergon 38
for voice(s) and piano
Based on an onomatopoeic text by the composer.
A dialogue between contrasting fragments as a sounding monograph for the inauguration of Jean Tinguely's life tables in Basel, 22 May, 2008.
Duration: 10' 00"
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CHF: 49.00
Martin Wendel
Entwürfe, op. 53 (1988)
Cycle
for piano
The dramaturgy of the composition (structured in seven segments) is developed and rounded, beginning with a quiet cluster-like sound.
A very challenging work to interpret, with sighs, exhalations and silences, but not without its more riotous moments!

Duration: 12' 00"
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CHF: 23.00
Michel Hostettler
Ballade (1990)
for oboe d'amore and piano
Duration: 9' 30"
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CHF: 23.00
Balz Trümpy
A Dialogue (2003-2004)
Three songs
for two sopranos and piano
Texts: Andrew Marvell
The voices are as a singular unit or in a dialogue with the complicated piano accompaniment.
Duration: 18' 00"
SME/EMS
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CHF: 52.00
René Wohlhauser
Sokrak (2008)
Ergon 39
for soprano, flute, clarinet, violoncello and piano
Based on an onomatopoeic text by the composer.
Sounds change from instrumental noises to sound frictions and from virtuousic buzzing to vocal noises.
Duration: 10' 00"
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CHF: 55.00
Walter Baer
Konzertstück (2004-2009)
for piano and large orchestra (2(2.pic).2.ca.2.bcl.2.cbn/4.3.3.1/timp.perc/hp/str)
Multi-part, single-movement piece with solo cadence.
Duration: 20' 00"
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CHF: 65.00
(Piano score: sFr. 52.-; € 40.-)
Hans-Jürg Meier
Schwärme von Lichtfischen (2008)
for 6 pianos and 8 pairs of high instruments (flutes, clarinets, trumpets, cornets, harps and violins)
Spatial composition based on a text by Elisabeth Binder (from "Orfeo"). For students.
Duration: 8' 30"
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CHF: 21.00
(Stimmen beim Autor)
Michel Hostettler
Windows (1990)
for piano
Duration: 7' 00"
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CHF: 16.00
Balz Trümpy
La Notte Bella (2004)
Six lieder
for baritone and piano
Texts: Giuseppe Ungaretti
The headline-like length of the texts is reflected in the formal compendiousness of the lieder.
Duration: 7' 00"
Manuscript
CHF: 21.00
Hansruedi Willisegger
Impressionen (1967)
for eight instruments (fl.cl/hn/cel/hp.pf/2perc)
Duration: 15' 00"
SME/EMS
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CHF: 47.00
Martin Wendel
Musik für Viola und Klavier, op. 56 (1991)
The separate tones in this traditional three-movement composition search each other out and feel for worthy connections. Shrill aplenty but not without euphony.
Duration: 17' 00"
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CHF: 34.00
Max E. Keller
Four Piano Pieces (1993)
Each piece (which can also be performed separately) starts with a simple, spontaneous idea, developed more extensively in an improvised manner and then contrasted. No. 1 and 2 are easy, No. 3 more difficult, while No. 4 contains quickly repeating and rapidly changing chords.
Duration: 18' 00"
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CHF: 39.00
Walter Baer
Lichtspuren (2011)
for harp and piano
This duo is composed of several parts differing in character, tempo and meter. The parts are to be performed atacca.
Duration: 15' 00"
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CHF: 44.00
Rudolf Jaggi
Impression (1987)
for flute (or violoncello) and piano
Duration: 4' 00"
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CHF: 16.00
(Including part)
Edu Haubensak
Alte Stimmung (2009-2010)
Eight songs over a self-written poem
for high soprano and tempered piano
Props: tea cup, floor vase, cardboard box.
Duration: 20' 00"
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CHF: 31.00
Walter Baer
Zwielicht (2011)
for piano
Virtuosic single-part piano piece. The title refers to a lied by Robert Schumann.
Duration: 12' 00"
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CHF: 18.00
Jean-Jacques Dünki
Acht Kinderstücke (1992-1995)
for piano
For adults. Seven pieces with e-bow ad libitum.
