Flute

Mela Meierhans
Vagabundinnen (1992)

Instrumentation: for flute, string trio, harp (or bass), piano and electronic tape (CD/DAT or MD)

Texts: Christina Thürmer-Rohr

Based on a text by Christina Thürmer-Rohr.

Duration: 13' 00"

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CHF: 53.40
Mela Meierhans
Sec''ondes (1995)

Instrumentation: for wind quintet (fl.ob.cl.hn.bn), viola and piano

Duration: 12' 00"

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CHF: 21.00
Eric Gaudibert
Duo pour flûtes (1959)

The three pieces of this duo (Moderate – Slow – Dance) are written in a classical manner.
Rather easy level of difficulty.

Duration: 10' 30"

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CHF: 16.80
Louisa Lasdun
"Jabberwocky" (1978)

Instrumentation: for orator (most suitable would be a voice from the media known by children), piccolo, 2 bassoons, contrabassoon, amplified harpsichord (or synthesizer), piano, four percussion, mixed choir (4.4.4.4 also possible 2.2.2.2)

Texts: Lewis Carroll

Entertainment for anybody between the ages of four and ninety-nine. Suitable for a childrens programme. The text is from 'Alice through the looking glass' by Lewis Carroll, also available in French and German.
The original is in English gibberish but is easily transferable to German or French gibberish.


Duration: 10' 00"

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CHF: 25.30
Andreas Stahl
schneller werdender blues (1983-1984)

Instrumentation: for flute, clarinet, violin, double-bass, marimba, percussion and orator

Texts: Robert Peterhans

Quasi-accompanied readings of texts by Robert Peterhans. Mini-overture; country life; city life (the eventful 80's); love; music.

Duration: 30' 00"

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CHF: 32.70
Stephan Lauffer
Petit valse pour flûte et alto (1988)

Instrumentation: for flute and viola

Duration: 2' 30"

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CHF: 9.00
Laurent Mettraux
Sonata (Nachtmusik), M. 451 (1990)

Instrumentation: for flute solo

The subtitle indicates only an atmosphere without giving any descriptive indications. Contemporary playing techniques (like multiphonics) alternate with more lyrical passages.

Duration: 9' 00"

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CHF: 16.00
Bruno Stöckli
Dal peso di un piccolo uccel (1991)
Seven pieces

Instrumentation: for female voice and instrumental ensemble (fl.cl/pf.hp/perc/vn.vc.db)

Texts: Erika Burkart

Based on poems by Erika Burkart.

Duration: 15' 00"

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CHF: 37.80
Pia Blum
Adagio (1998)

Instrumentation: for flute and piano

This piece is reminiscent of Erik Saties music and minimal music in the sense that it uses minimum material for maximum effect.
The piano is somewhat pedalled and the melody of the flute reserved but tone sensitively reproduced.

Duration: 4' 20"

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CHF: 9.00
Vladislav Jaros
Chinesisches Märchen (1983)

Instrumentation: for flute (or oboe or violin) and guitar

An easily approachable piece in which equal demands are made on both interpreters. It is not a difficult piece to interpret and is well suited to an advanced student.

Duration: 3' 00"

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CHF: 12.00
Josef Kost
Cinq Poèmes (1985-1995)

Instrumentation: for flute, clarinet, bass clarinet, violin, viola and violoncello

The sextet musicalises five poems through various means e.g. the metre offers a background of incessant rhythmic variation, the rhyming scheme dictates the form even aspects of the content form the base of the instrumentation. Medium level of difficulty. Requires a conductor.

Duration: 11' 00"

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CHF: 23.40
Maria A. Niederberger
Inferences (Rückschlüsse) (1985)

Instrumentation: for fl(afl).cl(bcl)bn/2perc/pf/vn.va.vc

Accentuated piano part.

Duration: 8' 00"

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CHF: 32.00
Rico Gubler
erschöpfen - als kleines (1995-1996)

Instrumentation: for solo speaker, four screamers/whisperers, two chamber speaking choirs and bass flute

Duration: 10' 00"

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CHF: 43.20
Balz Trümpy
Erleuchtetes Dunkel (1970/2006)

Instrumentation: for mezzo-soprano, alto flute and clarinet

Texts: Wolfgang Borchert, Max Bolliger

Based on poems by Wolfgang Borchert and Max Bolliger.

Duration: 8' 00"

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CHF: 14.70
René Wohlhauser
Lemuria (1977)
Ergon 1

Instrumentation: for two flutes and playback

A secret revelation by the oneirocritic Cayce about 'Lemuria', the continent lost under the pacific ocean - as told by Plato and here translated into acousic images.

Duration: 17' 00"

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CHF: 28.80
Andreas Stahl
as a kind of echo (1985)

Instrumentation: for flute and viola

Albumleaf based on a bar from the Concord Sonata by Charles Ives.

Duration: ' 28"

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CHF: 13.00
Alfons Karl Zwicker
Nachtduett (1989-1990)
Cycle with poems by Georg Trakl

Instrumentation: for mezzo-soprano, bass, flute, harpsichord, four violins, viola, violoncello and double-bass

Texts: Georg Trakl

An erotic, sticky piece that takes the incestuous relationship between Trakls and his sister as its theme. 'Nachtduett' is a series of scenic poems predestined for the stage.

Duration: 20' 00"

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CHF: 68.70
Valentin Marti
Tres sendas espinosas (1995)

Instrumentation: for flute (alto flute) clarinet (bass clarinet), violin, violoncello, percussion and piano

Paths leading nowhere, a search leading to nothingness; subsurface there is a trace that, in its lack of direction, actually depicts the way. In three parts. This piece was first performed on 23.5.1997 in Zurich by the Ensemble for New Music (Zurich) under the direction of Johannes Harneit.

Duration: 15' 00"

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CHF: 32.00
Stephan Lauffer
Drei Quartettsätze (1995-1996)

Instrumentation: for flute, violin, viola and violoncello

Pastorale - Ballad - Dance

Duration: 6' 30"

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CHF: 15.60
(Parts: CHF 20.-)
Pia Blum
Omnia tempus habent (2000)

Instrumentation: for flute

With text from the Vulgate.
This piece is in the first part experimental, that means each interpreter must find his/her own way of arranging and choreographing the speaking and performing. The middle part should sound like an ecstatic dance. The third part presents very little rhetorical material to be performed affectionately with the utmost intensity. It disapears into silence.

Duration: 9' 00"

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CHF: 12.00
Cécile Marti
Im Würfel (2005)

Instrumentation: for sextet (fl, cl, vn, vc, mar, pf)

"My form is created entirely out of straight lines and flat surfaces ordered at symmetrical right-angles. Every side, every line is the same as every other. Intersection facing intersection. This is me at peace with myself. I can begin rotating at the slightest movement, yet it is not always possible to forsee my path of motion, for the possibility of changing direction at any moment I leave open. My way is found along my edges or my corners. If I am not resting on a surface then I am moving in this linear fashion."
A square's eye view - its inherent form is the lead for musical transformation.
The ensemble follows characteristic figurations as a compact motional unit. The way leads from a description of the object through to the mechanisms of its motion and on to playfully gestural formulations.
Circular motions, rotation around a fixed axis, gradual advancement over sound layers, using pulses to create structure, fragmentary phases and moments of dancy movement are but a few aspects which infuse throughout this piece.

Duration: 8' 30"

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CHF: 31.80
Pierre Thoma
Musiques pour fifres et tambours (1984)

Duration: 2' 30"

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CHF: 12.60
Daniel Weissberg
DUO ? (1985)

Instrumentation: for flute clarinet and...

A cicerone piece full of surprises, illusions, and some acrobatics. Requires a Bb clarinet, bass clarinet and contrabass clarinet.

Duration: 11' 00"

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CHF: 22.20
Regina Irman
Melodie 2 (1985)

Instrumentation: for undertone flute or other instruments with free intonation possibilities

Duration: 2' 00"

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CHF: 9.00
Alfons Karl Zwicker
Erfrorene Träume (1990-1992)
Cycle based on poems by Josef Kopf

Instrumentation: for mezzo-soprano and ensemble (fl(pic).cl(bcl)/hp.pf.hpd/2vn.va.vc.db)

Texts: Josef Kopf

Large-scale song cycle in which the metaphors of ice, cold and freezing are centralised. The leading part for the mezzo-soprano is extremely demanding in the emotional and technical areas. (Vocal range e# - b").

Duration: 29' 00"

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CHF: 66.70
Valentin Marti
Arachne (1995-1996)

Instrumentation: for flute (piccolo) and harpsichord

Two instruments which never meet tonally, but produce 'knots' which carry the whole fabric. Double manual harpsichord.
First performed in Prague, 17.01.97 by Monika Körner (Fl) and Sandra Lechner (hpd).


Duration: 8' 00"

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CHF: 21.00
Stephan Lauffer
Chinesisches Sprichwort (1997)

Instrumentation: for choir (SATB), flute, clarinet, three violins viola and violoncello

Texts: Chinesisch

It is better to light a candle than to complain about the darkness.

Duration: 2' 00"

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CHF: 16.20
(Parts: CHF 14.00)
Martin Wendel
Konzert für Flöte und Kammerorchester, op. 5 (1949)

Instrumentation: (1solo.1.1.1/0.1.0.0/str)

A chamber music set, traditional dance-like, concise, virtuosic piece in three movements.

Duration: 15' 00"

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CHF: 40.70
Thomas David Müller
Efeu II (1981)

Instrumentation: for flute

A reworking of three 'Ländler' by Franz Schubert, in which there remains a kind of transfigured hindsight, but the false evocation rotates in a circle.

Duration: 10' 00"

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CHF: 14.70
Kit Powell
Flötenspieler und Fledermäuse (1987)

Instrumentation: for transverse flute (c' - g) and electronic tape

A piece with various modern playing methods based on a picture bearing the same name by Kokoschka.

Duration: 6' 00"

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CHF: 21.00
(Recorded material available on request)
George Barcos
Homenaje a la Selva (1989)

Instrumentation: for flute, clarinet, violoncello and vibraphone

Diálogo de las flores - Danza de las abejas - Resurección de los árboles.

Duration: 7' 30"

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CHF: 22.00
Irena Grieg
Ask Me No More... (1993)

Instrumentation: for a small ensemble (soprano, tenor, flute, horn, percussion) and electronic tape

Text: Pierre Emmanuel, William Butler Yeats, Paul Eluard, Gerald Griffin, Jacques Prévert, Vincent O'Sullivan, Maurice Maeterlink, Thomas Hardy, Alfred Lord Tennyson.
Drama for a man and a woman, in English and French.

Duration: 8' 00"

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CHF: 35.40
Valentin Marti
Euphotic Circles (1996)

Instrumentation: for soprano saxophone solo and ensemble (fl.cl/tpt/perc/pf/vn.va.vc.db)

"The fascinating colours, the successful combination of the three wind players and their perfect connection with the string players are very well mastered from a formal point of view, they let arise an ensemble piece in the truest sense of the word. (S. Palm)
World premiere: 31.7.97, Klagenfurt, Janus-Ensemble Wien Robert HP Platz (cond.).


Duration: 12' 00"

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CHF: 34.00
Bruno Stöckli
Getönt (1997)

Instrumentation: for flute, clarinet, violin, violoncello, piano and percussion

Duration: 10' 00"

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CHF: 22.80
Sarah Haessig
Die Geister am Mummelsee (2008)
Melodrama

Instrumentation: for voice, string quartet, flute and harp

Over a poem by Eduard Mörike.
Difficult interplay.

Duration: 9' 00"

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CHF: 22.80
Paul Clift
feuille volante (2012)
homage à Tristan Murail

Instrumentation: for solo alto flute

Duration: 4' 00"

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CHF: 13.30
Josef Kost
Intermezzo (1989)

Instrumentation: for eight flutes

In these compositions all flutes, from piccolo to bass flute, receive a variety of treatment being set both soloistic and chorally (two piccolo, eight flutes in c, five alto flutes in G, three bass flutes in C, one bass flute in G). Moderate level of difficulty, without any special playing techniques.

Duration: 6' 30"

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CHF: 18.00
Maria A. Niederberger
Tandem Points (1993)

Instrumentation: for flute, oboe, bass clarinet, horn, two percussion, violin, viola, violoncello and double-bass

Horn and percussion accentuated.

Duration: 9' 00"

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CHF: 43.80
De-Qing Wen
Le Souffle (1994)

Instrumentation: for six instruments (flute, clarinet, violin, violoncello, piano and percussion)

For the Chinese, the 'Yin' and the 'Yang' were in the universe from the beginning and all creatures are animated by the 'Qi', the breath of life. Inspired by the order of the 64 hexagrams of the Book of Mutations and their composition in six masculine or feminine symbols, I divided this piece into six registers and wrote the music of the 64 hexagrams consecutively for six musicians.

Duration: 8' 00"

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CHF: 16.70
(Parts: sFr. 18.-; € 18.-)
Xavier Dayer
"In hellem stillem Zimmer..." (1996)

Instrumentation: for mezzo-soprano, bass, flute with piccolo, violin, violoncello and accordion, based on poems by Robert Walser

Texts: Robert Walser

The instrumental and vocal parts are, for the most part, written independently of each other.
Aspires to echo the poems and life of Robert Walser.


Duration: 11' 00"

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CHF: 28.20
Bruno Stöckli
Rest (1999-2010)

Instrumentation: for flute, clarinet, violin, violoncello and piano

Duration: 10' 00"

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CHF: 31.80
Heidi Baader-Nobs
Session (1988)

Instrumentation: for two violins, viola, violoncello, double-bass, flute (pic), oboe (ca), clarinet (Ebcl, bcl), bassoon (cbn), piano and marimba

Duration: 17' 00"

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CHF: 32.70
Eliane Frances George
Mirage (1991-1992)

Instrumentation: for soprano, oboe, viola, violoncello and cymbalum (or soprano and piano)

A piece dealing with the transparency of life. An adventure into the essence of our elements: The moon - the soul - the sea - the sky - the guardian angel. The perfect man.

Duration: 5' 25"

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CHF: 18.00
Parts: CHF 20.-
piano reduction: 15.-
Michael Heisch
5 Logogramme (1997)

Instrumentation: for flute solo

Duration: var.

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CHF: 13.80
Stephan Lauffer
Sinfonietta (1999)

Instrumentation: for two flutes, clarinet and piano

Präludium - Scherzo - Tanz - Burleske.

Duration: 4' 00"

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CHF: 13.80
für C-Klarinette oder B-Klarinette
Paul Clift
qui, dove mezzo son... (2014)

Instrumentation: for flute solo & ensemble of eight musicians

Duration: 8' 30"

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CHF: 30.70
Martin Wendel
Trio für Flöte, Viola und Harfe, op. 8 (1956)

The sounds of this instrumentation almost always calls associations with "Once upon a time…." The fairy tale begins…

Duration: 13' 00"

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CHF: 24.60
Michel Hostettler
Agar (1973)

Instrumentation: for two flutes and one flute-G

Duration: 10' 00"

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CHF: 12.00
(Part: CHF 10.-)
Edu Haubensak
Tiefer & Tiefer (1983)

Instrumentation: for quintet (fl/vn.va.vc/pf)

Duration: 20' 00"

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CHF: 34.00
Mathias Steinauer
... wie Risse im Schatten..., op. 7 (1988-1989)
Concert

Instrumentation: for flute and orchestra (Solo: pic.fl-c.fl-g.bfl/ 2(pic:fl-g).1(ca).2(bcl).1(cbn)/1.0.0.btbn.0/3-5perc/hp.pf/6.0.4.4.2)

Based on Jean Gebsers idea of the five-phase conscience changes of humanity (archaic, magic, mythic, mental, integral) the soloist personifies the individual changing in its environment.

Duration: 26' 00"

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CHF: 51.30
Alfons Karl Zwicker
Tropfen auf Stein (1995)
Cycle based on poems by Elisabeth Heck

Instrumentation: for baritone, flute (pic, afl, bfl), harp, piano, one percussion and viola

Texts: Elisabeth Heck

Very introspective and contemplative song cycle with an increasingly ruminant character. A very subtle and diversified sound world whose centre is the metaphor of stone in all its varieties.

Duration: 30' 00"

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CHF: 50.70
Alex Rüedi
Mättju (1996)
Trio

Instrumentation: for flute, alto saxophone (or clarinet/soprano saxophone) and piano

Duration: 4' 30"

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CHF: 16.20
(Parts: CHF 12.-)
Rico Gubler
Network (1997)

Instrumentation: for flute, viola and harp

Duration: 7' 00"

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CHF: 24.70
Louisa Lasdun
Gespräch(e) im Gebirg (2002)

Instrumentation: for seven players (fl[=pic].bcl.Ebcl/2vn.vc.db) and sound technician

A single movement in eleven parts with play-back tape commissioned by the 'Luzerner Kammermusiker'.The tape is comprised of text fragments from Paul Celans prose 'Gespräch im Gebirg', read by the author; fragments of a prayer-call from canton Uri, an English nineteenth century hymn and Hebrew lyrics from Bialik. This piece takes Jewish identity in German speaking areas as its theme.

