Instrumentation: for mezzo-soprano and piano (or viola, violoncello)

Texts: J.R.Jimenez

Duration: 2' 00"
Manuscript

Instrumentation: for mezzo-soprano, tenor, oboe and clarinet

Texts: Ronald D. Laing

Text: Ronald D. Laing.

Duration: 7' 00"
Manuscript

Instrumentation: for piano

Originated in Dartington (South West England).

Duration: 6' 00"

CHF: 18.00

Instrumentation: for piano

Duration: 5' 00"
Manuscript

Instrumentation: for soprano, saxophone, trumpet, piano, percussion and cello

Texts: Heinrich Heine

Text: Heinrich Heine.

Duration: 25' 00"
Manuscript

Instrumentation: for children's choir and various instruments ad lib.

Duration: 20' 00"
Manuscript

Instrumentation: for oboe, trumpet, celesta and tape recorder

Duration: 6' 00"
Manuscript

Instrumentation: for flute, English horn (or viola) and clarinet

Duration: 5' 00"
Manuscript

Instrumentation: for orchestra (2.2.2.2/2.1.1.0/str)

Duration: 7' 00"
Manuscript

Instrumentation: for soprano, baritone, flute, clarinet, cello, organ and piano

Texts: Léon Felipe, Johannes Tauler

Duration: 27' 00"
Manuscript

Instrumentation: for flute

Duration: 3' 00"
Manuscript

Instrumentation: for piano and tape recorder

Duration: 4' 00"
Manuscript

Instrumentation: for horn and piano

Very virtuosic for the horn. The pianist sings in the second movement (ad libitum).

Duration: 5' 00"

CHF: 20.40

Instrumentation: for piano

Seven concise studies dealing with the six human senses.

Duration: 8' 00"

CHF: 17.40

Instrumentation: for 3 singer-actors

Texts: Jean-Jacques Dünki

Duration: 10' 00"
Manuscript

Instrumentation: for boy soprano, 2 sopranos, mezzo-soprano, altus, tenor, 2 baritnones, bass; flute, clarinet, saxophone, trumpet, tuba, piano/e.org, violoncello, double bass

Texts: Jean-Jacques Dünki

Duration: 45' 00"
Manuscript

Instrumentation: for piano

A subtle homage to Louis Couperin (1626-1661) both in content and notation.

Duration: 9' 00"

CHF: 19.80

Instrumentation: for five kettledrums (1 player)

Duration: 4' 00"

CHF: 12.00

Instrumentation: for piano, harpsichord, celesta and clavichord

An unprecedented, challenging combination of assorted keyboard instruments, enhanced by the use of amplification.

Duration: 14' 00"
Manuscript

Instrumentation: for flute, viola, celesta and singing saw

Duration: 2' 00"
Manuscript

Instrumentation: for piano

Duration: 2' 00"

Instrumentation: for soprano, flute, horn, piano, celesta, clavichord and viola

Duration: 12' 00"
Manuscript

Instrumentation: for 3 clarinets and 2 pianos

Duration: 10' 00"
Manuscript

Instrumentation: for large orchestra (3.3.3.3/4.3.3.1/3perc/hp.cel/str)

8'

Duration: 8' 00"
Manuscript

Instrumentation: for soprano, saxophone, two cellos, piano and tape recorder

Texts: Jean-Jacques Dünki, Heinrich Heine

Duration: 15' 00"
Manuscript

Duration: 5' 00"

CHF: 18.60

Instrumentation: for 2 violocelli

Duration: 6' 00"
Manuscript

Instrumentation: for 3 actors/speakers; clarinet, trumpet, viola, violoncello, percussion, piano; tape recorder, slide projector, overhead projector

Texts: P. Bausch, C. Justi, A. Schopenhauer

Duration: 20' 00"
Manuscript

Instrumentation: for 17 musicians (2S, fl, 4bfl, cl, tpt, vn, gtr, hp, acn, 4handedpf, 2perc)

Duration: 13' 00"
Manuscript

Instrumentation: for 13 pianists on 9 pianos

Duration: 8' 20"
Manuscript

Instrumentation: for piano

Adaptation of the 1st movement from "Kammerstück II".