Duration: 7' 00"
SME/EMS
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CHF: 18.00
René Wohlhauser
Marakra Code 1 (2011)
Ergon 44/1, Musikwerknummer 1603
for soprano, baritone and piano, with percussion
Texts: René Wohlhauser
Two voices on their path through various fields of expression in dialogue with scarcely breaking out piano fragments, their performance shaded by some gentle input from the percussion.
Duration: 7' 00"
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CHF: 47.00
René Wohlhauser
Marakra Code 2 (2011)
Ergon 44/II, work number 1604
for soprano, baritone, flute, clarinet, violoncello and piano, with percussion
Texts: René Wohlhauser
Following a double turning point (in bar 110) the onomatopoeic series of syllables at the beginning turn into semi-semantic text fragments, while reversely the instrumentalist's style of play moves from a quasi-traditional technique to sounding fragmented and noise-like.
Duration: 15' 00"
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CHF: 60.00
Hans Eugen Frischknecht
Quintett (1999)
for flute, clarinet, violin, violoncello and piano
A multi-part composition with contrasting parts.
Duration: 16' 00"
SME/EMS
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CHF: 39.00
Balz Trümpy
Drei Haikus (2006)
For the sixtieth birthday of Robert Kahnt
for voice and piano
Texts: Martine Lovis
Duration: 2' 00"
SME/EMS
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CHF: 16.00
Edu Haubensak
Octaves for Two (2011)
for violin (scordatura) and piano
Duration: 20' 00"
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CHF: 34.00
René Wohlhauser
Naschra (2013)
Ergon 47, Musikwerknummer 1652
for 16th tone piano
Leading to an altered musical perception, limitation of the scope to an octave and the extreme differentiation of intervals within this octave are characteristics of this piece for sixteenth-tone piano.
Duration: 10' 00"
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CHF: 62.00
Max E. Keller
Konstellationen (1993-1994)
for flute, violoncello and piano
A dense, permanently shifting net of relations between instruments: one instrument acts ‘equal’ ‘similar’, ‘contrary’ or ‘concomitant’ to another.
Duration: 11' 00"
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CHF: 21.00
Edu Haubensak
Oneonetwo (2011-2012)
for piano in scordatura and percussion
Duration: 22' 30"
SME/EMS
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CHF: 49.00
René Wohlhauser
Mikosch … lost in the Ultra Deep Field (2013)
Ergon 46, Musikwerknummer 1646
for piano
The music attempts to trace the relationship between human consciousness and the universe. It endeavors to look deep into the universe with its matter and energy organised according to physical laws.
Duration: 10' 00"
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Rudolf Jaggi
Pastorale (1989)
for violin and piano
Duration: 3' 00"
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CHF: 16.00
Michel Hostettler
Aubade (1993)
for clarinet and piano
Duration: 3' 00"
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CHF: 18.00
(With clarinet part)
Thüring Bräm
Piccoli Stagioni (1997)
for piano trio, flute and singing voice
Texts: Anna Maria Bacher
Four seasons poems by the poet Anna Maria Bacher from Pomatt in the Italian version; short, transparent pieces.
Duration: 7' 00"
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CHF: 31.00
Edu Haubensak
Octaves for Four (2013)
for piano quartet
Violin, viola and violoncello in scordatura.
Piano in tempered tuning.
Duration: 19' 00"
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CHF: 42.00
Balz Trümpy
Canti elegiaci (2007-2008)
for soprano, flute and piano
Texts: Giacomo Leopardi, Michelangelo Buonarroti
Two poems by the Italian romantic poet Giacomo Leopardi flank a lament on the effects of ageing carved in stone by Michelangelo. In spite of all the despair over vanishing powers and the insight not to have ended one's life successfully at its climax, Michelangelo's work still emanates an unbroken will for life fighting against faith. Leopardi's deep melancholy, however, appears in a tender and ambiguous light, giving space to a slight glimmer of hope.
The two different works were set into music accordingly: The music for Michelangelo's poem is rhythmically firm, while Leopardi's is rhythmically and metrically free and floating.
Duration: 22' 00"
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Balz Trümpy
Arcadia (2007/09)
for piano solo
The title of my piano piece reflects the idea of a landscape that is explored musically in an unrestricted manner, following only a track that is created from moment to moment. The result is a labyrinthine form that is most comparable to Schumann's Fantasie in C major. The reference to an ancient landscape is, however, not to be understood in the sense of the Virgilian pastoral idyll: My Arcadia is a wild, rugged, rocky landscape shaped by storms, where Pan chases nymphs and Dionysian forces fill the sultry-laden air.

