Violoncello

Mela Meierhans
Vagabundinnen (1992)

Instrumentation: for flute, string trio, harp (or bass), piano and electronic tape (CD/DAT or MD)

Texts: Christina Thürmer-Rohr

Based on a text by Christina Thürmer-Rohr.

Duration: 13' 00"

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CHF: 53.40
Mela Meierhans
RéSONANCE?! (1996-1997)

Instrumentation: for bass clarinet, horn (Alphorn), violoncello and electronic (CD/DAT or MD)

After texts by Hannah Arendt.
This piece uses a half conventional score with 'cell' improvisation. All instruments are to be amplified where possible.

Duration: 21' 00"

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CHF: 15.00
Mela Meierhans
4instruments2 (1997-1998)

Instrumentation: for dance, double-bass (or violoncello), thunder board and electronic tape (CD/DAT or MD)

Duration: 17' 00"

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De-Qing Wen
vent et neige dans la nuit

Instrumentation: for pipa and string quartett


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CHF: 18.00
Maria A. Niederberger
Daedaleum (1984)

Instrumentation: for cello solo

The non-traditional note heads in the notation change with the way of playing (pii, col legno, etc.).

Duration: 5' 30"

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Juan Manuel Chávez
Estudio en dos Dimensiones (1989)

Instrumentation: for violoncello solo

The basic idea of this piece is to position opposing musical elements side by side, allowing them to be interpreted as contrasting (e.g. tone - noise, cycle - anti-cycle, homophony - polyphony etc…) These various dimensions and their relationship to each other are continuously redefined in the five parts of this piece. It is important however, that each plays a leading roll in one of the parts.

Duration: 13' 00"

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CHF: 18.00
Felix Falkner
Solitude (1990)

Instrumentation: for string quartet with bass clarinet

Duration: 22' 00"

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CHF: 24.60
incl. Parts
Bruno Stöckli
Dal peso di un piccolo uccel (1991)
Seven pieces

Instrumentation: for female voice and instrumental ensemble (fl.cl/pf.hp/perc/vn.vc.db)

Texts: Erika Burkart

Based on poems by Erika Burkart.

Duration: 15' 00"

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CHF: 37.80
Bernhard Sieber
Short sonata for violoncello solo (1959/2016)
Neufassung 2016 mit weniger Doppelgriffen

Duration: 11' 30"

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Josef Kost
Cinq Poèmes (1985-1995)

Instrumentation: for flute, clarinet, bass clarinet, violin, viola and violoncello

The sextet musicalises five poems through various means e.g. the metre offers a background of incessant rhythmic variation, the rhyming scheme dictates the form even aspects of the content form the base of the instrumentation. Medium level of difficulty. Requires a conductor.

Duration: 11' 00"

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CHF: 23.40
Maria A. Niederberger
Inferences (Rückschlüsse) (1985)

Instrumentation: for fl(afl).cl(bcl)bn/2perc/pf/vn.va.vc

Accentuated piano part.

Duration: 8' 00"

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CHF: 32.00
Ursula Gut
Teddybear's Dream (1993)

Instrumentation: for violin, violoncello, bassoon, harp, percussion and celesta

Duration: 10' 00"

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Benedikt Wolfgang Schiefer
Kanon (2006)
for violoncello solo and live electronics (ambisonic setup, min. 4 loud speakers)

"Kanon" is based on the overtone series of the cello strings C - G - D - A and works with each string's natural flageolets. The cello signal is picked up by the microphone and turned into a canon using an algorithm created expecially for this piece.

Duration: 7' 30"

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CHF: 15.60
Mathias Steinauer
Musik in 5 Teilen, op. 2 (1986)

Instrumentation: for three violoncelli and two percussionists

A play with formal superimpositions.

Duration: 17' 00"

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CHF: 25.80
(Material for performance availbale on loan)
Alfred Knüsel
Coplas (1987)

Instrumentation: for soprano, double-bass (or violoncello) and piano

Texts: Spanisch (Christof Jung)

A seven-part cycle based on anonymous Spanish verse, translated by Christof Jung.

Duration: 21' 00"

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Alfons Karl Zwicker
Nachtduett (1989-1990)
Cycle with poems by Georg Trakl

Instrumentation: for mezzo-soprano, bass, flute, harpsichord, four violins, viola, violoncello and double-bass

Texts: Georg Trakl

An erotic, sticky piece that takes the incestuous relationship between Trakls and his sister as its theme. 'Nachtduett' is a series of scenic poems predestined for the stage.

Duration: 20' 00"

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CHF: 68.70
Valentin Marti
Tres sendas espinosas (1995)

Instrumentation: for flute (alto flute) clarinet (bass clarinet), violin, violoncello, percussion and piano

Paths leading nowhere, a search leading to nothingness; subsurface there is a trace that, in its lack of direction, actually depicts the way. In three parts. This piece was first performed on 23.5.1997 in Zurich by the Ensemble for New Music (Zurich) under the direction of Johannes Harneit.

Duration: 15' 00"

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CHF: 32.00
Stephan Lauffer
Drei Quartettsätze (1995-1996)

Instrumentation: for flute, violin, viola and violoncello

Pastorale - Ballad - Dance

Duration: 6' 30"

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CHF: 15.60
(Parts: CHF 20.-)
Cécile Marti
Im Würfel (2005)

Instrumentation: for sextet (fl, cl, vn, vc, mar, pf)

"My form is created entirely out of straight lines and flat surfaces ordered at symmetrical right-angles. Every side, every line is the same as every other. Intersection facing intersection. This is me at peace with myself. I can begin rotating at the slightest movement, yet it is not always possible to forsee my path of motion, for the possibility of changing direction at any moment I leave open. My way is found along my edges or my corners. If I am not resting on a surface then I am moving in this linear fashion."
A square's eye view - its inherent form is the lead for musical transformation.
The ensemble follows characteristic figurations as a compact motional unit. The way leads from a description of the object through to the mechanisms of its motion and on to playfully gestural formulations.
Circular motions, rotation around a fixed axis, gradual advancement over sound layers, using pulses to create structure, fragmentary phases and moments of dancy movement are but a few aspects which infuse throughout this piece.

Duration: 8' 30"

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CHF: 31.80
Andreas Stahl
... immer im kreis herum (1986)

Instrumentation: for cello solo

A. Virtuoso piece. Caution: strings may break during intensive performance.B. Music film: b/w, 16mm, 11', production: Martin Rengel, cello: Conradin Brotbeck (film available on loan).

Duration: 12' 00"

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Alfons Karl Zwicker
Erfrorene Träume (1990-1992)
Cycle based on poems by Josef Kopf

Instrumentation: for mezzo-soprano and ensemble (fl(pic).cl(bcl)/hp.pf.hpd/2vn.va.vc.db)

Texts: Josef Kopf

Large-scale song cycle in which the metaphors of ice, cold and freezing are centralised. The leading part for the mezzo-soprano is extremely demanding in the emotional and technical areas. (Vocal range e# - b").

Duration: 29' 00"

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CHF: 66.70
Felix Baumann
Quintet (1992)

Instrumentation: for oboe, horn and string trio

Opposing elements growing increasingly apart.
Rights of performance reserved.


Duration: 22' 00"

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CHF: 24.00
Marc Kilchenmann
Manie - oder von der Tröstlichkeit eines Volksliedes (1993-1995)

Instrumentation: for twenty-two string instruments

Duration: 3' 00"

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CHF: 18.00
Stephan Lauffer
Chinesisches Sprichwort (1997)

Instrumentation: for choir (SATB), flute, clarinet, three violins viola and violoncello

Texts: Chinesisch

It is better to light a candle than to complain about the darkness.

Duration: 2' 00"

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CHF: 16.20
(Parts: CHF 14.00)
Benedikt Wolfgang Schiefer
Kadenz (2007)

Instrumentation: for 2 celli, double bass and harp

Duration: 9' 00"

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Willy Merz
Trois espaces (2008)

Instrumentation: Violoncelle et piano

Duration: 20' 00"

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CHF: 32.40
Parts and score
Balz Trümpy
Luzifer (1973/1975)

Instrumentation: for string quartet and double-bass

The musical development of the string quartet is in conflict with the hecklings of the double-bass.

Duration: 18' 00"

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CHF: 25.30
George Barcos
Homenaje a la Selva (1989)

Instrumentation: for flute, clarinet, violoncello and vibraphone

Diálogo de las flores - Danza de las abejas - Resurección de los árboles.

Duration: 7' 30"

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CHF: 22.00
Hans-Jürg Meier
etwas quintlastig (1993)

Instrumentation: for recorder, bass clarinet, viola, violoncello and two percussionists

The melody is expanded in a tower of quints. A row of variations in three parts where the melody sounds as a whole only in the second part.
Conductor is of use.


Duration: 6' 00"

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CHF: 13.30
Rico Gubler
taglio (1996)

Instrumentation: for violin, viola, violoncello and double-bass

Duration: 10' 00"

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CHF: 18.70
Valentin Marti
Euphotic Circles (1996)

Instrumentation: for soprano saxophone solo and ensemble (fl.cl/tpt/perc/pf/vn.va.vc.db)

"The fascinating colours, the successful combination of the three wind players and their perfect connection with the string players are very well mastered from a formal point of view, they let arise an ensemble piece in the truest sense of the word. (S. Palm)
World premiere: 31.7.97, Klagenfurt, Janus-Ensemble Wien Robert HP Platz (cond.).


Duration: 12' 00"

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Bruno Stöckli
Getönt (1997)

Instrumentation: for flute, clarinet, violin, violoncello, piano and percussion

Duration: 10' 00"

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CHF: 22.80
Ursula Gut
Postludium (1998)

Instrumentation: for violin, viola, violoncello and percussion

Duration: 17' 00"

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CHF: 19.30
Felix Schüeli
Untertitel (1999)
Trio

Instrumentation: for female voice, violoncello and piano

Texts: Alltags- Werbe- Mediensprache

The musicalised texts are original subtitles from the talk show 'Vera am Mittag' (SAT 1). The theme of the show was "You've become so fat and lazy".

Duration: 7' 30"

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Sarah Haessig
Die Geister am Mummelsee (2008)
Melodrama

Instrumentation: for voice, string quartet, flute and harp

Over a poem by Eduard Mörike.
Difficult interplay.

Duration: 9' 00"

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CHF: 22.80
Mischa Käser
5 Pieces (1985-1991)

Instrumentation: for clarinet and violoncello

A humming cellist with large lung capacity is required here. Very demanding piece. Clarinets in Bb, A and bass clarinet.

Duration: 13' 00"

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CHF: 16.70
Heidi Baader-Nobs
Duo pour violoncelle seul (1986)

Duration: 6' 00"

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Stefan Werren
3 Gesänge (1988)

Instrumentation: for soprano, two violins and cello

Texts: Paul Celan

Text: Paul Celan.

Duration: 3' 00"

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CHF: 14.70
Maria A. Niederberger
Tandem Points (1993)

Instrumentation: for flute, oboe, bass clarinet, horn, two percussion, violin, viola, violoncello and double-bass

Horn and percussion accentuated.

Duration: 9' 00"

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CHF: 43.80
De-Qing Wen
Le Souffle (1994)

Instrumentation: for six instruments (flute, clarinet, violin, violoncello, piano and percussion)

For the Chinese, the 'Yin' and the 'Yang' were in the universe from the beginning and all creatures are animated by the 'Qi', the breath of life. Inspired by the order of the 64 hexagrams of the Book of Mutations and their composition in six masculine or feminine symbols, I divided this piece into six registers and wrote the music of the 64 hexagrams consecutively for six musicians.

Duration: 8' 00"

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CHF: 16.70
(Parts: sFr. 18.-; € 18.-)
Dieter Ammann
Piece for Cello (1994/1998)

Duration: 9' 00"

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CHF: 12.70
Xavier Dayer
"In hellem stillem Zimmer..." (1996)

Instrumentation: for mezzo-soprano, bass, flute with piccolo, violin, violoncello and accordion, based on poems by Robert Walser

Texts: Robert Walser

The instrumental and vocal parts are, for the most part, written independently of each other.
Aspires to echo the poems and life of Robert Walser.


Duration: 11' 00"

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Bruno Stöckli
Rest (1999-2010)

Instrumentation: for flute, clarinet, violin, violoncello and piano

Duration: 10' 00"

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CHF: 31.80
Felix Schüeli
Sieben Geheimnisse (2000-2001)

Instrumentation: for mixed choir, orator, CD playback and ensemble (piano quartet and one percussionist: marimbaphone, vibraphone, large drum, small drum, flexatone, whip, cipher)

Texts: Alltags- Werbe- Mediensprache

Text: Commentary from the French national football team winning the world championships: "Aux larmes citoyens!", "La victoire est en eux!", "Ils iront tous aux paradis!".

Duration: 8' 00"

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CHF: 22.20
parts: CHF 22.-
Andreas Zurbriggen
... Mond Traum ... ich hör Sand und Steine weinen... (2009)

Instrumentation: for soprano, violoncello and percussion (vibraphone / percussion - 1 player)

Texts: Rose Ausländer


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Geneviève Billeter
Fantaisie (2010)

Instrumentation: for cello and piano

Duration: 5' 30"

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Jannik Giger
Karolina (2013)

Instrumentation: für Violoncello

Duration: 7' 00"

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CHF: 12.00
Martin Schlumpf
Les extrèmes se touchent (1975)

Instrumentation: for violoncello and piano

Technically difficult piece; a series of characteristic pieces.

Duration: 14' 00"

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CHF: 49.00
Heidi Baader-Nobs
Session (1988)

Instrumentation: for two violins, viola, violoncello, double-bass, flute (pic), oboe (ca), clarinet (Ebcl, bcl), bassoon (cbn), piano and marimba

Duration: 17' 00"

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Stefan Werren
Nächtliches Zeichen (1989)

Instrumentation: for violoncello

Duration: 3' 00"

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CHF: 12.70
Martin Imholz
Potenz (Oratorium) (1989)

Instrumentation: for clarinet, string quartet, orator and scenery

Four strophes with extremely differentiated parts, based on the principles of homoeopathy. For Joseph Beuys.

Duration: 10' 00"-15' 00"

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CHF: 14.70
Eliane Frances George
Mirage (1991-1992)

Instrumentation: for soprano, oboe, viola, violoncello and cymbalum (or soprano and piano)

A piece dealing with the transparency of life. An adventure into the essence of our elements: The moon - the soul - the sea - the sky - the guardian angel. The perfect man.

Duration: 5' 25"

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CHF: 18.00
Parts: CHF 20.-
piano reduction: 15.-
Felix Falkner
Gere Curam Mei Finis (1995-1996)
Memento

Instrumentation: for soprano, violoncello and organ

Texts: Bibel / Liturgie, Johann Wolfgang von Goethe, W.A. Mozart, Richard Scheid

Text: Buch Hiob, J.W. Goethe, W.A. Mozart, Richard Scheid.

Duration: 25' 00"

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CHF: 20.40
Valentin Marti
Rainshadows (1996-1999)

Instrumentation: for bass clarinet, trombone, violoncello and percussion

Shadowy diffused sounds are generated below the sound spectrum of the rainstick. Sounds which, the stronger and more corporeal they appear, the more fragile they really are.
Requires three rainsticks.
First performed by the 'Ensemble Avance' in Baden, 25.02.00.

Duration: 10' 30"

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CHF: 25.80
Bruno Stöckli
Bribes (2001)

Instrumentation: for viola, violoncello, trombone, tuba and piano

Duration: 10' 00"

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Bernhard Sieber
Meditation for violoncello and double-bass (1965)

Instrumentation: Violoncello, Kontrabass

Duration: 7' 55"

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CHF: 16.20
(Preis inkl. Stimmen)
Thüring Bräm
Sechs Haikai (1969)

Instrumentation: for solo Soprano, chamber choir, string trio and vibraphone

Texts: Japanische Texte

Six short Japanese three-liners. The choral part is on an advanced level but can be performed by good amateurs.

Duration: 8' 00"

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CHF: 28.80
Edu Haubensak
Tiefer & Tiefer (1983)

Instrumentation: for quintet (fl/vn.va.vc/pf)

Duration: 20' 00"

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CHF: 34.00
Thomas David Müller
Gehen, Fragment (1989)

Instrumentation: for violin, violoncello and clarinet

The first in a series of instrumental cycles where variations in the interplay and the resulting formal processes are subjects of the composition. Unusual playing techniques.

Duration: 9' 00"

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CHF: 22.00
Hans-Jürg Meier
duo di due per due (1994)

Instrumentation: for two violoncelli

Two separated but simultaneously played voices (one from Markus Wettstein, and the other from Hans-Jürg Meier) with only one obligation: both voices are of identical duration.

Duration: 7' 00"

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CHF: 16.70
Valentin Marti
Sculpture (1997)

Instrumentation: for violoncello solo

Fine tonal shapes are sculpted out of crude blocks. A piece with a high physical intensity (tremolo). First performed on the 28.04.97 in Vienna by Attila Pasztor.

Duration: 8' 00"

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CHF: 14.00
Felix Schüeli
Septett (2001)

Instrumentation: for trumpet, alto saxophone, tenor saxophone, trombone, violin, violoncello and double-bass

"I dealt with the subject of the four-part fugue in g minor from the WTK (Vol.I) as a model for this piece. I used these parts continually in various appendages and confronted them with a groovy theme." (composer).

