Tenor

Alfred Knüsel
Messe (1976)

Instrumentation: for vocal quartet, orator, mixed choir, violin and organ

Duration: 18' 00"

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CHF: 51.60
Urban Mäder
Tauber (1986)

Instrumentation: for orator, alto, tenor and ensemble (1.1.1.0/1.1.1.0/2perc/2.1.1.1)

Texts: Heinz Zimmermann

A melodrama based on a text by Heinz Zimmermann. The theme of this piece concerns outer and inner captivity.


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CHF: 57.00
Eric Gaudibert
Mélodies (1966)

Instrumentation: for soprano (tenor) and piano

Texts: Paul Eluard

2 notebooks each with three melodies.
1st notebook: Dit de l'amour – L'unique – Dit de la force de l'amour.
This notebook has also been transposed one tone deeper.


Duration: 6' 30"

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CHF: 27.00
De-Qing Wen
Distance (1992)

Instrumentation: for mezzo-soprano, tenor, twelve female voices and three percussionists

Texts: Chinesisch

Text: four ancient Chinese poems. The female chorus is dispersed in four groups located on each side of the audience; each chorus-singer also plays a percussion instrument. The soloists on stage create a feeling of distance.

Duration: 14' 40"

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CHF: 22.70
Irena Grieg
Ask Me No More... (1993)

Instrumentation: for a small ensemble (soprano, tenor, flute, horn, percussion) and electronic tape

Text: Pierre Emmanuel, William Butler Yeats, Paul Eluard, Gerald Griffin, Jacques Prévert, Vincent O'Sullivan, Maurice Maeterlink, Thomas Hardy, Alfred Lord Tennyson.
Drama for a man and a woman, in English and French.

Duration: 8' 00"

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CHF: 35.40
Kurt Meier
Also hat Gott die Welt geliebt (1995)
Ecclesiastical concert

Instrumentation: for tenor, baritone, choir and string orchestra

Duration: 20' 00"

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CHF: 31.80
(Parts: CHF 38.00)
Andreas Zurbriggen
north of alexandria (2009)

Instrumentation: for vocal quintet SMezAATB or choir a-cappella (SMezTB)

Texts: Rolf Hermann

Description: Dreamy, melancholic piece in c-minor
Level of difficulty: simple-intermediate.

Duration: 2' 30"

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CHF: 12.60
Andreas Stahl
im selben raum (1989)

Instrumentation: for Tenor and piano

Texts: Konstantin Kavafis

The Tenor sings the text of the Greek concerning his love of the male to the generally steady and soft sounds of the piano part (very resonant, many fermata, a few rough edges, a lot of time),

Duration: 35' 00"

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CHF: 26.00
René Wohlhauser
Rosa Sumpf (1979/2022)
Parergon 12, Nr. 19, 2. Fassung, Musikwerknummer 2141

Instrumentation: Tenor, Sopran, akustische Gitarre, E-Orgel, E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 4' 12"

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CHF: 23.40
Kit Powell
Tide Pools (1990)

Instrumentation: for speaker, choir, SATB and piano

5 short pieces with amusing texts about the New Zealand foreshore.

Duration: 8' 00"

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CHF: 29.40
Mathias Steinauer
Speculum sibyllinum, op. 9 (1992)

Instrumentation: for six voices (mezzo-soprano, altus, 2 tenors, baritone, bass), 5 recorder-players (div. instr.), 6 viola da gambas (2 disc, A, 2 T/B, violone in D) and two percussion

An adaptation of newly found manuscripts written by an anonymous twelfth century composer in the Vatican, in which aspects of the whole of musical history are anticipated. Spatial music.

Duration: 16' 00"

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Balz Trümpy
Anima (3. Fassung) (1977/1983)

Instrumentation: for high voice (soprano or tenor) and orchestra (3(3pic).2.ca.2.bcl.2.cbn/4.3.3.1/1perc/cel/hp/str)

Texts: Anonymus, Heinrich von Morungen, Walter von der Vogelweide

This three-part work is based on text from a minnelied. The vocal line, which uses various sound modulations, is harmonically, melodically and rhythmically interwoven with the accompaniment.

Duration: 17' 00"

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CHF: 64.70
Luca Martin
Missa de homine (2015-2016)

Instrumentation: for choir, soli, and orchestra

Texts: Elisabeth Wandeler-Deck, Sophokles, S. Rotenberg, F. Nietzsche, M. Schmidt-Salomon, W. Shakespeare, Lukrez

"Seit Jahrhunderten hat die abendländische Musik geistliche Messen hervorgebracht - teils basierend auf religiöser Überzeugung, teils die bewährte sakrale Tradition fortschreibend. Einem solchen Werk begegnet die Missa de homine mit einem zeitgenössischen und gegensätzlichen Zugriff: "Nicht Gott, sondern der sterbliche Mensch mit seinen positiven wie negativen Eigenschaften steht im Mittelpunkt."

