Oboe

Mela Meierhans
Sec''ondes (1995)
for wind quintet (fl.ob.cl.hn.bn), viola and piano
Duration: 12' 00"
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CHF: 31.00
Vladislav Jaros
Chinesisches Märchen (1983)
for flute (or oboe or violin) and guitar
An easily approachable piece in which equal demands are made on both interpreters. It is not a difficult piece to interpret and is well suited to an advanced student.
Duration: 3' 00"
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CHF: 13.00
Felix Baumann
Quintet (1992)
for oboe, horn and string trio
Opposing elements growing increasingly apart.
Rights of performance reserved.

Duration: 22' 00"
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CHF: 31.00
Hans Eugen Frischknecht
Komposition für Oboe und Orgel (1964)
Four opposing parts combine to form a whole. Written extensively in space notation.
Duration: 5' 00"
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CHF: 16.00
Maria A. Niederberger
Tandem Points (1993)
for flute, oboe, bass clarinet, horn, two percussion, violin, viola, violoncello and double-bass
Horn and percussion accentuated.
Duration: 9' 00"
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CHF: 60.00
Michael Schneider
Über verwunschenen Ebenen (1994-1995)
for chamber ensemble (0.1.1.1/1.0.0.0/1perc/2.1.1.1)
This piece is based on inspiration gathered from a flight over the Afghan desert, whose mountain tops, streets and settlements became apparent via a ten kilometer deep fata morgana - optically near, geographically and culturally, however, unattainably distant.
Evocation of mystical, enchanted (sound)landscapes, largely in space notation.
Duration: 7' 00"
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CHF: 34.00
Heidi Baader-Nobs
Session (1988)
for two violins, viola, violoncello, double-bass, flute (pic), oboe (ca), clarinet (Ebcl, bcl), bassoon (cbn), piano and marimba
Duration: 17' 00"
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CHF: 47.00
Eliane Frances George
Mirage (1991-1992)
for soprano, oboe, viola, violoncello and cymbalum (or soprano and piano)
A piece dealing with the transparency of life. An adventure into the essence of our elements: The moon - the soul - the sea - the sky - the guardian angel. The perfect man.
Duration: 5' 25"
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CHF: 21.00
(Parts available from SME)
Vladislav Jaros
Cum grano salis (1992)
for wind quintet and strings
A polyphonic tonal meshwork - fluctuations between chromatic and polypentatonic - irridescent sound surfaces. For chamber musical performances: wind quintet and string quartet.
Duration: 14' 00"
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CHF: 26.00
Valentin Marti
Floating (1997)
for piccolo / alto flute, oboe and soprano saxophone
Fragile transitions between noise and tone, fluctuating chromatic modulations and a metric that masks the rhythm are characteristics of this trio.
World premiere: 28.9.97 in Wädenswil, by theTrio Lepic.

Duration: 7' 00"
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CHF: 21.00
Martin Wendel
Quartettino for oboe, violin, viola and violoncello, op. 10 (1957-1980)
Three movements as steps in a metamorphosis of a melodic material which stays strongly connected on the level of intervals.
Duration: 8' 00"
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CHF: 29.00
Michel Hostettler
Intermède no. 2 (1977)
for flute, oboe and organ (or strings)
Duration: 6' 00"
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CHF: 18.00
(String part available from SME)
Felix Schüeli
Dreitonal (2002)
Trio
for oboe, violoncello and piano
Duration: 5' 30"
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CHF: 23.00
Thüring Bräm
Children Songs of the American Indian (1979)
for solo soprano, vocal ensemble (SATB), oboe, viola, violoncello, and marimbaphone
Texts: Indianische Texte
The Children Songs (which received a prize from the University of California in 1973) are a kind of half scenic cantata based on Indian text.
