Waespi Oliver
(05. 11. 1971)
Genere: Musica Classica
Biografia
* 05. 11. 1971.
Oliver Waespi, born in Zurich in 1971, studied composition and conducting at the Hochschule für Musik und Theater Zurich and pursued his studies at the Royal Academy of Music in London. His music is being performed by symphony orchestras and chamber ensembles, soloists, choirs and numerous leading wind and brass bands in many countries and at various festivals. Besides composing, Oliver Waespi is a sought-after clinician and adjudicator and teaches at the Hochschule der Künste Bern.
Oliver Waespi's musical interests are most versatile, which leads to musical collaborations in different fields. Thereby, he also creates connexions with other art forms. Works like "Viaduct" for the BBC Philharmonic Orchestra or "Hypercube" for the Paris Brass Band can be heard as musical explorations of urban landscapes and architectures. Several pieces are influenced by poetry from different periods, such as "Flut" for the BBC Singers, "Nachtferne" for the Berne Chamber Orchestra, "Weisser Atem" for the Brodsky Quartet, "Ad Astra" for the Nouvel Ensemble Contemporain and the Centre Dürrenmatt Neuchâtel. Music and contemporary dance were brought to interact with each other in a project with the Ensemble TaG.
Some of Oliver Waespi's works are reflections on folk music or early music, such as "As If A Voice Were in Them", "Traversada" or "Audivi Media Nocte", which earned him worldwide acclaim amongst leading brass and wind ensembles. The latter work is also an example for the development of a personal rhythmical language in an orchestral context. More examples for this approach are the "Divertimento" for the Federal Band Convention, "Out of Earth" for the Aulos Wind Symphony or "At the Crossroads", commissioned by the Jena Philharmonic.
Several concertos complete Oliver Waespi's portofolio, including more recently the Horn Concerto for Lukas Christinat, the Euphonium Concerto for Thomas Rüedi and the Zuger Sinfonietta conducted by Philippe Bach or the Tuba Concerto for Perry Hoogendijk, solo tuba player of the Royal Concertgebouw Orchestra Amsterdam.
For his music, Oliver Waespi received numerous awards, including the International George Enescu-Composition Prize in 2003, the London Fellowship awarded by the Landis and Gyr Cultural Foundation in Zug in 2005/2006, a prize at the 2009 Uuno Klami-Composing Competition in Finland, composition grants of the Swiss Arts Council Pro Helvetia and the Dutch Eduard van Beinum Foundation, the 2011 Composition Prize of the Swiss Federation of Orchestras, the 2013 NBA Revelli Award in the USA, the 2014 Stephan Jaeggi-Preis or the 2015 International BUMA Brass Award.
Oliver Waespi, born in Zurich in 1971, studied composition and conducting at the Hochschule für Musik und Theater Zurich and pursued his studies at the Royal Academy of Music in London. His music is being performed by symphony orchestras and chamber ensembles, soloists, choirs and numerous leading wind and brass bands in many countries and at various festivals. Besides composing, Oliver Waespi is a sought-after clinician and adjudicator and teaches at the Hochschule der Künste Bern.
Oliver Waespi's musical interests are most versatile, which leads to musical collaborations in different fields. Thereby, he also creates connexions with other art forms. Works like "Viaduct" for the BBC Philharmonic Orchestra or "Hypercube" for the Paris Brass Band can be heard as musical explorations of urban landscapes and architectures. Several pieces are influenced by poetry from different periods, such as "Flut" for the BBC Singers, "Nachtferne" for the Berne Chamber Orchestra, "Weisser Atem" for the Brodsky Quartet, "Ad Astra" for the Nouvel Ensemble Contemporain and the Centre Dürrenmatt Neuchâtel. Music and contemporary dance were brought to interact with each other in a project with the Ensemble TaG.
Some of Oliver Waespi's works are reflections on folk music or early music, such as "As If A Voice Were in Them", "Traversada" or "Audivi Media Nocte", which earned him worldwide acclaim amongst leading brass and wind ensembles. The latter work is also an example for the development of a personal rhythmical language in an orchestral context. More examples for this approach are the "Divertimento" for the Federal Band Convention, "Out of Earth" for the Aulos Wind Symphony or "At the Crossroads", commissioned by the Jena Philharmonic.