Der Cantate Basel Kammerchor brachte die Missa de homine im Wechsel mit Joseph Haydns Harmoniemesse zur Uraufführung.
"

Duration: 38' 00"

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Josef Kost
Et coeperunt loqui ("... und sie begannen zu reden ...") (1996-1997)

Instrumentation: for large amateur choir, vocal ensemble, (amateur) youth choir, solo (T and speaking role), orchestra (1.1.1.1/1.1.1.1/2perc/hp/str) and organ

Texts: Bibel / Liturgie

Music for the Pentecostal Liturgy with Latin text. Seven parts distributed throughout the service. The choir and instrumental groups are distributed throughout and incorporate the whole church room. The congregation sings (with accompaniment) four integrated Gregorian chants. Easy to intermediate level of difficulty. Liturgical performance duration: 65'.

Duration: 26' 00"

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CHF: 34.00
Nicolas Bolens
En mi Cielo (1998)

Instrumentation: for tenor and guitar

Texts: Pablo Neruda

Duration: 4' 00"

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CHF: 11.40
Josef Kost
... und er verwunderte sich... - Musik zu Visionen von Niklaus von Flüe (1999)

Instrumentation: for soli (ST) choir (large choir SAB, small vocal ensemble) and orchestra (1.1.1.1/1.1.1.1/org/2perc/1.1.1.1.1)

Texts: Niklaus von Flüe

Easy to easy/intermediate for amateur choir and semi professional vocal ensemble.
Liturgical performance duration 50'- 65'.


Duration: 26' 00"

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CHF: 55.30
René Wohlhauser
Din eigete Wäg (1981/2021)
Parergon-Nr. 12, Nr. 30, 2. Fassung, Musikwerknummer 2071

Instrumentation: Tenor, Sopran, Gitarre, el. Orgel, E-Piano, E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 4' 19"

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René Wohlhauser
Jugendtreim (1981/2020)
Parergon 12, Nr. 31, 2. Fassung, Musikwerknummer 2004

Instrumentation: Tenor, Backvocal-Sopran, akust. Gitarre, Vibraphon (Keyboard), E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 6' 40"

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CHF: 27.60
René Wohlhauser
Du wirsch nüm weich! (1982/2021)
Parergon-Nr. 13, Nr. 9, 2. Fassung, Musikwerknummer 2073

Instrumentation: Tenor, Sopran, el. Gitarre, el. Orgel, E-Baß und Drums

Texts: René Wohlhauser

Song

Duration: 3' 53"

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Hans Eugen Frischknecht
Vokalisationen (1975)

Instrumentation: for five singing voices (SSATB)

Five singers generate a multiplicity of vocal sounds on a purely phonetic basis. The pitch levels are purely graphically notated (with no exact indication to elevation) The work oscillates between dense superimpositions and stationary sound surfaces.

Duration: 8' 00"

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CHF: 12.60
René Wohlhauser
Hundert Lieder (1983/2018)
Parergon 13, Nr. 16, 2. Fassung, Musikwerknummer 1844

Instrumentation: Sopran, Tenor, Synthesizer, Klavier, Orgel (Keyboard), E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 6' 00"

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CHF: 21.60
Balz Trümpy
Four Songs (Eichendorff) (1990)

Instrumentation: for high voice (soprano or tenor) and piano

Texts: Joseph von Eichendorff

The four poems by Eichendorff are arranged so as to outline a day cycle.

Duration: 10' 00"

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CHF: 22.00
René Wohlhauser
Alti Gschichte, alti Gfüehl (1984)
Parergon 13, Nr. 19, Musikwerknummer 658

Instrumentation: Tenor, Sopran-Duo, Mandoline, Klavier /Keyboard, E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 5' 14"

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CHF: 17.40
Laurent Mettraux
"Vers le soleil couchant", oratorio, M. 528 (1995-1996)

Instrumentation: for four soli (SATB), children's choir or girl choir, mixed choir and orchestra (0.0.acl.2bthn.2/0.2.3.0/2perc/vn&vcsoli/str)

Texts: Gilgamesh-Epos, Emily Brontë, Vedas (indisch), Guillaume Apollinaire

Numerous, equally overlapping texts regarding the problem of death: from the epic of Gilgamesh to E. Brontë, from the Vedas to Apollinaire. A very impressive work in its expressivity and its musical and philosophical progression, with a multitude of climates and a very serene ending.

