Seven Preludes for Guitar (1981)
Humorous intermediate/difficult pieces with interesting effects. Relatively comprehensible for both player and listener.
Duration: 16' 00"
SME/EMS
Chinesisches Märchen (1983)
Instrumentation: for flute (or oboe or violin) and guitar
An easily approachable piece in which equal demands are made on both interpreters. It is not a difficult piece to interpret and is well suited to an advanced student.
Duration: 3' 00"
SME/EMS
Das Kastanienmännchen (1984/06)
A musical fairytaleInstrumentation: for wind quintet, guitar and story-teller (there is also a version for wind quintet and speaker)
Colourful dreamy music, not always easy to perform.
Duration: uncut 35', cut 26'.
Duration: 35' 00"
SME/EMS
(Parts: CHF 30.-)
Kastanienmännchen-Suite (1984)
Instrumentation: for wind quartet
An adaptation of 'Das Kastanienmännchen'. Music in one movement.
Duration: 18' 00"
SME/EMS
(Parts: sFR. 24.-; € 16.00)
Zwei Lieder nach Gedichten von Peter Weibel (1985)
Instrumentation: for singing voice and strings (or string quartet)
Texts: Peter Weibel
The autumn atmosphere becomes music, as delicate as poems by Weibel. Relatively simple to perform. An appeal to the musicality of interpreters...
Duration: 14' 00"
SME/EMS
Sinfonie für Streicher und Schlagzeug (1986)
Instrumentation: (8, 8, 4, 4 - 4 Schlgz)
A rewarding piece, effective and relatively accessible to the public.
Duration: 25' 00"
SME/EMS
"Re-Ra" (1988)
Instrumentation: for four clarinets (two clarinets, basset horn, bass clarinet)
A virtuosic, amusing piece with musically playful surprises and merry moments.
Duration: 13' 00"
SME/EMS
Konzert (1989-1994)
Partita concertante
Instrumentation: for trumpet and symphonic orchestra or string orchestra
Duration: 35' 00"
Manuscript
Instrumentenkarussel (Instrumentenführer für junge Leute) (1992)
Instrumentation: for a large orchestra
Comical variations on two Swiss folk song themes for diverse instrumental groups, sometimes playing register-like and sometimes as a whole orchestra.
Of a medium level of difficulty, can also be played, relatively easily, by a student or amateur orchestra.
Duration: 4' 00"
SME/EMS
Cum grano salis (1992)
Instrumentation: for wind quintet and strings
A polyphonic tonal meshwork - fluctuations between chromatic and polypentatonic - irridescent sound surfaces. For chamber musical performances: wind quintet and string quartet.
Duration: 14' 00"
SME/EMS
Threnos (In memoriam Sandor Veress) (1992)
Instrumentation: for string orchestra (8.8.4.4.2)
Funeral music, polytonal and chromatic, emotional micro intervallic sound surfaces alternate with linear networks.
Duration: 12' 00"
SME/EMS
Divertimento (1992)
Instrumentation: for flute, clarinet and guitar
A melodic and lyrical piece with appealing rhythms and harmonies and rewarding solo cadenzas. This piece is demanding for all three instruments.
Duration: 12' 00"
SME/EMS
Flamenco Pieces (1992)
Instrumentation: for guitar
Duration: 15' 00"
Manuscript
Blues Pieces (1993)
Instrumentation: for guitar
Duration: 20' 00"
Manuscript
Lapis Miraculum (1993)
Instrumentation: for English horn (violin, viola, violoncello) and guitar
A relatively easy to play, slow, transparent and colourful piece.
Duration: 6' 00"
SME/EMS
Musik für zwei Gitarren (1994)
A quick, lively piece - demanding for both guitarists.
Duration: 5' 00"
SME/EMS
Fuge (1995)
Instrumentation: for 4 double basses
Duration: 6' 00"
Manuscript
Flötenquartett (1995)
Instrumentation: for two flutes, alto flute and bass flute
A playful piece with merry polyrhythmic shenanigans, a real challenge for any flute quartet.
