Instrumentation: for soprano, piano and electronic tape

Texts: Oliviero Pettenati

Based on twelve letters to the editor and a response from Oliviero Pettenati. The soprano part is extremely demanding.

Instrumentation: for double-bass solo

Duration: 10' 00"

CHF: 16.80

Instrumentation: for piano solo

Urs Peter Schneider produced this piece for a composed programme bearing the same title. It offers the interpreter numerous opportunities to develop freely.

Duration: 3' 00"

CHF: 9.00

Instrumentation: for twenty-two string instruments

Duration: 3' 00"

CHF: 18.00

Instrumentation: for a pianist (piano, large drum and voice)

Duration: 4' 00"

CHF: 14.40

Concept piece

Instrumentation: for a minimum of ten people

Duration: var.

CHF: 9.00

Instrumentation: for melodic instrument

A female face as a graphic score. This piece can be played on any melody instrument with a range of 3 1/2 octaves, it can even be sung.

Duration: var.

Instrumentation: for violin, viola and electronic tape

Duration: 8' 00"

CHF: 21.00

Instrumentation: for diverse instrumentation

‘La perte de la patience’ is a cycle of eleven pieces that can be performed individually or in any one of forty-one combinations. If any of the combinations are performed then a separate room for each ensemble is required.
Solo for violoncello (5’)
Quintet for oboe, bass flute, bassoon and horn (7’)
Undixtor for three violins, three violas, three violoncelli, bass clarinet and contrabassoon (17’)
Septet No. 1 for violin, viola, violoncello, bass clarinet, horn, double-bass and contrabassoon (1’)
Septet No. 2 for violin, viola, violoncello, bass clarinet, bassoon, horn and double-bass (13’)
Septet No. 3 for violin, viola, violoncello, bass clarinet, horn, double-bass and contrabassoon (23’)
Trio No. 1 for oboe, bass clarinet and bassoon (2’)
Trio No. 2 for violin, viola and violoncello (3’)
Trio No. 3 for bass flute, bass clarinet and horn
Trio No. 4 for three violoncelli (19’)
Trio No. 5 for soprano saxophone, bass clarinet and contrabassoon (29’)


Duration: 1' 00"

Instrumentation: for piano and 1/16 tone piano (1 player)

Duration: 8' 00"-20' 00"
Manuscript

Instrumentation: for contrabassoon solo with video images

Duration: 3' 00"
Manuscript

Conceptual piece

Instrumentation: for 19 noises

Duration: variabel
Manuscript

A conceptual piece after Anaximenes

Instrumentation: for realisation with sound storage medium

Duration: 8'- unendlich
Manuscript

A piece after Anaximenes

Instrumentation: for 4 wind instruments (1 very deep, 1 deep, 1 high, 1 very high ad lib.)

Duration: 8'- unendlich
Manuscript

Ein Stück nach Demokritos

Instrumentation: obligates Klavier und 1-7 Tasteninstrumente ad lib.

Duration: Dauer 8' - unendlich
Manuscript

nach Anna Seghers' Roman "Das Siebte Kreuz"

Instrumentation: für (Travers)flöte und Streichquartett

Duration: 20' 00"
Manuscript

ANNA SEGHERS – TETRALOGIE Nr. 1

Instrumentation: Streichquartett

Duration: 7' 00"
Manuscript

ANNA SEGHERS – TETRALOGIE Nr. 2

Instrumentation: für (Travers)flöte und Streichquartett

Duration: 5' 30"
Manuscript

ANNA SEGHERS – TETRALOGIE Nr. 3

Instrumentation: für (Travers)flöte und Streichquartett

Duration: 5' 30"
Manuscript

ANNA SEGHERS – TETRALOGIE Nr. 4

Instrumentation: für (Travers)flöte und Streichquartett

Duration: 5' 30"
Manuscript

A piece after Eraklitos

Instrumentation: for Hammond organ, e-bass and percussion or 1 Hammond organ, 3 e-double bass and 2-8 wind instruments ad libitum

Duration: 8' 00"
Manuscript

A conceptual piece based on Eraklitos

Instrumentation: for sound storage medium

Duration: 8' 00"
Manuscript

Based on a graphic score by Hermann Meier

Instrumentation: for octet (cl, hn, bn/2vn, va, vc, db)

Duration: 10' 00"
Manuscript

Based on a graphic score by Hermann Meier

Instrumentation: for ensemble (fl, ob, cl, bn/hn/2vn, va, vc, db)

Duration: 10' 00"
Manuscript

Based on a graphic score by Hermann Meier

Instrumentation: for Hammond organ, e-double bass, percussion, 2 clarinets, 2 saxophones, 2 trumpets and 2 trombones

Duration: 8' 00"
Manuscript

Instrumentation: Fassung für Hammond, E-Bass und Percussion

Duration: Dauer variabel
Manuscript

47 aktionsfolgen für rollende, torkelnde oder rutschende gegenstände nach franz josef czernins "die kunst des sonetts, 3.teil"

Duration: Dauer variabel
Manuscript

Ein Stück nach Anaximandros

Instrumentation: für Timpani und drei bis fünf Gruppen von Klangerzeugern ad lib.

Duration: Dauer 8' - unendlich
Manuscript

Ein Stück nach Parmenides

Instrumentation: für zwei PerformerInnen an Abspielgeräten sowie sechs PerformerInnen an Abspielgeräten und vier PerformerInnen an Übertragungsgeräten ad lib.

Duration: Dauer 8' - unendlich
Manuscript