Zimmermann Margrit
(07. 08. 1927 - 23. 02. 2020)Genere: Musica Classica
Biografia
* 07. 08. 1927, † 23. 02. 2020.
The composer, pianist, conductor and music educationalist Margrit Zimmermann was born in Berne. She studied piano in her hometown under Jeanne Bovet and composition under Walter Furrer with further studies under Denise Bidal and Alfred Cortot in Lausanne. She continued her studies at the Ecole Normale de Musique in Paris, simultaneously studying composition under Arthur Honegger, and received her diploma in piano in 1952. After 1952, Margrit Zimmermann trained as a conductor under Ewald Körner in Berne and participated in master courses headed by Igor Markevitch in Monte Carlo and Hans Swarowski in Ossiach. Following several years of teaching activities, she then undertook studies in composition with Aurelio Maggioni and Umberto Rotondi at the Giuseppe Verdi Conservatory in Milan, where she received the "Diploma di composizione" in 1978. It was here that she also completed a course in opera conducting under the tutelage of Umberto Cattini.
In 1973 Margrit Zimmermann founded an orchestra in Berne, taught and worked as a conductor and composer. She has received numerous prizes and awards for her works including the "Jubiläumsstiftung der Schweizerischen Bankgesellschaft" award in 1986, the city of Unna's first international female composer's competition award and the city of Kassel's female composer's award, both in the same year. She received an honour from the Japan International League of Artists in Tokyo in 1989. Margrit Zimmermann's multifaceted oeuvre encompasses works for chamber orchestra, voice and symphonic orchestra as well as ballet music and solo works for piano, string and wind instruments, and guitar. "My music is atonally traditional, that is to say, I write for traditional instruments in traditional notation using my own symbols in order to allow the performers room for individual interpretation. I am continually searching for new sound and melody combinations that are based on certain principles."
During her activities as a composer, Margrit Zimmermann has created a quarter-tone system.
The composer, pianist, conductor and music educationalist Margrit Zimmermann was born in Berne. She studied piano in her hometown under Jeanne Bovet and composition under Walter Furrer with further studies under Denise Bidal and Alfred Cortot in Lausanne. She continued her studies at the Ecole Normale de Musique in Paris, simultaneously studying composition under Arthur Honegger, and received her diploma in piano in 1952. After 1952, Margrit Zimmermann trained as a conductor under Ewald Körner in Berne and participated in master courses headed by Igor Markevitch in Monte Carlo and Hans Swarowski in Ossiach. Following several years of teaching activities, she then undertook studies in composition with Aurelio Maggioni and Umberto Rotondi at the Giuseppe Verdi Conservatory in Milan, where she received the "Diploma di composizione" in 1978. It was here that she also completed a course in opera conducting under the tutelage of Umberto Cattini.
In 1973 Margrit Zimmermann founded an orchestra in Berne, taught and worked as a conductor and composer. She has received numerous prizes and awards for her works including the "Jubiläumsstiftung der Schweizerischen Bankgesellschaft" award in 1986, the city of Unna's first international female composer's competition award and the city of Kassel's female composer's award, both in the same year. She received an honour from the Japan International League of Artists in Tokyo in 1989. Margrit Zimmermann's multifaceted oeuvre encompasses works for chamber orchestra, voice and symphonic orchestra as well as ballet music and solo works for piano, string and wind instruments, and guitar. "My music is atonally traditional, that is to say, I write for traditional instruments in traditional notation using my own symbols in order to allow the performers room for individual interpretation. I am continually searching for new sound and melody combinations that are based on certain principles."
During her activities as a composer, Margrit Zimmermann has created a quarter-tone system.
Elenco delle opere
Sungguhpun'ku djauh, op. 3 (1955)
Strumentazione: für Gesang und Klavier
Testo: Kasim St. M. Sjah
Durata: 4' 00"
Manuscritto
Carlos Gardel: Mi Buenos Aires Querido (Tango) (1975)
Strumentazione: für Fl, Klar, Klav, 2 V, Vc, KB
Instrumentation von Margrit Zimmermann.
