Instrumentation: for violin and piano

Written by hand on an envelope: "Schauderhaft !!! 1915(16?)"

Instrumentation: for violin, viola and cello

Instrumentation: for large orchestra (3.2.2.3/3.2.3.0/timp.2perc/hp/str) and obligatory tenor

From "Lieder des Hafis" by Hans Bethge.

Instrumentation: for voice and piano

Texts: Richard Dehmel

Theme, quasi variation, rondo

Instrumentation: for violin and piano

Instrumentation: for flute, solo string quartet, string orchestra and percussion

Instrumentation: for mixed choir and orchestra (2.2.2.2/4.0.0.0/str)

Instrumentation: for violin and orchestra (1.2.2.2/2.2.0.0/timp.perc/hp.cel/str)

Instrumentation: for orchestra (2.2.2.2/4.3.0.0/timp.perc/str)

Instrumentation: for small orchestra, a baritone voice and mixed choir

Instrumentation: for baritone and orchestra (3.3.3.4/4.3.3.2/timp.perc/hp/str)

Texts: Omar Chaijam

Duration: 35' 00"

Instrumentation: for solo clarinet, solo violoncello and orchestra (0.2.0.2/2.0.0.0/perc/str)

Three songs

Instrumentation: for tenor solo, male choir and orchestra (3.2.3.4/6.3.3.2/timp.perc/hp/str)

1. Trinklied
2. Ständchen
3. Mitternacht

Instrumentation: for alto and small orchestra (1.0.1.1/1.0.0.0/str)

Duration: 15' 00"

Instrumentation: for flute, oboe, trumpet in C, bassoon, violin, viola, cello and double bass

Duration: 15' 00"

Instrumentation: for two pianos

Duration: 20' 00"

Instrumentation: for choir (SSATB) a-cappella

After ancient Latin texts, translated by Friedrich Wolters.

Instrumentation: for cello and piano

Instrumentation: fo rmixed a-cappella choir

Texts: Albert Steffen

Instrumentation: for mixed a-cappella choir (5-part)

1. Psalm 13
2. Psalm 117

Instrumentation: for clarinet and viola

Duration: 12' 00"

Instrumentation: for trumpet in C, clarinet in C, violin, viola and cello

Duration: 15' 00"

Instrumentation: for trumpet (poss. viola), violin and cello

Instrumentation: tenor aria with choir and orchestra (1.2.0.3/0.3.3.0/str)

Texts: Angelus Silesius

From the 'Cherubinischen Wandersmann'.

Duration: 4' 00"

Opera in two acts

Instrumentation: for solo voices, choir (SATB) and orchestra (3.3.3.3/4.3.3.1/timp.perc/str)

Texts: Egon Neudegg

Duration: 1h 40' 00"

Ballet music

Instrumentation: for orchestra (3.3.3.3/5.3.3.1/timp.perc/hp/str)

N°. 1 Pantomime u. Auftritt der Maharani (Allegretto con moto)
N°. 2 Feierlicher Tanz (Lento assai e un poco feierlich)
N°. 3 Vivace assai ed agitato

Duration: 15' 00"

Instrumentation: fo rmixed choir (SSATB), orchestra (2.2.2./3.2.0.0/str) and organ

Texts: Heinrich Leuthold

N°. 1: "Nach Westen zieht der Wind dahin"
N°. 2: Der Waldsee: "Wie bist du schön, du tiefer blauer See"
N°. 3: Morituri te salutant: "Richte dich empor"
N°. 4: In der Schenke: "Nicht auf den Schüler bänken"

Duration: 16' 00"

Cantata

Instrumentation: for solo bass, male choir and orchestra (3.3.3.3/4.4.3.1/timp.perc/hp.pf.cel/str)

Texts: Max E. Oederlin

Part 1
1. Lied (Wir zogen in das Feld)
2. Chor (Es war noch stockfinstere Nacht)
3. Solo mit Chor (Wir übernachteten in einem weltabgeschiedenen Dorfe)
4. Lied (Unser Leben gleicht der Reise)
Part II
5. Solo (Den ganzen folgenden Tag)
6. Quodlibet (Chor und Solo: Kriegsfreud und Kriegslied)
7. Sinfonia
Part III
8. Lied (Der Reif und auch der kalte Schnee)
9. Chor (Am andern Morgen)