Several concertos complete Oliver Waespi's portofolio, including more recently the Horn Concerto for Lukas Christinat, the Euphonium Concerto for Thomas Rüedi and the Zuger Sinfonietta conducted by Philippe Bach or the Tuba Concerto for Perry Hoogendijk, solo tuba player of the Royal Concertgebouw Orchestra Amsterdam.
For his music, Oliver Waespi received numerous awards, including the International George Enescu-Composition Prize in 2003, the London Fellowship awarded by the Landis and Gyr Cultural Foundation in Zug in 2005/2006, a prize at the 2009 Uuno Klami-Composing Competition in Finland, composition grants of the Swiss Arts Council Pro Helvetia and the Dutch Eduard van Beinum Foundation, the 2011 Composition Prize of the Swiss Federation of Orchestras, the 2013 NBA Revelli Award in the USA, the 2014 Stephan Jaeggi-Preis or the 2015 International BUMA Brass Award.
Elenco delle opere
Short Drama for String Quartet (2000)
Durata: 7' 30"
Manuscritto
Skies (2000)
Strumentazione: für sinfonisches Bläserensemble (3 Fl., 2 Ob., E.hr., 2 Fg., Kfg., Es-Klar., 9 B-Klar., Bs.kl., Cb.kl., 4 Sax., 4 Hr., 3 Trp., 3 Pos., 2 Euph., 2 Tb., Kb., Percussion)
Durata: 17' 00"
Molenaar Edition
Wormerveer
Holland
Holland
Passacaglia (2001)
Strumentazione: für Blechbläserensemble (9 Ct., 1 Flghr., 3 Hr., 2 Bar., 2 Euph., 3 Pos., 4 Tb., Percussion)
Durata: 12' 00"
Manuscritto
Konzert für Horn und Orchester (2001)
Strumentazione: für Solohorn und Orchester (2,2,2,2 - 2,2,0,0 - Hfe, Schlgz(3) - 6,6,4,3,2)
Durata: 16' 00"
Manuscritto
Jardins (2002)
Strumentazione: für Flöte, Klarinette, Violine, Violoncello, Klavier
Durata: 12' 00"
Manuscritto
Nachtferne (2003)
Strumentazione: für Kammerorchester (1,1,1,1 - ,1,1,0 - Schlgz - Str)
Durata: 14' 00"
Manuscritto
Intermezzi (2003)
Strumentazione: für Klavier
Durata: 14' 00"
Manuscritto
Land's End (2003)
Strumentazione: für Blechbläserensemble (9 Ct., 1 Flghr., 3 Hr., 2 Bar., 2 Euph., 3 Pos., 4 Tb., Percussion)
Durata: 15' 00"
Manuscritto
3 Preludes (2003)
Strumentazione: für Trompete und Klavier
Durata: 7' 00"
Manuscritto
Islands (2002-2004)
Strumentazione: für grosses Orchester (3,3,3,3 - 4,3,3,1 - Schlgz(4) - 12,12,10,8,6)
Durata: 15' 00"
Manuscritto
Symphonic Variations (2004)
Strumentazione: für sinfonisches Bläserensemble (3 Fl, 2 Ob, Engl-Hn, 2 Fag, Co-Fag, Klar-es, 9 Klar-b, B-Klar, KB-Klar, 4 Sax, 4 Hr, 3 Trp, 3 Pos, 2 Euph, 2 Tb, KB, Hrf, Perc)
Durata: 17' 30"
Beriato Music Edition
Festive Fanfare (2004)
Strumentazione: für Blasorchester
Durata: 2' 00"
Beriato Music Edition
South Uist Variations (2004)
Strumentazione: für Brass-Quartett
Durata: 12' 00"
Manuscritto
Il Cantico (2005)
Strumentazione: für Sinfonisches Blasorchester (3 Fl, 2 Ob, E-hr, 2 Fg, Kfg, Es-Klar, 9 B-Klar, Bs-kl, Cb-kl, 4 Sax, 4 Hr, 3 Trp, 3 Pos, 2 Euph, 2 Tb, Vcl, Kb, Hrf, Percussion)
Poetische Vorlage dieses Stücks bildet der Sonnengesang des heiligen Franz von Assisi. Ähnlich, wie dieses mystische Gedicht von der Sonne ausgeht und auf sie hinzielt, ist "Il Cantico" auf einer einzigen motivischen Keimzelle aufgebaut, die das ganze Stück auf vielfältige Weise durchwirkt. Ansatzweise ist die Musik auch bestimmten Elementen aus dem Gedicht nachempfunden, besonders der Erde und dem Feuer, wie auch dem Mond als Gegenpol zur Sonne.