Manuscritto
Carlos Gardel: Tomo y obligo (Tango) (1975)
Strumentazione: für Flöte, Klarinette, Klavier und Streichorchester
Instrumentation von Margrit Zimmermann.
Manuscritto
Carlos Gardel: El Dia que me Quieras (Tango) (1975)
Strumentazione: für Streichquartett
Instrumentation von Margrit Zimmermann.
Manuscritto
Musica per nove archi, op. 17 (1977)
Strumentazione: für 4 Violinen, 2 Violen, 2 Violoncelli und Kontrabass
Molto lento, Allegro ritmato.
Durata: 5' 00"
Manuscritto
Drei Lieder, op. 5 (1977-1978)
Strumentazione: für Tenor und Klavier
Testo: Heinz Peyer
Zahl, Lachen, Gedanke.
Manuscritto
Suoni, op. 4 (1978)
Strumentazione: per Viola e Pianoforte
Durata: 11' 00"
Manuscritto
Introduzione e Allegro, op. 12 (1979)
Sinfonie
Strumentazione: für grosses Orchester (2,2,2,1 - 4,3,1,0 - Schlgz - Str)
Durata: 12' 00"
Manuscritto
Strumentazione: für grosses Orchester (2,2,2,1 - 4,3,1,0 - Schlgz - Str)
Durata: 12' 00"
Manuscritto
Der Politiker: Braucht der Mensch Freiheit?, op. 6 (1979)
Strumentazione: für eine Sprechstimme, Kontrabass und Klavier
Eine Satire von Heinz Peyer.
Durata: 7' 00"
Manuscritto
Quartetto d'archi Nr. 1, op. 7 (1979-1982)
Introduzione, Allegro, Episodio I - II - III, Alla marcia et Fugato.
Durata: 20' 00"
Manuscritto
Musica, op. 8 (1980)
Strumentazione: per Violoncello e Pianoforte
Preambolo, Variazioni, Poco allegro scherzando.
Durata: 10' 00"
Manuscritto
Per Sei, op. 9 (1980)
Strumentazione: für Flöte, Violine, Viola, Violoncello, Klavier und Pauken
Intermezzo, Moderato, Allegro.
Durata: 10' 00"
Manuscritto
Quartetto d'archi Nr. 2, op. 11 (1980)
Allegro comodo, Cantabile, Alla Marcia.
Durata: 15' 00"
Manuscritto
Quartetto d'archi Nr. 3, "Il giuoco", op. 16 (1981)
Introduzione, Poco lento cantabile e espressivo, Allegro scherzando.
Durata: 15' 00"
Manuscritto
Black Box, op. 19 (1981-1982)
Strumentazione: für Oboe, Klarinette, Horn und Fagott
Durata: 8' 00"
Manuscritto
Duetto, op. 26 (1982)
Strumentazione: per violoncello e chitarra
Durata: 5' 00"
Manuscritto
Capriccio, op. 19 (1982)
Strumentazione: für eine Singstimme und Klavier
Durata: 5' 00"
Manuscritto
Fantasia duetto, op. 29 (1984)
Strumentazione: per flauta e chitarra
Poco allegro, Variazioni.
Durata: 18' 00"
Manuscritto
Pezzi Brevi, op. 30 (1984)
Strumentazione: für Gitarre
I Strada; II Pagoda; III Piazza.
Durata: 7' 00"
Manuscritto
Bianchi-Neri, op. 36 (1984)
Strumentazione: für Klavier
6 Etüden für Klavier, Heft 1: Eléments; Jeux; Berceuse; Capricieux; Ombre; Arléquin
Durata: 18' 00"
Pensieri, op. 31 (1984)
3 Sonette
Strumentazione: für Tenor, Gitarre und Flöte
Testo: Francesco Petrarca
Durata: 16' 00"
Manuscritto
Strumentazione: für Tenor, Gitarre und Flöte
Testo: Francesco Petrarca
Durata: 16' 00"
Manuscritto
Spiegelungen des Tages, op. 34 (1984/1990)
Concertino
Strumentazione: für Tenor und Orchester
In neun Episoden.
