Etudes based on a theme by Friedrich Nietzsche (1876-1878)
Instrumentation: for piano, metronome and electronic tape
Duration: 15' 00"
Manuscript
5 Préludes (Piano piece 1) (1980-1981)
Duration: 7' 00"
Edition Mikro
Duet II (1983)
Instrumentation: for clarinet and twelve-stringed guitar with live electronic
Duration: 7' 00"
Edition Mikro
Sätze (1984)
Instrumentation: for soprano, electric guitar, guitar scordatura and bass clarinet
Texts: Elisabeth Wandeler-Deck
Duration: 10' 00"
Edition Mikro
Drehstück (1984-1985)
Instrumentation: for wood and brass instruments (pic.1.1.Ebcl.1.bcl.1/1.2.1.1) and percussion
Manuscript
Piano Piece 2 (1985)
The tonal possibilities of the modern concert grand piano are used to the full here (harmonics, overtones). Virtuosic.
Duration: 11' 00"
Edition Mikro
Zeile (aus einem Gedicht von Wystan Hugh Auden) (1984-1986)
Instrumentation: for mezzo-soprano and piano
Duration: 5' 00"
Edition Mikro
Brechungen (1986)
Instrumentation: for bass clarinet, violoncello, violoncello scordatura and piano
Of intermediate difficulty but with demanding interplay.
Duration: 16' 00"
Edition Mikro
"and from Alabama from anywhere..." (1986)
Instrumentation: for five-stringed banjo and electronic tape
Realisation in the ‘Studio Espaces’, Geneva and in the KOPROD-studio in Zurich. Commissioned by the ’Tage für Neue Musik’ Zurich.
Duration: 6' 00"
Edition Mikro
Fünf Stücke für acht Flöten (1986-1987)
1. Reflex (three large flutes, two alto flutes, two bass flutes and one contrabass flute)
2. Melody (one small flute, two large flutes, two alto flutes, two bass flutes and one contrabass flute)
3. Harmony (eight large flutes)
4. Intermezzo and Pole (one small flute, six large flutes and one bass flute)
5 Chain (one small flute, four large flutes, one alto flute, one bass flute and one contrabass flute)
Commissioned by Dominique Hunziker and the 'Joueurs de Flûte'.
Duration: 20' 00"
Manuscript
Wahrnehmungsschwäche für das Tempo der Zerstörung (1987)
Instrumentation: for oboe, live electronic, female orator, improvised trombone and electronic tape
Texts: Elisabeth Wandeler-Deck
Commissioned by the city of Zurich, the film version (‘Die Farbe Des Klangs Des Bildes Der Stadt’) is by Urs Graf, Elisabeth Wandeler-Deck and Alfred Zimmerlin (1992) and is available from:
Filmkollektiv Zürich AG, Turnerstr. 26, CH-8006 Zürich.
Duration: 12' 00"
Edition Mikro
NINE TO NINE (1987-1988)
Instrumentation: for six different string instruments, electronic and computor controlled digital synthesizer
In cooperation with Peter K Frey and Michel Seigner.
Duration: 24h 00"
Manuscript
L'espace tout à coup m'irrite (1987)
Instrumentation: for percussion and string trio
The percussion has the exclusive function of time-keeper. The strings are written in space notation and contain quarter tones. A simple drum machine is necessary in one place.
Duration: 14' 00"
Edition Mikro
Alt-Tage (1987)
Film music
Dokumentary film by Marlies Graf-Daetwyler. Music in collaboration with Claudia Ulla Binder. Pro Senectute.
Manuscript
Gänge (1988)
Instrumentation: for clarinet in B with or without live electronic
Inspired by "Raumteiler 88", a 3D work/installation by Niklaus J. Lenherr.
Three-part, conventional notation. Difficult, uses quarter and eighth-tone fingerings. Two simple multi-effect processors are used for the electronic and can be omitted altogether under certain circumstances (see score). However, a common cassette recorder is required; the sound material is provided without any particular effort by the interpreter.
Duration: 11' 00"
Edition Mikro
Knotting (1988)
Instrumentation: for violin, electronic tape and percussion
A graphically notated piece requiring experience in improvisation. The electronic tape is to be produced by the violinist his/herself.
