Instrumentation: for brass instrumentalists (2tpt.2tbn), percussion and strings (min: 8.8.6.4.2 (1 five stringed db))

Duration: 20' 00"

Instrumentation: for two pianos

Duration: 11' 00"

Instrumentation: for female voice (alto), oboe, viola, small percussion and harpsichord

Texts: Sappho, Georg Trakl, K. W. Eichenbrodt

Duration: 9' 00"

Instrumentation: for 16 solo strings (7.0.4.3.2)

Version for 15 solo strings (7.0.4.3.1)

Duration: 15' 00"

Instrumentation: for violin and piano

Duration: 16' 00"

Instrumentation: for piano

Duration: 12' 00"

Duration: 16' 00"

Instrumentation: for flute, viola and piano

Duration: 10' 00"

Instrumentation: for soli (ST), mixed choir (SATB) and orchestra (1.2.2.2/2.2.2.0/perc/hpd/str)

Duration: 34' 00"

Instrumentation: for orchestra (1.1.2(2.bcl).1.cbn/1.2.2.0/3perc/hp/str)

Duration: 22' 00"

Instrumentation: for wind quintet

Duration: 12' 00"

Instrumentation: for piano, percussion (two players) and strings

Duration: 12' 00"

Duration: 13' 00"

Instrumentation: for flute, violoncello and harpsichord

Duration: 12' 00"

Instrumentation: for large orchestra (3(3.pic).2.2.bcl.2.cbn/4.3.3.1/timp.2perc/hp/str)

Duration: 8' 00"

Instrumentation: for 6 instruments (fl.cl/tpt/vn.va.vc)

Duration: 12' 00"

Instrumentation: for baritone, mixed choir (SATB) and 13 instruments (1.1.2.1/1.1.1.0/perc/str)

Texts: Klabund

Free adaptation of a Chinese War Poem.

Duration: 22' 00"

Instrumentation: for large orchestra (3(3.pic).2.2.2.cbn/3.3.3.1/timp.3perc/hp/str)

Duration: 21' 00"

Instrumentation: for solo violin, 10 wind instrumentalists (2.0.2(2.bcl).1/2.2.1.0/2perc/hp/deep str (0.0.4.3.2))

Duration: 15' 00"

Instrumentation: for oboe and strings

Duration: 10' 00"

Instrumentation: for harpsichord

Duration: 6' 00"

Opera in three acts

Texts: Rudolf Kelterborn

Cast:
Eteokles, King of Thebes (Bar)
Antigone, his sister (S)
Ismene, his sister (A)
Menoikeus, a young Thebian (T)
Teiresias, blind prophet (B)
Scout (T)
Soldier (B)
The Visions:
The bride of Menoikeus (S)
The prophet Manto (A)
The statesman (B)
The freedom fighter (speaking role)
The political prisoner (speaking role)
The mother (small female choir)
Choir and extras:
Folk of Thebes, soldiers, generals, two priests
Orchestra:
2(2.pic).2(2.ca).2(2.bcl.2/2.3.2.1/timp/2perc/hp.pf/str)

Duration: 90' 00"

Instrumentation: for oboe and harpsichord

Duration: 11' 00"

Instrumentation: for dolce flute (alto and soprano recorder) and orchestra (0.2(2.ca).2(2.bcl).2(2.cbn)/1.1.1.0/timp.2perc/hp/str)

Duration: 12' 00"

Instrumentation: for string orchestra

Versions 1961 and 1995

Duration: 12' 00"

Instrumentation: for 6 wind instrumentalists (2cl.2bn/2hn)

Duration: 12' 00"

Instrumentation: for harpsichord and percussion

Duration: 10' 00"

Duration: 15' 00"

Instrumentation: for chamber orchestra (2cl(2bcl)/2hn/str)

Duration: 13' 00"

Instrumentation: for violin and guitar

Duration: 9' 00"

Oratorium

Instrumentation: for speaker, soli (SATB), mixed choir (SSAATBB) and orchestra (2.2.2.2/3.3.3.1/timp.3perc/hp.pf/str)

Text after the Bibel translation from Martin Buber.

Duration: 56' 00"

Instrumentation: for string orchestra

Duration: 13' 00"

Instrumentation: for orchestra (2(2.pic).2(2.ca).2(2.bcl).2(2.cbn)/3.3.3.1/timp.2perc/hp.pf/str)

Interlude from the opera 'Kaiser Jovian'.

