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Meier Hans-Jürg

(22. 12. 1964 - 01. 12. 2015)

Meier Hans-Jürg
Meier Hans-Jürg
(BS)

 

Genre: Classical Music
Professional activity: Composers, Interpreters, Authors
Biography
* 22. 12. 1964, † 01. 12. 2015.

- Raised in Rüschikon/ZH, lives in Basel.
- Studied recorder under the tutelage of Conrad Steinmann at the Schola Cantorum Basiliensis and composition under Roland Moser at Basel School of music.
Since 1991 - Compositions, from 1995 onwards came thereto sound installations and, in 1998, free improvised music
1997 until 2001 - Collaborates on the project Kaskadenkondensator, Basel
1999 until 2004 - Collaborates in the artistic direction of the Festival for Improvised and Composed Contemporary Music
2001 - Wins the Swiss Association of Musician's Marguerite de Reding Prize with the improvisation quartet 'Babels Besen'
2004/05 - Member of the Istituto Svizzero di Roma (ISR) with a working residency at the Spazio culturale des ISR Venice in 2006
Translations from architecture play an ever-increasing role in the compositions of Hans-Jürg Meier. On the one hand side the power of imagination is of fundamental importance in both arts. On the other both address the holistic invention of forms that develop in time and/or space. His compositions are bound in the coaction of nature, form and beauty in an attempt to provide a quasi-tangible experience of the sensible qualities of the musical material (tones, intervals, sound texture).


Work list

Vereinsamt (1986-1995)

Instrumentation: for speaking choir

Texts: Friedrich Nietzsche

Text: Friedrich Nietzsche.

Duration: 7' 00"
Manuscript
weiland (1991)

Instrumentation: for alto recorder and harpsichord

'weiland' (once upon a time) refers here to the once existing balance between rest and occupation, a balance altered at the expense of rest.

Duration: 5' 00"
Hug & Co. Musikverlage
Limmatquai 28-30
CH-8001 Zürich
presso il passo di cristallina (1993)

Instrumentation: for two Renaissance recorders

This piece is based on the real experience of the astonishing quiet shortly before the pass peak on a mountain.

Duration: 7' 00"
Carciofoli Verlag
Postfach
CH-8049 Zürich
das licht um einen schatten heller machen (1993-1995)

Instrumentation: for violin and trombone

Three-part piece: grosse Entfernung - Nähe - Entfernung, ohne die innere Beziehung zu verlieren.

Duration: 8' 00"

SME/EMS
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CHF: 14.70
etwas quintlastig (1993)

Instrumentation: for recorder, bass clarinet, viola, violoncello and two percussionists

The melody is expanded in a tower of quints. A row of variations in three parts where the melody sounds as a whole only in the second part.
Conductor is of use.


Duration: 6' 00"

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CHF: 13.30
because (1994-1995)

Instrumentation: for bass recorder and zink

A quasi study of the flow of time based on the song bearing the same name by the Beatles.

Duration: 10' 00"
Manuscript
... wie wenn ein Strahl ohne Ende in ein Wasserbecken fällt (1994)

Instrumentation: for choir without conductor and four mouth organs

Texts: Robert Musil

Chronological organisation functions in place of the conductor via the ears of the participants. The short text fragments by Robert Musil surface again and again.For an amateur choir.

Duration: 18' 00"

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CHF: 23.30
duo di due per due (1994)

Instrumentation: for two violoncelli

Two separated but simultaneously played voices (one from Markus Wettstein, and the other from Hans-Jürg Meier) with only one obligation: both voices are of identical duration.

Duration: 7' 00"

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CHF: 16.70
lesarten (1994-1995)

Instrumentation: for a-cappella choir

Texts: Bibel / Liturgie

The musical text by Josquin Desprez is read anew (unisonous, spoken, freely contrasted) and is almost original in some parts. Rather more suited to a small choir.

