Clarinet

Mela Meierhans
Sec''ondes (1995)
for wind quintet (fl.ob.cl.hn.bn), viola and piano
Duration: 12' 00"
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CHF: 31.00
Andreas Stahl
schneller werdender blues (1983-1984)
for flute, clarinet, violin, double-bass, marimba, percussion and orator
Texts: Robert Peterhans
Quasi-accompanied readings of texts by Robert Peterhans. Mini-overture; country life; city life (the eventful 80's); love; music.
Duration: 30' 00"
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CHF: 47.00
Ursula Gut
Aquamarin (1992)
for two violins, two clarinets, double-bass and harpsichord
Duration: 10' 00"
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CHF: 26.00
Valentin Marti
Quintett für Klarinette und Streichquartett (1993)
A sound world, oscillating between expressivity and absolute non-expressivity, is created from a simple initial motive.
First performed by the ‘Ensemble Opera Nova’ in Zurich, 04.12.95.

Duration: 12' 00"
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CHF: 36.00
Pierre Thoma
Exil (1983)
for recitation, alto and clarinet
Texts: Vahé Godel
Duration: 8' 00"
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CHF: 26.00
Regina Irman
Speculum (1984)
for four Eb clarinets, two percussion, sisyphus machine, mirrored scenery and coloured lighting
The Sisyphus machine, mirror stage-layout and lighting can all be obtained on request. In the case of a version without these accessories the machine must be replaced by a running electronic tape.
Duration: 15' 00"
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CHF: 34.00
Maria A. Niederberger
Inferences (Rückschlüsse) (1985)
for fl(afl).cl(bcl)bn/2perc/pf/vn.va.vc
Accentuated piano part.
Duration: 8' 00"
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CHF: 42.00
Michael Schneider
Evokation (1991)
for violin, clarinet and piano
Impulsive, feverish movements with lyrical bright spells.
Duration: 5' 00"
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CHF: 18.00
Stephan Lauffer
Chinesisches Sprichwort (1997)
for choir (SATB), flute, clarinet, three violins viola and violoncello
Texts: Chinesisch
It is better to light a candle than to complain about the darkness.
Duration: 2' 00"
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CHF: 21.00
(Parts: sFr. 16.-; € 10.50)
Cécile Marti
Im Würfel (2005)
for sextet (fl, cl, vn, vc, mar, pf)
"My form is created entirely out of straight lines and flat surfaces ordered at symmetrical right-angles. Every side, every line is the same as every other. Intersection facing intersection. This is me at peace with myself. I can begin rotating at the slightest movement, yet it is not always possible to forsee my path of motion, for the possibility of changing direction at any moment I leave open. My way is found along my edges or my corners. If I am not resting on a surface then I am moving in this linear fashion."
A square's eye view - its inherent form is the lead for musical transformation.
The ensemble follows characteristic figurations as a compact motional unit. The way leads from a description of the object through to the mechanisms of its motion and on to playfully gestural formulations.
Circular motions, rotation around a fixed axis, gradual advancement over sound layers, using pulses to create structure, fragmentary phases and moments of dancy movement are but a few aspects which infuse throughout this piece.
Duration: 8' 30"
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CHF: 49.00
Balz Trümpy
Erleuchtetes Dunkel (1970/06)
for mezzo-soprano, alto flute and clarinet
Texts: Wolfgang Borchert, Max Bolliger
Based on poems by Wolfgang Borchert and Max Bolliger.
Duration: 8' 00"
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CHF: 16.00
Regina Irman
Aus spiegelndem Eis (1984)
for four clarinets
Duration: 6' 00"
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CHF: 16.00
Valentin Marti
Tres sendas espinosas (1995)
for flute (alto flute) clarinet (bass clarinet), violin, violoncello, percussion and piano
Paths leading nowhere, a search leading to nothingness; subsurface there is a trace that, in its lack of direction, actually depicts the way. In three parts. This piece was first performed on 23.5.1997 in Zurich by the Ensemble for New Music (Zurich) under the direction of Johannes Harneit.
Duration: 15' 00"
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CHF: 47.00
René Wohlhauser
Souvenirs de l'Occitanie (1977-1978)
Ergon 4
for clarinet solo
A musical unearthing of Kafkaesque and surrealist expressive moments, the source of the initial inspiration being hinted at by the title.
Duration: 9' 00"
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CHF: 23.00
Mischa Käser
Tombeau (1985)
for female voice, clarinet and viola
A piece dealing with failure.
Duration: 2' 00"
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CHF: 13.00
Daniel Weissberg
DUO ? (1985)
for flute clarinet and...
A cicerone piece full of surprises, illusions, and some acrobatics. Requires a Bb clarinet, bass clarinet and contrabass clarinet.
Duration: 11' 00"
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CHF: 34.00
Alfons Karl Zwicker
Erfrorene Träume (1990-1992)
Cycle based on poems by Josef Kopf
for mezzo-soprano and ensemble (fl(pic).cl(bcl)/hp.pf.hpd/2vn.va.vc.db)
Texts: Josef Kopf
Large-scale song cycle in which the metaphors of ice, cold and freezing are centralised. The leading part for the mezzo-soprano is extremely demanding in the emotional and technical areas. (Vocal range e# - b").
Duration: 29' 00"
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CHF: 78.00
De-Qing Wen
Le Souffle (1994)
for six instruments (flute, clarinet, violin, violoncello, piano and percussion)
For the Chinese, the ‘Yin’ and the ‘Yang’ were in the universe from the beginning and all creatures are animated by the ‘Qi’, the breath of life. Inspired by the order of the 64 hexagrams of the Book of Mutations and their composition in six masculine or feminine symbols, I divided this piece into six registers and wrote the music of the 64 hexagrams consecutively for six musicians.
Duration: 8' 00"
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CHF: 18.00
(Parts: sFr. 18.-; € 18.-)
Felix Schüeli
Stück für Klarinette & Posaune (1999)
Duration: 3' 00"
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CHF: 16.00
George Barcos
Homenaje a la Selva (1989)
for flute, clarinet, violoncello and vibraphone
Diálogo de las flores - Danza de las abejas - Resurección de los árboles.
Duration: 7' 30"
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CHF: 29.00
Valentin Marti
Euphotic Circles (1996)
for soprano saxophone solo and ensemble (fl.cl/tpt/perc/pf/vn.va.vc.db)
"The fascinating colours, the successful combination of the three wind players and their perfect connection with the string players are very well mastered from a formal point of view, they let arise an ensemble piece in the truest sense of the word. (S. Palm)
World premiere: 31.7.97, Klagenfurt, Janus-Ensemble Wien Robert HP Platz (cond.).

Duration: 12' 00"
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CHF: 49.00
Raymond Vauterin
Les petits palmiers (1973)
for violin, clarinet in A and piano
Duration: 10' 00"
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CHF: 29.00
Mischa Käser
5 Pieces (1985-1991)
for clarinet and violoncello
A humming cellist with large lung capacity is required here. Very demanding piece. Clarinets in Bb, A and bass clarinet.
Duration: 13' 00"
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CHF: 18.00
Raphael Staubli
Trio (1986-1987)
for clarinet, violin and piano
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CHF: 26.00
Martin Imholz
Vier Klarinettenstücke (1988)
Vorderundnachsätzen - Gebannt - Inneres (in answer to Igor) - voces liquescentes (clar).
Aphorisms on pure intervals and some basic musical phenomena.

Duration: 7' 00"
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CHF: 13.00
George Barcos
Danzas del Caribe (1990)
for three clarinets, bass clarinet and piano
Molto animato - Moderato con brio - Andante con ánima.
Duration: 7' 00"
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CHF: 36.00
Felix Baumann
Le guetteur mélancolique (1994)
for two clarinets, two harps, piano, six percussion, two orators and four choir groups
Texts: Guillaume Apollinaire
For the 'Stadelhofer Death Dance'. A spatially performable score based on texts by Guillaume Apollinaire about the transition from this world to the next. Speechlessness in the face of death, a dance around the grave and the crossing of the threshold.
Duration: 16' 00"
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CHF: 49.00
Michael Schneider
Über verwunschenen Ebenen (1994-1995)
for chamber ensemble (0.1.1.1/1.0.0.0/1perc/2.1.1.1)
This piece is based on inspiration gathered from a flight over the Afghan desert, whose mountain tops, streets and settlements became apparent via a ten kilometer deep fata morgana - optically near, geographically and culturally, however, unattainably distant.