Duration: 8' 00"
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CHF: 34.00
Michael Schneider
67 pas sur la nappe de l'étang glacé (1997)
for oboe and a frozen lake (play-back tape)
The title takes reference to Edison Denissow's biographical data, his environment and his piece for orchestra "Sur la nappe de l'étang glacé". The playback sounds were created using a Roland JV 1080 C and Proteus 2 synthesizer. (techncal assistance: Michael Baumgartner).
Duration: 4' 00"
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CHF: 13.00
(DAT available from the composer.)
Thüring Bräm
Quiet Music I-III (1980-1981)
for piano, flute, clarinet, oboe, violin and violoncello
No. III is a markedly beautiful piece to commemorate Berios 'O King'. No. I and II are confined to the piano and a melodic instrument of choice.
Duration: 8' 00"
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CHF: 29.00
De-Qing Wen
Traces III (1998)
for oboe solo
In this piece I was mainly interested in the change of time and pulsations as well as the particular instrumental techniques of the oboe.
Duration: 8' 00"
Bärenreiter-Verlag
Heinrich-Schütz-Allee 35
D-34131 Kassel
www.baerenreiter.com
CHF: 18.00
Gary Berger
X-ation (2001)
for oboe and live electronic
Duration: 6' 00"
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CHF: 18.00
Nicolas Bolens
Suite pour Neuf Instruments (1999)
for wind quintet and string quartet
Duration: 11' 00"
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CHF: 31.00
Valentin Marti
Wurzelholz (2000)
for tenor recorder or any other woodwind instrument (alto flute, oboe, tenor saxophone...)
For a different woodwind instrument to the recorder, a somewhat smoother effect because the extreme registers of the recorder have a greater influence on the tone than other instruments with a wider range.
First performed in Wädenswil 04.02.01 by Rico Gubler (tsx).
Duration: 6' 20"
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CHF: 16.00
Stefan Werren
6 kleine Stücke (1992)
for oboe and piano
Duration: 8' 00"
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CHF: 16.00
Stephan Lauffer
Niobes Klage (2006-2009)
for oboe, viola I and II, violoncello and double bass
Duration: 7' 00"
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CHF: 18.00
(Parts: sFr. 14.-; € 9.50)
Mathias Steinauer
Koren-Fantasien, op. 15 (1997)
27 imaginations - studies on Greek antiquity (approaches to stone)
for double-reed quartet (double-reed instruments, heckelephone, bassoon), orator/singer (bass/baritone) and one percussion
Texts: Aristoteles, Hippokrates, Ch. Mullack, Xenophon, Aristophanes, Hans Saner, Platon, Leonides von Tarent, Epikur
Duration: 45' 00"
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CHF: 70.00
Michael Schneider
Shark Turtle Ray (1998-1999)
for oboe, viola and guitar
I was spending a year in Sydney when I recieved an offer by Mid-German Radio (MDR) to write a piece after Paul Klee for the 1999 MDR Summer. Being surrounded by such unique flora and fauna reminded me of the strong affinity to life on and in water expressed in the paintings of Paul Klee, his numerous harbour scenes, and above all his fish pictures. What would Paul Klee have painted on a visit to the 5th Continent? "Shark", "Turtle", "Ray" are three such imaginary images, Australian scenes after Paul Klee and inspired by Klee's own related motives. Each of the three movements begins with a core instrument and a specific musical material. The multiple oboe tones in "Shark", the guitar's natural flageolet tones in "Turtle" and the viola's tight chord glissandi in "Ray" initiates the character and development of each respective movement.
Duration: 7' 00"
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CHF: 21.00
Claude Ferrier
Condensations (1998)
for sextet (fl.hn.asx/hp.cel/gtr)
Duration: 9' 00"
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CHF: 42.00
Nicolas Bolens
A Due (2000)
for oboe, clarinet, violin and double bass
Composition by Eric Gaudibert / Nicolas Bolens.
This work is written by two hands, by two different composers who experimented in equally sharing the single instruments: the oboe and double-bass on the one hand side and the violin and the clarinet on the other.