Duration: 1' 00"
Manuscript

Instrumentation: for horn, piano and thirteen instruments (2.(pic,afl).2(obda,ca).2(Ebcl).bcl.asx(ssx).1/1.1.1.1/pf(clavichord))

The solo horn is scored also for an authentic 19th century invention-horn, and the solo piano part (normal tuning) also plays a hammer piano (five octaves F - f4, sounding a quarter tone lower). The second piano in the ensemble is tuned a quarter tone lower. A discourse with Robert Schumann's music.

Duration: 17' 00"

CHF: 62.70

Instrumentation: for piano

In the name of Robert Schuhmann. Demanding.

Duration: 4' 00"
Manuscript

Instrumentation: for violoncello and piano

Highly virtuosic for both instruments.

Duration: 9' 00"

CHF: 14.40

Instrumentation: for two flutes and harpsichord

The title is taken from Piet Mondrian. Flute 1 with the low h doubles flute in Bb. Flute 2 doubles bass flute.

Duration: 8' 00"
Manuscript

Highly virtuosic and concentrated.

Duration: 4' 00"

CHF: 12.60

Instrumentation: for two clarinets

Playful but not easy.

Duration: 6' 00"

CHF: 15.00

Instrumentation: for piano or pianoforte

Duration: 1' 00"
Manuscript

Instrumentation: for mezzo-soprano and piano

Texts: A.Felder, Ch.Schmid, G.Musy

Duration: 8' 00"
Manuscript

Duration: 4' 00"
Manuscript

Instrumentation: for baitone and heckelphone

Texts: W.Heinze, R.Walser, H.Heine

Duration: 11' 00"
Manuscript

Instrumentation: for violin (viola) and ten instruments (1(pic).1(obda,ca).2(Ebcl,bthn).1/1.0.1.1/1perc/pf)

In the first and at the end of the fifth movement the solo violin switches to viola.

Duration: 21' 00"

CHF: 48.00

Instrumentation: for basset horn, viola and piano

Based on a thought by Robert Schumann. Virtuosic viola part.

Duration: 7' 00"
Manuscript

Instrumentation: for two clavichords

Duration: 10' 30"

CHF: 17.40

Duration: 5' 00"
Manuscript

Instrumentation: for guitar

Duration: 11' 00"

Instrumentation: for orchestra (1.1.1.1/1.1.0.0//perc/hp/str)

Duration: 11' 00"
Manuscript

Instrumentation: for (wood) flute and guitar

Also possible on the modern flute. Uses the 11th to 17th natural tones of the flute.

Duration: 6' 00"

Instrumentation: for oboe (oboe d'amore, English horn)

Duration: 6' 00"

CHF: 12.00

Instrumentation: for chamber orchestra (2.2.2.1.sx/1.1.1.1/2perc/hp.2pf/4.4.3.3.1)

Duration: 11' 00"
Manuscript

Instrumentation: for three clarinets

Duration: 4' 00"

CHF: 11.40

Instrumentation: for soprano, clarinet (also Ebcl, bcl), violoncello (also viola), piano (also clavichord) and DAT play-back

Texts: Fernando Pessoa

Eight scenes from the poems of Portuguese writer Fernando Pessoa (1888-1935). The Soprano sings and recites in Portuguese, German and French. Very demanding for all performers.

Duration: 48' 00"

CHF: 48.00

Instrumentation: for piano

For adults. Seven pieces with e-bow ad libitum.