Duration: 24' 00"
SME/EMS
Staub der Zeit (1995)
Song cycleInstrumentation: for mezzo-soprano and piano
Texts: Ruth Loeb
A cycle of songs based on the poems by Ruth Loeb. Lyrical, colourful and expressive songs that can be interpreted as a cycle or as a selection ad libitum of individual songs. Relatively easy to perform.
Duration: 40' 00"
SME/EMS
CARMEN O CARMEN (1995)
Instrumentation: for seven percussionists
A symphony concertante in one movement with two themes from G.Bizet. A very effective and rewarding piece in which over thirty-five percussion instruments play. Polyrhythmic parts alternate with turbulent polyphony on the plate instruments, harmonic, multi tonal and rhythmic surprises, as well as a demanding drum solo part. A delicacy for every percussion ensemble and a chance to demonstrate virtuosity.
Duration: 24' 00"
SME/EMS
Herbstsonate (1996)
Instrumentation: for guitar
Four movements in a post-modern manner, transparent like a sunny September day, bursting with subtle melancholy, an intermediate tonal piece written in conventional notation.
Duration: 15' 00"
SME/EMS
Fugit irreparabile tempus (1997)
Instrumentation: for contrabass flute and flute orchestra (5fl(3pic).3afl-g.3bfl)
Duration: 18' 00"
SME/EMS
Präludium und Fuge (1999)
Instrumentation: for guitar
A demanding, deeply heartfelt piece of music with numerous harmonic and musical surprises, a real challenge for any guitarist.
Duration: 12' 00"
SME/EMS
Quaerendo invenietis (1999)
Instrumentation: for piano (only possible on a grand with three pedals)
A rewarding, virtuoso piece with numerous special effects, partly graphic but mostly conventionally notated. Lyrical episodes are set against turbulent, rhythmical and eruptive parts. Together they search for and find the compositions equilibrium, the outcome being the musical landscape and form of the piece. To be devoured by every pianist who, not only likes to play music, but also searches for a challenge therein.
Duration: 12' 00"-20' 00"
SME/EMS
Liederzyklus nach Gedichten von Joachim Ringelnatz (2002)
Instrumentation: for mezzo-soprano and guitar
Texts: Joachim Ringelnatz
Comical songs with surprising harmony and delightful rhythm. This cycle is composed partly in graphic notation and partly in traditional notation. Some special effects are required by the voices and the guitar accompaniment. The harmony of the songs wanders between tonality, polytonality and atonality. Relatively easy to understand and easy to perform post modern bawdy songs.
Duration: 25' 00"
SME/EMS
Variationen über "Vreneli ab em Guggisberg" (2002)
Instrumentation: for guitar
A conventionally notated, easy to understand and very effective piece for guitar solo. A theme with eight variations using expanded tonality, colourful and typical guitarish nuances - an absolute delicacy for any guitarist. Intermediate to difficult.
Duration: 15' 00"
SME/EMS
Deux Nocturnes (2002)
Instrumentation: for guitar
This poetic piece in a post modern style has echoes of impressionism and jazz, dreamy slow rubarto passages contrast with rhythmical ones, a conventionally notated piece for intermediate/advanced players.
Duration: 15' 00"
SME/EMS
Sonata (2003)
Instrumentation: for alto flute
Homage to J.S Bach. Four movements partly poetic, partly restrained and then again virtuosic and frolicsome. A delicacy for any flute virtuoso.
Duration: 13' 00"
SME/EMS
Konzert für Fagott und Orchester (2003)
Instrumentation: (1.1.1.ca.1/1.1.1.0/1-2perc/pf/str)
A playful piece in three movements full of vitality and Hungarian rhythm. Frolicsome parts alternate with melancholic parts.
No. 1: Allegretto (13') and No. 2: Adagio (15') are self-contained and can be performed seperately.
Duration: 40' 00"
SME/EMS
Adagio for English horn and orchestra (2004)
Instrumentation: (1.1.1.ca.1/1.1.1.0/1perc/str)
A reflective, melancholic piece.
Duration: 6' 00"
SME/EMS
Weihnachtsgeschichten (2005)
Instrumentation: for piano
Character pieces ranging from easy to difficult. 10 pictures (the dreams of a boy centred around Christmas). Accessible, full of humour and colours. Postmodern - surprising harmonies and rhythms.
