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Rusconi Michèle

(18. 03. 1960)

Rusconi Michèle
Rusconi Michèle
Oetlingerstrasse 169
CH-4057 Basel (BS)
Schweiz

Tel: 141 (0)61 683 29 73
Mobile: +41 (0)76 222 65 04

www.mrusconi.ch

 

Genere: Musica Classica
Attività professionali: Compositori, Interpreti
Biografia
* 18. 03. 1960.

Michèle Rusconi dealt with many different types of music and lived in various
countries and continents.
1979 she was a member of the Gamelan orchestra in Basel. Two years later and already a student at Berklee College of Music, Boston, USA, where she majored in Jazz piano, she travelled to Bali for several months to study Grantang and Joged Bumbung (bamboo instruments).
From 1983-87 she lived in Madrid, played with Jazz ensembles, Rock bands and Flamenco singers.
In 1988 she moved to New York. She lived many years in Harlem, studied at City College with Ron Carter and learned with pianists Kenny Baron and Ronnie Matthews. She founded Jazz bands, played a lot of Salsa and Merengue and travelled twice to Haiti to play and study Compas, the traditional music of Haiti.
After living two years in Malysia, she returned to New York and got her BA in performing arts. David del Tredici from Juilliard School of Music became her teacher in composition.
Since 2000 she again lives in Switzerland. In 2003 she received her MA in composition at the Musikhochschule Freiburg where she had studied composition with Matthias Spahlinger and electronics with Mesias Maiguashca.
Michèle Rusconiʼs music has been performed and commissioned by many ensembles in Europe and America: by the Pellegrini Quartett, by the Ensembles Aventure, Phoenix, Antipoden, The New Juilliard Ensemble, Bugallo/Williams Duo, Camilla Hoitenga and many others.
Pieces for tape have been produced in her home studio.
Michèle Rusconi lives in Basel, Switzerland.


Elenco delle opere
short cuts (2000)

Strumentazione: für Posaune und Harfe

Durata: 10' 00"
Manuscritto
3630 (2001)

Strumentazione: für Ensemble (1,1,1,1 - 1,1,1,0 - Klav, Schlgz - 1,1,1,1) und wood block

Durata: 19' 00"
Manuscritto
TILT (2001)
Tonbandstück

Strumentazione: für 8 Lautsprecher

Durata: 7' 30"
Manuscritto
warm up (2002)

Strumentazione: für Klavier und Perkussion

Durata: 9' 00"
Manuscritto
Rasmunsen (2002)
Hörspiel

Durata: 11' 45"
Manuscritto
goooool! (2003)

Strumentazione: für Klavier und Tonband

Durata: 11' 20"
Manuscritto
el conejo metalico (2003)

Strumentazione: für Schlagzeug, Tonband und Video

Durata: 10' 00"
Manuscritto
lickety split (2004)

Strumentazione: für Tonband

Durata: 8' 45"
Manuscritto
aus-lo-ten (2004)

Strumentazione: für Posaune, Harfe und Tonband

Durata: 14' 30"
Manuscritto
la mala mordida (2005)
Installation

Strumentazione: für 5 Lautsprecher

Manuscritto
ein dynosaurier auf dem äschenplatz (2005)
Videovertonung

Durata: 1' 00"
Manuscritto
nix wie weg (2005)

Strumentazione: für Tenorblockflöte

Durata: 10' 00"
Manuscritto
transgresion (2006)
eine audiovisuelle Rauminstallation

Zusammenarbeit mit Videokünstler Carlos Poete.

Manuscritto
sin embargo (2006)

Strumentazione: für Akkordeon

Durata: 7' 45"
Manuscritto
exteriorizando intimidades (2006)
Installation

Zusammenarbeit mit Carlos Poete.

Manuscritto
no risk no fun (2007)

Strumentazione: für Trompete und Perkussion

Durata: 10' 00"
Manuscritto
Membran (2007)
Rauminstallation

Strumentazione: für 5 Lautsprecher

Manuscritto
Dissoziationen (2008)

Strumentazione: für Klarinette, Fagott, Horn, 2 Geigen, Bratsche, Cello, Kontrabass

Durata: 15' 00"
Manuscritto
ratafià (2008)

Strumentazione: für Streichquartett

Durata: 11' 00"
Manuscritto
Entgiftung ALAT (GPT) 57 U/1 (2008)

Strumentazione: für Flöte, Oboe, Klarinette, Schlagzeug, Klavier, Geige, Bratsche, Cello (oder Kontrabass)

Durata: 7' 30"
Manuscritto
a bit of bungling on the battlefield (2008)

Strumentazione: für Klaviertrio

Durata: 10' 30"
Manuscritto
Amygdala (2009)

Strumentazione: für Flöte, Oboe, Klarinette, Fagott, Horn, Trompete, Klavier, Geige, Bratsche, Cello, Kontrabass

Durata: 9' 00"
Manuscritto
Buda-morph (2009)

Strumentazione: für 2 Geigen, Bratsche, Cello, Kontrabass

Durata: 8' 00"
Manuscritto
Buda-morph 14 (2009)

Strumentazione: für 8 Geigen, 3 Bratschen, 2 Celli, Kontrabass

Durata: 8' 00"
Manuscritto
Broyer du noir + salt peanuts (2009)

Strumentazione: für Flöte, Klarinette, Klavier und Cello

Durata: 10' 00"
Manuscritto
letʼs cut our losses and go home (2010)

Strumentazione: für Flöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune, Kontrabass

Durata: 9' 00"
Manuscritto
NOMOLL I (2010)

Strumentazione: für 2 präparierte Klaviere

Durata: 7' 30"
Manuscritto
NOMOLL II (2010)

Strumentazione: für 2 Klaviere

Durata: 7' 30"
Manuscritto
el leon que mas cicatrices tiene es el jefe (2010)

Strumentazione: für 2 Harfen

Durata: 9' 00"
Manuscritto
untitled (2011)

Strumentazione: für Flöte, Perkussion und Harfe

Durata: 7' 00"
Manuscritto
postumi (2011)

Strumentazione: für Streichquartett

Durata: 7' 30"
Manuscritto
opinions only (2011)

Strumentazione: für Flöte, Klarinette, Trompete, Posaune, Schlagzeug, Harfe, Akkordeon, Geige, Kontrabass

Durata: 10' 30"
Manuscritto
on a whim (2012)

Strumentazione: für Solo Geige oder Solo Schlagzeug oder zwei Schlagzeuger oder Solo Oboe oder Solo Harfe oder Solo Flöte oder Solo Bratsche oder Solo Tuba

Durata: 4' 00"
Manuscritto
merry at breakfast-dead by noon (2012)

Strumentazione: für Flöte, Perkussion, Cello

Durata: 9' 00"
Manuscritto
whims+attitudes (2012)

Strumentazione: für solo Harfe

Durata: 7' 00"
Manuscritto