The precisely written violin is the conducting element and the three other instruments are grouped accurately around it. A description of the tempi allows easy playing. This piece has a medium level of difficulty.
Duration: 7' 30"
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CHF: 16.00
De-Qing Wen
Piping and Drumming (2000)
for wind and percussion instruments (fl.ob.cl.asx.bn/tpt.tbn/3perc/pf)
'Piping and Drumming' is a traditional Chinese musical form that uses only wind instruments and percussion. It is often played at ceremonies.
Duration: 12' 00"
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CHF: 62.00
(Parts SME/EMS: sFr. 62.-; € 20.-)
Valentin Marti
Fernruf J 12 (2001)
for soprano, oboe, violoncello and piano
Texts: Alltags- Werbe- Mediensprache
The basis of the text for ‘Fernruf J 12’ is the the list of the Bolshevist musicians from the Berlin department for art preservation from 1935: it is the list of musicians which had to be displaced from the music scene. The piece works, from a musical point of view, with different levels of understanding i.e. repression and forgetting.
World premier: 22.05.02 in Basel by the aequator ensemble.

Duration: 13' 00"
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CHF: 36.00
Thomas David Müller
Letzte Zeichen von Geschwindigkeit (Chartres I) (1998)
for flute, oboe and soprano saxophone
Traditional interplay and some dodgy rhythmic. Partly over-the-top high register. Reduced but colourful harmony.
Duration: 11' 00"
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CHF: 21.00
Daniel Weissberg
Oh mi! (1998)
for flute, oboe and guitar
Jocular virtuoso piece.
Duration: 10' 00"
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CHF: 29.00
De-Qing Wen
The Song of Chinese Guessing game (2000)
Trio
for violin, oboe and Bb clarinet
Comissioned by the ‘Conservatoir de Musique de Genève’ for the students of the second classes. The theme of this piece is borrowed from the folkloristic Chinese song ‘Cai diao’.
Duration: 3' 00"
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CHF: 18.00
Michael Schneider
Voiles (2000)
3 Sketches
for three oboes
Three different 'veils' for oboe trio which attempt to avoid the typical oboe stereotypes.
Duration: 6' 00"
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CHF: 16.00
Rudolf Jaggi
Concertino (1970)
for solo flute, solo oboe, solo violin and strings
Duration: 8' 00"
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CHF: 42.00
Eric Gaudibert
Contrechamp (1979)
for flute, oboe, violoncello and harpsichord
The notation for the ensemble is traditional but in space notation for the harpsichord. The last section is notated on separate sheets with momentary points of reference. Standard playing techniques. The harpsichord needs an 8', 4' and lute stops.
Duration: 9' 30"
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CHF: 31.00
Maria A. Niederberger
Sonnenspur: Tonbilder aus Kalifornien (1996-1997)
for flute, oboe, clarinet, bassoon, two percussion, piano, string quartet and double-bass
Fantasy, prelude, I. Nächtlicher Kojotentanz, II. Morgensonn' das Meer enthüllet, III. Purple Horses, IV. Yosemite.
Accentuated percussion.
Duration: 11' 00"
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CHF: 83.00
Claude Ferrier
4 petites pièces (1999)
for eight instrumentalists (fl.cl.bn/perc/hp/2vn.vc)
Duration: 6' 00"
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CHF: 26.00
Rico Gubler
KAL (2001)
for soprano, oboe, violoncello and piano
Duration: 8' 00"
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CHF: 52.00
(Spielpartitur)
Stefan Werren
Akróasis 1 (1996)
for oboe
Duration: 5' 00"
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CHF: 16.00
Hans-Jürg Meier
abermals (2000)
for tenor recorder, oboe, soprano saxophone and bassoon
Four conversational partners embroil, increasingly dramatically and then calm down in a multi-sounding room.