Duration: 1h 50' 00"

Instrumentation: for orchestra (2.2.0.3/2.2.3.0/org/str)

Duration: 7' 00"

Instrumentation: for mixed choir and orchestra (2.2.2.2/2.2.1.0/str)

Duration: 4' 00"

Instrumentation: for orchestra (1.2.0.2/2.2.0.0/pf/str)

Duration: 25' 00"

Opera in one act

Instrumentation: for soli (SB), choir and orchestra

Texts: Hans Ulrich Raschle

Orchestra instrumentation: 2.1.2.2/3.3.3.0/timp.perc/pf/str

Duration: 25' 00"

Two songs

Instrumentation: for a high voice accompanied by four string voices

1. Das Bild des Geliebten
2. Der Vortänzer

Instrumentation: for five-part, mixed, a-cappella choir

Duration: 6' 00"

Instrumentation: for 2 melodic instruments

Instrumentation: for male, a-cappella choir

Texts: Omar Chaijam

1. Der Morgen (Noch hing die Dämmerung / Tagesanbruch)
2. Und als der Hahn gekräht
3. Die Blumen (Mir scheint, die Rosen blühen rot wie Blut)

In memoriam Giovanni Gabrieli

Instrumentation: for a-cappella choir

Texts: Conrad Ferdinand Meyer

Duration: 5' 00"

Instrumentation: for three female voices and strings

Texts: Angelus Silesius

Duration: 5' 00"

Spanish fioriture play for the 'Lesezirkels Hottingen'

Instrumentation: for piano

1. Estrella del Cielo = Schönster Abigstärn / Tango by Robert Blum
2. Dolderilla Fox-Trot (Charleston) / by Walter Lang
3. Los amores de la Argentina / Blues by Max Conrad

Instrumentation: for male, a-cappella choir

Texts: Omar Chaijam

Duration: 2' 00"

Instrumentation: for string orchestra

The Toccata, the Fantasy and the Fugue were created at different times and intended as separate works. They were later fused into one work, initially known as Prelude, Fantasy and Fugue and then as Toccata, Fantasy and Fugue.

Duration: 16' 00"

Stage music

Instrumentation: for trumpet, trombone and choir

Instrumentation: for orchestra (3.3.3.3/3.3.3.0/timp.perc/str)

Duration: 23' 00"

Instrumentation: for mixed a-cappella choir

Adaptation from Latin by Friedrich Wolters.

Duration: 6' 00"

Choral prelude

Instrumentation: for organ and choral (SATTB)

Scenic cantata

Instrumentation: for two actors, 2 dancers, speaker, soprano, choir (SATB) and chamber ensemble (fl, cl, ssx, perc, vl, 4-handedpf)

Duration: 40' 00"

Instrumentation: for trumpet in C, saxophone (alto), organ (harmonium) and piano

Instrumentation: for 3 trumpets and 3 trombones

Instrumentation: for alto, three violas, violoncello and piano

Duration: 23' 00"

Instrumentation: for 3 and 4 part male choir

1. Burschen heraus
2. Der Kosak und sein Mädchen
3. Weinliedchen
4. Sassa geschmauset
5. Romanze
6. Liebesprobe
7. Rundgesang
8. Vagans scholasticus
9. Ein Heller und ein Batzen
10. Der Umtrunk
Composed by Robert Blum and Hans Lavater.

Festival

Instrumentation: for solo voices, choir (SATB), children's choir and orchestra (1.1.4.1/2.3.2.1/timp.perc/2pf/vc.db)

Texts: Erwin Brüllmann

Instrumentation: for solo voice (A), choir (SATB) and orchestra (1.2.0.1/0.3.3.0/perc/hp.hpd.org/str)

Texts: Hans Reinhart

Duration: 75' 00"

Instrumentation: for soprano and chamber orchestra (1.1.1.1/0.1.1.0/str)

1. The 127th Psalm
2. The 12th Psalm
3. The 131st Psalm
4. The 8th Psalm

Duration: 17' 00"

Instrumentation: for male, a-cappella choir

Texts: Johann Wolfgang von Goethe

Instrumentation: for large orchestra (2.2.2.2.sx/4.3.3.1/timp.perc/pf/str)

Instrumentation: for male, a-cappella choir

Texts: Joseph von Eichendorff

Duration: 4' 00"

Instrumentation: for male, a-cappella choir

After poems from Goethe's "Pandora".