Duration: 10' 00"-20' 00"
Edition Mikro
Toute l'étendue ne vaut pas un cri (1985-1989)
Instrumentation: for bass tuba in F and electronic tape
Very difficult. Uses specialist playing techniques. Semi-conventional notation. Electronic tape can be borrowed from the composer (DAT or CD).
Duration: 8' 00"
Edition Mikro
Piano piece 3 (1988-1991)
Conventionally notated, intermediate piece.
Duration: 4' 30"
Edition Mikro
3 mal 3 (1989)
Instrumentation: for any nine instruments with specific pitch
Duration: 15' 00"-20' 00"
Edition Mikro
Ohne Gewalt? (1989)
Instrumentation: for mixed a-cappella choir
Commissioned by 'Kultur und Volk'.
Duration: 3' 00"
Edition Mikro
"Ich selbst hatte halb und halb vor, mich über diese Tage still zu entfernen, weil mir die ewige Festbummelei anfängt die Freude an Land und Leuten zu verderben, zuvörderst an mir selbst, wie es immer geht, wenn man eine Sache übertreibt." (1989)
Instrumentation: for mixed a-cappella choir (SSAATTBB)
Texts: Gottfried Keller
Commissioned by the city of Zurich for the 100th anniversary of the death of Gottfried Keller.
Duration: 4' 30"
Edition Mikro
Raumspiel-Suite (1989)
Instrumentation: for one guitar
Commissioned by the Aargau Curatorium.
Duration: 8' 00"
Nepomuk Musik Verlag
RAUMSPIEL (1989)
Instrumentation: for three guitars
Commissioned by the Aargau curatorium.
Duration: 10' 00"
Nepomuk Musik Verlag
Quintet (1989-1990)
Instrumentation: for clarinet in A, two violins, viola and violoncello
Seven movements, most of which are quite difficult to play, containing quarter and eighth tones and using special playing techniques. Various ways of notation, mainly to distinguish between different perceptions of the flow of time. The electronic tape accompaniment (used towards the end) can be prepared by the performer using an ordinary tape recorder.
Duration: 33' 00"
Edition Mikro
Zeilen (1990-1991)
Instrumentation: for oboe, clarinet in B, bassoon and marimbaphone
Divertimento: partly conventional notation. Also uses quarter- and eighth-note fingerings.
Duration: 7' 00"
Edition Mikro
Jeden Morgen (1991-1992)
Instrumentation: for orator (m/f) three-part mixed choir, tenor trombone and piano
Commissioned by 'Kultur und Volk'.
Duration: 4' 00"
Manuscript
Clavierstück 4 (1992)
Instrumentation: for any keyboard instrument (harpsichord, piano, clavichord, organ, harmonium, keyboard)
Incidental events in 108 variations. Space notation.
Duration: 2' 00"-6' 00"
Edition Mikro
Piano Piece 5 (1990-1992)
Instrumentation: for grand piano with scordatura
Piano with scordatura in the octave from c'' to b''. From the perception of order and disorder, homogeny and the disparate, comprehension and incomprehension. Piano with sostenuto pedal; also requires a so-called "energy bow".
Duration: 28' 00"
Edition Mikro
Die Farbe des Klangs des Bildes der Stadt (1993)
Experimental music film
From Urs Graf, Elisabeth Wandeler-Deck and Alfred Zimmerlin. Filmkollektiv Zürich.
Manuscript
Zerstreut in Arbeit mit Wörtern (1995-1996)
Instrumentation: for soprano, piano and electronic tape
Texts: Elisabeth Wandeler-Deck
Cycle in eight parts.
No.1: Abtrift (piano)
No.2: Zeichengekrabbel (voice)
No.3: Lied: 'wie schön' (voice, piano)
No.4: Lesung (voice, piano)
No.5: Zeitbegleittänze (voice, electronic tape)
No.6: Lied: 'von der Hand zum Mund geflatterter Laut' (voice, piano)
No.7: Zeilenfall (voice, electronic tape and piano)
No.8: Abendland (piano electronic tape)
Duration: 65' 00"
Edition Mikro
Abendland (Klavierstück 6) (1996)
Instrumentation: for piano and electronic tape
Number 8 from 'Zerstreut in Arbeit mit Wörtern'. The tape can be borrowed (DAT or CD).