Duration: 14' 00"

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zwischentor und angel (1995)

Instrumentation: for electronic tape

H.M. allows (...) language to balance comfortably on the small ridge between semantics and sound. (Alfred Zimmerlin)

Duration: 8' 00"
Manuscript
zeitsand (1995)

Instrumentation: for two recorders, zink, trombone, violin and two violoncelli

The 'Harmonies' by Erik Satie are the basis for several parts. Conductor of use.

Duration: 14' 00"

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CHF: 26.00
d'une autre vie (1996)

Instrumentation: for tenor recorder, violoncello and vibraphone

Three parts: véhément / paralysé / -.The recorder requires amplification in parts.

Duration: 14' 00"

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fuss fassen (1996)

Instrumentation: for any six instruments

In addition to playing their main instrument all players use a foot pedal in order to produce a percussion sound.

Duration: 10' 00"

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d'une autre vie (1996/1997)

Instrumentation: for three percussionists

Three parts: véhément / paralysé / -.

Duration: 14' 00"

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par le murmure déchiré (1997-1998)

Instrumentation: for soprano, three Renaissance recorders, percussion and electronic tape

Texts: Samuel Beckett

Seven poems from the 'Mirlitonnades' by Samuel Beckett form the textual base of this piece.

Duration: 16' 00"

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CHF: 25.30
fast (1997)

Instrumentation: for tenor recorder and violoncello

Annäherungen - Abstossungen - fast ein Zusammentreffen

Duration: 11' 00"

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CHF: 15.30
el viento de la noche gira en el cielo y canta (1997-1998)

Instrumentation: for violin, violoncello, piano and tape recorder

Duration: 15' 00"
Manuscript
intextérieur (1997-1998)

Instrumentation: for 3 recorders and tape recorder

Duration: 45' 00"
Manuscript
at (1998)

Instrumentation: for alto flute, trombone, violin, viola and violoncello

In the middle of the players sits a tub of water into which small pebbles are thrown. This triggers musical actions from the players.

Duration: 14' 00"

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CHF: 19.20
gar vorgang hat (1998)

Instrumentation: for bassoon, violoncello, mezzo-soprano and everyday objects

Texts: John Cage (Ernst Jandl)

A five-part piece where the first (chaste) parts are based on an identical time structure, the later parts are much less restricted.

Duration: 12' 00"

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CHF: 21.30
hornig (1999)

Instrumentation: for lute, timpani and viola

This piece extracts its energy from the contrast between intensity and tenderness.
The opening viola solo is quasi leading the trio.


Duration: 8' 00"
Deutsche Lautengesellschaft
Prinzenkamp 9
D-49731 Sögel
Du kannst an keiner Stelle mit eins beginnen (1999)

Instrumentation: for three electronic tapes (sound insallation)

Fading every-day sounds from the domestic environment are assembled on three electronic tapes. Repeating the tapes results in ever changing combinations of the same sounds.

Duration: var.
Manuscript
colours de la rose (1999-2001)

Instrumentation: for alto flute (flute) oboe (english horn) and soprano saxophone (alto saxophone)

A nine-part piece - a confrontation between the music of Guillaume de Machaut and Hans-Jürg Meier.

Duration: 30' 00"

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CHF: 44.00
a lo lejos (1999)

Instrumentation: for orator and a-cappella choir

Texts: Pablo Neruda

While the orator disappears onto the level of memory (becomes silent) the choir picks up the words (the words of Pablo Neruda) in song.

Duration: 17' 00"

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CHF: 23.30
solo di due (1999)

Instrumentation: for guitar

Over a set period of time the composer Dodo Schielein sent the end part of a composition to Hans-Jürg Meier who, in turn, continued the composition sending the end of his part back to Dodo Schielein, this continued until a composition in twelve parts resulted. Smooth transitions and resumptions keep the piece together.

Duration: 12' 00"

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CHF: 14.40
raum (1999-2000)

Instrumentation: for percussion, tenor recorder, viola and violoncello

A music that evolves in extended development, for a performance location with a lot of reverberation. An additional tone installation can sound simultaneously.