Duration: 16' 45"

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CHF: 26.70
Katharina Rosenberger
aPhasis (2002)

Instrumentation: for soprano, alto flute, bass clarinet

Texts: Rob Holloway

The title stems from the Greek words "Aphasia" and "Apheresis". The original meaning of Aphasia is "speechlessness", this is often translated into English as "loss of language". The leaving out of a vowel or syllable at the beginning of a word, either for causes pertaining to language history or because of metric or articulation reasons, is referred to as "Apheresis".
The dealing of language in aPhasis reflects these processes with the explosive, blurting out of word clusters, which are deconstructed as the piece progresses. This process is musically embedded by the voice in a sharply contrasting sound image comprising wordless, archaic sounding 'vocalese' passages, which are hummed or interpreted with a half-open mouth. The accompanying instruments - written here in a new version for bass clarinet and violoncello - negotiate the tonal space between these two dynamics.
The libretto comes from the pen of British poet Rob Holloway.

Duration: 6' 30"

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CHF: 16.20
René Wohlhauser
Klavierquartett (Fassung für Flöte, Klarinette, Klavier und Violoncello) (1979-1984/1987)
Ergon 9b

Instrumentation: Flöte, Klarinette, Klavier und Violoncello

Ein Ausloten formaler und inhaltlicher Grenzsituationen, um im Auskomponieren der Tiefendimension weiter vorzustoßen, was zu einer gedrängten Dauer der Musik, zu einer Art "Texturpolyphonie" führt.

Duration: 9' 00"

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CHF: 52.00
Mathias Steinauer
Aussch(l)uss, op. 7.1 / EinSchluss, op. 11.5 (1988-1998)

Instrumentation: for alto flute, violoncello and harpsichord plus recitation ad libitum

Texts: Christian Uetz

'Aussch(l)uss' for alto flute, violoncello and harpsichord (1988/98) (2'30)
'EinSchluss' for violoncello and harpsichord, as well as recitation ad lib. (1998) (3')
Text (ad lib.) by Christian Uetz.

Duration: 5' 30"

SME/EMS
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CHF: 15.60
Valentin Marti
Floating (1997)

Instrumentation: for piccolo / alto flute, oboe and soprano saxophone

Fragile transitions between noise and tone, fluctuating chromatic modulations and a metric that masks the rhythm are characteristics of this trio.
World premiere: 28.9.97 in Wädenswil, by theTrio Lepic.


Duration: 7' 00"

SME/EMS
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CHF: 16.70
Bruno Stöckli
7 Entretiens (2004)

Instrumentation: for flute, clarinet (bcl), violin and piano

Duration: 10' 00"

SME/EMS
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CHF: 21.00
Walter Baer
From Unreality to Unreality (1972)

Instrumentation: for soprano, three flutes and three clarinets

Texts: Jorge Manrique, Paul Eluard, Georg Philipp Harsdörffer, T.S. Eliot

In this composition four texts from different authors, languages and historical origin have been used, but all bear on the same theme: the fragility of existence, the problem of the concept of reality. A work of meditation, floating and fragile, it hints at the irrational in both its vocal and instrumental sounds. The Soprano sings in Spanish, French, German and English.

Duration: 10' 00"

SME/EMS
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CHF: 26.00
Michel Hostettler
Intermède no. 2 (1977)

Instrumentation: for flute, oboe and organ (or strings)

Duration: 6' 00"

SME/EMS
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CHF: 15.00
Stefan Werren
Sternenworte - 7 Lieder (1989)

Instrumentation: for mezzo-soprano and flute

Texts: Rose Ausländer

Text: Rose Ausländer.

Duration: 5' 00"

SME/EMS
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CHF: 16.00
Vladislav Jaros
Cum grano salis (1992/2022)

Instrumentation: for wind quintet and strings

A polyphonic tonal meshwork - fluctuations between chromatic and polypentatonic - irridescent sound surfaces. For chamber musical performances: wind quintet and string quintet.

Duration: 15' 20"

SME/EMS
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CHF: 49.80
Eliane Frances George
Gossamery Dreams (1993)

Instrumentation: for electronic, flute, violin, viola percussion, and dance (ad lib.)

A combination of live music, electronic tape and dance. This piece evokes the inside of archetypal images, images that, throughout time and evolution, have expressed to us the hope of a world of communication that lies beyond our illusory daily lives.

Duration: 17' 00"

SME/EMS
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CHF: 34.70
Parts incl.
Dieter Ammann
The Freedom of Speech (1995-1996)

Instrumentation: for flute (also bfl), clarinet (also bcl), violin, violoncello, percussion and piano

Duration: 18' 00"

SME/EMS
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CHF: 37.30
(Parts: SME sFr. 66.-)
Claude Ferrier
Le Chemin sans traces (1996)

Instrumentation: for baritone and instrumental quintet (fl.cl/hp/va.vc)

Texts: Henri Gaberel

Based on the poem by Henri Gaberel.Version for orchestra (2(pic).2(ca).2(bcl)2(cbn)/4.2.3.1/4perc/hp.cel/str) available from the composer.

Duration: 16' 00"

SME/EMS
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CHF: 34.20
Bruno Stöckli
Museum (2004/2014)
7 Entretiens

Instrumentation: Flöte, Klarinette/Bassklarinette, Violine, Violoncello, Klavier (Cembalo ad lib.)

Die "7 Entretiens" erklingen hier in direktem Vergleich mit ihren historischen Vorlagen.

Duration: 18' 00"

SME/EMS
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CHF: 22.80
Hans Eugen Frischknecht
5 Stücke für Flöte und Orgel (1965)

Five single pieces of various character, from superficially structured to atmospherically cautious.

Duration: 8' 00"

SME/EMS
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CHF: 13.20
Thomas K. J. Mejer
Le chant des livrées (1992)

Instrumentation: for flute, viola and harp

In 'Le chant des livrées', two old "chansons du mariage" were combined, rhythmically superimposed and their sounds distilled.

Duration: 6' 20"

SME/EMS
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CHF: 15.30
parts: CHF 20.00
Maria A. Niederberger
"Oh grosses Wunder". Ein Weihnachtslied (erste Fassung) (1995)
A Christmas carol (first version).

Instrumentation: for choir and organ, for choir with flute, triangle and string quartet (string ensemble)

Texts: Maria Niederberger

Choir is one - two part, four strophes and in a traditional tonal style. German text by M. Niederberger.


Duration: 4' 00"

SME/EMS
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CHF: 28.20
(Version with instruments: CHF 14.-)
De-Qing Wen
Traces II (1996)

Instrumentation: for nine instruments (fl.cl/2perc/pf/vn.va.vc.db)

Chinese calligraphy is the essence of Chinese art. For me personally, it stands as an original score. From written characters, sounds emerge. With the words, music is created.

Duration: 12' 00"

SME/EMS
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CHF: 24.60
Kurt Meier
Phantasie für Flöte und Orgel (1998)

Duration: 10' 00"

SME/EMS
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CHF: 18.00
Geneviève Billeter
Arietta (2013)
Andante

Instrumentation: for flute and piano

Duration: 2' 00"

SME/EMS
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CHF: 11.40
parts flute: 9.00 CHF
Paul Clift
objets à réaction poétique (2015-2016)

Instrumentation: for nineteen instruments

Texts: Duineser Elegien

with texts from Duineser Elegien: Die erste Elegie by Rainer Maria Rilke and citations from Maurice Ravel's Concerto for Piano in G Major

Duration: 12' 00"

SME/EMS
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CHF: 56.70
Michel Hostettler
Five o'clock (1979)

Instrumentation: for two flutes

Duration: 2' 30"

SME/EMS
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CHF: 10.80
Vladislav Jaros
Divertimento (1992)

Instrumentation: for flute, clarinet and guitar

A melodic and lyrical piece with appealing rhythms and harmonies and rewarding solo cadenzas. This piece is demanding for all three instruments.

Duration: 12' 00"

SME/EMS
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CHF: 16.20
Urban Mäder
L'absence de vent (1992)

Instrumentation: for orator, soprano, alto, countertenor, flute, guitar and bass clarinet

Texts: Samuel Backett

An audio play after a quote from Samuel Beckett's "Mal vu mal dit" (Badly seen badly said).

Duration: 55' 00"

SME/EMS
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CHF: 34.00
Felix Schüeli
Threetonality (2002)
Trio

Instrumentation: for transverse flute, violoncello and piano

Duration: 5' 30"

SME/EMS
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CHF: 21.30
(parts: CHF 14.-)
Stephan Lauffer
Tibetische Weisheit (2005)

Instrumentation: for four-part choir and flute

Duration: 3' 00"

SME/EMS
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CHF: 12.60
Luigi Laveglia
Code of Light (2007-2008)

Instrumentation: for flute, bass clarinet, violin and piano

Two movements (part one, part two)
My occupation with light and its spectrum of colours (in a poetic rather than scientific sense) formed the starting point of this composition. It lead to extraordinary answers on a formal and associative level. Intense and diversified at the same time.

Duration: 23' 00"

SME/EMS
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CHF: 24.60
Part: CHF 40.-
Andreas Brenner
Flöte, Oboe, Klarinette (2022)

Duration: ca. 10 min

SME/EMS
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CHF: 24.00
Parts CHF 24.00
Hansruedi Willisegger
O Heiland reiss die Himmel auf (1960)
Doric choral cantata

Instrumentation: for soprano, choir, flute and organ

Duration: 16' 00"

SME/EMS
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CHF: 34.00
Felix Baumann
Ins Offene (1998)

Instrumentation: for alto flute, English horn and soprano saxophone

A piece about the keying of the unsisono, which is displaced from a static into a liquid state.

Duration: 15' 00"

SME/EMS
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CHF: 17.30
De-Qing Wen
Divination (1997)

Instrumentation: for six instruments (flute, clarinet, violin, violoncello, piano and percussion)

The ideal for ancient Chinese civilization is that nature and man are one. Although this piece seems to describe a divination ceremony and the natural elements, it mainly expresses the human feelings.

Duration: 19' 00"

SME/EMS
Postfach 7851
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CHF: 49.30
parts: CHF 30.60
Valentin Marti
Den Schatten der Rose entdecken (1999/2003)

Instrumentation: Flöte, Klarinette, Violine, Violoncello, Klavier

First performed on 27.11.1999 in Boswil by 'Klangforum Vienna' under the direction of V. Kiradjiew.

Duration: 10' 40"

SME/EMS
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CHF: 21.30
Parts: CHF 30.-
Felix Falkner
Ich kehre in mich selbst zurück und finde eine Welt (2002)
Interior

Instrumentation: for speaking voice, two flutes, two clarinets and accordion

Texts: Johann Wolfgang von Goethe

Text from 'Die leiden des jungen Werthers' (The sufferings of young Werther) by J.W. Goethe.

Duration: 12' 00"

SME/EMS
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CHF: 21.60
(Parts: CHF 20.-)
Hans Eugen Frischknecht
4 Stücke (1966)

Instrumentation: für Flöte und Klavier


SME/EMS
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CHF: 12.60
Alfred Knüsel
de profundis (1992)

Instrumentation: for soprano, flute, violoncello, harpsichord, and percussion

Texts: Henriette Hardenberg

Cycle of three songs.

Duration: 7' 00"

SME/EMS
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CHF: 24.60
Valentin Marti
Re-version of a Verse (1999)

Instrumentation: for flute solo

An extending, slowly accelerating line, whose harmonic surrounding constantly rotates around its own axis, becomes gradually penetrated and superposed by a defined texture.
First performed: 7.1.00 in Zurich by Vera Fischer.


Duration: 9' 30"

SME/EMS
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CHF: 13.20
Bruno Stöckli
Kikakokú (2009)
2 recitatives + arias

Instrumentation: for soprano, mezzo-soprano, flute, clarinet, violin, violoncello and piano

Texts: Paul Scheerbart, Oskar Pastior, Bruno Stöckli

Uses the quarter-tone system.

Duration: 14' 00"

SME/EMS
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CHF: 34.80
Christophe Schiess
hors-jeu (2014-2015)

Instrumentation: pour clarinettiste et ensemble

Duration: 14' 00"

SME/EMS
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CHF: 43.20
Parts: CHF 58.00
Josef Kost
Un Quatuor d'airs dialogués (1999)

Instrumentation: for flute, violin, viola and violoncello

This very difficult piece is based on the flute quartet by W.A. Mozart.

Duration: 14' 00"

SME/EMS
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CHF: 24.70
Bruno Stöckli
Melodie in d (2010)

Instrumentation: for piano (with flute, clarinet, violin and violoncello ad lib.)

Duration: 1' 00"

SME/EMS
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CHF: 10.80
Hans Eugen Frischknecht
Trio für Flöte, Oboe und Cembalo (1967)

Vier Stücke weisen sehr unterschiedliche Charaktere auf.

Duration: 7' 00"

SME/EMS
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CHF: 13.20
Mathias Steinauer
Rumori cardiaci, op. 13 (1996)

Instrumentation: for flute, clarinet, violin, violoncello and piano

A short nocturne for the first heart beat of the ensemble 'Oggimusica'.

Duration: 5' 00"

SME/EMS
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CHF: 15.30
George Barcos
Cinco Piezas Recreativas (1996)

Instrumentation: for flute, violin, clarinet and piano

Danza Idilica - Ikebana - Caja de recuerdos - Nieve - El Ángel de la Guardia.

Duration: 12' 30"

SME/EMS
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CHF: 24.00
(Parts: SME CHF 25.20)
Nicolas Bolens
Suite pour Neuf Instruments (1999)

Instrumentation: for wind quintet and string quartet

Duration: 11' 00"

SME/EMS
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CHF: 21.60
Valentin Marti
Wurzelholz (2000)

Instrumentation: for tenor recorder or any other woodwind instrument (alto flute, oboe, tenor saxophone...)

For a different woodwind instrument to the recorder, a somewhat smoother effect because the extreme registers of the recorder have a greater influence on the tone than other instruments with a wider range.First performed in Wädenswil 04.02.01 by Rico Gubler (tsx).

Duration: 6' 20"

SME/EMS
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CHF: 12.00
Mischa Käser
7 Songs to Popular Texts (1990)

Instrumentation: for soprano, flute (or pic or bfl), clarinet (or cbcl or Ebcl) and string trio

Texts: Volkslied

Text from the book 'knaben wunderhorn'.

Duration: 18' 00"

SME/EMS
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CHF: 32.00
Stefan Werren
Atemzeichen - 6 Lieder (1991)

Instrumentation: for mezzo-soprano and flute

Texts: Rose Ausländer

Text: Rose Ausländer.

Duration: 8' 00"

SME/EMS
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CHF: 18.00
Alfred Felder
Cercles (1992)

Instrumentation: for flute, clarinet, harp, string quartet and double-bass

Duration: 12' 00"

SME/EMS
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CHF: 18.00
Vladislav Jaros
Flötenquartett (1995)

Instrumentation: for two flutes, alto flute and bass flute

A playful piece with merry polyrhythmic shenanigans, a real challenge for any flute quartet.

Duration: 24' 00"

SME/EMS
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CHF: 19.80
Alfons Karl Zwicker
Erinnerung an Nelly Sachs (1999)

Instrumentation: for two flutes, harpsichord and female voice

Texts: Nelly Sachs

Tracing the characters in sand. Dismantled word sounds emerge and disappear - only guessing remains. The text particles are in strict rhythmic notation and are spoken as "speechsound", only at the end is the voice recognised as a singing voice.

Duration: 17' 00"

SME/EMS
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CHF: 27.30
Felix Baumann
"nah / hautnah" (2000-2001)
'Radio Play'

Instrumentation: for orator, solo soprano, violoncello and ensemble (fl.cl/perc/pf/vn.vc)

Texts: Sarah Kirsch, Sappho, Michel Serres, Stefan Buri, Hans Magnus Enzensberger

Commissioned by and with support of 'Pro Helvetia', (the Swiss culture foundation) for the 50th anniversary of the Zurich Chamber Voice Choir. First performed in Zurich on the 20th November 2001 by the Chamber Voice Choir Zurich, Martina Fausch, Martina Schucan, Ensemble for New Music Zurich (Bernhard Erne). A piece dealing with the proximity of music and speech, the border area between commutation and murmuring, exactly there where the word is weak and the music has already begun.