Duration: 10' 00"

Opera in four acts

Texts: Herbert Meier

Cast:
Jupiter (T)
Emporer Jovian (B)
Sulpicia (S)
Tucca, chronicler and poet (B)
The messenger (T)
Prisca, maid of Sulpicia (A or Mez)
Pelides (dancing role)
A writer (Bar)
Two golden helmets (2B-Bar)
Choir:
The senate, women of rome, golden helmets, six writers
Ochestra:
2(2.pic).2(2.ca).2(2.bcl).2(2.cbn)/3.3.3.1/timp.2perc/hp.pf/str)

Duration: abendfüllend

two ecclesiastical songs

Instrumentation: for baritone, 2 violins and organ

Texts: Herbert Meier

Duration: 8' 00"

Instrumentation: for oboe and violin

Duration: 5' 00"

Chamber cantata based on Japanese poems in the translation by Manfred Hausmann

Instrumentation: for mezzo-soprano and 8 instruments (fl.2cl(2.bcl)/hp/str)

Duration: 17' 00"

Instrumentation: for large orchestra (pic.2.3.ca.3(3bcl).2.cbn/4.3.3.1/timp.3perc/hp/str)

Duration: 10' 00"

Instrumentation: for 10 brass instrumentalists (3.3.3.1)

Duration: 10' 00"

Instrumentation: for piano

Duration: 10' 00"

Instrumentation: for clarinet and strings (min.: 3.3.2.2.1)

Duration: 11' 00"

Instrumentation: for wind instruments, harp, piano, percussion and double-basses (3(pic).3(ca).3(bcl).2/3.3.3.1/timp.3perc/hp.pf/min.4db)

Duration: 10' 00"

Instrumentation: for large orchestra (3(3pic).3(3ca).3(3bcl).2.cbn/4.3.3.1/hp.pf/timp.3perc/str)

Duration: 20' 00"

Instrumentation: for bassoon and piano

Duration: 6' 00"

Instrumentation: for piano trio

Duration: 9' 00"

Instrumentation: for large orchestra and two solo voices (ST) (3(3pic).3(3ca)3.(3bcl).3(3cbn)/4.3.3.1/timp.3perc/cel.hp/str)

Texts: Charles Ferdinand Ramuz, William Shakespeare, Georg Trakl, Francesco Petrarca

Duration: 20' 00"

Instrumentation: for seven -part mixed choir

Texts: Aurelius Augustinus

Duration: 8' 00"

Instrumentation: for flute and clarinet

Duration: 9' 00"

Instrumentation: for organ

Duration: 10' 00"

Instrumentation: for soprano, mixed choir and organ

Texts: Bibel / Liturgie

Duration: 20' 00"

Instrumentation: for clarinet, horn, bassoon, two violins, viola, violoncello and double-bass

Duration: 11' 00"

Instrumentation: for 2 gambas and harpsichord

Duration: 11' 00"
Manuscript

Instrumentation: for clarinet and piano

Duration: 9' 00"

Instrumentation: for large orchestra (3(3pic).3(3ca).3(3bcl).3(3cbn)/4.3.3.1/cel.hp.pf/timp.3perc/str)

Duration: 19' 00"

Duration: 14' 00"

Instrumentation: for piano and eight wind instrumentalists (1.1.2.1/1.1.1.0)

Duration: 15' 00"
Manuscript

Instrumentation: for piano and small orchestra (1(pic).1.2(2.bcl).1/1.1.1.0/pf/str)

New version of 'Musik for Piano and Eight Wind Instruments'.

Duration: 17' 00"
Manuscript

Fragmental oratorio about the book of Genesis

Instrumentation: for solo soprano, male choir (TTBB 4-6-part) and orchestra (pic.2.3(3.ca).3(3.bcl).2.cbn/3.3.3.1/timp.3perc/hp.pf/0.0.0.db)

Text from the first book of Moses (Latin).
Double bass only in the strings.

