Trombone

Kit Powell
Sonatina for Trombone (1986)
for trombone and piano
Composed in four movements (like a sonata da chiesa).
Duration: 8' 00"
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CHF: 26.00
(Trombone Part available from SME/EMS: sFr. 12.-; € 12.-)
Felix Schüeli
Stück für Klarinette & Posaune (1999)
Duration: 3' 00"
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CHF: 16.00
Dieter Ammann
Developments (1993)
for two trumpets, horn, trombone and tuba
Duration: 9' 30"
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CHF: 21.00
Andreas Brenner
Sinus D (2010)
for brass quintet (horn, 2 trumpets, trombone, tuba)
On the formal level, Sinus D generates an arch (lat. sinus) - like a D placed on its back: the elements of a phrase - chords and their resulting melodic motifs - glide into each other successively to create a core of maximum density and a finish, which, with regard to this density, returns to the begining.
Duration: 9' 00"
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CHF: 23.00
(Parts: sFr. 31.-; € 24.-)
Bruno Stöckli
Bribes (2001)
for viola, violoncello, trombone, tuba and piano
Duration: 10' 00"
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CHF: 34.00
Hans-Jürg Meier
das licht um einen schatten heller machen (1993-1995)
for violin and trombone
Three-part piece: grosse Entfernung - Nähe - Entfernung, ohne die innere Beziehung zu verlieren.
Duration: 8' 00"
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CHF: 16.00
Valentin Marti
Rainshadows (1996-1999)
for bass clarinet, trombone, violoncello and percussion
Shadowy diffused sounds are generated below the sound spectrum of the rainstick. Sounds which, the stronger and more corporeal they appear, the more fragile they really are.
Requires three rainsticks.
First performed by the 'Ensemble Avance' in Baden, 25.02.00.
Duration: 10' 30"
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CHF: 42.00
Peter Schärli
Krieg I-IV (1998)
for brass quintet (1.2.1.1), voice and timpani
Duration: 10' 00"
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CHF: 16.00
Felix Schüeli
Septett (2001)
for trumpet, alto saxophone, tenor saxophone, trombone, violin, violoncello and double-bass
"I dealt with the subject of the four-part fugue in g minor from the WTK (Vol.I) as a model for this piece. I used these parts continually in various appendages and confronted them with a groovy theme." (composer).
Duration: 7' 00"
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CHF: 26.00
(Parts: sFr. 18.-; € 12.00)
Andreas Brenner
Prismen (2011)
for wind quintet (horn, 2 trumpets, trombone, tuba) and organ
Short three or four tone phrases of equidistant intervals are combined in such a way as to form sound structures similar to those found in tonal music. This piece uses a radically reduced amount of material in ever-changing combinations to create prismatic radiations. The sound structures are relics, nothing but colour values - no longer bound by gravity to a base tone (as in tonal music), but produced through a constructive law. This is also the case with the E major chord, which brings this piece to a 'concilitory' end.
Duration: 12' 00"
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CHF: 29.00
(Parts: sFr. 18.-; € 14.-)
Josef Kost
Soliloquio roteante (1994)
for two flutes, trombone and four-handed piano
A virtuosic chamber musical piece designed for advanced amateurs.
Duration: 9' 00"
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CHF: 23.00
Daniel Ott
17 1/2 (1995)
Scenic composition
for four guitars, two mandolins, dulcimer, viola, 2 double-bass, saxophone, trombone, tuba, accordeon and three percussion instruments
Spatial composition based on the sound memories of the musicians/singers.
Duration: 25' 00"
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CHF: 55.00
Peter Schärli
Requiem für die Unschuld (1998)
for brass quintet, voice, timpani or for trumpet, french horn or saxophone, trombone, piano, double-bass and percussion
Duration: 9' 00"
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CHF: 13.00
Urban Mäder
Annäherung an Dorfmusik (1991)
for clarinet and brass instruments (cn.bugle[=2tpt]/hn.tbn.tb)
Adaptation of folk musical elements.
Duration: 13' 00"
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CHF: 31.00
Hans-Jürg Meier
zeitsand (1995)
for two recorders, zink, trombone, violin and two violoncelli
The 'Harmonies' by Erik Satie are the basis for several parts. Conductor of use.
Duration: 14' 00"
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CHF: 26.00
Ursula Gut
ricercare (2006)
for two trumpets and two trombones
Duration: 12' 30"
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CHF: 29.00
Thomas David Müller
Gehen. 46 Forward and Backward Movements (1992)
for trombone solo
Duration: ad lib.