Evocation of mystical, enchanted (sound)landscapes, largely in space notation.
Duration: 7' 00"
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CHF: 34.00
Heidi Baader-Nobs
Session (1988)
for two violins, viola, violoncello, double-bass, flute (pic), oboe (ca), clarinet (Ebcl, bcl), bassoon (cbn), piano and marimba
Duration: 17' 00"
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CHF: 47.00
Vladislav Jaros
"Re-Ra" (1988)
for four clarinets (two clarinets, basset horn, bass clarinet)
A virtuosic, amusing piece with musically playful surprises and merry moments.
Duration: 13' 00"
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CHF: 26.00
Martin Imholz
Potenz (Oratorium) (1989)
for clarinet, string quartet, orator and scenery
Four strophes with extremely differentiated parts, based on the principles of homoeopathy. For Joseph Beuys.
Duration: 10' 00"-15' 00"
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CHF: 13.00
Urban Mäder
Mit Nacht beladen (1990)
for alto, clarinet and chamber orchestra (flute, horn and strings)
Texts: Max Bolliger
Based on a text by Max Bolliger from the collection of poems ‘Schweigen, vermehrt um den Schnee‘ (Silence multiplied by the snow). On the theme of nature and death.
Duration: 25' 00"
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CHF: 78.00
Maria A. Niederberger
Sounds of Space-Time (Klänge von Raum-Zeit) (1994)
for clarinet (also bass clarinet), marimba and piano
The clarinet plays solo. Virtuosic passages. Demanding.
Duration: 18' 00"
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CHF: 44.00
Stephan Lauffer
Sinfonietta (1999)
for two flutes, clarinet and piano
Präludium - Scherzo - Tanz - Burleske.
Duration: 4' 00"
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CHF: 18.00
Thomas David Müller
Gehen, Fragment (1989)
for violin, violoncello and clarinet
The first in a series of instrumental cycles where variations in the interplay and the resulting formal processes are subjects of the composition. Unusual playing techniques.
Duration: 9' 00"
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CHF: 26.00
Vladislav Jaros
Cum grano salis (1992)
for wind quintet and strings
A polyphonic tonal meshwork - fluctuations between chromatic and polypentatonic - irridescent sound surfaces. For chamber musical performances: wind quintet and string quartet.
Duration: 14' 00"
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CHF: 26.00
Martin Imholz
Potenz II (1994)
for clarinet and string quartet
Version for clarinet quartet.
Duration: 10' 00"-15' 00"
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CHF: 16.00
Alex Rüedi
Mättju (1996)
Trio
for flute, alto saxophone (or clarinet/soprano saxophone) and piano
Duration: 4' 30"
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CHF: 21.00
(Parts: sFr. 12.-; € 8.00)
Louisa Lasdun
Gespräch(e) im Gebirg (2002)
for seven players (fl[=pic].bcl.Ebcl/2vn.vc.db) and sound technician
A single movement in eleven parts with play-back tape commissioned by the 'Luzerner Kammermusiker'.
The tape is comprised of text fragments from Paul Celans prose 'Gespräch im Gebirg', read by the author; fragments of a prayer-call from canton Uri, an English nineteenth century hymn and Hebrew lyrics from Bialik. This piece takes Jewish identity in German speaking areas as its theme.
Duration: 16' 45"
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CHF: 34.00
De-Qing Wen
Traces I (1996)
for clarinet and piano
Inspired by Chinese calligraphy. As a way of reaching a fusion of the visual and the auditory - while the two instruments play I do some calligraphy.
Duration: 6' 00"
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CHF: 26.00
Walter Baer
From Unreality to Unreality (1972)
for soprano, three flutes and three clarinets
Texts: Jorge Manrique, Paul Eluard, Georg Philipp Harsdörffer, T.S. Eliot
In this composition four texts from different authors, languages and historical origin have been used, but all bear on the same theme: the fragility of existence, the problem of the concept of reality. A work of meditation, floating and fragile, it hints at the irrational in both its vocal and instrumental sounds. The Soprano sings in Spanish, French, German and English.
Duration: 10' 00"
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CHF: 34.00
Josef Kost
Cinq Poèmes (1985-1995)
for flute, clarinet, bass clarinet, violin, viola and violoncello
The sextet musicalises five poems through various means e.g. the metre offers a background of incessant rhythmic variation, the rhyming scheme dictates the form even aspects of the content form the base of the instrumentation. Medium level of difficulty. Requires a conductor.
Duration: 11' 00"
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CHF: 34.00
Urban Mäder
Annäherung an Dorfmusik (1991)
for clarinet and brass instruments (cn.bugle[=2tpt]/hn.tbn.tb)
Adaptation of folk musical elements.
Duration: 13' 00"
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CHF: 31.00
Vladislav Jaros
Divertimento (1992)
for flute, clarinet and guitar
A melodic and lyrical piece with appealing rhythms and harmonies and rewarding solo cadenzas. This piece is demanding for all three instruments.
Duration: 12' 00"
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CHF: 23.00
Dieter Ammann
The Freedom of Speech (1995-1996)
for flute (also bfl), clarinet (also bcl), violin, violoncello, percussion and piano
Duration: 18' 00"
SME/EMS
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CHF: 49.00
(Parts: SME sFr. 70.-; € 47.-)
De-Qing Wen
Traces II (1996)
for nine instruments (fl.cl/2perc/pf/vn.va.vc.db)
Chinese calligraphy is the essence of Chinese art. For me personally, it stands as an original score. From written characters, sounds emerge. With the words, music is created.
Duration: 12' 00"
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CHF: 39.00
Claude Ferrier
Le Chemin sans traces (1996)
for baritone and instrumental quintet (fl.cl/hp/va.vc)
Texts: Henri Gaberel
Based on the poem by Henri Gaberel.Version for orchestra (2(pic).2(ca).2(bcl)2(cbn)/4.2.3.1/4perc/hp.cel/str) available from the composer.
Duration: 16' 00"
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CHF: 52.00
Felix Schüeli
15 Steps (2001)
for clarinet in B
Duration: 5' 00"
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CHF: 16.00
Dieter Ammann
Short Variation (1996)
for seven clarinets and a bass clarinet
Duration: 3' 00"
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CHF: 16.00
Felix Baumann
entgegen (2002)
version for clarinette in B
Duration: 7' 00"
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CHF: 13.00
Eric Gaudibert
Vernescence (1973)
for clarinet (basset horn or bass clarinet), piano and electro-acoustic slide show
The title is a neologism evoking spring or birth. The notation is graphic and rules define its interpretation. Accessories for the piano: a glass with a stem, claves, a percussion stick and a screw. The electro-acoustic device consists of 4 or 6 loud speakers divided in the room, two microphones for direct amplification and 2 Revox, the second of which reproduces, with a delay of about 10", that which is recorded by the first.
Duration: 18' 00"
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CHF: 26.00
Regina Irman
Passacaglia (1989-1990)
for clarinet in A
A solo piece with a steady gait, in which tempered intervals from the lower and middle registers confront just intonated intervals in the higher register. Commissioned by Jürg Frey, Aarau.
Duration: 15' 00"
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CHF: 21.00
Mathias Steinauer
Omaggio ad Italo Calvino, op. 10 (1993-1994)
for clarinet (horn), violin (violoncello) and partly prepared piano
Version I: cl.hn.vn.pf (op. 10a)
Version II: cl.vn.vc.pf (op. 10b)
After three fantastical poems about the origin of the world.
Duration: 14' 00"
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CHF: 31.00
Felix Falkner
De Profundis (1999)
Lament
for soprano, clarinet and horn
Texts: Wilhelm Felix Swoboda, Georg von der Vring
Duration: 20' 00"
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CHF: 29.00
Lars Werdenberg
Trio (2006)
for clarinet, violoncello and piano
Drei gehen über Stock und Stein
jeder seines Wegs
suchen sich einen Partner
DAS ALTE LIED I
gehen zuweilen Hand in Hand
verlieren den Boden unter den Füssen
finden sich schliessllich ganz oben
fallen einander ins Wort
DAS ALTE LIED II
zwei gegen einen?
einer gegen alle?
GLOCKEN.

This trio is dedicated to Elliott Carter who celebrated his 100th birthday in 2008.