Duration: 24' 00"
SME/EMS
Das Burgfest (2005)
Flute quartetInstrumentation: for 2 flutes, alto flute and bass flute
A suite consisting of amusing charachter pieces. simple to play.
Duration: 16' 00"
SME/EMS
Drei Fugen (2005)
Instrumentation: for orchestra (2.2.2cl-B.2/2hn-F.2tpt-B/2perc/strquintet)
Two slow outer movements, deep-rooted with partly sad partly emphatic expression. The middle part, in contrast, is a lively, wild music with an almost over-the-top existence. Postmodern, harmonic structure: augmented tonality and free atonality.
Duration: 10' 00"
SME/EMS
Drei Fugen (2005)
Instrumentation: for string orchestra (8.8.4.4.2)
A free adaptation of the orchestral version.
Duration: 10' 00"
SME/EMS
Drei Fugen (2005)
Instrumentation: for piano
A free adapatation of the version for string orchestra.
Duration: 10' 00"
SME/EMS
Burgfest-Suite (2005)
Instrumentation: for orchestra (2.2.2cl-B.2/2hn-F.2tpt-B/3perc/harp/strquartet)
Seven pictures (character pieces) from 'Das Burgfest' (a musical fairytale for children set for speaker and orchestra). Full of colours and surprises, accessible and easy to play. Postmodern, augmented tonality, partly 10-tone structures.
Duration: 16' 00"
SME/EMS
Das Schlossfest (2005)
Instrumentation: for a variable quartet
A free adapatation of the orchestral piece - simple to play.
Duration: 16' 00"
SME/EMS
Ungarische Rhapsodie (2006)
Instrumentation: für Flöte, Fagott und Harfe
Duration: 12' 00"
SME/EMS
Johann(a), der Wandermusikant (2006)
Musical fairytaleInstrumentation: for speaker and orchestra (2(pic)2.2.2/2.2.0.0/cel.3perc/str)
Texts: Vladislav Jaros
Also versions for:
speaker and string orchestra
speaker and wind quintet
speaker and piano
An amusing, modern and completely atypical fairytale in which, for once, the woman plays the active role and takes her destiny into her own hands. A diversified, colourful story with lively music.
Duration: 35' 00"
SME/EMS
Der Rhein (2007)
Instrumentation: for clarinet orchestra (ebcl, 9cl-b, ebacl, bcl, cbcl)
A symphonic poem depicting the flow of the river from its source to its estuary at Rotterdam. Five quotes from Swiss, German, and Dutch folk music.
Freely tonal with several effects and atonal surfaces, easy to understand and play. Medium level of difficulty.
Duration: 16' 00"
SME/EMS
Terzett (2007)
Instrumentation: for panflutes (or flutes), taragot (or oboe) and organ (or flute, clarinet and organ)
In memoriam Sándor Veress.
A piece with two themes from Hungarian folk music, slow lyrical parts alternate with lively, quick and very rhythmical parts. Expanded tonality.
Duration: 12' 00"
SME/EMS
Four Pictures for Strings (2007)
Instrumentation: for string orchestra (vn 1, 2, va, vc, db)
Easily accessible, atmospherically very dense character pieces (also suitable for an amateur string orchestra). Tonality, bitonality and quintal harmony.
Duration: 13' 00"
SME/EMS
Cinq nocturnes (2007)
Instrumentation: for guitar
Five charming, atmospherically dense and playful pieces for guitar. The techniques and tone possibilities of the guitar are presented here in an exemplary manner.
Duration: 20' 00"
SME/EMS
Fünf Gedichte (2008)
Instrumentation: for orchestra (2.2.ca.2.2/2.2.1.0/4perc/hp/str)
Easily accessible character pieces with a very dense atmospheric and emotional content.
Tonality, bitonality and quintal harmony.
Duration: 17' 00"
SME/EMS
Cinq nocturnes (Volume II) (2009)
Instrumentation: for guitar
A continuation of the first cycle. An intermediately difficult solo piece full of poetry and colours for guitar. Extended tonality.