Duration: 42' 00"

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CHF: 122.00
(Parts available seperately form the composer; reduction for piano: sFr. 70.-; € 70.-)
Burkhard Kinzler
solo e pensoso (2010)
Madrigak

Instrumentation: for six voices (S.Mez.2T.Bar.B)

Texts: Francesco Petrarca

Duration: 5' 00"

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CHF: 15.00
Rajiv Satapati
66°33'55'' (2015)

Instrumentation: Symphonieorchester, Chor, Tenor-Solo

Duration: 10' 00"

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CHF: 16.20
René Wohlhauser
Ds Land vom ewige Luxus (1985)
Parergon 13, Nr. 23, Musikwerknummer 684

Instrumentation: Tenor, 3 Frauenstimmen, Klavier, el. Gitarre, E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 5' 02"

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CHF: 18.00
Walter Baer
Minne ist so wunderlich (1998)
Songs

Instrumentation: for soli (SATB), mixed choir and four-handed piano

Texts: Johannes Hadlaub

Duration: 20' 00"

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CHF: 29.40
Burkhard Kinzler
In nomine (2012)

Instrumentation: for mixed vocal / instrumental ensemble (SATB, 3rec, acn, vn, va, vc, db)

Five compositions by Old English composers (Taverner, Picforth, Bull) are adapted and partly altered compositionally.

Duration: 25' 00"

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CHF: 49.20
René Wohlhauser
Jumping Pictures (1986)
Parergon 13, Nr. 27, Musikwerknummer 809

Instrumentation: Tenor, Sopran, E-Gitarre, Keyboard, E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 4' 43"

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De-Qing Wen
The Deep Tunnel (2017)
Oratorio

Instrumentation: for bass bariton, tenor, mix choir & orchestra

Duration: 16' 30"

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CHF: 41.30
Parts: CHF 150.-
Ernst Pfiffner
"... et aperuit oculos.." (1973-1974)

Instrumentation: for bass, baritone, three tenors and instrumental ensemble (0.0.2.2/4.2.3.0/4perc)

Texts: Bibel / Liturgie

In this piece the Latinate poetry of the blind born from the gospel according to John, is set to music. In the first part, the wonderment of the event, in the second the interrogation and in the third the words of Jesus to the healed are set forth. The disciples in the first part and the Pharisees in the second are written for a group of three tenors (traditionally called 'Turba') who, according to the dramatical situation, speak, whisper or scream.
Work series A: Music for concerts.


Duration: 15' 00"

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CHF: 32.00
Hans-Jürg Meier
...und die Musik, immer neu, baut im unbrauchbaren Raum... (2011)

Instrumentation: for vocal quartet (SMezTB)

Texts: Rainer Maria Rilke

Music in four parts with texts from "Die Sonette an Orpheus" (1922):
I Blume und Buch
II Tempel im Gehör
III Gesang ist Dasein
IV Lied überm Land

Duration: 20' 00"

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CHF: 33.00
Rudolf Jaggi
Hymnus nach Guido von Arezzo (1992)

Instrumentation: for four tenor and three bass singers

Duration: 10' 00"

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Rudolf Jaggi
Carpe diem (1996)

Instrumentation: for solo quartet (SATB)

Texts: Omar Khayam

Morning...Perpetual changeAway, awayCarpe diem

Duration: 11' 00"

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CHF: 24.00
Balz Trümpy
Missa ad te levavi (2010)

Instrumentation: for a cappella vocal ensemble (SATB)

Duration: 35' 00"

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CHF: 58.20
Balz Trümpy
The Bonds of Heaven are dissolved (2011)

Instrumentation: for soprano, tenor, 2 baritones, speaker and instrumental ensemble (1.1.1.1/1.1.1.0/perc/2.2.1.1)

After a scene from Shakespeare's "Troilus and Cressida". The psychological complexity of the scene is realised musically in polyphonic layers.