Duration: 13' 00"
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CHF: 34.00
(Parts: sFr. 26.-; € 17.50)
Elvira Garifzyanova
Phoenix (2006)
for flute, clarinet and bassoon
Duration: 9' 00"
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CHF: 29.00
Luigi Laveglia
Code of Light (2007-2008)
for flute, bass clarinet, violin and piano
Two movements (part one, part two)
My occupation with light and its spectrum of colours (in a poetic rather than scientific sense) formed the starting point of this composition. It lead to extraordinary answers on a formal and associative level. Intense and diversified at the same time.
Duration: 23' 00"
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CHF: 34.00
(Parts SME: sFr. 48.-; € 48.-)
Walter Baer
Five Movements for Clarinet, Violin and Violoncello (1974)
These five short movements require a very sensitive interpretation - already obvious from the detailed notation. Composed in an atonal style, it features rhythmic and articulatory differentiated structures.
Duration: 8' 00"
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CHF: 18.00
Balz Trümpy
Anima (2. Fassung) (1977/78)
for high voice, clarinet, horn, string quartet and piano
Texts: Anonymus, Heinrich von Morungen, Walter von der Vogelweide
This three-part work is based on text from a minnelied. The vocal line, which uses various sound modulations, is harmonically, melodically and rhythmically interwoven with the accompaniment.
Duration: 17' 00"
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CHF: 68.00
Josef Kost
... du wirst schon sehen ... (1996)
for boy and mixed choir, clarinet, harp and double-bass
Texts: Hans Leopold Davi
To stimulate moments of pause and contemplation, whether at the beginning, in the middle or at the end of life. Medium level of difficulty - also suitable for an amateur choir.
Duration: 18' 00"
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CHF: 29.00
Luigi Laveglia
Black Bird (2008)
for clarinet, violin, violoncello and piano
This is actually a prelude for Messiaen's "Quatuor pour la fin du temps" and written for the same instrumentation. It does, however, stand just as well performed on its own. The music is very colourful, partly abrupt with a very intimate middle part …
Duration: 11' 00"
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CHF: 21.00
(Parts SME: sFr. 30.-; € 30.-)
Bruno Stöckli
Kikakokú (2009)
2 recitatives + arias
for soprano, mezzo-soprano, flute, clarinet, violin, violoncello and piano
Texts: Paul Scheerbart, Oskar Pastior, Bruno Stöckli
Uses the quarter-tone system.
Duration: 14' 00"
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CHF: 55.00
Thomas K. J. Mejer
Uroboros Sends You His Regards (1993)
for clarinet solo
"...a kind of meditation on chaos and calm. Besides the instruments, the application of the body, stamping, bells and drawn out pauses are brought together in a dramaturgical coherence..." (LZ, May 1994).
Duration: 4' 20"
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CHF: 13.00
De-Qing Wen
Divination (1997)
for six instruments (flute, clarinet, violin, violoncello, piano and percussion)
The ideal for ancient Chinese civilization is that nature and man are one. Although this piece seems to describe a divination ceremony and the natural elements, it mainly expresses the human feelings.
Duration: 19' 00"
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CHF: 62.00
Bruno Stöckli
Rest (1999-2010)
for flute, clarinet, violin, violoncello and piano
Duration: 10' 00"
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CHF: 49.00
Valentin Marti
Den Schatten der Rose entdecken (1999/03)
for flute, clarinet, violin, violoncello and piano
First performed on 27.11.1999 in Boswil by 'Klangforum Vienna' under the direction of V. Kiradjiew.
Duration: 13' 00"
Manuscript
CHF: 29.00
Rico Gubler
FAL (1999)
for bass clarinet / Eb clarinet, bassoon, horn, two violins, viola, violoncello and double-bass
Duration: 7' 00"
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CHF: 34.00
(Parts avasilable from SME/EMS: sFr. 28.-; € 28.-)
Felix Falkner
Ich kehre in mich selbst zurück und finde eine Welt (2002)
Interior
for speaking voice, two flutes, two clarinets and accordion
Texts: Johann Wolfgang von Goethe
Text from ‘Die leiden des jungen Werthers’ (The sufferings of young Werther) by J.W. Goethe.
Duration: 12' 00"
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CHF: 31.00
(Parts: sFr. 24.-; € 16.00)
Thüring Bräm
Album Goodbye Seventies (1979-1980)
for clarinet or violin (or any other melodic instrument) and piano
This cycle of seven pieces encompasses mostly notated memories: a (quasi) summary of the seventies. Where one movement requires the courage to improvise, another contains a sung alternative version.
Duration: 17' 00"
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CHF: 26.00
Thomas David Müller
Zwei Sequenzen: Stehstelle / Gehstelle (1993)
for violin, violoncello, clarinet, three trombones and piano
Both sequences are attempts at reaching emptiness, and consequently to liberate space through non-speech and anti-speech methods respectively. The performers perform and as it were 'speak' on scrap metal texts taken from Thomas Bernhard's 'Gehen'.
Duration: 13' 00"
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CHF: 42.00
Bruno Stöckli
Melodie in d (2010)
for piano (with flute, clarinet, violin and violoncello ad lib.)
Duration: 1' 00"
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CHF: 16.00
Thüring Bräm
Quiet Music I-III (1980-1981)
for piano, flute, clarinet, oboe, violin and violoncello
No. III is a markedly beautiful piece to commemorate Berios 'O King'. No. I and II are confined to the piano and a melodic instrument of choice.
Duration: 8' 00"
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CHF: 29.00
Alfred Felder
Cercles (1992)
for flute, clarinet, harp, string quartet and double-bass
Duration: 12' 00"
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CHF: 26.00
Alfons Karl Zwicker
Konstellation mit Mondtransit (1998-1999)
for soprano, violin, trombone, violoncello, clarinet and piano
A piece with aperspective performance practice. The ever-changing aspects on the radix planets (instrumentalists) by the transitory moon (soprano) are made audible.
Duration: 16' 00"
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CHF: 55.00
Felix Baumann
spöttisch leicht - 5 Lieder nach Gedichten von Sarah Kirsch (1999-2000)
5 Songs based on poems by Sarah Kirsch
for singing voice (mezzo-soprano), clarinet, violin, violoncello and piano
Texts: Sarah Kirsch
The line skips by Sarah Kirsch turn the readers into stumblers. Stumblers have to re-read the text if they want to understand its content. They gain, thereby, unexpectedly in time and fall to a deeper level.
Duration: 15' 00"
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CHF: 34.00
Daniel Weissberg
Duett (1992-1997)
for clarinet and viola
Tonally sensitive, soft concert piece.
Duration: 5' 00"
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CHF: 13.00
Mathias Steinauer
Rumori cardiaci, op. 13 (1996)
for flute, clarinet, violin, violoncello and piano
A short nocturne for the first heart beat of the ensemble 'Oggimusica'.
Duration: 5' 00"
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CHF: 18.00
George Barcos
Cinco Piezas Recreativas (1996)
for flute, violin, clarinet and piano
Danza Idilica - Ikebana - Caja de recuerdos - Nieve - El Ángel de la Guardia.
Duration: 12' 30"
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CHF: 31.00
(Parts: SME sFr. 32.-, € 32.-)
Nicolas Bolens
Suite pour Neuf Instruments (1999)
for wind quintet and string quartet
Duration: 11' 00"
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CHF: 31.00
Valentin Marti
Wurzelholz (2000)
for tenor recorder or any other woodwind instrument (alto flute, oboe, tenor saxophone...)
For a different woodwind instrument to the recorder, a somewhat smoother effect because the extreme registers of the recorder have a greater influence on the tone than other instruments with a wider range.
First performed in Wädenswil 04.02.01 by Rico Gubler (tsx).
Duration: 6' 20"
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CHF: 16.00
Rico Gubler
ZIR (2000)
for clarinet, violin, viola and violoncello
Duration: 7' 00"
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CHF: 26.00
Hans Eugen Frischknecht
Komposition für Flöte, Klarinette und Tonband (1971)
A two-channel tape plays recordings of a variety of diversely processed piano sounds as a background to the live instruments (flute and clarinet (bass clarinet)).
Duration: 9' 00"
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CHF: 16.00
Mischa Käser
7 Songs to Popular Texts (1990)
for soprano, flute (or pic or bfl), clarinet (or cbcl or Ebcl) and string trio
Texts: Volkslied
Text from the book 'knaben wunderhorn'.