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CHF: 18.00
George Barcos
Deux Pièces pour quatuor de trombones (1993)
1. Chorongo 2. Canción
Duration: 4' 00"
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CHF: 18.00
Felix Baumann
Fährte (1998)
for trombone solo
When the ground is soft enough, the game leave a track.
Duration: 8' 00"
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CHF: 13.00
Thomas David Müller
Zwei Sequenzen: Stehstelle / Gehstelle (1993)
for violin, violoncello, clarinet, three trombones and piano
Both sequences are attempts at reaching emptiness, and consequently to liberate space through non-speech and anti-speech methods respectively. The performers perform and as it were 'speak' on scrap metal texts taken from Thomas Bernhard's 'Gehen'.
Duration: 13' 00"
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CHF: 42.00
Walter Baer
Somnium Daedali (1976)
for tenor/bass trombone and piano
The Dream of Daedalus is a vision of the inventor of momentous creations such as flying machines or the labyrinth. We hear amorphous material confronted by predictable structures in several sequences. An extremely differentiated handling of sound.
Duration: 9' 40"
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CHF: 26.00
Andreas Stahl
sextet (1993-1994)
for soprano, violin, violoncello, trombone, percussion, piano, electronic tape and a piece of mechanical equipment
A half scenic attempt to look at the common ground between musical and theatrical operation and the resulting relationship between movement and sound.
Duration: 20' 00"
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CHF: 31.00
Alfons Karl Zwicker
Konstellation mit Mondtransit (1998-1999)
for soprano, violin, trombone, violoncello, clarinet and piano
A piece with aperspective performance practice. The ever-changing aspects on the radix planets (instrumentalists) by the transitory moon (soprano) are made audible.
Duration: 16' 00"
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CHF: 55.00
Hans-Jürg Meier
at (1998)
for alto flute, trombone, violin, viola and violoncello
In the middle of the players sits a tub of water into which small pebbles are thrown. This triggers musical actions from the players.
Duration: 14' 00"
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CHF: 26.00
Raymond Vauterin
Intrada (1996)
for brass (2.3.3.2.btba) and 2 timpani
Duration: 6' 00"
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CHF: 42.00
De-Qing Wen
Piping and Drumming (2000)
for wind and percussion instruments (fl.ob.cl.asx.bn/tpt.tbn/3perc/pf)
'Piping and Drumming' is a traditional Chinese musical form that uses only wind instruments and percussion. It is often played at ceremonies.
Duration: 12' 00"
SME/EMS
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CHF: 62.00
(Parts SME/EMS: sFr. 62.-; € 20.-)
Claude Ferrier
König Salomo (1996/99)
for brass quintet (0.2.3.0) and four-voice mixed choir
Texts: Bibel / Liturgie
Text taken from the Song of Songs.
A version for mixed eight-voice choir is available from the composer.
Duration: 10' 00"
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CHF: 34.00
Andreas Stahl
again, sam! (1998)
for violoncello, double-bass, baritone saxophone, bass clarinet, two tenor-bass trombones and two percussion
An initial piece based on repetition in such a way that the repeated elements, located on many different levels, are not always immediately recognizable. This gives the impression of a loosely fabricated form. It is sonorously very soft, with lots of sounds and lots of interlocking rhythms. Requires a conductor.
Duration: 20' 00"
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CHF: 47.00
Stefan Feingold
Tantal (1997-1999)
''Planet Music"
for brass quintet (1.2.1.1) and piano
This work is in three movements, parts of which are in aleatoric notation.
Duration: 40' 00"
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CHF: 57.00
Valentin Marti
Exposure (2003)
for alto saxophone, trombone, accordion, piano and percussion
Premiered: 20.9.03, Lugano, Ensemble Oggimusica
Duration: 7' 00"
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CHF: 26.00
Mathias Steinauer
Sott'acqua, op. 17.3 (1999)
for soprano saxophone, horn, trombone, percussion and piano
Partly with an improvised second piano (ad libitum).
Duration: 10' 00"
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CHF: 29.00
Alex Rüedi
Blechtett (2009)
for 2 trumpets, horn, trombone and tuba
Duration: 15' 00"
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CHF: 47.00
(Parts SME: sFr. 46.-; € 46.-)
Maria A. Niederberger
Images (1997)
for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, double-bass, piano and percussion
I. Fluid Shapes, II. Light and Shadow, III. Symmetries - Broken Symmetries.
Piano and trumpet accentuated.
