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Racine Philippe

(1958)

Racine Philippe


 

Genre: Musique Classique
Activités: Compositeurs/Compositrices, Interprètes
Biographie
* 1958.

Philippe Racine studied flute in Basel and Paris. He is one of the most multifaceted musicians of his generation, not only is he a brilliant interpreter of the traditional flute repertoire, but also a dedicated advocate of present-day music - jazz and improvisation included. This diversity inevitably brought him into contact with musicians such as Ernesto Molinari, Heinz Holliger, Jürg Wyttenbach, Thomas Demenga, Andràs Schiff, Bruno Canino, Brigitte Meyer et al. together with whom he regularly performs. Philippe Racine appears performing as a soloist and chamber musician across Europe, Canada, the USA, Latin America and the Middle East. A remarkable discography and various radio & television productions lay testament to his extraordinary musicality.
Philippe Racine's activities additionally include composition. His works have been embraced with enthusiasm at international festivals for new music. "Promenade", his violin concert with the French violinist Raphaël Oleg as soloist, met with great success when it was performed at the Lucerne Festival in September 2001.
Philippe Racine teaches at the Zurich University of the Arts and lives in Paris.


Liste des oeuvres

Chanson Triste (1992)

Instrumentation: für Flöte

Nepomuk Musik Verlag
c/o Breitkopf & Härtel Musikverlag
Walkmühlstrasse 52
D-65195 Wiesbaden
BRD
Tel. +49 (0)611 45 0080
vertrieb@breitkopf.de
www.breitkopf.com
D-Tonation (1995)

Instrumentation: für Flöte solo

Durée: 4' 00"
Manuscrit
Promenade (2000-2001)

Instrumentation: für Violoncello solo und Ensemble (2,1,1,B-Klar,1 - 1,1,1,0 - Schlgz, Cel - 2,1,1,1)

Durée: 28' 00"
Manuscrit
3 Lieder (2001)

Instrumentation: pour voix et piano

Texte: Robert Walser

Durée: 4' 00"
Manuscrit
Absences (2003)

Instrumentation: für 12-stimmigen Chor und Flöte/Bassflöte

Texte: Paul Eluard, Guillaume Apollinaire

Durée: 15' 00"
Manuscrit
Des Astres (2003-2004)

Instrumentation: pour piano

Durée: 15' 00"
Manuscrit
Chansons à Lou (2004)

Instrumentation: für Mezzosopran, Flöte (Picc, B-Fl), Violine (Va), Violoncello und Klavier

Texte: Guillaume Apollinaire

Durée: 15' 00"
Manuscrit
Volons le ciel (2005)

Instrumentation: pour 2 violoncelles

Durée: 12' 00"
Manuscrit
Trois Axes (2006)

Instrumentation: pour 3 sax altos

Durée: 5' 00"
Manuscrit
L'Humeur vagabonde (2009-2010)

Instrumentation: pour flûte et contrebasse

Durée: 5' 00"
Manuscrit
À corps perdu (2010)

Instrumentation: für AltSax solo

Durée: 5' 00"
Manuscrit
Poème de l'usure (2010)

Instrumentation: für Orchester (1,1,1,BassKlar,1/1,1,1,0/Schlzg/Hf/Str[2,1,1,1])

Durée: 15' 00"
Manuscrit
En attendant l'aube (2012)
Concerto

Instrumentation: pour flûte et petit ensemble (clar/perc/pf/v,vc)

Durée: 11' 00"
Manuscrit
presto - pensoso (2012)

Instrumentation: pour orchestre à cordes

Durée: 4' 00"
Manuscrit
Des amours (2012-2013)

Instrumentation: für grosses Orchester (Pic,2,2,2,BassKlar,2/4,4,3,1/Pk,3Schlzg/Hf/ Str[16,14,12,10,8])

Durée: 17' 00"
Manuscrit
Discographie
René Wohlhauser - in statu mutandi, Werkauswahl 1978-1993 (Creative Works Records Nr. CW 1026, 1996)
Interprètes:
Wohlhauser, René
Racine, Philippe
Cholette, Daniel
Hefti, Jakob
Clemann, Monika
Molinari, Ernesto
Kaiser, Ludwig
Siegenthaler, Stephan
Wagner, Donna
Arditti, Irvine
Alberman, David
Knox, Garth
de Saram, Rohan
Verkade, Gary
Kutterer, Siegfried
Huber, Gerhard
Kuhn, Dennis
Henzold, Olaf
Sinfonieorchester Luzern
Œuvres:
Wohlhauser, René: Souvenirs de l'Occitanie (1977-1978)
Wohlhauser, René: Adagio assai (1982-1988)
Wohlhauser, René: Schlagzeugtrio (1984-1985)
Wohlhauser, René: CI - IC (1985)
Wohlhauser, René: Duometrie (1985-1986)
Wohlhauser, René: Orgelstück (1986)
Wohlhauser, René: Klarinettentrio Metamusik (1986-1987)
Wohlhauser, René: Drei Stücke für Klavier (1986-1987)
Wohlhauser, René: Atemlinie (1988)
Wohlhauser, René: Lumière(s) (1989)
Wohlhauser, René: in statu mutandi (1991-1993)
Bibliographie
Drees, Stefan: Philippe Racine: Works, in: Dissonanz 120 (2012), S. 84-85


Dernière mise à jour: 2020-10-06 16:48:10