Instrumentation: for alto flute-G

Duration: 10' 00"

Instrumentation: for solo violin and 11 strings (3.3.2.2.1)

In this work, the orchestra assumes neither the antagonistic nor the ancillary solo-accompanying role it would normally take within the context of a traditional violin concert. Here it envelops and colours the sound, or complements the melodic fragments of the solo violin in the absence of its deeper register. Solo and orchestra are thus one sound and, just as a sculpture offers its viewer a multitude of perspectives, so the eleven strings allow the sound of the solo violin to be heard from all sides. This collective sound, initially quite static, feels its way tentatively forward in small, sometimes quarter-tonal steps, explores tonal colours (on the border of noise), dynamics and movement before the quasi-nucleal solo violin is released from its orchestral sheath. Now, with expressive and virtuosic gestures, they play with their possibilities; fathom their borders, impassionate, temperamental, but also ephemeral and delicate. (M.R)

Duration: 16' 00"

Instrumentation: for deep female voice and small orchestra (2.ca.2.2/2.1.0.0/timp.perc/0.4.4.3

Texts: Andrea Gadient

The music responds to the poem by Andrea Gadient, associates and spins thoughts further. Together with the orchestra, the deep female voice carries the text and allows speech and sound, as expressions of each other, to rejoin. Here the orchestra departs from its usual setting: the soprano register is thinned out (the oboe and violin are missing) and the deep register in the woodwind is fortified by the addition of an alto flute, English horn, bass clarinet and contrabassoon. The deep female voice - introverted in quartertone melodic fragments, lost in whispers, outcries - often inserts itself into the ensemble as a further instrument. (M.R.)

Duration: 10' 00"

Duration: 7' 00"

Instrumentation: for soprano, clarinet and violoncello

Texts: Andrea Gadient

Duration: 8' 00"

Instrumentation: for violoncello and piano

Duration: 6' 00"

Concert

Instrumentation: for violoncello and orchestra (2.1.ca.2(bcl).2(cbn)/2.2.2.0/3perc/8.6.4.4.3)

Duration: 25' 00"

Instrumentation: for 2 female voices and 6 instruments (S/A - afl.ca.cl/pf(3ped)/va.vc)

Texts: Andrea Gadient

Duration: 22' 00"

Instrumentation: for soprano and violin

Texts from Psalms 129, 39 and 144.

Duration: 10' 00"

Four pieces

Instrumentation: for variable chamber ensemble (guitar, flute, clarinet/bassclarinet, violin, viola, violoncello, piano, percussion)

Duration: 15' 00"

Instrumentation: for speaking choir

Texts: Ernst Jandl

Duration: 4' 00"

Instrumentation: for guitar solo

Duration: 9' 00"

Instrumentation: for seven children and a grand piano

Duration: 4' 00"

Instrumentation: for 2 violoncelli

Duration: 8' 00"

Instrumentation: for grand piano with 3 pedals

Duration: 9' 00"

3 pieces

Instrumentation: for clarinet and piano

Duration: 10' 00"

Instrumentation: for ensemble (fl.cl(bcl)/perc/pf(3ped).gtr/vn.va.vc.db)

Duration: 20' 00"

Songs

Instrumentation: for soprano and 11 instruments (fl.cl[=bcl]/tbn/perc/pf.gtr/vn.va.vc.db)

Goethe's commentary on Serbian songs (Therese v. Jakob alias Talvj).

Duration: 15' 00"

Instrumentation: for violoncello solo

Duration: 7' 00"

Music

Instrumentation: for guitar and strings

Duration: 15' 00"

Instrumentation: for baritone, clarinet, trumpet and organ

Duration: 10' 00"

Instrumentation: for flute solo

A sketch after the ballad by Friedrich Dürrenmatt.

Duration: 9' 00"

Instrumentation: for piano

Duration: 8' 00"

Instrumentation: for large ensemble and voice (1.1.1.1/1.1.1.0/perc/hp.pf/1.1.1.1.1)

Duration: 20' 00"