Duration: 10' 00"
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CHF: 34.00
Andreas Stahl
erinnern - an sich (2001)
for female voice, flute, oboe, violin, violoncello and piano
Written for the ensemble ‘pre-art’ for the 1700 anniversary of the Christianisation of Armenia. Text (mostly spoken) and music refer to the processes of memory and remembrance (resp. forgetting). Formally it is a triple duet (fl/vn, ob/vc, voc/pno) and is, as usual, situated on the rather extreme sector of sound production.
Duration: 18' 00"
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CHF: 47.00
Henri Scolari
Le Christ voilé (1948)
Catata
for baritone and instruments (1(pic).1(ca).1(bcl).1/hn/hp/vn.va.vc(db ad lib.))
Texts: Patrice de la Tour du Pin
Fusion of a series of twelve tones with a constant reference to tonality.
Very expressive French poetry.
Duration: 19' 00"
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CHF: 86.00
(Reduction available from the SME/EMS: sFr. 34.-; € 34.-)
Maria A. Niederberger
Images (1997)
for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, double-bass, piano and percussion
I. Fluid Shapes, II. Light and Shadow, III. Symmetries - Broken Symmetries.
Piano and trumpet accentuated.
Duration: 20' 00"
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CHF: 57.00
Andreas Stahl
grauzone (2002-2003)
for flute, oboe, clarinet and accordion
A piece about pitch, almost about melody. But certainly so that the borders between identical, similar and different dissolve leaving one finally hearing melodies where no melodies exist (?).
Duration: 19' 00"
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CHF: 29.00
Martin Wendel
Musik für Oboe / Klarinette und Flöte / Klavier, op. 29 (1975)
Two sound pairs set borders, isolate themselves and re-converge in a quartet relationship. A multi-faceted composition in five parts.
Duration: 12' 00"
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CHF: 29.00
Hans-Jürg Meier
colours de la rose (1999-2001)
for alto flute (flute) oboe (english horn) and soprano saxophone (alto saxophone)
A nine-part piece - a confrontation between the music of Guillaume de Machaut and Hans-Jürg Meier.
Duration: 30' 00"
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CHF: 49.00
Felix Baumann
Intervention (2004-2005)
for oboe solo
In 'Intervention', the music is channelled in such a way as to highlight the fragile and the subtle, unthinkable without the large gesture at the beginning, they now become something equivalent to its opposite. It is thus that polar positions seem to nourish subterraneously.
Duration: 8' 00"
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CHF: 16.00
Maria A. Niederberger
Concerto for Oboe and Instrumental Ensemble (1999-2000)
for oboe solo, flute (piccolo), clarinet, horn, harp, two violins, viola, violoncello and double-bass
This piece is suitable for oboe and ensemble but oboe and a small orchestra is preferable. The oboe is very demanding but the harp and horn also play important parts.
Duration: 20' 00"
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CHF: 57.00
Felix Baumann
Ich und Du (2008)
for 2 oboes
'Ich und Du' takes the canon technique as its starting point to create, in the first few moments, an unexpected constellation full of conflict potential, which is then gradually tackled and illuminated from various sides. This short piece offers the possibility to listen in on the longing and the shared and their possible and impossible realisations.
Duration: 3' 00"
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CHF: 16.00
Thomas K. J. Mejer
Recurrence of the Nymphs (1997)
for oboe (also English horn), alto saxophone, bass clarinet and bassoon (also contra bassoon)
Structured in four consecutive tonal images, each one takes its inspiration from a species of nymph: Orestiads, Dryades, Naiads and Nereids.
Duration: 18' 00"
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CHF: 42.00
Werner Bärtschi
Rotondo (1999-1999)
for nonet (oboe, bassoon, trumpet, trombone, viola, double-bass, accordion, piano and percussion)
A collaboration between members of the 'Komponistensekretariats Zürich' (Werner Bärtschi, Ulrich Gasser, Max Eugen Keller, Martin Sigrist und Peter Wettstein): The score is sent back and forth between the five composers, each fills in a 50-second section before sending it on to the next.
