Instrumentation: for organ

Duration: 11' 00"

Instrumentation: for organ and/or electronics

Duration: 12' 00"

Duration: 8' 00"

Music

Instrumentation: for violoncello

Duration: 14' 00"

Instrumentation: for any number of things which produce sound

Graphic notation.

Duration: variabel, mindestens 17'

Instrumentation: for violoncello solo

Duration: 9' 00"

Instrumentation: for cello solo

This piece reflects a preoccupation with Dvorak's cello concerto op. 104 with an original approach.

Duration: 14' 00"

Instrumentation: for flute and gamba

Duration: 9' 00"
Manuscript

Instrumentation: for recorder

Duration: 14' 00"
Manuscript

Instrumentation: for speaker, organ and percussion

Texts: Erich Fried

Duration: 17' 00"

Duration: 7' 00"

Instrumentation: for soprano and four clarinets (three Bbcl and one bcl)

Texts: Franz Furrer-Münch

Theme: "There are only moments of proximity" (Ludwig Hohl, notes).

Duration: 18' 30"

Four attemts to comprehend Ikarus

Instrumentation: for violoncello solo, string orchestra (solo string) and piano

The mirror image of a time (our time) which ritualises the 'manageable' is here put to music. The solo part is technically demanding.

Duration: 24' 00"

Contemplation....

Instrumentation: for two cellos

Duration: 16' 30"

Contemplating....

Instrumentation: for viola, violoncello, double-bass

Duration: 23' 00"

Instrumentation: for organ and two or four channel electronic tape

Based on text from the Duinese elegies by Rainer Maria Rilke.

Duration: 22' 00"

Instrumentation: for tenor saxophone, cimbalom, percussion instruments (total of four players)

Endeavours to achieve a tonal mergence of the respective instruments.

Duration: 18' 30"

"ersonnenes" on Klara Wiecks "romance variée", Op. 3

Instrumentation: for flute (bfl), bass clarinet and small percussion instruments (2 players)

Duration: 13' 45"

Instrumentation: for tenor saxophone, cimbalom and percussion instruments (2 players)

The idea mentioned in the title ‘aufgebrochene momente’ is followed up in twenty-two sequences. It can either be played in a variable form, or as a personal selection of individual sections. The first and last sections must, however, always remain in their allocated positions.

Duration: 16' 00"

Duration: 22' 00"

Instrumentation: For alto flute in G, electroacoustically amplified ad lib.

The title is to be understood figuratively. The sign as messenger, with its beckoning character, cannot be the music itself. The exploration of the ins and outs of the physical being of the instrument is the focus here, hence transformation.

Duration: 10' 30"

Instrumentation: for flute (bfl), clarinet (bcl), violin, violoncello, piano and percussion

The work includes the parts I-IV: Zeitsäume, Gegengestalten, Stille in Falten, Vom Rand zur Mitte nach aussen (can also be performed as individual pieces).

Duration: 19' 00"

Instrumentation: for soprano, flute (bass flute), violoncello and four drums (with one player)

Texts: Paul Celan

A collage of texts has been created using fragments of texts as a point of departure. The reorganisation of certain sentences leads to a metaphorical re-interpretation; these are then set to music.

Duration: 24' 30"

Instrumentation: for percussion and electronic tape

Text: Eugen Gomringer: 'Stundenbuch'
The form and structure of this piece is closely associated with concrete lyric. Text and music a woven into a 'musical constellation'.


Duration: 26' 00"
Manuscript

nebengesänge

Instrumentation: for violin solo

Covering three themes:
1 Anticipation in the lowlands.
2 Other, with repetition
3 Hesitative approach
Attempting to approach the true essence of concrete poetry using certain musical combinations and their repetition, contraction, fragmentation and reorganisation.

Duration: 10' 00"

Instrumentation: for alto flute in G, violoncello and piano

Duration: 15' 00"

Instrumentation: for oboe solo

Ad lib. As an intermedium to "gesänge vom schwebenden turm".

Duration: 9' 00"

Instrumentation: for chamber ensemble, voice and 4 percussionists

Texts: Friedrich Nietzsche

Duration: 20' 00"-25' 00"

11 scenes

Instrumentation: for oboe, flute, violoncello and glass harmonica

Duration: 21' 00"

Instrumentation: for tenor saxophone solo

Schattenhauch – Wölbung – dunkle Frage, gedehnt - gespannte Resonanzen.
From "momente 1 bis..."

Duration: 10' 00"

Instrumentation: for glass harmonica, small percussion instruments and playback CD

Duration: 15' 00"

Instrumentation: for bass flute/flute in C, 2 large drums and small percussion instruments (2 players)

Duration: 19' 30"

Music for strings

Instrumentation: 3.3.2.3.1 or string orchestra 12.10.8.6.4

Duration: 12' 34"

Duration: 15' 00"

Instrumentation: for violoncello, marimbaphone and percussion (2 players)

Duration: 13' 00"-15' 00"

Instrumentation: for flute and bass flute

Duration: 15' 00"

Instrumentation: for viola solo

Duration: 15' 00"

Instrumentation: for 1 soloist with 4 timpani and small percussion instruments

Duration: 13' 00"

Vocalisations

Instrumentation: for singing voice and orchestra (2.bfl.0.ca.2.2(cbn)/2.0.2(btbn).1/timp.perc/pf/8.6.6.4.3)

Duration: 20' 00"

Instrumentation: for soprano, flute, clarinet (bcl), violin, violoncello, piano and percussion

Texts: Rainer Maria Rilke

Duration: 20' 00"

Instrumentation: for tenor saxophone

Duration: 10' 00"

Concert

Instrumentation: for oboe and orchestra with voice

Texts: Friedrich Hölderlin

Duration: 18' 00"-22' 00"

Concert

Instrumentation: for recorder and chamber orchestra

Duration: 15' 00"
Manuscript

Quartet

Instrumentation: for voice, piano, violoncello and percussion

Texts: Rainer Maria Rilke

Duration: 8' 00"-10' 00"

Instrumentation: for violoncello solo

Duration: 14' 00"

Concert

Instrumentation: for viola, string orchestra, piano, 2 horns and timpani

Duration: 18' 00"

5 symphonic leaves

Instrumentation: for soprano and orchestra (2.1.2.2/2.0.2.0/timp.perc/pf.vib.cel/str)

Texts: Rainer Maria Rilke

Duration: 3' 00"

7 symphonic leaves

Instrumentation: for soprano and ensemble (2.1.2.2/2.0.2.0/timp.perc/pf.vib.cel/str)

Texts: Rainer Maria Rilke

Duration: 3' 00"

Instrumentation: for violoncello solo

Duration: 14' 00"
Manuscript

Instrumentation: for 12-part a-cappella choir and Baroque trombones

No text; intonated vocals.

Duration: 15' 00"

Symphonic leaves 7th concert

Instrumentation: for flute and chamber ensemble

Duration: 13' 00"
Manuscript