Duration: 12' 00"

Instrumentation: for three-part mixed choir and organ

Duration: 1' 00"

Six piaeces

Instrumentation: for orchestra (1(pic,afl).1(ca).1(bcl).0/1.0.1.0/1perc/hp/6.6.4.4.2 (one five stringed db))

Duration: 13' 00"

Instrumentation: for six instrumental groups (spatially divided large orchestra: 3(auxilliary instruments).2(2.ca).3(3.bcl).1(cbn)/3.2.3.0/4perc/hp/10.0.7.7.5(2 five-stringed db))

Duration: 15' 00"

Instrumentation: for organ

Duration: 10' 00"

Instrumentation: (4(3,4pic).1.ca.4(3bcl).1.cbn/4.4.4.0/timp.3-4perc/2hp/str)

Duration: 11' 00"

Ballet

Instrumentation: for solo soprano (electronic tape possible), on stage solo ensemble: clarinet, vibraphone and cymbals, double-bass and orchestra (2(pic).2.2.1(cbn)/2.2.2.0/2-3perc/hp/min.2.2.4.4.3(one five stringed db))

Duration: 22' 00"

Instrumentation: for viola and piano

Duration: 13' 00"

Instrumentation: for flute and chamber orchestra (fl(bfl);0.2(2ca).1(bcl).0/2.0.0.0/min.4.4.3.3.1)

Duration: 12' 00"

Texts: Georg Trakl, Edward Browning, Francesco Petrarca

Duration: 6' 00"

Instrumentation: (fl(pic).ob.cl.bn/hn)

Duration: 10' 00"

Music

Instrumentation: for violin and piano

Duration: 9' 00"

Seven compositions for thirteen solo strings

Instrumentation: (7.3.2.1)

Duration: 15' 00"

Instrumentation: for large orchestra (3(1arec,2pic).3(3ca).3.2.cbn/4.3.4.0/hp/2timp/str) baritone and electronic tape

Duration: 15' 00"

Instrumentation: for flute and harp

Duration: 8' 00"

Opera in three acts.

Instrumentation: for voices, choir and orchestra (2(pic).2(2ca).3(2bcl).2(2cbn)/3.3.3.0/timp.3-4perc/hp.pf.gtr/str;tp)

Texts: Friedrich Dürrenmatt

Libretto by Friedrich Dürrenmatt.
People: The angel (T) / the girl Kurrubi (S) / the beggar Akki (Bar) / Nebukadnezar (Bar) / Nimrod (T) / the crown prince (silent roll) / the arch minister (Bar) / chief theologist (B) / the primary general (T) / first, second, third soldiers (speaking rolls) / the police officer (B) / the banker Enggibi (T) / Frau Enggibi (S or Mezzo) / the wine dealer Ali (Bar) / Frau Ali (Mezzo or A) / the hetaera Tabtum (A) / first worker (Bar) / second worker (T) / first workers wife (S) / second workers wife (S oder A) / the executioner (T) / Halef, the executioners helper (speaking part) / three trombonists, three trumpet players (instrumentalists).
Choir: poet, women, folk.


Duration: abendfüllend

Instrumentation: for flute (pic and afl), clarinet (bcl), percussion, soprano or trumpet, violin, viola, violoncello and double-bass

Duration: 9' 00"

Instrumentation: for flute and piano

Duration: 7' 00"

Music

Instrumentation: for orchestra (3(2pic,afl).3(ca).3(bcl).3(cbn)/4.3.3.1/timp.perc/hp/str)

Duration: 15' 00"

Instrumentation: for flute, viola and harp

Duration: 8' 00"

Instrumentation: for 12 solo cellists

Duration: 8' 00"

Instrumentation: for saxophone (2ATBar)

Music

Instrumentation: for soprano and chamber orchestra (1(pic).0.2(2bcl).0/1.1.1.0/1perc/hp.pf/6.4.3.1)

Texts: Ingeborg Bachmann, Erika Burkart

Based on poems by Ingeborg Bachmann and Erika Burkart

Duration: 16' 00"

Opera in four acts

Instrumentation: for voices and orchestra (2(2pic).2(2ca).3(3bcl).2(2cbn)/3.2.2.0/timp.2perc/hp.pf/10.6.5.3(five stringed)), electronic tape and a small ball orchestra on the stage (v/dr/amppf)

Texts: Anton Tschechov (Rudolf Kelterborn)