Duration: 20' 00"
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CHF: 57.00
Kit Powell
Salmagundi, op. 92 (1998)
for brass ensemble (4 trumpets, 2 horns, tuba and 4 trombones)
An entertaining piece from German and English folk songs.
Duration: 10' 00"
SME/EMS
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CHF: 60.00
Thomas K. J. Mejer
Macula Matris (1995-1996)
for seven musicians (fl(pic,bfl,cbfl).cl(bcl,cbcl).bn(cbn)/tbn/hp/perc/vc), seven orators and seven dancers.
Texts: Hermann Berger, André Gide, Marisa Holder, Elfriede Jelinek, Milan Kundera, Irmgard Morgner, Karin Struck
A stage work, somewhere between performance and installation.
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CHF: 200.00
Werner Bärtschi
Rotondo (1999-1999)
for nonet (oboe, bassoon, trumpet, trombone, viola, double-bass, accordion, piano and percussion)
A collaboration between members of the 'Komponistensekretariats Zürich' (Werner Bärtschi, Ulrich Gasser, Max Eugen Keller, Martin Sigrist und Peter Wettstein): The score is sent back and forth between the five composers, each fills in a 50-second section before sending it on to the next.
Duration: 50' 00"
Manuscript
CHF: 122.00
Martin Schlumpf
Cumuli III (3-4-1-5-2 - Kapitel II im Buch der Proportionen) (1999)
for flute, clarinet, soprano saxophone, trombone, electric piano (or piano), electric bass (or double-bass) and percussion
Duration: 20' 00"
SME/EMS
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CHF: 34.00
Michael Schneider
Fanfare for Sandringham (1991-2010)
for trumpet and trombone
"Bright and noble" - a festive fanfare in D flat major.
Duration: 2' 00"
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CHF: 16.00
Hans-Jürg Meier
nie setzt es ein (2002)
for flute, (bfl, cbfl), horn, two trumpets, trombone and tuba
Helical searching for osculation points.
Duration: 12' 00"
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CHF: 26.00
Laurent Mettraux
Elégie, M. 529 (1995-1997)
for trombone and organ
A piece of noble temperament, very well suited to the character of the trombone.
Duration: 5' 00"
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CHF: 21.00
(Seperate parts: sFr. 10.-; € 10.-)
Kit Powell
Das Ausland (2003)
for soprano, bass clarinet, trombone and percussion
1) for soprano and trombone
2) for soprano, bass clarinet and percussion.
Setting of a short story by Jürg Schubiger.
Duration: 7' 00"
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CHF: 23.00
(Parts: sFr. 16.-; € 12.-)
Kit Powell
6 Fragments for 4 Trombones (2004)
for 3 tenor trombones and bass trombone
For professional players.
Duration: 10' 00"
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CHF: 34.00
(Parts: sFr. 47; € 36.-)
Kit Powell
Verschiedene Tiere (2004-2005)
for soprano, trombone and piano
Setting of 4 prose texts by Jürg Schubiger.
Duration: 17' 00"
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CHF: 57.00
(Parts: sFr. 16; € 12.-)
Burkhard Kinzler
Nürnberger Choräle (2012)
for flute, clarinet, saxophone, trombone, cello, double bass, percussion

Duration: 16' 30"
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CHF: 44.00
Martin Wendel
Fünf Stücke für Blechbläserquartett, op. 42 (1983)
for two trumpets and two trombones
This piece is not a collection of isolated miniatures - the five pieces result in a cyclic whole.
Duration: 9' 00"
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CHF: 29.00
Jacques Demierre
Quelques remarques (1991)
for flute, clarinet, horn, trombone and four-handed piano
Duration: 13' 00"
SME/EMS
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CHF: 57.00
(Parts: sFr. 90.-; € 90.-)
Balz Trümpy
EIS EROTA (2002)
for soprano, baritone, horn, two trumpets, trombone, percussion and strings
Texts: Altgriechisch
Sappho and Alkaios from the isle of Lesbos are amongst the most prestigious representatives of Greek lyrics strongly connected with the Orpheus saga. After the heavenly singer has lost his beloved Eurydice to the underworld and, spurned by his endless mourning, he seeks the love of other women. Bacchante tear him to pieces in an angry rage and cast his head into the sea. The tide washes it onto the shores of Lesbos - here his mouth is once again brought to speech by the lyric of the island.