Duration: 45' 00"

SME/EMS
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CHF: 56.00
(Parts available from the composer)
Valentin Marti
Expansion of a Verse (2000)

Instrumentation: for alto flute, basset horn, violoncello and harp

A further independent version of 'Re-version of a Verse' which was left open for harmonic and formal additions. Intertwining structured sound surfaces; timbral changes.
First performed: 12.5.00, Zumikon by I.Bende (fl), V.Wandeler (bhn), B.Göttert (vc), I.-L. Stettler-Jansen (hp), Philipp Hefti (cond.).


Duration: 9' 45"

SME/EMS
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CHF: 18.00
Thomas David Müller
Quintett (J'en ai perdu le souvenir) (1997)

Instrumentation: for flute, clarinet, violin, violoncello and piano

Elementary rhythm and sonority; little bass - uses Schubert's 'Ave Maria' as its structural reservoir. Very little instrumental alienation but it does alienate the usual techniques. Simple music, not particularly simple to play. The interplay (with conductor) is traditional.

Duration: 9' 00"

SME/EMS
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CHF: 16.80
Hans-Jürg Meier
at (1998)

Instrumentation: for alto flute, trombone, violin, viola and violoncello

In the middle of the players sits a tub of water into which small pebbles are thrown. This triggers musical actions from the players.

Duration: 14' 00"

SME/EMS
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CHF: 19.20
De-Qing Wen
The shepherd boy's flute (1999)

Instrumentation: for flute solo

Among the flowers, the music of a shepherd boy is passing.

Duration: 7' 00"

SME/EMS
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CHF: 13.20
Valentin Marti
Passages (2000)

Instrumentation: for viola, piccolo/bass flute, baritone saxophone, guitar and percussion

'Passages' is determined by a hugely formal changing process, beginning with block-like, vertical melodies of the solo viola, leading to a linear, horizontal notation with five equal instrumental parts. Quarter tonal.
First performed: 28..8.00 in St.Moritz by the Ensemble Cattrall under the direction of Marc Kissoczy.


Duration: 12' 30"

SME/EMS
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CHF: 23.30
Felix Schüeli
Prélude, Scherzo, Choral und Fuge (2006)

Instrumentation: for flute, violin, viola and violoncello

Duration: 11' 00"

SME/EMS
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CHF: 28.80
(Parts: sFR. CHF 28.-)
Bruno Stöckli
Konzert für Klarinette (2012)
und kleines Ensemble

Instrumentation: Solo-Klarinette, Flöte, Violine, Violoncello, Klavier, Percussion

Teilweise in Vierteltontechnik

Duration: 13' 00"

SME/EMS
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CHF: 34.20
Stephan Lauffer
Phantasie sur "Entre le bœuf" (2019)

Instrumentation: Chor (4stg.), Flöte, 2 Violinen, Cello


SME/EMS
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CHF: 22.20
inkl. Parts
Michel Hostettler
Intermède no. 3 (1981)

Instrumentation: for flute and organ

Duration: 4' 00"

SME/EMS
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CHF: 13.80
incl. Parts
Frédéric Bolli
Pentagramm (1988)

Instrumentation: for five strings (2vn.va.vc.db) and tansverse flute

Duration: 20' 00"

SME/EMS
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CHF: 37.20
George Barcos
Piezas Íntimas (1999)

Instrumentation: for flute, bassoon and harp

Nocturnal - Danzón - Poema Místico.

Duration: 9' 30"

SME/EMS
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CHF: 24.00
Dieter Ammann
A (tenir) tension (2002-2003)
Trio

Instrumentation: for flute, marimbaphone, vibraphone and persussion instruments

The completely dissimilar sound generation of flute and percussion, for example with regard to the acquisition and decay times, formed an important compositional aspect while working on this new ouvre.
This dissimilitude, by analogy, is also transferred to the temporal configuration insofar as the rhythmical form of extremely tight motorical passages ("moltoritmico") ranges over diverse intermediate stages to flexible handling parts ("tempo fluido") producing, thereby, tightly packed episodes with highly differentiated timbral play alongside processes where virtuosity in the traditional sense is central. It is so that the trio produces in quick succession various states, which are highly demanding for the interpreters, with regards interaction and playing technique.

Duration: 11' 30"

SME/EMS
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CHF: 18.00
Katharina Rosenberger
le miroir (2007)

Instrumentation: for flute and soprano saxophone

Duration: 3' 00"

SME/EMS
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CHF: 18.60
Rajiv Satapati
Polaruption (2012)

Instrumentation: 1 Fl, 1 Ob, 1 Kl, 1 Hrn, 1 Fag

Duration: 2' 45"

SME/EMS
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CHF: 12.00
Bruno Stöckli
Souvenir (2016)

Instrumentation: Flöte, Klarinette in B/Bassklarinette in B, Violine, Violoncello, Klavier, Vibrafon

Duration: 11' 00"

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Luigi Laveglia
Red-(und)Tanz (2017-2018)

Dieses Stück bezieht sich inhaltlich als eine Art freie Collage
auf die Stücke "Sequenza für Flöte" von Luciano Berio,
"Density 21.5" und "un grand sommeil noir" von Edgar Varèse.


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Inkl. Einzelstimme
Pierre Thoma
Air - mouvement (1989)

Instrumentation: for flute solo

Blowing means getting air to move; blowing also means to create an air movement. Consisting of very short fragments which can be interpreted with lots of freedom.

Duration: 12' 00"

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Alfred Felder
Nachtgesang (1993)
Music

Instrumentation: for flute, viola and harp

The spirit of the healing ritual "night song" of the Navajo Indians translated into music.

Duration: 17' 00"

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Daniel Weissberg
Oh mi! (1998)

Instrumentation: for flute, oboe and guitar

Jocular virtuoso piece.

Duration: 10' 00"

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Claude Ferrier
Condensations (1998)

Instrumentation: for sextet (fl.hn.asx/hp.cel/gtr)

Duration: 9' 00"

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Thomas David Müller
Letzte Zeichen von Geschwindigkeit (Chartres I) (1998)

Instrumentation: for flute, oboe and soprano saxophone

Traditional interplay and some dodgy rhythmic. Partly over-the-top high register. Reduced but colourful harmony.

Duration: 11' 00"

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Katharina Rosenberger
le miroir (2007/2012)

Instrumentation: for flute and alto saxophone

Duration: 3' 00"

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Balz Trümpy
Pas de deux (1986/2001)

Instrumentation: for flute (afl) and clarinet (bcl)

Duration: 12' 00"

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Vladislav Jaros
Fugit irreparabile tempus (1997)

Instrumentation: for contrabass flute and flute orchestra (5fl(3pic).3afl-g.3bfl)

Duration: 18' 00"

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Mathias Steinauer
Phantasos - oder "Pavarotti's Traum", op. 16 (1999)

Instrumentation: for flute solo (and one microphone stand)

Duration: 5' 00"

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Lars Werdenberg
Las lieungas da glatsch (2010)

Instrumentation: for piccolo solo

These short pieces were written for the marathon concert IMPULS 2011 in Graz, where approximately 10 pieces were performed by the flute class of Eva Furrer.
My composition comprises 9 short segments arranged under the following three basic types:
Bird-like calls, melodies with partly large jumps and loud morse rhythms.
I discover the tonal colour of the piccolo to be white and cold.
The Rheto-Romanic title rather fittingly means "ice tongues".

Duration: 2' 30"

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Thüring Bräm
Au temps perdu (1976)

Instrumentation: for flute and string trio

The title plays with Prousts 'A la recherche du temps perdu'. This through-composed piece requires flexibility due to improvisation-like parts. Satisfying for the flutist who plays on the background of an often noise like sliding sound carpet.

Duration: 14' 00"

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Thomas K. J. Mejer
Sex Crystals (1994)

Instrumentation: for flute, clarinet, horn, violin, violoncello and double-bass

A horn line is sweet-talked with high intensity by perfect fourths and fifths, only on a low dynamic level.

Duration: 6' 30"

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Laurent Mettraux
Invocation, M. 511 (1994-1996)

Instrumentation: for alto flute solo

Contains quarter-tones. Inspired by the music of the Middle Orient.

Duration: 4' 00"

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Hans-Jürg Meier
colours de la rose (1999-2001)

Instrumentation: for alto flute (flute) oboe (english horn) and soprano saxophone (alto saxophone)

A nine-part piece - a confrontation between the music of Guillaume de Machaut and Hans-Jürg Meier.

Duration: 30' 00"

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CHF: 44.00
De-Qing Wen
Piping and Drumming (2000)

Instrumentation: for wind and percussion instruments (fl.ob.cl.asx.bn/tpt.tbn/3perc/pf)

'Piping and Drumming' is a traditional Chinese musical form that uses only wind instruments and percussion. It is often played at ceremonies.

Duration: 12' 00"

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CHF: 42.60
Parts: CHF 61.20
Lars Werdenberg
Manoeuvers (2011-2012)

Instrumentation: for flute, piano and percussion

Duration: 6' 00"

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Bruno Stöckli
Makadam (2019)

Instrumentation: Flöte, Bassklarinette in B, Horn, Violine, Violoncello, Kontrabass, Klavier, Percussion

Duration: 12' 00"

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Pierre-André Bovey
Méandres (1979)

Instrumentation: for two flutes

Duration: 4' 00"

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Eric Gaudibert
Contrechamp (1979)

Instrumentation: for flute, oboe, violoncello and harpsichord

The notation for the ensemble is traditional but in space notation for the harpsichord. The last section is notated on separate sheets with momentary points of reference. Standard playing techniques. The harpsichord needs an 8', 4' and lute stops.

Duration: 9' 30"

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CHF: 24.70
Frédéric Bolli
Je suis ravi de vous revoir, Monsieur Ravel! (1990)

Instrumentation: for flute, violin, violoncello and four-handed organ (or piano)

Duration: 10' 00"

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Maria A. Niederberger
Sonnenspur: Tonbilder aus Kalifornien (1996-1997)

Instrumentation: for flute, oboe, clarinet, bassoon, two percussion, piano, string quartet and double-bass

Fantasy, prelude, I. Nächtlicher Kojotentanz, II. Morgensonn' das Meer enthüllet, III. Purple Horses, IV. Yosemite.
Accentuated percussion.

Duration: 11' 00"

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CHF: 63.00
Urban Mäder
en suite (1997)

Instrumentation: for flute and harpsichord

Duration: 12' 00"

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CHF: 27.00
Alex Rüedi
Flautetto (2007)

Instrumentation: for 2 flutes, alto flute, bass flute (or 2fl, 2afl)

Duration: 14' 00"

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CHF: 27.00
parts: CHF 30.-
Lars Werdenberg
MEETER-MAASS (2014)
zum 150. Geburtstag von Adolf Wölfli

Instrumentation: Flöte, Hackbrett und Violoncello

Duration: 9' 30"

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Rudolf Jaggi
Concertino (1970)

Instrumentation: for solo flute, solo oboe, solo violin and strings

Duration: 8' 00"

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CHF: 22.80
parts: CHF 25.-
Roland Moser
Based on popular German songs (1984-2002)
Strophes from the 'Knaben Wunderhorn'

Instrumentation: for soprano, flute, clarinet, violin, viola and violoncello

Texts: Volkslied

Also in a version for mezzo-soprano and the same instrumentation. Mutations in the same edition. Seven songs: ABC-Schützen - Papiers Natur ist Rauschen - Ein Musikant wollt fröhlich sein - Ich sass auf einem Birnenbaum - Das Vöglein Butschli Butschli Bu (Brentano) - Letzter Zweck aller Krüppelei - Ich hört ein Sichlein rauschen.

Duration: 17' 00"

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Thomas K. J. Mejer
Macula Matris (1995-1996)

Instrumentation: for seven musicians (fl(pic,bfl,cbfl).cl(bcl,cbcl).bn(cbn)/tbn/hp/perc/vc), seven orators and seven dancers.

Texts: Hermann Berger, André Gide, Marisa Holder, Elfriede Jelinek, Milan Kundera, Irmgard Morgner, Karin Struck

A stage work, somewhere between performance and installation.


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Urban Mäder
fast zerrissen (1997)

Instrumentation: for flute, clarinet, violin, violoncello, piano and percussion

Duration: 10' 00"

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CHF: 38.70
Felix Baumann
... nachfragend (2002-2003)

Instrumentation: for flute and harpsichord

Between reception and perception. This short piece allows the opportunity to meditate over the difference between the recording of foreign content and sensual perception as a level of knowledge.

Duration: 2' 30"

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CHF: 12.60
George Barcos
Cita para Ocho (2007)

Instrumentation: for 4 flutes, 2 alto flutes, 2 bass flutes

Duration: 8' 00"

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CHF: 15.00
Pierre-André Bovey
3 Epigrammes d'André Chénier (1980)

Instrumentation: for flute (also flute in G) and voice

Duration: 4' 00"

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CHF: 14.00
Balz Trümpy
Nacht (1988)
Cycle

Instrumentation: for mixed choir, flute, two clarinets and horn

Texts: Joseph von Eichendorff

Night has probably never been praised higher and in so many facets by anyone other than Joseph von Eichendorff. For myself, his poems are equivalent to the music of Schubert and Schumann. A possible discovery of reality on the edge of the concrete, proceeding to point out another reality.

Duration: 18' 00"

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CHF: 36.00
Mischa Käser
Six Pieces (1992)

Instrumentation: for flute, viola and harp

Also required for one of these pieces: a pedal bass drum, some glasses and stones.

Duration: 16' 00"

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Thomas K. J. Mejer
Einmal ich und du: Die Bombe im Herzen (1995-1999/2005)
Cycle of "songs" after poems by Ludwig Fels

Instrumentation: for flute (afl, pic), clarinet (bcl) and piano trio

N° 1: Elegische Ballade
N° 5: Sterbenswort
N° 10: Sexuelle Panik

Duration: 10' 00"

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CHF: 34.80
De-Qing Wen
Silk Bamboo (2001)

Instrumentation: for flute and string quartet

This piece is inspired by 'Sizhu' (silk and bamboo). 'Sizhu' is a traditional Chinese musical form used popularly in Central-East and Southern China. The silk bamboo ensemble consists of "soft" instruments with si silk strings (pipa, erhu, zheng) and zhu bamboo instruments (bamboo flutes, dizi). In this work the composer tries to integrate the ideas of traditional Chinese music with modern Western composition techniques. The silk is soft - 'Yin' (feminine): pianissimo and lento. The bamboo is hard - 'Yang' (masculine): fortissimo and allegro. Although the instruments, the musicians, the way of composing and time have all been transformed the spirit of the music and the Chinese emphasis of the musical language remains unchanged.

Duration: 10' 00"

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(Material available from the composer)
Andreas Stahl
erinnern - an sich (2001)

Instrumentation: for female voice, flute, oboe, violin, violoncello and piano

Written for the ensemble 'pre-art' for the 1700 anniversary of the Christianisation of Armenia. Text (mostly spoken) and music refer to the processes of memory and remembrance (resp. forgetting). Formally it is a triple duet (fl/vn, ob/vc, voc/pno) and is, as usual, situated on the rather extreme sector of sound production.

Duration: 18' 00"

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Cécile Marti
Five Times (2017)

Instrumentation: Fl, Ob, Kl, Hn, Fg

Five Times ist in fünf Sätze gegliedert, welche die Wahrnehmung von musikalischen Verläufen zu unterscheiden versuchen. Dabei wird zeitlichen Verläufen wie Statik oder Dynamik, Vorhersehbarkeit oder Unvorhersehbarkeit nachgegangen. Der erste Satz folgt dem Aufbau eines Naturtonspektrums und entwickelt sich ausgehend vom Einklang zum weit aufgefächerten Klangvolumen, einen vorhersehbaren Verlauf. Der zweite Satz fokussiert auf der andauernden Entwicklung von musikalischen Elementen wie beispielsweise der Umspielung von Zentraltönen oder der Fragmentierung melodischer Gestalten. Der dritte Satz entwickelt sich, ausgehend von horizontaler Linienführung, verlaufend zu akkordischen Klangspektren. Der vierte Satz schafft Kontrast indem das Tempo der sich entwickelnden Elemente vorerst limitiert wird. Wiederholung und Homorhythmik dominieren das Satzgefüge bis auf dass es zerbirst. Der fünfte Satz sucht die Unvorhersehbarkeit in einer wechselhaften Entwicklung und fungiert als Reminiszenz an Vergangenes: er spielt mit dem Erinnern und streift Motive, Klänge und Strukturen, welche in Satz 1-4 erschienen sind.

Duration: 16' 00"

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Lars Werdenberg
And the wounded welkin weeping (2019)

Instrumentation: Flöten (Bass-, Alt-, C-Flöte) und Klarinette in B

Duration: 5' 30"

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Henri Scolari
Le Christ voilé (1948)
Catata

Instrumentation: for baritone and instruments (1(pic).1(ca).1(bcl).1/hn/hp/vn.va.vc(db ad lib.))