Libretto by the composer based on the comedy bearing the same name by Anton Tschechow and according to the German version translated by Gudrun Düwel.People: Ranewskaja, estate owner (S) / Anja, her step daughter (S) / Warja, her foster daughter (Mezzo, light A) / Gajew, the brother of Ranewskaja (Bar) / Lopachin, (Builder/merchant) (B-Bar) / Trofimow, student (T) / Simeonow-Pistschik, estate owner (T) / Charlotta Iwanowna, governess (A) / Jepichodow, clerk (Bar) / Dunjascha, chambermaid ([coloratura-] S) / Firs, old butler (T) / a man (B) / station manager (B) / post office clerk (Bar) / servants, guests, coachman (extras)

Duration: abendfüllend

Canzoni

Instrumentation: for orchestra (3(auxilliary instruments).2(2.ca).3(3.bcl).2(2.bcn)/4.3.3.0/1-2perc/hp/str min.:12.10.8.6.4 (2 five-stringed db))

Duration: 16' 00"

Instrumentation: for six percussion groups and obligatory instruments (6perc.fl(pic).cl(bcl)/tpt.tbn/vn.vc)

Duration: 14' 00"

Duration: 10' 00"

Instrumentation: for mixed choir, clarinet, horn, trumpet and trombone

Texts: Herbert Meier

The choir voices (SATB) are divided sporadically.

Duration: 11' 00"

Instrumentation: for baritone, 2 trumpets, bass trombone, timpani and percussion

Text from 'Die Wiedertäufer' by Friedrich Dürrenmatt.

Duration: 5' 00"
Manuscript

Instrumentation: for violoncello and double bass

Duration: 10' 00"

Opera in five scenes

Instrumentation: for voices and orchestra (1(pic).1(ca).3(3bcl).1(cbn)/2.2.2.0/3timp.3perc/hp/6.4.3.2(five stringed)), additional scoring for the large stage: (pf/2perc/str:12.4.3.2)

Texts: Herbert Meier

Libretto by Herbert Meier based on an idea by the composer.
People: Ophelia (S) / Hamlet (Bar) / King Claudius (B-Bar) / Queen Gertrude (Mezzo, high A) / Polonius (T) / voice of the ghost (T) / six guests (S, Mezzo, A, T, Bar, B).
Madrigalists: The couple (coloratura-S, T (high)), Teacher (Countertenor, T, Bar).
Extras: Further guests, waiters and doctors.


Duration: abendfüllend

Instrumentation: for transverse flute

Duration: 8' 00"

Musical-dramatic tale after Jeremias Gotthelf

Instrumentation: for eight vocal parts, choir and orchestra

Texts: Hans Jörg Schneider

Cast:
Tale teller (female)
Voice of Christine (S)
Voice of the devil (T)
Voice of the clergyman (B)
Priest (T)
Four knights (2TBarB)
Voices (SMez)
Orchestra:
(1.1.4.1/3.3.2.0/3perc/hp.2pf/9str)


Duration: 60' 00"
Manuscript

Madrigal about an imaginary death-dance

Instrumentation: for four solo voices and renaissance instruments

Duration: 20' 00"
Manuscript

Duration: 12' 00"

Instrumentation: for orchestra (2.2.2.2/2.2.0.0/timp.1perc/8.6.5.4.3)

The string players are often fragmented as soloists.

Duration: 10' 00"

Instrumentation: for six percussionists

Duration: 12' 00"

Instrumentation: for soprano solo and orchestra (1(pic).2(2.ca).3.1(cbn)/2.2.2.0/3timp.3perc/hp.pf/10.6.4.3(five-stringed)

Concert version of scene V from the opera 'Ophelia'.

Duration: 15' 00"

Instrumentation: for flute, viola and guitar

Duration: 11' 00"

Instrumentation: for cello and piano

Duration: 13' 00"

Instrumentation: for large orchestra (4(3&4pic).3(3.ca).Ebcl.3(bcl).3(cbn)/4.4.3(tba).btba/hp/4timp.3perc/min.14.12.10.8.5) all db five stringed when possible

Duration: 19' 00"

Instrumentation: for wind ensemble (3(3pic).3.3(3bcl).3(3cbn)/4.3.3.0)

Containing four movements which can either be played as they are, or in alternation with historical pieces.

Duration: 13' 00"

Instrumentation: for 9 flutes, clarinet, violoncello and piano

Duration: 13' 00"
Manuscript

Canticum

Instrumentation: for soprano, baritone, 4-5-part male choir and orchestra (pic.2.3(3.ca).3(3.bcl).2.cbn/3.3.3.1/timp.perc/hp.pf/0.0.0.db)

Parergon to 'Dies Unus'.
Double bass only in the strings.

