Instrumentation: for soprano, clarinet, trumpet, viola, cello, e.organ and percussion

Duration: 6' 00"
Manuscript

Instrumentation: for orchestra, four voices (SATB) and electronic tape

Duration: 13' 00"

a concept

Duration: var.

Music theatre

Instrumentation: for six speakers/actors, soprano, percussion and playback CD

Duration: 30' 00"

Instrumentation: for string trio or piano

Duration: 2' 00"

Instrumentation: for flute, oboe, English horn, clarinet, horn and string trio

Duration: 12' 00"
Manuscript

Instrumentation: for orator, seven singers and nine instruments (fl.ob.cl.sx/tpt.tbn/perc/va.vc)

Duration: 37' 00"
Manuscript

Instrumentation: for soprano and flute (or ob or pf)

Texts: Brigitte Färber

Duration: 3' 00"

A concept

Das Vorgegebene | The Actuality – Das projizierende Hören | Projective hearing – Beispiele für verbale Anweisungen | Examples for verbal instructions.

Duration: var.

Instrumentation: for orchestra (2.2.2.2/2.2.0.0/str) and playback CD

Psychoacoustic portrait of Roland Roesch.

Duration: 27' 00"
Manuscript

Seven spirals

Instrumentation: for soprano, alto, tenor and string quartet

To the film 'anémic cinéma' by Marcel Duchamp.

Duration: 8' 00"
Manuscript

(...Like in a very large ship or fish...)

Instrumentation: for autonomously cybernetic self-regulating orchestra without conductor (4.3.3.bcl.3/4.3.4.1/perc/hp/str)

Duration: 10' 00"

(Flexible outlines)

Instrumentation: for autonomously cybernetic self-regulating orchestra without conductor (4.2.3.bcl.2/4.2.1.0/str)

Duration: 10' 00"

Instrumentation: for string quartet

Duration: var.

(Figures, annulment and unpredictable associations)

Instrumentation: for orchestra without conductor (3.2.2.2/4.2.2.1/hp/perc/str)

Duration: 15' 00"

Instrumentation: for flute, violin and piano

Duration: 6' 00"

Instrumentation: for alto and string quartet

String quartet and voice. The hermetic square is broken open. The instruments which became body parts combine with the human body which is used as an instrument. Sounds, noises and rhythms manifest in a tense relationship with linguistic meanings.

Duration: 22' 00"

15 scenes

Instrumentation: with 3 women (SMezA), 3 men (T, 2 actors able to read notes or Bar/B) and objects

Henri
vertical 1
leve
diagonal
così
vertical 2
doggy
star collection: nicht, oder / as bizarre as we are / ogottogott / schön / pritzkara / bains de gros thé / hallo mama
Schluss-Spot

A non-coherent story. Single. This and that. Pictures, situations, ideas. Concentrated yet transparent and open, light yet severe. Sluggishness and suddenness.

Duration: 50' 00"

5 Codes

Instrumentation: for eight solo voices (2S2A2T2B) and two keyboards

Can also be realised scenically.

Duration: 4' 00"

Eight spots

Instrumentation: for twelve singers/actors(esses), one percussionist, three chickens and objects

The spots can also be performed separately:

- O miseria umana (1997)
for vocal ensemble, 2 keyboards and objects, ca 8'
Staging of the sketch 12698 recto by Leonardo da Vinci. "Ihr elenden Menschen, wie vieler Dinge wegen macht Ihr Euch dem Geld zum Sklaven!"

- Orte der Zeit I ("aus der Heimat hinter den Blitzen rot")(1997)
for 3 actors/actresses who walk backwards in phases from right to left during which time, also in phases, a poem is recited back to front, ca 5'

- Orte der Zeit II (ex libris) (1997)
for 5 actors/actresses and 5 small tables, on each table an ancient book that "breathes" quietly, ca 4-5'

- "Ah! Vous voilà!" (1994-96)
for 2 men and 2 women, ca 10'
Four figures from Classical Modern theatrical pieces act upon the stage:
soprano: Isabelle from "L´ínvitation au château" by Jean Anouilh
alto: Inès from "Huis clos" by Jean-Paul Sartre
tenor: Hugo from "Les mains sales" by Jean-Paul Sartre
bass: Ravier from "Celles que l´on prend dans ses bras" by Henry de Montherlant


- L´être et le néant (Bitte Ruhe) (1997)
three chickens, guardian, violin ca 7'

- O me nura (1997)
for singers, 2 keyboards, life-size puppets and cassette player in a dark, dismal picture with dark music, ca 5'
"O me nura,wo fjeh mo seh, e tura lemo tuini…." (Alois Dallmayr, as spirit of the truth interned. Upper Bavarian sanatorium Elfing. House 19/1. Elfing


- Estelle + D.R. (Pendel) (1997),
5 life-size puppets and a cassette player, ca 7'

- Happy Hour (1996)
for 11 singers, speakers (= party guests), a waiter and a percussionist (=barkeeper), 20'
The actions of the party guests are as phonetic as they are gestural and divided into 150 phases. Pauses are inserted between these phases, within which the final state of the preceding phase remains frozen. The process is comparable to the technique of successive forwarding from frozen image to frozen image found in video editing. From a base pulse of MM 56 the movement phase lasts one unit, the pause 6 units. The only one who does not comply with this base rhythm is the barkeeper; he mixes drinks based on other principles.

Duration: 60' 00"

Instrumentation: for vocal ensemble (3S3A3T3B) and 2 keyboards

- 1. Innenraum mit grossen Figuren
Extreme, spatial contours/gestures pushing on the borders of the vocal range: bombastic, larksome, ecstatic, inspired by the pictures of Jackson Pollock.
3S/3A/3T/3B, 2 Keyboards
2'40"

- 2. Rot, Gräulicholivgrün auf Kastanienbraun
Inspired by a picture from Mark Rothko, works with timbres, rhythms and dynamic nuances in colour characterisations
2S/2A/2T/2B, 2 Keyboards
1'45"

- 3. Dowland. Dowland. Come in. hm. Brentwood.
1S/1A/1T/1B (4 voices ad libitum)
30"

- 4. Passion Slave
A seething mass of contours, inspired by the pictures of Mark Tobey.
2S/2A/2T/2B, Text: Emile Josome Hodinos
1'45"

- 5. Abenddämmerung an einem sehr schönen Ort
Also based on the timbres, rhythms and dynamic conditions of the colour characterisations, but here very transparent, exceedingly delicate; each voice is extremely exposed.
2S/2A/2T/2B, 2 Keyboards
6'45"

Duration: 12' 00"

Instrumentation: for soprano (mezzo-soprano) and piano

Based on a poem by Robert Walser.

Duration: 2' 20"

Instrumentation: for two guitars

Bierbläschen in schmalem Glas - electric area - fractal fatal.

Duration: 9' 00"

Instrumentation: for flute, high Eb clarinet, baritone sax in Eb, trombone, violin, viola, violoncello, double bass, piano and percussion piano

Duration: 14' 00"

Instrumentation: for two percussionists and live electronics

The two percussionists play short, live and concise musical forms or morphological samples. These are repeated according to certain rules using a programmable digital apparatus and combined with the in-coming live forms to create ever-new and larger forms. These are occasionally compounded into clusters to create sound rooms or 'soul landscapes'.

Duration: 18' 00"