Duration: 7' 00"

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CHF: 18.60
(Parts: CHF 16.-)
Louisa Lasdun
Gespräch(e) im Gebirg (2002)

Instrumentation: for seven players (fl[=pic].bcl.Ebcl/2vn.vc.db) and sound technician

A single movement in eleven parts with play-back tape commissioned by the 'Luzerner Kammermusiker'.The tape is comprised of text fragments from Paul Celans prose 'Gespräch im Gebirg', read by the author; fragments of a prayer-call from canton Uri, an English nineteenth century hymn and Hebrew lyrics from Bialik. This piece takes Jewish identity in German speaking areas as its theme.

Duration: 16' 45"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 26.70
Cécile Marti
Oktogon (2008)

Instrumentation: for string quartet and horn quartet

Four horns stand face on with a string quartet. These two close and self-contained sounding groups are led into a kind of duet. It begins with the construction of two sounds before developing into a back and forth oscillation between the two sounding groups. There follows a mutual attempt at tonal alignment and then fine variations where the groups enter an area of wavering tones. Re-colouring moments of the horizontal figurations or a hocket-like interplay between the two parties arises. The themetization of the instrument-specific base elements, the fifths tuning of the strings and the natural spectrum of the horn become the harmonic culture medium for the whole piece.

Duration: 12' 30"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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info@musinfo.ch
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CHF: 44.40
René Wohlhauser
Klavierquartett (Fassung für Flöte, Klarinette, Klavier und Violoncello) (1979-1984/1987)
Ergon 9b

Instrumentation: Flöte, Klarinette, Klavier und Violoncello

Ein Ausloten formaler und inhaltlicher Grenzsituationen, um im Auskomponieren der Tiefendimension weiter vorzustoßen, was zu einer gedrängten Dauer der Musik, zu einer Art "Texturpolyphonie" führt.

Duration: 9' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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info@musinfo.ch
www.musinfo.ch
CHF: 52.00
Mathias Steinauer
Aussch(l)uss, op. 7.1 / EinSchluss, op. 11.5 (1988-1998)

Instrumentation: for alto flute, violoncello and harpsichord plus recitation ad libitum

Texts: Christian Uetz

'Aussch(l)uss' for alto flute, violoncello and harpsichord (1988/98) (2'30)
'EinSchluss' for violoncello and harpsichord, as well as recitation ad lib. (1998) (3')
Text (ad lib.) by Christian Uetz.

Duration: 5' 30"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 15.60
Stefan Werren
Hymnus (1989)

Instrumentation: for violoncello

Duration: 3' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 13.30
Heidi Baader-Nobs
Contrevenant (1990)

Instrumentation: for violoncello solo and nine strings (2.2.2.1)

Duration: 16' 00"-17' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 36.00
(Solo part: sFr. 16.-)
Alfred Knüsel
Torso (1992)

Instrumentation: for violoncello solo

Duration: 4' 00"

SME/EMS
Postfach 7851
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CHF: 12.00
Louisa Lasdun
Smile (2008)

Instrumentation: for oboe, cello and piano


SME/EMS
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CHF: 18.60
Geneviève Billeter
Quatour à cordes N° 1 (2011-2016)

Instrumentation: for string quartet

Duration: 15' 00"

SME/EMS
Postfach 7851
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CHF: 31.80
Martin Wendel
Quartettino for oboe, violin, viola and violoncello, op. 10 (1957-1980)

Three movements as steps in a metamorphosis of a melodic material which stays strongly connected on the level of intervals.

Duration: 8' 00"

SME/EMS
Postfach 7851
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CHF: 21.00
Thomas David Müller
Gehen. 45 Forward and Backward Movements (1990)

Instrumentation: for violin (or violoncello) solo

Nine parts divided into forty-five segments, all of which can be combined to any individual formal process. The whole is almost exclusively in the first register whereas the bowing is differentiated. Unusual playing techniques are involved. Can be performed from an intermediate to virtuosic level.

Duration: ad lib.

SME/EMS
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CHF: 17.30
Vladislav Jaros
Cum grano salis (1992/2022)

Instrumentation: for wind quintet and strings

A polyphonic tonal meshwork - fluctuations between chromatic and polypentatonic - irridescent sound surfaces. For chamber musical performances: wind quintet and string quintet.

Duration: 15' 20"

SME/EMS
Postfach 7851
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CHF: 49.80
Martin Imholz
Duo (1992)

Instrumentation: for violin and violoncello with electronic amplification

A process from a fixed pitch grid off into unexplored parts of intonation.

Duration: 10' 00"-12' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 12.60
Alfred Knüsel
Partita (1992)

Instrumentation: for cello solo

Seven short interwoven sections expressing various moods.

Duration: 6' 00"

SME/EMS
Postfach 7851
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CHF: 12.60
Dieter Ammann
The Freedom of Speech (1995-1996)

Instrumentation: for flute (also bfl), clarinet (also bcl), violin, violoncello, percussion and piano

Duration: 18' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 37.30
(Parts: SME sFr. 66.-)
Irena Grieg
Quatricinium (1995)
Quartet

Instrumentation: for violin, cello and two clarinets

Duration: 20' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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info@musinfo.ch
www.musinfo.ch
CHF: 25.30
Claude Ferrier
Le Chemin sans traces (1996)

Instrumentation: for baritone and instrumental quintet (fl.cl/hp/va.vc)

Texts: Henri Gaberel

Based on the poem by Henri Gaberel.Version for orchestra (2(pic).2(ca).2(bcl)2(cbn)/4.2.3.1/4perc/hp.cel/str) available from the composer.

Duration: 16' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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info@musinfo.ch
www.musinfo.ch
CHF: 34.20
Rico Gubler
In Sand gemeisselt (1998)

Instrumentation: for viola, violoncello and percussion

Duration: 6' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 17.30
Bruno Stöckli
Museum (2004/2014)
7 Entretiens

Instrumentation: Flöte, Klarinette/Bassklarinette, Violine, Violoncello, Klavier (Cembalo ad lib.)

Die "7 Entretiens" erklingen hier in direktem Vergleich mit ihren historischen Vorlagen.

Duration: 18' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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info@musinfo.ch
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CHF: 22.80
Frédéric Perreten
Gris (2009)

Instrumentation: for violoncello and orchestr (2.2.2.2/4.2.2.1/2perc/str)

Duration: 9' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 17.30
Martin Imholz
Potenz II (1994)

Instrumentation: for clarinet and string quartet

Version for clarinet quartet.

Duration: 10' 00"-15' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 14.70
Hans-Jürg Meier
zeitsand (1995)

Instrumentation: for two recorders, zink, trombone, violin and two violoncelli

The 'Harmonies' by Erik Satie are the basis for several parts. Conductor of use.

Duration: 14' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 26.00
De-Qing Wen
Traces II (1996)

Instrumentation: for nine instruments (fl.cl/2perc/pf/vn.va.vc.db)

Chinese calligraphy is the essence of Chinese art. For me personally, it stands as an original score. From written characters, sounds emerge. With the words, music is created.

Duration: 12' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 24.60
Nicolas Bolens
Il Croco (1997)

Instrumentation: for vocals (B) piano and violoncello

Texts: Giovanni Pascoli

Duration: 5' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 12.60
Felix Schüeli
Dreitonal (2002)
Trio

Instrumentation: for oboe, violoncello and piano

Duration: 5' 30"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 20.00
Paul Clift
objets à réaction poétique (2015-2016)

Instrumentation: for nineteen instruments

Texts: Duineser Elegien

with texts from Duineser Elegien: Die erste Elegie by Rainer Maria Rilke and citations from Maurice Ravel's Concerto for Piano in G Major

Duration: 12' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 56.70
Andreas Brenner
Streichtrio (2022)

Duration: ca. 10 min

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 24.00
Parts: CHF 25.00
Alfred Knüsel
Intervention (1992)

Instrumentation: for cello solo

Duration: 3' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 12.00
Mathias Steinauer
Omaggio ad Italo Calvino, op. 10 (1993-1994)

Instrumentation: for clarinet (horn), violin (violoncello) and partly prepared piano

Version I: cl.hn.vn.pf (op. 10a) Version II: cl.vn.vc.pf (op. 10b) After three fantastical poems about the origin of the world.

Duration: 14' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 25.20
Hans-Jürg Meier
d'une autre vie (1996)

Instrumentation: for tenor recorder, violoncello and vibraphone

Three parts: véhément / paralysé / -.The recorder requires amplification in parts.

Duration: 14' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 22.70
De-Qing Wen
The Trill of Steppe (1997)

Instrumentation: für Violine, Cello und Klavier


SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 35.40
Valentin Marti
On a Darkling Plain (1998)

Instrumentation: for accordion, violoncello and four-handed piano

Combined polymerized growth, a sudden break and darkening decolouration. A subtle coordinated sound balance is essential for this piece.
First performed: 13.7.98 in Klagenfurt by the Austrian Art Ensemble.


Duration: 13' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 49.00
Felix Schüeli
Threetonality (2002)
Trio

Instrumentation: for transverse flute, violoncello and piano

Duration: 5' 30"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 21.30
(parts: CHF 14.-)
Lars Werdenberg
Trio (2006)

Instrumentation: for clarinet, violoncello and piano

Drei gehen über Stock und Stein
jeder seines Wegs
suchen sich einen Partner
DAS ALTE LIED I
gehen zuweilen Hand in Hand
verlieren den Boden unter den Füssen
finden sich schliessllich ganz oben
fallen einander ins Wort
DAS ALTE LIED II
zwei gegen einen?
einer gegen alle?
GLOCKEN.

This trio is dedicated to Elliott Carter who celebrated his 100th birthday in 2008.

Duration: 13' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 22.20
(Parts: CHF 20.-)
Cécile Marti
hidden (2011)
Duo

Instrumentation: for violin and cello

This piece was commissioned by Gare du Nord Basel. The commission was to write a musical 'work commentary' on Nikolai Rimski-Korsakow's Scheherazade.
The piece focusses on the two protagonists from the 1001 Nights saga, namely the Scheherazade and the Sultan Scharyar, which Korsakow mirrors with two main themes. The duo follow these themes with the minutest intervals. A duality gradually develops from a supposed unity without actually ever leaving the combined sound corporeality.

Duration: 13' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 15.00
Urs Peter Schneider
Nachmalig (1970-2017)

Instrumentation: für Klaviertrio

Duration: ca. 3'00''

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 18.00
Rudolf Jaggi
Souvenir sentimental (1966)

Instrumentation: for violin (or violoncello) and piano

Duration: 2' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 13.80
(Including violin and violoncello parts)
Walter Baer
Five Movements for Clarinet, Violin and Violoncello (1974)

These five short movements require a very sensitive interpretation - already obvious from the detailed notation. Composed in an atonal style, it features rhythmic and articulatory differentiated structures.

Duration: 8' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 15.00
Martin Imholz
Stück für Violoncello (1999)

Duration: 3' 30"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
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CHF: 12.00
Rico Gubler
FAL (1999)

Instrumentation: for bass clarinet / Eb clarinet, bassoon, horn, two violins, viola, violoncello and double-bass

Duration: 7' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 22.80
(Parts avasilable from SME/EMS: CHF 40.-)
Felix Schüeli
Riffs (2002)

Instrumentation: for violoncello and piano

Duration: 4' 30"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 16.20
Bruno Stöckli
Monodie (2008)

Instrumentation: for violoncello

Duration: 6' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 11.40
Luigi Laveglia
Black Bird (2008)

Instrumentation: for clarinet, violin, violoncello and piano

This is actually a prelude for Messiaen's "Quatuor pour la fin du temps" and written for the same instrumentation. It does, however, stand just as well performed on its own. The music is very colourful, partly abrupt with a very intimate middle part …

Duration: 11' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 18.00
Parts: CHF 25.-
Rajiv Satapati
Inspiration (2011)

Instrumentation: 1 Bkl, 1 Vlc, 1 Akk

Duration: 5' 40"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 13.20
Katharina Weber
Klaviertrio II (2018-2019)
Ten new Scenes

Instrumentation: for violin, cello and piano

1. Waldesweben/Woodwebs
2. Kleine Explosionen/Little Explosions
3. Wild/Wild Deer
4. Vorahnung/Presentiment
5. Schwere Bürde/Heavy Burden
6. Windhauch in den Blättern/Gentle Breeze in the Leaves 7. Aufbruch/Awakening
8. Vogelkreisen/Bird Circles
9. Energiespiel/Energy Game
10- Nachklang/Resonance


SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 24.60
Eric Gaudibert
Variations lyriques (1976)

Instrumentation: for violoncello solo

A re-working of a 1966 piece. This series of variations runs uninterrupted through twenty-one episodes. Scordatura: h.g.d.a#. The score exists in two versions: a sounding and a fingering. Precise rhythmic notation with standard playing techniques - quarter tones used in the lower register.

Duration: 14' 30"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 16.00
Balz Trümpy
Anima (2. Fassung) (1977/1978)

Instrumentation: for high voice, clarinet, horn, string quartet and piano

Texts: Anonymus, Heinrich von Morungen, Walter von der Vogelweide

This three-part work is based on text from a minnelied. The vocal line, which uses various sound modulations, is harmonically, melodically and rhythmically interwoven with the accompaniment.

Duration: 17' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
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CHF: 58.20
De-Qing Wen
Divination (1997)

Instrumentation: for six instruments (flute, clarinet, violin, violoncello, piano and percussion)

The ideal for ancient Chinese civilization is that nature and man are one. Although this piece seems to describe a divination ceremony and the natural elements, it mainly expresses the human feelings.

Duration: 19' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 49.30
parts: CHF 30.60
Valentin Marti
Den Schatten der Rose entdecken (1999/2003)

Instrumentation: Flöte, Klarinette, Violine, Violoncello, Klavier

First performed on 27.11.1999 in Boswil by 'Klangforum Vienna' under the direction of V. Kiradjiew.

Duration: 10' 40"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 21.30
Parts: CHF 30.-
Stephan Lauffer
Niobes Klage (2006-2009)

Instrumentation: for oboe, viola I and II, violoncello and double bass

Duration: 7' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 13.80
(Parts: CHF 13.-)
Geneviève Billeter
Duo de violoncelles (2016)
Hommage à Bach

Instrumentation: for 2 cellis

Sarabande

Duration: 4' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 9.00
Katharina Weber
Lauschen und Rauschen (2018-2019)
Einstimmung und Coda zum Klaviertrio II

Instrumentation: for violin, cello and piano

um die instrumentierten Waldscenen (Neun Klavierstücke) von Robert Schumann, op 82 (1848/49) ergänzt mit einerum die instrumentierten Waldscenen (Neun Klavierstücke) von Robert Schumann, op 82 (1848/49) ergänzt mit einer Einstimmung und einer Coda mit Publikumsbeteiligung


SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 12.00
Alfred Felder
Im See ist Feuer (1990-1997)
Music

Instrumentation: for violin, violoncello and orchestra

Double concert;
Score for orchestra: strings and two percussionists.
"The fire below and the sea above battle and defeat one another…" from the symbol GO out of the Chinese oracle book I Ging.


Duration: 30' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 39.30
Alfred Knüsel
de profundis (1992)

Instrumentation: for soprano, flute, violoncello, harpsichord, and percussion

Texts: Henriette Hardenberg

Cycle of three songs.

Duration: 7' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 24.60
Vladislav Jaros
Lapis Miraculum (1993)

Instrumentation: for English horn (violin, viola, violoncello) and guitar

A relatively easy to play, slow, transparent and colourful piece.

Duration: 6' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 12.00
Rico Gubler
offen gefaltet (1999)

Instrumentation: for violoncello solo

Duration: 6' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 14.00
Bruno Stöckli
Kikakokú (2009)
2 recitatives + arias

Instrumentation: for soprano, mezzo-soprano, flute, clarinet, violin, violoncello and piano

Texts: Paul Scheerbart, Oskar Pastior, Bruno Stöckli

Uses the quarter-tone system.

Duration: 14' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 34.80
Christophe Schiess
hors-jeu (2014-2015)

Instrumentation: pour clarinettiste et ensemble

Duration: 14' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 43.20
Parts: CHF 58.00
Katharina Weber
Waldszenen (R. Schumann) (2018-2019)
Arr. Katharina Weber

Instrumentation: for violin, cello and piano


SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 24.60
Alfred Knüsel
Perforation (1992)

Instrumentation: for cello solo

Duration: 5' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 13.80
Andreas Stahl
sextet (1993-1994)

Instrumentation: for soprano, violin, violoncello, trombone, percussion, piano, electronic tape and a piece of mechanical equipment

A half scenic attempt to look at the common ground between musical and theatrical operation and the resulting relationship between movement and sound.

Duration: 20' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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info@musinfo.ch
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CHF: 24.70
Thomas David Müller
Zwei Sequenzen: Stehstelle / Gehstelle (1993)

Instrumentation: for violin, violoncello, clarinet, three trombones and piano

Both sequences are attempts at reaching emptiness, and consequently to liberate space through non-speech and anti-speech methods respectively. The performers perform and as it were 'speak' on scrap metal texts taken from Thomas Bernhard's 'Gehen'.

