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Dünki Jean-Jacques

(28. 02. 1948)

Dünki Jean-Jacques
Dünki Jean-Jacques
Bruderholzallee 12
CH-4059 Basel (BS)
Schweiz

Tel: +41 (0)61 363 04 84
Fax: +41 (0)61 363 04 85



Genre: Classical Music
Professional activity: Composers, Interpreters, Authors
Biography
* 28. 02. 1948.

Jean-Jacques Dünki was born in Aarau. He studied piano to soloist level with Rolf Mäser at the 'Musikakademie Basel' (Basel Academy of Music). He also studied in Berlin, London, New York and Baltimore with Leon Fleisher, Peter Feuchtwanger and Charles Rosen and others. He attended piano courses given by Maurizio Pollini, Claude Helffer and Edith Picht-Axenfeld, conducting with Michael Gielen and historical performances with Nikolaus Harnoncourt. He has attended Lectures in musicology given by Carl Dahlhaus in Berlin and Max Haas in Basel, music analysis with Hans Keller in London and studied English and ancient Greek literature at the John Hopkins University, Baltimore. As a composer he is mainly self-taught. In 1981 he received the Arnold-Schönberg-Preis in Rotterdam. Today Jean-Jacques Dünki is active as composer, soloist and chamber musician. He is a guest at the festivals of Berlin, Graz, Donaueschingen and Geneva. Since 1984 he heads a class for piano and chamber music at the Basel Academy of Music. He also gives courses on a regular basis in Switzerland, Germany, France, England, USA and Japan. He has limited publishing activities. He is more recently attracted to the hammer-piano and clavichord.
Dunki@tiscali.ch


Work list
Quién, quién, naturaleza.... (1971)

Instrumentation: for mezzo-soprano and piano (or viola, violoncello)

Texts: J.R.Jimenez

Duration: 2' 00"
Manuscript
Knots (1973)

Instrumentation: for mezzo-soprano, tenor, oboe and clarinet

Texts: Ronald D. Laing

Duration: 7' 00"
Manuscript
Dartington Exercices (1975-1979)

Instrumentation: for piano

Originated in Dartington (South West England).

Duration: 6' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
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CHF: 18.00
Landscape (1976)

Instrumentation: for piano

Duration: 5' 00"
Manuscript
Lutezia 1842 (1978)

Instrumentation: for soprano, saxophone, trumpet, piano, percussion and cello

Texts: Heinrich Heine

Duration: 25' 00"
Manuscript
Lärm / Dänksch (1979)

Instrumentation: for children's choir and various instruments ad lib.

Duration: 20' 00"
Manuscript
Flip-Flop (1979)

Instrumentation: for oboe, trumpet, celesta and tape recorder

Duration: 6' 00"
Manuscript
Pendulum (1979)

Instrumentation: for flute, English horn (or viola) and clarinet

Duration: 5' 00"
Manuscript
Variationen über ein Menuett von W.F.Bach (variations over a minuet by W.F.Bach) (1979)

Instrumentation: for orchestra (2.2.2.2/2.1.1.0/str)

Duration: 7' 00"
Manuscript
Tú...no tienes imaginación (1979)

Instrumentation: for soprano, baritone, flute, clarinet, cello, organ and piano

Texts: Léon Felipe, Johannes Tauler

Duration: 27' 00"
Manuscript
Un souvenir de L. (1979)

Instrumentation: for flute

Duration: 3' 00"
Manuscript
It's a Bagatelle (1980)

Instrumentation: for piano and tape recorder

Duration: 4' 00"
Manuscript
Tricorno (1980)

Instrumentation: for horn and piano

Very virtuosic for the horn. The pianist sings in the second movement (ad libitum).

Duration: 5' 00"
SME/EMS
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CHF: 20.40
The five senses / In the Vicinity of the 6th Sense / The 6th Sense (1980-1994)

Instrumentation: for piano

Seven concise studies dealing with the six human senses.

Duration: 8' 00"
SME/EMS
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CHF: 17.40
Insiders (1980)

Instrumentation: for 3 singer-actors

Texts: Jean-Jacques Dünki

Duration: 10' 00"
Manuscript
Prokrustes or The Laws of Hospitality (1981)

Instrumentation: for boy soprano, 2 sopranos, mezzo-soprano, altus, tenor, 2 baritnones, bass; flute, clarinet, saxophone, trumpet, tuba, piano/e.org, violoncello, double bass

Texts: Jean-Jacques Dünki

Duration: 45' 00"
Manuscript
Hommages à L. C. I-IV (1981-1986)

Instrumentation: for piano

A subtle homage to Louis Couperin (1626-1661) both in content and notation.

