Siegmann Christian
(02. 03. 1957)Genre: Musique Classique
Biographie
* 02. 03. 1957.
Christian Siegmann was born in St Gallen, Switzerland. He works as a freelance conductor and composer.
Following his graduation as bassoonist from the conservatory in Zurich and the Motzarteum in Salzburg he studied conducting in Basel and Trossingen. The conducting of various orchestras and choirs constitutes his day-to-day musical work. Each year he devotes himself to particular professional projects with tours and concerts. He works as guest conductor with orchestras from Germany, Czech Republic, Rumania, Hungary and Slovakia.
He is founder and director of the Swiss Chamber Orchestra, a unification of the best Swiss instrumental soloists for his unique interpretations. He has received various awards and first prizes at international competition level. Numerous CD recordings and many and varied recordings for radio both nationally and internationally document his tireless efforts to premiere contemporary composers.
Christian Siegmann was born in St Gallen, Switzerland. He works as a freelance conductor and composer.
Following his graduation as bassoonist from the conservatory in Zurich and the Motzarteum in Salzburg he studied conducting in Basel and Trossingen. The conducting of various orchestras and choirs constitutes his day-to-day musical work. Each year he devotes himself to particular professional projects with tours and concerts. He works as guest conductor with orchestras from Germany, Czech Republic, Rumania, Hungary and Slovakia.
He is founder and director of the Swiss Chamber Orchestra, a unification of the best Swiss instrumental soloists for his unique interpretations. He has received various awards and first prizes at international competition level. Numerous CD recordings and many and varied recordings for radio both nationally and internationally document his tireless efforts to premiere contemporary composers.
Liste des oeuvres
Weihnachtslieder 96 (1996)
Instrumentation: für Sopran, Chor und Klavier
Texte: Dorothea Gilgen
Durée: 12' 00"
Manuscrit
Ohr am Boden (1999)
Instrumentation: für Sopran und Streichorchester
Texte: Gabriele Markus
Gedichtvertonungen nach Gabriele Markus.
Durée: 14' 00"
Manuscrit
Omnia ab uno (1999)
Instrumentation: für Orchester (2,2,2,2 - 4,2,1,0 - Pk - Str)
Durée: 29' 00"
Unser Peter (1999)
Instrumentation: für 2 Soprane, Blockflöte, Fagott und Orgel
Durée: 5' 00"
Manuscrit
Fan-Expo02-Fare (2001)
Instrumentation: für 12 Trompeten und 5 Schlagzeuger
Durée: 4' 00"
Manuscrit
Meditation und Aktion (2001)
Instrumentation: für Romantisches Orchester (Picc,2,2, Engl-Hn,2, B-Klar,2, Co-Fag - 4,3,3,1 - Schlgz(5), Hfe - Str)
Durée: 17' 00"
Manuscrit
Fan-Expo02-Fare (2001/2002)
2. Version
Instrumentation: für Kammerorchester (Picc,1,2,1,2 - 3,1,1,0 - Schlgz, Klav)
Durée: 4' 00"
Manuscrit
Instrumentation: für Kammerorchester (Picc,1,2,1,2 - 3,1,1,0 - Schlgz, Klav)
Durée: 4' 00"
Manuscrit
Lamentosa (2002)
Instrumentation: für Streichorchester
Durée: 3' 00"
Manuscrit
Wohin (2008)
Instrumentation: für Sopran, Bariton, Chor, Violone solo, 2 Schlagzeuger, Brassband und Orchester
Texte: Kerstin Krug
Durée: 15' 00"
Manuscrit
Dernière mise à jour: 2020-10-06 16:48:10