Duration: 20' 00"
SME/EMS
Concertino (2009)
Instrumentation: for euphonium and orchestra (pic.2.2.2.2/2.2.1.0/perc/cel/str)
A colourful concertino in one movement, playful and blithe, dancey. Extended tonality throughout, middle part is atonal. An easily comprehensible and rewarding piece for both musicians and audience alike.
Duration: 11' 30"
SME/EMS
Capriccio d'estate (2009)
Instrumentation: for violoncello and piano
A spirited, rhythmical first part leads to a calm, poetic middle part broken only by motives from the first part. The sultry reprise and coda finish this piece that is rousing in every aspect.
Duration: 11' 30"
SME/EMS
Due minuti capricciosi (2009)
Instrumentation: for saxophone, bassoon, violin, violoncello, guitar, piano and percussion
A very turbulent piece. Hasty, breathless tempo.
Duration: 2' 00"
SME/EMS
Gloomy Night (2009)
Instrumentation: for mezzo-soprano, oboe and piano
Texts: Vladislav Jaros
Duration: 4' 00"
Manuscript
Hommage à Francisco Tàrrega (2010)
3 SongsInstrumentation: for mezzo-soprano and orchestra (1.1.1.0/gtr/str)
Texts: Vladislav Jaros
Instrumentation:
1. Dreams: fl, ob, mezzo, gtr, str
2. Recuerdos de la Alhambra: mezzo, gtr, str
3. Tears: fl, ob, kl, mezzo, gtr, str
The composer has written an English text and a melodie to the well-known pieces by Francisco Tàrrega and intrumented the pieces for chamber orchestra. In he orchestral version, the music of Francisco Tàrrega sounds in an unknown colour, intensity and musical quality that must be heard.
Duration: 10' 00"
SME/EMS
Pigeon's Song (2010)
SongInstrumentation: for mezzo-soprano and orchestra (fl, ob, cl, bn, drm, drmset, bongos, piano, bassgtr, str) or mezzo and pf
Texts: Vladislav Jaros
Tonally composed in the Musical style.
Second version is without bass guitar and drum set.
Duration: 4' 00"
SME/EMS
Und nenne dich Glück (2010)
Instrumentation: for mixed choir (soprano, alto, tenor, bass) and organ
Texts: Rose Ausländer
Duration: 1' 40"
SME/EMS
Nocturne (2010)
Instrumentation: for guitar and strings
Duration: 6' 00"
SME/EMS
Home Is The Sailor (2010)
Instrumentation: for mezzo-soprano, baritone and piano
Texts: Vladislav Jaros
Duration: 3' 00"
SME/EMS
Come Along (2010)
Instrumentation: for mezzo-soprano and orchestra (fl, ob, cl, bn, timp, gong, hp, gtr, pf, str) (also for mezzo and pf)
Texts: Vladislav Jaros
In the Musical style.
Duration: 4' 00"
SME/EMS
Why (2010)
SongInstrumentation: for mezzo-soprano and orchestra (2fl, 2ob, 2cl, 2hn, 2tpt, tbn. drm, drmset, bassgtr, str)
Tonally composed in the Musical style.
Duration: 7' 00"
SME/EMS
Why (short version) (2010)
Instrumentation: for mezzo-soprano and orchestra (2fl, 2ob, 2cl(bcl), 2hn, 2tpt, tbn. drm, drmset, pf, bassgtr, str) or mezzo, baritone and pf
Duration: 5' 00"
SME/EMS
Habanera y Bossa Nova (2010)
Instrumentation: for four clarinets (2cl, btnhn, bcl)
Duration: 4' 30"
SME/EMS
Choräle nach Gedichten von Rose Ausländer (2010)
Instrumentation: for female choir (soprano I, soprano II, alt I, alt II
Texts: Rose Ausländer
Duration: 5' 00"
SME/EMS
Musik für drei Kontrabässe (2010)
Instrumentation: for 3 concert double basses (or 3 violoncelli)
"Musik für drei Kontrabässe" is a diversified piece of music in four movements, each carrying a programmable title:
I Einmarsch,
II Schizophrene Spielchen,
III Hoffnungslosigkeit,
IV Danza sarcastica,
This piece musically depicts the invasion of Czechoslovakia by the Soviets (1968) and the years that followed. The music does not necessarily need a programme.