Duration: 50' 00"
Manuscript
CHF: 122.00
Max E. Keller
Friedenslied eines Oboisten (1983)
for oboe
Poems by Burkhard Glaetzner.
Duration: 14' 00"
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CHF: 16.00
Valentin Marti
Pinxto 2 (2008)
for 2 oboes
WP: 1.3. 09, Zürich, Ani Lomsaridze, Matthias Arter
Duration: 2' 00"
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CHF: 13.00
Rudolf Jaggi
Flucht (1977)
for choir (SAB), oboe, alto saxophone and bass clarinet
Texts: Hans Häring
Duration: 15' 00"
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CHF: 34.00
Hans Eugen Frischknecht
Psalm der Hoffnung (1988/11)
for soprano oboe and organ (or clarinet and piano)
Texts: Anonymi
The texts, ranging from sorrow to hope, are derived from political prisoners of various dictatorships. The Soprano voice is identical for both versions.
Duration: 12' 00"
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CHF: 36.00
De-Qing Wen
Two Birds in One Cage (2007)
In honor of Philippe Albera
for oboe and english horn
The piece was inspired by the singing of my neighbor's two beautiful birds encased in one cage in front of my new residency in Fuzhou, China. Their singing aroused my curiosity. What were they singing for? How well were they getting along with each other? What were they discussing? About the past or the future? Life or death? Love or hatred? Nature or art? Freedom or confinement? Food or philosophy? Were they happy or sad? What if it was I myself who was encased in the cage with my love? No, no, no... It is not a good idea for us, but my neighbor and his wife should be!
Duration: 9' 30"
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CHF: 26.00
Ruedi Debrunner
Musaka Songs (2003)
Praphrase of Cameroonian hymns
for precentor (m/f), monophonic choir, oboe, clarinet, bassoon, violin, violoncello and double-bass
Duration: 18' 00"
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CHF: 62.00
(Parts: sFr. 73.-; € 56.-)
Rico Gubler
Turnaround (2005)
for wind and string quintet (fl.ob.cl.bn/hn/2.1.1.1)
Evening News - Summertime - Today Special - Meteo - Sonntag 03.17 Uhr MEZ - Breaking News.
Duration: 12' 00"
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CHF: 60.00
Vladislav Jaros
Terzett (2007)
for panflutes (or flutes), taragot (or oboe) and organ (or flute, clarinet and organ)
In memoriam Sándor Veress.
A piece with two themes from Hungarian folk music, slow lyrical parts alternate with lively, quick and very rhythmical parts. Expanded tonality.

Duration: 12' 00"
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CHF: 21.00
Burkhard Kinzler
Fragment &Entrückung (2011)
for mixed choir, transverse flute, 2 oboes, bassoon, 2 violins, viola, cello, violone
Texts: Antonia Bertschinger

Duration: 25' 00"
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CHF: 86.00
Hans-Jürg Meier
volgere lo sguardo al cielo (2005)
for oboe, trumpet in B (ossia soprano saxophone or clarinet in B), guitar
"Rather a cloud of birds in the sky than one in the hand." (Eduardo Chillida)
Duration: 11' 30"
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CHF: 23.00
Burkhard Kinzler
round about Haydn – a roundabout (2012)
for 2 flutes, 2 oboes (both also ca), 2 bassoons, 2 natural horns and 2 natural trumpets
Duration: 6' 00"
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CHF: 29.00
Max E. Keller
Ausharren im Grauen (1988)
for oboe, violoncello and piano
"A trio-piece of coagulate sound, quasi-captivated nerviness with bursts of desperate fury" (Frank Schneider on the world premiere).