Duration: 17' 00"
Edition Mikro
Musik im Freien (1996)
Instrumentation: for any three instruments with the tonal range g-d"
Duration: 9' 00"
Manuscript
Lebenslänglich (1996)
film music
Documentary film by Theo Stich. Music produced in collaboration with Michel Seigner and Paul Lovens. eXtra Film.
Manuscript
In Bewegung (La Montagne Sainte-Victoire) (1998)
Instrumentation: for twelve solo strings and tuba$
Duration: 10' 00"
Edition Mikro
Weisse Bewegung (1996-1998)
Instrumentation: for violoncello, piano and percussion
Weisse Bewegung I - Weisse Bewegung II - Stillstand I - Weisse Bewegung III - Stillstand II.
With support from the city of Zurich mayors office, the Dr. Adolf Streuli Foundation, the Hermann Suter Foundation and the ‘Fondation Christiane et Jean Henneberger-Mercier’.
Duration: 37' 00"
Edition Mikro
Stillstandbild (Piano piece 7) (1998)
Instrumentation: for two concert pianos
Duration: 5' 00"
Edition Mikro
Anderer Ort (1998)
Instrumentation: for transverse flute and harpsichord
Interpolation of the first movement of the sonata in a minor for transverse flute solo (Wq 132) by Carl Philipp Emanuel Bach. Motivated by Heinrich Keller and Brigitta Steinbrecher.
Duration: 4' 00"
Edition Mikro
Motto für U. P. Sch. (1998)
Instrumentation: for voice, large drum, piano
Duration: 1' 00"
Manuscript
Piano piece 8 (Fantasia) (1998-1999)
Duration: 8' 00"-16' 00"
Edition Mikro
Anfänge (1999)
Instrumentation: for violin solo
Ein langsamer Anfang / Zehn tonale Anfänge / Anfang, Treppe hinaufsteigend / Beharrlicher Anfang (Beaver Blues).
Duration: 9' 00"
Edition Mikro
Klavierstück 9 (1999)
Instrumentation: for pianoforte
A version for the modern concert piano is also available.
Duration: 7' 00"
Edition Mikro
Oggi - Movendo (1999)
Instrumentation: for freely improvised solo instrument and wind trio (alto saxophone, horn and trombone)
Commissioned by 'Oggimusica'.
Duration: 6' 00"
Edition Mikro
Die Zeit mit Kathrin (1999)
Film music
Documentary film by Urs Graf. Filmkollektiv Zürich.
Manuscript
In Bewegung (Nature morte au Rideau) (1999-2000)
Instrumentation: for piano with electronic tape and thirteen strings
Commissioned by the city of Zurich for the Zurich Camerata.
Duration: 18' 00"
Edition Mikro
Motivo (2000)
Instrumentation: for altus and violin
Texts: Cecilia Meireles
Duration: 3' 00"
Manuscript
Braus (2000)
Instrumentation: for soprano recorder (or ocarino) and electronic tape (or CD)
Commissioned by the Winterthur / Zurich School of Music.
Duration: 8' 00"
Edition Mikro
instabilis tellus, innabilis unda (Klavierstück 10) (2000)
Instrumentation: for four-handed piano
Commissioned by the Nicati-De Luze foundation for the piano duo Gertrud Schneider and Tomas Bächli.
Duration: 6' 00"
Edition Mikro
Langsamer Eingang (2000)
Instrumentation: for viola solo
A commission by the Nicati-De Luze foundation.
Duration: 3' 00"
Manuscript
Treffberg (2000)
Instrumentation: for improvising trio with piano, double-bass and percussion
Commissioned by the trio 'Cieleterra'.
