Guitar

Vladislav Jaros
Seven Preludes for Guitar (1981)
Humorous intermediate/difficult pieces with interesting effects. Relatively comprehensible for both player and listener.
Duration: 16' 00"
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CHF: 21.00
Vladislav Jaros
Chinesisches Märchen (1983)
for flute (or oboe or violin) and guitar
An easily approachable piece in which equal demands are made on both interpreters. It is not a difficult piece to interpret and is well suited to an advanced student.
Duration: 3' 00"
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CHF: 13.00
Peter Schärli
Ballade pour une pierre (1985)
for voice, trumpet (with mute), piano (or guitar) and double-bass
Texts: Sandy Patton
Duration: 6' 30"
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CHF: 13.00
Felix Schüeli
7 leichte Miniaturen (1998)
for two recorders guitar and piano
Composed for a school ensemble with circa 1-2 years of musical education.
Duration: 3' 30"
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CHF: 18.00
Vladislav Jaros
Das Kastanienmännchen (1984/06)
A musical fairytale
for wind quintet, guitar and story-teller (there is also a version for wind quintet and speaker)
Colourful dreamy music, not always easy to perform.
Duration: uncut 35', cut 26'.
Duration: 35' 00"
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CHF: 39.00
(Parts: sFR. 30.-: € 20.00)
Sarah Haessig
Don Belianis de Grecia a Don Quijote de la Mancha (2007)
for speaking voice, guitar and double bass
Texts: Miguel Cervantes
Over a sonnet from "Don Quixote".
On youtube: http://www.youtube.com/watch?v=wNnRCy7W0Ws
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CHF: 16.00
Regina Irman
Melodie 1 (1985)
for quarter-tone guitar or other instruments with free intonation possibilities
Duration: 2' 00"
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CHF: 13.00
George Barcos
El Circulo de la Nostalgia (1990)
for two guitars
La Ciudad sin ti - Recuerdos de la Sierra - Conferencia de los Enamorados.
Duration: 5' 00"
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CHF: 18.00
George Barcos
Canciones Tropicales (1991)
for guitar solo
Preludio Azul - Conción Amarga - Bambuco Negro - El Jardín Encantado - La Ciudad de los Milagros.
Duration: 11' 00"
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CHF: 18.00
Daniel Ott
17 1/2 (1995)
Scenic composition
for four guitars, two mandolins, dulcimer, viola, 2 double-bass, saxophone, trombone, tuba, accordeon and three percussion instruments
Spatial composition based on the sound memories of the musicians/singers.
Duration: 25' 00"
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CHF: 55.00
Vladislav Jaros
Divertimento (1992)
for flute, clarinet and guitar
A melodic and lyrical piece with appealing rhythms and harmonies and rewarding solo cadenzas. This piece is demanding for all three instruments.
Duration: 12' 00"
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CHF: 23.00
Urban Mäder
L'absence de vent (1992)
for orator, soprano, alto, countertenor, flute, guitar and bass clarinet
Texts: Samuel Backett
An audio play after a quote from Samuel Beckett's “Mal vu mal dit” (Badly seen badly said).
Duration: 55' 00"
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CHF: 47.00
George Barcos
Sueños y Ensueños (1993)
for pan flutes and guitar
La Musa Enamorada - El Sueño de la Iguana - El Ángel Desaparecido - Rumbero y Soñador.
Duration: 9' 00"
Manuscript
CHF: 26.00
Vladislav Jaros
Lapis Miraculum (1993)
for English horn (violin, viola, violoncello) and guitar
A relatively easy to play, slow, transparent and colourful piece.
Duration: 6' 00"
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CHF: 13.00
Dieter Ammann
Musica Empirica (1997-1998)
for soprano saxophone and guitar
Duration: 9' 00"
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CHF: 21.00
Josef Kost
"Ohne Titel" (1996)
for violin, guitar, double-bass and strings (4.4.2.2.0)
A major, a minor, an augmented and a diminished triad, giving all twelve tones of an octave, are woven together harmonically and melodically (serial). Predominantly modal rhythm, determinate sound room, differentiated dynamic. Three short expressionistic pieces. Difficult.
Duration: 11' 00"
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CHF: 29.00
Gary Berger
lichtempfindliche Erinnerungen (2000)
for bass flute, viola, alto saxophone, guitar, percussion and live electronic
Duration: 6' 00"
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CHF: 26.00
Vladislav Jaros
Musik für zwei Gitarren (1994)
A quick, lively piece - demanding for both guitarists.