Duration: 14' 00"

Instrumentation: for guitar

Duration: 10' 00"

Instrumentation: for double bass and orchestra (2(2.pic).1.2(2.bcl).0/1.2.2.1/timp.2perc/hp/10.4.4.3)

Duration: 18' 00"

Instrumentation: for bass-baritone and orchestra (3(2pic).2(2ca).3(3bcl).2(2cbn)/3.3.3.0/timp.3perc/hp/12.12.8.6.4)

Texts: Bibel / Liturgie

Text from the 'Hohelied Salomonis.'

Duration: 28' 00"

Duration: 12' 00"

Duration: 20' 00"

Three pieces

Instrumentation: for flute, violoncello and harpsichord

Double manual harpsichord, 8', 4', echo stop; 16' ad lib.

Duration: 10' 00"

Instrumentation: for viola and contrabass clarinet

Duration: 9' 30"

Chamber opera in fifteen scenes

Instrumentation: for eleven voices (three female, eight male) and instrumental ensemble (1(pic).1(ca).2(2bcl).0/1.1.1.0/2perc/hp/1.1.1.1)

Texts: William Shakespeare, Gottfried Keller (David Freeman, Rudolf Kelterborn)

Libretto by David Freeman and Rudolf Kelterborn using elements of Shakespeare's Romeo and Juliet, Gottfried Keller's "The village Romeo and Juliet", as well as a motive from Israel / Palestine. The opera was commissioned by the city of Zurich for the Zurich Opera Factory.

Duration: abendfüllend

Instrumentation: for alto, horn, trumpet, trombone, 2 percussion and violin

Duration: 6' 00"

A cycle with poems by Erika Burkart

Instrumentation: for baritone and instruments (1(pic,bfl).0.1(cbcl).0/1.1.1.0/hp.pf/2perc/1.1.1.1)

Duration: 28' 00"

Instrumentation: for orchestra and solo piano (3(2pic).3(3ca).3(3bcl).3(3cbn)/4.3.3.1/timp.4perc/hp/24.10.8.6)

The piano is used at times soloistic, at times in a chamber musical manner and occasionally as an integral part of the orchestra.

Duration: 20' 00"

7 Compositions

Instrumentation: for four gambas

Duration: 12' 00"

Instrumentation: for violin and marimbahone

Range of the marimbaphone: F-f3. The marimba player is also required to play two hanging Chinese cymbals, four bongos, an antique cymbal and a woodblock.

Duration: 14' 00"

Music in four movements with text by Georg Trakl

Instrumentation: for mezzo-soprano (or alto) and instruments (fl(pic,afl).ob.cl(bcl)/gtr/pf/1perc/vn.va.vc.db)

Duration: 21' 00"

Instrumentation: for recorder quartet

Duration: 9' 00"

Instrumentation: for violin, guitar and double-bass

Duration: 11' 00"

Instrumentation: for organ

Duration: 10' 00"

Duration: 18' 00"

Instrumentation: for clarinet and string quartet

Duration: 18' 00"

Seven compositions

Instrumentation: for large ensemble and electronic sounds (1.1.4.1/1.3.3.0/4perc/hp.pf/10.6.6.4/Bar(last part only))

Duration: 30' 00"

Instrumentation: for cello and harp

Duration: 9' 00"

Instrumentation: for four voices (ATTBar) with instrumental preambles and reflections (historical plucking instrument) ad lib.

Duration: 20' 00"
Manuscript

Instrumentation: (2ob(2ca)/2hn/9.3.2.1)

Duration: 14' 00"

Cyclical chamber music with ten instruments

Instrumentation: (fl(pic).ob(ca).cl(bcl)/2gtr/1perc/1.1.1.1)

Duration: 18' 00"

Music

Instrumentation: for horn and percussion ensemble (6 players)

Duration: 12' 30"
Manuscript

Music in one movement

Instrumentation: for string orchestra (6.5.4.2 or 12.10.8.4)

Duration: 13' 00"

Instrumentation: (2(2pic).3(3ca).3(3.bcl).2(2cbn)/3.3.3.0/hp/timp.3perc/str)

Duration: 18' 00"

Instrumentation: for flute and harpsichord

Duration: 2' 00"