Duration: 7' 00"

CHF: 15.00

Instrumentation: for male speaker, female speaker, clarinet, violoncello and clavichord

Texts: Fernando Pessoa

Duration: 15' 00"
Manuscript

Instrumentation: for oboe, bass clarinet, bassoon, horn and piano

Duration: 6' 00"

CHF: 22.20

Instrumentation: for piano

Duration: 3' 00"
Manuscript

Duration: 4' 00"

CHF: 9.00

Instrumentation: for fortepiano

Duration: 3' 00"
Manuscript

Instrumentation: for piano

Duration: 2' 00"

Instrumentation: for harpsichord

Duration: 3' 00"
Manuscript

Instrumentation: for flute and guitar

Duration: 11' 00"

CHF: 16.20

With viola (ad libitum) in the last movement.

Duration: 6' 00"

CHF: 13.80

Instrumentation: for clavichord and piano forte

Etude III [sic] (1996)

Duration: 1' 00"

CHF: 13.00

Instrumentation: for horn, trumpet, trombone and percussion

Duration: 5' 00"
Manuscript

Instrumentation: for violin and piano

Virtuosic, particularly for the violin. For a version with string orchestra and percussion (violin voice unaltered) see Capriccio II.

Duration: 7' 00"
Manuscript

Instrumentation: for flute (alto flute), clarinet in A (bass clarinet), horn, violin, viola and violoncello

Intensive chamber music, demanding for all players. Scordatura strings in the third movement.

Duration: 12' 00"
Manuscript

Both guitars in scordatura.

Duration: 8' 00"

Instrumentation: for violin solo, 1 percussionist and strings

Duration: 7' 00"
Manuscript

Instrumentation: for hammerclavier, violin, violoncello (old mensural notation)

Three concentrated movements for 'old' instruments.

Duration: 7' 00"

CHF: 19.20

Instrumentation: for two cellos

Duration: 3' 00"

CHF: 11.40

Instrumentation: for piano or pianoforte

Duration: 3' 00"
Manuscript

Instrumentation: for violin and organ

Duration: 5' 00"

CHF: 18.00

Instrumentation: for wind quintet

Duration: 9' 00"
Manuscript

Instrumentation: for lute and harpsichord

Duration: 7' 00"

Instrumentation: for clarinet, mandolin, guitar and string trio

Duration: 4' 00"
Manuscript

Instrumentation: for flute, violin, viola, violoncello, guitar, piano and percussion

Duration: 1' 00"
Manuscript

Instrumentation: for piano

Duration: 5' 00"
Manuscript

Instrumentation: for viola

Duration: 4' 00"
Manuscript

Instrumentation: for mezzo-soprano (vocalise) and liuto forte

Duration: 3' 00"

CHF: 12.00

Instrumentation: for 4-handed piano

Duration: 10' 00"

CHF: 22.20

Instrumentation: for six cellos (or more)

Suitable for a student ensemble.

Duration: 10' 00"
Manuscript

Instrumentation: for flute (piccolo) and piano

Duration: 6' 00"
Manuscript

Instrumentation: for clarinet, pianoforte, viola and guitar

Duration: 7' 00"
Manuscript

Instrumentation: for four clarinets (Eb high, b, Eb deep, bass)

Duration: 4' 00"
Manuscript

Instrumentation: for (Baroque)violin and harpsichord (or piano)

Duration: 7' 00"

Instrumentation: for soprano

Duration: 8' 00"
Manuscript

Instrumentation: for harpsichord or grand piano

Duration: 4' 00"
Manuscript

Instrumentation: for clavichord

Duration: 3' 00"
Manuscript

Instrumentation: for 3 singers

Trio version of the solo.

Duration: 5' 00"
Manuscript

Instrumentation: for soprano/tenor, flute/alto flute, oboe/oboe d'amore, clarinet in A/E-flat, guitar, clavichord/celesta, violoncello, percussion(1)

Texts: Juan Gelman

Duration: 17' 00"
Manuscript

Instrumentation: for solo voice

Duration: 5' 00"
Manuscript

Musical reflection over a poem by Juan Gelman

Instrumentation: for flute/alto flute, bass clarinet, viola, guitar, percussion and electronic tape