Duration: 13' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
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CHF: 33.30
Hans-Jürg Meier
fast (1997)

Instrumentation: for tenor recorder and violoncello

Annäherungen - Abstossungen - fast ein Zusammentreffen

Duration: 11' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
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CHF: 15.30
Alfons Karl Zwicker
Konstellation mit Mondtransit (1998-1999)

Instrumentation: for soprano, violin, trombone, violoncello, clarinet and piano

A piece with aperspective performance practice. The ever-changing aspects on the radix planets (instrumentalists) by the transitory moon (soprano) are made audible.

Duration: 16' 00"

SME/EMS
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CHF: 40.00
Felix Baumann
spöttisch leicht - 5 Lieder nach Gedichten von Sarah Kirsch (1999-2000)
5 Songs based on poems by Sarah Kirsch

Instrumentation: for singing voice (mezzo-soprano), clarinet, violin, violoncello and piano

Texts: Sarah Kirsch

The line skips by Sarah Kirsch turn the readers into stumblers. Stumblers have to re-read the text if they want to understand its content. They gain, thereby, unexpectedly in time and fall to a deeper level.

Duration: 15' 00"

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CHF: 26.00
Josef Kost
Un Quatuor d'airs dialogués (1999)

Instrumentation: for flute, violin, viola and violoncello

This very difficult piece is based on the flute quartet by W.A. Mozart.

Duration: 14' 00"

SME/EMS
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CHF: 24.70
Rico Gubler
1. Suite für Viktor (2000)

Instrumentation: for clarinet, saxophone, violin, violoncello and piano

Quartet for bass clarinet, violin, violoncello, and piano [vetro] (3')Quintet [incontro] (2')Quartet for clarinet, baritone saxophone, violin and violoncello [with bundled energy] (1'45)Solo violin with accompaniment [like eternally broken glass] (4')Quintet II [Melody granulated] (2'30)

Duration: 14' 00"

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CHF: 31.20
(4 Suites for Viktor: CHF 80.-)
Bruno Stöckli
Melodie in d (2010)

Instrumentation: for piano (with flute, clarinet, violin and violoncello ad lib.)

Duration: 1' 00"

SME/EMS
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CHF: 10.80
Stefan Werren
Cantus (1991)

Instrumentation: for two celli

Duration: 8' 00"

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CHF: 16.00
Mathias Steinauer
Rumori cardiaci, op. 13 (1996)

Instrumentation: for flute, clarinet, violin, violoncello and piano

A short nocturne for the first heart beat of the ensemble 'Oggimusica'.

Duration: 5' 00"

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CHF: 15.30
Nicolas Bolens
Suite pour Neuf Instruments (1999)

Instrumentation: for wind quintet and string quartet

Duration: 11' 00"

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CHF: 21.60
Felix Baumann
Kadenzen für das Violoncello-Konzert in D-Dur von Joseph Haydn, Hob. VII b:2 (2000)

Instrumentation: for violoncello

1. Movement: 1'102. Movement: 12"3. Movement: 10" and 30"An attempt to propagate the compositional perspective of Haydn.

Duration: 2' 00"

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CHF: 11.40
Rico Gubler
2. Suite für Viktor (2000)

Instrumentation: for clarinet, saxophone, violin, violoncello, and piano

Duo for violin and violoncello [battuto – roughly a dance] (2')
Trio for clarinet, soprano saxophone and violin [approximately] (2'15)
Duo for clarinet and violoncello [mute ballet from billiard balls] (2')
Solo for clarinet (with additional instrumentation) [uneasy, murky] (2')
Trio for violin, violoncello and piano [inside pulsating] (2')
Quartet for bass clarinet, baritone saxophone, violoncello, and piano with poco solo violin [conspicuously quiet] (2')


Duration: 13' 00"

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CHF: 29.40
(4 Suites for Viktor: CHF 80.-)
Geneviève Billeter
Espiègleries I-III (2019-2022)
Trois piécettes

Instrumentation: for clarinet and cello

Duration: 3' 00"

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CHF: 13.20
Hans Eugen Frischknecht
Komposition für Violoncello und Orgel (1967)

Im ersten Teil verschmelzen Flageolettöne des Cellos mit einem leisen Orgelregister. Eine gewisse Dramatik weist der zweite Teil auf. Der dritte Teil entspricht dem ersten Teil – in Krebsform.

Duration: 6' 00"

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CHF: 14.00
Alfred Felder
Cercles (1992)

Instrumentation: for flute, clarinet, harp, string quartet and double-bass

Duration: 12' 00"

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CHF: 18.00
Felix Baumann
"nah / hautnah" (2000-2001)
'Radio Play'

Instrumentation: for orator, solo soprano, violoncello and ensemble (fl.cl/perc/pf/vn.vc)

Texts: Sarah Kirsch, Sappho, Michel Serres, Stefan Buri, Hans Magnus Enzensberger

Commissioned by and with support of 'Pro Helvetia', (the Swiss culture foundation) for the 50th anniversary of the Zurich Chamber Voice Choir. First performed in Zurich on the 20th November 2001 by the Chamber Voice Choir Zurich, Martina Fausch, Martina Schucan, Ensemble for New Music Zurich (Bernhard Erne). A piece dealing with the proximity of music and speech, the border area between commutation and murmuring, exactly there where the word is weak and the music has already begun.

Duration: 45' 00"

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CHF: 56.00
(Parts available from the composer)
Valentin Marti
Expansion of a Verse (2000)

Instrumentation: for alto flute, basset horn, violoncello and harp

A further independent version of 'Re-version of a Verse' which was left open for harmonic and formal additions. Intertwining structured sound surfaces; timbral changes.
First performed: 12.5.00, Zumikon by I.Bende (fl), V.Wandeler (bhn), B.Göttert (vc), I.-L. Stettler-Jansen (hp), Philipp Hefti (cond.).


Duration: 9' 45"

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CHF: 18.00
Rico Gubler
3. Suite für Viktor (2000)

Instrumentation: for clarinet, saxophone, violin, violoncello and piano

Trio for clarinet, tenor saxophone, and violoncello [too coarsely assembled, rupturing] (2')Quartet for clarinet, tenor saxophone, violin and piano [inert, of stone and columns] (2')Quintet [somewhat course, in the interstice] (1'45)Duo for violoncello and piano [reserved, singing I] (2')Duo for clarinet and tenor saxophone [linear, with defiance] (2'30)Duo violin and piano [reserved, singing II] (2')

Duration: 13' 00"

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CHF: 49.20
(4 Suites for Viktor: CHF 80.-)
Felix Schüeli
Erd und Abgrund (2004)

Instrumentation: for mixed a-cappella choir and solo violoncello

Over texts from the motet "Jesu, meine Freude" by J.S. Bach.

Duration: 11' 00"

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CHF: 18.60
Geneviève Billeter
Suite pour violoncelle (2019)

Instrumentation: for cello

Duration: 16' 00"-17' 00"

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CHF: 15.60
Walter Baer
Inventio Mercurii (1977)

Instrumentation: for violoncello solo

This piece is occupied with the discovery of the sonorous sounds of the string instruments (Hermes resp. Mercury discovered a rich sound, using the shell of a tortoise as a resonance chamber). Beginning with poorly resonating tones, and using appropriate playing techniques, the grand tone of modern instruments gradually developed.

Duration: 12' 00"

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CHF: 14.00
Thomas David Müller
Quintett (J'en ai perdu le souvenir) (1997)

Instrumentation: for flute, clarinet, violin, violoncello and piano

Elementary rhythm and sonority; little bass - uses Schubert's 'Ave Maria' as its structural reservoir. Very little instrumental alienation but it does alienate the usual techniques. Simple music, not particularly simple to play. The interplay (with conductor) is traditional.

Duration: 9' 00"

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CHF: 16.80
Hans-Jürg Meier
at (1998)

Instrumentation: for alto flute, trombone, violin, viola and violoncello

In the middle of the players sits a tub of water into which small pebbles are thrown. This triggers musical actions from the players.

Duration: 14' 00"

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CHF: 19.20
Rico Gubler
4. Suite für Viktor (2000)

Instrumentation: for clarinet, saxophone, violin, violoncello and piano

Quintet [Impulse, a choice] (2')Solo for violoncello [circling the resistance] (2'45)Quartet for clarinet, tenor saxophone, violoncello and piano [muted screaming] (2')Duo for baritone saxophone and violoncello [deep ground] (2')Duo for clarinet and piano [... and a waltz] (1'45)Duo for violin and soprano saxophone [exercise for the death of agogics] (2'30)

Duration: 13' 00"

SME/EMS
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CHF: 30.00
(4 Suites for Viktor: CHF 80.-)
Felix Baumann
Schwebungen (2001)

Instrumentation: for violoncello solo

Dedicated to Martina Schucan. First performed in Menorca, 3rd November 2001 by Martina Schucan.
Harmonic extremeties effect a continual toggeling between tension and relaxation. At the end remains the faint idea of the vicissitude at the beginning, now altered into a persistent and intensified dimension.


Duration: 8' 00"

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CHF: 14.00
Felix Schüeli
Prélude, Scherzo, Choral und Fuge (2006)

Instrumentation: for flute, violin, viola and violoncello

Duration: 11' 00"

SME/EMS
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CHF: 28.80
(Parts: sFR. CHF 28.-)
Bruno Stöckli
Konzert für Klarinette (2012)
und kleines Ensemble

Instrumentation: Solo-Klarinette, Flöte, Violine, Violoncello, Klavier, Percussion

Teilweise in Vierteltontechnik

Duration: 13' 00"

SME/EMS
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CHF: 34.20
Rajiv Satapati
Grido d'Amore (2012)

Instrumentation: 1 Kl, 1 Vln, 1 Vlc, 1 Git, 1 Akk

Duration: 1' 00"

SME/EMS
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CHF: 13.20
Stephan Lauffer
Phantasie sur "Entre le bœuf" (2019)

Instrumentation: Chor (4stg.), Flöte, 2 Violinen, Cello


SME/EMS
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CHF: 22.20
inkl. Parts
Jacques Demierre
Expinnocence (1986)

Instrumentation: for voice, two pianos and violoncello

Texts: William Blake

Written for an improviser/reader, these pieces attempt to recreate a fantasy world in honour of some of William Blake's poems.

Duration: 45' 00"

SME/EMS
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CHF: 48.00
Frédéric Bolli
Pentagramm (1988)

Instrumentation: for five strings (2vn.va.vc.db) and tansverse flute

Duration: 20' 00"

SME/EMS
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CHF: 37.20
Pierre Thoma
Strates (1989)

Instrumentation: for cello and piano

A drama about communication.

Duration: 9' 00"

SME/EMS
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CHF: 31.30
Hans-Jürg Meier
gar vorgang hat (1998)

Instrumentation: for bassoon, violoncello, mezzo-soprano and everyday objects

Texts: John Cage (Ernst Jandl)

A five-part piece where the first (chaste) parts are based on an identical time structure, the later parts are much less restricted.

Duration: 12' 00"

SME/EMS
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CHF: 21.30
Rico Gubler
KOR (2000-2001)

Instrumentation: for string quartet, tenor saxophone, percussion, bass clarinet and double-bass

Duration: 9' 00"

SME/EMS
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CHF: 52.80
(Parts available from the composer)
Felix Baumann
anhaltend (2001-2002)

Instrumentation: for two violincelli

Music based on the duo op. 54, Lettre F 2e livre by Jacques Offenbach.
First performed in St Gallen, 8th April, 2002 by Martina Schucan and Imke Frank. 'Anhaltend' can be played independently or as the third movement of the duo op. 54, Lettre F 2e livre von Jacques Offenbach, whereby the original third movement is replaced or played as the fourth. Music sounds exactly there where we least expect it and always different to how we expect it.

Duration: 9' 00"

SME/EMS
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CHF: 16.80
(Parts: CHF 16.20)
Valentin Marti
Fernruf J 12 (2001)

Instrumentation: for soprano, oboe, violoncello and piano

Texts: Alltags- Werbe- Mediensprache

The basis of the text for 'Fernruf J 12' is the the list of the Bolshevist musicians from the Berlin department for art preservation from 1935: it is the list of musicians which had to be displaced from the music scene. The piece works, from a musical point of view, with different levels of understanding i.e. repression and forgetting.
World premier: 22.05.02 in Basel by the aequator ensemble.


Duration: 13' 00"

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CHF: 26.00
Felix Schüeli
Fürchtet Euch nicht (2007)
Three pieces for the church (liturgical use)

Instrumentation: for soprano and violoncello

1. Einzug: Blasius-Segen (2'30)
2. Fürchtet Euch nicht - Folget mir nach (3'30)
3. Gabenbereitung: Nimm, o Herr! (2')

Duration: 8' 00"

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CHF: 14.40
Bruno Stöckli
Souvenir (2016)

Instrumentation: Flöte, Klarinette in B/Bassklarinette in B, Violine, Violoncello, Klavier, Vibrafon

Duration: 11' 00"

SME/EMS
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CHF: 27.60
Rudolf Jaggi
Alla francese (1968)

Instrumentation: for two violins or violin and violoncello

Duration: 4' 00"

SME/EMS
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CHF: 12.00
Pierre-André Bovey
Prélude (1978)

Instrumentation: for violoncello solo

Duration: 6' 30"

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CHF: 12.70
Balz Trümpy
Dionysos-Hymnen (2. Fassung) (1986-1988)

Instrumentation: for Baritone, violoncello and percussion

Texts: Altgriechisch

Based on texts from the hymns of Orpheus.

Duration: 17' 00"

SME/EMS
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CHF: 35.40
Laurent Mettraux
Exils, M. 484 (1994-1997)

Instrumentation: for violin, violoncello and two percussionists

Written in a non-traditional, but easily understandable notation. Mystery, parts of incantation with superposed tempi. The end is lyrical and nostalgic, the violin player leaves the concert hall while continuing to play.

Duration: 9' 00"

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CHF: 31.00
Urban Mäder
Das fette Echo u.a. (1996)

Instrumentation: vor violoncello solo (incl. voice)

Duration: 9' 00"

SME/EMS
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CHF: 19.30
Andreas Stahl
again, sam! (1998)

Instrumentation: for violoncello, double-bass, baritone saxophone, bass clarinet, two tenor-bass trombones and two percussion

An initial piece based on repetition in such a way that the repeated elements, located on many different levels, are not always immediately recognizable. This gives the impression of a loosely fabricated form. It is sonorously very soft, with lots of sounds and lots of interlocking rhythms. Requires a conductor.

Duration: 20' 00"

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CHF: 34.00
Rico Gubler
ZIR (2000)

Instrumentation: for clarinet, violin, viola and violoncello

Duration: 7' 00"

SME/EMS
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CHF: 21.30
Alfred Felder
4 Collagen über Texte von Mani Matter (1993)

Instrumentation: for six violoncelli and one orator (German in Bern dialect)

Texts: Mani Matter

1. "wenn doch nume die..." (4')
2. "oberi und underi" (3')
3. Ballade vom Nationalrat Hugo Sanders (5')
4. us emene lääre Gygechaste (5')
Four of Mani Matters timeless texts, this time a little different.
Can be performed and ordered singularly (sFr. 14.-, 10.-, 12.-, 14.-)


Duration: 17' 00"

SME/EMS
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CHF: 27.00
Thomas K. J. Mejer
Sex Crystals (1994)

Instrumentation: for flute, clarinet, horn, violin, violoncello and double-bass

A horn line is sweet-talked with high intensity by perfect fourths and fifths, only on a low dynamic level.

Duration: 6' 30"

SME/EMS
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CHF: 13.80
parts: CHF 20.00
Rico Gubler
KAL (2001)

Instrumentation: for soprano, oboe, violoncello and piano

Duration: 8' 00"

SME/EMS
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CHF: 34.20
(Spielpartitur)
Valentin Marti
splitting (2002)

Instrumentation: for clarinet, violoncello and piano

A tone is coloured and set in motion, fragments of this tone develop their own life, fan out and become tonally coloured.
First performed in Basel 04.06.02 by the Avalon Trio.


Duration: 12' 00"

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CHF: 24.00
George Barcos
4 Pièces (2005)

Instrumentation: for mixed voices (SATB), piano, violoncello and bassoon

Texts: Antoine de Saint Exupéry, Alfonsina Storni, Beaucarné, Théophile Gautier

Passarelles dans a nuit - Maisons alignées - Une triste boutique - Les batôns.

Duration: 10' 00"

SME/EMS
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CHF: 22.80
Bruno Stöckli
Makadam (2019)

Instrumentation: Flöte, Bassklarinette in B, Horn, Violine, Violoncello, Kontrabass, Klavier, Percussion

Duration: 12' 00"

SME/EMS
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CHF: 31.20
Jannik Giger
Tanz (2019)

Instrumentation: für Klavier, Bassklarinette und Cello

Duration: 10' 00"

SME/EMS
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CHF: 18.70
Parts: CHF 25.-
Eric Gaudibert
Contrechamp (1979)

Instrumentation: for flute, oboe, violoncello and harpsichord

The notation for the ensemble is traditional but in space notation for the harpsichord. The last section is notated on separate sheets with momentary points of reference. Standard playing techniques. The harpsichord needs an 8', 4' and lute stops.