Duration: 6' 00"

Instrumentation: for male choir with piano or orchestra or harmonic music accompaniment

Texts: Hans Reinhart

Score: 2.2.2.3/4.3.3.1/timp.perc/str
The large instrumentation should be used wherever possible.
The smallest instrumentation possible is: 1.1.2.1/2.2.1.0/timp.perc/str

Duration: 7' 00"

Instrumentation: for two voices and piano

Texts: Albert Steffen

1. Lasst uns die Bäume lieben
2. O Baum du wächst empor

Duration: 5' 00"

Instrumentation: for male, a-cappella choir

Texts: Andreas Gryphius

Duration: 5' 00"

Dialect ballad opera

Instrumentation: for solo voices, choir (SATB) and orchestra (1.0.1.0/0.1.1.0/perc/pf/str)

Texts: Adolf Haller

Duration: 2h 00"

"Von der geistlichen Waffenrüstung"

Instrumentation: for soprano, oboe, piano and small mixed choir

Duration: 12' 00"

Dialect comedy with song and dance

Instrumentation: for solo voices, choir and orchestra (2.1.2.1/0.3.2.0.sx/perc/pf/str)

Texts: Walter Lesch

Duration: 75' 00"

Instrumentation: for wind band

Duration: 3' 00"

Stage music

Instrumentation: for solo voices, choir (SATB) and orchestra (2.2.2.2/3.3.2.1/perc/hp.pf/str)

Texts: Ferdinand Raimund

Duration: 75' 00"
Manuscript

Instrumentation: for solo voices, choir (SATB) and orchestra (2.2.2.2/2.3.2.0/timp.perc/str)

Instrumentation: for soprano and string quartet

Texts: Oscar Lüthi

Duration: 4' 00"

Instrumentation: for soprano, violin and organ

1. Moderato (Halleluja!)
2. Allegro con spirito (Lobe den Herrn meine Seele!)
3. Intermezzo (Poco Andante)
4. Moderato (Wohl dem, des Hilfe der Gott Jakobs ist)

Duration: 22' 00"

Cantata

Instrumentation: for mixed choir and string orchestra

Romans, chapter 7 and 8.

Duration: 15' 00"

Instrumentation: for soprano and/or alto and piano

Texts: Friedrich Witz

1. Das Lied vom Zwiespalt (alto)
2. Das Lied von den Tieren (soprano)
3. Das Lied von der Schuld (alto and soprano)
4. Das Lied vom Gras (soprano)
5. Das Lied vom ersten Zuspruch (alto)
6. Das Lied bösen Haders (soprano)
7. Das Lied zweiten Zuspruchs (alto)
8. Das Lied von der Wandlung (soprano)

Instrumentation: for orchestra (2.3.2.3/3.3.3.1/timp.perc/pf/str)

Adaptation of the introductory music to the film "Landmann Stauffacher".

Duration: 11' 00"

Stage music

Instrumentation: for choir and chamber orchestra (ob, cl, hn, str)

Piece by Julius Hay, texts by Walter Lesch.

Instrumentation: for soprano and string quartet

1. Hymnus I. Adagio (Komm zu uns nieder)
2. Hymnus II. Allegro non troppo (Gesang zur Geburt des Herrn)
3. Hymnus III. Lento assai (Hymnus an die selig Jungfrau Maria)
4. Hymnus IV. Lento (Hymnus am Busstage des Herrn in der 3. Nokturn)
5. Hymnus V. Vivace non troppo presto (Osterhymnus)
6. Hymnus VI. Andante (Sequenz am Pfingstfest)
Translated from Latin by Friedrich Wolters.

Duration: 25' 00"

Stage music

Instrumentation: for solo voices, choir (SATB) and chamber ensemble

Texts: Hugo von Hofmannsthal

Instrumentation: for deep voice and piano

Texts: Joseph von Eichendorff

Duration: 5' 30"

Instrumentation: for a deep voice and piano

Texts: Franz Grillparzer

1. Regen
2. Der Ochs
3. Neuere Bildung
4. Des Himmels Segen
5. An gewisse K... und Ph....
6. Das Recht
7. Das höchste Gut

Instrumentation: for deep voice and piano (organ)

Instrumentation: for string orchestra and obligatory organ

This work is also known as "Symphony N° 4" and "Passions-Konzert", it has, however, nothing to do with the Symphony N° 4.