Duration: 9' 00"
SME/EMS
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CHF: 19.80
Auf die Pauke hauen (1981)

Instrumentation: for five kettledrums (1 player)

Duration: 4' 00"
SME/EMS
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CHF: 12.00
Tétraptéron 0-IV (1981-1992)

Instrumentation: for piano, harpsichord, celesta and clavichord

An unprecedented, challenging combination of assorted keyboard instruments, enhanced by the use of amplification.

Duration: 14' 00"
Manuscript
Morceau élégant (1982)

Instrumentation: for flute, viola, celesta and singing saw

Duration: 2' 00"
Manuscript
JoJo's Song (1982)

Instrumentation: for piano

Duration: 2' 00"
Nepomuk Musik Verlag
c/o Breitkopf & Härtel Musikverlag
Walkmühlstrasse 52
D-65195 Wiesbaden
BRD
Tel. +49 (0)611 45 0080
vertrieb@breitkopf.de
www.breitkopf.com
Versi di Danilo Dolci (1982)

Instrumentation: for soprano, flute, horn, piano, celesta, clavichord and viola

Duration: 12' 00"
Manuscript
Quintett (1983)

Instrumentation: for 3 clarinets and 2 pianos

Duration: 10' 00"
Manuscript
Prélude (1983)

Instrumentation: for large orchestra (3.3.3.3/4.3.3.1/3perc/hp.cel/str)

8'

Duration: 8' 00"
Manuscript
Rückblick - Versuch einer Neukomposition (1983)

Instrumentation: for soprano, saxophone, two cellos, piano and tape recorder

Texts: Jean-Jacques Dünki, Heinrich Heine

Duration: 15' 00"
Manuscript
Duetto for Bassclarinet and Piano (1983)

Duration: 5' 00"
SME/EMS
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CHF: 18.60
Schumann-Variationen (1983)

Instrumentation: for 2 violocelli

Duration: 6' 00"
Manuscript
"Das Wort ist nicht von mir" (1984)

Instrumentation: for 3 actors/speakers; clarinet, trumpet, viola, violoncello, percussion, piano; tape recorder, slide projector, overhead projector

Texts: P. Bausch, C. Justi, A. Schopenhauer

Duration: 20' 00"
Manuscript
Ländlerische (1984)

Instrumentation: for 17 musicians (2S, fl, 4bfl, cl, tpt, vn, gtr, hp, acn, 4handedpf, 2perc)

Duration: 13' 00"
Manuscript
Spirale (1984)

Instrumentation: for 13 pianists on 9 pianos

Duration: 8' 20"
Manuscript
Kammerstück II/1 (1985)

Instrumentation: for piano

Adaptation of the 1st movement from "Kammerstück II".

Duration: 1' 00"
Manuscript
Kammerstück II (1985)

Instrumentation: for horn, piano and thirteen instruments (2.(pic,afl).2(obda,ca).2(Ebcl).bcl.asx(ssx).1/1.1.1.1/pf(clavichord))

The solo horn is scored also for an authentic 19th century invention-horn, and the solo piano part (normal tuning) also plays a hammer piano (five octaves F - f4, sounding a quarter tone lower). The second piano in the ensemble is tuned a quarter tone lower. A discourse with Robert Schumann's music.

Duration: 17' 00"
SME/EMS
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CHF: 62.70
Kammerstück III (1986-1989)

Instrumentation: for piano

In the name of Robert Schuhmann. Demanding.

Duration: 4' 00"
Manuscript
Kammerstück V (1987-1994)

Instrumentation: for violoncello and piano

Highly virtuosic for both instruments.

Duration: 9' 00"
SME/EMS
Postfach 7851
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CHF: 14.40
L'arbre bleu (1988)

Instrumentation: for two flutes and harpsichord

The title is taken from Piet Mondrian. Flute 1 with the low h doubles flute in Bb. Flute 2 doubles bass flute.

Duration: 8' 00"
Manuscript
Trois miniatures pour clarinette seule (1988)

Highly virtuosic and concentrated.

Duration: 4' 00"
SME/EMS
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CHF: 12.60
Cinq Morceaux (1988)

Instrumentation: for two clarinets

Playful but not easy.