Duration: 5' 00"
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CHF: 16.00
Nicolas Bolens
D'un Rêve II (1997/09)
for guitar
Duration: 8' 00"
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CHF: 18.00
Edu Haubensak
Refugium (1988)
for guitar solo
Duration: 8' 00"
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CHF: 16.00
Nicolas Bolens
En mi Cielo (1998)
for tenor and guitar
Texts: Pablo Neruda
Duration: 4' 00"
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CHF: 16.00
Felix Schüeli
Piece for Guitar (2003-2004)
Duration: 5' 00"
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CHF: 18.00
Marc-André Rappaz
"de Dschember Schamblin" (1997)
for soprano and guitar
Texts: Denise Mützenberg
A piece based on a cycle of poems in Romansch, taken from the cycle ‘Dschember Schamblin’ by Denise Mützenberg.
Duration: 10' 00"
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CHF: 21.00
George Barcos
Cuentos Peregrinos (1997)
for guitar and double-bass
La Ciudad perdida - Burundanga - Raices.
Duration: 10' 00"
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CHF: 29.00
George Barcos
Poemas de Esperanza (1998-1999)
for female choir, two guitars and double-bass
Texts: Juana de Ibarbourou, Gabriela Mistral, Delmira Agustini
La nueva esperanza - Hímno al árbol - Explosión.
Duration: 12' 30"
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CHF: 42.00
Michael Schneider
Shark Turtle Ray (1998-1999)
for oboe, viola and guitar
I was spending a year in Sydney when I recieved an offer by Mid-German Radio (MDR) to write a piece after Paul Klee for the 1999 MDR Summer. Being surrounded by such unique flora and fauna reminded me of the strong affinity to life on and in water expressed in the paintings of Paul Klee, his numerous harbour scenes, and above all his fish pictures. What would Paul Klee have painted on a visit to the 5th Continent? "Shark", "Turtle", "Ray" are three such imaginary images, Australian scenes after Paul Klee and inspired by Klee's own related motives. Each of the three movements begins with a core instrument and a specific musical material. The multiple oboe tones in "Shark", the guitar's natural flageolet tones in "Turtle" and the viola's tight chord glissandi in "Ray" initiates the character and development of each respective movement.
Duration: 7' 00"
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CHF: 21.00
Claude Ferrier
Condensations (1998)
for sextet (fl.hn.asx/hp.cel/gtr)
Duration: 9' 00"
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CHF: 42.00
Valentin Marti
Passages (2000)
for viola, piccolo/bass flute, baritone saxophone, guitar and percussion
‘Passages’ is determined by a hugely formal changing process, beginning with block-like, vertical melodies of the solo viola, leading to a linear, horizontal notation with five equal instrumental parts. Quarter tonal.
First performed: 28..8.00 in St.Moritz by the Ensemble Cattrall under the direction of Marc Kissoczy.

Duration: 12' 30"
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CHF: 31.00
Vladislav Jaros
Herbstsonate (1996)
for guitar
Four movements in a post-modern manner, transparent like a sunny September day, bursting with subtle melancholy, an intermediate tonal piece written in conventional notation.
Duration: 15' 00"
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CHF: 23.00
Daniel Weissberg
Oh mi! (1998)
for flute, oboe and guitar
Jocular virtuoso piece.
Duration: 10' 00"
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CHF: 29.00
Michael Schneider
Im innersten Winter (requiem) (1999)
for orator, bass clarinet and guitar
Texts: Andreas Neeser
Composed during the 'Last Minute. Eine Ausstellung zu Sterben und Tod' exhibition at the Stapferhause in Lenzburg, this piece touches on eight poems by Andreas Neeser (*1964), an author from Aarau. Published by pendo-Verlag, his 'Triebholz' collection of poems deals with the death of his brother. The texts reflect personal experiences with respect to coping with dying, death and transiency. Formally, this piece is based on the multi-part structure of the traditional Requiem text, which leads to a sort of mini-cycle consisting of short, merging single movements, where each section makes musical reference to the poems' structures, characteristics and emotional levels.
Duration: 14' 00"
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CHF: 31.00
George Barcos
Humores (2001-2002)
for four guitars
Caprichoso - Indeciso - Enamorado.