Duration: 23' 00"

Instrumentation: for chamber orchestra (1.1.1.0/1.0.0.0/str)

Can also be performed with a simple instrumentation.

Duration: 18' 00"

Instrumentation: for two flutes, female choir and harp

1. Lament for Prometheus: Chorus of Oceanus' daughter from the tragedy "Prometheus Bound" by Aischylos
2. Hercules' return: Chorus of the servants from the tragedy "The Trachiniæ" by Sophocles

Duration: 9' 00"

Instrumentation: for choir (SAT)

Duration: 3' 00"

Instrumentation: five male choirs

Texts: Joseph von Eichendorff

1. Wandern lieb ich für mein Leben
2. Wenn die Sonne lieblich schiene
3. Durch Feld und Buchenhallen
4. Ich hör die Bächlein rauschen
5. Herz, in deinen sonnenhellen Tagen

Duration: 12' 00"

Instrumentation: for violin, cello and piano

Instrumentation: for voice and piano

Texts: Ernst Uehli

Symphonic suite

Instrumentation: for orchestra (2.2.2.2/2.2.1.1/timp.perc/hp/str)

Adaptation of the music for the film "La dernière chance".

Duration: 25' 00"

Symphonic suite

Instrumentation: for orchestra (2.2.2.2/2.2.1.1/timp.perc/hp/str)

Adaptation of the music for the film "Marie-Louise".

Duration: 15' 00"

Instrumentation: for mixed choir and small orchestra (2tpt/perc/pf/str)

Instrumentation: for voice and piano

Texts: Joseph von Eichendorff

Small pieces

Instrumentation: for two recorders and other instruments

Duration: 12' 00"

Instrumentation: for bass and piano

1. Hymnus am III. Advent
2. Hymnus an Gott
3. Antiphon über den Tod
4. Hymnus am Ostertag
5. Sequenz von der Himmelfahrt des Herrn
After ancient Latin texts, translated by Friedrich Wolters.

Instrumentation: for bass and piano

1. Hymnus am III. Advent
2. Hymnus an Gott
3. Antiphon über den Tod
4. Hymnus am Ostertag
5. Sequenz von der Himmelfahrt des Herrn
After ancient Latin texts, translated by Friedrich Wolters.

Adapted and instrumented for practical use by Robert Blum.

Instrumentation: for 13 wind instruments (2.2.2.2/2.2.1.0)

Duration: 8' 00"

Instrumentation: for viola and orchestra (2.2.2.1/3.3.3.2/timp.perc/str)

Duration: 35' 00"

Instrumentation: for piano

Small motet

Instrumentation: for alto solo and 2-part choir

Duration: 3' 00"

Instrumentation: for 8 instruments (1.1.1.1/0.0.0.0/1.1.2.0)

Duration: 18' 00"

Orchestral suite

Instrumentation: for orchestra (2.2.2.2/3.3.2.1./perc/hp.pf/str)

Suite from the music to the film of the same name.

Duration: 2' 00"

Instrumentation: for orchestra (2.2.2.2/2.2.1.0/perc/hp.pf/str)

Instrumentation: for soprano and string orchestra

Texts: Hermann Hiltbrunner

Duration: 10' 00"

Instrumentation: for mixed a-cappella choir

Instrumentation: for bass and orchestra (2.2.2.2/2.2.1.1)/perc/hp/str)

1. Hymnus am dritten Advent
2. Hymnus an Gott
3. Antiphon über den Tod
4. Hymnus am Ostertag
5. Sequenz von der Himmelfahrt des Herrn

Duration: 17' 00"

Instrumentation: for soprano and piano

Texts: Carmen Hagmann

1. Vorspruch
2. An die Laute
3. Blumen im Winter
4. Ratlosigkeit
5. Heimweh
6. Ich war - ich bin
7. Du
8. Ganz durch den Herbst
9. Der See
10. Wunderblume
11. Mit den Tränen meiner Augen
12. Bitte
13. Erquickung (Ausklang)

Instrumentation: for mixed, a-cappella choir

Instrumentation: for orchestra (2.2.2.2/3.3.2.1./perc/str)