Duration: 10' 00"
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CHF: 21.00
Jean-Jacques Dünki
Musique pour un Guillaume Tell (1991)
for oboe (oboe d'amore, English horn)
Duration: 6' 00"
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CHF: 13.00
Stefan Werren
7 Bagatellen (2000)
for oboe
Duration: 5' 00"
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CHF: 18.00
Michel Hostettler
Fantaisie épidermique (1988)
for flute, oboe and bassoon
Duration: 7' 00"
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CHF: 18.00
(Parts available from SME: Sfr. 14.-; € 14.-)
Alfred Knüsel
gezogene Klänge (2000)
Six part work block
for double-bass solo and chamber ensemble (1(pic).1.1.1(cbn)/1.0.0.0/perc/pf/2vn.va.vc)
Duration: 20' 00"
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CHF: 65.00
Walter Baer
Das Symposion des Xenophanes (2003)
Cantata
for soli (AB from the choir) two choirs, flute, oboe, harp percussion and organ
Texts: Xenophanes von Kolophon, Marie Luise Kaschnitz
The two choirs are situated as far apart as possible. The vocal parts are demanding both for the soloists and the choir.
Duration: 38' 00"
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CHF: 60.00
Edu Haubensak
Mon silence discontinue! (2005)
for soprano, oboe (English horn), violoncello and piano forte
Duration: 24' 00"
Manuscript
CHF: 42.00
Max E. Keller
Swissfiction (1990)
Musical theatrical scenes
for four actors(esses), four musicians (fl.ob.cl.vn) and a four-channel electronic tape
Texts: Alex Gfeller
Based on Alex Gfellers story 'Das Komitee'.The cities of Switzerland are contaminated, be it with poison or radioactivity, the ozone layer is depleted many paths leading to destruction have long been foreseeable. Only few have survived and sit vegetating in their shelters underneath the ruins of earlier prosperity. Some have already mutated, others live in a world of delusion.
Duration: 30' 00"
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CHF: 34.00
Max E. Keller
Konfigurationen III - January 1991 (1991)
for oboe (or flute), bassoon, guitar and piano
The musicians also perform scenic actions and speak a couple of sentences.
Duration: 8' 00"
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CHF: 18.00
Jean-Jacques Dünki
Solo per Oboe (1994)
Duration: 4' 00"
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CHF: 13.00
Rudolf Jaggi
Petrus (Oratorium) (1989)
for soprano, baritone, bass, choir (SATB), organ, flute, oboe, bassoon and strings
I Jünger
II Apostel
III Märtyrer
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CHF: 130.00
Eric Gaudibert
"Ce tremblement, qui est une volupté" (1997-1999)
Duo
for two oboes
The title is a quote by Victor Hugo extracted from 'Les travailleurs de la mer'.
The first oboe doubles English horn and the second doubles a baroque oboe, if the latter is not available the musician can perform the passage in question on a modern oboe while transposing the text half a note deeper. This piece is of a high level of difficulty.

Duration: 13' 00"
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CHF: 21.00
Rudolf Jaggi
Bin alben e wärti Tächter gsi (Paraphrase) (1996)
for choir (SAB), clarinet, oboe and bassoon
Duration: 4' 00"
SME/EMS
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CHF: 23.00
(Parts: sFr. 16.-; € 10.50)
Ernst Pfiffner
Cambiamenti concertanti (1981-1983)
for oboe, string orchestra (6.6.5.4.3) and percussion
The oboist plays the oboe d'amore in the movements I, III, IV; oboe in the movements II, V and the English horn in movement IV.Work series A: Music for concerts.
Duration: 16' 00"
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CHF: 44.00
Urs Peter Schneider
Robert Walser Trilogie I,3: Das Mädchen mit den schönen Augen (1988)
Two fantasy pieces
for oboe and trumpet (or two other, slightly different instruments)
A cycle based on savage and partly lost writings; "Die schöne Frau von Thun" uses six instruments, which can be relatively freely chosen; "Tobold" is a compositional concept, formal and extremely variable in its instrumentation (the composer has arranged one version); "Das Mädchen mit den schönen Augen" is the last work before the composer's non-composing phase, maliciously simple, supposedly humorous - it is dedicated to the performer Marion Leyh.