Duration: 9' 30"

SME/EMS
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CHF: 24.70
Frédéric Bolli
Je suis ravi de vous revoir, Monsieur Ravel! (1990)

Instrumentation: for flute, violin, violoncello and four-handed organ (or piano)

Duration: 10' 00"

SME/EMS
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CHF: 20.70
Stefan Werren
6 Epigramme (1994)

Instrumentation: for violoncello

Duration: 11' 00"

SME/EMS
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CHF: 18.00
Alfred Knüsel
Sechs Miniaturen als Tafelmusik (1994)

Instrumentation: for recorder quartet, string quartet, harpsichord and singing voice

Duration: 10' 00"

SME/EMS
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CHF: 24.00
Maria A. Niederberger
Sonnenspur: Tonbilder aus Kalifornien (1996-1997)

Instrumentation: for flute, oboe, clarinet, bassoon, two percussion, piano, string quartet and double-bass

Fantasy, prelude, I. Nächtlicher Kojotentanz, II. Morgensonn' das Meer enthüllet, III. Purple Horses, IV. Yosemite.
Accentuated percussion.

Duration: 11' 00"

SME/EMS
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CHF: 63.00
Esther Roth
Las Tardes (1999)
Miniatures

Instrumentation: for harp and violoncello

Duration: 7' 00"

SME/EMS
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CHF: 14.00
Lars Werdenberg
MEETER-MAASS (2014)
zum 150. Geburtstag von Adolf Wölfli

Instrumentation: Flöte, Hackbrett und Violoncello

Duration: 9' 30"

SME/EMS
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CHF: 16.20
Jannik Giger
Vertige (2020/2021)

Instrumentation: Violine, Viola, Violoncello

Duration: 11' 00"

SME/EMS
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CHF: 30.00
incl. parts
Roland Moser
Based on popular German songs (1984-2002)
Strophes from the 'Knaben Wunderhorn'

Instrumentation: for soprano, flute, clarinet, violin, viola and violoncello

Texts: Volkslied

Also in a version for mezzo-soprano and the same instrumentation. Mutations in the same edition. Seven songs: ABC-Schützen - Papiers Natur ist Rauschen - Ein Musikant wollt fröhlich sein - Ich sass auf einem Birnenbaum - Das Vöglein Butschli Butschli Bu (Brentano) - Letzter Zweck aller Krüppelei - Ich hört ein Sichlein rauschen.

Duration: 17' 00"

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CHF: 21.30
Stefan Werren
Hölderlinfragmente (1994)

Instrumentation: for violoncello and piano

Duration: 18' 00"

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CHF: 24.70
Thomas K. J. Mejer
Macula Matris (1995-1996)

Instrumentation: for seven musicians (fl(pic,bfl,cbfl).cl(bcl,cbcl).bn(cbn)/tbn/hp/perc/vc), seven orators and seven dancers.

Texts: Hermann Berger, André Gide, Marisa Holder, Elfriede Jelinek, Milan Kundera, Irmgard Morgner, Karin Struck

A stage work, somewhere between performance and installation.


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CHF: 125.20
Urban Mäder
fast zerrissen (1997)

Instrumentation: for flute, clarinet, violin, violoncello, piano and percussion

Duration: 10' 00"

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CHF: 38.70
Thomas David Müller
Howl (2000)

Instrumentation: for viola, violoncello, clarinet, piano counter tenor (or alto) CD player and short wave radio (possibly one actor)

Texts: Allen Ginsberg

Alternating score and part notation. The solo voice is simple to intermediate. The interplay is not bound throughout by time.

Duration: 16' 00"

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CHF: 29.30
Hans Eugen Frischknecht
Wettspiele (1971)

Instrumentation: for two young cellists

Composed for amateurs. Very short parts allow for different playing techniques. These parts can be 'self-assembled' based on certain rules of play.

Duration: 7' 00"

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CHF: 12.00
Frédéric Bolli
Im Anfang war das Wort (1990-1991)

Instrumentation: for male choir and string quintet (2vn.va.vc.db)

Duration: 15' 00"

SME/EMS
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CHF: 40.70
Thomas K. J. Mejer
Einmal ich und du: Die Bombe im Herzen (1995-1999/2005)
Cycle of "songs" after poems by Ludwig Fels

Instrumentation: for flute (afl, pic), clarinet (bcl) and piano trio

N° 1: Elegische Ballade
N° 5: Sterbenswort
N° 10: Sexuelle Panik

Duration: 10' 00"

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CHF: 34.80
Hans-Jürg Meier
raum (1999-2000)

Instrumentation: for percussion, tenor recorder, viola and violoncello

A music that evolves in extended development, for a performance location with a lot of reverberation. An additional tone installation can sound simultaneously.

Duration: 18' 00"

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CHF: 33.30
De-Qing Wen
Silk Bamboo (2001)

Instrumentation: for flute and string quartet

This piece is inspired by 'Sizhu' (silk and bamboo). 'Sizhu' is a traditional Chinese musical form used popularly in Central-East and Southern China. The silk bamboo ensemble consists of "soft" instruments with si silk strings (pipa, erhu, zheng) and zhu bamboo instruments (bamboo flutes, dizi). In this work the composer tries to integrate the ideas of traditional Chinese music with modern Western composition techniques. The silk is soft - 'Yin' (feminine): pianissimo and lento. The bamboo is hard - 'Yang' (masculine): fortissimo and allegro. Although the instruments, the musicians, the way of composing and time have all been transformed the spirit of the music and the Chinese emphasis of the musical language remains unchanged.

Duration: 10' 00"

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CHF: 28.80
(Material available from the composer)
Andreas Stahl
erinnern - an sich (2001)

Instrumentation: for female voice, flute, oboe, violin, violoncello and piano

Written for the ensemble 'pre-art' for the 1700 anniversary of the Christianisation of Armenia. Text (mostly spoken) and music refer to the processes of memory and remembrance (resp. forgetting). Formally it is a triple duet (fl/vn, ob/vc, voc/pno) and is, as usual, situated on the rather extreme sector of sound production.

Duration: 18' 00"

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CHF: 34.70
Rico Gubler
Ortswechsel, eine Winteroper (2001)
19 Singings

Instrumentation: for clarinet, bassoon, horn, string quartet and speaker

Texts: Gert Loschütz

Text: Gert Loschütz.

Duration: 45' 00"

SME/EMS
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CHF: 67.80
Henri Scolari
Le Christ voilé (1948)
Catata

Instrumentation: for baritone and instruments (1(pic).1(ca).1(bcl).1/hn/hp/vn.va.vc(db ad lib.))

Texts: Patrice de la Tour du Pin

Fusion of a series of twelve tones with a constant reference to tonality.
Very expressive French poetry.

Duration: 19' 00"

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CHF: 74.00
(Reduction: CHF 30.-)
Alfred Felder
Night Chant (1996)
Music

Instrumentation: for violoncello and piano

An attempt to produce in music the secretive and magic text of the Indian ritual 'Night Chant'.

Duration: 25' 00"

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CHF: 21.00
Claude Ferrier
4 petites pièces (1999)

Instrumentation: for eight instrumentalists (fl.cl.bn/perc/hp/2vn.vc)

Duration: 6' 00"

SME/EMS
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CHF: 19.80
Rico Gubler
Roundabout - Zu Offenbachs op. 34 (2001-2002)

Instrumentation: for two violoncelli

Duration: 30' 00"

SME/EMS
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CHF: 24.00
Felix Baumann
...für und für (2004)

Instrumentation: for violoncello solo

In "...für und für" the music leaves the familiar tempering and linear time form. Ostensible impurity can, thereby, suddenly engage in an alien harmony. Rhythmically pulsating music, nice for the duration.

Duration: 7' 00"

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CHF: 12.60
Cécile Marti
Dancing Spectra (2018)

Instrumentation: For mixed Sextett

Instrumentation: Fl/Cl/Vl/Vc/Perc/Pno

Duration: 7' 00"

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CHF: 25.20
Thüring Bräm
Children Songs of the American Indian (1979)

Instrumentation: for solo soprano, vocal ensemble (SATB), oboe, viola, violoncello, and marimbaphone

Texts: Indianische Texte

The Children Songs (which received a prize from the University of California in 1973) are a kind of half scenic cantata based on Indian text.

Duration: 8' 00"

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CHF: 22.80
Stefan Werren
In lichten Höhen (1996)

Instrumentation: for cello and piano

Duration: 6' 00"

SME/EMS
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CHF: 17.30
Michael Schneider
Järvi (2009)

Instrumentation: for violoncello solo

Järvi (Finnish = the lake) relates a single cycle of the seasons from January to December based on the average temperatures and precipitation volumes in Punkaharju/Southeast Finland. This piece was created for performance at the Schweizerischen Jugendmusikwettbewerb and offers within its dramaturgical arc an introduction to various contemporary playing techniques for the violoncello.

Duration: 8' 00"

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CHF: 14.00
Rajiv Satapati
Grido d'Amore (Bearbeitung 2013) (2013)

Instrumentation: 1 Fl, 1 EH, 1 Kl, 1 Bkl, 2 Fag, 1 Hrn, 2 Tpt, 2 Pos, 1 Tba, 2 Vln, 1 Vla, 1 Vlc, 1 Ktb

Duration: 1' 00"

SME/EMS
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CHF: 12.00
Balz Trümpy
Emphatischer Gesang (1989/2000)

Instrumentation: for violoncello solo

Four expressive areas - combined organically or alternating abruptly - are set against each other.

Duration: 12' 00"

SME/EMS
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CHF: 21.30
Stefan Werren
Moment musical (1996)

Instrumentation: for violin and violoncello

Duration: 5' 00"

SME/EMS
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CHF: 18.70
Urban Mäder
Windstriche I (1998)

Instrumentation: for shakuhachi, string trio and percussion

Fine, transparent sound piece using the Japanese Zen flute, the shakuhachi. An attempt to converge.

Duration: 18' 00"

SME/EMS
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CHF: 39.00
Valentin Marti
im Wind geschliffen (Segesta II) (2006)

Instrumentation: for two recorders, violin, violoncello and harpsichord

Various positions or points of origin lead to different perceptions, to different truths about an object or event. Minimally displaced observation points lead to a drifting apart and drifting together of individual lines, to individual stickings on a single tone or form of articulation.

Duration: 12' 00"

SME/EMS
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CHF: 23.30
Mischa Käser
5 bagatellen (1994)

Instrumentation: for violoncello

For humming and singing cellist, contains partly very obsessive passages. Singing partly in quarter-tone, requires a good ear and attention to detail.

Duration: 3' 30"

SME/EMS
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CHF: 13.30
Maria A. Niederberger
Concerto for Oboe and Instrumental Ensemble (1999-2000)

Instrumentation: for oboe solo, flute (piccolo), clarinet, horn, harp, two violins, viola, violoncello and double-bass

This piece is suitable for oboe and ensemble but oboe and a small orchestra is preferable. The oboe is very demanding but the harp and horn also play important parts.

Duration: 20' 00"

SME/EMS
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CHF: 41.40
Felix Baumann
Übergang (2005)

Instrumentation: for bass clarinet (in B), bassoon and violoncello

Through the elongation of time in the deeper and darker register, the music (or rather the perceiving ear) nestles in an intermediate area between process and static, as if observed through a magnifying glass. From the abundance of innumerable possibilities emerges the presence of a singular transition.

Duration: 10' 00"

SME/EMS
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CHF: 19.20
De-Qing Wen
Wind and Snow in the Night (2002)

Instrumentation: for pipa (Chinese lute) and string quartet

Duration: 8' 00"

SME/EMS
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CHF: 23.00
Hans-Jürg Meier
die ganze übrige spanne ist nicht leben, sondern zeit (2001-2002)

Instrumentation: for voice (alto), flute (pic, afl)bassoon, trumpet, vioal, violoncello and piano,

Texts: Johann Peter Hebel, Hans-Jürg Meier

Music to the story 'Unverhoffte Wiederbegegnung' by Johann Peter Hebel. Composed partly rhythmically open.

Duration: 17' 00"

SME/EMS
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CHF: 36.70
Valentin Marti
In der Kälte des tauenden Eises (2006-2007/2009)

Instrumentation: for pipa, violoncello and clarinet

A work for two European instruments (clarinet and violoncello) and one Chinese instrument (pipa).
The title describes a non-stable state out of which various musical and cultural developments are possible.

Duration: 7' 30"

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CHF: 16.70
Esther Roth
Dem Kuckuck (2013-2014)

Instrumentation: für Violine, Klarinette & Violoncello

Duration: 11' 00"

SME/EMS
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CHF: 16.00
Cécile Marti
Ellipse (2021)

Instrumentation: for string quartet


SME/EMS
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CHF: 26.70
Thüring Bräm
Quiet Music I-III (1980-1981)

Instrumentation: for piano, flute, clarinet, oboe, violin and violoncello

No. III is a markedly beautiful piece to commemorate Berios 'O King'. No. I and II are confined to the piano and a melodic instrument of choice.

Duration: 8' 00"

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CHF: 24.00
Pierre-André Bovey
5 Echappées (1985)

Instrumentation: for flute (flute-G), violoncello and piano

For the 'Trio Coriolan'.

Duration: 7' 00"

SME/EMS
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CHF: 23.30
parts attached
Jean-Jacques Dünki
Kammerstück V (1987-1994)

Instrumentation: for violoncello and piano

Highly virtuosic for both instruments.

Duration: 9' 00"

SME/EMS
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CHF: 14.40
Urban Mäder
orten (2000)

Instrumentation: for tenor recorder, viola, violoncello and percussion

These three studies of intermediate difficulty are composed for a small resonant room.

Duration: 17' 00"

SME/EMS
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CHF: 21.00
Rico Gubler
variationen für viktor, fiori per luigi (2003)

Instrumentation: for clarinet, bassoon, horn, violin, viola, violoncello and double-bass

Including the fourth movement of the septet op. 20 by Ludwig van Beethoven.

Duration: 18' 00"

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CHF: 32.40
(Parts: CHF 50.-)
Rudolf Jaggi
Phase (1975)

Instrumentation: for violin (or violoncello) and piano

Duration: 2' 00"

SME/EMS
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CHF: 13.80
Stefan Werren
Memento mori (1998)

Instrumentation: for violoncello

Duration: 4' 00"

SME/EMS
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CHF: 13.30
Edu Haubensak
Vertikale Horizonte (1998)
Quartet

Instrumentation: for flute (bfl), clarinet (cl-a), violin and violoncello

Duration: 8' 00"

SME/EMS
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CHF: 18.70
Kit Powell
Sextett (2000)

Instrumentation: for clarinet, bass clarinet and string quartet

Duration: 11' 00"

SME/EMS
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CHF: 27.60
(Parts: CHF 42.00)
Felix Baumann
Urgrund (2010)
Duo

Instrumentation: for violoncello and piano

Duration: 12' 00"

SME/EMS
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CHF: 16.20
Valentin Marti
Out Of Chinatown (2008)

Instrumentation: for clarinet and violoncello

Duration: 9' 30"

SME/EMS
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CHF: 13.80
Rudolf Jaggi
6 Bagatellen (1977)

Instrumentation: for flute, violin and violoncello

Duration: 10' 30"

SME/EMS
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CHF: 16.20
Thüring Bräm
Zeitlupenstücke (1983)

Instrumentation: for clarinet, violoncello and piano

A single musical idea or gesture is explored in quasi slow motion.

Duration: 17' 00"

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CHF: 18.00
Pierre-André Bovey
Réparties (1987)

Instrumentation: for flute and violoncello

Duration: 7' 00"

SME/EMS
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CHF: 16.00
Alfred Felder
Traviata-Fantasie (2001)

Instrumentation: for violoncello and piano

A fantasy about the opera 'La Traviata' by Giuseppe Verdi.

Duration: 15' 00"

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CHF: 25.30
Balz Trümpy
Tahesha (1995)

Instrumentation: for flute or recorder (sopranino and alto recorder), violoncello and strings (4.4.2.2.1)

A preliminary instrumental study for the second movement of 'Helios'.

Duration: 12' 00"

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CHF: 58.00
Stefan Werren
7 Stücke (1998)

Instrumentation: for clarinet, cello and piano

Duration: 15' 00"

SME/EMS
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CHF: 24.00
Ruedi Debrunner
IM PULS (1999)

Instrumentation: for cello and piano

Duration: 7' 00"

SME/EMS
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CHF: 27.60
Victor Alexandru Coltea
Hyper Atom (2016)

Instrumentation: for flute, clarinet, violin, viola, cello, percussion, piano

Duration: 12' 00"

SME/EMS
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CHF: 32.40
Jürg Frey
Der Mensch gleicht einem Hauche (1993-1994)

Instrumentation: for counter-tenor, recorder, viola, violoncello, double-bass and organ

Texts: Bibel / Liturgie

Text: Psalms 144,4.At the heart, danger, desolation, and fragility are what most characterise this piece. The choice of notes is limited, and only collectively can their meaning be known.

Duration: 5' 00"

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CHF: 14.70
Rico Gubler
Turnaround (2005)

Instrumentation: for wind and string quintet (fl.ob.cl.bn/hn/2.1.1.1)

Evening News - Summertime - Today Special - Meteo - Sonntag 03.17 Uhr MEZ - Breaking News.