Duration: 18' 00"
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CHF: 47.00
Rico Gubler
1. Suite für Viktor (2000)
for clarinet, saxophone, violin, violoncello and piano
Quartet for bass clarinet, violin, violoncello, and piano
[vetro] (3')
Quintet [incontro] (2')
Quartet for clarinet, baritone saxophone, violin and violoncello [with bundled energy] (1'45)
Solo violin with accompaniment [like eternally broken glass] (4')
Quintet II [Melody granulated] (2'30)
Duration: 14' 00"
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CHF: 49.00
(4 Suites for Viktor: sFr. 94.-; € 94.-)
Felix Baumann
"nah / hautnah" (2000-2001)
'Radio Play'
for orator, solo soprano, violoncello and ensemble (fl.cl/perc/pf/vn.vc)
Texts: Sarah Kirsch, Sappho, Michel Serres, Stefan Buri, Hans Magnus Enzensberger
Commissioned by and with support of 'Pro Helvetia', (the Swiss culture foundation) for the 50th anniversary of the Zurich Chamber Voice Choir. First performed in Zurich on the 20th November 2001 by the Chamber Voice Choir Zurich, Martina Fausch, Martina Schucan, Ensemble for New Music Zurich (Bernhard Erne). A piece dealing with the proximity of music and speech, the border area between commutation and murmuring, exactly there where the word is weak and the music has already begun.
Duration: 45' 00"
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CHF: 70.00
(Parts available from the composer)
Thüring Bräm
Zeitlupenstücke (1983)
for clarinet, violoncello and piano
A single musical idea or gesture is explored in quasi slow motion.
Duration: 17' 00"
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CHF: 26.00
Thomas David Müller
Quintett (J'en ai perdu le souvenir) (1997)
for flute, clarinet, violin, violoncello and piano
Elementary rhythm and sonority; little bass - uses Schubert’s ‘Ave Maria’ as its structural reservoir. Very little instrumental alienation but it does alienate the usual techniques. Simple music, not particularly simple to play. The interplay (with conductor) is traditional.
Duration: 9' 00"
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CHF: 23.00
Rico Gubler
2. Suite für Viktor (2000)
for clarinet, saxophone, violin, violoncello, and piano
Duo for violin and violoncello [battuto – roughly a dance] (2’)
Trio for clarinet, soprano saxophone and violin [approximately] (2’15)
Duo for clarinet and violoncello [mute ballet from billiard balls] (2’)
Solo for clarinet (with additional instrumentation) [uneasy, murky] (2’)
Trio for violin, violoncello and piano [inside pulsating] (2’)
Quartet for bass clarinet, baritone saxophone, violoncello, and piano with poco solo violin [conspicuously quiet] (2’)

Duration: 13' 00"
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CHF: 47.00
(4 Suites for Viktor: sFr. 94.-; € 94.-)
Nicolas Bolens
A Due (2000)
for oboe, clarinet, violin and double bass
Composition by Eric Gaudibert / Nicolas Bolens.
This work is written by two hands, by two different composers who experimented in equally sharing the single instruments: the oboe and double-bass on the one hand side and the violin and the clarinet on the other.
The precisely written violin is the conducting element and the three other instruments are grouped accurately around it. A description of the tempi allows easy playing. This piece has a medium level of difficulty.
Duration: 7' 30"
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CHF: 16.00
Rico Gubler
3. Suite für Viktor (2000)
for clarinet, saxophone, violin, violoncello and piano
Trio for clarinet, tenor saxophone, and violoncello [too coarsely assembled, rupturing] (2')
Quartet for clarinet, tenor saxophone, violin and piano [inert, of stone and columns] (2')
Quintet [somewhat course, in the interstice] (1'45)
Duo for violoncello and piano [reserved, singing I] (2')
Duo for clarinet and tenor saxophone [linear, with defiance] (2'30)
Duo violin and piano [reserved, singing II] (2')
Duration: 13' 00"
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CHF: 49.00
(4 Suites for Viktor: sFr. 94.-; € 94.-)
De-Qing Wen
Piping and Drumming (2000)
for wind and percussion instruments (fl.ob.cl.asx.bn/tpt.tbn/3perc/pf)
'Piping and Drumming' is a traditional Chinese musical form that uses only wind instruments and percussion. It is often played at ceremonies.
Duration: 12' 00"
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CHF: 62.00
(Parts SME/EMS: sFr. 62.-; € 20.-)
Balz Trümpy
Pas de deux (1986/01)
for flute (afl) and clarinet (bcl)
Duration: 12' 00"
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CHF: 34.00
Thomas K. J. Mejer
Sex Crystals (1994)
for flute, clarinet, horn, violin, violoncello and double-bass
A horn line is sweet-talked with high intensity by perfect fourths and fifths, only on a low dynamic level.
Duration: 6' 30"
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CHF: 18.00
Rico Gubler
4. Suite für Viktor (2000)
for clarinet, saxophone, violin, violoncello and piano
Quintet [Impulse, a choice] (2')
Solo for violoncello [circling the resistance] (2'45)
Quartet for clarinet, tenor saxophone, violoncello and piano [muted screaming] (2')
Duo for baritone saxophone and violoncello [deep ground] (2')
Duo for clarinet and piano [... and a waltz] (1'45)
Duo for violin and soprano saxophone [exercise for the death of agogics] (2'30)
Duration: 13' 00"
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CHF: 47.00
(4 Suites for Viktor: sFr. 94.-; € 94.-)
Frédéric Bolli
Pirouetten für fünf Klarinetten (1989)
for Eb clarinet (poss. bass clarinet), clarinet in B, 2 Eb alto clarinets and bass clarinet in B
Duration: 7' 00"
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CHF: 16.00
De-Qing Wen
The Song of Chinese Guessing game (2000)
Trio
for violin, oboe and Bb clarinet
Comissioned by the ‘Conservatoir de Musique de Genève’ for the students of the second classes. The theme of this piece is borrowed from the folkloristic Chinese song ‘Cai diao’.
Duration: 3' 00"
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CHF: 18.00
Valentin Marti
Nachtschatten (2001)
for clarinet and piano
The work with under blown tones is an essential part of this composition. The fingered overblown tones sound merely as a reflection of the under blown shadow-sound.
First performed: 26.5.02 in Zollikon by Sarah Chardonnens-Lehmann (clar.), Eriko Kagawa (piano).

Duration: 6' 30"
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CHF: 34.00
Valentin Marti
splitting (2002)
for clarinet, violoncello and piano
A tone is coloured and set in motion, fragments of this tone develop their own life, fan out and become tonally coloured.
First performed in Basel 04.06.02 by the Avalon Trio.

Duration: 12' 00"
SME/EMS
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CHF: 36.00
René Wohlhauser
Clarinet trio Metamusic (Klarinettentrio Metamusik) (1986-1987)
Ergon 15
for three clarinets
An attempt to transfer the plurality of aspects - how an object can be seen from various stand points - into a musical setting. Based on the aspects of seeing as described by Ludwig Wittgenstein in his "Philosophischen Untersuchungen" (Philosophical explorations).
Duration: 11' 00"
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CHF: 23.00
Maria A. Niederberger
Sonnenspur: Tonbilder aus Kalifornien (1996-1997)
for flute, oboe, clarinet, bassoon, two percussion, piano, string quartet and double-bass
Fantasy, prelude, I. Nächtlicher Kojotentanz, II. Morgensonn' das Meer enthüllet, III. Purple Horses, IV. Yosemite.
Accentuated percussion.
Duration: 11' 00"
SME/EMS
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CHF: 83.00
Thomas David Müller
Howl (2000)
for viola, violoncello, clarinet, piano counter tenor (or alto) CD player and short wave radio (possibly one actor)
Texts: Allen Ginsberg
Alternating score and part notation. The solo voice is simple to intermediate. The interplay is not bound throughout by time.
Duration: 16' 00"
SME/EMS
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CHF: 34.00
Urban Mäder
fast zerrissen (1997)
for flute, clarinet, violin, violoncello, piano and percussion
Duration: 10' 00"
SME/EMS
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CHF: 49.00
Rico Gubler
Ortswechsel, eine Winteroper (2001)
19 Singings
for clarinet, bassoon, horn, string quartet and speaker
Texts: Gert Loschütz
Duration: 45' 00"
SME/EMS
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CHF: 57.00
Balz Trümpy
Nacht (1988)
Cycle
for mixed choir, flute, two clarinets and horn
Texts: Joseph von Eichendorff
Night has probably never been praised higher and in so many facets by anyone other than Joseph von Eichendorff. For myself, his poems are equivalent to the music of Schubert and Schumann. A possible discovery of reality on the edge of the concrete, proceeding to point out another reality.
