Arabesque I (2008)
for piano solo
This short piece for piano is the first of a four-piece serie called Arabesque. The title refers to a harmonic concept that I developed : a harmony described by several voices with a slow and continuous motion which trace lines of varying thickness through the acoustic space.
Durata: 4' 00"
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Arabesque II : yán lùn zì yóu (2008)
for tenor sax, piano and 3 percussions
Durata: 16' 00"
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A través del confuso esplandor... (2008)
for horn solo
Durata: 5' 00"
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Arabesque III : Omaggio a Scelsi (2009)
for string quartet
Durata: 15' 00"
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...par ce tiède soir, tout bas? (2009)
for tenor sax solo
Durata: 5' 00"
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Arabesque IV : Germination (2009)
for 2 bassoons or 2 baritone saxophones
Durata: 8' 00"
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Streets (2010)
for violin, cello and percussion
Durata: 16' 00"
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Five pictures for Sally (2010)
for basset recorder and piano
Durata: 7' 00"
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Arche (2011)
Pedagogical pieces
for 1 to 3 saxophones and piano
"Arche" includes 7 pedagogical and progressive pieces – from 2 year to 10 years of instrument – for different formations – one solo, two duets with piano, two saxophone duets and two trios. Each of them introduces one or several contemporary techniques and is accompanied by preparatory exercises, analysis elements and suggestions of listening.
Durata: 18' 00"
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Gawa (se déplacer) (2011)
for udu, 4 razors and lights ad lib.(1 percussionnist)
The series "Gawa" is a research work, which revolves around two main concepts: On the one hand, specialisation as a main musical parameter and means of expression, and on the other, development of a kind of primitive mixed music.
Durata: 5' 00"
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Ginkgo (...feuilles à travers les cloches...) (2011)
for 2 pianos and 2 percussions
Durata: 9' 00"
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Quatre chants sylvestres (2011)
for youth orchestra
Durata: 10' 00"
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Four Songs for Emily (2012)
for soprano, 2 flutes, clarinet, saxophone, accordion and hackbrett
Testo: Emily Dickinson
This short cycle for soprano and six instruments sets to music four poems by the American author Emily Dickinson. They deal with life, death and nature, which are recurrent themes in her poetry.
Through the four songs one can see a progress from antiphony to heterophony via polyphony. Firstly separated from the instruments, the voice intermingles more and more with them; they finally seem to merge into one single instrument. Additionally, the text stretches increasingly from a quasi-syllabic to a highly ornamented use. Thus the less understandable it becomes, the deeper one penetrates into the sound and its contemplation.
Durata: 10' 00"
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Monk 1: Canto (2012)
for flute solo
Durata: 5' 00"
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...sweet love, away (2012)
for flute, clarinet, alto saxophone, percussion, viola, cello
Durata: 7' 00"
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Branco (2012)
Pedagogical pieces
for piano
Durata: 8' 00"
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Sobre a cegueira (2012)
for ensemble and vidéo (ad lib.)
Durata: 14' 00"
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Tombeau (...colombes et rameaux...)
 (2012)
for soprano, trombone, cello, piano and vibraphone
Durata: 8' 00"
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Gawa II: Luz (2012)
for 2 percussions and lights
The series "Gawa" is a research work, which revolves around two main concepts: On the one hand, specialisation as a main musical parameter and means of expression, and on the other, development of a kind of primitive mixed music.
Durata: 7' 00"
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Jeux (2014)
for baritone saxophone and cello
Durata: 7' 00"
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Tombeau (…sinfonia…) (2014)
for chamber orchestra (2.2.2.2 2.2.1.0. Timp. Strings)
Durata: 5' 00"
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Study on phonetics (2014)
for trombone, cello, piano and percussion
Durata: 5' 00"
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Monk 2: Plouk (2014)
for viola, tenor saxophone and ensemble (1.0.0.0. Bar.Sax. 1.1.1.0. piano perc. 1.1.1.1.1.)
Durata: 12' 00"
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Souvenirs de Berlin (2014)
Flash-opera
for soprano, baritone and ensemble
Testo: Elise Hofner
Durata: 5' 00"
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Gawa III: Entailles (2015)
for light, tenor saxophone, synthesizer and 3 percussions
The series "Gawa" is a research work, which revolves around two main concepts: On the one hand, specialisation as a main musical parameter and means of expression, and on the other, development of a kind of primitive mixed music.
Durata: 8' 00"
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Les Chants de l'Eubage (2015)
7 Lieder
for soprano, piano, violin, viola and cello
Testo: Blaise Cendrars
Durata: 21' 00"
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Jeux (hi-lo-hi-mute) (2015)
for accordion and percussion
The idea of game in music has always fascinated me. You can find it in throughout the ages – from Machaut and Mozart to Debussy and Kurtag – and especially in baroque music with its countless contrapuntal inventions, its motivic development or its ornamentation... It is full of expression, bliss, spirit and game!
In my Jeux for accordion and percussion, I try to recover those characteristics in my own language. Instead of playing with tonality, harmony and counterpoint, I use sound, space, shapes and colors to create a mosaic where the two instruments often form one single entity, sometimes are more independent but always complement.
Durata: 10' 00"
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…et discessit ab illa angelus (2015)
for saxophone quartet and 2 percussions
Durata: 8' 00"
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