Duration: 12' 00"
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CHF: 39.00
Vladislav Jaros
Präludium und Fuge (1999)
for guitar
A demanding, deeply heartfelt piece of music with numerous harmonic and musical surprises, a real challenge for any guitarist.
Duration: 12' 00"
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CHF: 18.00
Valentin Marti
Notizen und Gravur (2003)
for mandolin, guitar and harp

Duration: 10' 00"
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CHF: 36.00
Martin Schlumpf
Sommerbogen (1992)
for guitar quartet
A time/content scheme based on a woodcarving by A. Athanassoglou: A basic tonal motif forms a doubled arch-form development, with the influence of minimal music in the first part, and a more harmonic and dramatic treatment of sound in the second.
Duration: 15' 00"
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CHF: 34.00
Alfred Felder
Song of the Sky (1996)
for violin, guitar and double-bass
After searching for ones own identity one finds ones own songs.
Duration: 23' 00"-25' 00"
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CHF: 31.00
Andreas Stahl
gebunden. an anima und dich (2000-2001)
for guitar quartet
Not only the musicians are connected in a very tight, quasi-breathless time structure and intimately interwoven quartet movement, but also the musical form, which, with its ever-changing background also looses its unique identity.
For the ‘Aleph Guitar Quartet’.

Duration: 13' 00"
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CHF: 34.00
Vladislav Jaros
Liederzyklus nach Gedichten von Joachim Ringelnatz (2002)
for mezzo-soprano and guitar
Texts: Joachim Ringelnatz
Comical songs with surprising harmony and delightful rhythm. This cycle is composed partly in graphic notation and partly in traditional notation. Some special effects are required by the voices and the guitar accompaniment. The harmony of the songs wanders between tonality, polytonality and atonality. Relatively easy to understand and easy to perform post modern bawdy songs.
Duration: 25' 00"
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CHF: 31.00
Gary Berger
Dauerwelle (2004)
for guitar, electronic tapes and electronics
Duration: 9' 00"
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CHF: 23.00
Vladislav Jaros
Variationen über "Vreneli ab em Guggisberg" (2002)
for guitar
A conventionally notated, easy to understand and very effective piece for guitar solo. A theme with eight variations using expanded tonality, colourful and typical guitarish nuances - an absolute delicacy for any guitarist. Intermediate to difficult.
Duration: 15' 00"
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CHF: 23.00
Vladislav Jaros
Deux Nocturnes (2002)
for guitar
This poetic piece in a post modern style has echoes of impressionism and jazz, dreamy slow rubarto passages contrast with rhythmical ones, a conventionally notated piece for intermediate/advanced players.
Duration: 15' 00"
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CHF: 18.00
Rudolf Jaggi
Phasen (1974-1975)
for medium voice, flute and guitar
Texts: Giuseppe Ungaretti (Ingeborg Bachmann)
1. Ich bin eine Kreatur
2. Freude der Schiffbrüche
3. Morgen
4. Phase I
5. Phase II
6. Finale
Duration: 15' 00"
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CHF: 31.00
Urban Mäder
mit Mass - Zählzeit - Schlagsaiten (2001)
Three pieces
for guitar duo
For guitar, an unconventional yet guitar-like piece sounding meticulously fine and transparent. Intermediate level of difficulty.
Duration: 12' 00"
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CHF: 26.00
Raymond Vauterin
Connivence (2005)
for violin and guitar
Duration: 14' 00"
SME/EMS
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CHF: 31.00
Raymond Vauterin
Trois séquences (2006)
for guitar
Duration: 9' 00"
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CHF: 18.00
Rudolf Jaggi
Roserich (1977)
for medium voice and guitar
Texts: Emanuel Geibel
1. Beim letzten Erntefeste
2. Intermezzo 1
3. Lass mir die Knaben vom Feste
4. Intermezzo 2
5. ...und horch!
Duration: 15' 00"
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CHF: 18.00
Raymond Vauterin
Printanière (2007)
for 2 guitars
Duration: 5' 00"
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CHF: 29.00
Rudolf Jaggi
Drei Miniaturen (1978)
for soprano and guitar
Texts: Tan Tsien
1. Elegy
2. Invention
3. Pastoral
Duration: 7' 00"
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CHF: 16.00
Hans-Jürg Meier
volgere lo sguardo al cielo (2005)
for oboe, trumpet in B (ossia soprano saxophone or clarinet in B), guitar
"Rather a cloud of birds in the sky than one in the hand." (Eduardo Chillida)
Duration: 11' 30"
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CHF: 23.00
Vladislav Jaros
Cinq nocturnes (2007)
for guitar
Five charming, atmospherically dense and playful pieces for guitar. The techniques and tone possibilities of the guitar are presented here in an exemplary manner.