Duration: 12' 00"

SME/EMS
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CHF: 40.80
Valentin Marti
About a Bicycle? (2019)

Instrumentation: Altsaxophon, Violoncello

Duration: 15' 00"

SME/EMS
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CHF: 24.60
Ruedi Debrunner
Musaka Songs (2003)
Praphrase of Cameroonian hymns

Instrumentation: for precentor (m/f), monophonic choir, oboe, clarinet, bassoon, violin, violoncello and double-bass

Duration: 18' 00"

SME/EMS
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CHF: 43.20
(Parts: CHF 50.-)
Burkhard Kinzler
Fragment & Entrückung (2011)

Instrumentation: for mixed choir, transverse flute, 2 oboes, bassoon, 2 violins, viola, cello, violone

Texts: Antonia Bertschinger

Duration: 25' 00"

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CHF: 66.60
Mittelsatz "Paradies" separat erhältlich:
CHF 16.00
Katharina Rosenberger
Erzählung (2013)

Instrumentation: for flute, clarinet, percussion, piano, violin and violoncello

Duration: 11' 00"

SME/EMS
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CHF: 23.40
Rudolf Jaggi
Consolation (1978)

Instrumentation: for clarinet and string quartet

Duration: 3' 00"

SME/EMS
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CHF: 16.80
incl parts
Balz Trümpy
Passacaglia und Walzer (1997)

Instrumentation: for tuba, string quartet and piano

A series of variations over a bass result in a cathartic waltz.

Duration: 7' 00"

SME/EMS
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CHF: 18.70
Burkhard Kinzler
Paradies (2011)
aus Fragment & Entr?ckung

Instrumentation: f?r gemischten Chor, Traversfl?te 2 Oboen, Fagott, 2 Violinen, Viola, Cello, Violone


SME/EMS
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CHF: 16.00
Max E. Keller
Ausharren im Grauen (1988)

Instrumentation: for oboe, violoncello and piano

"A trio-piece of coagulate sound, quasi-captivated nerviness with bursts of desperate fury" (Frank Schneider on the world premiere).

Duration: 10' 00"

SME/EMS
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CHF: 20.00
Thomas K. J. Mejer
Sulphur (2001-2002)

Instrumentation: for improvisation trio (reeds, cello percussion) and symphony orchestra (4pic.4.3bcl.cbcl.3.cbn/4.4.4.1/3perc/16.14.12.10.8)

For the 'Koch-Schütz-Studer' trio and basel sinfonieta.
a commission for the Lucerne Festival.

Duration: 22' 00"

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CHF: 58.70
Urban Mäder
Treibgut (2002)

Instrumentation: for violoncello and string orchestra (5.4.2.2.1)

Commissioned by Festival Stings Lucerne with the soloist Patrick Demenga. It is the renewed attempt to convey the movement of nature in non-imitative musical outlines.

Duration: 11' 00"

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CHF: 26.40
Max E. Keller
Kreisen in den Tiefen (1988)

Instrumentation: for viola, violoncello and double-bass

Composed after the idea of monophonic lines with nuances in colour such as rotary movement and superimposition of rhythmical and melodic sequences.

Duration: 13' 00"

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Martin Wendel
Sonate für Violoncello und Klavier, op. 43 (1983)

In a lyrically soft manner this music copes almost completely without the typical violoncello cantilenas. Instead combinations of intervals full of tension are used in order to accentuate the active gestures in all three aspects of a whole.

Duration: 12' 00"

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Michel Hostettler
Deux Mélodies (1987)

Instrumentation: for alto, marimba and violoncello

Texts: Louise Labé

Baise m'encore- Je vis, je meurs.

Duration: 6' 00"

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Ruedi Debrunner
Cello &Cello (2005)
Piece work

Instrumentation: for 2 celli

Duration: 14' 00"

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CHF: 21.60
Burkhard Kinzler
Nürnberger Choräle (2012)

Instrumentation: for flute, clarinet, saxophone, trombone, cello, double bass, percussion

Duration: 16' 30"

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CHF: 27.00
Jürg Frey
Aufzählung. Licht. Tänzerin am Rand (1995-1996)

Instrumentation: for actor, female dancer, three instruments (flute, violoncello and accordion)

Duration: 20' 00"

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Max E. Keller
Konfigurationen II (1989)

Instrumentation: for alto and instrumental ensemble (flute, clarinet (bass clarinet), violin, violoncello, percussion and piano

Texts: Franz Hohler, Hansjörg Schneider, Jürg Schmied, Sascha Anderson, Max E. Keller

Eight texts, different in kind, from poetry to excerpts from military regulations. Theme: order fetishism as a contrast to a chaotic, self-destructive world. Authors: Franz Hohler, Hansjorg Schneider, Jürg Schmied, Sascha Anderson, Max E. Keller.

Duration: 16' 00"

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Laurent Mettraux
Sonate, M. 553 (1997)

Instrumentation: for violoncello and piano

An epic and dark work with an elegiac movement in the centre part.

Duration: 16' 00"

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(Seperate parts: sFr. 12.-; €12.-)
Hans-Jürg Meier
miracoli (2007)

Instrumentation: for violoncello

One can twist and turn it as one will, the eye will always read the surface as a spatial object.
With reference to the floor pattern of the church of Santa Maria dei Miracoli in Venice.

Duration: 1' 00"

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Vladislav Jaros
Capriccio d'estate (2009)

Instrumentation: for violoncello and piano

A spirited, rhythmical first part leads to a calm, poetic middle part broken only by motives from the first part. The sultry reprise and coda finish this piece that is rousing in every aspect.

Duration: 11' 30"

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Burkhard Kinzler
In nomine (2012)

Instrumentation: for mixed vocal / instrumental ensemble (SATB, 3rec, acn, vn, va, vc, db)

Five compositions by Old English composers (Taverner, Picforth, Bull) are adapted and partly altered compositionally.

Duration: 25' 00"

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Vladislav Jaros
Due minuti capricciosi (2009)

Instrumentation: for saxophone, bassoon, violin, violoncello, guitar, piano and percussion

A very turbulent piece. Hasty, breathless tempo.

Duration: 2' 00"

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Alfred Knüsel
gezogene Klänge (2000)
Six part work block

Instrumentation: for double-bass solo and chamber ensemble (1(pic).1.1.1(cbn)/1.0.0.0/perc/pf/2vn.va.vc)

Duration: 20' 00"

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Edu Haubensak
Mon silence discontinue! (2005)

Instrumentation: for soprano, oboe (English horn), violoncello and piano forte

Duration: 24' 00"
Manuscript
CHF: 32.00
Stefan Werren
Cantus 2 (2001)

Instrumentation: for clarinet in A and violoncello

Duration: 9' 00"

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Vladislav Jaros
Musik für drei Kontrabässe (2010)

Instrumentation: for 3 concert double basses (or 3 violoncelli)

"Musik für drei Kontrabässe" is a diversified piece of music in four movements, each carrying a programmable title:
I Einmarsch,
II Schizophrene Spielchen,
III Hoffnungslosigkeit,
IV Danza sarcastica,
This piece musically depicts the invasion of Czechoslovakia by the Soviets (1968) and the years that followed. The music does not necessarily need a programme.

Duration: 12' 00"

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Thüring Bräm
Streichquartett Nr. 1 (1987-1990)

A very diversified and animated work with a large cello solo (Er-Innerung 4 1/2), which can also be played as an individual piece. A commission for the International Music Festival, Lucerne.

Duration: 17' 00"

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CHF: 28.80
Jean-Jacques Dünki
Pessoa - Moment (1992)

Instrumentation: for soprano, clarinet (also Ebcl, bcl), violoncello (also viola), piano (also clavichord) and DAT play-back

Texts: Fernando Pessoa

Eight scenes from the poems of Portuguese writer Fernando Pessoa (1888-1935). The Soprano sings and recites in Portuguese, German and French. Very demanding for all performers.

Duration: 48' 00"

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CHF: 48.00
Jacques Demierre
Nous ici (1993)

Instrumentation: for voice, flute, clarinet, violin, violoncello and piano

Texts: Jacques Roman

Three main 'characters'. A text by Jacques Roman based on African rhythm organisation and inspired by the solo fragments of jazz saxophonist Charlie Parker.

Duration: 13' 00"

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CHF: 51.00
Roland Moser
... e torna l'aria della sera... (1998)
Song based on a poem by Pasolini

Instrumentation: for oboe d'amore and violoncello

Duration: 15' 00"

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CHF: 15.00
De-Qing Wen
Shanghai Prelude (2015)
Konzert

Instrumentation: für Cello und Orchester


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CHF: 45.30
parts: CHF 113.40
Stefan Werren
Nachklang (2002)

Instrumentation: for violin and violoncello

Duration: 4' 00"

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Hansruedi Willisegger
Quartet (1966-1967)

Instrumentation: for flute, clarinet, violin and violoncello

Duration: 20' 00"

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Rudolf Jaggi
6 Intermezzi (1984)

Instrumentation: for two violins, violoncello and clarinet

Duration: 8' 00"

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Stefan Werren
Mantra (2002)

Instrumentation: for cello solo, strings and percussion (two players)

Duration: 11' 00"

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Hans-Jürg Meier
goldiger Gupfhupf (2008)

Instrumentation: for 5 instrumental groups (piano and alto sax; alto sax and violoncello; violoncello and trombone; trombone and piano; e-bass and large drum) and 3 soloists (alphorn, violin and voice)

Several ups and downs in a hilly area. Enjoying the view on each occasion with a musical solo. For students.

Duration: 6' 00"

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De-Qing Wen
Ink Splashing IV (2018)

Instrumentation: for eight instruments

Duration: 11' 00"

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CHF: 53.40
Parts CHF 36.00
Stefan Werren
Wandlungen 1 (2005)

Instrumentation: für Violoncello und Klavier


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Balz Trümpy
Duetti Concertanti (2004-2005)

Instrumentation: for violin and violoncello

The reference to old forms and techniques stands in dialectical tension to the expressive complexity of the four pieces.

Duration: 22' 00"

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CHF: 31.30
Urban Mäder
Ballast (2009)

Instrumentation: for flute, clarinet, violin, violoncello, piano and percussion

Three movements: gestaut, dickflüssig, überschwappend.

Duration: 12' 00"

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De-Qing Wen
Lament of the Grassland (2019)

Instrumentation: for string quartet

Duration: 12' 40"

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CHF: 44.40
Score incl. Parts
Score also available individually
René Wohlhauser
vocis imago (1993-1995)
Ergon 20

Instrumentation: for flute, clarinet, percussion, piano, violin and violoncello

Conception of a dialectic tension between textual narrative and formal architectonically composite parts (inspired by literary narrative forms) integrated into a system of metric modulations.

Duration: 19' 00"

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CHF: 56.00
Stefan Werren
Lichtort 2 (2008)

Instrumentation: für Klarinette, Violoncello und Akkordeon

Duration: 8' 00"

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CHF: 18.70
Alfred Felder
de Profundis (2009-2010)
Musik für Sopran, Mezzosopran und Streichquartett

Instrumentation: Sopran, Mezzosopran und Streichquartett ("2Vl, Vla, Vc)

Texts: aus dem Psalm 130

1. de profundis (Mezzosopran), 2. fiant aures tuae (Sopran),
3. sustinuit anima mea (Mezzosopran), 4. misericordia (Sopran),
5. de profundis (Sopran und Mezzosopran)
es gibt auch eine Version Sopran und Bariton

Duration: 47' 00"

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CHF: 51.00
Stimmenmaterial ist beim Komponisten erhältlich
Stefan Werren
Transparent (2011)

Instrumentation: für Violoncello und Klavier

Duration: ca. 10'-11'

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CHF: 18.70
Rico Gubler
Riss (2019)

Instrumentation: Zwei Celli

Zehn kurze Studien über das Reißen als Klangproduktion auf dem Streichinstrument

Duration: 5' 00"

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CHF: 14.40
Jacques Demierre
Max and Moritz (1996)

Instrumentation: for speaker, flute, clarinet, violin, viola and violoncello

Texts: Wilhelm Busch

Musical version of the adventures of those two likeable rascals...

Duration: 20' 00"

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CHF: 40.20
Alfred Knüsel
eine Art Klangvorstellung - unbekannt - als wohltemperierte Gegenwelt zu durchtechnisierter Information (2005-2006)
Trio

Instrumentation: for violoncello, double bass and trombone

1. RetroSehnsucht
2. Assoziationsfelder
3. Environment, komplementär

Duration: 14' 00"

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CHF: 22.00
Stefan Werren
Herbstlicht (2012)
Neufassung

Instrumentation: für Flöte, Violine, Viola und Violoncello


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Rudolf Jaggi
Impression (1987)

Instrumentation: for flute (or violoncello) and piano

Duration: 4' 00"

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(Including part)
Max E. Keller
Konstellationen (1993-1994)

Instrumentation: for flute, violoncello and piano

A dense, permanently shifting net of relations between instruments: one instrument acts 'equal' 'similar', 'contrary' or 'concomitant' to another.

Duration: 11' 00"

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Alfred Felder
Songs of time (2010-2010)

Instrumentation: Countertenor, Flöte (+Altflöte), Klarinette (+Bassklarinette), Violine, Viola, Violoncello, Kontrabass, Klavier, Schlagzeug

1. Bereschith (hebräisch), 2. Abwun d'bwaschmâja (aramäisch), 3. Sura Al-Imran (arabisch), 4. Kadacit (sanskrit), 5. Essais (Montaigne, alt-französisch), 6. Phaidon (Platon, griechisch) 7. Vivamus (Catull, latein), 8. Leaves of Grass (Whitman, englisch) 9. Em-chet (Ptahhotep, alt-arabisch) dazwischen Sequentia I - VI

Duration: 59' 44"

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René Wohlhauser
Gedankenflucht (1995)
Ergon 22

Instrumentation: for violoncello and piano

'Flight of thought' is a term used in psychiatry and means a mad, neurotic drifting of thoughts. The procedure of the slowed intuitive improvisation which declines all planable construction (like the crisis of analytical rationality), should lead to the formal categories of order dissolving into a flow and allow space for a new audio-experience.

Duration: 11' 00"

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Bernhard Sieber
Variationen über "Deep River" für Violoncello allein (2011-2016)

Instrumentation: Violoncello solo

Ein schwieriges Werk über eine Spiritual-Melodie, die mich seit meiner Jugend immer bewegt hat. mindestens für Studienzwecke geeignet; verlangt auch Beherrschung der Daumenlagen und in Variation 8 eine gitarrenähnliche Pizzicato-Technik.

Duration: 20' 00"

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Edu Haubensak
Octaves for Four (2013)

Instrumentation: for piano quartet

Violin, viola and violoncello in scordatura.
Piano in tempered tuning.

Duration: 19' 00"

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Michel Hostettler
Prélude (1993)

Instrumentation: for violoncello

Duration: 6' 00"

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Alfred Felder
Past, Present & Future (2013-2014)
from Leaves of Grass/on the Beach by Walt Whitman

Instrumentation: Sopran, Flöte, Klarinette, Violine, Viola, Violoncello, Kontrabass, Klavier

Texts: Walt Whitman, Leaves of Grass

Duration: 13' 00"

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Eric Gaudibert
Deux airs (1995)

Instrumentation: for soprano, violoncello and percussion

Texts: Giambattista Marino, Catharina von Greiffenberg

Extracts of the Concerto lirico.
1) " Miro, rimiro… " for soprano and violoncello (or accordion)
Lyrical air on a poem by Giambattista Marino.
2) " Schwing dich, meine Seel" for soprano and percussion ad libitum
Large dramatic air on a poem by Catharina von Greiffenberg. The percussion comprises a tam tam and six temple blocks.


Duration: 12' 30"

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CHF: 15.00
Alfred Felder
Vision quest (2014)

Instrumentation: Klarinette in A, Violoncello, Klavier

Meine Musik „Vision quest“ ist eine Reise in die nicht alltägliche Wirklichkeit, es ist für mich eine Sinn-Suche. Es gibt einen Prolog, dann 6 Sätze, die ich links nenne, weil sie zusammen verkettet sind und einen Epilog. All diese links gehen ohne Unterbruch ineinander über.


Duration: 20' 00"

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incl. parts
Thomas K. J. Mejer
Princes' balls (2013)

Instrumentation: for contrabass flute, contrabass saxophone, tuba and sextet (fl, cl, pf, perc, vn, vc)

Written for the "Kontra-Trio" Lucerne and the "Moscow Contemporary Music Ensemble", created for the project "Stravinskij Revisited".
Suite in five movements:
Wickedly
Obscured Beautiful
Insisting
Seductive
Concealed

Duration: 13' 00"

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parts: CHF 52.00
Alfred Felder
Furusato (2015)

Instrumentation: Streichquartett (2 Vl, Vla, Vc)

über das japanisches Lied Heimat (Furusato)

Duration: 16' 00"

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René Wohlhauser
Quantenströmung (1996/1997)
Ergon 23b

Instrumentation: for flute, cello and piano

'Quantum streaming' is defined by Gilles Deleuze as the transition of one energy state to another. In this piece I am mainly interested in the different energy forms, primarily potential energy and kinetic energy: What is the nature of the positional condition and the positional orientation, resp. energy density and energy transformation capabilities which charge a potential energy and set a process in motion.