Duration: 18' 00"

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CHF: 33.30
abermals (2000)

Instrumentation: for tenor recorder, oboe, soprano saxophone and bassoon

Four conversational partners embroil, increasingly dramatically and then calm down in a multi-sounding room.

Duration: 10' 00"

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CHF: 25.30
uei nfg trz (2000)

Instrumentation: for three electronic tapes (sound installation)

Six speakers repeat single shreds of text, singular consonants and a few sung vocals. Different degrees of tightness and varying correlations.

Manuscript
woge (2000)

Instrumentation: for four electronic tapes (sound installation)

An invariable tone wanders through the room, expands, changes direction, re-compresses and butts back up to the beginning.

Duration: var.
Manuscript
iela / strasse (2000-2001)

Instrumentation: for two mixed choirs and every-day objects

Texts: Hans-Jürg Meier

Text by the composer.

Duration: 32' 00"
Manuscript
sogno nel casotto (2001-2004)

Instrumentation: for alphorn and accordion

From wierd to joyful; dreams in a lodge.

Duration: 7' 00"

SME/EMS
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CHF: 16.00
die ganze übrige spanne ist nicht leben, sondern zeit (2001-2002)

Instrumentation: for voice (alto), flute (pic, afl)bassoon, trumpet, vioal, violoncello and piano,

Texts: Johann Peter Hebel, Hans-Jürg Meier

Music to the story 'Unverhoffte Wiederbegegnung' by Johann Peter Hebel. Composed partly rhythmically open.

Duration: 17' 00"

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CHF: 36.70
schritt tritt auf klang (2001)
absence

Instrumentation: for tape

Duration: 8' 00"
Manuscript
wetterleuchten (2002)

Instrumentation: for 18-20 recorders, 20 strings, stones and mussels

Composed for music students: level of difficulty ranges from elementary to advanced. The whole cycle is divided into many small pieces.

Duration: 42' 00"
Manuscript
nie setzt es ein (2002)

Instrumentation: for flute, (bfl, cbfl), horn, two trumpets, trombone and tuba

Helical searching for osculation points.

Duration: 12' 00"

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CHF: 21.30
nodo (2002-2004)

Instrumentation: for saxophone quartet (2a, 2t)

Knottings of time. Urging forwards - stillstand - floating without clues in time.

Duration: 13' 00"

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CHF: 18.00
fond des charmattes (2002)
Interlude in 6 parts

Instrumentation: for 2 sx, 2 gtr and tape

Duration: 17' 00"
Manuscript
Heimetvogel (2004)

Instrumentation: for mixed choir, alphorn and accordion

Texts: Josef Reinhart

Arrangement of the folksong by Carl Hess.

Duration: 4' 00"

SME/EMS
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CHF: 12.60
schweifen (2004)

Instrumentation: for twelve voices (3.3.3.3)

Texts: Francesco Petrarca, Hans-Jürg Meier

The musicalisation of a journey by foot.
For a professional ensemble; many noise-like parts.

Duration: 16' 00"

SME/EMS
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CHF: 33.30
la soglia sotto il soglio (2004-2005)

Instrumentation: for violin, violoncello and piano

"This piece is based on a structure derived from the structure of the village of Soglio in Bergell. Meier succeeded in building an organic, undramatic yet increasingly enthralling form of attractive sonority - a poetic sound room." (Alfred Zimmerlin)

Duration: 10' 30"

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CHF: 26.00
all'ingiú (2005)
sound installation for two-channel CD

Duration: 58' 00"
Manuscript
l'orecchio sull'acqua (2005)
sound installation for two-channel CD

Duration: 66' 00"
Manuscript
cerchio sul celio (2005)

Instrumentation: for 3 tenor saxiphones and baritone saxophone

Formally based on the floor plan of the 'Santo Stefano in Rotondo'commemoration church on the Monte Celio in Rome the music flows alternately through the physical conditions of the water.