Texts: Patrice de la Tour du Pin

Fusion of a series of twelve tones with a constant reference to tonality.
Very expressive French poetry.

Duration: 19' 00"

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CHF: 74.00
(Reduction: CHF 30.-)
Hans Eugen Frischknecht
Komposition für Flöte, Klarinette und Tonband (1971)

Zu den live spielenden Instrumenten Flöte und Klarinette (auch Bassklarinette) läuft im Hintergrund eine CD. Darauf befinden sich Klavierklänge verschiedenster Art, welche mannigfach verarbeitet wurden.

Duration: 9' 00"

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CHF: 12.60
Mischa Käser
Abenteuer in Sachen Haut (1993)

Instrumentation: for ten strings (5.2.2.1) and flute

Fifteen micro-chromatic variations over a diatonic melody. Independent playing techniques required. Needs lots of rehearsing but is technically quite simple.

Duration: 24' 00"

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CHF: 38.00
Claude Ferrier
4 petites pièces (1999)

Instrumentation: for eight instrumentalists (fl.cl.bn/perc/hp/2vn.vc)

Duration: 6' 00"

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CHF: 19.80
Andreas Stahl
grauzone (2002-2003)

Instrumentation: for flute, oboe, clarinet and accordion

A piece about pitch, almost about melody. But certainly so that the borders between identical, similar and different dissolve leaving one finally hearing melodies where no melodies exist (?).

Duration: 19' 00"

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CHF: 22.70
Michael Schneider
Die chemischen Elemente (2008)

Instrumentation: for flute, saxophone and vibraphone

The structure and course of this piece is based on the periodic table of chemical elements. The three instruments represent specific groups of elements within the seven periods of the periodic system (metals, transition metals, non-metals, noble gasses). Small variations in playing technique and "plasticity" represent the chemical properties of each single element in one-bar 5/4 "portraits", which are linked to form a suspended tonal stream.

Duration: 7' 00"

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CHF: 18.70
Cécile Marti
Dancing Spectra (2018)

Instrumentation: For mixed Sextett

Instrumentation: Fl/Cl/Vl/Vc/Perc/Pno

Duration: 7' 00"

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Frédéric Bolli
Pavane pour flûte de Pan et cordes (1991)

Duration: 10' 00"

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CHF: 16.70
Maria A. Niederberger
Images (1997)

Instrumentation: for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, double-bass, piano and percussion

I. Fluid Shapes, II. Light and Shadow, III. Symmetries - Broken Symmetries.Piano and trumpet accentuated.

Duration: 20' 00"

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CHF: 45.30
Kit Powell
Koauau, op. 91 (1998)

Instrumentation: for transverse flute ensemble (8 players with 16 flutes ranging from piccolo to contrabass flute)

A commissioned work for 'les joueurs de flûte'.

Duration: 10' 00"

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Claude Ferrier
In Anno Jubilaei (2000)

Instrumentation: for 2pic.2cbn and twele-voice mixed choir

Duration: 5' 00"

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CHF: 21.00
Vladislav Jaros
Sonata (2003)

Instrumentation: for alto flute

Homage to J.S Bach. Four movements partly poetic, partly restrained and then again virtuosic and frolicsome. A delicacy for any flute virtuoso.

Duration: 13' 00"

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CHF: 19.20
Alex Rüedi
A good throw (2011)

Instrumentation: fl, cl(ssx), asx

Jazztrio

Duration: 2' 00"

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CHF: 9.00
Rajiv Satapati
Grido d'Amore (Bearbeitung 2013) (2013)

Instrumentation: 1 Fl, 1 EH, 1 Kl, 1 Bkl, 2 Fag, 1 Hrn, 2 Tpt, 2 Pos, 1 Tba, 2 Vln, 1 Vla, 1 Vlc, 1 Ktb

Duration: 1' 00"

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CHF: 12.00
Martin Wendel
Musik für Oboe / Klarinette und Flöte / Klavier, op. 29 (1975)

Two sound pairs set borders, isolate themselves and re-converge in a quartet relationship. A multi-faceted composition in five parts.

Duration: 12' 00"

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Alex Rüedi
Pipello (2011)

Instrumentation: 1.fl,2.fl,trp,pos,pno,b,dr

Jazzseptett

Duration: 4' 00"

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Maria A. Niederberger
Concerto for Oboe and Instrumental Ensemble (1999-2000)

Instrumentation: for oboe solo, flute (piccolo), clarinet, horn, harp, two violins, viola, violoncello and double-bass

This piece is suitable for oboe and ensemble but oboe and a small orchestra is preferable. The oboe is very demanding but the harp and horn also play important parts.

Duration: 20' 00"

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CHF: 41.40
Alex Rüedi
Silence by halfmoon (2011)

Instrumentation: fl,cl(ssx), asx

Jazztrio

Duration: 3' 00"

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CHF: 9.00
Rudolf Jaggi
Phasen (1974-1975)

Instrumentation: for medium voice, flute and guitar

Texts: Giuseppe Ungaretti (Ingeborg Bachmann)

1. Ich bin eine Kreatur
2. Freude der Schiffbrüche
3. Morgen
4. Phase I
5. Phase II
6. Finale

Duration: 15' 00"

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CHF: 21.00
Michel Hostettler
Béatitude pascale (1984)

Instrumentation: for two flutes

Duration: 3' 30"

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CHF: 12.00
Jacques Demierre
Outward (Homage to Eric Dolphy) (1988)

Instrumentation: for flute and clarinet

"Rhythm, is in fact, the only art or system in which the various energies can be ordered and sustained. The basis of a vital and psychological dynamic is rhythm." (G. Bachelard).

Duration: 15' 00"

SME/EMS
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CHF: 25.80
Hans-Jürg Meier
die ganze übrige spanne ist nicht leben, sondern zeit (2001-2002)

Instrumentation: for voice (alto), flute (pic, afl)bassoon, trumpet, vioal, violoncello and piano,

Texts: Johann Peter Hebel, Hans-Jürg Meier

Music to the story 'Unverhoffte Wiederbegegnung' by Johann Peter Hebel. Composed partly rhythmically open.

Duration: 17' 00"

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CHF: 36.70
Urban Mäder
Windstriche II (1999)

Instrumentation: for shakuhachi and seven flute players (instrumentarium: pic.fl-f.4fl-c.afl-g.bfl-c.bfl-f.cbfl-c)

Four movements. Four differing attempts to combine the soloistic Japanese Zen flute, the shakuhachi, with the european transverse flute.

Duration: 14' 00"

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CHF: 30.60
Martin Schlumpf
Cumuli III (3-4-1-5-2 - Kapitel II im Buch der Proportionen) (1999)

Instrumentation: for flute, clarinet, soprano saxophone, trombone, electric piano (or piano), electric bass (or double-bass) and percussion

Duration: 20' 00"

SME/EMS
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CHF: 34.00
De-Qing Wen
Les saules ne se plaignent pas aux sons de la flûte (2002)

Instrumentation: for xiao (chinese flute) (or flute), bottles, crystal glasses and percussion (14 players)

Duration: 6' 00"
Manuscript
CHF: 21.00
Vladislav Jaros
Das Burgfest (2005)
Flute quartet

Instrumentation: for 2 flutes, alto flute and bass flute

A suite consisting of amusing charachter pieces. simple to play.

Duration: 16' 00"

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CHF: 25.80
Michael Schneider
Gran Partita (2011)

Instrumentation: for wind septet (fl, ob, cl, bh, bcl, bn, hn)

"The seagull continues to play. But she is no longer alone. They came one after the other, against the wind. A bassoon is here, a long, thin lament; an oboe, guttural; a horn, horns, various colours, dry in the brass; a deep voice, a sonorous bass draws long, thick threads through the sound carpet. Above me on the craggy ledge sit thirteen seagulls, each with a tone of its own. Highs and lows, warmth and coolness, a mystical choir, a serenade from within the wind."
The number of seagulls in this excerpt from a short story by the Swiss author Andreas Neeser makes reference to the number of instruments in Mozart's famous wind serenade 'Gran Partitia', which also lends its name to Neeser's short story. Published in a volume of stories entitled 'Unsicherer Grund' or 'Unsafe Ground' (Haymon, 2010), Neeser's 'Gran Partita' pays homage to nature and the legends of Bretagne: An observation made at the westernmost side of Bretagne and a metaphor within which man and his emotions are mirrored.
Commissioned by the Bläsersolisten Aargau, my 'Gran Partita' reflects the music in Neeser's text and the nature it evokes - the structural elements of the short story and also the geology and fauna of Bretagne. The instrument's scales symbolise granite, the predominant stone in this area, and the vegetation and topos of the sea and the call of the seagulls. Non-musical parameters define the musical material, the form of which offers absolute priority to the melodic line. This leads to an autonomous sound metaphor comprising lines and colours, that makes the underlying substance as an explanation no longer necessary.

Duration: 13' 00"

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CHF: 28.70
Rudolf Jaggi
Barcarole (1974)

Instrumentation: for violin (or flute) and piano

Duration: 2' 30"

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CHF: 11.40
(Including violin part)
Thüring Bräm
Quiet Music I-III (1980-1981)

Instrumentation: for piano, flute, clarinet, oboe, violin and violoncello

No. III is a markedly beautiful piece to commemorate Berios 'O King'. No. I and II are confined to the piano and a melodic instrument of choice.

Duration: 8' 00"

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CHF: 24.00
Pierre-André Bovey
5 Echappées (1985)

Instrumentation: for flute (flute-G), violoncello and piano

For the 'Trio Coriolan'.

Duration: 7' 00"

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CHF: 23.30
parts attached
Pierre Thoma
Déchirure (Alinnik) (1993)

Instrumentation: for flute and two percussion

In the Inuit language the word "Alinnik" means point of no return, irreversibility, break. Greenland's Inuit are a population with an extremely original cosmogony based on the relation between sun and moon. Their view of the world is completely coherent in itself, mediated by shamanism but seems utterly unordered and chaotic from a perspective based on Descartes and western ideology. Some 200 years ago, tradesmen and missionaries set out to cultivate this population, which now has one of the highest suicide rates in the world. A culture - a way of thinking, feeling and acting - in a process of destructuration if not destruction, heading towards a point of no return.

Duration: 6' 00"

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CHF: 28.70
Alfred Felder
Fussspur (1998)
Music

Instrumentation: for flute solo

"We have found a strange footprint on the shores of the unknown. We have devised profound theories, one after another, to account for its origins. At last we have succeeded in reconstructing the creature that made the footprint. And lo! It is our own." (Sir Arthur Eddington, 1882-1944).

Duration: 7' 00"

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CHF: 13.20
Jacques Demierre
Terminus (take two) (1988)

Instrumentation: for flute and piano

This piece stages its own silence, even the fragile and dramatic silence that emerges only after the final tone has sounded.

Duration: 11' 00"

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CHF: 19.80
Alfred Knüsel
Frühling gestehen (1997)

Instrumentation: for singing voice, strings (1.1.1.1.1), flute and percussion

Duration: 23' 00"

SME/EMS
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CHF: 32.70
Edu Haubensak
Vertikale Horizonte (1998)
Quartet

Instrumentation: for flute (bfl), clarinet (cl-a), violin and violoncello

Duration: 8' 00"

SME/EMS
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CHF: 18.70
Hans-Jürg Meier
nie setzt es ein (2002)

Instrumentation: for flute, (bfl, cbfl), horn, two trumpets, trombone and tuba

Helical searching for osculation points.

Duration: 12' 00"

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CHF: 21.30
Rudolf Jaggi
6 Bagatellen (1977)

Instrumentation: for flute, violin and violoncello

Duration: 10' 30"

SME/EMS
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CHF: 16.20
Pierre-André Bovey
Réparties (1987)

Instrumentation: for flute and violoncello

Duration: 7' 00"

SME/EMS
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CHF: 16.00
Laurent Mettraux
Sonate, M. 533 (1996)

Instrumentation: for flute and piano

Three connected parts, amongst them is a scherzo which is inspired by the music of the Andees and a ruminant final, becoming increasingly intimate.

Duration: 14' 00"

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CHF: 29.00
(Seperate parts: sFr. 14.-; €14.-)
Walter Baer
La joie de vivre (1992/2004)

Instrumentation: for flute and string orchestra

Three different perspectives of a single picture bearing the same title by Picasso.
Préludes pour Antipolis - La danse des animaux - La danseuse nue.
String orchestra: 1.1.1.1.1 (all voices excluding the db are also divided).

Duration: 13' 00"

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CHF: 33.00
(Stimmenmaterial: CHF 41.40)
Balz Trümpy
Tahesha (1995)

Instrumentation: for flute or recorder (sopranino and alto recorder), violoncello and strings (4.4.2.2.1)

A preliminary instrumental study for the second movement of 'Helios'.

Duration: 12' 00"

SME/EMS
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CHF: 58.00
Vladislav Jaros
Ungarische Rhapsodie (2006)

Instrumentation: für Flöte, Fagott und Harfe

Duration: 12' 00"

SME/EMS
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CHF: 15.60
René Wohlhauser
CI - IC (1985)
Ergon 11

Instrumentation: for flute and viola

A miniature with an extremely dense timing and concentrated structural complexity, meant as a metaphor for the fury of the disappearance of short and intensive listening experiences.

Duration: 2' 00"

SME/EMS
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CHF: 9.00
Alfred Knüsel
Katharsis I - III (1997)

Instrumentation: for 5 flutes and percussion instrument


SME/EMS
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CHF: 17.30
Victor Alexandru Coltea
Hyper Atom (2016)

Instrumentation: for flute, clarinet, violin, viola, cello, percussion, piano

Duration: 12' 00"

SME/EMS
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CHF: 32.40
René Wohlhauser
Duometrics (1985-1986)
Ergon 12

Instrumentation: for flute and bass clarinet

External time levels (as has been described by Stephen Hawking, with linear time comes an additional vertical imaginary time base out of which there exists a dependent area with no oppositional beginning and end and which is conceived as instantaneous) stands in relation to the piece's inner nature, its complex dramatic time organisation, which amongst other things is one of its products, and in which, for both players, time is not continuous - often with different tempi having to be played simultaneously. An expression of incompatible contradiction, so-called antimony, reminiscent of Kant's 'Transcendental Dialectic'.

Duration: 5' 00"

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CHF: 19.20
Laurent Mettraux
Quatuor de flûtes, M. 547 (1996)

Instrumentation: for four flutes (first with piccolo, and fourth with flute in G)

Mysterious sounds and a elegiac atmosphere outside time, accentuatetd by sparkling outbursts of energy. The use of uncommon chords opens intense sonorous landscapes.

Duration: 9' 00"

SME/EMS
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CHF: 31.00
(Seperate parts: sFr. 12.-; € 12.-)
Rico Gubler
Turnaround (2005)

Instrumentation: for wind and string quintet (fl.ob.cl.bn/hn/2.1.1.1)

Evening News - Summertime - Today Special - Meteo - Sonntag 03.17 Uhr MEZ - Breaking News.

Duration: 12' 00"

SME/EMS
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CHF: 40.80
Rudolf Jaggi
Studie für 3 Flöten (1978)

Duration: 3' 00"

SME/EMS
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CHF: 11.40
Martin Wendel
Votum für Flöte allein, op. 39 (1981)

The translation of the process of a speech into the musical.

Duration: 3' 00"

SME/EMS
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CHF: 10.80
Vladislav Jaros
Terzett (2007)

Instrumentation: for panflutes (or flutes), taragot (or oboe) and organ (or flute, clarinet and organ)

In memoriam Sándor Veress.
A piece with two themes from Hungarian folk music, slow lyrical parts alternate with lively, quick and very rhythmical parts. Expanded tonality.


Duration: 12' 00"

SME/EMS
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CHF: 15.60
Burkhard Kinzler
Fragment & Entrückung (2011)

Instrumentation: for mixed choir, transverse flute, 2 oboes, bassoon, 2 violins, viola, cello, violone

Texts: Antonia Bertschinger

Duration: 25' 00"

SME/EMS
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CHF: 66.60
Mittelsatz "Paradies" separat erhältlich:
CHF 16.00
Katharina Rosenberger
Erzählung (2013)

Instrumentation: for flute, clarinet, percussion, piano, violin and violoncello

Duration: 11' 00"

SME/EMS
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CHF: 23.40
Rico Gubler
Kubla Khan's Love Song (2005-2006)

Instrumentation: for piccolo and soprano saxophone

Duration: 4' 00"

SME/EMS
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CHF: 13.80
Burkhard Kinzler
Paradies (2011)
aus Fragment & Entr?ckung

Instrumentation: f?r gemischten Chor, Traversfl?te 2 Oboen, Fagott, 2 Violinen, Viola, Cello, Violone


SME/EMS
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CHF: 16.00
Eric Gaudibert
Zwielicht (1990)

Instrumentation: for flute and harp

Zwielicht = Twilight
Uses the piccolo flute and the alto flute in G. Written almost entirely in space notation. High level of difficulty.
Accessories: a bow for the harp.