Duration: 12' 00"
SME/EMS
Lullaby II (2011)
Instrumentation: for mezzo-soprano, guitar and orchestra (or just guitar accompaniment)
Texts: Vladislav Jaros
The author wrote an English version of the well-known Catalan folksong 'El noy de la mara', set it for orchestra and added lyrical instrumental interludes.
Duration: 3' 00"
SME/EMS
Golden Gate Bridge in the Fog (2011)
Instrumentation: for mezzo-soprano, guitar and orchestra (or just piano or guitar)
Texts: Vladislav Jaros
An atmospheric orchestral song created in San Fransisco; one is able to hear in the music this beautiful city and the fog, which intermittently ascends from the sea to envelop this famous bridge. Tonal, English text written by the composer.
Duration: 3' 00"
SME/EMS
Nova slova (2011)
Instrumentation: for mezzo-soprano, guitar and strings (or just piano or guitar accompaniment))
Texts: Vladislav Jaros
A piece that puts new life into the traditional romantic song. Tonal, interesting harmonics. The song is availabe in three languages.
Duration: 4' 00"
SME/EMS
Pepita (2011)
Instrumentation: for baritone, mezzo-soprano, 2 trumpets, accordion, guitar, e-bass, percussion and strings
Texts: Vladislav Jaros
A cheerful song with a catchy, typically Mexican rumba rhythm for a small orchestra.
A reminder of Mexico.
Duration: 3' 00"
SME/EMS
Listen to the Rain (2011)
Instrumentation: for mezzo-soprano and piano (or guitar)
A cheerful love song that is to be sung in the rain and the raindrops are to accompany the piano. Tonal.
Duration: 3' 00"
SME/EMS
Stop That Game (2011)
Instrumentation: for alto, baritone, tenor sax, trumpet, trombone, percussion, 2 e-guitars and e-bass
Texts: Vladislav Jaros
A rhythmical and lively jazz-funk song capturing the atmosphere of New York and life in this fascinating city.
Duration: 3' 00"
SME/EMS
Tanec lasky (2012)
Instrumentation: for mezzo-soprano, guitar and orchestra
Texts: Vladislav Jaros
A swift and sprightly orchestral song with a lyrical middle part. Tonal.
Duration: 4' 00"
SME/EMS
Vier Stücke (2012)
Instrumentation: for guitar orchestra
4 simple tonal pieces in 4 different styles. Perfectly suitable for a student guitar orchestra.
Duration: 13' 00"
SME/EMS
A la recherche du temps perdu (2012)
Instrumentation: for flute, violin, viola and violoncello
A postmodern piece, extended tonality and polytonality, full of life, partly contemplative then lively and dancy again. Interesting effects.
Duration: 10' 00"
Manuscript
A Magic Moment (2012)
Instrumentation: for mezzo-soprano, piano and orchestra
Texts: Vladislav Jaros
The author composed a song from the middle part (Un poco andante e cantabile) of the Fantaisie Impromtu for piano by F. Chopin by using a voice and making several additions, wrote an English text and orchestrated the resulting, filigree song, which demands to be heard.
Duration: 5' 00"
SME/EMS
La Mediterranée (2012)
Instrumentation: for clarinet, guitar and orchestra (also clarinet and guitar or piano)
The turbulent first part transforms into a melodious middle part prior to a varied recapitulation. An effective, temperamental piece of music with a Spanish soul.
Duration: 4' 30"
SME/EMS
Auf Flügeln des Gesanges (2012)
Instrumentation: for mezzo-soprano, guitar, harp and orchestra
Texts: Heinrich Heine
The author added several short pieces to this famous song by Felix Mendelsohn and set it for chamber orchestra. The song shines with previously unknown colour and beauty.