Duration: 18' 00"
SME/EMS
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CHF: 55.00
Alfred Knüsel
Mitte wird Bewegung (1995)
for speaking choir, violin, clarinet and keyboard instrument
Texts: Alfred Knüsel
'Peinture naïve' in music.
Duration: 16' 00"
SME/EMS
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CHF: 34.00
Regina Irman
Drei Tänze (1996-1997)
for soprano, speaking voice/ piano, clarinet and accordion
Texts: Anna Achmatova
Midnight ghostly spook. The concert version of a scene from the forthcoming opera 'Poem ohne Held'. Composition commisioned by the 'Ensemble Klangheimlich', Bern.
Duration: 18' 00"
SME/EMS
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CHF: 60.00
Henri Scolari
Le Christ voilé (1948)
Catata
for baritone and instruments (1(pic).1(ca).1(bcl).1/hn/hp/vn.va.vc(db ad lib.))
Texts: Patrice de la Tour du Pin
Fusion of a series of twelve tones with a constant reference to tonality.
Very expressive French poetry.
Duration: 19' 00"
SME/EMS
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CHF: 86.00
(Reduction available from the SME/EMS: sFr. 34.-; € 34.-)
Alfred Knüsel
Untersuchung - das Hörbare und das Vermutbare (1996)
for clarinet (Ebcl, bcl, bthn-f, bcl, cbcl-b), percussion instruments (2-4) and strings (4.2.2.1)
Duration: 15' 00"
SME/EMS
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CHF: 39.00
Maria A. Niederberger
Images (1997)
for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, double-bass, piano and percussion
I. Fluid Shapes, II. Light and Shadow, III. Symmetries - Broken Symmetries.
Piano and trumpet accentuated.
Duration: 20' 00"
SME/EMS
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CHF: 57.00
Andreas Stahl
grauzone (2002-2003)
for flute, oboe, clarinet and accordion
A piece about pitch, almost about melody. But certainly so that the borders between identical, similar and different dissolve leaving one finally hearing melodies where no melodies exist (?).
Duration: 19' 00"
SME/EMS
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CHF: 29.00
Barbara Rettagliati
Enchained figures (2004)
for clarinet and piano
Duration: 7' 30"
SME/EMS
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CHF: 26.00
(Clarinet: sFr. 12.-; € 12.-)
Martin Wendel
Musik für Oboe / Klarinette und Flöte / Klavier, op. 29 (1975)
Two sound pairs set borders, isolate themselves and re-converge in a quartet relationship. A multi-faceted composition in five parts.
Duration: 12' 00"
SME/EMS
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CHF: 29.00
Rico Gubler
En bref (2002)
for violin, clarinet, saxophone and piano
Duration: 10' 00"
SME/EMS
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CHF: 55.00
Martin Wendel
Railways, op. 30 (1975-1982)
Trio
for clarinet, viola and piano
Bits of this four-movement chamber music piece were drawn-up on train journeys, hence the title.
Duration: 14' 00"
SME/EMS
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CHF: 42.00
Roland Moser
Based on popular German songs (1984-1990)
Strophes from the 'Knaben Wunderhorn'
for soprano, flute, clarinet, violin, viola and violoncello
Texts: Volkslied
Also in a version for mezzo-soprano and the same instrumentation. Mutations in the same edition. Seven songs: ABC-Schützen - Papiers Natur ist Rauschen - Ein Musikant wollt fröhlich sein - Ich sass auf einem Birnenbaum - Das Vöglein Butschli Butschli Bu (Brentano) - Letzter Zweck aller Krüppelei - Ich hört ein Sichlein rauschen.
Duration: 13' 00"
SME/EMS
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CHF: 34.00
Frédéric Bolli
Rülpsodie, schon blau (1992)
for clarinet (alternating cl-b and bcl) and piano
Duration: 5' 00"
SME/EMS
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CHF: 26.00
Thomas K. J. Mejer
Macula Matris (1995-1996)
for seven musicians (fl(pic,bfl,cbfl).cl(bcl,cbcl).bn(cbn)/tbn/hp/perc/vc), seven orators and seven dancers.
Texts: Hermann Berger, André Gide, Marisa Holder, Elfriede Jelinek, Milan Kundera, Irmgard Morgner, Karin Struck
A stage work, somewhere between performance and installation.
SME/EMS
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CHF: 200.00
Maria A. Niederberger
Concerto for Oboe and Instrumental Ensemble (1999-2000)
for oboe solo, flute (piccolo), clarinet, horn, harp, two violins, viola, violoncello and double-bass
This piece is suitable for oboe and ensemble but oboe and a small orchestra is preferable. The oboe is very demanding but the harp and horn also play important parts.
Duration: 20' 00"
SME/EMS
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CHF: 57.00
Jean-Jacques Dünki
Cinq Morceaux (1988)
for two clarinets
Playful but not easy.
Duration: 6' 00"
SME/EMS
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CHF: 18.00
Alfred Felder
Regen über der Wüste (1997)
for clarinet, bass clarinet, percussion and speaker
Texts: Eva Eisenmann-Westphal
Duration: 6' 00"
SME/EMS
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CHF: 13.00
Jacques Demierre
Outward (Homage to Eric Dolphy) (1988)
for flute and clarinet
"Rhythm, is in fact, the only art or system in which the various energies can be ordered and sustained. The basis of a vital and psychological dynamic is rhythm." (G. Bachelard).
Duration: 15' 00"
SME/EMS
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CHF: 39.00
René Wohlhauser
vocis imago (1993-1995)
Ergon 20
for flute, clarinet, percussion, piano, violin and violoncello
Conception of a dialectic tension between textual narrative and formal architectonically composite parts (inspired by literary narrative forms) integrated into a system of metric modulations.
Duration: 19' 00"
SME/EMS
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CHF: 47.00
Thomas K. J. Mejer
Recurrence of the Nymphs (1997)
for oboe (also English horn), alto saxophone, bass clarinet and bassoon (also contra bassoon)
Structured in four consecutive tonal images, each one takes its inspiration from a species of nymph: Orestiads, Dryades, Naiads and Nereids.
Duration: 18' 00"
SME/EMS
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CHF: 42.00
Valentin Marti
In der Kälte des tauenden Eises (2006-2007/09)
for pipa, violoncello and clarinet
A work for two European instruments (clarinet and violoncello) and one Chinese instrument (pipa).
The title describes a non-stable state out of which various musical and cultural developments are possible.
Duration: 7' 30"
SME/EMS
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CHF: 26.00
Alfred Felder
Apache Clown Dance (1998)
Music
for clarinet solo (in Bb)
Clowns are very important in the dance rituals of the Apache Indians. They can be jocular but are also holy. Attempt to be the 'holy clown' while you play the 'Apache Clown Dance'.
Duration: 10' 00"
SME/EMS
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CHF: 16.00
Martin Schlumpf
Cumuli III (3-4-1-5-2 - Kapitel II im Buch der Proportionen) (1999)
for flute, clarinet, soprano saxophone, trombone, electric piano (or piano), electric bass (or double-bass) and percussion
Duration: 20' 00"
SME/EMS
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CHF: 34.00
Rico Gubler
variationen für viktor, fiori per luigi (2003)
for clarinet, bassoon, horn, violin, viola, violoncello and double-bass
Including the fourth movement of the septet op. 20 by Ludwig van Beethoven.
Duration: 18' 00"
SME/EMS
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CHF: 18.00
(Parts: sFr. 54.-; € 36.00)
Jean-Jacques Dünki
Trois miniatures pour clarinette seule (1988)
Highly virtuosic and concentrated.
Duration: 4' 00"
SME/EMS
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CHF: 13.00
Martin Schlumpf
Rattaplasma 2 (Kapitel III im Buch der Proportionen) (2001)
for clarinet/bass clarinet and computer generated multi-channel ambisonic tape
Duration: 11' 45"
SME/EMS
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CHF: 26.00
Pierre Thoma
Ton sur ton 3 (1992)
for violin and clarinet
Duration: 5' 30"
SME/EMS
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CHF: 18.00
Edu Haubensak
Vertikale Horizonte (1998)
Quartet
for flute (bfl), clarinet (cl-a), violin and violoncello
Duration: 8' 00"
SME/EMS
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CHF: 23.00
Kit Powell
Sextett (2000)
for clarinet, bass clarinet and string quartet
Duration: 11' 00"
SME/EMS
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CHF: 39.00
(Parts: sFr. 38.-; € 38.-)
Rico Gubler
IR (2003)
for clarinet, viola and piano
Alpsegen - Choral and Waltz - Choral and New Year's Song - Choral, Scottish and Choral.