Duration: 11' 30"

SME/EMS
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CHF: 18.00
Hans Eugen Frischknecht
Rondeau für Flöte und Gitarre (1981)

Duration: 7' 00"

SME/EMS
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CHF: 13.20
Burkhard Kinzler
round about Haydn – a roundabout (2012)

Instrumentation: for 2 flutes, 2 oboes (both also ca), 2 bassoons, 2 natural horns and 2 natural trumpets

Duration: 6' 00"

SME/EMS
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CHF: 20.70
Jacques Demierre
Quelques remarques (1991)

Instrumentation: for flute, clarinet, horn, trombone and four-handed piano

Duration: 13' 00"

SME/EMS
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CHF: 37.80
(Parts: CHF 75.-)
Stefan Werren
Esquisse d'été (1999)

Instrumentation: for flute

Duration: 3' 30"

SME/EMS
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CHF: 13.30
Hans-Jürg Meier
durante il giorno iI sole oscura le stelle (2006)

Instrumentation: for mixed choir (SSATB) and contrabass flute (also flute)

Texts: Ottavio Rinuccini, Catullus, Ovid, Hans-Jürg Meier

Ariadne's experiences with Theseus and Bacchus are related from the perspective of the Corona Borealis constellation:
1. Theseus and Ariadne: promise of marriage on the island of Nexus
2. Theseus: called upon by an aide to leave
3. Ariadne: abandonment and delusion
4. Ariadne and Bacchus: heavenly wedding and the casting of the crown into the sky, which remained in the form of the constellation.

Duration: 15' 00"

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CHF: 39.60
Burkhard Kinzler
Nürnberger Choräle (2012)

Instrumentation: for flute, clarinet, saxophone, trombone, cello, double bass, percussion

Duration: 16' 30"

SME/EMS
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CHF: 27.00
Rudolf Jaggi
Evocation pour flûte (1980)

Duration: 3' 00"

SME/EMS
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CHF: 11.40
Jürg Frey
Aufzählung. Licht. Tänzerin am Rand (1995-1996)

Instrumentation: for actor, female dancer, three instruments (flute, violoncello and accordion)

Duration: 20' 00"

SME/EMS
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CHF: 17.40
Hans-Jürg Meier
criptoportico (2006)

Instrumentation: for transverse flute, natural horn, double bass

Formal references lead to the grotesque paintings of the Domus Aurea rooms in Rome. As regards content, the sirens have their grand appearance.

Duration: 10' 00"

SME/EMS
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CHF: 16.00
Max E. Keller
Konfigurationen II (1989)

Instrumentation: for alto and instrumental ensemble (flute, clarinet (bass clarinet), violin, violoncello, percussion and piano

Texts: Franz Hohler, Hansjörg Schneider, Jürg Schmied, Sascha Anderson, Max E. Keller

Eight texts, different in kind, from poetry to excerpts from military regulations. Theme: order fetishism as a contrast to a chaotic, self-destructive world. Authors: Franz Hohler, Hansjorg Schneider, Jürg Schmied, Sascha Anderson, Max E. Keller.

Duration: 16' 00"

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CHF: 30.70
Hans Eugen Frischknecht
Klanggruppierungen (1984)

Instrumentation: for three flutes, two clarinets, trumpet, trombone and four-handed piano

Mehrteilige Komposition mit kontrastierenden Teilen.

Duration: 12' 00"

SME/EMS
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CHF: 18.60
Parts: CHF 28.00
Martin Wendel
Music for flute and piano op. 46 (1985)

A sonata-like formation which forms a congruent statement by bringing together two very oppositional instruments which are hardly capable of a tonal unity: the flute associated rather with the quiet and intimate and the expansive, differentiating modern grand piano.

Duration: 12' 00"

SME/EMS
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CHF: 27.60
Michel Hostettler
Fantaisie épidermique (1988)

Instrumentation: for flute, oboe and bassoon

Duration: 7' 00"

SME/EMS
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CHF: 14.40
(Parts available from SME: CHF 14.-)
Thüring Bräm
For the Birds (1987)

Instrumentation: for flute and bass clarinet

Requires an interest in experimentation and practice.

Duration: 8' 00"

SME/EMS
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CHF: 16.20
Michel Hostettler
Rêve (1988)

Instrumentation: for two flutes

Duration: 3' 30"

SME/EMS
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CHF: 12.00
Max E. Keller
senza e con (1989)

Instrumentation: for ensemble (fl.ssx.tsx.barsx/hn.3tpt.3tbn/pf/db)

Duration: 10' 00"

SME/EMS
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CHF: 17.30
Alfred Knüsel
gezogene Klänge (2000)
Six part work block

Instrumentation: for double-bass solo and chamber ensemble (1(pic).1.1.1(cbn)/1.0.0.0/perc/pf/2vn.va.vc)

Duration: 20' 00"

SME/EMS
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CHF: 54.00
Walter Baer
Das Symposion des Xenophanes (2003)
Cantata

Instrumentation: for soli (AB from the choir) two choirs, flute, oboe, harp percussion and organ

Texts: Xenophanes von Kolophon, Marie Luise Kaschnitz

The two choirs are situated as far apart as possible. The vocal parts are demanding both for the soloists and the choir.

Duration: 38' 00"

SME/EMS
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CHF: 48.00
Alfred Felder
all songs are good (2004)
Trio

Instrumentation: for flute (afl), clarinet (bcl) and piano

This piece is concerned with the journey into another reality, a reality where one can encounter various magical animals.

Duration: 30' 00"

SME/EMS
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CHF: 27.60
(Flute and clarinet parts: CHF 40.-)
Max E. Keller
Swissfiction (1990)
Musical theatrical scenes

Instrumentation: for four actors(esses), four musicians (fl.ob.cl.vn) and a four-channel electronic tape

Texts: Alex Gfeller

Based on Alex Gfellers story 'Das Komitee'.The cities of Switzerland are contaminated, be it with poison or radioactivity, the ozone layer is depleted many paths leading to destruction have long been foreseeable. Only few have survived and sit vegetating in their shelters underneath the ruins of earlier prosperity. Some have already mutated, others live in a world of delusion.

Duration: 30' 00"

SME/EMS
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CHF: 24.60
Henri Scolari
Concerto pour flûte et orchestre (1976-1977)

Instrumentation: (2.2.2.2/2.2.0.0/timp/hp/str)

Demands an exceptional level of virtuosity for the solo flute. Written for Aurèle Nicolet.

Duration: 21' 00"

SME/EMS
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CHF: 70.60
(Avec partie de flûte)
Josef Haselbach
Leporellos Traum (The Dream of Leporello) (1989)

Instrumentation: for string orchestra, flute, clarinet, saxophone, trumpet and piano

"A rhythmically moved, gesture-full, richly chromatic music." (Th. Gartmann) Second part of the trilogy based on Mozart's 'Don Giovanni'.

Duration: 24' 00"

SME/EMS
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CHF: 109.00
Michel Hostettler
Phylactères (1989)

Instrumentation: for flute (piccolo, flute-G), bassoon, harpsichord and crotales

Duration: 10' 00"

SME/EMS
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CHF: 21.60
(Parts available from SME: CHF 18.-)
Max E. Keller
Konfigurationen III - January 1991 (1991)

Instrumentation: for oboe (or flute), bassoon, guitar and piano

The musicians also perform scenic actions and speak a couple of sentences.

Duration: 8' 00"

SME/EMS
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CHF: 17.30
Jacques Demierre
Nous ici (1993)

Instrumentation: for voice, flute, clarinet, violin, violoncello and piano

Texts: Jacques Roman

Three main 'characters'. A text by Jacques Roman based on African rhythm organisation and inspired by the solo fragments of jazz saxophonist Charlie Parker.

Duration: 13' 00"

SME/EMS
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CHF: 51.00
Michel Hostettler
Cantilène (1989)

Instrumentation: for flute and piano

Duration: 3' 00"

SME/EMS
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CHF: 12.60
(with flute part)
Pierre-André Bovey
3 Esquisses (1993)

Instrumentation: for flute solo

Duration: 8' 00"

SME/EMS
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CHF: 13.80
Hans-Jürg Meier
Schwärme von Lichtfischen (2008)

Instrumentation: for 6 pianos and 8 pairs of high instruments (flutes, clarinets, trumpets, cornets, harps and violins)

Spatial composition based on a text by Elisabeth Binder (from "Orfeo"). For students.

Duration: 8' 30"

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CHF: 17.30
Pierre-André Bovey
Ricercare sur le nom de BACH (1994)

Instrumentation: for flute and organ

Duration: 7' 00"

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CHF: 18.70
Hansruedi Willisegger
Quartet (1966-1967)

Instrumentation: for flute, clarinet, violin and violoncello

Duration: 20' 00"

SME/EMS
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CHF: 26.70
Henri Scolari
Jeux (1981-1982)

Instrumentation: for flute and harpsichord

Duration: 6' 00"

SME/EMS
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CHF: 20.40
Pierre-André Bovey
Stèle à la mémoire de Charles Koechlin (1995)

Instrumentation: for flute solo

Duration: 6' 30"

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CHF: 12.60
Stefan Werren
Articulations (2003)

Instrumentation: für Flöte und Klavier


SME/EMS
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CHF: 25.30
Hans-Jürg Meier
les mots jaunes (plötzlich diese Ganzheit) (2008)

Instrumentation: for voice (mezzo-soprano) and flute

Text by Marianne Schuppe (staging: Hans-Jürg Meier)
"Between two languages lies a room. Between language and music lies a room. And between reading, resp. listening and writing lies time. Translating is the setting of one's own words resp. signs in relation." (Marianne Schuppe)


Duration: 9' 00"

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CHF: 15.30
De-Qing Wen
Ink Splashing IV (2018)

Instrumentation: for eight instruments

Duration: 11' 00"

SME/EMS
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CHF: 53.40
Parts CHF 36.00
Rico Gubler
Fish and Chips (2013)

Instrumentation: for piccolo and clarinet

Duration: 6' 00"

SME/EMS
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CHF: 17.40
Hansruedi Willisegger
Impressionen (1967)

Instrumentation: for eight instruments (fl.cl/hn/cel/hp.pf/2perc)

Duration: 15' 00"

SME/EMS
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CHF: 30.00
Hans Eugen Frischknecht
Labikiel (1990)

Instrumentation: for flute and harpsichord

In a transverse flute sound is generated using a labium, in a harpsichord it is produced using a quill. In this piece various tones are set in contrast against each other.

Duration: 7' 00"

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CHF: 15.00
Urban Mäder
Ballast (2009)

Instrumentation: for flute, clarinet, violin, violoncello, piano and percussion

Three movements: gestaut, dickflüssig, überschwappend.

Duration: 12' 00"

SME/EMS
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CHF: 26.40
René Wohlhauser
vocis imago (1993-1995)
Ergon 20

Instrumentation: for flute, clarinet, percussion, piano, violin and violoncello

Conception of a dialectic tension between textual narrative and formal architectonically composite parts (inspired by literary narrative forms) integrated into a system of metric modulations.

Duration: 19' 00"

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CHF: 56.00
Hans-Jürg Meier
das dasein ist nicht das wesentliche (sestiere - prima lettura) (2010)

Instrumentation: for panpipes, transverse flutes, recorders, clarinets, saxophone, horns, trombones, trumpets

Duration: 16' 00"

SME/EMS
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CHF: 39.60
Jean-Jacques Dünki
Eiland Stadt Ebene (1995)

Instrumentation: for flute and guitar

Duration: 11' 00"

SME/EMS
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CHF: 16.20
Jacques Demierre
Max and Moritz (1996)

Instrumentation: for speaker, flute, clarinet, violin, viola and violoncello

Texts: Wilhelm Busch

Musical version of the adventures of those two likeable rascals...

Duration: 20' 00"

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CHF: 40.20
Stefan Werren
Herbstlicht (2012)
Neufassung

Instrumentation: für Flöte, Violine, Viola und Violoncello


SME/EMS
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CHF: 34.70
Rudolf Jaggi
Impression (1987)

Instrumentation: for flute (or violoncello) and piano

Duration: 4' 00"

SME/EMS
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CHF: 13.80
(Including part)
Pierre-André Bovey
2 Episodes (1996)

Instrumentation: for flute in G and organ

Duration: 7' 00"

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CHF: 21.60
incl. parts
Hans-Jürg Meier
wingert in der frühe (2011-2012)

Instrumentation: for soprano, 4 Renaissance flutes and lute

Texts from the "Canticum Canticorum".
Music in six parts about the "Santa Maria Formosa" church by Mauro Codussi (Venice):
I ort und zeit (gondola);
II er besingt sie (caminada);
III sie besingt ihn (caminada);
IV minne (hortus conclusus);
V wein (cielo);
VI siegel (fuoco).

Duration: 17' 00"

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CHF: 39.00
Stefan Werren
Espaces de nuit (2014)

Instrumentation: für Flöte und Klavier


SME/EMS
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CHF: 26.00
Rudolf Jaggi
Stimmungen (1987)

Instrumentation: for solo flute

Duration: 4' 00"

SME/EMS
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CHF: 10.80
Hans Eugen Frischknecht
Stereophonie (1991)

Instrumentation: for five transverse flutes

Composed for five good amateurs. They are to be arranged on a stage as far apart from each other as possible in order to produce a stereophonic effect.

Duration: 5' 00"

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CHF: 15.00
Max E. Keller
Konstellationen (1993-1994)

Instrumentation: for flute, violoncello and piano

A dense, permanently shifting net of relations between instruments: one instrument acts 'equal' 'similar', 'contrary' or 'concomitant' to another.

Duration: 11' 00"

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CHF: 20.00
Pierre-André Bovey
Une lueur dans l'infini (1997)

Instrumentation: for flute in G solo

Duration: 8' 00"

SME/EMS
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CHF: 13.30
Thomas K. J. Mejer
Pøshalsta!! (2006)

Instrumentation: for flute and double bass

Duration: 12' 00"

SME/EMS
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CHF: 16.20
parts: CHF 18.00
Alfred Knüsel
Vesper als Massstabwechsel von einer Realität in eine andere (2006-2007)

Instrumentation: for soprano, choir (SATB), flute, zink (tr), trombone and organ

1. Doxologie
2. Antiphon
3. Ektenie I
4. Hymne
5. Ektenie II

Duration: 20' 00"

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CHF: 26.70
Alfred Felder
Songs of time (2010-2010)

Instrumentation: Countertenor, Flöte (+Altflöte), Klarinette (+Bassklarinette), Violine, Viola, Violoncello, Kontrabass, Klavier, Schlagzeug

1. Bereschith (hebräisch), 2. Abwun d'bwaschmâja (aramäisch), 3. Sura Al-Imran (arabisch), 4. Kadacit (sanskrit), 5. Essais (Montaigne, alt-französisch), 6. Phaidon (Platon, griechisch) 7. Vivamus (Catull, latein), 8. Leaves of Grass (Whitman, englisch) 9. Em-chet (Ptahhotep, alt-arabisch) dazwischen Sequentia I - VI

Duration: 59' 44"

SME/EMS
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CHF: 83.20
Stimmenmaterial ist beim Komponisten erhältlich
Max E. Keller
Walk-Music (1994)

Instrumentation: for flute, violin, guitar and percussion

Each of the musicians follows his/her own course, whereby each independently repeats and varies a single sequence: Isolation, without contact, narcissism - sign of the times...

Duration: 11' 00"-15' 00"

SME/EMS
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CHF: 18.00
Rudolf Jaggi
Petrus (Oratorium) (1989)

Instrumentation: for soprano, baritone, bass, choir (SATB), organ, flute, oboe, bassoon and strings

I Jünger
II Apostel
III Märtyrer


SME/EMS
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CHF: 104.00
Balz Trümpy
Oratio Sibyllae (2007)

Instrumentation: for soprano and flute

Texts: Vergil

The sixth book of Vergil's 'Aeneid' describes Aeneas' descent into the underworld and his subsequent ascent from Pluto's realm. He is accompanied on his dangerous journey by the Cumean Sibyl. The texts of the piece Oratio Sibyllae for soprano and flute are based on some of her warnings and prophecies. The flute, which guided Gluck's Orpheus into the underworld and also plays the role of protector from the dangers of the "other world" in the Magic Flute, floats above and beside the singing voice, merging into one.