Duration: 20' 00"
SME/EMS
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CHF: 34.00
Rico Gubler
nel blu (2006)
13 marches for decimated plucked-instrument orchestra
for mandolin, guitar and harp
Duration: 7' 00"
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CHF: 39.00
Vladislav Jaros
Cinq nocturnes (Volume II) (2009)
for guitar
A continuation of the first cycle. An intermediately difficult solo piece full of poetry and colours for guitar. Extended tonality.
Duration: 20' 00"
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CHF: 29.00
Martin Wendel
Duo für Violine und Gitarre in drei Sätzen, op. 44 (1984)
The sound character of this piece is balanced and aligned with the gentle tone of the guitar.
Duration: 7' 00"
SME/EMS
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CHF: 23.00
Vladislav Jaros
Due minuti capricciosi (2009)
for saxophone, bassoon, violin, violoncello, guitar, piano and percussion
A very turbulent piece. Hasty, breathless tempo.
Duration: 2' 00"
SME/EMS
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CHF: 26.00
Rudolf Jaggi
Ordre pour guitare (1983)
Prélude - Allemande - Courante - Sarabande - Gavotte I / II - Gigue.
Duration: 23' 00"
SME/EMS
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CHF: 23.00
René Wohlhauser
mikka resna (2006)
Ergon 34
for tenor and guitar
The self-written onomatopoeic texts are semantically charged by the exaggerated gesture of the music and become thereby a farce.
Duration: 5' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
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www.musicedition.ch
CHF: 31.00
Vladislav Jaros
Nocturne (2010)
for guitar and strings
Duration: 6' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
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mail@musicedition.ch
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CHF: 21.00
Max E. Keller
Konfigurationen III - January 1991 (1991)
for oboe (or flute), bassoon, guitar and piano
The musicians also perform scenic actions and speak a couple of sentences.
Duration: 8' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
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CHF: 18.00
Balz Trümpy
Ballade (2005)
for guitar solo
Duration: 17' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 23.00
Hans-Jürg Meier
herbst (abtasten) (2010-2011)
for 4 alto recorders, guitar, tromba marina, percussion
A tentative musical exploration of the 1907 painting "Herbst (Schule)" by Marianne Werefkin.
Duration: 7' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
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CHF: 21.00
Jean-Jacques Dünki
Eiland Stadt Ebene (1995)
for flute and guitar
Duration: 11' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
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CHF: 21.00
Max E. Keller
Walk-Music (1994)
for flute, violin, guitar and percussion
Each of the musicians follows his/her own course, whereby each independently repeats and varies a single sequence: Isolation, without contact, narcissism - sign of the times...
Duration: 11' 00"-15' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
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CHF: 16.00
Rudolf Jaggi
O Westen, öffne mir deine Arme (1991)
for high voice, flute and guitar
Texts: Altägyptische Texte
1. Lobpreis sei dir, Re
2. O Re, komm zu mir
3. Betrachtet mich doch
Duration: 16' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
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mail@musicedition.ch
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CHF: 34.00
Max E. Keller
Solitario (1996)
for flute, guitar and percussion
Each instrument builds its own world using eight elementary figures; each goes its own way yet parallels are shown to exist. Relationships form and the dialectic of the controlled ‘own way’ and random combination begin to play.
Duration: 14' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 16.00
Max E. Keller
les pompiers (souvenir de Berlin) (1996)
for four trombones, piano, electric guitar and elextronic amplification
Contains a large improvised portion - works humorously with the fire brigade-fourth. Simple pitch shifting and echoplex (quasi belt sander with a duration of 20 seconds).
Duration: 6' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 16.00
Balz Trümpy
Vier Duette (2009)
for marimbaphone and guitar
Each of the four duets originates in a basic constellation of musical dialogue, which develops in the interplay between the two instruments. The marimba-guitar combination offers a myriad of colour and expressive shades, which are not possible with each instrument alone.
Vier Duette is dedicated to the duo Christina Schorn and Ivan Mancinelli.