Duration: 25' 00"
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Michel Hostettler
Patiences (1996)
for soprano and piano
Texts: François Debluë
Duration: 20' 00"
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CHF: 29.00
Michel Hostettler
Trois chansons (1996)
for children's choir and piano
Texts: Eugène Guillevic
Pas par le plafond
Apporte au crépuscule
En descendant dans mon jardin
Duration: 4' 00"
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CHF: 16.00
Hans Eugen Frischknecht
4 Stücke (4 pieces) (2002)
for violin and piano
The two instruments face each other as equals, once the violin dominates, then the piano. These pieces can also be performed seperately.
Duration: 9' 00"
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CHF: 18.00
Rudolf Jaggi
Umbria (1994)
for piano
Duration: 1' 00"
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Max E. Keller
les pompiers (souvenir de Berlin) (1996)
for four trombones, piano, electric guitar and elextronic amplification
Contains a large improvised portion - works humorously with the fire brigade-fourth. Simple pitch shifting and echoplex (quasi belt sander with a duration of 20 seconds).
Duration: 6' 00"
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Michel Hostettler
Pique-Soleil (1996)
for children's choir and piano
Texts: Françoise Hostettler
Duration: 3' 00"
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CHF: 13.00
Max E. Keller
weniger und mehr (1996-2013)
for violoncello, accordion and piano
The title 'weniger and mehr' (less and more) describes a principle that defines individual processes. The work begins with a series of vigorous accordion decresecendi that become ever shorter (LESS in volume and duration) and separated by ever increasing (MORE) intervals. A rhythm, the cells of which appear throughout the whole piece, is formed simultaneously within these sounds: less in sound means more in rhythm. How and to what degree is a dialogue between the instruments possible? - This question is a further aspect expressed in, among other things, the exploration of opposing extremes of register or, contrariwise, unisono, or in attempting to bridge distances.
Duration: 13' 00"
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Rudolf Jaggi
2 Stücke (1996)
for flute (or violoncello) and piano
Based on 'Zwei Lieder' (1957/69).
Consolation - Tristesse
Duration: 6' 00"
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CHF: 13.00
Balz Trümpy
Konzert in zwei Sätzen (2010)
for piano and orchestra (3.3.3.3/4.3.3.1/4perc.timp/hp.cel.mandoline/14.12.10.12.6)
My concert for piano and orchestra essentially follows the traditional idea of a solo concert.
Duration: 33' 00"
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CHF: 114.00
Rudolf Jaggi
Kleine Elegie (1997)
for violoncello and piano
Duration: 3' 00"
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(inkl. Stimme)
Balz Trümpy
An Florestan und Eusebius (2010-2011)
Duos and trios
for saxophone (soprano, baritone), trombone and piano
In December 2010, I held a lecture on polyphony in the music of Schumann. This event led me to perform the complete piano works by this composer, who has remained dear to me since childhood. My composing has been influenced on a subliminal level by Schuhmann's sound meshes and quirky-fantastical lines. I became accutely aware of this fact while working on my piece for the trio Weiss-Svoboda-Henneberger. Since the content of the three main pieces ("Rezitativ und Arioso" for trombone and piano, "Lied" for saxophone and piano as well as "Mit Leidenschaft" for the trio) turned out to be rather Schumannian, I decided to dedicate it to the two main characters of the circle of the Davidsbündler (League of David).
Duration: 19' 00"
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Balz Trümpy
Nachtgedanken (2011)
for medium voice and piano
Texts: Johann Wolfgang von Goethe
A song cycle in the classical sense.
Duration: 27' 00"
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Hans Eugen Frischknecht
18 Bilder (1988-2006)
for piano
Short, homogonous pieces. However, great contrasts are present between the pieces. Texts are enclosed to explain the character of each piece.
Duration: 38' 00"
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Max E. Keller
agieren und reagieren (1999)
for piano and electronic sound alteration (Boss SE-70)
The player of the popular sound modulator reacts not only passively to the piano sounds but acts also actively like the piano itself.