Duration: 3' 00"
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CHF: 16.00
Jean-Jacques Dünki
Cas obliques I, II, III (1993-2004)
for oboe, bass clarinet, bassoon, horn and piano
Duration: 6' 00"
SME/EMS
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CHF: 34.00
Henri Scolari
Trio d'anches (1997)
for horn, Eb clarinet and bassoon
Constructed on a series of intervals.
Duration: 10' 00"
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CHF: 23.00
Max E. Keller
Sans cesse (2001)
for oboe, bassoon, horn, trombone, violin, viola, violoncello and double-bass
Duration: 9' 00"
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CHF: 18.00
Michel Hostettler
Schegge d'ambra (2005)
for oboe, clarinet and bassoon
Duration: 8' 00"
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CHF: 29.00
(Parts: 22.-)
Eric Gaudibert
Warum? (2009)
for flute, oboe and clarinet
This work is inspired by a piano piece with the same title by Schumann (Phantasiestücke op.12). It is a slow and tender piece of music which demands a great deal of concentration to master the contrapuntal lines.
Duration: 6' 00"
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CHF: 18.00
Ernst Pfiffner
Eine Kantilene vom Menschen (1992)
for choir, oboe, violoncello and percussion
Texts: Matthias Claudius
This piece is based on the poem 'Empfangen und genähret' (Received and Nourished) by Matthias Claudius in connection with extracts from the book Kohelet (300 BC). Despite being scored for three vocal and three instrumental parts, the fascinating phenomenon of monophony is kept throughout,
Work series A: Music for concerts.
Duration: 4' 00"
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CHF: 36.00
Max E. Keller
Schlaglichter (2006)
for oboe, clarinet, bassoon, double bass and percussion
The three miniatures are the reshaping of the structure and instrumentation of three laconic parts of my opera "Die Axt" after "Graf Öderland" by Max Frisch, which I composed as a commission for the Komischen Oper Berlin.
Schlaglicht I is taken from the end of the 2nd act. In Schlaglicht II, the wind instrumentalists play excerpts from the three trumpets in the 1st act, while the percussion and double bass develop a new oppositional layer. Schlaglicht III transposes almost the entire 5th act where the bassoon and oboe intonate the duet between the central character and his partner, while the clarinet and double bass play the accompanying trumpet and tuba and the percussion brings in a new line.
Duration: 4' 00"
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CHF: 21.00
Ernst Pfiffner
Trio pasquale (1993)
for flute, oboe and English horn
Da der Tod - ...ahnten sie nicht - Trio pasquale:
A variety of settings: in the first part the whole ensemble; in the second the choir and the speaker are omitted, whilst the third features flute, oboe, and cor anglais. The three pieces are a religious triptych, but they can be performed separately. The first two cycles set texts by the Graz writer Karl Mittlinger to music. In the first part death is objectified in its many aspects; whilst in the last part, the speaker narrates sentences from Mozart's letters to his father, in which he describes his attitude towards death. The middle piece is concerned with form, life and the mission of Jesus, and closes with death and resurrection. The ‘Trio Pasquale’ is concerned with Easter, as seen by Maria Magdalena.
Work series A: Music for concerts.

Duration: 14' 00"
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CHF: 34.00
Max E. Keller
12-06-07 (2007)
for soprano, oboe, alto saxophone, horn and viola
A text about statistically the most frequent causes of death in Switzerland takes its course and is interspersed by ten extremely varied newsflashes from real life, all of them objets trouvés from two daily newspaper of 12th June, 2007. The statistical information is set to music in a recitative manner with very few, primarily sustained notes. This is in contrast to the ten newsflashes whose music is composed with lively movements and a tangible pulse in various structures. The somewhat macabre text montage reflects the apparent phenomenon of the sometimes-grotesque contrast of various themes and texts, which seems to magically attract humans.