Duration: 6' 00"
SME/EMS
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CHF: 15.00
Pour Valentin Claudio (1988)

Instrumentation: for piano or pianoforte

Duration: 1' 00"
Manuscript
Drei Waldlieder (1988)

Instrumentation: for mezzo-soprano and piano

Texts: A.Felder, Ch.Schmid, G.Musy

Duration: 8' 00"
Manuscript
Solo per violino (1988)

Duration: 4' 00"
Manuscript
Drei Szenen (1989)

Instrumentation: for baitone and heckelphone

Texts: W.Heinze, R.Walser, H.Heine

Duration: 11' 00"
Manuscript
Kammerstück VI (1989)

Instrumentation: for violin (viola) and ten instruments (1(pic).1(obda,ca).2(Ebcl,bthn).1/1.0.1.1/1perc/pf)

In the first and at the end of the fifth movement the solo violin switches to viola.

Duration: 21' 00"
SME/EMS
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CHF: 48.00
Kammerstück VII (1989)

Instrumentation: for basset horn, viola and piano

Based on a thought by Robert Schumann. Virtuosic viola part.

Duration: 7' 00"
Manuscript
Treize Tableaux (1989)

Instrumentation: for two clavichords

Duration: 10' 30"
SME/EMS
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CHF: 17.40
Trois miniatures pour deux pianos (1989)

Duration: 5' 00"
Manuscript
Sieben Stücke (seven pieces) (1990)

Instrumentation: for guitar

Duration: 11' 00"
Nepomuk Musik Verlag
c/o Breitkopf & Härtel Musikverlag
Walkmühlstrasse 52
D-65195 Wiesbaden
BRD
Tel. +49 (0)611 45 0080
vertrieb@breitkopf.de
www.breitkopf.com
Fantasie über einen Gedanken von Mozart (1991)

Instrumentation: for orchestra (1.1.1.1/1.1.0.0//perc/hp/str)

Duration: 11' 00"
Manuscript
Nulla Dies (1991-1994)

Instrumentation: for (wood) flute and guitar

Also possible on the modern flute. Uses the 11th to 17th natural tones of the flute.

Duration: 6' 00"
G. Ricordi & Co. Bühnen- und Musikverlag GmbH
Stralauer Allee 1
D-10245 Berlin
BRD
Tel. +49 (030) 520071321
info@ricordi.de
www.ricordi.de
Musique pour un Guillaume Tell (1991)

Instrumentation: for oboe (oboe d'amore, English horn)

Duration: 6' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
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CHF: 12.00
Kammerstück VIII (1992)

Instrumentation: for chamber orchestra (2.2.2.1.sx/1.1.1.1/2perc/hp.2pf/4.4.3.3.1)

Duration: 11' 00"
Manuscript
Mouvement (1992)

Instrumentation: for three clarinets

Duration: 4' 00"
SME/EMS
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CHF: 11.40
Pessoa - Moment (1992)

Instrumentation: for soprano, clarinet (also Ebcl, bcl), violoncello (also viola), piano (also clavichord) and DAT play-back

Texts: Fernando Pessoa

Eight scenes from the poems of Portuguese writer Fernando Pessoa (1888-1935). The Soprano sings and recites in Portuguese, German and French. Very demanding for all performers.

Duration: 48' 00"
SME/EMS
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CHF: 48.00
Acht Kinderstücke (1992-1995)

Instrumentation: for piano

For adults. Seven pieces with e-bow ad libitum.

Duration: 7' 00"
SME/EMS
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CHF: 15.00
Pessoa lesen (1993)

Instrumentation: for male speaker, female speaker, clarinet, violoncello and clavichord

Texts: Fernando Pessoa

Duration: 15' 00"
Manuscript
Cas obliques I, II, III (1993-2004)

Instrumentation: for oboe, bass clarinet, bassoon, horn and piano

Duration: 6' 00"
SME/EMS
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CHF: 22.20
Etude Ia (1994)

Instrumentation: for piano

Duration: 3' 00"
Manuscript
Solo per Oboe (1994)

Duration: 4' 00"
SME/EMS
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CHF: 9.00
Etude Ib (1994)

Instrumentation: for fortepiano

Duration: 3' 00"
Manuscript
Im Umkreis des 6. Sinns / Der 6. Sinn (1994)

Instrumentation: for piano

Duration: 2' 00"
SME/EMS
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Etude Ic (1994)

Instrumentation: for harpsichord

Duration: 3' 00"
Manuscript
Eiland Stadt Ebene (1995)

Instrumentation: for flute and guitar

Duration: 11' 00"
SME/EMS
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CHF: 16.20
Romance pour Violon solo (romance for violin solo) (1995)

With viola (ad libitum) in the last movement.