Instrumentation: for soprano, two percussion and live electronic

Duration: 14' 00"
Manuscript

Instrumentation: (cl;1(pic).1(ca).1.(cbn)/1.1.1.0/pf/2perc/1.1.1.1)

Duration: 17' 00"

Instrumentation: (cl.bn/hn/2vn.va.vc.db)

Duration: 18' 00"

Instrumentation: for flute (afl), clarinet (bcl), piano and string trio

Duration: 16' 00"

Instrumentation: for flute (pic), violin, violoncello, piano and one percussion

Duration: 12' 00"

Duration: 16' 00"

Instrumentation: for three string orchestras (v.va.vc, 3vn, va.vc.db)

The three trios must be situated spatially seperated on the podium.

Duration: 13' 00"
Manuscript

I have occupied myself with the plans for a cycle for many years – I continuously set the project back after never being completely convinced that I could fulfil the demands I had set myself.
The 'Klavierstücke 1-6' is intended as a cycle yet the pieces can be performed individually or in various groups (2-5) and orders.

Klavierstück I "Trifolium" (7')
Arose (as a quasi starting point) through an "extraneous" impulse: The Zurich School of Music commissioned a piano piece for an internal competition (compulsory piece). This was won by See Siang Wong who later world premiered the complete cycle – the pieces 3 and 5 are dedicated to him.
This piece is, as the title "Trifolium" suggests, three-part. It is the longest and most gestural of the 6 pieces and each of the following pieces revert back to one or several elements of "Trifolium".

Klavierstück 2 "a una voce – a due mani" (3'15)
This two-handed monophony is a very virtuosic, intensely emotional music. The monophony is minimally interspersed with octavial moments and, at the end, through small "exceptions".

Klavierstück 3 "Nachtstück mit Coda" (4'45)
A dark and threatening partly dramatic serenade is, so to say, relativised by an ecstatically light coda.

Klavierstück 4 "Wintermusik" (5')
The title of this piece evokes so many figurative and atmospheric associations that a commentary would be superfluous.

Klavierstück 5 "blurred" (2'30)
This is the most technically demanding of all the pieces. The title means "out of focus, unclear, hazy, indistinct" and when instructed in the score: "pppp means as quietly as is at all possible. When isolated tones do not accost then this is to be accepted." Using the left pedal it is to be played "a una corda" and "ephemerally" almost throughout.

Klavierstück 6 "Kontrapunkte" (5')
The title does not only refer here to certain polyphonic techniques (imitation, canon etc.) but also to the expressive and gestural contrapositions as well as the confrontation of normal playing techniques upon the keys with the sounds produced from within the piano, which comes into play in the second half. Initially I wanted to avoid using any "unconventional" playing techniques – but towards the end I was once again tempted to commit an inconsequence and open up a new door...

Duration: 28' 00"

Orchestral music in five parts and several fragments

Instrumentation: for orchestra (3(+add. instruments).3(3.ca).3(+add. instruments).3(3.ca).2sx/6.4.4.1/pf/5perc/18.6.6.4)

The instrumentarium is placed in various groups on the podium.

Duration: 30' 00"

Duration: 1' 00"

CHF: 9.00

7 pieces

Instrumentation: for orchestra (1(pic).1.1(bcl).1/2.1.1.0/2perc/hp/8.4.4.3)

Three duos are placed on the podium outside of the compact orchestra.

Duration: 20' 00"

Instrumentation: for violoncello solo

Duration: 4' 00"

Instrumentation: for 17 voices (5S3A1Altus3T3Bar2B) and instrumental ensemble (ob(ca).cl(bcl)/tpt/perc/hp/gtr/vn.va.vc.db)

A musical production of the poem 'Skizzenblatt' by Hermann Hesse.
Further texts from Gryphius, A. von Haugwitz, Shakespeare, Trakl, Petrarca and from the Bibel.

Duration: 30' 00"

Music

Instrumentation: for 9 instruments (fl(pic).ob(ca).cl(bcl)/1perc/pf/vn.va.vc.db)

Duration: 12' 00"

Instrumentation: for two pianos

Duration: 11' 00"

Instrumentation: for violin, viola, violoncello and piano

Duration: 18' 00"

Rondo

Instrumentation: for soprano and three instruments (oboe/English horn, cello, piano)

with texts by Ernst Jandl.