Duration: 10' 00"
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CHF: 34.00
Max E. Keller
concertare e improvvisare (2007)
for flute, oboe, clarinet (bcl), violin, viola, violoncello and improvising piano
This work contrasts notated music with improvised music. The sextet is extensively notated; the piano merely has several verbal suggestions. There are, however, also moments of improvisation in the sextet where, for example, each instrument initially and independently of the others repeats a phrase, which gradually changes following verbal instructions. Each begins this process with great intensity, playing as loud and as quickly as possible – very much in the style of early free jazz.
Duration: 14' 00"
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CHF: 26.00
Max E. Keller
Wie Kraut und Rüben (2008)
After the picture bearing the same title by Paul Klee
for oboe, bassoon, guitar and viola
In the painting "Wie Kraut und Rüben" by Paul Klee transparent white dots are spread over a red background in irregular rows and create thereby a subtle pulsation within a regular grid. By painting over the dots with the brush, these dots turn into lines, spots and signs. This technique, which Klee called "pointillate", has been transposed to dots of sound, arranged in rows, superimposed in irregular, free rhythms by the four instruments.
Duration: 6' 30"
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CHF: 16.00
Ernst Pfiffner
Sestetto d'Isissa (1995-1996)
for oboe, clarinet, bassoon, horn, trombone and percussion
Work series A: Music for concerts.
Duration: 11' 00"
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CHF: 31.00
Max E. Keller
Der Rutengänger (2012)
for oboe, bassoon, guitar and viola

Duration: 6' 00"
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CHF: 23.00
Hansruedi Willisegger
Passionierte Violinistin (1989/92)
for coloratura Soprano, violin, oboe (musette) and percussion
Texts: Hans Erni
Based on a picture by Hans Erni.
Duration: 9' 00"-15' 00"
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CHF: 18.00
Ernst Pfiffner
Trio (2010)
for oboe and two English horns
Duration: 13' 00"
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CHF: 26.00
Louisa Lasdun
Smile (2008)
for oboe, cello and piano
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CHF: 29.00
Martin Imholz
Stück (2009)
for oboe
Duration: 2' 30"
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CHF: 16.00
Michael Schneider
Gran Partita (2011)
for wind septet (fl, ob, cl, bh, bcl, bn, hn)
"The seagull continues to play. But she is no longer alone. They came one after the other, against the wind. A bassoon is here, a long, thin lament; an oboe, guttural; a horn, horns, various colours, dry in the brass; a deep voice, a sonorous bass draws long, thick threads through the sound carpet. Above me on the craggy ledge sit thirteen seagulls, each with a tone of its own. Highs and lows, warmth and coolness, a mystical choir, a serenade from within the wind."
The number of seagulls in this excerpt from a short story by the Swiss author Andreas Neeser makes reference to the number of instruments in Mozart's famous wind serenade 'Gran Partitia', which also lends its name to Neeser's short story. Published in a volume of stories entitled 'Unsicherer Grund' or 'Unsafe Ground' (Haymon, 2010), Neeser's 'Gran Partita' pays homage to nature and the legends of Bretagne: An observation made at the westernmost side of Bretagne and a metaphor within which man and his emotions are mirrored.
Commissioned by the Bläsersolisten Aargau, my 'Gran Partita' reflects the music in Neeser's text and the nature it evokes - the structural elements of the short story and also the geology and fauna of Bretagne. The instrument's scales symbolise granite, the predominant stone in this area, and the vegetation and topos of the sea and the call of the seagulls. Non-musical parameters define the musical material, the form of which offers absolute priority to the melodic line. This leads to an autonomous sound metaphor comprising lines and colours, that makes the underlying substance as an explanation no longer necessary.
Duration: 13' 00"
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CHF: 42.00
Bernhard Sieber
Sinfonia concertante (2012)
Organ concert
for organ, oboe and strings
Duration: 27' 00"
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CHF: 81.00
Andreas Brenner
Trio (2014)


Duration: 18' 00"
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CHF: 44.00