Duration: 14' 00"
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CHF: 23.00
Rudolf Jaggi
Drei Morgenstern-Lieder (1997)
for singing voice and piano
Texts: Christian Morgenstern
1. Die Stadt aus Elfenbein2. Es ist Nacht3. Früh-Herbst
Duration: 8' 30"
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CHF: 21.00
Michel Hostettler
Musing (2000)
for violin and piano
Duration: 3' 00"
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Rudolf Jaggi
Miniatures pour Piano (1998)
Jeu - Berceuse - Ostinato - Meditation.
Duration: 6' 30"
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CHF: 18.00
Jean-Jacques Dünki
Cas obliques I, II, III (1993-2004)
for oboe, bass clarinet, bassoon, horn and piano
Duration: 6' 00"
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Rudolf Jaggi
Quinquaginta (1998)
for piano (or organ)
Duration: 1' 20"
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Rudolf Jaggi
4 pièces romantiques pour piano (1999)
Prelude - Barcarole - Meditation - Toccata.
Duration: 8' 00"
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Michel Hostettler
Viens chez nous (2001)
for children's choir and piano
Texts: Marianne Bonzon
Duration: 2' 00"
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Eric Gaudibert
"Pierrot, à table !" ou le souper du poète (2003)
for percussion, accordion, saxophone, horn and piano
The percussionist plays both a principal and theatrical role performing on a table. The remaining instruments are, for the most, independent of one another; the piano is placed at the far-end of the scene. The sounds produced on the table are amplified.
Duration: 10' 00"
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Rudolf Jaggi
Au clair de la lune (Paraphrase) (1999)
for soprano solo, choir (SATB) and piano
Duration: 4' 00"
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(Including parts)
Balz Trümpy
Verstreute Blumen (2013)
four pieces
for flute and piano
Eisblumen - Zephir - Winterblume - Windgesang are based indirectly on Schubert's well-known variations over 'Trockene Blumen' (dried flowers). Two fragments of this song are quoted.
Duration: 11' 00"
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Max E. Keller
Zwillinge (Twins) (2001)
for clarinet (bcl), trombone, violoncello and piano
This work is based on the interactions of the instruments in such a manner that the very close combination of twos (twins) are at the centre and with which one, two or no ‘free’ instruments can consort. The musical process is born of a dialectic between the above mentioned network and its realisation through three almost archetypal musical base models.
Duration: 10' 00"
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Balz Trümpy
Der Geist des Tals (2013)
for soprano, trombone, cello, percussion and piano
The Ensemble Eunoia's suggestion that I write a piece dealing with the letter 'U' set off in me a chain of associations relating to this vowel. The starting point was the tonal character of the phoneme U: For me its dark, earthy, warm timbre equated to the symbolic image of the Mother ("uterus", "ursprung" (=origin)...). My text selection combines the following excerpts taken from literature and lore that evoke different aspects of the Mother symbol: In the 3rd hymn of the legendary poet and Dionysus priest Orpheus, night is celebrated as the Mother of gods and men. In the second part of Goethe's "Faust", Mephistopheles describes the nocturnal and sinister descent into the obscure realm of the Mothers ("No way! Into the untrodden ..."), where Faust wants to lead Helena back to life. A mother grieving for her son and creation forms the basis of the liturgical "Stabat Mater". And finally, the text of "Tao te Ching" to the "valley spirit" elevates the image of the Mother as the origin of heaven and earth to the spiritual.
Duration: 17' 00"
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Balz Trümpy
Zwei Präludien (2014)
for piano
Duration: 9' 00"
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Max E. Keller
Schnitt-Muster (2002)
for flute, clarinet, piano, percussion and string trio
Sometimes completely different musical types or structural samples are set aside each other in a similar way to the effect achieved while zapping through television channels, sharp cuts which seem at first random are yet intentional. Even the other meaning of ‘cut-sample’, the prefabrication of something based on a template or the stereotypical also receives acknowledgement through the mimicry of musical styles. In this manner various fields of popular music are touched upon - even contemporary music cannot escape.
Duration: 7' 00"
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Max E. Keller
Vom Grunde (2003)
for baritone and piano
Texts: Barbara Köhler
One can accept or rebel against tradition, for once I have accepted it and, without dislocation, composed a poem. Barbara Köhler wrote texts about the river Elbe - quiet, melancholic and with a pinch of antidote, particularly nice in the poems chosen by me.