Duration: 18' 00"

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CHF: 70.70
Klavierausszug: CHF 24.00
René Wohlhauser
Gantenbein (Oper), Klavierauszug (2004)
Ergon 30, Nr. 2, Musikwerknummer 2057, Libretto vom Komponisten zusammengestellt

Instrumentation: Oper: Sopran, Mezzosopran, Tenor, Bariton, 1-1-2-1, 1-1-2-1, 1, 6-4-4-4-2 Klavierauszug: Sopran, Mezzosopran, Tenor, Bariton und 1-5 Klaviere

Texts: Max Frisch

Die am Stadttheater Luzern in Zusammenarbeit mit den Weltmusiktagen 2004 uraufgeführte Oper nach dem gleichnamigen Buch von Max Frisch, behandelt die Beziehung zwischen ihm und Ingeborg Bachmann. Die Problematisierung (und Formbarkeit) der Identitätsbildung wird durch algorithmische Verfahren gespiegelt, die aber kritisch hinterfragt und subjektiv gebrochen werden.

Duration: 60' 00"

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CHF: 84.20
Bernhard Sieber
Der Richter von Bellenz (2019)

Instrumentation: Gesangsquartett oder gemischter Chor und Klavier

Texts: Johann Jakob Reithard

Duration: 5' 00"

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CHF: 19.80
Thüring Bräm
5 Eichendorff-Lieder (1996)

Instrumentation: for solo voice (T possibly S) and orchestra (2.2.2.2/4.2.3.1/ timp.2perc/str)

Texts: Josef Freiherr von Eichendorff

Written for the 1000-year anniversary of the city of Danzig. A representation of five poems by the romantic poet Josef Freiherr von Eichendorff for high voice (tenor, at all events soprano) and orchestra with transparent texture.Todeslust - Im Alter - Die Zeit geht schnell - Memento - In Danzig.

Duration: 16' 00"

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CHF: 49.00
Rudolf Jaggi
Je sais, Vièrge Marie (2004)

Instrumentation: for choir (SAB), soloists (SATB), panpipes and/or alto flute and small orchestra (perc/str)

Duration: 4' 00"

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CHF: 21.00
incl. Choir part
Rudolf Jaggi
Two Paraphrases over Bolivian Christmas Carols (2004)

Instrumentation: for choir (SAB), soloists (SATB), panpipes and/or altoflute and orchestra (1.2.0.1/0.0.0.07perc/str)

1. Hoch steht am Himmel uns der Stern
2. Flieg, mein Vogel

Duration: 16' 30"

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CHF: 42.60
(Parts: CHF 36.-)
Francisco Obieta
Odysseus & Navsicaa (2019)
A Chamber Opera with Tango Motives

Instrumentation: Tango Quintett, Mezzo-Soprano, Tenor, Dance Couple

Texts: Francisco Obieta

Odysseus doubts about returning home, about pledges, his wanderings in confrontation with the love of a young woman

Duration: 82' 30"

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CHF: 89.60
René Wohlhauser
mikka resna (2006)
Ergon 34

Instrumentation: for tenor and guitar

The self-written onomatopoeic texts are semantically charged by the exaggerated gesture of the music and become thereby a farce.

Duration: 5' 00"

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CHF: 18.60
Ernst Pfiffner
Osterbuch (1994-1996)

Instrumentation: for soli (MezATBarB), choir and orchestra (2.2(2ca).2.2/4.2.2.0/perc/str)

Texts: Euripides, Karl Jaspers, Blaise Pascal, William Shakespeare, Bibel / Liturgie

Work series A: Music for concerts.

Duration: 45' 00"

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CHF: 70.20
Rudolf Jaggi
Menschwerdung (2008)
Christmas cantata

Instrumentation: for tenor solo, choir (SATB) and orchestra

Duration: 27' 00"

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CHF: 70.20
parts: CHF 65.-
Ernst Pfiffner
Pfingstbuch (1996-1997)

Instrumentation: for six solo voices (SMezATBarB), speaking voice and chamber orchestra (1(pic,fl-g).1(ca).1.1/2.1.2.0/2perc/hp/str)

Texts: Martin Gutl, Huub Oosterhujs, Nelly Sachs, Rabindranath Tagore; Zitate von Helder Camara, Ernesto Cardenal, Johannes XXIII., Jos

Text from the Bible and eastern Liturgy; twelve single verses from Martin Gutl, Huub Oosterhujs, Nelly Sachs, Rabindranath Tagore; quotes from Helder Camara, Ernesto Cardenal, Johannes XXIII., Josef Quadflieg und J.M. Sailer.
Wie?
Pfingsten?
... die Gott verschlafen haben...
Verheissungen
Als Pfingsten gekommen
"Licht wird aus Sand"
Geist - Heiliger Geist
Schenk uns neue Begeisterung
Work series A: Music for concerts.