Mythological notions merge with personal experience and sufferance in connection with the erotic. Eros is the ‘weirdest God’ (Alkaois) whose effect is to rip open the abyss between the highest fulfilment and the degeneration towards death. The elemental force with which he encompasses man awakes in him an orpheic longing for immortality and the desire to overcome the underworld; simultaneously bringing even more painfully the forlornness of his wish to consciousness. While Alkaios attempts to forget in wild drunkenness and sexual indulgence, we eavesdrop on Sappho, and the dark tones of a wish for love in which pain resonates with the transient.
EIS EROTA combines fragments from both poets to produce a dialogue on the subject of love and death.

Duration: 12' 00"
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CHF: 62.00
Max E. Keller
senza e con (1989)
for ensemble (fl.ssx.tsx.barsx/hn.3tpt.3tbn/pf/db)
Duration: 10' 00"
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CHF: 18.00
Kit Powell
Mother Goose Medley (2006)
for trombone and piano
A medley of English nursery songs.
Duration: 5' 00"
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CHF: 23.00
(Parts: sFr. 29; € 22.-)
Edu Haubensak
Spazio Due (2006)
Quartet
for trumpet in B, Eb Alto saxophone, trombone and piano in skordatura (2nd tuning)
Duration: 13' 00"
SME/EMS
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CHF: 31.00
Hans-Jürg Meier
goldiger Gupfhupf (2008)
for 5 instrumental groups (piano and alto sax; alto sax and violoncello; violoncello and trombone; trombone and piano; e-bass and large drum) and 3 soloists (alphorn, violin and voice)
Several ups and downs in a hilly area. Enjoying the view on each occasion with a musical solo. For students.
Duration: 6' 00"
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CHF: 23.00
(Stimmen beim Autor)
Hans-Jürg Meier
das dasein ist nicht das wesentliche (sestiere - prima lettura) (2010)
for panpipes, transverse flutes, recorders, clarinets, saxophone, horns, trombones, trumpets
Duration: 16' 00"
SME/EMS
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CHF: 60.00
Alfred Knüsel
eine Art Klangvorstellung - unbekannt - als wohltemperierte Gegenwelt zu durchtechnisierter Information (2005-2006)
Trio
for violoncello, double bass and trombone
1. RetroSehnsucht
2. Assoziationsfelder
3. Environment, komplementär
Duration: 14' 00"
SME/EMS
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CHF: 26.00
Alfred Knüsel
Vesper als Massstabwechsel von einer Realität in eine andere (2006-2007)
for soprano, choir (SATB), flute, zink (tr), trombone and organ
1. Doxologie
2. Antiphon
3. Ektenie I
4. Hymne
5. Ektenie II
Duration: 20' 00"
SME/EMS
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CH-6000 Luzern 7
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CHF: 34.00
Hans-Jürg Meier
locus (2012)
for melodica and objects, saxophone (bar, a) trombone, violin, viola, double bass and voice (soprano)
Texts: Hadrian
A trip to and into the Pantheon in Rome in four parts: Tympanon,
Pronaos, Innenraum, Opaion. The performance places the Endless Column in Targo Jiu by Constantin Brancusi into the Pantheon.
Duration: 14' 00"
SME/EMS
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CH-6000 Luzern 7
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CHF: 52.00
Max E. Keller
les pompiers (souvenir de Berlin) (1996)
for four trombones, piano, electric guitar and elextronic amplification
Contains a large improvised portion - works humorously with the fire brigade-fourth. Simple pitch shifting and echoplex (quasi belt sander with a duration of 20 seconds).
Duration: 6' 00"
SME/EMS
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CHF: 16.00
Balz Trümpy
An Florestan und Eusebius (2010-2011)
Duos and trios
for saxophone (soprano, baritone), trombone and piano
In December 2010, I held a lecture on polyphony in the music of Schumann. This event led me to perform the complete piano works by this composer, who has remained dear to me since childhood. My composing has been influenced on a subliminal level by Schuhmann's sound meshes and quirky-fantastical lines. I became accutely aware of this fact while working on my piece for the trio Weiss-Svoboda-Henneberger. Since the content of the three main pieces ("Rezitativ und Arioso" for trombone and piano, "Lied" for saxophone and piano as well as "Mit Leidenschaft" for the trio) turned out to be rather Schumannian, I decided to dedicate it to the two main characters of the circle of the Davidsbündler (League of David).