Duration: 10' 00"

SME/EMS
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CHF: 15.00
Alfred Felder
Past, Present & Future (2013-2014)
from Leaves of Grass/on the Beach by Walt Whitman

Instrumentation: Sopran, Flöte, Klarinette, Violine, Viola, Violoncello, Kontrabass, Klavier

Texts: Walt Whitman, Leaves of Grass

Duration: 13' 00"

SME/EMS
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CHF: 20.40
Stimmenmaterial ist beim Komponisten erhältlich
Balz Trümpy
Canti elegiaci (2007-2008)

Instrumentation: for soprano, flute and piano

Texts: Giacomo Leopardi, Michelangelo Buonarroti

Two poems by the Italian romantic poet Giacomo Leopardi flank a lament on the effects of ageing carved in stone by Michelangelo. In spite of all the despair over vanishing powers and the insight not to have ended one's life successfully at its climax, Michelangelo's work still emanates an unbroken will for life fighting against faith. Leopardi's deep melancholy, however, appears in a tender and ambiguous light, giving space to a slight glimmer of hope.
The two different works were set into music accordingly: The music for Michelangelo's poem is rhythmically firm, while Leopardi's is rhythmically and metrically free and floating.

Duration: 22' 00"

SME/EMS
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CHF: 38.40
Max E. Keller
Siebensang (1995)

Instrumentation: for flute

Seven sections, each one of which places a different musical dimension (e.g. colour, rhythm, duration, dynamics, repetition, pulse) at its centre: intensive fathoming, probing search, insistent depiction.

Duration: 7' 00"

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CHF: 14.00
René Wohlhauser
Quantenströmung (1996)
Ergon 23

Instrumentation: for flute, viola and harp (harp trio)

'Quantum streaming' is defined by Gilles Deleuze as the transition of one energy state to another. In this piece I am mainly interested in the different energy forms, primarily potential energy and kinetic energy: What is the nature of the positional condition and the positional orientation, resp. energy density and energy transformation capabilities which charge a potential energy and set a process in motion.

Duration: 10' 00"

SME/EMS
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CHF: 30.00
Thomas K. J. Mejer
Princes' balls (2013)

Instrumentation: for contrabass flute, contrabass saxophone, tuba and sextet (fl, cl, pf, perc, vn, vc)

Written for the "Kontra-Trio" Lucerne and the "Moscow Contemporary Music Ensemble", created for the project "Stravinskij Revisited".
Suite in five movements:
Wickedly
Obscured Beautiful
Insisting
Seductive
Concealed

Duration: 13' 00"

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CHF: 34.20
parts: CHF 52.00
Rudolf Jaggi
O Westen, öffne mir deine Arme (1991)

Instrumentation: for high voice, flute and guitar

Texts: Altägyptische Texte

1. Lobpreis sei dir, Re
2. O Re, komm zu mir
3. Betrachtet mich doch

Duration: 16' 00"

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CHF: 21.60
René Wohlhauser
Quantenströmung (1996/1997)
Ergon 23b

Instrumentation: for flute, cello and piano

'Quantum streaming' is defined by Gilles Deleuze as the transition of one energy state to another. In this piece I am mainly interested in the different energy forms, primarily potential energy and kinetic energy: What is the nature of the positional condition and the positional orientation, resp. energy density and energy transformation capabilities which charge a potential energy and set a process in motion.

Duration: 10' 00"

SME/EMS
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CHF: 37.80
Thomas K. J. Mejer
Towards Capillary Attraction (2014)

Instrumentation: für tentet (fl, ob, cl, bn, hn, 2vn, va, vc, cb)

Duration: 20' 00"

SME/EMS
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CHF: 40.80
parts: CHF 70.00
Balz Trümpy
Flötenbuch (2008-2009)
11 pieces

Instrumentation: for flute ensemble (12 fl, 6 afl, 2 bfl)

My 'Flötenbuch' (flute book) comprises eleven character pieces for flute ensemble, ranging in formation from four to 20 flutes. In addition to transverse flutes in C, up to six alto and two bass flutes may also be used. The voices can be partly arranged chorally. Any number of pieces can be performed in any order.

Duration: 24' 00"

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CHF: 56.40
Thomas K. J. Mejer
Rusty Engines Resume (2017)

Instrumentation: für sextet (fl, cl, vn, vc, perc, pno)

Duration: 13' 00"

SME/EMS
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CHF: 34.80
parts: CHF 50.00
Balz Trümpy
Oracula Sibyllae (2008)

Instrumentation: for soprano, baritone, flute and percussion

After texts from 'Oracula Sibyllina' and Vergil's 'Aeneid' (adaptation of CARMEN SIBYLLAE and ORATIO SIBYLLAE).
'Oracula Sibyllae' is the combination of two works that deal with the sibyls: Carmen Sibyllae for baritone and percussion and Oratio Sibyllae for soprano and flute. The ancient books 'Oracula Sibyllina' contain the prophecies of the Sibylla which, engulfed by divine powers, utters her usually unrequested and fatal predictions.

Duration: 24' 00"

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CHF: 28.20
Vladislav Jaros
A la recherche du temps perdu (2012)

Instrumentation: for flute, violin, viola and violoncello

A postmodern piece, extended tonality and polytonality, full of life, partly contemplative then lively and dancy again. Interesting effects.

Duration: 10' 00"

SME/EMS
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CHF: 19.80
Thomas K. J. Mejer
Bildersog (2019)

Instrumentation: für Flöte, Klarinette, Baritonsaxophon, Violine, Violoncello und Klavier

Duration: 58' 00"

SME/EMS
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CHF: 89.30
Parts: CHF 90.-
Alfred Knüsel
inmitten der Fülle das Verschwinden als verbindendes Element (2008)

Instrumentation: for wind instruments (pic, fl, bcl, bn), string instruments (vn, db, hp) and percussion

Duration: 8' 40"

SME/EMS
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CHF: 31.80
Hansruedi Willisegger
Lazarus: Musik für einen Gottesdienst (1969)

Instrumentation: for baritone solo, congregation, flute, trumpet, percussion and strings

Duration: 29' 00"

SME/EMS
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CHF: 28.00
Eric Gaudibert
Canzone (1998/2007)

Instrumentation: for flute and violoncello

This work is based on melodic elements and rhythms taken from a 12th century chanson and a 14th century estampie. It demands a good technique for the high and muted notes. The flute player also uses the bass flute. At the end the 4th string of the cello is lowered by a fourth.

Duration: 12' 30"

SME/EMS
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CHF: 21.00
Max E. Keller
Solitario (1996)

Instrumentation: for flute, guitar and percussion

Each instrument builds its own world using eight elementary figures; each goes its own way yet parallels are shown to exist. Relationships form and the dialectic of the controlled 'own way' and random combination begin to play.

Duration: 14' 00"

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CHF: 16.00
Michel Hostettler
Le Renard et la Rose (1997)

Instrumentation: for flute and harp

Duration: 4' 30"

SME/EMS
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CHF: 14.40
(With flute part)
Hans-Jürg Meier
durchscheinend (diaphanés) (2015)

Instrumentation: für drei Traversflöten und Schlagzeug

Musik zu Santo Stefano Rotondo (Rom, ca. 460). Die architektonischen Themen der frühchristlich-spätantiken Rundkirche werden musikalisch umgesetzt: kreisende Bewegungen; diaphane Strukturen, welche die Raumstaffelung in musikalischen Schichten wiedergeben; das Licht, welches von den Oberfenstern des Zentralraumes in die Kirche einströmt, spiegelt sich in der wechselweise hellen oder dunklen Harmonik.

Duration: 21' 00"

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CHF: 22.70
Rudolf Jaggi
2 Stücke (1996)

Instrumentation: for flute (or violoncello) and piano

Based on 'Zwei Lieder' (1957/69).
Consolation - Tristesse

Duration: 6' 00"

SME/EMS
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CHF: 13.00
Hans Eugen Frischknecht
Quintett (1999)

Instrumentation: for flute, clarinet, violin, violoncello and piano

A multi-part composition with contrasting parts.

Duration: 16' 00"

SME/EMS
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CHF: 24.60
Max E. Keller
Miniatur (1998)

Instrumentation: for flute solo

For Heinrich Keller and the 100th concert of his "Musica Riservata".
Virtuosic with numerous sound effects.

Duration: 3' 00"

SME/EMS
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CHF: 12.00
Eric Gaudibert
"Wolkenblau" (1999-2000)

Instrumentation: for alto flute and guitar

The text, which evokes the four seasons, dates back to the 17th century. The title of the work, as well as the titles for each piece, are taken from the poem: Es bläst der sanffte West – Ihr Hertz ist von safran – Der Erden Kelterblut – Die Gäste gehen fort.
In this version for two performers, without voice, the melody is present in the flute part.


Duration: 10' 00"

SME/EMS
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CHF: 19.20
Max E. Keller
Deformationen (1998)

Instrumentation: for soprano, flute and guitar

Texts: Max E. Keller, E. Galeano

The setting to music of four of my own texts: Globalisation as worldwide exploitation of people and nature; freedon as unlimited and uninhibited profit maximisation; Education as manipulative conformation. The 5th text comes from Eduardo Galeano from Uruguay: repress how the rich countries accumulate their riches.

Duration: 14' 00"

SME/EMS
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CHF: 18.60
Eric Gaudibert
"Wolkenblau" (1999-2000)

Instrumentation: for soprano, alto flute and guitar

Texts: Georg-Philipp Harsdörffer

The text, which evokes the four seasons, dates back to the 17th century. The title of the work, as well as the titles for each piece, are taken from the poem: Es bläst der sanffte West – Ihr Hertz ist von safran – Der Erden Kelterblut – Die Gäste gehen fort.

Duration: 11' 30"

SME/EMS
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CHF: 21.00
René Wohlhauser
Musik für Flöte (2002)
Ergon 29

A sparsely elemental material should gradually develop in such a way that, through an increasingly virtuosic, ever broader striking movement, an illusion of the instrument's threshold being expanded is created.

Duration: 6' 00"

SME/EMS
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CHF: 20.40
Michel Hostettler
Bucolique (2000)

Instrumentation: for flute trio

Duration: 8' 00"

SME/EMS
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CHF: 14.40
Balz Trümpy
Aeolian Song (2011-2012)

Instrumentation: for flute solo

Duration: 8' 00"

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Max E. Keller
Skizzen (1999)

Instrumentation: for flute and guitar

Duration: 9' 00"

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CHF: 16.70
Michel Hostettler
Prélude et Danse (2001)

Instrumentation: for flute and two clarinets

Duration: 5' 00"

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(Parts available from SME: CHF 14.-)
Jing Yang
"Himmlischer Fluss" (2020)

Instrumentation: Soprano, Flute/Piccolo, Bass Clarinet Bb, Piano, Violin, Cello, and Percussion (one player)

Texts: Li Bai (701 -762)

Instrumentation: Soprano Flute/Piccolo (Paper + Paper Roll) Bass Clarinet Bb (Paper + Paper Roll) Piano + Nylon string or fishing string for bowing Glass soft Tree branch Violin (Paper + Paper Roll) Cello (Paper + Paper Roll) Percussion (one player): Bass Drum (or CN big Drum) Cymbals Metal Board Little Tibet metal temple bowls 8 (pieces in micro Tone) Big Gong + little river Stone Shell Chain Cello Bow Stick Vibraslap

Duration: 10' 20"

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Vladislav Jaros
LOVE (2014)

Instrumentation: für Mezzosopran und Orchester (1,1,Engl. Hr., 1,1, 2 Tromp., 3Hr, Harfe, Kl, Git, Schlgzg, Streicher)

Texts: Vladislav Jaros

Duration: 3' 30"

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Henri Scolari
Dédicace (1998)
proportional variations

Instrumentation: for flute solo

Demanding structural combination of space-time.

Duration: 5' 00"

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Michel Hostettler
Ysende (2003)

Instrumentation: for flute and harpsichord

Duration: 6' 00"

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(With flute part)
Hans Eugen Frischknecht
Quartett (2005)

Instrumentation: for flute and three strings (vn, va, vc)

This work lives for the most part from the contrast between the flute and the three string instruments. The string players sit during the performance and the flutist stand behind them.

Duration: 11' 00"

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Vladislav Jaros
Chanson de la mer melancoliqu (2015)

Instrumentation: für Violine (oder Klarinette oder Flöte), Gitarre und Streicher (oder: Violine (oder Klarinette oder Flöte), Gitarre)

Texts: Vladislav Jaros

Leicht erweiterte Tonalität, langsame liedhafte Melodie, reizvolle Harmonien.

Duration: 4' 00"

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Balz Trümpy
Verstreute Blumen (2013)
four pieces

Instrumentation: for flute and piano

Eisblumen - Zephir - Winterblume - Windgesang are based indirectly on Schubert's well-known variations over 'Trockene Blumen' (dried flowers). Two fragments of this song are quoted.

Duration: 11' 00"

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Thüring Bräm
Le Piccole Stagioni (1997)

Instrumentation: for piano trio, flute and singing voice

Texts: Anna Maria Bacher

Four seasons poems by the poet Anna Maria Bacher from Pomatt in the Italian version; short, transparent pieces.

Duration: 7' 00"

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Eric Gaudibert
Au delà (2005)

Instrumentation: for flute, viola and violoncello

The fourth string of the viola is lowered to G (one octave lower than the third string). The fourth string of the violoncello is lowered a minor third to A. Accessory: a bow for the flutist. At the end of the work the violist and the flutist both play on the strings of the violoncello. A discreet quotation appears in the middle of this trio: the beginning of the 'Gesänge der Frühe', op. 133 by Robert Schumann.

Duration: 15' 00"

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Max E. Keller
Schnitt-Muster (2002)

Instrumentation: for flute, clarinet, piano, percussion and string trio

Sometimes completely different musical types or structural samples are set aside each other in a similar way to the effect achieved while zapping through television channels, sharp cuts which seem at first random are yet intentional. Even the other meaning of 'cut-sample', the prefabrication of something based on a template or the stereotypical also receives acknowledgement through the mimicry of musical styles. In this manner various fields of popular music are touched upon - even contemporary music cannot escape.

Duration: 7' 00"

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Francisco Obieta
Altenrheinisches Konzert Nr. 1 (2015)
in memoriam Jan Dismas Zelenka

Instrumentation: für Flöte, Violine, Violoncello und Cembalo

An update for Baroque small Ensemble

Duration: 20' 00"

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CHF: 22.00
Roland Moser
Pierrot Soldat (2012)
Extended moments I

Instrumentation: for flute, clarinet, percussion, piano, violin and violoncello

Duration: 11' 00"

SME/EMS
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Michel Hostettler
Concertino (2005)

Instrumentation: for flute and string orchestra

Duration: 17' 00"

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CHF: 31.80
Eric Gaudibert
2'35" (2007)

Instrumentation: for bassoon solo, bass flute, bass clarinet and trumpet

This piece was composed for the 30th anniversary of the ensemble Contrechamps. The title corresponds to the timing which Bartók set for his Allgero Barbaro. The trio (flute, clarinet, trumpet) play some extracts of this work with breathing sounds only, while the solo bassoon "sings" the beginning of the Music for Strings, Percussion and Celesta, also by Bartók.
It is possible to use other wind instruments then the ones chosen here.

Duration: 3' 40"

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CHF: 18.00
Rudolf Jaggi
Je sais, Vièrge Marie (2004)

Instrumentation: for choir (SAB), soloists (SATB), panpipes and/or alto flute and small orchestra (perc/str)

Duration: 4' 00"

SME/EMS
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CHF: 21.00
incl. Choir part
Hansruedi Willisegger
Choral (1972)

Instrumentation: for alphorn, piccolo and organ

Duration: 6' 00"

SME/EMS
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CHF: 14.40
Rudolf Jaggi
Two Paraphrases over Bolivian Christmas Carols (2004)

Instrumentation: for choir (SAB), soloists (SATB), panpipes and/or altoflute and orchestra (1.2.0.1/0.0.0.07perc/str)

1. Hoch steht am Himmel uns der Stern
2. Flieg, mein Vogel

Duration: 16' 30"

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(Parts: CHF 36.-)
René Wohlhauser
mira schinak (2006)
Ergon 33

Instrumentation: trio for soprano, flute and piano

Moment forms, contrasting structures and characters between complexity and simplicity combined with a particular kind of lyricism leads to changes in the perception of tempo. Parallel to the conflict with various forms of perception, there develops a grammar of constructive congruity, which should allow the beaten path to emerge as conclusive.

