Musinfo: All individuals

Neukom Martin

(20. 11. 1956)

Neukom Martin
Rebmoosweg 91
CH-5200 Brugg (AG)
Schweiz

Tel: +41 (0)56 441 58 14

Genre: Classical Music

Professional activity: Composers

Biography

* 20. 11. 1956.

Martin Neukom studied musicology, mathematics and psychology at the University of Zurich, music theory at Zurich School of Music and choir leading at the cantor school in Zurich. He works as a composer and teacher of music theory and is occupied with sound synthesis and computer aided composition. Neukom was commissioned by the �Hochschule Musik und Theater Zürich� to write the book �Signale, Systeme und Klangsynthese - Grundlagen der Computermusik� (Signals, Systems and Sound Synthesis - Fundamentals of Computer Music) which was accepted by the University of Zurich as a dissertation. He heads the Computer Music Department of the Institute for Computer Music and Sound Technology (ICST).

Work list

Studie 1.1 (1990)

synthetic piece for electronic tape

Duration: 1' 50"
Manuscript

Studie 1.2 (1990)

synthetic piece for electronic tape

Duration: 2' 00"
Manuscript

Studie 1.3 (1990)

synthetic piece for electronic tape

Duration: 2' 15"
Manuscript

Studie 1.4 (1990)

synthetic piece for electronic tape

Duration: 1' 24"
Manuscript

Studie 1.5 (1990)

synthetic piece for electronic tape

Duration: 1' 40"
Manuscript

Studie 1.6 (1991)

synthetic piece for electronic tape

Duration: 2' 16"
Manuscript

Studie 2 (1991)

synthetic piece for electronic tape

Duration: 5' 49"
Manuscript

Studie 3.1 (1991)

synthetic piece for electronic tape

Duration: 3' 04"
Manuscript

Studie 3.2 (1991)

synthetic piece for electronic tape

Duration: 2' 14"
Manuscript

Studie 3.3 (1991)

synthetic piece for electronic tape

Duration: 2' 17"
Manuscript

Studie 4 (1992)

synthetic piece for electronic tape

Duration: 6' 30"
Manuscript

Studie 5.1 (1992)

synthetic piece for electronic tape

Duration: 3' 04"
Manuscript

Studie 5.2 (1992)

synthetic piece for electronic tape

Duration: 3' 14"
Manuscript

Studie 5.3 (1992)

synthetic piece for electronic tape

Duration: 6' 08"
Manuscript

Studie 5.4 (1993)

synthetic piece for electronic tape

Duration: 5' 16"
Manuscript

Studie 5.5 (1993)

synthetic piece for electronic tape

Duration: 4' 00"
Manuscript

Studie 6 (1992)

synthetic piece for electronic tape

Duration: 8' 35"
Manuscript

Studie 7.1 (1993)

synthetic piece for electronic tape

Duration: 16' 02"
Manuscript

Studie 7.2 (1995)

synthetic piece for electronic tape

Duration: 5' 05"
Manuscript

Studie 7.3 (1996)

synthetic piece for electronic tape

Duration: 10' 59"
Manuscript

Studie 8.1 (1994)

Musique Concrète

Duration: 8' 09"
Manuscript

Studie 8.2 (1994)

Musique Concrète

Duration: 8' 55"
Manuscript

Studie 8.3 (1994)

Musique Concrète

Duration: 11' 09"
Manuscript

Studie 8.4 (1995)

Musique Concrète

Duration: 5' 50"
Manuscript

Studie 8.5 (1995)

Musique Concrète

Duration: 6' 58"
Manuscript

Studie 9.1 (1995)

Musique Concrète

Duration: 6' 24"
Manuscript

10.1 Musik aus "Der Kern und die Frucht" I (1996)

Instrumentation: for electronic tape

From the performance 'Der Kern und die Frucht' by von Maria Dundakova.
10.1 Musik aus "Der Kern und die Frucht" I

Duration: 10' 40"
Manuscript

10.2 Musik aus "Der Kern und die Frucht" II (1997)

Instrumentation: for electronic tape

From the performance 'Der Kern und die Frucht' by Maria Dundakova.

Duration: 8' 05"
Manuscript

11.1 Musique Concrète (1996)

Duration: 10' 54"
Manuscript

12.1 Synthetisches Bandstück (1997)

Duration: 5' 15"
Manuscript

12.2 Synthetisches Bandstück (1997)

Duration: 2' 50"
Manuscript

13.1 Zuspielband zu "Widerspiel" (1998)

To the performance 'Widerspiel' by Charlotte Hug.

Duration: 14' 30"
Manuscript

13.2 Musik aus "Widerspiel" (1998)

Instrumentation: for electronic tape

Duration: 2' 50"
Manuscript

13.3 Klänge und Pausen zu "Lotterie" (1998)

Instrumentation: 3 CDs

Sound material of the performance 'Lotterie' by Leo Bachmann, Charlotte Hug and Martin Neukom.

Duration: variabel
Manuscript

Lotterie 1, 2, 3 (1999)

Instrumentation: for viola, tuba and 3 CD players

Duration: 20' 00"-70' 00"
Manuscript

13.4 (2000)

Instrumentation: for piano, tenor saxophone and electronic tape

Duration: 5' 10"
Manuscript

Studie 14.1 (1998)

Instrumentation: synthetic piece for electronic tape

Duration: 3' 08"
Manuscript

15. Sanctus (1999)

Instrumentation: for organ and electronic tape

Part of the collaborative composition 'Missa digitalis'.
Junghae Lee: Kyrie (tape)
Philippe Kocher: Gloria (organ and tape)
Kit Powell: Credo (organ and tape)
Martin Neukom: Sanctus/Benedictus (organ and tape)
Michael Heisch: Agnus Dei (organ and tape)

Duration: 6' 00"
Manuscript

Studie 16.1 (2001)

Instrumentation: for violin and computer

Duration: 1' 50"
Manuscript

Studie 16.2 (2001)

Instrumentation: for violin and computer

Duration: 1' 50"
Manuscript

Studie 16.3 (2001)

Instrumentation: for violin and computer

Duration: 1' 20"
Manuscript

17. Zyklen (2001)

Installation at the Basel 'Fasnacht' fountain

Duration: variabel
Manuscript

Studien 18.1-14 (2003-2005)

synthetic piece for electronic tape

Duration: each 3'

Duration: 42' 00"
Manuscript

Studie 19.4 (2009)

Instrumentation: für Klavier

Duration: 4' 30"
Manuscript