Duration: 11' 00"

Instrumentation: for wind band (3.2.5.2.3/2.0.2.4/3.3.1.2/timp-perc)

Duration: 9' 00"

Instrumentation: for orchestra (2.2.2.2/2.2.1.0/timp.perc/str)

Duration: 27' 00"

Instrumentation: for voice and piano

Texts: Otto Hellmut Lienert

1. S'Schwyzerländli
2. Schloffed wohl
3. Es ischt mer glych
4. Guetnacht am Zürisee
5. Nachtfyfälterli
6. Der Leutschner (Der Löitscher)

Old english children's songs and other pieces

Instrumentation: for two recorders in C

Instrumentation: for orchestra (2.2.3.3/3.3.2.1/timp.perc/hp/str)

Duration: 28' 00"

Instrumentation: for soprano and bass accompanied by eleven instruments (fl, ob, cl, bn, hn, tpt, str)

1. Der schöne Sommer / Heinrich von Veldegge
1a. Intermezzo
2. In der Luft des süssen Maien / Ulrich von Lichtenstein
3. Hab ich Lieb
4. Tanzlied / Paul Fleming
5. Ich schell mein Horn / Herzog Ulrich von Württemberg
5a. Intermezzo
6. Sei die Sonne / Heinrich von Veldegge

Duration: 32' 00"

36 dialect songs

Instrumentation: for mixed, a-cappella choir

Texts: Georg Thürer

Instrumentation: for saxophone or string quartet (or another quartet or quintet instrumentation)

Duration: 16' 00"

Stage music

Instrumentation: for chamber orchestra (2fl(pic), perc and str)

Texts: Jean Molière

Duration: 32' 00"

Instrumentation: for voice and piano

Texts: Conrad Ferdinand Meyer

1. Morgenlied
2. Auf Goldgrund
3. Schnitterlied
4. Das bittere Tränklein
5. Neujahrsglocken

Duration: 15' 00"

Instrumentation: for organ

During the evening meal.

Manuscript

Instrumentation: for organ

Introductory / exit to the choral "Du meine Seele, singe".

Choral Partita

Instrumentation: for organ (or wind instrumentation)

There are various versions of this work:
for organ
for oboe, clarinet and bassoon
for flute, oboe, violin, viola and violoncello

Duration: 15' 00"

Instrumentation: for orchestra (2.2.2.2/4.3.3.1/perc/str)

Adaptation of the music for the film "Käserei in der Vehfreude".

Duration: 12' 00"

Motet

Instrumentation: for male, a-cappella choir

Texts: Johann Wolfgang von Goethe

Duration: 5' 00"

Instrumentation: for orchestra (3.3.3.4/4.4.3.1/timp.perc/hp.cel/str)

Robert Blum named his Passion music for string orchestra and obligatory organ Symphony N° 4 (amongst others). This work has nothing to do with the Symphony N° 4 for large orchestra.

Duration: 37' 00"

Instrumentation: for male, a-cappella choir

Texts: Omar Kayam

Duration: 4' 00"

Instrumentation: for oboe and orchestra (1.0.2.2/2.2.0.0/timp/str)

Duration: 22' 00"

Instrumentation: for orchestra (2.2.2.2/2.2.0.0/timp.perc/str)

New version of the "Ouvertüre zu einer barocken Komödie".
This overture forms the basis of a Baroque comedy but is an independent piece.

Duration: 8' 00"

Instrumentation: for flute, clarinet, horn and bassoon

Instrumentation: for mixed choir and orchestra (1.1.1.1/1.1.0.0/str)

Texts: Andreas Gryphius

1. Der Morgen
2. Andenken eines auf der See ausgestandenen gefährlichen Sturms

Instrumentation: for chamber orchestra (2.2.0.1/0.0.0.0/timp.perc/str)

Concert version of the overture from the stage music to Molière's "The Misanthropist".

Duration: 7' 00"

Cantata

Instrumentation: for soprano and chamber orchestra (tpt, perc, pf, str)

After texts from the letters by the Paul the Apostle.