Duration: 10' 00"

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CHF: 37.80
Thomas K. J. Mejer
Towards Capillary Attraction (2014)

Instrumentation: für tentet (fl, ob, cl, bn, hn, 2vn, va, vc, cb)

Duration: 20' 00"

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parts: CHF 70.00
Jean-Jacques Dünki
Vers (1997)

Instrumentation: for two cellos

Duration: 3' 00"

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CHF: 11.40
Thomas K. J. Mejer
Rusty Engines Resume (2017)

Instrumentation: für sextet (fl, cl, vn, vc, perc, pno)

Duration: 13' 00"

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parts: CHF 50.00
Alfred Felder
Sarabande (2019)
-b-a-c-h-

Instrumentation: Violoncello solo

für Maja Weber, Kommentar zur 5. Bach Solo-Suite

Duration: 6' 00"

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Max E. Keller
weniger und mehr (1996-2013)

Instrumentation: for violoncello, accordion and piano

The title 'weniger and mehr' (less and more) describes a principle that defines individual processes. The work begins with a series of vigorous accordion decresecendi that become ever shorter (LESS in volume and duration) and separated by ever increasing (MORE) intervals. A rhythm, the cells of which appear throughout the whole piece, is formed simultaneously within these sounds: less in sound means more in rhythm. How and to what degree is a dialogue between the instruments possible? - This question is a further aspect expressed in, among other things, the exploration of opposing extremes of register or, contrariwise, unisono, or in attempting to bridge distances.

Duration: 13' 00"

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Vladislav Jaros
A la recherche du temps perdu (2012)

Instrumentation: for flute, violin, viola and violoncello

A postmodern piece, extended tonality and polytonality, full of life, partly contemplative then lively and dancy again. Interesting effects.

Duration: 10' 00"

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Bernhard Sieber
Fantasie für Violoncello (2017-2018)
Transposition der Fantasie für 5-saitigen Kontrabass

Duration: 6' 00"

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CHF: 9.00
Thomas K. J. Mejer
Bildersog (2019)

Instrumentation: für Flöte, Klarinette, Baritonsaxophon, Violine, Violoncello und Klavier

Duration: 58' 00"

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CHF: 89.30
Parts: CHF 90.-
René Wohlhauser
Entropia (1997-1998)
Ergon 24

Instrumentation: for violoncello solo

'Entropie' (ital. entropia) Is the measure of increasing disorder in a closed system. Entropy increases in any natural concurrent process. Interesting from a compositional point of view is the autodynamic process of the disorganisation of a strict order to growing "disorder", almost immediately creating new legalities of modes of action in the context. The composer becomes the observer of the drift in the piled up energies inherent to the material.

Duration: 11' 00"

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Alfred Felder
Songs of myself (2020-2021)

Instrumentation: Klaviertrio, Violine, Violoncello, Klavier

6 Sätze - inspiriert von Texten vom Buch "leaves of Grass" von Walt Whitman

Duration: 45' 00"

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with parts
Eric Gaudibert
Canzone (1998/2007)

Instrumentation: for flute and violoncello

This work is based on melodic elements and rhythms taken from a 12th century chanson and a 14th century estampie. It demands a good technique for the high and muted notes. The flute player also uses the bass flute. At the end the 4th string of the cello is lowered by a fourth.

Duration: 12' 30"

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Bernhard Sieber
Säerspruch (Bariton und Kontrabass) (2017)

Instrumentation: Bariton (B - f') und Violoncello oder Bariton und Kontrabass

Texts: Conrad Ferdinand Meyer

Duration: ' 52"

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Thüring Bräm
Krajiny Snu (1992)

Instrumentation: for piano trio, chamber orchestra (2.2.2.2/2.2.0.0/str) and one crotale

The title 'Krajiny Snu' means 'dreamlandscape' and represents shreds of the composers associations with his work as a conductor from 1985 to 1995 in Pardubice. This work, originally dedicated to the 'Guarnieri Trio', Prague and the Pardubice Chamber Phillharmonic, enriches the category of concert for piano and orchestra.

Duration: 17' 00"

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version for Piano trio: CHF 13.-
Eric Gaudibert
Fantaisie concertante (1998-1999)

Instrumentation: for pianoforte and baroque string quartet

This work in one movement is a homage to Carl Philipp Emanuel Bach. It contains quotates from the Fantaisies and from a Rondo by this composer. The pianoforte part is either in a free style, concert-like or very rhythmic and demands an advanced level of play. The quartet is written in traditional notation. The piano which was used for the world premiere was a copy of an instrument of 1815.

Duration: 16' 00"

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Eric Gaudibert
Canzone a tre (1998-2000)

Instrumentation: for recorder, Baroque violin and Baroque violoncello

Can be played with modern instruments. The flute doubles the piccolo. This is a delicate piece inspired by a song from the 12th Century and a saltarello from the 14th Century. The original canzone was composed for flute and violoncello.

Duration: 10' 00"

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Rudolf Jaggi
2 Stücke (1996)

Instrumentation: for flute (or violoncello) and piano

Based on 'Zwei Lieder' (1957/69).
Consolation - Tristesse

Duration: 6' 00"

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Hans Eugen Frischknecht
Quintett (1999)

Instrumentation: for flute, clarinet, violin, violoncello and piano

A multi-part composition with contrasting parts.

Duration: 16' 00"

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René Wohlhauser
Die Auflösung der Zeit in Raum (2000-2001/2011)
Ergon 26f, work number 1607

Instrumentation: for clarinet (bass clarinet), violoncello and piano

A piece dealing with the volatility of temporal experience in the infinitude of room.

Duration: 15' 00"

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Max E. Keller
Integration I (1998)

Instrumentation: for string quartet and improvisations trio

This work leaves behind the identity of the classical tradition and its strengths (string quartet is widely notated; frequent free improvisation from the jazz tio (saxophone, piano and percussion)) and brings them together only there where real points of contact exist. Integration II and III are conceived in a similar way.

Duration: 14' 00"

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Michel Hostettler
Khourounk Deghere (2000)
Psalm 130 (129) in Armenian

Instrumentation: for soprano solo, English horn and four strings

Duration: 8' 00"

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Roland Moser
Petite Sarabande pour Käthi (2006)

Instrumentation: Vc

Die Petite Sarabande ist auch Teil des Stücks "Drei Widmungen" (für Violine und Violoncello), hier jedoch ergänzt mit einer Violinbegleitung.

Duration: 3' 00"

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Rudolf Jaggi
Kleine Elegie (1997)

Instrumentation: for violoncello and piano

Duration: 3' 00"

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(inkl. Stimme)
Jing Yang
Identity (2017)

Instrumentation: for Pipa and String Quartet

Duration: 9' 30"

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Jing Yang
Totentanz (2015/2020)

Instrumentation: Cellokonzert

When I was looking at the old painting "Totentanz" (Dance of Death) in Bern in Switzerland, I thought that despite so many differences between East and West traditions, religions and cultures, there are such profound similarities in the depths of the human mind! In 2020, the year of the White Mouse, the unseen Reaper is active all over the world and it is difficult to avoid it. Life and death, this eternal theme since ancient time haunts us today and tomorrow, in life and in arts.

This is an unusual concerto. Instead of regular orchestra instruments it uses natural materials like paper in different forms to produce different levels of tone colours, rhythms and musical articulations to support and contrast the solo cello. The white paper is an indispensable material and colour in the ceremony of Chinese people to hold the memorial ceremony for the dead. It has occupied irreplaceable symbolism and a strong sense of ritual in people's hearts from ancient time to the present.

In this piece of music, the ensemble creates different tones from strong, eruption sounds to euphemistic voices by beating, tearing or strongly vibrating the paper instruments to broaden and tightly support the solo cello. The unconventional instrumental combination used in the concerto changes the contrast between sound and tone. It brings unpredictable soundscapes. This adds a mysterious, even magical note to the music and fills it with tension.

The cello part contains strongly dynamic sections as well as the inner reflection singing sections. It brings two parallel melodies together and emphasizes the change of timbre in the operation of a single line, that forms up a multi-dimensional acoustic state of itself. It reflects the unstoppable dynamics and omnipotent divine power of the god of death.

Grim Reaper tore the hearts of those who lost loved ones. It took life away lightly like if it were a piece of paper. It left the helplessness of people and the sorrow of losing loved ones, and the silent prayer to bless the deceased: Let‘s pray that the souls of all people who became victims of the virus will rest in peace!

Duration: 9' 30"

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Jing Yang
"Himmlischer Fluss" (2020)

Instrumentation: Soprano, Flute/Piccolo, Bass Clarinet Bb, Piano, Violin, Cello, and Percussion (one player)

Texts: Li Bai (701 -762)

Instrumentation: Soprano Flute/Piccolo (Paper + Paper Roll) Bass Clarinet Bb (Paper + Paper Roll) Piano + Nylon string or fishing string for bowing Glass soft Tree branch Violin (Paper + Paper Roll) Cello (Paper + Paper Roll) Percussion (one player): Bass Drum (or CN big Drum) Cymbals Metal Board Little Tibet metal temple bowls 8 (pieces in micro Tone) Big Gong + little river Stone Shell Chain Cello Bow Stick Vibraslap

Duration: 10' 20"

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Hans Eugen Frischknecht
Quartett (2005)

Instrumentation: for flute and three strings (vn, va, vc)

This work lives for the most part from the contrast between the flute and the three string instruments. The string players sit during the performance and the flutist stand behind them.

Duration: 11' 00"

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Roland Moser
Drei Widmungen (2010)

Instrumentation: für Violine und Violoncello

I Kleine chromatisch-enharmonische Phantasie für Hansheinz Schneeberger (2001)
II Petite Sarabande pour Käthi (2006/2010)
III Barcarola (Paraphrase) per le due (2010)

Duration: 9' 00"

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Balz Trümpy
Aufschwung (2013)

Instrumentation: for violoncello solo

A further virtuosic solo piece with the parts 'Introduction', 'Aria', 'Ballad' and 'Aeolian Song'.

Duration: 9' 00"

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Eric Gaudibert
Message(s) (2004)

Instrumentation: for violoncello solo and string quartet

This is an enriched version of 'Message' for violoncello solo. The solo part is exactly the same but divided up into four episodes. The viola also remains in the role it played in the first version. The notation for the strings is relatively easy.


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Urs Peter Schneider
Trüb (2001-2017)

Instrumentation: für Klaviertrio

Duration: 3' 00"

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Thüring Bräm
Le Piccole Stagioni (1997)

Instrumentation: for piano trio, flute and singing voice

Texts: Anna Maria Bacher

Four seasons poems by the poet Anna Maria Bacher from Pomatt in the Italian version; short, transparent pieces.

Duration: 7' 00"

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CHF: 20.40
Max E. Keller
Zwillinge (Twins) (2001)

Instrumentation: for clarinet (bcl), trombone, violoncello and piano

This work is based on the interactions of the instruments in such a manner that the very close combination of twos (twins) are at the centre and with which one, two or no 'free' instruments can consort. The musical process is born of a dialectic between the above mentioned network and its realisation through three almost archetypal musical base models.

Duration: 10' 00"

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Balz Trümpy
Der Geist des Tals (2013)

Instrumentation: for soprano, trombone, cello, percussion and piano

The Ensemble Eunoia's suggestion that I write a piece dealing with the letter 'U' set off in me a chain of associations relating to this vowel. The starting point was the tonal character of the phoneme U: For me its dark, earthy, warm timbre equated to the symbolic image of the Mother ("uterus", "ursprung" (=origin)...). My text selection combines the following excerpts taken from literature and lore that evoke different aspects of the Mother symbol: In the 3rd hymn of the legendary poet and Dionysus priest Orpheus, night is celebrated as the Mother of gods and men. In the second part of Goethe's "Faust", Mephistopheles describes the nocturnal and sinister descent into the obscure realm of the Mothers ("No way! Into the untrodden ..."), where Faust wants to lead Helena back to life. A mother grieving for her son and creation forms the basis of the liturgical "Stabat Mater". And finally, the text of "Tao te Ching" to the "valley spirit" elevates the image of the Mother as the origin of heaven and earth to the spiritual.

Duration: 17' 00"

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Max E. Keller
Sans cesse (2001)

Instrumentation: for oboe, bassoon, horn, trombone, violin, viola, violoncello and double-bass

Duration: 9' 00"

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Eric Gaudibert
Au delà (2005)

Instrumentation: for flute, viola and violoncello

The fourth string of the viola is lowered to G (one octave lower than the third string). The fourth string of the violoncello is lowered a minor third to A. Accessory: a bow for the flutist. At the end of the work the violist and the flutist both play on the strings of the violoncello. A discreet quotation appears in the middle of this trio: the beginning of the 'Gesänge der Frühe', op. 133 by Robert Schumann.

Duration: 15' 00"

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CHF: 18.60
Eric Gaudibert
Images japonaises (2005)

Instrumentation: for horn and string quartet

This work quotes a Haiku recited once by the hornist. It is inspired by the acidic sounds of Gagaku (music of the imperial court of Japan) and by the tense melismas of Nô. The string quartet's tempo is generally independent of the horn's. The five instrumentalist need to have a good command of micro intervals. The particular timbre of the quartet derives from researching the "fake" unisons.

Duration: 18' 00"

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Roland Moser
... e torna l'aria della sera... (2012)
Canto sopra una Ballata del Pasolini per Violino e Violoncello

Instrumentation: Vl, Vc

1998: Erste Fassung f. Ob d'Am. und Vc (15')

Duration: 12' 00"

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Max E. Keller
Schnitt-Muster (2002)

Instrumentation: for flute, clarinet, piano, percussion and string trio

Sometimes completely different musical types or structural samples are set aside each other in a similar way to the effect achieved while zapping through television channels, sharp cuts which seem at first random are yet intentional. Even the other meaning of 'cut-sample', the prefabrication of something based on a template or the stereotypical also receives acknowledgement through the mimicry of musical styles. In this manner various fields of popular music are touched upon - even contemporary music cannot escape.

Duration: 7' 00"

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Francisco Obieta
Altenrheinisches Konzert Nr. 1 (2015)
in memoriam Jan Dismas Zelenka

Instrumentation: für Flöte, Violine, Violoncello und Cembalo

An update for Baroque small Ensemble

Duration: 20' 00"

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Roland Moser
Pierrot Soldat (2012)
Extended moments I

Instrumentation: for flute, clarinet, percussion, piano, violin and violoncello

Duration: 11' 00"

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Max E. Keller
Inseln (2002)

Instrumentation: for viola and violoncello

World premiere: October 2002 in Reutlingen.

Duration: 7' 00"

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Michel Hostettler
Trio (2006)

Instrumentation: for violin, violoncello and marimba

Duration: 9' 00"

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Ernst Pfiffner
Zachäus (1990)

Instrumentation: for violoncello solo

Work series A: Music for concerts.

Duration: 9' 00"

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René Wohlhauser
Der Marakra-Zyklus (Version ohne Violine) (2006-2011)
eine Art Oratorium auf lautpoetische Texte des Komponisten

Instrumentation: for Soprano, baritone, flute, clarinet, cello and piano

Duration: 80' 00"

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Ernst Pfiffner
"... ahnten sie nicht" (1992)

Instrumentation: for alto, flute, English horn, viola, violoncello, small percussion

Texts: Karl Mittlinger

Work series A: Music for concerts.

Duration: 16' 00"

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Michel Hostettler
Trio (2009/2012)

Instrumentation: for violin, viola and violoncello

Janus — Oiseau-lune — Petite pomme rouge.

Duration: 17' 00"

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Hansruedi Willisegger
Bitte, Lob und Dank (1973)

Instrumentation: for cantor, three sopranos, mixed choir, congregation, three orators, three flutes, violoncello, double-bass and bongos

Duration: 12' 00"

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Ernst Pfiffner
Eine Kantilene vom Menschen (1992)

Instrumentation: for choir, oboe, violoncello and percussion

Texts: Matthias Claudius

This piece is based on the poem 'Empfangen und genähret' (Received and Nourished) by Matthias Claudius in connection with extracts from the book Kohelet (300 BC). Despite being scored for three vocal and three instrumental parts, the fascinating phenomenon of monophony is kept throughout,Work series A: Music for concerts.

Duration: 4' 00"

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Max E. Keller
nel pomeriggio (2006)

Instrumentation: for baritone saxophone and string quartet

A comfortable afternoon in a dusty café: as in times past, a string quartet plays a waltz that nobody listens to, a never-ending, continuously repetitive violin melody and an almost imperceptibly shifting accompaniment. Added to this is a completely inappropriate baritone saxophone - sometimes blending in, sometimes detached and sometimes obstinately defiant. Suddenly a bang! And everything collapses into shadowy ruins.

Duration: 7' 00"

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(Parts available from the composer)
Max E. Keller
Eingriffe (2006)

Instrumentation: for flute, clarinet, piano, violin, viola and violoncello

The initial material consists of two melodies and two rhythmical sequences; these can be varied causing their superposition's to result in a countless number of related musical forms. The recurring formal idea is the "undampered clew": a dense, wide mesh that thins out then squeezes itself into the centre of the sound space. In this clear, goal-orientated process, diversity is encroached upon: three instruments temporarily break out of the process, colourful accents engage with the continuous mezzo forte, the process stops momentarily, the residual viola tips over into the realms of noise etc.

Duration: 12' 00"

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Ernst Pfiffner
"Da der Tod" (1991-1993)

Instrumentation: for monophonic choir, alto, orator, flute, English horn, viola, violoncello and small percussion

Texts: Karl Mittlinger und W.A. Mozart

Work series A: Music for concerts.

Duration: 25' 00"

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René Wohlhauser
'Srang (2007)
Ergon 36

Instrumentation: for soprano, flute, clarinet and violoncello

Based on an onomatopoeic text by the composer.
The development of an aesthetic of fragments as a metaphor for fragmentary perception.

