Buhler Philippe
(15. 05. 1919 - 15. 09. 2019)
Genere: Musica Classica
Biografia
* 15. 05. 1919 Lausanne, † 15. 09. 2019.
Phillipe Buhler was born in Lausanne. He completed his secondary school education at the Scheurer-Kestner Highschool in Thann (Haut-Rhin) and made his undergraduate studies(?) at the University of Strasbourg. His studies in music began at the age of 6: first with his mother, who had diplomas from the conservatories of Lausanne and Geneva, and later in Mulhouse at the Conservatoire National under the tutelage of Philippe Strubin (harmony) and Marie Thérèse Frey (piano). From 1941 to 1943 he took refuge in Lyon, he worked with César Geoffray (harmony and choral direction). In 1944/45 he visited courses held by Alexandre Dénéréaz at the Conservatoire de Lausanne. Later, after the war, he lived from 1954 to 1956 in the USA. He studied at the University of Redlands (California) and made his BA and MA in composition and musicology.
From 1942 to 1944 Philippe Buhler taught musical theory and singing at schools in Toulon and Cahors. From 1945 to 1949 he joined the Conservatoire de Mulhouse where he taught a piano class and directed the concert choir Concordia. From 1950 onwards Phillipe Buhler emigrated to the USA and taught in different private schools in Connecticut and later in California. From 1965 to 1971 he taught harmony, musical theory and composition at the North Carolina School of the Arts (Winston-Salem) and directed the vocal ensemble The Camerata Singers, which went on tour through Europe in 1970/71. After returning to Switzerland in autumn 1971 he taught music until 1984 at several secondary schools in Geneva and directed choirs in the cantons of Geneva and Vaud including the Union Chorale du Sentier. Philippe Buhler has been engaged with composition and choral direction since 1985.
Phillipe Buhler was born in Lausanne. He completed his secondary school education at the Scheurer-Kestner Highschool in Thann (Haut-Rhin) and made his undergraduate studies(?) at the University of Strasbourg. His studies in music began at the age of 6: first with his mother, who had diplomas from the conservatories of Lausanne and Geneva, and later in Mulhouse at the Conservatoire National under the tutelage of Philippe Strubin (harmony) and Marie Thérèse Frey (piano). From 1941 to 1943 he took refuge in Lyon, he worked with César Geoffray (harmony and choral direction). In 1944/45 he visited courses held by Alexandre Dénéréaz at the Conservatoire de Lausanne. Later, after the war, he lived from 1954 to 1956 in the USA. He studied at the University of Redlands (California) and made his BA and MA in composition and musicology.
From 1942 to 1944 Philippe Buhler taught musical theory and singing at schools in Toulon and Cahors. From 1945 to 1949 he joined the Conservatoire de Mulhouse where he taught a piano class and directed the concert choir Concordia. From 1950 onwards Phillipe Buhler emigrated to the USA and taught in different private schools in Connecticut and later in California. From 1965 to 1971 he taught harmony, musical theory and composition at the North Carolina School of the Arts (Winston-Salem) and directed the vocal ensemble The Camerata Singers, which went on tour through Europe in 1970/71. After returning to Switzerland in autumn 1971 he taught music until 1984 at several secondary schools in Geneva and directed choirs in the cantons of Geneva and Vaud including the Union Chorale du Sentier. Philippe Buhler has been engaged with composition and choral direction since 1985.
Elenco delle opere
Concertino (1946/1956)
Strumentazione: pour piano et orchestre (2,2,2,2 - 0,0,0,0 - cordes)
Durata: 14' 30"
Manuscritto
Andante (1955)
Strumentazione: pour grand orchestre (picc,2,1,ca,2,2 - 4,2,3,1 - timb - cordes)
Durata: 8' 00"
Manuscritto
Sonatine en trois mouvements (1956)
Strumentazione: pour piano
Durata: 10' 00"
Manuscritto
Quatuor à cordes (1956)
Durata: 14' 00"
Manuscritto
Symphonic Essay (1956-1957)
Strumentazione: pour orchestre (2(picc),2,2,2 - 4,3,3,1 - perc(2), xyl - cordes)
Durata: 10' 00"
Manuscritto
The Songs of Al Mu-Tamid, King of Seville (1957)
Strumentazione: pour soprano et piano
Al Mu-Tamid, roi de Seville, 11ème siècle.
Durata: 8' 30"
Manuscritto
Cantate Domino (1960)
Psaume 149
Strumentazione: pour soprano, ténor, choeur, ensemble cuivres et timbales
Durata: 26' 00"
Manuscritto
Strumentazione: pour soprano, ténor, choeur, ensemble cuivres et timbales
Durata: 26' 00"
Manuscritto
Symphony in "E" (1961)
Symphonie No 1
Strumentazione: pour orchestre (2,2,2,2, - 2,2,3,1 - perc, pno - cordes
Durata: 30' 00"
Manuscritto
Strumentazione: pour orchestre (2,2,2,2, - 2,2,3,1 - perc, pno - cordes
Durata: 30' 00"
Manuscritto
Suite (1964)
Strumentazione: pour flûte
En 5 mouvements sur des échelles sonores centrées sur la note "ré".
Durata: 14' 00"
Manuscritto
Six Short Stories for the Piano (1967)
Durata: 15' 00"
Manuscritto
Orchésographie (1969)
Symphonie No 2
Strumentazione: pour orchestre de chambre (2,2,2,2 - 2,2,1,0 - perc(2), pno préparé - cordes)
En trois mouvements.