Duration: 16' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 35.00
Max E. Keller
Deformationen (1998)
for soprano, flute and guitar
Texts: Max E. Keller, E. Galeano
The setting to music of four of my own texts: Globalisation as worldwide exploitation of people and nature; freedon as unlimited and uninhibited profit maximisation; Education as manipulative conformation. The 5th text comes from Eduardo Galeano from Uruguay: repress how the rich countries accumulate their riches.
Duration: 14' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 23.00
Rudolf Jaggi
3 Romances (1997)
for three guitars
Duration: 11' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
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Tel. +41 (0)41 210 60 70
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mail@musicedition.ch
www.musicedition.ch
CHF: 26.00
Eric Gaudibert
"Wolkenblau" (1999-2000)
for soprano, alto flute and guitar
Texts: Georg-Philipp Harsdörffer
The text, which evokes the four seasons, dates back to the 17th century. The title of the work, as well as the titles for each piece, are taken from the poem: Es bläst der sanffte West – Ihr Hertz ist von safran – Der Erden Kelterblut – Die Gäste gehen fort.
Duration: 11' 30"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 29.00
Max E. Keller
Skizzen (1999)
for flute and guitar
Duration: 9' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
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mail@musicedition.ch
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CHF: 18.00
Eric Gaudibert
"Là" (2006)
for guitar
An acrobatic piece of 15 chords to be played on the empty chords which change their scordatura every 4 seconds until every chord is tuned to the note a.
Duration: 1' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
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CHF: 13.00
Rudolf Jaggi
Five Ayres (2006)
for medium voice and guitar
After anonymous texts from the 15th and 16th centuries.
I. Come let us all amaying go
II. Weep, o mine eyes
III. If it be love to sit and mourn
IV. O yes! Has any found a lad?
V. Though Philomel
Duration: 9' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 23.00
Rudolf Jaggi
Une soirée en provence (2007)
for guitar
Duration: 2' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 13.00
Max E. Keller
Wie Kraut und Rüben (2008)
After the picture bearing the same title by Paul Klee
for oboe, bassoon, guitar and viola
In the painting "Wie Kraut und Rüben" by Paul Klee transparent white dots are spread over a red background in irregular rows and create thereby a subtle pulsation within a regular grid. By painting over the dots with the brush, these dots turn into lines, spots and signs. This technique, which Klee called "pointillate", has been transposed to dots of sound, arranged in rows, superimposed in irregular, free rhythms by the four instruments.
Duration: 6' 30"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
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www.musicedition.ch
CHF: 16.00
Max E. Keller
Dialogues (2008)
for guitar and live electronics
Both partners are handled equally. The electronics do not only remain passive but also take the initiative. Sometimes the guitar remains on a percussive sample and the electronics answer with increasingly hectic movements, at other times both partners move with varying pulse, as though on two levels, at other times still the guitar gives the impulse, occasionally there is an intensive improvised interaction with rapid and spontaneous role changes.
Duration: 7' 00"-8' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 16.00
Rudolf Jaggi
Die grosse Gondel (2009)
15 songs
for high voice and piano
Duration: 24' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 36.00
Rudolf Jaggi
Sexaginta (2013)
Solo piece
for guitar
Duration: 2' 40"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 16.00
Max E. Keller
Les Fleurs du Mal (2012)
Four poems by Charles Baudelaire
for soprano and guitar
Texts: Charles Baudelaire
Baudelaire's worldview is characterised by ambivalence: light is at the same time dark; flowers are 'the evil'. On the one hand is the search for beauty, on the other is the experience of spleen, the never-ending ennui. Transposed into music, the deep, bell-like tones of the guitar are broken by hard, dissonant accents - or dissonant chords slide into consonants and vice versa. The singing voice is characterised by a model that, following a rapid ascent, moves slowly downwards, often quasi-disintegrates or ossifies in ennui.
Duration: 14' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
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mail@musicedition.ch
www.musicedition.ch
CHF: 23.00
Max E. Keller
Der Rutengänger (2012)
for oboe, bassoon, guitar and viola

Duration: 6' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 23.00
Raymond Vauterin
Au fil des saisons (2008)
for two guitars
4 parts: Estivale - Automnale - Hivernale - Printanière.
Duration: 15' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 36.00
(Parts: sFr. 26.-; € 26.-)
Raymond Vauterin
Trois danses de nulle part (2009)
for 2 guitars
Duration: 9' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 23.00
(Parts: sFr. 22.-; € 15.-)