Duration: 14' 00"

Instrumentation: for piano trio

Duration: 16' 00"

Instrumentation: for horn solo

Duration: 7' 00"

Instrumentation: for 2 pianos and three instrumental groups (1(pic).1(ca).1(bcl).0/1.1.1.0/2perc/hp.gtr/string quintet)

Duration: 20' 00"

Instrumentation: for 8 flutes (8 players with various instruments)

Duration: 14' 00"
Manuscript

Instrumentation: for oboe (ca) and string trio

Instrumentation: for choir (SATB), clarinet (bcl) and violoncello

Texts: Rudolf Kelterborn

Duration: 15' 00"

Instrumentation: for flute (pic, afl), ob (ca), hp, vn, va, vc

Duration: 15' 00"

Instrumentation: for alto saxophone, violoncello and accordion

Duration: 11' 00"

Instrumentation: for 8 violoncelli

Duration: 11' 00"

Instrumentation: for 13 strings (7.3.2.1)

Duration: 14' 00"

Instrumentation: for viola solo and orchestra (1.1.1.1/1.1.1.0/perc/hp/8.4.3.2)

Duration: 16' 00"

Imaginary scenes

Instrumentation: for soprano and 5 instruments (fl, pf, perc, vn, vc)

Texts: Friedrich Dürrenmatt

Duration: 16' 00"

Instrumentation: for violin and piano

Duration: 13' 00"

Music with Japanese Haiku

Instrumentation: for two voices, violin, clarinet/bass clarinet and percussion

Duration: 22' 00"

Instrumentation: for 10 instruments (fl[=pic/afl].cl[=bcl].bsx/tpt.tbn/perc/pf/str trio)

Duration: 15' 00"

Instrumentation: for symphonic orchestra (3.3.3.1.cbn.3sx/3.3.3.0/perc/hp.pf/str[12,8,6-8,4-6])

Duration: 17' 00"

Instrumentation: for double bass in Viennese tuning

Duration: 11' 00"

Instrumentation: for baritone and piano

Texts: Erika Burkart, Charles-Ferdinand Ramuz, Ernst Jandl, Georg Trakl, Japanische Haiku

Duration: 20' 00"

Instrumentation: for female voice and piano

Texts: Emily Dickinson, Erika Burkart, Ernst Jandl, Georg Trakl

Duration: 20' 00"

Parergon on 'Musikalisches Opfer' by J.S. Bach

Instrumentation: for flute (pic), violin, violoncello and harpsichord

Duration: 4' 00"
Manuscript

Instrumentation: for oboe, clarinet (bcl) and string trio (vn, va, vc)

Duration: 16' 00"

Instrumentation: für Streichquartett

Duration: 12' 00"

Instrumentation: für Oboe und Klavier

Duration: 12' 00"

Instrumentation: per trio ed orchestra d'archi

Duration: 11' 00"

Instrumentation: für Flöte, Klarinette, Violine, Violoncello, Klavier, Schlagzeug

Duration: 18' 00"

Streichquartett 7

Instrumentation: für Streichquartett

Duration: 11-12 min

Instrumentation: für Viola und Saxophon-Quartett

Duration: 17' 00"
Manuscript

Instrumentation: für Sopran, Bariton und drei Instrumental-Ensemble

Texts: Haikus, Petrarca, Shakespeare

Duration: 25' 00"

Instrumentation: für Flöte, Oboe, Klarinette, Fagott (mit Nebeninstrumenten)

Duration: 16' 00"

Musik in vier Teilen

Instrumentation: für Mezzo-Sopran, Sprecher und Instrumental-Ensemble

Texts: Haikus, G.F. Weckherlin, Gerog Trakl, Erika Burkart, Goethe

Duration: ca. 17'

Instrumentation: für Ensemble



Duration: 16' 00"

Instrumentation: für Instrumental-Ensemble

Duration: 12' 00"

Instrumentation: für 2 grosse Ensembles, 6 Singstimmen (solo) Harfe, Schlagzeug und Buckelgongs

Texts: Georg Trakl

Duration: 23' 00"

Instrumentation: für Oboe und Englischhorn

Duration: 10' 00"

Instrumentation: für 2 Violinen

Duration: 7' 00"

Instrumentation: für Viola und Gitarre

Duration: 9' 00"

Moment musical

Instrumentation: für 4 Stimmen (S, A, T, B)

Texts: Georg Trakl

Duration: 2' 00"