Duration: 11' 00"

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CHF: 18.00
volgere lo sguardo al cielo (2005)

Instrumentation: for oboe, trumpet in B (ossia soprano saxophone or clarinet in B), guitar

"Rather a cloud of birds in the sky than one in the hand." (Eduardo Chillida)

Duration: 11' 30"

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CHF: 18.00
durante il giorno iI sole oscura le stelle (2006)

Instrumentation: for mixed choir (SSATB) and contrabass flute (also flute)

Texts: Ottavio Rinuccini, Catullus, Ovid, Hans-Jürg Meier

Ariadne's experiences with Theseus and Bacchus are related from the perspective of the Corona Borealis constellation:
1. Theseus and Ariadne: promise of marriage on the island of Nexus
2. Theseus: called upon by an aide to leave
3. Ariadne: abandonment and delusion
4. Ariadne and Bacchus: heavenly wedding and the casting of the crown into the sky, which remained in the form of the constellation.

Duration: 15' 00"

SME/EMS
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CHF: 39.60
criptoportico (2006)

Instrumentation: for transverse flute, natural horn, double bass

Formal references lead to the grotesque paintings of the Domus Aurea rooms in Rome. As regards content, the sirens have their grand appearance.

Duration: 10' 00"

SME/EMS
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CHF: 16.00
miracoli (2007)

Instrumentation: for violoncello

One can twist and turn it as one will, the eye will always read the surface as a spatial object.
With reference to the floor pattern of the church of Santa Maria dei Miracoli in Venice.

Duration: 1' 00"

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CHF: 12.00
volta bianca (2007)

Instrumentation: for recorder quintet (Renaissance instruments)

A fictive walk around the Palazzo Ducale di Urbino, where concerts with early music could also be found.

Duration: 25' 00"

SME/EMS
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CHF: 36.00
(Incl. parts)
anfione (2007)

Instrumentation: for saxophone and organ

Spatial music to the Legend of Amphion.

Duration: 8' 00"

SME/EMS
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CHF: 14.00
apprendista stregone (mit flatterecho) (2007)

Instrumentation: for 3 small drums

Spatial music for a courtyard with a very strong echo.

Duration: 27' 00"

SME/EMS
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CHF: 14.40
Arianna: scena sesta - coro (2007)

Instrumentation: for solo voice and a wind instrument

Texts: Ottavio Rinuccini

Music in four parts, presented between the four sections of the madrigal version of "Lamento d'Arianna" in five voices (1610) by Claudio Monteverdi.

Duration: 3' 00"

SME/EMS
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CHF: 12.60
Aus allen Ecken und Enden (2008)

Instrumentation: for voice and instruments

Texts: Hans-Jürg Meier

Duration: 6' 00"
Manuscript
Schwärme von Lichtfischen (2008)

Instrumentation: for 6 pianos and 8 pairs of high instruments (flutes, clarinets, trumpets, cornets, harps and violins)

Spatial composition based on a text by Elisabeth Binder (from "Orfeo"). For students.

Duration: 8' 30"

SME/EMS
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CHF: 17.30
Kringel Kreisel Kranz (2008)

Instrumentation: for 8 small drums

Rotary spatial composition. For students.

Duration: 8' 00"

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CHF: 15.00
goldiger Gupfhupf (2008)

Instrumentation: for 5 instrumental groups (piano and alto sax; alto sax and violoncello; violoncello and trombone; trombone and piano; e-bass and large drum) and 3 soloists (alphorn, violin and voice)

Several ups and downs in a hilly area. Enjoying the view on each occasion with a musical solo. For students.