Duration: 13' 00"

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CHF: 25.20
René Wohlhauser
Der Marakra-Zyklus (Version ohne Violine) (2006-2011)
eine Art Oratorium auf lautpoetische Texte des Komponisten

Instrumentation: for Soprano, baritone, flute, clarinet, cello and piano

Duration: 80' 00"

SME/EMS
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CHF: 100.40
Eric Gaudibert
Passages intérieurs (2007)

Instrumentation: for 3 flutists

Each interpreter plays 2 instruments: the flute in C + piccolo or alto flute or bass flute. The writing attempts to merge the timbres. Average level of difficulty.

Duration: 9' 00"

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CHF: 15.60
Ernst Pfiffner
"... ahnten sie nicht" (1992)

Instrumentation: for alto, flute, English horn, viola, violoncello, small percussion

Texts: Karl Mittlinger

Work series A: Music for concerts.

Duration: 16' 00"

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CHF: 32.40
Eric Gaudibert
Warum? (2009)

Instrumentation: for flute, oboe and clarinet

This work is inspired by a piano piece with the same title by Schumann (Phantasiestücke op.12). It is a slow and tender piece of music which demands a great deal of concentration to master the contrapuntal lines.

Duration: 6' 00"

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CHF: 16.20
Hansruedi Willisegger
Bitte, Lob und Dank (1973)

Instrumentation: for cantor, three sopranos, mixed choir, congregation, three orators, three flutes, violoncello, double-bass and bongos

Duration: 12' 00"

SME/EMS
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CHF: 20.40
Ernst Pfiffner
Trio sine nomine (1992)

Instrumentation: for flute, viola and harp

The title alludes deliberately to the custom of the 16th century, without revealing its associated theme.... The composer took another impulse from the tradition: the use of the modal method, particularly in view of one of the harp's peculiarities.
Work series A: Music for concerts.


Duration: 15' 00"

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Max E. Keller
Eingriffe (2006)

Instrumentation: for flute, clarinet, piano, violin, viola and violoncello

The initial material consists of two melodies and two rhythmical sequences; these can be varied causing their superposition's to result in a countless number of related musical forms. The recurring formal idea is the "undampered clew": a dense, wide mesh that thins out then squeezes itself into the centre of the sound space. In this clear, goal-orientated process, diversity is encroached upon: three instruments temporarily break out of the process, colourful accents engage with the continuous mezzo forte, the process stops momentarily, the residual viola tips over into the realms of noise etc.

Duration: 12' 00"

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CHF: 23.40
(Parts available from the composer)
Rudolf Jaggi
Escapades (2006)

Instrumentation: for flute and piano

I. Allegro preciso
II. Tranquillo
III. Giocoso
IV. Lento rubato
V. Agitato

Duration: 9' 00"

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CHF: 19.80
(including flute part)
Ernst Pfiffner
"Da der Tod" (1991-1993)

Instrumentation: for monophonic choir, alto, orator, flute, English horn, viola, violoncello and small percussion

Texts: Karl Mittlinger und W.A. Mozart

Work series A: Music for concerts.

Duration: 25' 00"

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Ernst Pfiffner
Trio pasquale (1993)

Instrumentation: for flute, oboe and English horn

Da der Tod - ...ahnten sie nicht - Trio pasquale:
A variety of settings: in the first part the whole ensemble; in the second the choir and the speaker are omitted, whilst the third features flute, oboe, and cor anglais. The three pieces are a religious triptych, but they can be performed separately. The first two cycles set texts by the Graz writer Karl Mittlinger to music. In the first part death is objectified in its many aspects; whilst in the last part, the speaker narrates sentences from Mozart's letters to his father, in which he describes his attitude towards death. The middle piece is concerned with form, life and the mission of Jesus, and closes with death and resurrection. The 'Trio Pasquale' is concerned with Easter, as seen by Maria Magdalena.
Work series A: Music for concerts.


Duration: 14' 00"

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Max E. Keller
gebündelt und ausfasernd (2007)

Instrumentation: for flute, clarinet (bcl), violin and piano

"gebündelt" (clustered) initially means the beginning together of different chords of varying duration, which then either die out, collapse or very quietly drift ("ausfasern"), that is to say dissolve in short, soft movements. The chords are in the forte range and vary throughout the composition with respect to dynamics and internal movement, repeating rhythms and timbral changes. The drifting ("ausfasern"), is also formed in a multifarious manner, but always remains in the quiet range.

Duration: 10' 00"

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CHF: 18.00
René Wohlhauser
Studie über Zustände und Zeitprozesse (2007)
Ergon 35

Instrumentation: for flute and piano

Extreme radicalness in the work with exactly measured time structures in relation to reduced yet obsessively used material.

Duration: 11' 00"

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René Wohlhauser
'Srang (2007)
Ergon 36

Instrumentation: for soprano, flute, clarinet and violoncello

Based on an onomatopoeic text by the composer.
The development of an aesthetic of fragments as a metaphor for fragmentary perception.

Duration: 10' 00"

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Michel Hostettler
Méditation (2012)

Instrumentation: for flute and organ

For Irène Gaudibert.

Duration: 6' 00"

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CHF: 13.80
incl. parts
Max E. Keller
concertare e improvvisare (2007)

Instrumentation: for flute, oboe, clarinet (bcl), violin, viola, violoncello and improvising piano

This work contrasts notated music with improvised music. The sextet is extensively notated; the piano merely has several verbal suggestions. There are, however, also moments of improvisation in the sextet where, for example, each instrument initially and independently of the others repeats a phrase, which gradually changes following verbal instructions. Each begins this process with great intensity, playing as loud and as quickly as possible – very much in the style of early free jazz.

Duration: 14' 00"

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Rudolf Jaggi
Automne à Gadagne (2007)

Instrumentation: for alto recorder (or flute or violin) and piano

Duration: 2' 00"

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CHF: 10.80
René Wohlhauser
Sokrak (2008)
Ergon 39

Instrumentation: for soprano, flute, clarinet, violoncello and piano

Based on an onomatopoeic text by the composer.
Sounds change from instrumental noises to sound frictions and from virtuousic buzzing to vocal noises.

Duration: 10' 00"

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CHF: 35.40
Ernst Pfiffner
Terzettino per Thebas (1996)

Instrumentation: for flute, viola and harp

Work series A: Music for concerts.

Duration: 7' 00"

SME/EMS
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René Wohlhauser
Iguur - Blay - Luup (2009)
Ergon 40

Instrumentation: for soprano solo, soprano and baritone duo, and soprano with small ensemble (bass flute, bass clarinet and violoncello)

Based on own onomatopoeic text.
In the emblematics of the virtual language Sulavedic the word "iguur" stands as a metaphor, which has been mystified into "blay" through an unexpected resonance in order to resurrect in "luup" in a changed, purified and contextually different form.

Duration: 16' 00"

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CHF: 34.80
René Wohlhauser
Luup (2009)
Ergon 40, Nr. 3, Musikwerknummer 1527, auf ein lautpoetisches Gedicht des Komponisten

Instrumentation: for soprano, bassflute, bassclarinet and cello

Die spezielle weiche Klanglichkeit des kleinen Ensembles, die durch die Besetzung Baßflöte, Baßklarinette und Violoncello erzeugt wird, kontrastiert mit den skurrilen musikalischen Gestalten des Soprans.

Duration: 6' 30"

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René Wohlhauser
Charyptin (2010)
Ergon 42

Instrumentation: for soprano, baritone, flute, clarinet, violin and violoncello

Texts: René Wohlhauser

Based on own onomatopoeic texts.
This piece deals with the possibilities and impossibilities of interaction, the mixing and exchanging of roles between vowels and instrumental sounds.

Duration: 13' 00"

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CHF: 43.80
Max E. Keller
Peanuts (2009)

Instrumentation: for flute, clarinet, violin, viola and violoncello

Peanuts are trivialities, in this case a 3-minute scherzo for the 30th birthday of the Theater am Gleis. The well-known bebop piece "Salt Peanuts" is quoted in this work.

Duration: 3' 00"

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CHF: 13.80
René Wohlhauser
Charyptin (Fassung ohne Violine) (2010/2013)
Ergon 42, Nr. 1b, Musikwerknummer 1662, auf lautpoetische Texte des Komponisten

Instrumentation: Fassung für Sopran, Bariton, Flöte, Klarinette und Violoncello

Duration: 13' 00"

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CHF: 33.60
Max E. Keller
ich, du, wir (2010)

Instrumentation: for flute, clarinet, percussion, piano, violin, violoncello

Composed for the 25th anniversary of the 'ensemble für neue musik zürich', this short piece attempts to trace the path to togetherness (ensemble), from I to we. A unity is drawn twice from a dense fabric of independent lines, initially on a trill surface and then in unison at the end.

Duration: 1' 00"

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CHF: 11.40
René Wohlhauser
Marakra Code 2 (2011)
Ergon 44/II, work number 1604

Instrumentation: for soprano, baritone, flute, clarinet, violoncello and piano, with percussion

Texts: René Wohlhauser

Following a double turning point (in bar 110) the onomatopoeic series of syllables at the beginning turn into semi-semantic text fragments, while reversely the instrumentalist's style of play moves from a quasi-traditional technique to sounding fragmented and noise-like.

Duration: 15' 00"

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Max E. Keller
Où est le roi? (2010)

Instrumentation: for flute, violin, violoncello and organ

1747: King Friedrich II challenged J.S. Bach to create a 3-part fugue over his own fugue theme, which resulted in 'The Musical Offering'.
2010: The Schweizer Kammerensemble challenged five very different composers to work with the same fugue theme. I transformed it with a contemporary edge into a theme consisting of 2 x 12 different tones - in the sense of 12-tone music but with a slight irregularity. The relation to Bach is initially almost imperceptible, a connection can only be drawn from the rhythm and the fluctuation in colour of the noise-like string sounds. The theme undergoes the normal transformations until it finally emerges in quasi purity.

Duration: 7' 00"

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Thüring Bräm
3 Stücke zu "Wenzel" (2011)

Instrumentation: for traverse flute and harp

Meditation - Tanz - Passacaglia.

Duration: 12' 00"

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CHF: 17.40
René Wohlhauser
Uom Raswékje Nadak (2012)
Ergon 45, Nr. 2, Musikwerknummer 1638, auf formantengenerierte Phoneme des Komponisten

Instrumentation: Sopran, Bariton, Flöte, Klarinette, Schlagzeug, Klavier, Violine und Violoncello

Duration: 20' 00"

SME/EMS
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Rudolf Jaggi
Petite Suite (2013)
Duos

Instrumentation: for flute and piano

Prélude - Promenade - Récitatif - Contemplation - Sarabande - Burlesque.

Duration: 9' 30"

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CHF: 18.60
incl. part
Max E. Keller
wanawizzi II (2011-2012)

Instrumentation: for flute, clarinet, violin and violoncello

Duration: 8' 00"

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Rudolf Jaggi
Urkalabulie (2013)
Instrumental trio

Instrumentation: for two flutes and viola

Duration: 1' 10"

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Max E. Keller
mit Pfiff (2012)

Instrumentation: for flute, bass clarinet, piano, violin, viola and violoncello

The leitmotif of this piece is indeed, as the title suggests (Pfiff = whistle), an instrumental whistle by the whole ensemble, which is followed in each case by a kind of echo - be it hard and loud accents or soft chords.
(Trans.: mit Piff also translates as 'with flair' or 'with zing').
Dedicated to the Ensemble Theater am Gleis Winterthur for it's 20th anniversary.

Duration: 2' 00"

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René Wohlhauser
L'amour et la liberté (Ensembleversion) (2014)
Ergon 53, Nr. 3, Musikwerknummer 1709, auf verbotene (und lautpoetisch codierte) Texte von Jean-Paul Sartre und auf erlaubte Texte von Simone de Beauvoir

Instrumentation: Fassung für Sopran, Bariton, Flöte (& Baßflöte), Klarinette (& Baßklarinette), Violoncello und Klavier

Texts: Jean-Paul Sartre, Simone de Beauvoir

Duration: 9' 00"

SME/EMS
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CHF: 30.00
Max E. Keller
Keim - con sorpresa (2013)

Instrumentation: for flute clarinet (bcl), piano, violin, viola, violoncello

This work develops from a simple kernel on the one hand, and displays surprising aspects on the other. And so the kernel grows exuberantly, quasi-uncontrolled, in unpredictable directions, notes remain surprising - like mistakes - enduring to form a surface of contrasts. Suggestions expand into preludes, after beats into codas; the surfaces become noise-like. These surfaces dominate from the middle part onwards, and the kernal fragments and repeats, simultaneously rising up as a pulse. In addition to the little surprises, four structures are spliced in, none of which have anything to do with the kernel: sorpresa.

Duration: 12' 00"

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René Wohlhauser
Je me sens un salaud (Ensembleversion) (2014)
Ergon 53, Nr. 4, Musikwerknummer 1712, auf verbotene (und lautpoetisch codierte) Texte von Jean-Paul Sartre und auf erlaubte Texte von Simone de Beauvoir

Instrumentation: Fassung für Sopran, Bariton, Flöte (& Baßflöte), Klarinette (& Baßklarinette), Violoncello und Klavier

Texts: Jean-Paul Sartre, Simone de Beauvoir

Duration: 15' 00"

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René Wohlhauser
L'amour est une duperie (Ensembleversion der Kammeroper) (2014-2015)
Ergon 53, Nrn. 11, 3, 10 und 4, Musikwerknummern 1749, 1709, 1745 und 1712, auf verbotene (und lautpoetisch codierte) Texte von Jean-Paul Sartre und auf erlaubte Texte von Simone de Beauvoir

Instrumentation: Fassung für Sopran, Bariton, Flöte (& Bassflöte), Klarinette (& Bassklarinette), Violoncello und Klavier

Texts: Jean-Paul Sartre, Simone de Beauvoir

Duration: 75' 00"

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René Wohlhauser
L'amour et la liberté (Ensembleversion mit Violine) (2014-2015)
Ergon 53, Nr. 7, Musikwerknummer 1730, auf verbotene (und lautpoetisch codierte) Texte von Jean-Paul Sartre und auf erlaubte Texte von Simone de Beauvoir

Instrumentation: Fassung für Sopran, Bariton, Flöte (& Baßflöte), Klarinette (& Baßklarinette), Violine, Violoncello und Klavier

Texts: Jean-Paul Sartre, Simone de Beauvoir

Duration: 9' 00"

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Max E. Keller
Kreisen (2014)

Instrumentation: Flöte, Klarinette, Oboe, Violine Violoncello, Cembalo

Im Zentrum der Komposition steht die sog. kreisende Bewegung, welche aus Überlagerungen von rhythmischen und melodischen Sequenzen fortwährend neue Konstellationen generiert. Mehrfach entwinden sich freie, improvisatorische Formen dieser strengen Architektur. Sie findet ihren Höhepunkt in einer dichten, vierfachen Überlagerung von zwei Duos und zwei Soli, die sich abbauen und schliesslich auf einem gemeinsamen Akkord enden.



Duration: 11' 00"

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René Wohlhauser
Je me sens un salaud (Ensembleversion mit Violine) (2014-2015)
Ergon 53, Nr. 8, Musikwerknummer 1731, auf verbotene (und lautpoetisch codierte) Texte von Jean-Paul Sartre und auf erlaubte Texte von Simone de Beauvoir

Instrumentation: Fassung für Sopran, Bariton, Flöte (& Baßflöte), Klarinette (& Baßklarinette), Violine, Violoncello und Klavier

Texts: Jean-Paul Sartre, Simone de Beauvoir

Duration: 15' 00"

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Max E. Keller
Bergluft (2014)

Instrumentation: Flöte, Klarinette, Klavier, Violoncello, Kontrabass

Duration: ' 30"

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René Wohlhauser
L'amour est une duperie - l'amour n'est pas une symbiose (2014-2015)
Ergon 53, Nrn. 1-12, auf verbotene (und lautpoetisch codierte) Texte von Jean-Paul Sartre und auf erlaubte Texte von Simone de Beauvoir

Instrumentation: for Soprano, Baritone, flute (&bass flute), clarinett (&bass clarinet) violin, cello, piano

Texts: Jean-Paul Sartre, Simone de Beauvoir

Duration: 3h 32' 00"

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René Wohlhauser
L'amour est une duperie (Ensembleversion mit Violine der Kammeroper) (2014-2015)
Ergon 53, Nrn. 11, 7, 10 und 8, Musikwerknummern 1749, 1730, 1745b und 1731, auf verbotene (und lautpoetisch codierte) Texte von Jean-Paul Sartre und auf erlaubte Texte von Simone de Beauvoir

Instrumentation: for Soprano, Baritone, flute (&bass flute), clarinett (&bass clarinet) violin, cello, piano

Texts: Jean-Paul Sartre, Simone de Beauvoir

Duration: 75' 00"

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Max E. Keller
autonomia e dialogo (2015)

Instrumentation: für Flöte und Klavier

Der Titel benennt die Grundidee des Stückes: zwei autonome, in sich gefestigte Individualitäten treffen aufeinander und treten in Dialog, wodurch sie sich allerdings verändern. Sie reagieren aufeinander, nehmen Rücksicht, opponieren, verschmelzen, ignorieren einander, weichen aus, pausieren, stützen einander, entwickeln sich, regredieren.