Duration: 20' 00"

Instrumentation: for solo soprano, unisono mixed choir and small orchestra (1.1.1.1/0.1.1.0/perc/str)

1. Psalm 146
2. Psalm 130
3. Psalm 84
4. Psalm 117

Duration: 20' 00"

Instrumentation: for male choir and wind band (3.2.3.2.3/0.2.0.1.4/3.3.1.2/timp.perc/db)

Texts: Johann Wolfgang von Goethe

1. Chor der Schmiede
2. Die Hirten an die Schmiede
3. Scherzo
4. Lied der Krieger

Duration: 24' 00"

Instrumentation: for flute, oboe, clarinet, horn and bassoon

Duration: 15' 00"

Oratorio

Instrumentation: for four solo voices, mixed choir, orchestra (2.2.3.3/4.3.3.1/timp/perc/hp/str) and organ

Prelude:
1. Hymn to the Archangel Michael
Main part 1
2. The 11th chapter of Revelations: The seventh trombone
3. The 12th chapter of Revelations: The woman and the dragon
Main part 2
4. The dragon of Ireland. How the Archangel Michael conquered the dragon on earth


Duration: 1h 46' 00"

In the chromatic style of Orlando di Lasso

Instrumentation: for orchestra (2.2.2.3/3.3.3.0/str)

Duration: 14' 00"

Instrumentation: for flute, violin, viola and violoncello

Duration: 20' 00"

Instrumentation: for flute and violin

Instrumentation: for violin, oboe, trumpet and chamber orchestra (0.0.0.0/2.0.0.0/perc/str)

Duration: 20' 00"

Instrumentation: for mixed choir, small orchestra (1.1.1.1/1.1.0.0/str) and organ

Texts: Andreas Gryphius

Duration: 12' 00"

Organ choral and introduction

Instrumentation: for organ

Instrumentation: for wind band

Duration: 2' 30"

Instrumentation: for chamber orchestra (1.1.1.1/1.0.0.0/timp/hp/str)

Duration: 28' 00"

Instrumentation: for unisono choir and organ

Texts: Kurt Marti

1. Zum Eingang
2. Du siehst uns hier warten, Herr
3. Lass uns hören Dein Wort
4. Ehre sei, und Lob dem Vater
5. Wenn wir Dein Wort verkleinern, Herr
6. Manchmal kennen wir Gottes Willen
7. Dass uns das Leid nicht besiege
8. Zum Ausklang

"Der Tod des Agamemnon": Epic oratorio

Instrumentation: for soli (SATB), male choir and orchestra

Texts: Robert Blum

This work was first composed in 1965 (Der Tod des Agamnemnon) and revised in 1971 (version 2 = Nemesis).

Instrumentation: for small orchestra (1.2.2.1/2.0.0.0/str)

Duration: 33' 00"
Manuscript

Instrumentation: for piano

Instrumentation: for chamber orchestra (1.1.1.1/1.0.0.0/str)

Duration: 14' 00"

Instrumentation: for male choir and percussion

From Muspilli (ca. 860), translated by Karl Wolfskehl.

Instrumentation: 1-4 part for identical voices

2 little duets

Instrumentation: for flute and violin

Instrumentation: for small orchestra (1.1.0.2/0.1.0.0/perc/str) organ, solo voice (bass-baritone) and choir

Texts: Albert Steffen

Duration: 23' 00"

Quintet

Instrumentation: for flute, oboe, clarinet, bassoon and horn

Duration: 25' 00"

Instrumentation: for flute and piano

Three fantasies

Instrumentation: for string orchestra

Instrumentation: for solo tenor, mixed choir and wind band

Texts: Hans Rudolf Hubler

Duration: 60' 00"

Instrumentation: for solo voice and chamber music ensemble (fl, tpt, perc, 2vn, vc, pf)

Instrumentation: for 3 trumpets, 4 horns, 3 trombones and tuba

Duration: 12' 00"

Instrumentation: for orchestra (2.2.2.2/2.2.0.0/timp/str)

Known as the "Seldwyla-Sinfonie", after Gottfried Keller's novel "Die missbrauchten Liebesbriefe".