Duration: 7' 00"
SME/EMS
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CHF: 36.00
Valentin Marti
Out Of Chinatown (2008)
for clarinet and violoncello
Duration: 9' 30"
SME/EMS
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CHF: 18.00
Thomas K. J. Mejer
Einmal ich und du: Die Bombe im Herzen (1995-1999/05)
Cycle of "songs" after poems by Ludwig Fels
for flute (afl, pic), clarinet (bcl) and piano trio
N° 1: Elegische Ballade
N° 5: Sterbenswort
N° 10: Sexuelle Panik
Duration: 10' 00"
Manuscript
CHF: 52.00
Stefan Werren
7 Stücke (1998)
for clarinet, cello and piano
Duration: 15' 00"
SME/EMS
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CHF: 31.00
Hans Eugen Frischknecht
Psalm der Hoffnung (1988/11)
for soprano oboe and organ (or clarinet and piano)
Texts: Anonymi
The texts, ranging from sorrow to hope, are derived from political prisoners of various dictatorships. The Soprano voice is identical for both versions.
Duration: 12' 00"
SME/EMS
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CHF: 36.00
Vladislav Jaros
Der Rhein (2007)
for clarinet orchestra (ebcl, 9cl-b, ebacl, bcl, cbcl)
A symphonic poem depicting the flow of the river from its source to its estuary at Rotterdam. Five quotes from Swiss, German, and Dutch folk music.
Freely tonal with several effects and atonal surfaces, easy to understand and play. Medium level of difficulty.
Duration: 16' 00"
SME/EMS
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CHF: 75.00
Rudolf Jaggi
Consolation (1978)
for clarinet and string quartet
Duration: 3' 00"
SME/EMS
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CHF: 13.00
(Parts: sFr. 10.-; € 6.60)
René Wohlhauser
Die Auflösung der Zeit in Raum (2000-2001/11)
Ergon 26f, work number 1607
for clarinet (bass clarinet), violoncello and piano
A piece dealing with the volatility of temporal experience in the infinitude of room.
Duration: 15' 00"
SME/EMS
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CHF: 57.00
Ruedi Debrunner
Musaka Songs (2003)
Praphrase of Cameroonian hymns
for precentor (m/f), monophonic choir, oboe, clarinet, bassoon, violin, violoncello and double-bass
Duration: 18' 00"
SME/EMS
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CHF: 62.00
(Parts: sFr. 73.-; € 56.-)
Rico Gubler
Turnaround (2005)
for wind and string quintet (fl.ob.cl.bn/hn/2.1.1.1)
Evening News - Summertime - Today Special - Meteo - Sonntag 03.17 Uhr MEZ - Breaking News.
Duration: 12' 00"
SME/EMS
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CHF: 60.00
Vladislav Jaros
Terzett (2007)
for panflutes (or flutes), taragot (or oboe) and organ (or flute, clarinet and organ)
In memoriam Sándor Veress.
A piece with two themes from Hungarian folk music, slow lyrical parts alternate with lively, quick and very rhythmical parts. Expanded tonality.

Duration: 12' 00"
SME/EMS
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CHF: 21.00
Martin Wendel
Quintett, op. 40 (1981)
for three clarinets, bass clarinet and piano
Five passages connected by various associations.
Duration: 18' 00"
SME/EMS
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CHF: 52.00
Walter Baer
Babel (1996)
Quartet
for clarinet in E-flat, basset horn and bass clarinet
As well as a symbol of self-indulgence (building of the tower) and speechlessness (confusion of speech) Babel also stands for hope and a longing for happiness. The musical core is created by the melody B-A-B-E-soL (sol = G).
Duration: 14' 00"
SME/EMS
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CHF: 26.00
Hans-Jürg Meier
volgere lo sguardo al cielo (2005)
for oboe, trumpet in B (ossia soprano saxophone or clarinet in B), guitar
"Rather a cloud of birds in the sky than one in the hand." (Eduardo Chillida)
Duration: 11' 30"
SME/EMS
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CHF: 23.00
Burkhard Kinzler
Nürnberger Choräle (2012)
for flute, clarinet, saxophone, trombone, cello, double bass, percussion

Duration: 16' 30"
SME/EMS
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CHF: 44.00
Jacques Demierre
Quelques remarques (1991)
for flute, clarinet, horn, trombone and four-handed piano
Duration: 13' 00"
SME/EMS
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CHF: 57.00
(Parts: sFr. 90.-; € 90.-)
Alfred Felder
Dreamlines (2004)
Trio
for two clarinets and a basset horn
"The dream of a man is all that he possesses."
Duration: 15' 00"
SME/EMS
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CHF: 23.00
Max E. Keller
Konfigurationen II (1989)
for alto and instrumental ensemble (flute, clarinet (bass clarinet), violin, violoncello, percussion and piano
Texts: Franz Hohler, Hansjörg Schneider, Jürg Schmied, Sascha Anderson, Max E. Keller
Eight texts, different in kind, from poetry to excerpts from military regulations. Theme: order fetishism as a contrast to a chaotic, self-destructive world. Authors: Franz Hohler, Hansjorg Schneider, Jürg Schmied, Sascha Anderson, Max E. Keller.
Duration: 16' 00"
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CHF: 39.00
Alfred Felder
all songs are good (2004)
Trio
for flute (afl), clarinet (bcl) and piano
This piece is concerned with the journey into another reality, a reality where one can encounter various magical animals.
Duration: 30' 00"
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CHF: 42.00
(Flute and clarinet parts: sFr. 30.-; € 30.00)
Henri Scolari
Arghoul 1 (1971)
Piece in the medieval form of stantipes
for clarinet, bass clarinet, contrabass clarinet and vibraphone
Fusion of medieval and contemporary notation.
Duration: 7' 00"
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CHF: 23.00
Jean-Jacques Dünki
Mouvement (1992)
for three clarinets
Duration: 4' 00"
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CHF: 13.00
Alfred Knüsel
gezogene Klänge (2000)
Six part work block
for double-bass solo and chamber ensemble (1(pic).1.1.1(cbn)/1.0.0.0/perc/pf/2vn.va.vc)
Duration: 20' 00"
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CHF: 65.00
Stefan Werren
Cantus 2 (2001)
for clarinet in A and violoncello
Duration: 9' 00"
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CHF: 26.00
Jean-Jacques Dünki
Pessoa - Moment (1992)
for soprano, clarinet (also Ebcl, bcl), violoncello (also viola), piano (also clavichord) and DAT play-back
Texts: Fernando Pessoa
Eight scenes from the poems of Portuguese writer Fernando Pessoa (1888-1935). The Soprano sings and recites in Portuguese, German and French. Very demanding for all performers.
Duration: 48' 00"
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CHF: 65.00
Max E. Keller
Swissfiction (1990)
Musical theatrical scenes
for four actors(esses), four musicians (fl.ob.cl.vn) and a four-channel electronic tape
Texts: Alex Gfeller
Based on Alex Gfellers story 'Das Komitee'.The cities of Switzerland are contaminated, be it with poison or radioactivity, the ozone layer is depleted many paths leading to destruction have long been foreseeable. Only few have survived and sit vegetating in their shelters underneath the ruins of earlier prosperity. Some have already mutated, others live in a world of delusion.
Duration: 30' 00"
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CHF: 34.00
Balz Trümpy
Introduktion und Aria (2002-2003)
for clarinet solo
This virtuosic solo piece unites the complete palette of the clarinet's classical expressionistic possibilities.
Duration: 12' 00"
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CHF: 16.00
Rudolf Jaggi
6 Intermezzi (1984)
for two violins, violoncello and clarinet
Duration: 8' 00"
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CHF: 23.00
Josef Haselbach
Leporellos Traum (The Dream of Leporello) (1989)
for string orchestra, flute, clarinet, saxophone, trumpet and piano
"A rhythmically moved, gesture-full, richly chromatic music." (Th. Gartmann) Second part of the trilogy based on Mozart's 'Don Giovanni'.