Duration: 15' 00"-20' 00"
Edition Mikro
Paysage bleu (2000)
Instrumentation: for choir (SSATB), orchestra (1.2.2.2/0.0.3.0/positiveorg/perc/str) and play-back CD
‘In Bewegung (La pendule de marbre noir)’ can be performed between ‘Et incarnatus est’ and ‘Sanctus’ and ‘Paysage bleu’ can be played after ‘Benedictus’ from Missa in C minor (KV 427) by W.A. Mozart, marking the point where the work remained unfinished.
This piece was commissioned by the city of Zurich for Karl Scheuber and the singing circle of the Engadine Church Choir, Zurich.
Duration: 8' 00"
Edition Mikro
In Bewegung (La pendule de marbre noir) (2000-2001)
Instrumentation: for transverse flute and thirteen string instruments
‘In Bewegung (La pendule de marbre noir)’ can be performed between ‘Et incarnatus est’ and ‘Sanctus’ and ‘Paysage bleu’ can be played after ‘Benedictus’ from Missa in C minor (KV 427) by W.A. Mozart, marking the point where the work remained unfinished.
This piece was commissioned by the city of Zurich for Karl Scheuber and the singing circle of the Engadine Church Choir, Zurich.
Duration: 4' 30"
Edition Mikro
Narrenschifferklavier - tanzen (2001)
Instrumentation: for clarinet solo
Commissioned by the ‘Moments Musicaux’ with the friendly support of the Aargau Curatorium.
Duration: 3' 00"
Edition Mikro
Neidhartlieder: Winter, Sommer (2001)
Instrumentation: for soprano, four Renaissance recorders and playback CD
Texts: Ingrid Fichtner, Neidhart von Reuental
Duration: 15' 00"
Edition Mikro
Horizont (2001)
Instrumentation: for marimba (five octaves) and computer
Commissioned by Christoph Brunner.
Duration: 6' 00"
Edition Mikro
Metallzeiten (2001)
Instrumentation: for viola, violoncello and percussion
Duration: 55' 00"
Manuscript
Streichquartett (2001-2002)
Duration: 12' 00"
Edition Mikro
Auf nach Hippodamien (2001-2002)
Instrumentation: for speaker (m/f), two violins, viola and violoncello
Texts: Georges Wieland
A string quartet for four horse-mad girls. Low level of difficulty.
Duration: 8' 00"
Edition Mikro
gewölbt (2002)
Instrumentation: for four groups of membrane instruments, trombone, euphonium and tuba
Commissioned by the 'Alten Kantonsschule Aarau' for their 200th anniversary.
Duration: 5' 00"
Edition Mikro
Der Graf von Öderland (2002)
Music for a radio play
'Der Graf Öderland' by Max Frisch. Dramatic sketches from the diary 1946-1949.
Radio adaptation and direction: Stephan Heilmann. Swiss Radio DRS II, Studio Basel.
Manuscript
Weites Land (2002-2003)
Instrumentation: for violoncello and playback CD
Duration: 30' 00"
Edition Mikro
Ein Lachen (2002-2003)
Instrumentation: for speaking voice and piano
Texts: Ingrid Fichtner
Duration: 4' 00"
Edition Mikro
Cembalo-Buch (2002-2003)
Bagatelle, Ballade I, Ballade II, Barcarole I, Barcarole II, Barcarole III, Barcarole IV, Passacaglia, Baccanale, Bassedanse.
Duration: 22' 00"
Edition Mikro
Schattengefüg (2003)
Instrumentation: for improvising trio with voice, recorder, double-bass and electronic tape
Commissioned by the Trio III VII XII (Mischa Käser, Urs Haenggli, Daniel Studer).
Duration: 10' 00"-12' 00"
Edition Mikro
Villes (Portrait de Rimbaud) (2003)
Instrumentation: for baritone, e-guitar, tuba and drum set
Texts: Arthur Rimbaud
Commissioned by Lisa Schiess for the 'Ma Bohème' project.
Duration: 7' 30"
Edition Mikro
2. Streichquartett "...mit kleinen Wellen an jedem Blattrand (wie eines Windes Lächeln)..." (2003)
Commissioned by the Carmina Quartett Zürich for it's 20th anniversary.