Duration: 26' 00"

Instrumentation: for piano

Instrumentation: for two flutes (or two violins)

Instrumentation: for 2 solo violins, solo violoncello and strings

1. Invention over the old folksong "Frau Nachtigall"
2. Variations over the old pilgrimage song "Gelobt sei Gott, der Vater"
3. Metamorphoses of the old East Fresian dance song "Buske di Remmer"

Duration: 20' 00"

Instrumentation: for solo violin, harpsichord and string orchestra

1. Invention over the old folksong "Frau Nachtigall"
2. Variations over the old pilgrimage song "Gelobt sei Gott, der Vater"
3. Metamorphoses of the old East Fresian dance song "Buske di Remmer"

Duration: 20' 00"

Instrumentation: for clarinet and string trio

Instrumentation: for orchestra (3.3.3.3/4.4.3.1/timp.perc/str)

Duration: 34' 00"

Instrumentation: for string trio and small orchestra (0.1.1.1/1.1.0.0/str)

Duration: 24' 00"

Instrumentation: for solo baritone, 3-part female choir, wind quintet and organ

After the evangelists (Matthew, Mark, John) and poems by Kurt Marti.

Duration: 16' 00"

Duration: 20' 00"

Instrumentation: for mixed choir, wind orchestra (2.2.2.3/4.2.3.1/timp/perc) and organ

Re-instrumentation of the prelude to the oratorio "Erzengel Michael".

Abundance

Instrumentation: for mixed choir and four instruments

Texts: Conrad Ferdinand Meyer

Duration: 4' 00"

Ballad

Instrumentation: for male, a-cappella choir

Texts: Carl Spitteler

Duration: 4' 00"

Instrumentation: for piano

1. Study over two motives by Jos. Gunzinger
2. Study over a symmetrical twelve-tone series

Instrumentation: for bass-baritone, male choir and orchestra (2.3.3.3/4.3.3.1/timp.perc/hp/str)

Composed after the Psalms 150, 146 and 117.

Duration: 20' 00"

Motet

Instrumentation: for a-cappella choir (SSATB)

Instrumentation: for viola and piano

Instrumentation: for flute, violin and soprano

Texts: Sappho

1. Alle Sterne rund um den Mond
2. Es strahlte der Mond in ganzer Fülle
3. Unter den Flügeln entströmt schrill
4. Nun setz dir ins Haar
5. Einer meint: die Reiter
6. Komm hierher zum weihevollen Heiligtum!
7. Wie der Sturm vom Gebirg herab stürzt
8. Der Mond ging unter
After texts by Sappho, translated by Rupé, Hausmann and Peterich.

Duration: 20' 00"

Metamorphoses of a folksong

Instrumentation: for 9 flutes

Duration: 9' 00"

Instrumentation: for violoncello and harp (or harpsichord or piano)

Metamorphoses of a Swiss folksong

Instrumentation: for flute, violin, viola and violoncello

Instrumentation: for wind band (1.2.5.2.3/0.3.1.2.4/3.3.1.2/timp.perc)

Duration: 6' 00"

Instrumentation: for wind band (1.2.2.5.3/2.0.0.2.4/3.3.1.2/timp.perc)

Duration: 6' 00"

Instrumentation: for wind band (2.2.5.2.4/0.2.1.1.4/3.3.1.2/timp.perc/db)

Duration: 8' 00"

Instrumentation: for orchestra (2.0.2.1/2.0.0.0/perc/str) and violoncello solo

Duration: 20' 00"

Instrumentation: for clarinet-A and string orchestra

Duration: 14' 00"

Instrumentation: for male or mixed choir and wind band (3 high b instruments, 3 e flat instruments, 3 deep b instruments and 2 tba)

Texts: Ernst Kappeler

The choir parts can be sung one-part or four-part. If sung one-part the soprano is sung by the male voices transposed by an octave but spread over two octaves.

Duration: 17' 00"

Nine choruses with accompaniment

Texts: Georg Thürer

1. Wanderlied im Morgenhauch
2. Blauer Abend
3. September am Gestade
4. Letztes Licht
5. Vagantenlied
6. Stundenlied
7. Föhnwacht
8. Ausblick
9. Beim Sonnenwirt
Various possibilities for performance have been put forward by the composer:
1 to 3-part male choir
4-part mixed choir
4-part acappella choir
Accompaniment:
Unaccompanied
With piano
With wind band
With string orchestra
With large orchestra

Duration: 25' 00"

Instrumentation: for flute, clarinet, bassoon, horn, 2 violins, viola, violoncello and double bass