Duration: 4' 00"
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Max E. Keller
Changements (2003)
for tuba, percussion, piano and live electronic (BOSS SE-70)
Changements - between various instrumental groups, between natural and transformed sound, between calm and hectic, between cut and transition, between air and tone, between pulse and free rhythm, between repetition and progress, between sound and noise, between…
Duration: 11' 00"
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Rudolf Jaggi
Albumblatt (2005)
for piano
Duration: 1' 00"
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Max E. Keller
Verschmelzungen (Fusions) (2003)
for recorder (alto and bass) and piano
There is rarely a greater difference noted between two instruments regarding sound generation, volume, appearance and aura than between the piano and the recorder. To compose fusions of these two instruments was a challenge which is relayed to the performers who must reach out to the limits of playability.
Duration: 12' 00"
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Max E. Keller
Selbstgespräche (2006)
for piano and live electronics
These days, a machine is increasingly the conversational partner of humans and so it is in "Selbstgespräche". A small digital apparatus is positioned directly onto the piano and is operated predominantly by the pianist using two foot pedals. The apparatus changes, morphs or repeats that which is played by the pianist, who in turn reintervenes in this transformed sound.
Duration: 12' 00"
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Max E. Keller
Eingriffe (2006)
for flute, clarinet, piano, violin, viola and violoncello
The initial material consists of two melodies and two rhythmical sequences; these can be varied causing their superposition's to result in a countless number of related musical forms. The recurring formal idea is the "undampered clew": a dense, wide mesh that thins out then squeezes itself into the centre of the sound space. In this clear, goal-orientated process, diversity is encroached upon: three instruments temporarily break out of the process, colourful accents engage with the continuous mezzo forte, the process stops momentarily, the residual viola tips over into the realms of noise etc.
Duration: 12' 00"
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(Parts available from the composer)
Max E. Keller
gebündelt und ausfasernd (2007)
for flute, clarinet (bcl), violin and piano
"gebündelt" (clustered) initially means the beginning together of different chords of varying duration, which then either die out, collapse or very quietly drift ("ausfasern"), that is to say dissolve in short, soft movements. The chords are in the forte range and vary throughout the composition with respect to dynamics and internal movement, repeating rhythms and timbral changes. The drifting ("ausfasern"), is also formed in a multifarious manner, but always remains in the quiet range.
Duration: 10' 00"
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Rudolf Jaggi
Escapades (2006)
for flute and piano
I. Allegro preciso
II. Tranquillo
III. Giocoso
IV. Lento rubato
V. Agitato
Duration: 9' 00"
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(including flute part)
Rudolf Jaggi
stille unruhe (2006)
A commentary
for piano
Duration: 1' 00"
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Max E. Keller
concertare e improvvisare (2007)
for flute, oboe, clarinet (bcl), violin, viola, violoncello and improvising piano
This work contrasts notated music with improvised music. The sextet is extensively notated; the piano merely has several verbal suggestions. There are, however, also moments of improvisation in the sextet where, for example, each instrument initially and independently of the others repeats a phrase, which gradually changes following verbal instructions. Each begins this process with great intensity, playing as loud and as quickly as possible – very much in the style of early free jazz.
Duration: 14' 00"
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Max E. Keller
allemal (2007)
for soprano, clarinet (bcl) and piano
Texts: Georg Christoph Lichtenberg
"It is almost impossible to carry the torch of truth through a crowd without singing somebody's beard."
One of ten aphorisms written by Lichtenberg more than two hundred years ago - and still surprisingly relevant today. This musical version attempts to transpose the concise, acuminate formulation into succinct, very divergent miniatures.
Duration: 10' 00"
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Rudolf Jaggi
Automne à Gadagne (2007)
for alto recorder (or flute or violin) and piano
Duration: 2' 00"
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Max E. Keller
Schwein gha! (2008)
Song for children
for children's voice and piano accompaniment
Texts: Mex E. Keller
The text is based on short essays by 9 year-old pupils and reflects their personal experiences of the theme "being lucky". The song presents three such experiences in three strophes. The melody is slightly modal, set in a 32-beat song form and terminated by a refrain.
Duration: 3' 00"
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Max E. Keller
accent - figure - layer (2008)
A project between improvisation and composition
for bass clarinet/tenor saxophone, percussion, piano, violin, viola and double bass
The wide scope between improvisation and composition is calibrated. There are, however, no long notated passages but form sequences, short notated phrases as starting points, verbal instructions and graphics - right through to improvisation as one extreme. The musical material is based on the archetypal elements 'accent', 'figure' and 'layer' as mentioned in the title. The through-composed parts "unione e tremolo" for violin and viola (movement II) and the violin solo "NONONONO" (movement VII) are inserted between the six movements as the other extreme.