Duration: 10' 00"
Edition Mikro
Raum - Zwischenraum (2003)
Instrumentation: for two contrabasses, violoncello, clarinet, 4 loud speakers, 5 spaces
Duration: 60' 00"
Manuscript
ORB_IT (2002-2004)
concept for a sound installation with 28 loud-speakers
Realisation 2004 for TRANS_IT, World New Music Days 2004, Lucerne, in collaboration with 84 composers from 57 countries.
Duration: 30' 00"
Manuscript
Der Teufel auf dem Jahrmarkt (2003-2004)
Instrumentation: for speaker, violin, accordion and percussion (marimba, glockenspiel, bouteillophone, large drum)
Texts: Dieter Ulrich
Loosely based on the novel 'Der Sorotschinsker Jahrmarkt' by Nikolaj Gogols.
Duration: 40' 00"
Edition Mikro
Enteilende Stücke (2004)
Instrumentation: for alto recorder
Commissioned by Martina Joos.
Duration: 6' 30"
Edition Mikro
Etymologie des Entgleitens (2004)
Instrumentation: for speaking voice and piano
Texts: Thomas Meyer
Duration: 2' 30"
Edition Mikro
Ein Kosmos: Rheinfall (2004)
InstallationInstrumentation: for clarinet in B, tenor trombone, violoncello and playback CD
Commissioned by Peter Mettler for the vernissage of the exhibition 'Rheinfallsammlung Peter Mettler' at the Klostergut Paradies, Schlatt, 23rd September 2004.
Duration: 10' 00"
Edition Mikro
Euridike singt (2001-2003/04)
Scene
Instrumentation: for soprano, oboe, violoncello, piano and playback CD
Texts: Raphael Urweider
commissioned by the Ensemble Aequatuor.
Duration: 33' 00"
Manuscript
Horizont II (2005)
Instrumentation: for alto saxophone, harpsichord and computer
Duration: 7' 30"
Manuscript
Die Strasse (2005)
Music for a radio play
'Dies Strasse' by Robert Walser. Textcollage. Radio daptation and direction: Stephan Heilmann. Swiss Radio DRS II, Studio Basel.
Manuscript
Hofhuber - Ein Stück Land (2005)
Radio-play music
'Hofhuber – Ein Stück Land', radio play by Ruth Gundacker. Directed by Stephan Heilmann. Swiss Radio DRS II, Studio Basel.
Manuscript
"at the still point, there the dance is" (2005)
Instrumentation: for viola solo
Duration: 7' 00"
Manuscript
Dinge - Zeit (2005)
Musique concrète
Instrumentation: for six loud-speakers
Realised in collaboration with school children (14/15 years olds) from the classes of Reto Eglauf and Mark Fry at the 'Schulhaus Pfaffechappe' in Baden for the Historic Museum Baden.
Duration: 9' 30"
Manuscript
3. Streichquartett (3rd string quartet) (2005-2006)
Duration: 23' 00"
Manuscript
er-innern (2006)
Instrumentation: for improvising kawala, improvising violino d'amore and playback CD
Duration: 5' 30"
Manuscript
Zwei Motetten (2006-2007)
Instrumentation: for eight solo voices (SSAATTBB, or eight-part choir) and organ
Motet: Ding (2006/07) 7' (Daniel Czepko von Reigersfeld)
Motet: Furcht (2007) 8' (Raphael Urweider, Jean Paul)
Duration: 15' 00"
Manuscript
Cuellis par la mémoire des voûtes (2007)
Instrumentation: for saxophone quartet or string orchestra
Duration: 20' 00"
Manuscript
Rezitativ in gebogenem Licht (2007)
Instrumentation: for double bass solo
Duration: 8' 00"
Edition Mikro
Über dieses Wasser (2007-2008)
Music for a dance theatre