Duration: 10' 00"

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Max E. Keller
concertare e improvvisare (2007)

Instrumentation: for flute, oboe, clarinet (bcl), violin, viola, violoncello and improvising piano

This work contrasts notated music with improvised music. The sextet is extensively notated; the piano merely has several verbal suggestions. There are, however, also moments of improvisation in the sextet where, for example, each instrument initially and independently of the others repeats a phrase, which gradually changes following verbal instructions. Each begins this process with great intensity, playing as loud and as quickly as possible – very much in the style of early free jazz.

Duration: 14' 00"

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Roland Moser
Federchen (- nach den Flügen) (2019)
für Violoncello und Klavier

Instrumentation: Vc, Klav.

Duration: 8' 00"

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René Wohlhauser
Sokrak (2008)
Ergon 39

Instrumentation: for soprano, flute, clarinet, violoncello and piano

Based on an onomatopoeic text by the composer.
Sounds change from instrumental noises to sound frictions and from virtuousic buzzing to vocal noises.

Duration: 10' 00"

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Roland Moser
Vier kurze Selbstgespräche mit einem Violoncello (2020)

Instrumentation: for cello solo

Duration: 8' 00"

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Max E. Keller
"Fünf Improvisationsmodelle für Jugendliche" sowie "In Regen, Blitz und Donner" (2008)

Instrumentation: for youths with any instruments (including everyday objects and carnival market instruments) + 2 saxophones and violoncello

The improvisational models "Kartenspiel", "Zündschnur", "Sonntagnachmittag", "Wasserfall" and "Gewitter" are first and foremost to be understood as individual concepts. Duration and instrumentation remain open. The pieces can be realised using normal instruments or everyday objects (plastic bags, paper, pan lids, table tops, pieces of wood, pieces of metal, cutlery, crockery etc.). "Wasserfall" and "Kartenspiel" are possible exceptions as the graphics require pitch and pitch modulation, but even this can be realised using carnival market instruments, lotus flutes or the voice as well as conventional instruments. "Gewitter" can also be the framework of a whole form: One of the other concepts can be played during a stop under a balcony etc..
"In Regen, Blitz und Donner" is ultimately a through-composed version of the preceding possibility where three further instruments are added.

Duration: ad libitum

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René Wohlhauser
Iguur - Blay - Luup (2009)
Ergon 40

Instrumentation: for soprano solo, soprano and baritone duo, and soprano with small ensemble (bass flute, bass clarinet and violoncello)

Based on own onomatopoeic text.
In the emblematics of the virtual language Sulavedic the word "iguur" stands as a metaphor, which has been mystified into "blay" through an unexpected resonance in order to resurrect in "luup" in a changed, purified and contextually different form.

Duration: 16' 00"

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Max E. Keller
Wendepunkte (2009)

Instrumentation: for piano, percussion and string quartet

For advanced amatuers.
This piece was composed for the music Matura. The education of young people is the same for all until the Matura stage. Here, at the first major turning point in their lives, individuals must decide which direction they wish to take. Thus the 'turning point' became one fundamental concept behind this work, walking together and walking alone became another. They are processed on various levels - both on the quasi-motif and the formal.

Duration: 13' 00"

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René Wohlhauser
Luup (2009)
Ergon 40, Nr. 3, Musikwerknummer 1527, auf ein lautpoetisches Gedicht des Komponisten

Instrumentation: for soprano, bassflute, bassclarinet and cello

Die spezielle weiche Klanglichkeit des kleinen Ensembles, die durch die Besetzung Baßflöte, Baßklarinette und Violoncello erzeugt wird, kontrastiert mit den skurrilen musikalischen Gestalten des Soprans.

Duration: 6' 30"

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CHF: 19.20
Max E. Keller
Trio fluido (2009)

Instrumentation: for violin, violoncello and piano

Here we have three different elements that flow (a word used in its broadest sense): sustained sounds, wide-reaching melodies and an often repeated phrase from Swiss folk music. These elements are not only varied extensively, but also superimposed. Every so often, short and sometimes very strong opposing figures appear, occasionally cristalising out of the flow. Such opposing figures also form the finish, which leads into another world.

Duration: 7' 00"

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René Wohlhauser
Charyptin (2010)
Ergon 42

Instrumentation: for soprano, baritone, flute, clarinet, violin and violoncello

Texts: René Wohlhauser

Based on own onomatopoeic texts.
This piece deals with the possibilities and impossibilities of interaction, the mixing and exchanging of roles between vowels and instrumental sounds.

Duration: 13' 00"

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Max E. Keller
Peanuts (2009)

Instrumentation: for flute, clarinet, violin, viola and violoncello

Peanuts are trivialities, in this case a 3-minute scherzo for the 30th birthday of the Theater am Gleis. The well-known bebop piece "Salt Peanuts" is quoted in this work.

Duration: 3' 00"

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René Wohlhauser
Charyptin (Fassung ohne Violine) (2010/2013)
Ergon 42, Nr. 1b, Musikwerknummer 1662, auf lautpoetische Texte des Komponisten

Instrumentation: Fassung für Sopran, Bariton, Flöte, Klarinette und Violoncello

Duration: 13' 00"

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Max E. Keller
ich, du, wir (2010)

Instrumentation: for flute, clarinet, percussion, piano, violin, violoncello

Composed for the 25th anniversary of the 'ensemble für neue musik zürich', this short piece attempts to trace the path to togetherness (ensemble), from I to we. A unity is drawn twice from a dense fabric of independent lines, initially on a trill surface and then in unison at the end.

Duration: 1' 00"

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Max E. Keller
Gravuren (2010)

Instrumentation: for string quartet and percussion

This composition is based on a process or a figurative concept: one or several lines are engraved into a surface, derived from the opposing string surface and percussion line. Surfaces and lines exist in the most varied of forms, colours, intensities and mutations thereof, and the contrast traverses various grades and forms. By utilising three cardboard boxes, the percussion section is also able to play flat rubbing noises that create an approximation of everyday sounds. The spectrum expands at various points throughout the work when totally different elements are suddenly introduced.

Duration: 7' 00"

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René Wohlhauser
Marakra Code 2 (2011)
Ergon 44/II, work number 1604

Instrumentation: for soprano, baritone, flute, clarinet, violoncello and piano, with percussion

Texts: René Wohlhauser

Following a double turning point (in bar 110) the onomatopoeic series of syllables at the beginning turn into semi-semantic text fragments, while reversely the instrumentalist's style of play moves from a quasi-traditional technique to sounding fragmented and noise-like.

Duration: 15' 00"

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Max E. Keller
Où est le roi? (2010)

Instrumentation: for flute, violin, violoncello and organ

1747: King Friedrich II challenged J.S. Bach to create a 3-part fugue over his own fugue theme, which resulted in 'The Musical Offering'.
2010: The Schweizer Kammerensemble challenged five very different composers to work with the same fugue theme. I transformed it with a contemporary edge into a theme consisting of 2 x 12 different tones - in the sense of 12-tone music but with a slight irregularity. The relation to Bach is initially almost imperceptible, a connection can only be drawn from the rhythm and the fluctuation in colour of the noise-like string sounds. The theme undergoes the normal transformations until it finally emerges in quasi purity.

Duration: 7' 00"

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René Wohlhauser
Uom Raswékje Nadak (2012)
Ergon 45, Nr. 2, Musikwerknummer 1638, auf formantengenerierte Phoneme des Komponisten

Instrumentation: Sopran, Bariton, Flöte, Klarinette, Schlagzeug, Klavier, Violine und Violoncello

Duration: 20' 00"

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Max E. Keller
wanawizzi II (2011-2012)

Instrumentation: for flute, clarinet, violin and violoncello

Duration: 8' 00"

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Max E. Keller
Ruh' (2011/2012)

Instrumentation: for soprano and violoncello (or soprano and baritone)

Texts: Max E. Keller

As with many of my compositions, Ruh' (calmness) is based on a richly varied yet simple and easy-to-follow model. Soprano and violoncello continuously find calmness on a quiet unisono, an octave or double octave paraphrased on tonal, rhythmical or sound colour levels. This is followed by a "solo" or "a due" break out into turbulent fields - sometimes also indicated in the lyrics - and the return to a resting tone. Almost like in real life.

Duration: 5' 00"

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Max E. Keller
mit Pfiff (2012)

Instrumentation: for flute, bass clarinet, piano, violin, viola and violoncello

The leitmotif of this piece is indeed, as the title suggests (Pfiff = whistle), an instrumental whistle by the whole ensemble, which is followed in each case by a kind of echo - be it hard and loud accents or soft chords.
(Trans.: mit Piff also translates as 'with flair' or 'with zing').
Dedicated to the Ensemble Theater am Gleis Winterthur for it's 20th anniversary.

Duration: 2' 00"

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Thüring Bräm
6 schräge Ländler nach Franz Schubert (2015)

Instrumentation: für 4 Celli

UA: Valendas 11. Juli 2015 durch Ensemble Canticelli unter Jürg Eichenberger


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Max E. Keller
Das Tattoo blickt böse (2012)

Instrumentation: for soprano and string quartet

Texts: Max E. Keller

Duration: 10' 00"

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René Wohlhauser
L'amour et la liberté (Ensembleversion) (2014)
Ergon 53, Nr. 3, Musikwerknummer 1709, auf verbotene (und lautpoetisch codierte) Texte von Jean-Paul Sartre und auf erlaubte Texte von Simone de Beauvoir

Instrumentation: Fassung für Sopran, Bariton, Flöte (& Baßflöte), Klarinette (& Baßklarinette), Violoncello und Klavier

Texts: Jean-Paul Sartre, Simone de Beauvoir

Duration: 9' 00"

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Max E. Keller
Keim - con sorpresa (2013)

Instrumentation: for flute clarinet (bcl), piano, violin, viola, violoncello

This work develops from a simple kernel on the one hand, and displays surprising aspects on the other. And so the kernel grows exuberantly, quasi-uncontrolled, in unpredictable directions, notes remain surprising - like mistakes - enduring to form a surface of contrasts. Suggestions expand into preludes, after beats into codas; the surfaces become noise-like. These surfaces dominate from the middle part onwards, and the kernal fragments and repeats, simultaneously rising up as a pulse. In addition to the little surprises, four structures are spliced in, none of which have anything to do with the kernel: sorpresa.

Duration: 12' 00"

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René Wohlhauser
Je me sens un salaud (Ensembleversion) (2014)
Ergon 53, Nr. 4, Musikwerknummer 1712, auf verbotene (und lautpoetisch codierte) Texte von Jean-Paul Sartre und auf erlaubte Texte von Simone de Beauvoir

Instrumentation: Fassung für Sopran, Bariton, Flöte (& Baßflöte), Klarinette (& Baßklarinette), Violoncello und Klavier

Texts: Jean-Paul Sartre, Simone de Beauvoir

Duration: 15' 00"

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René Wohlhauser
L'amour est une duperie (Ensembleversion der Kammeroper) (2014-2015)
Ergon 53, Nrn. 11, 3, 10 und 4, Musikwerknummern 1749, 1709, 1745 und 1712, auf verbotene (und lautpoetisch codierte) Texte von Jean-Paul Sartre und auf erlaubte Texte von Simone de Beauvoir

Instrumentation: Fassung für Sopran, Bariton, Flöte (& Bassflöte), Klarinette (& Bassklarinette), Violoncello und Klavier

Texts: Jean-Paul Sartre, Simone de Beauvoir

Duration: 75' 00"

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René Wohlhauser
L'amour et la liberté (Ensembleversion mit Violine) (2014-2015)
Ergon 53, Nr. 7, Musikwerknummer 1730, auf verbotene (und lautpoetisch codierte) Texte von Jean-Paul Sartre und auf erlaubte Texte von Simone de Beauvoir

Instrumentation: Fassung für Sopran, Bariton, Flöte (& Baßflöte), Klarinette (& Baßklarinette), Violine, Violoncello und Klavier

Texts: Jean-Paul Sartre, Simone de Beauvoir

Duration: 9' 00"

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Max E. Keller
Kreisen (2014)

Instrumentation: Flöte, Klarinette, Oboe, Violine Violoncello, Cembalo

Im Zentrum der Komposition steht die sog. kreisende Bewegung, welche aus Überlagerungen von rhythmischen und melodischen Sequenzen fortwährend neue Konstellationen generiert. Mehrfach entwinden sich freie, improvisatorische Formen dieser strengen Architektur. Sie findet ihren Höhepunkt in einer dichten, vierfachen Überlagerung von zwei Duos und zwei Soli, die sich abbauen und schliesslich auf einem gemeinsamen Akkord enden.



Duration: 11' 00"

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René Wohlhauser
Je me sens un salaud (Ensembleversion mit Violine) (2014-2015)
Ergon 53, Nr. 8, Musikwerknummer 1731, auf verbotene (und lautpoetisch codierte) Texte von Jean-Paul Sartre und auf erlaubte Texte von Simone de Beauvoir

Instrumentation: Fassung für Sopran, Bariton, Flöte (& Baßflöte), Klarinette (& Baßklarinette), Violine, Violoncello und Klavier

Texts: Jean-Paul Sartre, Simone de Beauvoir

Duration: 15' 00"

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Max E. Keller
Bergluft (2014)

Instrumentation: Flöte, Klarinette, Klavier, Violoncello, Kontrabass

Duration: ' 30"

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René Wohlhauser
L'amour est une duperie - l'amour n'est pas une symbiose (2014-2015)
Ergon 53, Nrn. 1-12, auf verbotene (und lautpoetisch codierte) Texte von Jean-Paul Sartre und auf erlaubte Texte von Simone de Beauvoir

Instrumentation: for Soprano, Baritone, flute (&bass flute), clarinett (&bass clarinet) violin, cello, piano

Texts: Jean-Paul Sartre, Simone de Beauvoir

Duration: 3h 32' 00"

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Thüring Bräm
Testaccio (2017)

Instrumentation: 5 Stücke für 2 Celli

Duration: ca. 9'30''

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René Wohlhauser
L'amour est une duperie (Ensembleversion mit Violine der Kammeroper) (2014-2015)
Ergon 53, Nrn. 11, 7, 10 und 8, Musikwerknummern 1749, 1730, 1745b und 1731, auf verbotene (und lautpoetisch codierte) Texte von Jean-Paul Sartre und auf erlaubte Texte von Simone de Beauvoir

Instrumentation: for Soprano, Baritone, flute (&bass flute), clarinett (&bass clarinet) violin, cello, piano

Texts: Jean-Paul Sartre, Simone de Beauvoir

Duration: 75' 00"

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Urs Peter Schneider
Onkel und Tante (2020-2021)
Rückbesinnungen

Instrumentation: for 2 or 3 strings and piano

Duration: ca. 1'30'' pro Fassung

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René Wohlhauser
Je passe un temps aussi fort que possible (Ensembleversion) (2015)
Ergon 53, Nr. 10, Musikwerknummer 1745, auf verbotene (und lautpoetisch codierte) Texte von Jean-Paul Sartre und auf erlaubte Texte von Simone de Beauvoir

Instrumentation: Fassung für Sopran, Bariton, Flöte (& Baßflöte), Klarinette (& Baßklarinette), Violoncello und Klavier

Texts: Jean-Paul Sartre, Simone de Beauvoir

Duration: 40' 00"

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Max E. Keller
Vordergrund-Hintergrund (2016)

Instrumentation: Violoncello, Klavier

Zwei Ideen bestimmen das Stück: ein schroffer Kontrast zwischen einem hauchdünnen Tenuto des Cellos in Extremlagen gegenüber harten, kurzen, aggressiven Klavierakkorden, die das Tenuto abblocken, ja fast zerstören. Im Verlauf des Werkes aber kehrt sich die Rollenverteilung zwischen Klavier und Cello auch um. Aber sind vielleicht harte Gegensätze in der Tiefe durchaus verwandte Pole? In diesem Sinne steht am Ende des Stückes ein leicht ironische Versöhnung der beiden Akteure.

Duration: 10' 00"

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René Wohlhauser
Quala Mirs (2016)
Ergon 58, Nr. 5, Musikwerknummer 1779, auf ein Gedicht des Komponisten, 3. Teil der großen Vokaltrilogie "Drei Gesänge", Kompositionsauftrag des Fachausschusses Musik Basel-Stadt und Baselland

Instrumentation: Fassung für Sopran, Bariton, Baßflöte, Baßklarinette und Violoncello

Duration: 11' 00"

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René Wohlhauser
Trio für Flöte, Klarinette und Violoncello Nr. 1 (2016)
Ergon 57, Musikwerknummer 1772

Instrumentation: for flute, clarinet and cello

Was kann entstehen, wenn man praktisch mit nichts startet und versucht, dieses
Nichts durch eine möglichst phantasievolle Handhabung verschiedenster Verarbeitungstechniken zu ganz unterschiedlichen, weit ausholenden Prozeßverläufen zu entwickeln?