Duration: 19' 00"
SME/EMS
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CHF: 57.00
Max E. Keller
Zwillinge (Twins) (2001)
for clarinet (bcl), trombone, violoncello and piano
This work is based on the interactions of the instruments in such a manner that the very close combination of twos (twins) are at the centre and with which one, two or no ‘free’ instruments can consort. The musical process is born of a dialectic between the above mentioned network and its realisation through three almost archetypal musical base models.
Duration: 10' 00"
SME/EMS
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CH-6000 Luzern 7
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CHF: 18.00
Balz Trümpy
Der Geist des Tals (2013)
for soprano, trombone, cello, percussion and piano
The Ensemble Eunoia's suggestion that I write a piece dealing with the letter 'U' set off in me a chain of associations relating to this vowel. The starting point was the tonal character of the phoneme U: For me its dark, earthy, warm timbre equated to the symbolic image of the Mother ("uterus", "ursprung" (=origin)...). My text selection combines the following excerpts taken from literature and lore that evoke different aspects of the Mother symbol: In the 3rd hymn of the legendary poet and Dionysus priest Orpheus, night is celebrated as the Mother of gods and men. In the second part of Goethe's "Faust", Mephistopheles describes the nocturnal and sinister descent into the obscure realm of the Mothers ("No way! Into the untrodden ..."), where Faust wants to lead Helena back to life. A mother grieving for her son and creation forms the basis of the liturgical "Stabat Mater". And finally, the text of "Tao te Ching" to the "valley spirit" elevates the image of the Mother as the origin of heaven and earth to the spiritual.
Duration: 17' 00"
SME/EMS
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CH-6000 Luzern 7
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CHF: 75.00
Max E. Keller
Sans cesse (2001)
for oboe, bassoon, horn, trombone, violin, viola, violoncello and double-bass
Duration: 9' 00"
SME/EMS
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CHF: 18.00
Hansruedi Willisegger
Frau Musica zur Ehr (1973)
for youth choir, mixed choir, three trumpets, three trombones and tuba
Texts: Volkslied
Duration: 5' 30"
SME/EMS
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CH-6000 Luzern 7
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CHF: 34.00
Ernst Pfiffner
Sestetto d'Isissa (1995-1996)
for oboe, clarinet, bassoon, horn, trombone and percussion
Work series A: Music for concerts.
Duration: 11' 00"
SME/EMS
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CHF: 31.00
Max E. Keller
Grillen (2009)
for trumpet 1 in B, trumpet 2 in B, horn (F), trombone and tuba
The chirping of crickets is generally considered to be soft and quiet, it can, however, become truly clamorous when when many crickets are heard at close quarters - just as one can experience it in the copses or groves of Greece. What is apparently weak can, en mass and under specific circumstances, develop unimagined power. In German the word for cricket is 'Grillen' and carries with it another maeaning: fantastical or dull thoughts.
Duration: 6' 00"
SME/EMS
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CH-6000 Luzern 7
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CHF: 26.00
Rudolf Jaggi
Im Santyhans (2011)
for male choir T1T2B1B2 and four brass instrumentalists and timpani (2tpt in b/2tbn/3timp)
Texts: Martin J.P. Schwitter
Duration: 4' 30"
SME/EMS
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CH-6000 Luzern 7
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CHF: 23.00
(Parts: sFr. 29.-; € 22.-)
Max E. Keller
Wiederkehr und Veränderung (2013)
for soprano saxophone, trombone and accordion
Wiederkehr (repetition) and Veränderung (variation) are archetypes of music, and perhaps even of life itself. A series of four basic structures are repeated four times, whereby the duration each time varies enormously, as does the characteristic of each of the basic models. Two of the four basic structures touch on repetition in their internal anatomy. The third basic structure is puzzle-like in its construction, whereby all three instruments repeat the same six elements several times and overlap. On another level, breathing/blowing - an existential basis of life - also plays an important part in this "wind trio".
Duration: 11' 00"
SME/EMS
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CH-6000 Luzern 7
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CHF: 26.00
Stephan Lauffer
Festliches Präludium in c (2012)
for 2 trumpets and 2 trombones
Duration: 3' 20"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
Tel. +41 (0)41 210 60 70
Fax +41 (0)41 210 60 70
mail@musicedition.ch
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CHF: 16.00