Instrumentation: for twelve solo voices, tenor trombone, violin and percussion
Texts: Ingrid Fichtner
N°1:Ares, for violin and percussion (vibraphone, small drum, rod, whip, maracas, rolled-up newspaper)
N°2: Johann, for speaker (Johann) speaking choir, tenor trombone, violin, percussion (small drum, tubular bells in F#', shell ring, maracas), mediaeval ensemble
N°3: Wasser – Ufer: for a-cappella choir with four soli (SATB)
N°4: Selene: for violin and vibraphone
N°5: Agnes: for soprano solo (Elisabeth), alto solo (Agnes), choir, tenor trombone, violin, percussion (large drum, 3 cymbals on stands (high, middle, deep), maracas, shell ring, sandpaper block)
N°6: Zeus – Albrecht: for alto solo (Agnes), speaker (Albrecht), violin, tenor trombone, percussion (vibraphone, 3 cymbals, tubular bells in F#', shell ring)
N°7: Opfer – Tater: for soprano (Elisabeth), alto solo (agnes), choir, tenor trombone, percussion (large drum, small drum, 1 cymbal)
N°8: Kronos: for violin, percussion (large drum, 2 medium-sized pebbles)
N°9: Ite missa est, interpolation of Ite missa est aus der Messe de Tournai: for choir (6pt), tenor trombone, violin, vibraphone
N°0 (supplement); chronicle of Mathias von Neuenburg: recitative for baritone, harpsichord, male and female voices, percussion (triangle, small drum); text: Matthias von Neuenburg (14th century)
Duration: 35' 00"
Manuscript
Vier Stücke für Violine und Schlagzeug (four pieces for violin and percussion) (2007-2008)
Nr.1: Ares
Nr.2: Selene
Nr.3: Zeus
Nr.4: Kronos
(from: Über dieses Wasser)
Duration: 8' 00"
Manuscript
Landschaften der Bewegungen (2007-2008)
Instrumentation: for violin, guitar and double bass (in D)
Duration: 13' 00"
Manuscript
Gezeiten der Zeit (2008)
Instrumentation: for string orchestra (6.5.4.3.1)
Duration: 16' 00"
Manuscript
Rayyis Fikri and the Magic Square (2008)
Divertimento
Instrumentation: for rababa and violoncello
Duration: 2' 30"
Manuscript
Der Bio-Adapter (2008)
audio piece
Texts: Oswald Wiener
Duration: 61' 00"
Manuscript
Klavierstück 12 (piano piece 12) (2008-2009)
Duration: 8' 00"
Manuscript
Wasser (2008-2009)
Instrumentation: for soprano solo, alto solo, tenor solo, bass solo, mixed choir, tenor trombone, violin, vibraphone (also cymbals)
Texts: Ingrid Fichtner
Nr. 1: Wasser - Ufer (3')
Nr. 2: Am Wasser (9')
Nr. 3: Über dieses Wasser (Ite missa est) (6')
Duration: 18' 00"
Manuscript
Klavierstück 11 (piano piece 11) (2009)
Duration: 6' 00"
Manuscript
Glück (2009)
Instrumentation: for speaker and piano
Texts: Thomas Meyer
This music was originally created for "Der Bio-Adapter" by KARL ein KARL (Michel Seigner, Peter K Frey, Alfred Zimmerlin) and Peter Schweiger.
Duration: 4' 00"
Manuscript
Seasons, Moon, and Memory (2009)
Instrumentation: for mezzo-soprano and piano with CD playback
Texts: Emily Dickinson
Duration: 33' 00"
Manuscript
Scènes (2009-2010)
Instrumentation: for tenor saxophone, bassoon, playback and live electronics
Texts by Arthur Rimbaud from "Illuminations", read by Sara Maurer.
Software programming: Johannes Schütt.