Durata: 15' 30"
Beriato Music Edition
Second Sinfonietta (2005)
Strumentazione: für Sinfonisches Blasorchester (3 Fl, 2 Ob, E-hr, 2 Fg, Kfg, Es-Klar, 9 B-Klar, Bs-kl, Cb-kl, 4 Sax, 4 Hr, 3 Trp, 3 Pos, 2 Euph, 2 Tb, Vcl, Kb, Percussion)
Durata: 16' 00"
Beriato Music Edition
Falls (2006)
Strumentazione: für Klavier
Durata: 3' 00"
Manuscritto
Auréole (2006)
Strumentazione: für Solovioline
Durata: 5' 00"
Manuscritto
East End (2006)
Strumentazione: für Soloposaune
Durata: 8' 00"
Manuscritto
Moving Sculpture (2006)
Strumentazione: für Bläsersextett (Fl, Ob, Cl, Bcl, Fg, Hr)
Durata: 5' 30"
Manuscritto
La vie antérieure (2006)
Strumentazione: für Chor a capella (SSAATB)
Testo: Charles Baudelaire
Durata: 4' 30"
Manuscritto
Pulse (2006)
Sonata
Strumentazione: für Viola und Klavier
Durata: 6' 00"
Manuscritto
Strumentazione: für Viola und Klavier
Durata: 6' 00"
Manuscritto
Temples (2006)
Strumentazione: für Sinfonisches Blasorchester (3 Fl, 2 Ob, E-hr, 2 Fg, Kfg, Es-Klar, 9 B-Klar, Bs-kl, Cb-kl, 4 Sax, 4 Hr, 4 Trp, 4 Pos, 2 Euph, 2 Tb, Kb, Hrf, Percussion)
Das Stück "Temples" wurde durch die Tempelanlage von Angkor, Kambodscha, inspiriert, wie auch durch gewisse Teile der Prediger in der Bibel. Vier Abschnitte verkörpern das Erwachen (Phnom Bakheng), den Konflikt (Bayon), die Trauer (Preah Khan) sowie den Neuaufbau (Angkor Wat). Acht Ferninstrumente sprengen das gewohnte Klangbild des sinfonischen Blasorchesters und symbolisieren überdies die Architektur des Bayon, einstiger Zentraltempel der Stadt Angkor Thom, mit seinen acht Gopuras.
Durata: 28' 00"
Beriato Music Edition
Legenda Rumantscha (2006)
Strumentazione: für Sinfonisches Blasorchester (3 Fl, 2 Ob, E-hr, 2 Fg, Kfg, Es-Klar, 9 B-Klar, Bs-kl, Cb-kl, 4 Sax, 4 Hr, 3 Trp, 3 Pos, 2 Euph, 2 Tb, Vcl, Kb, Hrf, Percussion)
Durata: 11' 00"
Lucerne Music Edition
Kasimir-Pfyfferstrasse 12
CHG-6003 Luzern
Schweiz
Tel. +41(0)41 240 84 40
Fax +41 (0)41 240 84 41
info@lucerne-music-edition.ch
www.notencafe.ch
CHG-6003 Luzern
Schweiz
Tel. +41(0)41 240 84 40
Fax +41 (0)41 240 84 41
info@lucerne-music-edition.ch
www.notencafe.ch
A Moléson (2007)
Strumentazione: für Brass Band
Durata: 4' 00"
Manuscritto
Flut (2007)
Strumentazione: für Chor a cappella (SSAATTBB)
Testo: Ovid, Marie-Luise Kaschnitz
Die Textvorlagen von Ovid und Marie-Luise Kaschnitz beleuchten das Thema der Sintflut aus unterschiedlichen ästhetischen Sichtweisen und Epochen heraus. Beide Textschichten führen im Stück "Flut" zunächst zu unterschiedlichem musikalischem Material und führen zu einer Art Sprachkontrapunkt und einem Verdichtungsprozess, der sich durch das ganze Stück zieht. Auf dem Wort "Meer/mare" fallen beide Texte und die Musik schliesslich zusammen.