Duration: 6' 00"
SME/EMS
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CHF: 13.80
Etude III (1996)

Instrumentation: for clavichord and piano forte

Etude III [sic] (1996)

Duration: 1' 00"
SME/EMS
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CHF: 13.00
Verrufene Stelle (1996)

Instrumentation: for horn, trumpet, trombone and percussion

Duration: 5' 00"
Manuscript
Capriccio I (1996-1997)

Instrumentation: for violin and piano

Virtuosic, particularly for the violin. For a version with string orchestra and percussion (violin voice unaltered) see Capriccio II.

Duration: 7' 00"
Manuscript
Kammerstück IV (1996)

Instrumentation: for flute (alto flute), clarinet in A (bass clarinet), horn, violin, viola and violoncello

Intensive chamber music, demanding for all players. Scordatura strings in the third movement.

Duration: 12' 00"
Manuscript
Studien für 2 Gitarren (studies for two guitars) (1997)

Both guitars in scordatura.

Duration: 8' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
Schweiz
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Capriccio I/b (1997)

Instrumentation: for violin solo, 1 percussionist and strings

Duration: 7' 00"
Manuscript
Figures (1997)

Instrumentation: for hammerclavier, violin, violoncello (old mensural notation)

Three concentrated movements for 'old' instruments.

Duration: 7' 00"
SME/EMS
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CH-6000 Luzern 7
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CHF: 19.20
Vers (1997)

Instrumentation: for two cellos

Duration: 3' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
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CHF: 11.40
Andere Kinderstücke (1997)

Instrumentation: for piano or pianoforte

Duration: 3' 00"
Manuscript
Jumelles (1998)

Instrumentation: for violin and organ

Duration: 5' 00"
SME/EMS
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CHF: 18.00
Quintette pour St. Julien (1998)

Instrumentation: for wind quintet

Duration: 9' 00"
Manuscript
Vehicules (1998)

Instrumentation: for lute and harpsichord

Duration: 7' 00"
Deutsche Lautengesellschaft

Canones nach Arnold Schönberg (1998)

Instrumentation: for clarinet, mandolin, guitar and string trio

Duration: 4' 00"
Manuscript
Postkartengruss für K.H. (1999)

Instrumentation: for flute, violin, viola, violoncello, guitar, piano and percussion

Duration: 1' 00"
Manuscript
Contes obliques I+II (2000)

Instrumentation: for piano

Duration: 5' 00"
Manuscript
"schwerverstimmt" (2000-2001)

Instrumentation: for viola

Duration: 4' 00"
Manuscript
Oïmé (2001)

Instrumentation: for mezzo-soprano (vocalise) and liuto forte

Duration: 3' 00"
SME/EMS
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CHF: 12.00
Nouveaux contes obliques (2001)

Instrumentation: for 4-handed piano

Duration: 10' 00"
SME/EMS
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CHF: 22.20
Kreuzungen (2002)

Instrumentation: for six cellos (or more)

Suitable for a student ensemble.

Duration: 10' 00"
Manuscript
Pipia (2002)

Instrumentation: for flute (piccolo) and piano

Duration: 6' 00"
Manuscript
Kammerstück I (2002-2008)

Instrumentation: for clarinet, pianoforte, viola and guitar

Duration: 7' 00"
Manuscript
Pavane (d'après Robert Johnson) (2003)

Instrumentation: for four clarinets (Eb high, b, Eb deep, bass)

Duration: 4' 00"
Manuscript
Oïmé (2004)

Instrumentation: for (Baroque)violin and harpsichord (or piano)

Duration: 7' 00"
SME/EMS
Postfach 7851
CH-6000 Luzern 7
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Seis caprichos sobre poemas de Luis Alberto Crespo (2004)

Instrumentation: for soprano

Duration: 8' 00"
Manuscript
Etude IV (2004)

Instrumentation: for harpsichord or grand piano

Duration: 4' 00"
Manuscript
Zwei Studien (2 studies) (2004)

Instrumentation: for clavichord

Duration: 3' 00"
Manuscript
Seis caprichos sobre poemas de Luis Alberto Crespo (2004-2005)

Instrumentation: for 3 singers

Trio version of the solo.