Juan Gelman, born in 1930 the child of Ukranian-Jewish parents in Buenos Aires, fled in 1975 from the Argentinean military dictatorship via Rome to Mexico where he still lives today. His poetry is among my strongest impressions of South American literature. Gelman wrote the poem 'otras partes' in Rome in 1981. It commemorates the dead and the haunted of the military dictatorship during the seventies in Argentina and conceptualises a continued life for the escapees.
I did not want to simply musicalise Gelman's poem, which is why I left the voice of the poet to the poet himself in a reading from April 4, 2000 in Montevideo, where his voice sounds over a loud speaker. Three layers of music on the clavichord, the most reticent and vulnerable of all keyboard instruments, accompanies the voice: a continuous improvisation layer in eight different patterns (mostly generated directly on the chords of the instrument), strewn fragments and a "musicalisation" of the ten verses of the poem on the clavichord.
Cornelius Bohn produced the electronic tape for '¿oíste/corazón' in February and March 2006 at the electronic studio of the Basel Academy of Music.
For this purpose five instrumentalists play short, notated and improvised interjections each "reciting" the poem in their own way. Again there is a thread: my piece for wood flute and guitar from 1991/94 'Nulla dies'. During composition I feel less like a composer and more like carpet weaver. The most difficult task was to bring together the free-floating elements in a time based order within the immense room opened up by the poem. The calm voice of the poet is often in contrast to the restlessness of the instruments. I understand the heterogeneous whole as an attempt, in the sense of Gelman, to give a voice to those who are no longer able to speak.

Duration: 11' 00"
Manuscript

Instrumentation: for 3 female speakers/singers

Texts: Jean-Jacques Dünki

Duration: 3' 00"
Manuscript

Instrumentation: for 3 female speakers/singers, flute, oboe d'amore, bass clarinet, viola and percussion

Texts: Gebrüder Grimm

Duration: 14' 00"
Manuscript

Conte fantastique

Instrumentation: for 15 instruments (1.1.1.1/1.1.1.0/perc/pf/1.1.1.1.1) and recorded tape

"My composition for chamber ensemble with fifteen instrumentalists and recorded tape is a journey of sound through an imaginary Aegean sea. My fictional anti-hero brings back a single trunk containing poems by Baudelaire, Heine and Lord Byron from Kythera, immortalised in Watteaus' painting and known as the "Island of Love" since antiquity. Thus, in my "fantastic tale", the poetic word is as omnipresent as the sound of the waves and the wind, sometimes mumbled, other times clear and comprehensible as it emanates from the loudspeakers, but mostly it is integrated into the instrumental play. For the background I took a fine carpet woven out of recorded clavichord pieces and improvisations. This composition contains "constants" and "variables", that is to say aleatoric sound elements. The excerpts in this piece (rarely identifiable) pertain to earlier works by myself, however, they are also reverences to great influences. I would compare the whole piece to an archipelago of islands and islets. It was a commissioned piece for the "Amplitudes" festival in La Chaux-de-Fonds and celebrated its word premiere on May 9, 2007 by the Nouvel Ensemble Contemporain under the baton of Pierre-Alain Monot."

Duration: 24' 00"
Manuscript

Instrumentation: for clavichord

Duration: 4' 00"
Manuscript

Instrumentation: for piano

Duration: 3' 00"

CHF: 11.40

Instrumentation: for flute, viola d'amore, clavichord

Duration: 9' 00"
Manuscript

Instrumentation: for flute (430 Hz), clarinet (430 Hz), salterio (415 Hz), clavichord (415 Hz)

Duration: 4' 00"
Manuscript

Scenes

Instrumentation: for string quintet (2.2.1)

Duration: 19' 00"
Manuscript

Instrumentation: for oboe, clarinet, horn, viola, violoncello, double bass (piano, only pedal pressed)

Duration: 9' 00"
Manuscript

Instrumentation: for clavichord (pf)

Duration: 4' 00"
Manuscript

Instrumentation: for string quartet

Duration: 18' 00"

CHF: 25.20

Instrumentation: Fl in C, Alt-Flöte in G

Duration: 1' 30"
Manuscript