Duration: 58' 00"
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Max E. Keller
Trio fluido (2009)
for violin, violoncello and piano
Here we have three different elements that flow (a word used in its broadest sense): sustained sounds, wide-reaching melodies and an often repeated phrase from Swiss folk music. These elements are not only varied extensively, but also superimposed. Every so often, short and sometimes very strong opposing figures appear, occasionally cristalising out of the flow. Such opposing figures also form the finish, which leads into another world.
Duration: 7' 00"
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Rudolf Jaggi
Huit Préludes (2010)
Piano suite
Duration: 11' 10"
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Max E. Keller
Wendepunkte (2009)
for piano, percussion and string quartet
For advanced amatuers.
This piece was composed for the music Matura. The education of young people is the same for all until the Matura stage. Here, at the first major turning point in their lives, individuals must decide which direction they wish to take. Thus the 'turning point' became one fundamental concept behind this work, walking together and walking alone became another. They are processed on various levels - both on the quasi-motif and the formal.
Duration: 13' 00"
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Max E. Keller
Movements (2009)
for piano
This work was created for the World New Music Days 2010 in Australia, where short piano pieces created in a day were invited to participate. This piece is thus a quasi written improvisation. The repetition of an open chord that is widely varied, yet remains in the middle part of each hand, led to the idea of alternating a weak, gradual, so to say 'inner movement' with sudden, stronger changes.
Duration: 4' 00"
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Rudolf Jaggi
Sieben kleine Klavierstücke (seven small piano pieces) (2012)
1. Aufbruch
2. Im Schlendern
3. Kahnfahrt
4. Siesta
5. Wettlauf
6. Abendstimmung
7. Zwiegespräch (four-handed)
Duration: 20' 00"
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Rudolf Kelterborn
Kleines Klavierstück für Sara (small piano piece for Sara) (2002)
Duration: 1' 00"
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Max E. Keller
ich, du, wir (2010)
for flute, clarinet, percussion, piano, violin, violoncello
Composed for the 25th anniversary of the 'ensemble für neue musik zürich', this short piece attempts to trace the path to togetherness (ensemble), from I to we. A unity is drawn twice from a dense fabric of independent lines, initially on a trill surface and then in unison at the end.
Duration: 1' 00"
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Max E. Keller
Snowflakean Thoughts (2010)
for speaking voice, alto saxophone and piano
This short piece is composed after a text by James A. Emanuel (USA). Together with millions of his kind, the snowflake dreams of calling into being a democratic kingdom - and the setting to music of this poem is just as fluffy. It can aslo be performed by amateurs.
Duration: 2' 00"
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CHF: 16.00
Rudolf Jaggi
Petite Suite (2013)
Duos
for flute and piano
Prélude - Promenade - Récitatif - Contemplation - Sarabande - Burlesque.
Duration: 9' 30"
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Max E. Keller
Shopping List (2011)
for speaking voice, alto saxophone and piano
Texts: Barry Wallenstein
Duration: 3' 00"
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Max E. Keller
Pour aller mieux (2011)
for tenor, tenor saxophone and piano
Texts: Jean Miniac
Duration: 4' 00"
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CHF: 18.00
Max E. Keller
Die Schwestern (2011/12)
for soprano and double bass (or soprano and piano)
Texts: Christian Morgenstern
In a dialogue between a bell and a cannon, the cannon exhibits its sisterly nearness: "Today they are yours and pray, tomorrow they are mine and kill." The bell vehemently rejects this kinship with the cannon. But is the cannon really wrong? Are religion and War not often twinned? On the one hand, the musical setting accentuates the contrast between the soprano and double bass, even working within the two parties with extreme contrasts. On the other hand, the double bass occasionally ascends the lofty heights of the soprano and twins itself with the voice.
Duration: 6' 00"
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Max E. Keller
mit Pfiff (2012)
for flute, bass clarinet, piano, violin, viola and violoncello
The leitmotif of this piece is indeed, as the title suggests (Pfiff = whistle), an instrumental whistle by the whole ensemble, which is followed in each case by a kind of echo - be it hard and loud accents or soft chords.