Duration: 5' 00"
Manuscript
incompletamente (2004)

Instrumentation: for soprano/tenor, flute/alto flute, oboe/oboe d'amore, clarinet in A/E-flat, guitar, clavichord/celesta, violoncello, percussion(1)

Texts: Juan Gelman

Duration: 17' 00"
Manuscript
Trois plaintes (2004)

Instrumentation: for solo voice

Duration: 5' 00"
Manuscript
¿oíste/corazón? (Hörst du, mein Herz?) (2005-2006)
Musical reflection over a poem by Juan Gelman

Instrumentation: for flute/alto flute, bass clarinet, viola, guitar, percussion and electronic tape

Juan Gelman, born in 1930 the child of Ukranian-Jewish parents in Buenos Aires, fled in 1975 from the Argentinean military dictatorship via Rome to Mexico where he still lives today. His poetry is among my strongest impressions of South American literature. Gelman wrote the poem 'otras partes' in Rome in 1981. It commemorates the dead and the haunted of the military dictatorship during the seventies in Argentina and conceptualises a continued life for the escapees.
I did not want to simply musicalise Gelman's poem, which is why I left the voice of the poet to the poet himself in a reading from April 4, 2000 in Montevideo, where his voice sounds over a loud speaker. Three layers of music on the clavichord, the most reticent and vulnerable of all keyboard instruments, accompanies the voice: a continuous improvisation layer in eight different patterns (mostly generated directly on the chords of the instrument), strewn fragments and a "musicalisation" of the ten verses of the poem on the clavichord.
Cornelius Bohn produced the electronic tape for '¿oíste/corazón' in February and March 2006 at the electronic studio of the Basel Academy of Music.
For this purpose five instrumentalists play short, notated and improvised interjections each "reciting" the poem in their own way. Again there is a thread: my piece for wood flute and guitar from 1991/94 'Nulla dies'. During composition I feel less like a composer and more like carpet weaver. The most difficult task was to bring together the free-floating elements in a time based order within the immense room opened up by the poem. The calm voice of the poet is often in contrast to the restlessness of the instruments. I understand the heterogeneous whole as an attempt, in the sense of Gelman, to give a voice to those who are no longer able to speak.

Duration: 11' 00"
Manuscript
Mauerstück (2005)

Instrumentation: for 3 female speakers/singers

Texts: Jean-Jacques Dünki

Duration: 3' 00"
Manuscript
Ingrimm (2005)

Instrumentation: for 3 female speakers/singers, flute, oboe d'amore, bass clarinet, viola and percussion

Texts: Gebrüder Grimm

Duration: 14' 00"
Manuscript
Un retour de Cythère (2006-2007)
Conte fantastique

Instrumentation: for 15 instruments (1.1.1.1/1.1.1.0/perc/pf/1.1.1.1.1) and recorded tape

"My composition for chamber ensemble with fifteen instrumentalists and recorded tape is a journey of sound through an imaginary Aegean sea. My fictional anti-hero brings back a single trunk containing poems by Baudelaire, Heine and Lord Byron from Kythera, immortalised in Watteaus' painting and known as the "Island of Love" since antiquity. Thus, in my "fantastic tale", the poetic word is as omnipresent as the sound of the waves and the wind, sometimes mumbled, other times clear and comprehensible as it emanates from the loudspeakers, but mostly it is integrated into the instrumental play. For the background I took a fine carpet woven out of recorded clavichord pieces and improvisations. This composition contains "constants" and "variables", that is to say aleatoric sound elements. The excerpts in this piece (rarely identifiable) pertain to earlier works by myself, however, they are also reverences to great influences. I would compare the whole piece to an archipelago of islands and islets. It was a commissioned piece for the "Amplitudes" festival in La Chaux-de-Fonds and celebrated its word premiere on May 9, 2007 by the Nouvel Ensemble Contemporain under the baton of Pierre-Alain Monot."

Duration: 24' 00"
Manuscript
Etude V (2007)

Instrumentation: for clavichord

Duration: 4' 00"
Manuscript
Trois fragments du "retour de Cythère" (2008)

Instrumentation: for piano

Duration: 3' 00"
SME/EMS
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CHF: 11.40
"bas-fonds" (2008)

Instrumentation: for flute, viola d'amore, clavichord

Duration: 9' 00"
Manuscript
"Toccata XI de G. Frescobaldi" (2008)

Instrumentation: for flute (430 Hz), clarinet (430 Hz), salterio (415 Hz), clavichord (415 Hz)

Duration: 4' 00"
Manuscript
...ins... (2008-2009)
Scenes

Instrumentation: for string quintet (2.2.1)

Duration: 19' 00"
Manuscript
Schumann-Momente (2010)