Duration: 13' 00"

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Max E. Keller
Holzschnitte (2017)

Instrumentation: Flöte, Klarinette in B (Bassklar.), Schlagzeug, Harfe, Violine, Viola, Violoncello

Holzschnitte sprechen einfache Wahrheiten ohne viel Beiwerk unzweideutig, unmissverständlich und bisweilen auch verletzend direkt aus. Nicht zuletzt deshalb sind Holzschnitt in der politischen Kunst des 20. Jahrhunderts oft verwendet worden. In der Komposition "Holzschnitte" geht es in diesem Sinne in 7 sehr unterschiedlich langen Teilen um einfache musikalische Archetypen, die durch Überlagerung der 7 Instrumente (also Polyphonie) und Variation durchaus eine gewisse Komplexität entwickeln können. Im 4. Teil werden analog dazu in Stichworten das Scheitern und die enorme Zahl menschlicher Opfer bei der Umsetzung sozialistischen Ideologie in der Realität verbal ausgesprochen. Nur Vietnam bleibt als positives Beispiel übrig.



Duration: 12' 00"

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Max E. Keller
Ins Freie (2017)

Instrumentation: Improvisationskonzept für Bassklarinette, Marimba oder Vibraphon & Schlagzeug ad libitum, Klavier, Violine, Viola und Violoncello

In den 68er-Jahren wurde in der Neuen Musik oft mit einem politischen Hintergrund improvisiert, quasi als antiautoritäre Praxis. Die Konzepte wollten nicht vorschreiben, was zu spielen sei, sondern zur Kreativität anregen. "Ins Freie" knüpft an meine langjährige Beschäftigung mit Improvisation an, ist aber nicht - wie viele Konzepte - für den Eigengebrauch im "inner circle" geschrieben, sondern versucht, allgemein gängige Wege "ins Freie" zu entwerfen.


Duration: 11' 00"

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René Wohlhauser
Die große und die kleine Vokaltrilogie "Drei Gesänge" (2016)
Gesamter Zyklus, Druckfassung

Instrumentation: Sopran, Bariton, Baßflöte, Baßklarinette und Violoncello, Perkussion / Schlagwerk: Maraca, Ossia: Gran Cassa

Duration: 54' 00"

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Max E. Keller
Vom Elementaren her (2017)

Instrumentation: Flöte, Klarinette (Bassklarinette), Klavier, Violine, Viola, Violoncello

Unsere Existenz wird von Elementarem bestimmt: Macht, Hunger, Liebe, Kampf, Sexualität, Mitleid, Geld, Bewegung, Überzeugung, Veränderung, Tod ...
Auch in der Musik spielt Elementares eine wichtige Rolle, selbst wenn sie sich in komplexen Verästlungen und Verfeinerungen scheinbar weit davon entfernt. "Vom Elementaren her" geht dagegen in jedem der 6 Teile von einer einfachen Grundstruktur in aller Nacktheit aus, um sich dann in die eine oder andere Richtung zu bewegen.


Duration: 9' 00"

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René Wohlhauser
Verlorene Zukunft (2016)
Ergon 58, Nr. 3, Musikwerknummer 1777, auf ein Gedicht des Komponisten, 1. Teil der großen Vokaltrilogie "Drei Gesänge"

Instrumentation: Fassung für Sopran und Violoncello

Duration: 11' 00"

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Max E. Keller
contrapposizioni (2019)

Instrumentation: Solovioline, Flöte, Baritonsaxophon (Es), Horn (F), Akkordeon, Violine I, Violine II, Violoncellov

Das Werk in vier Sätzen beruht auf "Entgegensetzungen" (contrapposizioni) einfacher Grundstrukturen, deren Dialektik jeweils einen anderen Ausgang nimmt. Die Viersätzigkeit ist eine spielerische Anlehnung an die klassische Symphonik.
Im 1. stehen sich Punktefelder der Streicher in wechselnder Dichte und kurze und harte Bläserakkorde gegenüber. Im 2. Satz - quasi das Adagio - schwebt die Solovioline hoch über einer Klangfläche. Im 3. Satz geht es um Improvisation über einem notierten walking bass des Cellos. Der 4.Satz ist ein veritables Rondo.



Duration: 11' 00"

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Max E. Keller
klären und fokussieren (2019)

Instrumentation: Flöte, Klarinette, Violine, Violoncello, Akkordeon

"klären und fokussieren" ist dynamisch zu verstehen, als Prozess auf ein Ziel hin. Wiederholt klärt sich Diffuses in eine klare Richtung, auf ein bewusstes, einsichtiges und prägnantes Ziel hin. Doch zu unserer Zeit gehört die Vielgestalt der Ziele, zugleich ihr schnelles Vergessen. Daher bricht der Prozess nach Erreichung seines Ziels jeweils unerwartet ab, aufs neue herrscht ein andersartig diffuser Zustand.

Duration: 10' 00"

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René Wohlhauser
Trio für Flöte, Klarinette und Violoncello Nr. 2 (2017)
Ergon 63, Musikwerknummer 1809

Instrumentation: for flute, clarinet and cello

Die drei Instrumente wurden in diesem Werk wie ein einziges, sozusagen "multitimbrales und polystrukturelles Super-Instrument" behandelt.

Duration: 11' 30"

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Max E. Keller
stillstehen, aufsteigen, improvisieren (2020)

Instrumentation: for flute, clarinet, bassoon, violin, cella and piano

Duration: 15' 00"

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René Wohlhauser
Cellissimo graduale (2017)
Ergon 60, Musikwerknummer 1790

Instrumentation: fu?r Violoncello solo

Duration: 11' 00"

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Max E. Keller
Bewegte Flächen - mit Kontrasten (2021)

Instrumentation: for flute, clarinet, piano, violin, viola and cello

Duration: 8' 00"

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Max E. Keller
Figur im Garten (2022)

Duration: 5' 30"

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René Wohlhauser
Im lauteren Sein (2017)
Ergon 64, Nr. 2, Musikwerknummer 1816, auf ein Gedicht des Komponisten, Klaus Huber in memoriam, Kompositionsauftrag der UBS Kulturstiftung

Instrumentation: Fassung für Sopran, Bariton, Flöte, Klarinette und Violoncello

Duration: 15' 00"

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Hansruedi Willisegger
Die schönsten Schweizer Kinderlieder (2018)


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Max E. Keller
Interaktion: komponiert - improvisiert (2022)

Duration: 5' 00"

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René Wohlhauser
Quartett für Flöte, Klarinette, Violine und Violoncello Nr. 1 (2018)
Ergon 67, Musikwerknummer 1849

Instrumentation: for flute, clarinet, violin and cello

Dies ist eine aggressive, zupackende Musik, die die prekären Verhältnisse auf der
Welt nicht akzeptiert, sondern sich mit Wut dagegen wendet.

Duration: 11' 30"

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Max E. Keller
Kollektiv - Individuell (2022)

Duration: 11' 00"

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René Wohlhauser
Geworf'ne Akrobaten (2018)
Ergon 68, Nr. 2, Musikwerknummer 1855, auf ein Gedicht des Komponisten

Instrumentation: Fassung für Sopran, Bariton, Flöte, Klarinette, Violine und Violoncello

Duration: 11' 30"

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René Wohlhauser
Moments musicaux en suite (2019)
Ergon 76, Musikwerknummer 1931

Instrumentation: Violoncello solo

Der doppeldeutige Titel „Moments musicaux en suite“ ??" Musikalische Momente in ei-ner Folge oder in einer Suite ??" weist darauf hin, daß in diesem Werk keine wortwört-lichen Zitate aus den Violoncello-Suiten von Johann Sebastian Bach vorkommen, sondern verschiedene kontrastierende, kurz aufblitzende Momentaufnahmen sozu-sagen abstrahierter Ausdrucksmomente sich gegenseitig beleuchten.

Duration: 4' 40"

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René Wohlhauser
Aus der Tiefe der Zeit (Ensemblefassung) (2019)
Ergon 73, Nr. 2, Musikwerknummer 1918, auf ein dialogisches Gedicht des Komponisten

Instrumentation: Sopran, Bariton, Flöte, Klarinette, Violine, Violoncello

Texts: René Wohlhauser

Ein „Konzept des Gegensätzlichen“, das, angelegt wie eine kleine dialogische Oper,
in konfliktgeladener Dramatik unterschiedliche ästhetische Entwu?rfe aufeinanderprallen läßt.
Kompositionsauftrag Fachausschusses Musik Basel-
Stadt und Baselland

Duration: 13' 00"

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René Wohlhauser
Duo für Flöte und Violoncello Nr. 1 (2019)
Ergon 75, Musikwerknummer 1925

Instrumentation: for flute and cello

Kontraste zwischen Hektik und Poesie, zwischen Ausbruch und Verebbung, zwischen
Geschäftigkeit und Einkehr, zwischen Entäußerung und Verinnerlichung, zwischen
zuviel und fast nichts durchziehen das Stu?ck.

Duration: 8' 00"

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René Wohlhauser
Im Tempo der Wahrnehmung (Klaviertrio Nr. 1) (2019)
Ergon 72, Musikwerknummer 1910

Instrumentation: for violin, cello and piano

Fluktuierende Wahrnehmungstempomodulationen und stockende Wahrnehmungstempi ziehen das wahrnehmende Subjekt in neue Wahrnehmungserfahrungen.

Duration: 11' 30"

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René Wohlhauser
Klaviertrio Nr. 2 ("Die in sich zerfließende Wahrnehmung") (2020)
Ergon 80, Musikwerknummer 2044

Instrumentation: Violine, Violoncello und Klavier

Ein permanenter Dekonstruktivierungs- und Rekonstruktivierungsprozeß erzeugt eine Flu?ssigkeit des Materials, was in seiner Wahrnehmungsqualität der heutigen Wirklichkeit vergleichbar ist.

Duration: 11' 15"

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René Wohlhauser
Die fragmentierte Wahrnehmung (2020)
Ergon 81, Musikwerknummer 2054, auf 10 Gedichte des Komponisten

Instrumentation: Sopran, Bariton, Flöte, Klarinette, Violine und Violoncello

Texts: René Wohlhauser

Die Realität wird nach dem Umschlagpunkt des „verschärften Goldenen Schnitts“ neu zusammengesetzt. Dadurch gerät das Vertrauen in die Zuverlässigkeit unserer Wahrnehmung der Realität ins Wanken.

Duration: 11' 00"

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René Wohlhauser
Quartett für Flöte, Klarinette, Violine und Violoncello Nr. 2, "Gen-tuplets", 2. Fassung (2021)
2. Fassung: "Die dialektische Fassung", Ergon 86, Nr. 2, Musikwerknummer 2125

Instrumentation: Flöte, Klarinette, Violine und Violoncello

Eine Überordnung kippt nicht ins Chaos, sondern führt die Wahrnehmung in neue Wahrnehmungskategorien.

Duration: 12' 00"

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Stimmenauszüge total 48.00 CHF
Druckversion: 51.00 CHF
René Wohlhauser
Quartett für Flöte, Klarinette, Violine und Violoncello Nr. 2, "Gen-tuplets", 1. Fassung (2021)
1. Fassung: "Die reine Fassung", Ergon 86, Nr. 1, Musikwerknummer 2124

Instrumentation: Flöte, Klarinette, Violine und Violoncello

Eine Überordnung kippt nicht ins Chaos, sondern führt die Wahrnehmung in neue
Wahrnehmungskategorien.

Duration: 9' 30"

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René Wohlhauser
Dunkle Stimmen (2022)
Ergon 91, Nr. 2, Musikwerknummer 2175, auf ein Gedicht des Komponisten

Instrumentation: Sopran, Bariton, Flöte, Klarinette, Violine und Violoncello

Texts: René Wohlhauser

Das dunkel Raunende und das hell Erleuchtete durchziehen das Stück in mehrfacher Hinsicht.

Duration: 12' 11"

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Druckversion: 51.00 CHF
René Wohlhauser
Klaviertrio Nr. 3 (2022)
Ergon 90, Musikwerknummer 2168

Instrumentation: Violine, Violoncello und Klavier

Prägnante und zupackende Rhythmizität prägt den Charakter dieser Komposition.

Duration: 10' 34"

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CHF: 28.80
Stimmenauszüge total: 27 CHF
Druckfassung: 34.20 CHF
Jing Yang
Morning Song and Evening Poem

Instrumentation: for Pipa and String Quartet

Duration: 12' 19"

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parts total 28.80 CHF
Markus Zemp
Fuge

Instrumentation: für Klarinette, Klavier und Violoncello

Duration: ' 05"

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Stimmenauszüge total: 11.40 CHF
Bruno Stöckli
Ison (2001-2004/2022)
für Streichtrio

Instrumentation: Violine, Viola, Violoncello

Duration: 10' 30"

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Geneviève Billeter
Duo en torsades (2003)

Instrumentation: for violin and cello

Manuscript
CHF: 9.00
Martin Metzger
Belenos (2008)

Instrumentation: for cello and piano

Duration: 16' 00"

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Geneviève Billeter
Trio II (2011-2014)

Instrumentation: for flute, clarinette and cello

Premier mouvement : Sonate


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parts total: 20.40 CHF
Martin Metzger
Saitentänze Nr. 1-4 (2013)
Suite with 4 movements

Instrumentation: for viola and 2 violoncelli

Duration: 8' 00"

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Felix Baumann
ungleich (2017-2018)

Instrumentation: für Violine und Violoncello

ungleich ist eine Bearbeitung des Duos für Violine und Kontrabass aus den Jahren 1994/95.
Dabei wurde die Vorlage nicht unversehrt übernommen, sondern auf die Gegebenheiten der beiden lnstrumente angepasst, die Notation aktualisiert und vor allem der 2. Satz neu gesetzt.
ungleich macht erfahrbar, dass dasselbe, wenn es von zwei verschiedenen interpretiert wird, ein Verschiedenes ergibt. Dasselbe ist nicht dasselbe, Verschiedenes verschmelzt oft
besser.


Duration: 10' 00"

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Geneviève Billeter
Notte di marzo (2017)
Poème de Giuseppe Ungaretti

Instrumentation: for soprano, violin and cello

Duration: 3' 00"

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Heidi Baader-Nobs
Ballade (2019)

Instrumentation: for ensemble (Fl, cor Angl., Cl in Bb, Vl, Vla, Vc, Cb)

Duration: 15' 00"

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Cécile Marti
Echo on BACH (2020)

Instrumentation: for Cello Solo

The idea was to take Maja Weber's composition commission as exactly as possible at its word.
So I decided to add another work to the BACH motif of musical literature - an op. probably numbering well over 400. I have juxtaposed the BACH motif with the basic notes of the keys of the six suites for solo cello as counterpoint. The echoes can be found on different levels and several layers of time.


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Katharina Weber
Badurbelisli (2020)
Ein musikalisches Kasperlitheater

Instrumentation: Sprecher*in, Klarinette, präp.Klavier, vl, vla, vc, kb

Texts: anonym, Schweizer Volkslied

Entstanden im Beethoven-Jubiläumsjahr als Auftrag des Ensemble Paul Klee. Das Stück nimmt Bezug auf die sechs Klavier-Variationen über ein Schweizer Lied WoO 64 von Ludwig van Beethoven.

Duration: 7' 00"

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Cécile Marti
Zwischen Zeiten (2022)

At a discussion concert (2022) on Xenakis' Mikka for solo violin - a glissando study on the stepless tonal space - interpreter Irvine Arditti mentioned how important it was to Xenakis not to hear any intermediate steps within the pitches; only the continuous glissando should be heard. I wanted to examine this idea for myself and juxtaposed the continuous glissando with the intermediate steps in the microtonal range: the differentiation with or without steps between the tonal spaces thus presented itself to me as a compositional task. Combined with specific types of musical temporalities, which has been on my mind for several years, seven short movements were created: time types can be perceived as static, as goal directed, as momentary, as time separated in sections, transforming dynamically or as polyphonically layered.

Duration: 8' 00"

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René Wohlhauser
Klaviertrio Nr. 4 (2023)
"In inkongruenter Weise kongruent", Ergon 94, Musikwerknummer 2216

Instrumentation: Violine, Violoncello und Klavier

Disparates wird mittels algorithmischer Verfahren stilistisch kongruent.

Duration: 11' 00"

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René Wohlhauser
In mäandrierendem Rausch (2023)
Ergon 95, Musikwerknummer 2223

Instrumentation: Sopran, Bariton, Flöte, Klarinette, Violine und Violoncello

Texts: René Wohlhauser

Ein aufsteigender Mixturklang bildet den Ausgangspunkt dieser Komposition. Er steht als musikalische Metapher für den Kampf aus der Dunkelheit ans Licht. Er erfährt im Laufe des Stückes die unterschiedlichsten Verarbeitungen bis hin zur versetzten Polyphonisierung und Fragmentierung. Doch er bleibt unerschütterlich. Die kreative Rauschhaftigkeit und der Innovationsdrang durchdringen die Satzstruktur. Es ist ein wuchtiges Anschreiben gegen die verzweifelte Hilflosigkeit angesichts der desolaten Weltlage.

Duration: 11' 00"

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parts in total 27.00 CHF
ISBN 978-3-907467-07-7
print version: 46.20 CHF
René Wohlhauser
Quartett für Flöte, Klarinette, Violine und Violoncello Nr. 3, "Gen-microtones" (2023)
Ergon 96, Musikwerknummer 2226

Instrumentation: Flöte, Klarinette, Violine und Violoncello

Ein Stück in Achteltonschritten, das neue Möglichkeiten mikrotonaler Zusammenklänge erkundet.

Duration: 12' 07"

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Andreas Brenner
Streichtrio (2024) (2024)

Instrumentation: für Streichtrio

Duration: 6' 00"

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CHF: 18.00
Stimmenauszüge total: 19.80 CHF