Duration: 14' 00"
Manuscript
Zwei Winterviolen (2009)
Sixteen stations
Instrumentation: for two violins
Duration: 8' 00"
Manuscript
braue (2009)
Instrumentation: for speaker and piano
Texts: Thomas Kling
Duration: 4' 00"
Manuscript
Minutenspirale (2010)
Instrumentation: for flute, clarinet, violin, violoncello, piano, percussion (1 pair of pebbles, 1 triangle, 1 large drum)
Duration: 1' 00"
Manuscript
Improvisation 1 (2010)
Instrumentation: for violoncelo and percussion
Duration: 30' 00"
Manuscript
kerl sah ur (2011)
Instrumentation: for violin, violoncello and double bass
Duration: 18' 00"
Manuscript
klerus har (2011)
Instrumentation: for violin, violoncello and double bass
Duration: 5' 00"
Manuscript
krauls reh (2011)
Instrumentation: for violin, violoncello and double bass
Duration: 13' 00"
Manuscript
re ahnend zähl (2011)
Instrumentation: for violin, violoncello and double bass
Duration: 7' 00"
Manuscript
zäher handeln (2011)
Instrumentation: for violoncello and double bass
Duration: 7' 00"
Manuscript
ahne erzählend (2011)
Instrumentation: for violin, violoncello and double bass
Duration: 5' 00"
Manuscript
fernem tag (2011)
Instrumentation: for violin, violoncello and double bass
Duration: 5' 00"
Manuscript
härznadel neh (2011)
Instrumentation: for violin, violoncello and double bass
Duration: 6' 00"
Manuscript
härznahe nadl (2011)
Instrumentation: for violin, violoncello and double bass
Duration: 11' 00"
Manuscript
harre luks (2011)
Instrumentation: for violin, violoncello and double bass
Duration: 5' 00"
Manuscript
hurra leks! (2011)
Instrumentation: for violin, violoncello and double bass
Duration: 3' 00"
Manuscript
tiw - saw (1913)
Instrumentation: für Violoncello und Klavier - für Klaviertrio
Duration: 11' 00"
Manuscript
Mehr als elf (2013-2014)
Commedia
Instrumentation: für eine Opernsängerin
Texts: Zsuzsanna Gahse
Duration: 77' 00"
Manuscript
Zimmerlin, Alfred: Klaus Hubers musikdramatisches Werk, in: .Schweizer Theaterjahrbuch 45 (1983), S. S. 167-180
Zimmerlin, Alfred: István Zelenka. Vorschläge für einen Dialog mit dem Lebensraum, in: Dissonanz 49 (1996)
Zimmerlin, Alfred: Claudio Danuser – ein intellektueller Nabucco, in: Neue Zürcher Zeitung (25. April 1997) (1997)
Zimmerlin, Alfred: Wo sind die Orientierungspunkte?, in: NZZ (2. Mai 2003) (2003), S. 58
Zimmerlin, Alfred: Wild und schüchtern zugleich - der Komponist Gérard Zinsstag, in: NZZ (2005)
Zimmerlin, Alfred: Ein Einzelgänger. Zum Tod des Komponisten Meinrad Schütter, in: Neue Zürcher Zeitung (14.01.2006) (2006)
Zimmerlin, Alfred: Musik soll berühren, in: Neue Zürcher Zeitung (25. Oktober 2006) (2006)
Zimmerlin, Alfred: Zum Tod von Mstislaw Rostropowitsch, in:
Dissonanz 99 (2007) [
Internet]
Zimmerlin, Alfred: Auf der Suche nach dem ewigen Leben (Gilgamesh), in: NZZ (2008)
Zimmerlin, Alfred: Au carrefour des mondes – Komponieren in der Schweiz, PFAU-Verlag, Saarbrücken 2008
Zimmerlin, Alfred: Ein singulärer Weg, in: Neue Zürcher Zeitung (2011)
Zimmerlin, Alfred: Musik an der Schnittstelle von Kulturen. Zum Tode des Komponisten Eric Gaudibert, in:
NZZ (1. Juli 2012) (2012) [
Internet]
Zimmerlin, Alfred: Hans Ulrich Lehmann (1937-2013), in:
Dissonanz 122 (2013), S. 58-59 [
Internet]
Zimmerlin, Alfred: Der klingende, tanzende Körper. Zum Tod des Komponisten Hans Ulrich Lehmann, in: NZZ (28.1.2013) 22 (2013), S. 34
Fatton, Andreas: Silben, Szenen, Bilder, Räume. "Journées contemporaines" in Basel. Musiktheater von Francesc Prat, Michel Roth, Andrea Lorenzo Scartazzini und Alfred Zimmerlin, in: Dissonanz 120 (2012), S. 60-61
Drees, Stefan: Alfred Zimmerlin: Weites Land, Weisse Bewegung (CD Musiques Suisses), in:
Dissonanz 114 (2011), S. 82 [
Internet]
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