Duration: 11' 00"

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René Wohlhauser
Une Nuit toute passionnée (2015)
Ergon 53, Nr. 11, Musikwerknummer 1749, auf einen Text von Simone de Beauvoir

Instrumentation: for Soprano and Flute

Prolog zur Kammeroper bzw. zum Kammeropernoratorium: "L'amour est une duperie", auch als selbständiges Stück aufführbar

Duration: 11' 00"

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Max E. Keller
sich finden (2016)

Instrumentation: Flöte, Violine

Ein Duo stellt per se die Frage der Beziehung der Instrumente zueinander besonders intensiv. So geht es in diesem Werk darum, sich auf verschiedene Weisen zu finden. Dabei wird nicht nur das vordergründige Unisono oder das synchrone Aushalten eines Klanges aus einer divergenten Struktur heraus anvisiert, sondern es schälen sich auch Farben, Rhythmen, Klänge oder Strukturen als Treffpunkte heraus. Auch heftiges, schnelles, chaotisches Gegeneinander stellt sich letztlich als eine Form der intensiven Begegnung heraus - fast wie im richtigen Leben.

Duration: 10' 00"

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René Wohlhauser
Je passe un temps aussi fort que possible (Ensembleversion) (2015)
Ergon 53, Nr. 10, Musikwerknummer 1745, auf verbotene (und lautpoetisch codierte) Texte von Jean-Paul Sartre und auf erlaubte Texte von Simone de Beauvoir

Instrumentation: Fassung für Sopran, Bariton, Flöte (& Baßflöte), Klarinette (& Baßklarinette), Violoncello und Klavier

Texts: Jean-Paul Sartre, Simone de Beauvoir

Duration: 40' 00"

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René Wohlhauser
Trio für Flöte, Klarinette und Violoncello Nr. 1 (2016)
Ergon 57, Musikwerknummer 1772

Instrumentation: for flute, clarinet and cello

Was kann entstehen, wenn man praktisch mit nichts startet und versucht, dieses
Nichts durch eine möglichst phantasievolle Handhabung verschiedenster Verarbeitungstechniken zu ganz unterschiedlichen, weit ausholenden Prozeßverläufen zu entwickeln?

Duration: 13' 00"

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Max E. Keller
Holzschnitte (2017)

Instrumentation: Flöte, Klarinette in B (Bassklar.), Schlagzeug, Harfe, Violine, Viola, Violoncello

Holzschnitte sprechen einfache Wahrheiten ohne viel Beiwerk unzweideutig, unmissverständlich und bisweilen auch verletzend direkt aus. Nicht zuletzt deshalb sind Holzschnitt in der politischen Kunst des 20. Jahrhunderts oft verwendet worden. In der Komposition "Holzschnitte" geht es in diesem Sinne in 7 sehr unterschiedlich langen Teilen um einfache musikalische Archetypen, die durch Überlagerung der 7 Instrumente (also Polyphonie) und Variation durchaus eine gewisse Komplexität entwickeln können. Im 4. Teil werden analog dazu in Stichworten das Scheitern und die enorme Zahl menschlicher Opfer bei der Umsetzung sozialistischen Ideologie in der Realität verbal ausgesprochen. Nur Vietnam bleibt als positives Beispiel übrig.



Duration: 12' 00"

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René Wohlhauser
Gestörte Lieder (2016)
Ergon 58, Nr. 4, Musikwerknummer 1778, auf ein Gedicht des Komponisten

Instrumentation: Fassung für Bariton, Baßflöte und Baßklarinette

Duration: 10' 30"

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Max E. Keller
Traum - Schlummerlose Nächte - Sehnsucht (2017)

Instrumentation: Altflöte, Klavier und Bass

Texts: Frida Semler, Martin Greif, Paul Hohenberg

Die drei Kompositionen basieren auf Gedichten, welche Alban Berg (1885-1935) in seinen "Jugendlieder" (1901 - 1908) für Stimme und Klavier vertont hat. Für einen altersklugen Komponisten ist es durchaus reizvoll, für einmal Texte zu vertonen, die er üblicherweise nicht in Betracht gezogen hätte. Denn Alban Bergs Jugendlieder, im Alter von 16-23 Jahren geschrieben, vertonen hochromantische Gedichte auch aus dem Freundeskreis, während er später hochkarätige Autoren bevorzugt hat.


Duration: 8' 00"

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René Wohlhauser
Die große und die kleine Vokaltrilogie "Drei Gesänge" (2016)
Gesamter Zyklus, Druckfassung

Instrumentation: Sopran, Bariton, Baßflöte, Baßklarinette und Violoncello, Perkussion / Schlagwerk: Maraca, Ossia: Gran Cassa

Duration: 54' 00"

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Max E. Keller
Vom Elementaren her (2017)

Instrumentation: Flöte, Klarinette (Bassklarinette), Klavier, Violine, Viola, Violoncello

Unsere Existenz wird von Elementarem bestimmt: Macht, Hunger, Liebe, Kampf, Sexualität, Mitleid, Geld, Bewegung, Überzeugung, Veränderung, Tod ...
Auch in der Musik spielt Elementares eine wichtige Rolle, selbst wenn sie sich in komplexen Verästlungen und Verfeinerungen scheinbar weit davon entfernt. "Vom Elementaren her" geht dagegen in jedem der 6 Teile von einer einfachen Grundstruktur in aller Nacktheit aus, um sich dann in die eine oder andere Richtung zu bewegen.


Duration: 9' 00"

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Max E. Keller
Capriccioso (2018)

Instrumentation: Flöte

Das Werk, eine Reaktion auf die 4. Caprice in A -Dur von Anton Stamitz (1750-1798), beginnt mit dem fast wörtlichen Zitat des Anfangsmotivs, das aber rhythmisch gedehnt und dynamisch überformt wird und in eine mit Luftbeimischung verformte Klangfarbe mündet: dies läutet quasi den Prozess ein, der das Alte ins Neue transformiert. Der Schlussabschnitt verabschiedet sich definitiv vom 18. Jahrhundert.



Duration: 4' 00"

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Max E. Keller
contrapposizioni (2019)

Instrumentation: Solovioline, Flöte, Baritonsaxophon (Es), Horn (F), Akkordeon, Violine I, Violine II, Violoncellov

Das Werk in vier Sätzen beruht auf "Entgegensetzungen" (contrapposizioni) einfacher Grundstrukturen, deren Dialektik jeweils einen anderen Ausgang nimmt. Die Viersätzigkeit ist eine spielerische Anlehnung an die klassische Symphonik.
Im 1. stehen sich Punktefelder der Streicher in wechselnder Dichte und kurze und harte Bläserakkorde gegenüber. Im 2. Satz - quasi das Adagio - schwebt die Solovioline hoch über einer Klangfläche. Im 3. Satz geht es um Improvisation über einem notierten walking bass des Cellos. Der 4.Satz ist ein veritables Rondo.



Duration: 11' 00"

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René Wohlhauser
Quamakútsch (2016-2017)
Ergon 59, Musikwerknummer 1785

Instrumentation: Flöte, Kontrabaß und Klavier

Mikrotonalität, strukturelle Vielfalt und Verdichtung als Möglichkeit, in die Tiefe der musikalischen Substanz vorzudringen.
Kompositionsauftrag des "Art Ensembles Berlin", mit finanzieller Unterstützung der SUISA-Stiftung für Musik.
UA am 17.6.2017 am "3. Berliner OaarWurm-Festival für zeitgenössische Tonkunst"

Duration: 11' 30"

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Max E. Keller
klären und fokussieren (2019)

Instrumentation: Flöte, Klarinette, Violine, Violoncello, Akkordeon

"klären und fokussieren" ist dynamisch zu verstehen, als Prozess auf ein Ziel hin. Wiederholt klärt sich Diffuses in eine klare Richtung, auf ein bewusstes, einsichtiges und prägnantes Ziel hin. Doch zu unserer Zeit gehört die Vielgestalt der Ziele, zugleich ihr schnelles Vergessen. Daher bricht der Prozess nach Erreichung seines Ziels jeweils unerwartet ab, aufs neue herrscht ein andersartig diffuser Zustand.

Duration: 10' 00"

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René Wohlhauser
Trio für Flöte, Klarinette und Violoncello Nr. 2 (2017)
Ergon 63, Musikwerknummer 1809

Instrumentation: for flute, clarinet and cello

Die drei Instrumente wurden in diesem Werk wie ein einziges, sozusagen "multitimbrales und polystrukturelles Super-Instrument" behandelt.

Duration: 11' 30"

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Max E. Keller
stillstehen, aufsteigen, improvisieren (2020)

Instrumentation: for flute, clarinet, bassoon, violin, cella and piano

Duration: 15' 00"

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Max E. Keller
Bewegte Flächen - mit Kontrasten (2021)

Instrumentation: for flute, clarinet, piano, violin, viola and cello

Duration: 8' 00"

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Max E. Keller
miteinander - zerfasern - verweigern (2021)

Instrumentation: for flute, clarinet, drums, violin

Duration: 8' 30"

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Max E. Keller
Risposta al Goldberg (2021)

Instrumentation: for flute and piano

Duration: 3' 00"

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René Wohlhauser
Im lauteren Sein (2017)
Ergon 64, Nr. 2, Musikwerknummer 1816, auf ein Gedicht des Komponisten, Klaus Huber in memoriam, Kompositionsauftrag der UBS Kulturstiftung

Instrumentation: Fassung für Sopran, Bariton, Flöte, Klarinette und Violoncello

Duration: 15' 00"

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Hansruedi Willisegger
Die schönsten Schweizer Kinderlieder (2018)


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René Wohlhauser
Quartett für Flöte, Klarinette, Violine und Violoncello Nr. 1 (2018)
Ergon 67, Musikwerknummer 1849

Instrumentation: for flute, clarinet, violin and cello

Dies ist eine aggressive, zupackende Musik, die die prekären Verhältnisse auf der
Welt nicht akzeptiert, sondern sich mit Wut dagegen wendet.

Duration: 11' 30"

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Max E. Keller
Kollektiv - Individuell (2022)

Duration: 11' 00"

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René Wohlhauser
Geworf'ne Akrobaten (2018)
Ergon 68, Nr. 2, Musikwerknummer 1855, auf ein Gedicht des Komponisten

Instrumentation: Fassung für Sopran, Bariton, Flöte, Klarinette, Violine und Violoncello

Duration: 11' 30"

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René Wohlhauser
Marmamorais (2018)
Ergon 69, Musikwerknummer 1858

Instrumentation: for flute solo

Eine Folía, die versucht, etwas von der ursprünglichen Tollheit, von der Verrücktheit und vom Wahnsinn dieser Gattung einzufangen und in der Musik zum Ausdruck zu bringen.

Duration: 5' 30"

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René Wohlhauser
Aus der Tiefe der Zeit (Ensemblefassung) (2019)
Ergon 73, Nr. 2, Musikwerknummer 1918, auf ein dialogisches Gedicht des Komponisten

Instrumentation: Sopran, Bariton, Flöte, Klarinette, Violine, Violoncello

Texts: René Wohlhauser

Ein „Konzept des Gegensätzlichen“, das, angelegt wie eine kleine dialogische Oper,
in konfliktgeladener Dramatik unterschiedliche ästhetische Entwu?rfe aufeinanderprallen läßt.
Kompositionsauftrag Fachausschusses Musik Basel-
Stadt und Baselland

Duration: 13' 00"

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René Wohlhauser
Duo für Flöte und Violoncello Nr. 1 (2019)
Ergon 75, Musikwerknummer 1925

Instrumentation: for flute and cello

Kontraste zwischen Hektik und Poesie, zwischen Ausbruch und Verebbung, zwischen
Geschäftigkeit und Einkehr, zwischen Entäußerung und Verinnerlichung, zwischen
zuviel und fast nichts durchziehen das Stu?ck.

Duration: 8' 00"

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René Wohlhauser
Duo für Flöte und Violoncello Nr. 2 (2020-2021)
Ergon 79, Musikwerknummer 2041

Instrumentation: Flöte und Violoncello

Die Suche nach einer kohärenten Grammatik führte dieses Stück in eine algorithmisch gestaltete Ordnung.

Duration: 10' 45"

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René Wohlhauser
Concertino Nr. 1 für Flöte und Ensemble (2020)
Ergon 78, Nr. 1, Musikwerknummer 2020

Instrumentation: für Flöte und Ensemble

Die solierende Flöte akzeptiert ihre Einordnung in ein u?bergeordnetes Ganzes und darf dann ihre Kadenz vortragen.

Duration: 6' 30"

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René Wohlhauser
Die fragmentierte Wahrnehmung (2020)
Ergon 81, Musikwerknummer 2054, auf 10 Gedichte des Komponisten

Instrumentation: Sopran, Bariton, Flöte, Klarinette, Violine und Violoncello

Texts: René Wohlhauser

Die Realität wird nach dem Umschlagpunkt des „verschärften Goldenen Schnitts“ neu zusammengesetzt. Dadurch gerät das Vertrauen in die Zuverlässigkeit unserer Wahrnehmung der Realität ins Wanken.

Duration: 11' 00"

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René Wohlhauser
Quartett für Flöte, Klarinette, Violine und Violoncello Nr. 2, "Gen-tuplets", 2. Fassung (2021)
2. Fassung: "Die dialektische Fassung", Ergon 86, Nr. 2, Musikwerknummer 2125

Instrumentation: Flöte, Klarinette, Violine und Violoncello

Eine Überordnung kippt nicht ins Chaos, sondern führt die Wahrnehmung in neue Wahrnehmungskategorien.

Duration: 12' 00"

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Stimmenauszüge total 48.00 CHF
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René Wohlhauser
Quartett für Flöte, Klarinette, Violine und Violoncello Nr. 2, "Gen-tuplets", 1. Fassung (2021)
1. Fassung: "Die reine Fassung", Ergon 86, Nr. 1, Musikwerknummer 2124

Instrumentation: Flöte, Klarinette, Violine und Violoncello

Eine Überordnung kippt nicht ins Chaos, sondern führt die Wahrnehmung in neue
Wahrnehmungskategorien.

Duration: 9' 30"

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René Wohlhauser
Dunkle Stimmen (2022)
Ergon 91, Nr. 2, Musikwerknummer 2175, auf ein Gedicht des Komponisten

Instrumentation: Sopran, Bariton, Flöte, Klarinette, Violine und Violoncello

Texts: René Wohlhauser

Das dunkel Raunende und das hell Erleuchtete durchziehen das Stück in mehrfacher Hinsicht.

Duration: 12' 11"

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Geneviève Billeter
Trio II (2011-2014)

Instrumentation: for flute, clarinette and cello

Premier mouvement : Sonate


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CHF: 25.80
parts total: 20.40 CHF
Heidi Baader-Nobs
Ballade (2019)

Instrumentation: for ensemble (Fl, cor Angl., Cl in Bb, Vl, Vla, Vc, Cb)

Duration: 15' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 29.40
René Wohlhauser
In mäandrierendem Rausch (2023)
Ergon 95, Musikwerknummer 2223

Instrumentation: Sopran, Bariton, Flöte, Klarinette, Violine und Violoncello

Texts: René Wohlhauser

Ein aufsteigender Mixturklang bildet den Ausgangspunkt dieser Komposition. Er steht als musikalische Metapher für den Kampf aus der Dunkelheit ans Licht. Er erfährt im Laufe des Stückes die unterschiedlichsten Verarbeitungen bis hin zur versetzten Polyphonisierung und Fragmentierung. Doch er bleibt unerschütterlich. Die kreative Rauschhaftigkeit und der Innovationsdrang durchdringen die Satzstruktur. Es ist ein wuchtiges Anschreiben gegen die verzweifelte Hilflosigkeit angesichts der desolaten Weltlage.

Duration: 11' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
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CHF: 41.40
parts in total 27.00 CHF
ISBN 978-3-907467-07-7
print version: 46.20 CHF
René Wohlhauser
Quartett für Flöte, Klarinette, Violine und Violoncello Nr. 3, "Gen-microtones" (2023)
Ergon 96, Musikwerknummer 2226

Instrumentation: Flöte, Klarinette, Violine und Violoncello

Ein Stück in Achteltonschritten, das neue Möglichkeiten mikrotonaler Zusammenklänge erkundet.

Duration: 12' 07"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
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CHF: 27.60
Stimmenauszüge insgesamt 20.40 CHF
Druckversion 34.20 CHF