Musinfo: Elenco integrale

Guyonnet Jacques

(20. 03. 1933 - 18. 05. 2018)

Guyonnet Jacques
(GE)

www.margelle.org/html/ZAuteur/bio_longue.htm

Genere: Musica Classica

Attività: Compositori, Interpreti, Autori

Biografia

* 20. 03. 1933, † 18. 05. 2018.

Jacques Guyonnet was born in Geneva and studied literature at the university and composition and directing at the conservatory there. From 1958 until 1961 he participated at the Ferienkursen für Neue Musik in Darmstadt. In 1959 he founded the Studio de Musique Contemporaine in Geneva and began collaborations with Pierre Boulez after 1960. From 1976 until 1981 he was the president of the International Society for Contemporary Music (ISCM). In 1976 he taught composition for electroacoustic music at the Zurich School of Music.
His early compositional work shows an influence by Pierre Boulez. In his later works, Guyonnet becomes increasingly drawn to the large symphonic form and makes attempts at new musical practices (including elements of modern popular and electronic music). Guyonnet has published several novels since 1999.

Elenco delle opere

Monades II (1959-1960)

Strumentazione: pour orchestre (2,2,2,2 - 2,2,3,4 - perc, hpe, pno, cel - cordes)

A Pierre Boulez.

Durata: 14' 00"
Manuscritto

Monades III (1961)

Strumentazione: pour orchestre (2,2,2,2 - 2,2,3,1 - hpe, cel, pno, 4 perc - cordes)

A Hans Rosbaud.

Durata: 11' 00"
Manuscritto

Polyphonies I, II, III (1959-1962)

Strumentazione: pour alto/flûte/piano, 2 pianos, alto/flute/2 pianos

Durata: 26' 00"

Universal Edition

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"En trois éclats!" (1964)

Strumentazione: for piano solo and chamber orchestra

A et selon Pierre Boulez.

Durata: 13' 00"
Manuscritto

"Stèle in memoriam J.F.K." (1965)

Strumentazione: for chamber orchestra, electronics and narrator

Durata: 21' 00"
Manuscritto

7 Portes du Temps (1966)

Three pieces

Strumentazione: for symphony orchestra (2.3.3.2/4.3.3.1/4perc/hp.cel.pf/16.14.10.8.5)

Durata: 23' 00"
Manuscritto

"Let there be Events" (1968)

Strumentazione: A composition for three orchestral groups and one conductor

Durata: 16' 00"
Manuscritto

Chronicles (1969)

A labyrinth for piano

Durata: 7' 00"-15' 00"
Manuscritto

Images 3/4 du siècle (1970)

Musique de ballet

Strumentazione: for rockgroup, electronics

Durata: 7' 00"-15' 00"
Manuscritto

Le Livre III (1970)

Strumentazione: for electronic sounds, trombone and bass flûte

Durata: 16' 00"
Manuscritto

A Single Requiem (1971)

Strumentazione: for alto solo and small ensemble

Durata: 16' 00"
Manuscritto

Beethoven et le Labyrinthe (1973)

Strumentazione: for orchestra

Real and false Beethoven sketches, with the Stuttgart Philharmonic.

Durata: 7' 00"
Manuscritto

Lucifer Photophore (1974)

A color video tape on the interaction between music and synthesized image

Durata: 11' 00"
Manuscritto

Maria Besta Sabida (1974)

A video fiction shown in VIDCOM 76

Durata: 62' 00"
Manuscritto

Mémorial pour Artémis Calame (1974)

Strumentazione: pour 4 trompettes et 4 trombones

Durata: 4' 00"
Manuscritto

Les Seigneurs de la Culture (1974)

A video tape N/B, 1/2"

Durata: 20' 00"
Manuscritto

Les Enfants du Désert (1974)

à Geneviève Calame

Strumentazione: for large strings orchestra

Durata: 8' 30"
Manuscritto

Chronicles II (1975)

Strumentazione: for piano

Durata: 4' 00"-20' 00"
Manuscritto

Zornagore: une Saga (1976)

Poeme

Strumentazione: for symphony orchestra and recitant

Testo: Michel Butor

Durata: 45' 00"
Manuscritto

Immémoriales (1976)

Strumentazione: for piano and electronic sounds

Durata: 32' 00"
Manuscritto

Les profondeurs de la Terre (1977)

A poem

Strumentazione: for symphony orchestra

Durata: 17' 00"
Manuscritto

Tempi soli (1979)

For pieces

Strumentazione: for chamber orchestra

Durata: 13' 00"
Manuscritto

Anagramme sur le nom de Geneviève Calame (1979)

A short piece

Strumentazione: for 4 brass instruments and mixed chorus

Durata: 1' 15"
Manuscritto

Harmonique-Souffle (1980)

A Alberto Ginastera

Strumentazione: for chamber orchestra (1.1.1.1/2.2.2.0/2perc/pf)

Durata: 18' 00"
Manuscritto

Electric Sorcerers (The Network story) (1980-1981)

Sketches for a rock opera

Strumentazione: for guitar/bass guitar/drums/synthesizers/electronics/string orchestra/percussion instruments and 4 voices

Durata: 62' 00"
Manuscritto

D'Est en Ouest (une fusion?) (1981)

Music

Strumentazione: for two Indian solists and a group of rock players, female voice, guitar, bass guitar, 2 synthesizers, drums and electronic sounds

Durata: 35' 00"
Manuscritto

La Cantate Interrompue (1983)

In memoriam Alberto Ginastera

Strumentazione: pour 2 pianos, 2 synthesizers DX7, brass quartet, 1 percussion, récitant

Durata: 50' 00"
Manuscritto

La Cantate Interrompue (1983-1986)

Strumentazione: Version pour 11 solistes (2 pianos, 2 synthesizers DX7, brass quartet, 1 percussion, voix de soprano, récitant) et grand orchestre à cordes

Durata: 55' 00"
Manuscritto

Base/Anabase (1986)

Strumentazione: pour piano solo et grand orchestre de chambre (ou orchestre à cordes)

Manuscritto

Suite Baroque (1986)

Strumentazione: pour clavecin, piano et orchestre à cordes

Vivo
Largo
Finale

Manuscritto

Un soupir pour Aurore (1991)

Strumentazione: pour violoncelle et piano

Manuscritto

Les Angiospermes (2003)

Un opéra parlé

Strumentazione: pour six acteurs et grand orchestre de chambre

Comédie de boulevard sur fond de fin du monde.
Rôles : Josefina, Alma (les Angiospermes) Aline femme de ménage alias Apocaline, Celsius (un amoureux transi) Jacques le prisonnier, Dieu alias Monsieur Borgès.

Manuscritto

Discografia

Geneviève Calame (Grammont Porträt Nr. 28-2, 1991)