Durata: 6' 30"
Manuscritto
Weisser Atem (2006-2008)
Strumentazione: für Streichquartett
Durata: 6' 00"
Manuscritto
Viaduct (2008)
Strumentazione: für Sinfonieorchester (3,3,3,3 - 4,3,3,1 - 1 Timp, 3 Perc - Str)
Durata: 14' 30"
Manuscritto
Caledonia (2008)
Strumentazione: für Blasorchester
Durata: 9' 00"
Manuscritto
Berglicht (2008)
Strumentazione: für Sinfonisches Blasorchester (3 Fl, 2 Ob, E-hr, 2 Fg, Kfg, Es-Klar, 9 B-Klar, Bs-kl, Cb-kl, 4 Sax, 4 Hr, 4 Trp, 4 Pos, 2 Euph, 2 Tb, Kb, Hrf, Percussion)
Durata: 13' 00"
Beriato Music Edition
Double Concerto (2008)
Strumentazione: für Gitarre, Flöte und Orchester (0,2,2, B-Klar,2 - 2,2,1,0 - Schlgz - Str)
Durata: 20' 00"
Manuscritto
Piz Kesch "Round Midnight" (2008)
Strumentazione: für Blechensemble und Schlagzeug
Durata: 6' 00"
Manuscritto
Canzun (2009)
Strumentazione: für sinfonisches Blasorchester
Durata: 9' 00"
Manuscritto
Intrada (2009)
Strumentazione: für Brass Band
Durata: 10' 00"
Manuscritto
Prolog (2009)
Strumentazione: für Flöte und Bassklarinette
Durata: 3' 00"
Manuscritto
Aquarell (2010)
Strumentazione: für Sinfonieorchester (2,2,2,2 - 2,2,2,0 - Str)
Durata: 3' 00"
Manuscritto
Canticum (2010)
Strumentazione: für gemischten Chor und Orchester (3,2,2,2 - 2,0,0,0 - Str)
Testo: Francesco d'Assisi
Durata: 9' 00"
Manuscritto
Audivi Media Nocte (2011)
Strumentazione: für Brass Band
Durata: 17' 00"
Manuscritto
Divertimento (2011)
Strumentazione: für sinfonisches Blasorchester
Durata: 15' 00"
Manuscritto
Sonar (2011)
Tubakonzert
Strumentazione: für Tuba solo und sinfonisches Blasorchester
Durata: 19' 00"
Manuscritto
Strumentazione: für Tuba solo und sinfonisches Blasorchester
Durata: 19' 00"
Manuscritto
La Partenza (2012)
Strumentazione: für Sinfonieorchester (2,2,2,2/2,2,0,0/Schlzg/Str)
Durata: 14' 00"
Manuscritto
Traversada (2013)
Strumentazione: für Brass Band
Durata: 12' 00"
Manuscritto
Azur (2013)
Strumentazione: für Klavier, Violine und 2 Schlagzeuger
Durata: 8' 00"
Manuscritto
Konzert (2013)
Strumentazione: für Euphonium solo und Streichorchester
Durata: 21' 00"
Manuscritto
Konzert (2013)
Strumentazione: für Klavier solo, Harfe solo und sinfonisches Blasorchester
Durata: 25' 00"
Manuscritto
Discografia
Festival L’art pour l’Aar 2012/14 (Müller & Schade Nr. CD 2012/14-1, 2014)
Darbellay, Jean-Luc: Voile (2007)
Frischknecht, Hans Eugen: 5 Bilder für Querflöte (2000)
Bovey, Pierre-André: Enlil (2009)
Darbellay, Jean-Luc: Asia (2008)
Darbellay, Jean-Luc: Ori (2007)
Gut, Ursula: Pas de deux du piano... et pour D. (2012)
Frischknecht, Hans Eugen: Lupoforte (2013)
Waespi, Oliver: Azur (2013)
Interpreti:
Frischknecht, Hans EugenOpere:
Bovey, Pierre-André: Réparties (1987)Darbellay, Jean-Luc: Voile (2007)
Frischknecht, Hans Eugen: 5 Bilder für Querflöte (2000)
Bovey, Pierre-André: Enlil (2009)
Darbellay, Jean-Luc: Asia (2008)
Darbellay, Jean-Luc: Ori (2007)
Gut, Ursula: Pas de deux du piano... et pour D. (2012)
Frischknecht, Hans Eugen: Lupoforte (2013)
Waespi, Oliver: Azur (2013)
Ultimo aggiornamento: 2020-10-06 16:48:10