Instrumentation: for oboe, clarinet, horn, viola, violoncello, double bass (piano, only pedal pressed)

Duration: 9' 00"
Manuscript
Étude II, "nulle part" (2011-2012)

Instrumentation: for clavichord (pf)

Duration: 4' 00"
Manuscript
Madrigaux (2011-2012)

Instrumentation: for string quartet

Duration: 18' 00"
SME/EMS
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CH-6000 Luzern 7
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info@musinfo.ch
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CHF: 25.20
"Eile nicht, Wanderer" (2018)

Instrumentation: Fl in C, Alt-Flöte in G

Duration: 1' 30"
Manuscript
Repertory
Jean-Jacques Dünki: Tétraptéron 0-IV for piano, harpsichord, celesta and clavichord
Alfred Zimmerlin: Piano Piece 5 for grand piano with scordatura
Alfred Zimmerlin: Clavierstück 4 for any keyboard instrument (harpsichord, piano, clavichord, organ, harmonium, keyboard)
Alfred Zimmerlin: Quintet for clarinet in A, two violins, viola and violoncello
Diskographie
Jean-Jacques Dünki - POUR LE CLAVIER (PIANOVERSAL Nr. PV102, 2018)
Interpreters:
Dünki, Jean-Jacques
Ensemble TaG Neue Musik Winterthur (Edition Musiques Suisse Nr. CTS-M 87, 2003)
Interpreters:
Ensemble TaG Neue Musik Winterthur
Works:
Dünki, Jean-Jacques: Canones nach Arnold Schönberg (1998)
Kelterborn, Rudolf: Ensemble-Buch III (1997)
Voegelin, Fritz: Thebaïs (1994)
Stauder, Andréas: Gloriette (2000)
With more works of: Yori-Aki Matsudaïra, Faradsch Karajev
Info: www.fonoteca.ch
Ensemble TaG, Winterthur (Grammont Porträt Nr. 87, 2003)
Interpreters:
Monot, Pierre-Alain
Jäggin, Christoph
Cuendet, Olivier
Works:
Dünki, Jean-Jacques: Canones nach Arnold Schönberg (1998)
Kelterborn, Rudolf: Ensemble-Buch III (1997)
Voegelin, Fritz: Thebaïs (1994)
Stauder, Andréas: Gloriette (2000)
With more works of: Yori-Aki Matsudaïra, Faradsch Karajev
Info: www.fonoteca.ch
Spielmannsweisen. Schweizer Lieder zwischen Romantik und Moderne (Musikszene Schweiz Nr. MGB 6179, 2001)
Interpreters:
Dünki, Jean-Jacques
Works:
Burkhard, Willy: Neun Lieder auf Texte von Christian Morgenstern, op. 70 (1943-1944)
Schoeck, Othmar: Spielmannsweisen, op. 56 (1944)
Andreae, Volkmar: Der Spielmann, op. 5 (1903)
Mieg, Peter: Drei Gesänge nach Hofmannsthal (1968)
With more works of: Friedrich Hegar, Hans Huber
Info: www.fonoteca.ch
Alfred Zimmerlin (Edition Wandelweiser Records Nr. 9605, 2000)
Interpreters:
Dünki, Jean-Jacques
Frey, Jürg
Moster, Tobias
Works:
Zimmerlin, Alfred: Clavierstück 4 (1992)
Zimmerlin, Alfred: Klavierstück 5 (1990-1992)
Zimmerlin, Alfred: Quintett (1989-1990)
Tetraclavier (Jecklin Szene Schweiz Nr. 289-2, 1993)
Interpreters:
Dünki, Jean-Jacques
Sublet, Pierre
Works:
Dünki, Jean-Jacques: Tétraptéron 0-IV (1981-1992)
Glaus, Daniel: Toccata per Girolamo (... pour Claude) (1985)
Pepi Alós, Jorge: Metamorfosis I (1989)
Zimmerlin, Alfred: Klavierstück 2 (1985)
With more works of: Karlheinz Stockhausen
Info: www.fonoteca.ch
Bibliography
Dünki, Jean-Jacques: Schönbergs Zeichen. Wege zur Interpretation seiner Klaviermusik, Lafite, Wien 2005
Dünki, Jean-Jacques: Zeichen setzen Zeichen lesen. Zu einigen Vortragsbezeichnungen in Robert Schumanns "Intermezzo" op. 2/4 für KLavier, in: Dissonanz 113 (2011), S. 44-51 [Internet]
Ensembles