Durata: 20' 00"
Manuscritto
Strumentazione: für Tenor und Orchester
In neun Episoden.
Durata: 20' 00"
Manuscritto
Visione, op. 32 (1985)
Strumentazione: per chitarra et pianoforte
Durata: 5' 00"
Manuscritto
Sonate für Violine solo, op. 33 (1985)
Durata: 14' 00"
Manuscritto
Pizzicato, op. 68 (1985)
Strumentazione: für Violine
Durata: 14' 00"
Manuscritto
Plis, op. 37 (1985)
Sinfonie
Strumentazione: für Tenor und Soloinstrumente (1,1,Engl-Hn,1,1 - 1,1,1,0 - Militärtrommel, woodblocks, Klavier - 2,1,1)
Durata: 28' 00"
Manuscritto
Strumentazione: für Tenor und Soloinstrumente (1,1,Engl-Hn,1,1 - 1,1,1,0 - Militärtrommel, woodblocks, Klavier - 2,1,1)
Durata: 28' 00"
Manuscritto
Dialog, op. 38 (1985)
Strumentazione: für Flöte und Klavier
Durata: 5' 00"
Manuscritto
Fuori Dentro, op. 70 (1985)
Strumentazione: für Klavier
Durata: 7' 00"
Manuscritto
Rapsodie, op. 41 (1986)
Strumentazione: für Solo-Violine, Gitarre, 2 Violinen, Viola, Violoncello und Kontrabass
Durata: 12' 00"
Manuscritto
L'illusione per violoncello solo, op. 42 (1986)
Durata: 5' 00"
Manuscritto
Gehen/Sucht/Morgen, op. 45 (1986)
Trio
Strumentazione: für Altstimme, Violoncello und Klavier
Testo: Noël Bach
Durata: 15' 00"
Manuscritto
Strumentazione: für Altstimme, Violoncello und Klavier
Testo: Noël Bach
Durata: 15' 00"
Manuscritto
Orphische Tänze, op. 43 (1986)
Quintett
Strumentazione: für Flöte, Klarinette, Bratsche, Violoncello und Klavier
Testo: Noel Bach
Orpheus, Argonauten, Eurydike, Hades, Apotheose.
Durata: 29' 00"
Manuscritto
Strumentazione: für Flöte, Klarinette, Bratsche, Violoncello und Klavier
Testo: Noel Bach
Orpheus, Argonauten, Eurydike, Hades, Apotheose.
Durata: 29' 00"
Manuscritto
Aus dem Tagebuch einer Prinzessin, op. 44 (1986)
Strumentazione: für Klavier
Abends am See; Gäste kommen; Seltsame Geschichte.
Durata: 8' 00"
Manuscritto
Paul Huber: Concertino für Flöte und Ensemble (1987)
Strumentazione: für Fl, Klar, Sax-a, Pos, Flgl-Hn, Klav, 2 V, Va, KB
Instrumentation und Bearbeitung von Margrit Zimmermann nach der Sonate für Flöte und Klavier von Paul Huber (1976).
Tranquillo, Elegie, Rondo.