Duration: 24' 00"
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CHF: 109.00
Hans Eugen Frischknecht
Trio für Klarinette, Violoncello und Klavier (1993)
Chamber music in fine sound shades. Space notation.
Duration: 11' 00"
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CHF: 29.00
René Wohlhauser
'Srang (2007)
Ergon 36
for soprano, flute, clarinet and violoncello
Based on an onomatopoeic text by the composer.
The development of an aesthetic of fragments as a metaphor for fragmentary perception.
Duration: 10' 00"
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CHF: 31.00
Henri Scolari
Arghoul 2 (1977)
Ballad
for clarinet in Bb and piano
Demands a very high degree of virtuosity by the clarinet player. Written for Michel Lethiec.
Duration: 8' 00"
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CHF: 21.00
Jacques Demierre
Nous ici (1993)
for voice, flute, clarinet, violin, violoncello and piano
Texts: Jacques Roman
Three main 'characters'. A text by Jacques Roman based on African rhythm organisation and inspired by the solo fragments of jazz saxophonist Charlie Parker.
Duration: 13' 00"
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CHF: 70.00
Martin Wendel
Anmerkungen, op. 52 (1995)
for high singing voice, clarinet and piano
Texts: Chinesisch
I tried to avoid all allusions to ancient Chinese exotics in the realisation of the aphoristic and directness of the still up-to-date texts. All fourteen pieces are connected in a meaningful compositional manner.
Duration: 21' 00"
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CHF: 49.00
Hansruedi Willisegger
Quartet (1966-1967)
for flute, clarinet, violin and violoncello
Duration: 20' 00"
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CHF: 34.00
René Wohlhauser
Sokrak (2008)
Ergon 39
for soprano, flute, clarinet, violoncello and piano
Based on an onomatopoeic text by the composer.
Sounds change from instrumental noises to sound frictions and from virtuousic buzzing to vocal noises.
Duration: 10' 00"
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CHF: 55.00
Hans-Jürg Meier
Schwärme von Lichtfischen (2008)
for 6 pianos and 8 pairs of high instruments (flutes, clarinets, trumpets, cornets, harps and violins)
Spatial composition based on a text by Elisabeth Binder (from "Orfeo"). For students.
Duration: 8' 30"
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CHF: 21.00
(Stimmen beim Autor)
Vladislav Jaros
Habanera y Bossa Nova (2010)
for four clarinets (2cl, btnhn, bcl)
Duration: 4' 30"
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CHF: 21.00
Walter Baer
Klarinetten-Oktett (clarinet octet) (2010)
for Eb clarinet, 3 clarinets in B, 2 basset horns, 2 bass clarinets
Duration: 10' 15"
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CHF: 34.00
(sounding or transposed score)
René Wohlhauser
Charyptin (2010)
Ergon 42
for soprano, baritone, flute, clarinet, violin and violoncello
Texts: René Wohlhauser
Based on own onomatopoeic texts.
This piece deals with the possibilities and impossibilities of interaction, the mixing and exchanging of roles between vowels and instrumental sounds.
Duration: 13' 00"
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CHF: 65.00
Hansruedi Willisegger
Impressionen (1967)
for eight instruments (fl.cl/hn/cel/hp.pf/2perc)
Duration: 15' 00"
SME/EMS
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CHF: 47.00
Hans-Jürg Meier
das dasein ist nicht das wesentliche (sestiere - prima lettura) (2010)
for panpipes, transverse flutes, recorders, clarinets, saxophone, horns, trombones, trumpets
Duration: 16' 00"
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CHF: 60.00
Jacques Demierre
Max and Moritz (1996)
for speaker, flute, clarinet, violin, viola and violoncello
Texts: Wilhelm Busch
Musical version of the adventures of those two likeable rascals...
Duration: 20' 00"
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CHF: 57.00
René Wohlhauser
Marakra Code 2 (2011)
Ergon 44/II, work number 1604
for soprano, baritone, flute, clarinet, violoncello and piano, with percussion
Texts: René Wohlhauser
Following a double turning point (in bar 110) the onomatopoeic series of syllables at the beginning turn into semi-semantic text fragments, while reversely the instrumentalist's style of play moves from a quasi-traditional technique to sounding fragmented and noise-like.
Duration: 15' 00"
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CHF: 60.00
Hans Eugen Frischknecht
Quintett (1999)
for flute, clarinet, violin, violoncello and piano
A multi-part composition with contrasting parts.
Duration: 16' 00"
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CHF: 39.00
Michel Hostettler
Aubade (1993)
for clarinet and piano
Duration: 3' 00"
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CHF: 18.00
(With clarinet part)
Michel Hostettler
Kaïros (1993)
for clarinet (bass clarinet) and percussion (marimba, vibraphone)
Duration: 6' 00"
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CHF: 21.00
(Clarinet part available from SME: Sfr. 10; € 10.-)
Michel Hostettler
Monologue (1996)
for clarinet
Duration: 4' 00"
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CHF: 13.00
Michel Hostettler
Prologue, Eglogue, Epilogue (1996)
for clarinet and violin
Duration: 9' 00"
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CHF: 18.00
Rudolf Jaggi
Bin alben e wärti Tächter gsi (Paraphrase) (1996)
for choir (SAB), clarinet, oboe and bassoon
Duration: 4' 00"
SME/EMS
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CHF: 23.00
(Parts: sFr. 16.-; € 10.50)
Michel Hostettler
Prélude et Danse (2001)
for flute and two clarinets
Duration: 5' 00"
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CHF: 18.00
(Parts available from SME: sFR. 14.-; € 9.50)
Henri Scolari
Arghoul 4 (1994)
for clarinet in Bb solo
Virtuoso solo piece based on a series of intervals.
Duration: 8' 00"
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CHF: 29.00
Henri Scolari
Trio d'anches (1997)
for horn, Eb clarinet and bassoon
Constructed on a series of intervals.
Duration: 10' 00"
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CHF: 23.00
Henri Scolari
Arghoul 5 (1998)
Proportional variations
for clarinet in Bb solo
Demanding structural combination of space-time.
Duration: 13' 00"
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CHF: 21.00
Balz Trümpy
Antico Inverno (2012-2013)
for soprano and clarinet
Texts: Salvatore Quasimodo
Quasimodo's multilayered poetry is transposed into four musical images.
Duration: 10' 00"
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CHF: 26.00
Max E. Keller
Zwillinge (Twins) (2001)
for clarinet (bcl), trombone, violoncello and piano
This work is based on the interactions of the instruments in such a manner that the very close combination of twos (twins) are at the centre and with which one, two or no ‘free’ instruments can consort. The musical process is born of a dialectic between the above mentioned network and its realisation through three almost archetypal musical base models.
Duration: 10' 00"
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CHF: 18.00
Max E. Keller
Schnitt-Muster (2002)
for flute, clarinet, piano, percussion and string trio
Sometimes completely different musical types or structural samples are set aside each other in a similar way to the effect achieved while zapping through television channels, sharp cuts which seem at first random are yet intentional. Even the other meaning of ‘cut-sample’, the prefabrication of something based on a template or the stereotypical also receives acknowledgement through the mimicry of musical styles. In this manner various fields of popular music are touched upon - even contemporary music cannot escape.
Duration: 7' 00"
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CHF: 18.00
Michel Hostettler
Schegge d'ambra (2005)
for oboe, clarinet and bassoon
Duration: 8' 00"
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CHF: 29.00
(Parts: 22.-)
Max E. Keller
Wie ein Kanon (2002)
for four double-bass and four clarinets ad libitum
First performed in Berlin, October 2002.
Duration: 5' 00"
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CHF: 18.00
Max E. Keller
calmo e furioso (2003-2004)
for clarinet (bass clarinet), accordion and double-bass
The initial point of departure for this composition is the contrast between calm and hectic unfolded in transitions and tempo cuts on nine basic figures which, with time, develop a rich life of their own. The initial impetus provokes processes on other levels - almost like in real life.
Duration: 13' 00"
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CHF: 26.00
Eric Gaudibert
Warum? (2009)
for flute, oboe and clarinet
This work is inspired by a piano piece with the same title by Schumann (Phantasiestücke op.12). It is a slow and tender piece of music which demands a great deal of concentration to master the contrapuntal lines.
Duration: 6' 00"
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CHF: 18.00
Max E. Keller
Graduale (2005)
for mixed choir, clarinet in B ad libitum, and percussion (2 toms, 2 bongos, cymbals) ad libium
Texts: Silja Walter.