Durée variable avex passages aléatoires dans 2ème et 3ème mouvements.
Durata: 20' 00"
Manuscritto
Strumentazione: pour orchestre de chambre (2,2,2,2 - 2,2,1,0 - perc(2), pno préparé - cordes)
En trois mouvements.
Durée variable avex passages aléatoires dans 2ème et 3ème mouvements.
Durata: 20' 00"
Manuscritto
Sonata for 2 pianos (1970-1971)
Durata: 19' 00"
Manuscritto
Sonate (1976)
Strumentazione: pour piano
Durata: 15' 00"
Manuscritto
Quatre Haïkus du poète japonais Issa (1976-1977)
Strumentazione: pour soprano ou ténor et piano
Durata: 6' 30"
Manuscritto
Trois poèmes tirés de "Monsieur, Monsieur" de Jean Tardieu (1985)
Strumentazione: pour soprano (ou baryton) et piano
Durata: 7' 00"
Manuscritto
Six Balades (1985)
Strumentazione: pour soprano et piano
Testo: Harry Kleiner
Durata: 13' 00"
Manuscritto
2 Duos (1970-1986)
Strumentazione: pour 2 flûtes de travers
Durata: 8' 00"
Bibliothèque Cantonale Universitaire de Lausanne
1014 Lausanne
Suisse
Suisse
Aucassin et Nicolette (1987)
Oeuvre scénique
Strumentazione: pour un conteur et sa vièle, soprano et baryton solo, choeur mixte et ensemble instrumental ancien
Basée sur une "chantefable" du XIIIème siècle.
Durata: 85' 00"
Manuscritto
Strumentazione: pour un conteur et sa vièle, soprano et baryton solo, choeur mixte et ensemble instrumental ancien
Basée sur une "chantefable" du XIIIème siècle.
Durata: 85' 00"
Manuscritto
Thème et variations en style classique (1987)
Strumentazione: pour hautbois (ou flûte) et basson
Durata: 16' 30"
Manuscritto
Trois choeurs (1987)
Strumentazione: pour choeur a 4 voix mixtes
Testo: Dominique Porte
Ma maison
Veiller
Michèle
Durata: 6' 00"
Manuscritto
Laudate Dominum de caelis (1988)
Psaume 148
Strumentazione: pour choeur, ensemble de cuivres et timbales (ou choeur et orgue)
Durata: 10' 00"
Manuscritto
Strumentazione: pour choeur, ensemble de cuivres et timbales (ou choeur et orgue)
Durata: 10' 00"
Manuscritto
Suite (1988)
Strumentazione: pour contrebasse et piano
En 4 mouvements.
Durata: 12' 00"
Manuscritto
Six Sonnets de Louise Labé (1989-1990)
Strumentazione: pour choeur a cappella (voix égales ou mixtes)
Testo: Louise Labé
Durata: 24' 00"
Manuscritto
Raconte-moi ton village (1991)
Petite suite poétique et instrumentale en 12 tableaux
Strumentazione: pour soprano solo, choeur et ensemble instrumental (fl, clar - hpe - cordes: 2,1,1,1)
Testo: Edmond Pidoux
Durata: 45' 00" ((avec lecture des textes))
Manuscritto
Strumentazione: pour soprano solo, choeur et ensemble instrumental (fl, clar - hpe - cordes: 2,1,1,1)
Testo: Edmond Pidoux
Durata: 45' 00" ((avec lecture des textes))
Manuscritto
Deux compositions (1991)
Strumentazione: pour choeur mixte
Testo: Edmond Pidoux
Mon frère d'acajou
Nos coeurs, nos yeux
Durata: 2' 30"
Manuscritto
Deux choeurs (1991)
Strumentazione: pour voix égales (SSAA)
Prière Cathare (texte en occitan du 13ème siècle)
Ballade pour prier Notre Dame (François Villon)
Durata: 10' 00"
Manuscritto
Sonate (1994)
Strumentazione: pour violon et piano
Durata: 12' 00"
Manuscritto
Sonate (1995)
Strumentazione: pour flûte et piano
Durata: 13' 00"
Manuscritto
La mort du cerf (1996)
Strumentazione: pour baryton et piano
Poème tiré de "Echos de Vénerie" de G. Rochard.
Durata: 4' 00"
Manuscritto
Echos de Vénérie (1997)
Strumentazione: pour baryton, choeur mixte, ensemble de cuivres, ensemble de trompes de chasse et timbales
Durata: 1h 45' 00"
Manuscritto
Messe de St. Hubert (1998)
Strumentazione: pour soprano et baryton, choeur mixte, ensemble de cuivres, ensemble de trompes de chasse et trois timbales
Durata: 70' 00"
Manuscritto
Sérénade (1990-2000)
Strumentazione: pour cor des alpes et orgue (ou piano)
Durata: 6' 00"
Manuscritto
Deux Duos (1970-2001)
Strumentazione: pour flûtes traversières
Durata: 4' 30"
Manuscritto
L'Art d'être Grand-Père (2003)
Strumentazione: pour soprano et piano
Testo: Victor Hugo
Durata: 24' 00"
Manuscritto
Ultimo aggiornamento: 2024-07-18 12:15:29