Duration: 2' 30"
SME/EMS
Desert Plant (2012)
Instrumentation: for mezzo-soprano and piano
Texts: Vladislav Jaros
The author wrote a new English text and a piano accompaniment to the well-known Catalan song 'Testament d'Amelia', thus enriching and making more varied its musical structure. He also extended the song in the style of a folk melody to create a new part with a climax, which is missing from the original folksong. An atmospheric song with a melancholic atmosphere.
Duration: 4' 00"
Manuscript
Gloomy Night (2012)
Instrumentation: for mezzo-soprano, piano and orchestra (also mezzo-soprano and piano)
Texts: Vladislav Jaros
An atmospheric orchestral song, tonal. Soft echos of Celtic music. English text written by the composer.
Duration: 4' 00"
SME/EMS
Ukolebavka (2012)
Instrumentation: for mezzo-soprano, piano, guitar and strings (or mezzo-soprano and piano / guitar or just guitars)
Texts: Vladislav Jaros
A song of the heart. Tonal. Czech text is written by the composer. There also exists a version with English text under the title 'Lullaby'.
Duration: 3' 00"
SME/EMS
Home Is the Sailor (2012)
Instrumentation: for mezzo-soprano, baritone, guitar, piano and orchestra (also only piano accompaniment)
Texts: Vladislav Jaros
A yearning shanty. Tonal.
Duration: 4' 00"
SME/EMS
Lascia ch'io pianga (2012)
Instrumentation: for mezzo-soprano, guitar and orchestra
This famous aria from Georg Friedrich Händel sounds in fresh colours in this instrumentation by Jaros. The composer also also composed a catchy interlude.
Duration: 5' 00"
SME/EMS
Lax (2012)
Instrumentation: for tàrogato and piano (or tàrogato solo)
An atmospheric piece, meditative, a musical winter landscape.
Interesting harmonics. Extended tonality, bitonality, partly atonal.
Duration: 6' 00"
SME/EMS
Floreat Domus (2013)
Instrumentation: for oboe, clarinet and organ
A quasi-meditation over the meaning of life set to music. Slightly extended tonality.
Duration: 5' 30"
SME/EMS
"...emu Emme" (2013)
Instrumentation: for three solo guitars, guitar orchestra and double bass
An amusing piece for acoustic guitars, the three solo guitars have the extended part, the guitar orchestra is simply conceived. Also suitable for amature guitar players. Apart from several short atonal parts, this piece is tonal throughout.
Duration: 7' 00"
SME/EMS
Sometimes (2013-2014)
Instrumentation: for mezzo-soprano, mixed choir and orchestra (2.2.ca.2.2/2.2.1.0/perc.tubular bels/hp.cel/str)
A slow piece. Tonal, heartfelt music.
Duration: 6' 20"
SME/EMS
"...emu Emme" (2013/14)
Instrumentation: Version for 3 guitars and piano
An amusing piece for acoustic guitar. The three solo guitars have the difficult part. Also suitable for amateur guitarists. Tonal throughout apart from several short atonal insets.
Duration: 7' 00"
SME/EMS
Barbares (2013)
Instrumentation: for oboe, clarinet and organ
A playful piece which moves between tonalities. Highly extended tonality.
Duration: 7' 30"
SME/EMS
Lax-Ländler (2014)
Instrumentation: for two clarinets and guitar
A merry piece, tonal, suitable for teaching purposes.
Duration: 1' 30"
SME/EMS
LOVE (2014)
Instrumentation: für Mezzosopran und Orchester (1,1,Engl. Hr., 1,1, 2 Tromp., 3Hr, Harfe, Kl, Git, Schlgzg, Streicher)
Texts: Vladislav Jaros
Duration: 3' 30"
SME/EMS
HOME (2014)
Instrumentation: für Mezzosopran, akustische Gitarre, Streicher (oder Mezz, Klav oder Mezz, Fl, Klav)
Texts: Vladislav Jaros
Duration: 4' 00"
SME/EMS
Floreat Domus (2015)
Instrumentation: für gemischten Chor (SATB)
Anklänge an die Renaissance, tonal.