Duration: 35' 00"

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CHF: 80.00
(Performance material available from 'Akademie für Schul- und Kirchenmusik Luzern.)
René Wohlhauser
Charyptin-Fragmente (2010)
Ergon 42/IIa

Instrumentation: for two voices: preferably soprano and baritone or soprano and alt or tenor and baritone

Based on own onomatopoeic texts.
This piece fathoms the various intermediary areas between the whispered, spoken and sung.
Versions for high or deep baritone (alt).

Duration: 5' 00"

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CHF: 14.40
Max E. Keller
1968 – und heute? (2010)

Instrumentation: for tenor/countertenor and recorder

Texts: Max E. Keller

Three aspects of the 1968 movement in three sections: The USA War against Northern Vietnam caused worldwide protestation, which led in 1975 to the beaten withdrawal of the Americans. Today's united Vietnam is a thriving country and a rich source of mineral deposits. The Shah's visit to Berlin in June 1967 and the shooting of a protesting student by police triggered a further youth revolt in 1968. The Shah was soon forced to stand down and the Islamists picked up the sceptre in a dubious success. In its widest sense, the then ideal of a self-determined yet solidly life gave way to a new conformism and apathy and a bureaucratically regulated society. This setting does not make use of today's ready-made pop idiom, but explores a rather more independent, colourful and diversified musical implementation of this unconventional instrumentation. Voice and recorder often move on different levels by reacting to different textual dimensions. This sound world thus reflects the spontaneity, fantasy and abandon of 68 without the superficial duplication of the textual content.

Duration: 14' 00"

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CHF: 17.40
Max E. Keller
Pour aller mieux (2011)

Instrumentation: for tenor, tenor saxophone and piano

Texts: Jean Miniac

Duration: 4' 00"

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CHF: 13.80
Hansruedi Willisegger
Cantico delle creature (Sonnengesang des Hl. Franz von Assisi) (1984)

Instrumentation: for vocal ensemble (SATB), choir, children's choir and large orchestra (2.2.1.1/2.3.3.0/hpd/2perc/str)

Duration: 35' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 43.30
Max E. Keller
Silence, ça pousse! (2016)

Instrumentation: Sopran, Alt, Tenor, Bass

"Silence, ça pousse!" ist der Titel einer Ratgebersendung zur Gartenpflege von TV France 5. Zum anderen geht es im übertragenen Sinne darum, inwieweit man allgemein in selbständig wachsende Prozesse eingreifen soll oder sich darauf beschränken möchte, zuzusehen oder zuzuhören. So heisst es bereits in der skandinavischen "Snorra Edda" um 1220: "Er kann auch hören, dass das Gras auf der Erde und die Wolle auf den Schafen wächst, sowie überhaupt alles, was einen Laut von sich gibt."

Duration: 12' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 13.20
Max E. Keller
Der verspätete Wanderer (2016)

Instrumentation: Tenor/Contratenor, Tenor-Blockflöte

Texts: Joseph von Eichendorff

Und heimwärts rufen mich die Abendglocken,
Und in der Einsamkeit frag' ich erschrocken:
Wo werde ich wohl sein im künft'gen Lenze?
Darf man angesichts des Zustandes der Welt ein Gedicht vertonen, welches bedenkenlos das Ich ins Zentrum stellt ? Ein Ich, das seine eigene Endlichkeit und Vergänglichkeit reflektiert ?

Duration: 5' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
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CHF: 9.00
Hansruedi Willisegger
und maria (2003)

Instrumentation: for vocal double quartet (poss. small choir) and mixed choir

Texts: Kurt Marti, Silja Walter, Gabriel Garcia Marquez, Novalis

Text: Kurt Marti, Silja Walter, Gabriel Garcia Marquez, Novalis.

Duration: 8' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 24.60
René Wohlhauser
Rausgeworfen, irgendwo (Wie lange noch?) (2019)
Parergon 12, Nr. 38, Musikwerknummer 1880

Instrumentation: Tenor, akustische Gitarre, el. Clavichord, E-Baß und Schlagzeug

Texts: René Wohlhauser

Song

Duration: 4' 53"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 16.20
Markus Zemp
Alma Redemptoris Mater
von Franz Joseph Leonti Meyer von Schauensee 1720-1789

Instrumentation: für Tenor und Streichorchester

eine Marianische Antiphon

Duration: ' 07"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 16.80
parts total: 22.80 CHF
René Wohlhauser
Heissi Nacht (1985)
Parergon 13, Nr. 25, Musikwerknummer 692

Instrumentation: Sopran, Tenor, elektrische Gitarre, Keyboard, E-Baß und Schlagzeug

Texts: René Wohlhauser

Song


Duration: 4' 19"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
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CHF: 20.40
ISBN 978-3-907467-12-1