Duration: 6' 00"

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CHF: 16.80
les mots jaunes (plötzlich diese Ganzheit) (2008)

Instrumentation: for voice (mezzo-soprano) and flute

Text by Marianne Schuppe (staging: Hans-Jürg Meier)
"Between two languages lies a room. Between language and music lies a room. And between reading, resp. listening and writing lies time. Translating is the setting of one's own words resp. signs in relation." (Marianne Schuppe)


Duration: 9' 00"

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CHF: 15.30
'Ηχώ (Echo) (2008)

Instrumentation: for oboe solo

Duration: 5' 30"

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CHF: 12.70
annunciazione / ánemos – vom wehen des windes im vorhang (2008-2009)

Instrumentation: for soprano, altus and 9 instruments (recorder (or aulos), flute, clarinet, saxophone, violin, viola, violoncello, bandoneon, percussion)

Texts: Hans-Jürg Meier, Rainer Maria Rilke, Hilde Domin, Virginia Woolf, William Butler Yeats, Mona van Duyn, Dante Alighieri, antike A

Profane consideration of the Annunciation scene. Sacred music in a double proscenium and a three-part main piece.

Duration: 58' 00"

SME/EMS
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CHF: 108.00
das dasein ist nicht das wesentliche (sestiere - prima lettura) (2010)

Instrumentation: for panpipes, transverse flutes, recorders, clarinets, saxophone, horns, trombones, trumpets

Duration: 16' 00"

SME/EMS
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CHF: 39.60
herbst (abtasten) (2010-2011)

Instrumentation: for 4 alto recorders, guitar, tromba marina, percussion

A tentative musical exploration of the 1907 painting "Herbst (Schule)" by Marianne Werefkin.

Duration: 7' 00"

SME/EMS
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CHF: 17.30
...und die Musik, immer neu, baut im unbrauchbaren Raum... (2011)

Instrumentation: for vocal quartet (SMezTB)

Texts: Rainer Maria Rilke

Music in four parts with texts from "Die Sonette an Orpheus" (1922):
I Blume und Buch
II Tempel im Gehör
III Gesang ist Dasein
IV Lied überm Land

Duration: 20' 00"

SME/EMS
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CHF: 33.00
wingert in der frühe (2011-2012)

Instrumentation: for soprano, 4 Renaissance flutes and lute

Texts from the "Canticum Canticorum".
Music in six parts about the "Santa Maria Formosa" church by Mauro Codussi (Venice):
I ort und zeit (gondola);
II er besingt sie (caminada);
III sie besingt ihn (caminada);
IV minne (hortus conclusus);
V wein (cielo);
VI siegel (fuoco).

Duration: 17' 00"

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CHF: 39.00
zeichenzüge - lupe (2011)
Installation music (1 CD)

Duration: 33' 00"
Manuscript
locus (2012)

Instrumentation: for melodica and objects, saxophone (bar, a) trombone, violin, viola, double bass and voice (soprano)

Texts: Hadrian

A trip to and into the Pantheon in Rome in four parts: Tympanon,
Pronaos, Innenraum, Opaion. The performance places the Endless Column in Targo Jiu by Constantin Brancusi into the Pantheon.

Duration: 14' 00"

SME/EMS
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CHF: 52.00
drei band martinsberg (2012)
Installation music (4 CDs)

Duration: 72' 00"
Manuscript
wabernde gravitation (2012)
Installation music (1 CD)

Duration: 20' 00"
Manuscript
gierseil (2013)

Instrumentation: for electric guitar and live electronics

Musically crafted work about the 'crab'; inspired by "Ma fin est mon commencement" by Guillaume de Machaut.

Duration: 10' 00"

SME/EMS
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CHF: 16.70
su e giù (sestiere, seconda lettura) (2013)

Instrumentation: für Streichensemble (6 V; 3 Va; 2 Vc; Kb)

Duration: 9' 00"

SME/EMS
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CHF: 36.00
Stimmenmaterial: CHF 35.00
la dolce ombra al suon de l'acque (2014)

Instrumentation: für Sopran, Mezzosopran und 4 Renaissancetraversflöten

Texts: Francesco Petrarca

Sonett 148 aus "Canzoniero": "Non Tessin, Po, Varo, Adige, et Tebro".

Duration: 4' 00"

SME/EMS
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CHF: 21.60
incl parts
gnal (2014)

Instrumentation: für Tenorsaxophon und Klavier

Musik in zwei Teilen, welche vor und nach der Konzertpause gespielt werden. Im ersten Teil werden buchstäblich immer mehr Pausen herausgeschnitten, im zweiten Teil finden die Pausen zu musikalischen Formen und die Klangabfolge verlangsamt sich.