(Trans.: mit Piff also translates as 'with flair' or 'with zing').
Dedicated to the Ensemble Theater am Gleis Winterthur for it's 20th anniversary.
Duration: 2' 00"
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Max E. Keller
zusammenwachsen (2012)
for bassoon and piano
For teaching purposes.
This short composition was created for Dieter Hähnchen's collection for teaching purposes.
It begins with a stark contrast between the two dissimilar instruments: a quick, quiet piano motion in the middle register is followed immediately by a deep, loud and long tone from the bassoon. The motives are interchanged, successive becomes simultaneous, and other motives appear. An amalgamation process develops that finally plays out on a noise sound, multiphonic and rhythmical pulse level: the merging of that which does not immediately appear to belong together.
Duration: 4' 00"
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Max E. Keller
Keim - con sorpresa (2013)
for flute clarinet (bcl), piano, violin, viola, violoncello
This work develops from a simple kernel on the one hand, and displays surprising aspects on the other. And so the kernel grows exuberantly, quasi-uncontrolled, in unpredictable directions, notes remain surprising - like mistakes - enduring to form a surface of contrasts. Suggestions expand into preludes, after beats into codas; the surfaces become noise-like. These surfaces dominate from the middle part onwards, and the kernal fragments and repeats, simultaneously rising up as a pulse. In addition to the little surprises, four structures are spliced in, none of which have anything to do with the kernel: sorpresa.
Duration: 12' 00"
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Max E. Keller
Al borde del abismo (2013)
for violin and piano
That literature has more to do with the author than they wish to think is rarely disputed. But music too can be directly linked to a person's situation. Following a medical examination, I was left teetering on the edge of an inner abyss. This led to the creation of four excerpts, the sounds of which hang as if lost in tonal space and wither into noise. Two contrasting parts were then inserted: Emergent, quick, repetitively varied movements, which ultimately solidify again without consequence. From this, the music is twice again liberated in different ways before wild accelerando results in the instruments terminating abruptly.
Duration: 9' 00"
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Max E. Keller
mi ricordo (2014)
for piano solo
The title 'mi ricordo' translates as 'I remember'. It refers to the 'theme', which I composed almost 50 years ago, being a starting point for improvisation. A contrasting element was introduced in 2014: a sequence of between four and eight-note chords with fixed, disparate dynamics. The chord sequence becomes a rhythmical model with longer values or pauses close to the end. Short motives can be heard between the chords, including ones that are derived from the theme: mi ricordo.
Dedicated to Satoko Inoue.
Duration: 6' 00"
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Hansruedi Willisegger
Sakura (1996)
for piano
Duration: 14' 00"
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Jean-Jacques Dünki
Trois fragments du "retour de Cythère" (2008)
for piano
Duration: 3' 00"
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CHF: 16.00
Louisa Lasdun
Smile (2008)
for oboe, cello and piano
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Alfred Felder
this longing (2009)
Fantasy
for piano solo
Over the romantic lyrics by Jelaluddin Rumi.
Duration: 17' 00"
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Alfred Felder
9ten Novemb. 1828 Tagebuch Robert Schumann (2009)
Music
for clarinet, viola, piano and percussion
Duration: 16' 00"
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CHF: 23.00
Urban Mäder
Ballast (2009)
for flute, clarinet, violin, violoncello, piano and percussion
Three movements: gestaut, dickflüssig, überschwappend.
Duration: 12' 00"
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CHF: 42.00
Ruedi Debrunner
Im Wasserspiegel (2009)
for clarinet and piano
Duration: 8' 00"
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CHF: 31.00
(Part: sFr. 29.-; € 22.-)
Thomas K. J. Mejer
Princes' balls (2013)
for contrabass flute, contrabass saxophone, tuba and sextet (fl, cl, pf, perc, vn, vc)
Written for the "Kontra-Trio" Lucerne and the "Moscow Contemporary Music Ensemble", created for the project "Stravinskij Revisited".
Suite in five movements:
Wickedly
Obscured Beautiful
Insisting
Seductive
Concealed
Duration: 13' 00"
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CHF: 55.00
Rudolf Jaggi
Die zwei Wurzeln (2013)
Song
for high voice and piano
Texts: Christian Morgenstern
Duration: 1' 20"
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CHF: 16.00