Duration: 5' 00"
SME/EMS
Chanson de la mer melancoliqu (2015)
Instrumentation: für Violine (oder Klarinette oder Flöte), Gitarre und Streicher (oder: Violine (oder Klarinette oder Flöte), Gitarre)
Texts: Vladislav Jaros
Leicht erweiterte Tonalität, langsame liedhafte Melodie, reizvolle Harmonien.
Duration: 4' 00"
SME/EMS
Clatemlos (2015)
Instrumentation: für 2 Gitarren
Eine turbulente, atemlos dahin rasende Musik mit einem langsamen, lyrischen Mittelteil. Sehr stark erweiterte Tonalität.
Duration: 5' 00"
SME/EMS
Sieben Tschechische Volkslieder (2015)
Instrumentation: für Mezzosopran und Klavier
Volkslied-Bearbeitungen mit überraschenden Harmonien. Schnelle witzige Lieder wechseln mit langsamen lyrischen ab. Tonal.
Duration: 10' 00"
SME/EMS
Claptomania (2016-2016)
Instrumentation: 2 Gitarren
Duration: 14' 00"
SME/EMS
"Co si mysli zakazany ovoce" (2016-2016)
Instrumentation: Mezzosopran und Klavier
Duration: 17' 00"
SME/EMS
Fünf Lieder ohne Worte (2016-2016)
Instrumentation: Flöte und Gitarre
Duration: 14' 00"
SME/EMS
Cinq Nocturnes pour guitar (Volume III) (2016)
Eine Fortsetzung der vorherigen zwei Bänder Nocturnes. Spieltechnisch mittelschwer bis anspruchsvoll, postmoderne atmosphärische Stücke mit interessanten Harmonien, Melodien und Farben
Duration: 22' 00"
SME/EMS
Clown in the Moon (2016)
Instrumentation: Mezzosopran und Klavier
Nach dem gleichnamigen Gedicht von Dylan Thomas. Ein langsames Lied, eine adequate Umsetzung der Atmosphäre des Gedichtes von Dylan Thomas in Musik.
Duration: 3' 00"
Manuscript
Musik für drei Gitarren (2017)
Instrumentation: 3 klass. Gitarren
2 Postmoderne Stücke für drei Gitarren, erster Satz ist langsam und lyrisch, der zweite schnell mit überraschenden Harmonien und akzentuierten Rhythmen. Gut geeignet auch für fortgeschrittene Gitarrenschüler.
Duration: 6' 50"
Manuscript
Drei leichte Quartette für junge Gitarristen (2017)
Instrumentation: 4 klass. Gitarren
Charakterstücke. Gut geeignet auch für Gitarrenschüler nach 2-3 Jahren Unterricht
Duration: 6' 20"
SME/EMS
Moossee (2017)
Instrumentation: für Sopran, Mezzosopran und Klavier
Volksliedartiges Lied für Sopran, Mezzosopran und Klavier
Duration: 4' 14"
SME/EMS
Wedding Song (2017)
Instrumentation: für Sopran, Tenor & Gitarre
ein romantisches Lied
Duration: 3' 46"
SME/EMS
Wedding Song für Solo Gitarre (2017)
ein Gitarrenstück in romantischer Manier (Tremolo)
Duration: 3' 40"
Manuscript
Clown Gottes (2018)
für KammerorchesterInstrumentation: Fl, Kl, Bkl, Tr, 2 Schlgzg, Klav., Marimba, Str. (Vl, Vla, Kb)
Duration: 20' 00"
SME/EMS
Moossee (Orchesterfassung) (2018)
Instrumentation: Ein volksliedartiges Orchesterlied für Sopran, Mezzosopran, Chor und Orchester
Duration: 4' 14"
SME/EMS
Danse au Clair de la Lune (2019)
Instrumentation: for Clarinett and Guitar
Ein turbulentes, spanisch anmutendes, postmodernes Stück.
Mittelschwer.
Duration: 5' 15"
SME/EMS
Nocturne (für Gitarre solo) (2019)
Instrumentation: for Guitar solo
Ein nachdenkliches postmodernes Stück mit eingehender Melodie und bestechenden Harmonien.
Mittelschwer.
Duration: 3' 00"
SME/EMS