Duration: 15' 00"

SME/EMS
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CHF: 24.00
voices prima parte: CHF 15.00
voices seconda parte: CHF 15.00
Eichenlaub und Espenblatt (2014)

Instrumentation: für 21 Sopranblockflöten (Kinder ab ca. 9 Jahren)

Musik für vier Gruppen, welche je für sich und untereinander ein Kommunikationsnetz aufspannen. Angelehnt an Forschungsergebnisse zur Kommunikation von Pflanzen.

Duration: 7' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 14.40
signe d'amante (2014)

Instrumentation: für Stimme (Mezzossopran) und Renaissance-Laute

Texts: Louïze Labé

Drei Sonette von Louïze Labé sind wie als Strophen über denselben Musiktext vertont. Ein Vorspiel und zwei Zwischenspiele wirken wie ruhige, distanzierte Kommata.

Duration: 11' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 14.70
petite danse macabre (2014)

Instrumentation: für Sopraninoblockflöte, Klarinette, Englischhorn, Violine, Kastagnetten, Tempelblock, Zink, Trompete, Horn, Posaune, Laute, Harfe

12 Fragmente zum Heidelberger Totentanz: Der Konig, von allem stadt, Der bruder, Die junckfrauiwe, Der artzt, Der ritter, Der spieler, Der schriber, Der wucherer, Der kaiser, Der wirt, der dumherr.

Duration: 2' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 9.00
petite danse macabre (2014)

Instrumentation: version pour violon seul

Die 12 Fragmente zum Heidelberger Totentanz arrangiert für Violine solo und in eine quasi symmetrische Abfolge gebracht.

Duration: 5' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 9.00
durchscheinend (diaphanés) (2015)

Instrumentation: für drei Traversflöten und Schlagzeug

Musik zu Santo Stefano Rotondo (Rom, ca. 460). Die architektonischen Themen der frühchristlich-spätantiken Rundkirche werden musikalisch umgesetzt: kreisende Bewegungen; diaphane Strukturen, welche die Raumstaffelung in musikalischen Schichten wiedergeben; das Licht, welches von den Oberfenstern des Zentralraumes in die Kirche einströmt, spiegelt sich in der wechselweise hellen oder dunklen Harmonik.

Duration: 21' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 22.70
tre (2015)

Instrumentation: für Lithophon

Ein konstanter Wirbel führt das Ohr zu den eigenartigen Obertonspektren des Lithophons.

Duration: 5' 00"

SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
info@musinfo.ch
www.musinfo.ch
CHF: 9.00
Discography
vox dilecti mei (Pan Classics Nr. PC 10289, 2013)
Works:
Meier, Hans-Jürg: wingert in der frühe (2011-2012)
With more works of: Renaissance-Komponisten
Info: www.fonoteca.ch
ARTE Quartett (Grammont Porträt Nr. MGB CTS-M 95, 2005)
Interpreters:
ARTE Quartett
Works:
Vassena, Nadir: 31 anatomie notturne (1998)
Gubler, Rico: Loud-Speakers (Easy listening version) (1999/2005)
Berger, Gary: bitmap (2001)
Meier, Hans-Jürg: nodo (2002-2004)
Stauder, Andréas: Figures blocs chemins (2003)
Info: www.fonoteca.ch
Porträt Mischa Käser (Grammont Nr. MGB CTS-M 93, 2005)
Interpreters:
Käser, Mischa
Meier, Hans-Jürg
Omlin, Christina
Collegium Novum Zürich
Works:
Käser, Mischa: 5 stücke (1985-1991)
Käser, Mischa: dupuy tren (1991)
Käser, Mischa: musik zu Alexander (1993-1994)
Käser, Mischa: nebul (2000)
Info: www.fonoteca.ch
Ensembles


Last updated: 2022-02-21 12:10:11