Canonic liturgical kyrie in a strict movement

Instrumentation: for 3-part, mixed a-cappella choir

Instrumentation: for 16 string instruments

Manuscript

1. Preludio
2. Ostinati
3. Aria
4. Alla Gagliarda
5. Capriccio

Duration: 13' 00"

Instrumentation: for piano

Instrumentation: for piano

Instrumentation: for mixed choir and orchestra

Texts: Albert Ehrismann

Instrumentation: for wind band (3.2.6.2.3/0.4.0.0.3/3.3.2.2/timp.perc/str)

Concert

Instrumentation: for solo string quartet and string orchestra

Instrumentation: for flute and piano

Instrumentation: for mixed choir and large orchestra (3.3.3.3/4.2.2.0/timp.perc/hp.pf.org/str)

1. Vorspiel zum Prolog im Himmel und Auftritt der drei Engel Raffael, Gabriel und Michael
2. Zwischen Prolog im Himmel und Studierstube
3. Osternacht

Instrumentation: for harpsichord

Instrumentation: for harmonic instrumentation (3.2.1.2.3/0.4.1.0.3)/timp.perc) or fanfare

Instrumentation: for piano

Instrumentation: for piano

Instrumentation: for large orchestra (2bfl.2.2.0.0/0.0.0.0/3perc/str)

Instrumentation: for flute and violin (two violins)

ciacona ad honorem Samuel Scheidt

Instrumentation: for organ

Instrumentation: for a keyboard instrument

Instrumentation: for tenor and piano

Texts: Franz-Xaver Erni

Instrumentation: for voice and piano

Instrumentation: for violin, viola, violoncello and harbsichord

Instrumentation: for 2 melodic instruments

Instrumentation: for harpsichord (or piano)

Instrumentation: for two trumpets

Instrumentation: for piano

Instrumentation: for two harpsichords and string orchestra

Canon à 2 in the Prim ad infinitum

Texts: Franz Grillparzer

Instrumentation: for bass-baritone and piano

1. Die Ballade des geänderten Lebens
2. Minnelied
3. Ich leide durch den Mangel an Vernunft
Adaptation of the French by Max Geilinger.

Pentatonic anthem

Instrumentation: for solo bass, mixed choir and orchestra (3.3.3.3/4.4.3.1/timp.perc/hp.pf.org/str)

Duration: 50' 00"

Instrumentation: for mixed choir and wind orchestra (2.2.4.2.1/0.3.0.0.3/3.3.1.1/timp.perc)

Texts: Gottfried Keller

Instrumentation: for medium voice, viola and piano

Translated from Latin (10th century) by Joachim Schultz.

Instrumentation: for organ

1. O Welt sieh hier dein Leben
2. Gott ist mein Lied
3. O Leib, gebrochen mir zu gut
4. In dir ist Freude
5. Du grosser Schmerzensmann
6. Singt mit froher Stimm
7. Dies ist die Nacht
"These triple intonations can each be combined to create a longer choral prelude. The previous intonations can be repeated between each individual intonation."

Instrumentation: for piano

Instrumentation: for solo tenor trombone

Triumph of Heaven, Marriage of the Lamb

Instrumentation: for solo bass, mixed choir and orchestra (2.3.3.3/4.4.3.1/timp/perc/org/str)

Revelatons, chapter 18, chapter 19 (1-10)

Instrumentation: for 2 trumpets and 2 trombones (2 horns)

Instrumentation: for violin and orchestra (1.1.2.2/2.0.0.0/timp/str)

Instrumentation: for string quartet and piano

Instrumentation: for organ

Instrumentation: for soprano and violin

1. Die Ros' ist ohn warum (Angelus Silesius)
2. Frohlocke, schöne junge Rose (Nikolaus Lenau)
3. Ewig trägt im Mutterschosse (Friedrich Hölderlin)
4. Wer will wagen (Franz-Xaver Erni)
5. Kein Wort mehr über dich, Rose (Franz-Xaver Erni)
6. Traurig lehnst du dein Gesicht (Hermann Hesse)
7. An Rosen such ich mein Vergnügen (Johann Christian Günther)

Instrumentation: for viola solo

Canon à 5 ad infinitum

This canon is composed such that an imitating voice can be inserted into any tact, from the two-voice instrumentation to the possible five voices.

Instrumentation: for wind band (3.2.1.4.3/0.3.0.0.3/3.3.1.2/timp.perc/db)