Durata: 30' 00"
Manuscritto
Pianorama, op. 59 (1987)
Concerto
Strumentazione: per piano et orchestra d'archi
Manuscritto
Strumentazione: per piano et orchestra d'archi
Manuscritto
Die Gestundete Zeit, op. 52 (1987)
Strumentazione: für Singstimme und Instrumentalensemble (1,0,1,0, Sax - 1,1,0,0 - Schlgz - 1,0,1,1)
Testo: Ingeborg Bachmann
Durata: 8' 00"
Manuscritto
Toccata
Strumentazione: pour piano seul
Durata: 3' 00"
Strumentazione: pour piano seul
Durata: 3' 00"
Cloccachorda, op. 40 (1987)
Strumentazione: für Klavier
Durata: 12' 00"
Quadriga, op. 51 (1987)
Strumentazione: für Klavier
Durata: 15' 00"
Panta Rhei, op. 39 (1987)
Strumentazione: für Violine solo, Sopran, Frauenchor und Orgel
Testo: Noël Bach
Durata: 60' 00"
Manuscritto
Duopartita (1987)
Strumentazione: für Klarinette und Klavier
Durata: 7' 00"
Manuscritto
Spuren innerer Kreise, op. 53 (1988)
Strumentazione: für 16 Stimmen (4S,4A,4T,4B)
Testo: Noël Bach
Durata: 12' 00"
Manuscritto
Murooji per chitarra solo, op. 57 (1988)
Manuscritto
Alle 7 Jahre, op. 58 (1989)
Strumentazione: für Sopran und Klavier
Testo: Mascha Kaleko
Durata: 4' 00"
Manuscritto
Triptychon, op. 58 (1990)
Strumentazione: für Posaune und Orgel
Durata: 8' 00"
Manuscritto
Rhapsodie For Two, op. 52 (1990)
Strumentazione: für Klarinette und Klavier
Durata: 12' 00"
Manuscritto
Wo sich berühren Raum und Zeit, op. 60 (1990)
Strumentazione: für neun Frauenstimmen (6 S, 3 A)
Testo: Mascha Kaleko
Durata: 3' 00"
Manuscritto
In Urbis Honorem, op. 61 (1992)
Strumentazione: für gemischten Chor und Orchester
Nach Texten von Georg Schaeffner aus "Das Jahr der Stadt".
Durata: 60' 00"
Manuscritto
Incontro, op. 93 (1992)
Duettino
Strumentazione: für Flöte und Euphonium
Durata: 7' 00"
Manuscritto
Strumentazione: für Flöte und Euphonium
Durata: 7' 00"
Manuscritto
Serenade, op. 62 (1992)
Strumentazione: für Flöte und Klavier
Durata: 12' 00"
Manuscritto
Gesänge der Liebe, op. 102 (1994-1995)
Strumentazione: für Sopran und Klavier
Testo: Ida Sarkar-Stieler
Das Lebenstor, Mein kleiner Traum, Über dunkle Wasser.
Durata: 5' 00"
Manuscritto
Italiam! Italiam!, op. 106 (1995)
Strumentazione: für Sprechstimme, Klarinette und Militärtrommel
Bonstettens erste Reise nach Italien 1773-1774.
Durata: 55' 00"
Manuscritto
OMEGA: dentro fuori, op. 57 (1996)
Strumentazione: für Flöte (mit Saiteneffekt im Flügel)
Manuscritto
Capriccio, op. 63 (1998-1999)
Strumentazione: für Klavier
Nr. 1 Allegro molto;
Nr. 2 Allegro molto;
Nr. 3 Vier Sieben, seven four;
Nr. 4 Scherzo;
Nr. 5 Sentimento;
Nr. 6 Capriccio;
Nr. 7 Perpetuum mobile;
Nr. 8 Movimento
Durata: 12' 00"
Manuscritto
Il Flauto magico, op. 77, 1 (1999)
Strumentazione: für Flöte
Durata: 2' 00"
Manuscritto
Allegro Giocoso, op. 100 (2000)
Strumentazione: für Klavier
Durata: 12' 00"
Manuscritto
Esperanza, op. 102 (2000)
Strumentazione: für Flöte
Durata: 10' 00"
Manuscritto
Discografia
Werke der Schweizer Komponistin Margrit Zimmermann (Edition SFM Nr. 890 699, 1989)
Zimmermann, Margrit: Pensieri, op. 31 (1984)
Zimmermann, Margrit: Orphische Tänze, op. 43 (1986)
Zimmermann, Margrit: Piano Time, op. 46 (1987)
Zimmermann, Margrit: Quadriga, op. 51 (1987)
Interpreti:
Schmid Wyss, HannyOpere:
Zimmermann, Margrit: Quartetto d'archi Nr. 1, op. 7 (1979-1982)Zimmermann, Margrit: Pensieri, op. 31 (1984)
Zimmermann, Margrit: Orphische Tänze, op. 43 (1986)
Zimmermann, Margrit: Piano Time, op. 46 (1987)
Zimmermann, Margrit: Quadriga, op. 51 (1987)
Info: www.fonoteca.ch
Ultimo aggiornamento: 2024-11-23 11:13:06