Duration: 4' 00"
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CHF: 18.00
(Including clarinet part)
Max E. Keller
Eingriffe (2006)
for flute, clarinet, piano, violin, viola and violoncello
The initial material consists of two melodies and two rhythmical sequences; these can be varied causing their superposition's to result in a countless number of related musical forms. The recurring formal idea is the "undampered clew": a dense, wide mesh that thins out then squeezes itself into the centre of the sound space. In this clear, goal-orientated process, diversity is encroached upon: three instruments temporarily break out of the process, colourful accents engage with the continuous mezzo forte, the process stops momentarily, the residual viola tips over into the realms of noise etc.
Duration: 12' 00"
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CHF: 34.00
(Parts available from the composer)
Max E. Keller
Schlaglichter (2006)
for oboe, clarinet, bassoon, double bass and percussion
The three miniatures are the reshaping of the structure and instrumentation of three laconic parts of my opera "Die Axt" after "Graf Öderland" by Max Frisch, which I composed as a commission for the Komischen Oper Berlin.
Schlaglicht I is taken from the end of the 2nd act. In Schlaglicht II, the wind instrumentalists play excerpts from the three trumpets in the 1st act, while the percussion and double bass develop a new oppositional layer. Schlaglicht III transposes almost the entire 5th act where the bassoon and oboe intonate the duet between the central character and his partner, while the clarinet and double bass play the accompanying trumpet and tuba and the percussion brings in a new line.
Duration: 4' 00"
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CHF: 21.00
Max E. Keller
gebündelt und ausfasernd (2007)
for flute, clarinet (bcl), violin and piano
"gebündelt" (clustered) initially means the beginning together of different chords of varying duration, which then either die out, collapse or very quietly drift ("ausfasern"), that is to say dissolve in short, soft movements. The chords are in the forte range and vary throughout the composition with respect to dynamics and internal movement, repeating rhythms and timbral changes. The drifting ("ausfasern"), is also formed in a multifarious manner, but always remains in the quiet range.
Duration: 10' 00"
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CHF: 26.00
Max E. Keller
concertare e improvvisare (2007)
for flute, oboe, clarinet (bcl), violin, viola, violoncello and improvising piano
This work contrasts notated music with improvised music. The sextet is extensively notated; the piano merely has several verbal suggestions. There are, however, also moments of improvisation in the sextet where, for example, each instrument initially and independently of the others repeats a phrase, which gradually changes following verbal instructions. Each begins this process with great intensity, playing as loud and as quickly as possible – very much in the style of early free jazz.
Duration: 14' 00"
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CHF: 26.00
Max E. Keller
allemal (2007)
for soprano, clarinet (bcl) and piano
Texts: Georg Christoph Lichtenberg
"It is almost impossible to carry the torch of truth through a crowd without singing somebody's beard."
One of ten aphorisms written by Lichtenberg more than two hundred years ago - and still surprisingly relevant today. This musical version attempts to transpose the concise, acuminate formulation into succinct, very divergent miniatures.
Duration: 10' 00"
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CHF: 29.00
Rudolf Jaggi
Hommages (2007)
Trio
for 2 clarinets in B and bass clarinet in B
Duration: 9' 00"
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CHF: 23.00
(Parts SME: sFr. 22.-; € 22.-)
Ernst Pfiffner
Sestetto d'Isissa (1995-1996)
for oboe, clarinet, bassoon, horn, trombone and percussion
Work series A: Music for concerts.
Duration: 11' 00"
SME/EMS
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CHF: 31.00
Max E. Keller
Peanuts (2009)
for flute, clarinet, violin, viola and violoncello
Peanuts are trivialities, in this case a 3-minute scherzo for the 30th birthday of the Theater am Gleis. The well-known bebop piece "Salt Peanuts" is quoted in this work.
Duration: 3' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
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CHF: 18.00
Rudolf Jaggi
Lobgesang (2009)
for mixed choir (SATB), 2 clarinets and bass clarinet
Texts: Abraham Emanuel Fröhlich
Duration: 7' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 21.00
Max E. Keller
ich, du, wir (2010)
for flute, clarinet, percussion, piano, violin, violoncello
Composed for the 25th anniversary of the 'ensemble für neue musik zürich', this short piece attempts to trace the path to togetherness (ensemble), from I to we. A unity is drawn twice from a dense fabric of independent lines, initially on a trill surface and then in unison at the end.
Duration: 1' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
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Tel. +41 (0)41 210 60 70
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CHF: 16.00
Max E. Keller
wanawizzi II (2011-2012)
for flute, clarinet, violin and violoncello

Duration: 8' 00"
SME/EMS
Postfach 7851
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CHF: 26.00
Max E. Keller
Keim - con sorpresa (2013)
for flute clarinet (bcl), piano, violin, viola, violoncello
This work develops from a simple kernel on the one hand, and displays surprising aspects on the other. And so the kernel grows exuberantly, quasi-uncontrolled, in unpredictable directions, notes remain surprising - like mistakes - enduring to form a surface of contrasts. Suggestions expand into preludes, after beats into codas; the surfaces become noise-like. These surfaces dominate from the middle part onwards, and the kernal fragments and repeats, simultaneously rising up as a pulse. In addition to the little surprises, four structures are spliced in, none of which have anything to do with the kernel: sorpresa.
Duration: 12' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
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mail@musicedition.ch
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CHF: 34.00
Hansruedi Willisegger
Vo mine Berge muss i scheide (1996)
for Ebcl.5cl-b.2bcl
Duration: 5' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
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CHF: 13.00
Alfred Felder
9ten Novemb. 1828 Tagebuch Robert Schumann (2009)
Music
for clarinet, viola, piano and percussion
Duration: 16' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 23.00
Urban Mäder
Ballast (2009)
for flute, clarinet, violin, violoncello, piano and percussion
Three movements: gestaut, dickflüssig, überschwappend.
Duration: 12' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
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CHF: 42.00
Ruedi Debrunner
Im Wasserspiegel (2009)
for clarinet and piano
Duration: 8' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
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CHF: 31.00
(Part: sFr. 29.-; € 22.-)
Michael Schneider
Gran Partita (2011)
for wind septet (fl, ob, cl, bh, bcl, bn, hn)
"The seagull continues to play. But she is no longer alone. They came one after the other, against the wind. A bassoon is here, a long, thin lament; an oboe, guttural; a horn, horns, various colours, dry in the brass; a deep voice, a sonorous bass draws long, thick threads through the sound carpet. Above me on the craggy ledge sit thirteen seagulls, each with a tone of its own. Highs and lows, warmth and coolness, a mystical choir, a serenade from within the wind."
The number of seagulls in this excerpt from a short story by the Swiss author Andreas Neeser makes reference to the number of instruments in Mozart's famous wind serenade 'Gran Partitia', which also lends its name to Neeser's short story. Published in a volume of stories entitled 'Unsicherer Grund' or 'Unsafe Ground' (Haymon, 2010), Neeser's 'Gran Partita' pays homage to nature and the legends of Bretagne: An observation made at the westernmost side of Bretagne and a metaphor within which man and his emotions are mirrored.
Commissioned by the Bläsersolisten Aargau, my 'Gran Partita' reflects the music in Neeser's text and the nature it evokes - the structural elements of the short story and also the geology and fauna of Bretagne. The instrument's scales symbolise granite, the predominant stone in this area, and the vegetation and topos of the sea and the call of the seagulls. Non-musical parameters define the musical material, the form of which offers absolute priority to the melodic line. This leads to an autonomous sound metaphor comprising lines and colours, that makes the underlying substance as an explanation no longer necessary.
Duration: 13' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
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CHF: 42.00
Thomas K. J. Mejer
Princes' balls (2013)
for contrabass flute, contrabass saxophone, tuba and sextet (fl, cl, pf, perc, vn, vc)
Written for the "Kontra-Trio" Lucerne and the "Moscow Contemporary Music Ensemble", created for the project "Stravinskij Revisited".
Suite in five movements:
Wickedly
Obscured Beautiful
Insisting
Seductive
Concealed
Duration: 13' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 55.00
Andreas Brenner
Trio (2014)


Duration: 18' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
www.musicedition.ch
CHF: 44.00
Andreas Brenner
Rotationen (2014)
for clarinet solo

Duration: 5' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
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CHF: 16.00