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JANUAR. "Imitation" (Aus dem Zyklus "Das Jahr in naiver Musik") (1976-1996)
'Imitation' Instrumentation: for one - four pianos or one piano and electronic tape
A very difficult, traditionally notated canon.
Duration: 5' 00"
Müller & Schade AG
FEBRUARY. "Transitions" (From the Cycle "The Year in Naive Music") (1976-1996)
'Transitions' Instrumentation: for piano and any melodic instrument (versions for S, A and T register)
Traditional notation, open play, intermediate level of difficulty.
Duration: 7' 00"
Müller & Schade AG
MARCH (From the Cycle "The Year in Naive Music") (1976-1996)
Instrumental music Instrumentation: for three guitars
A traditionally notated, open play, intermediate piece.
Duration: 11' 00"-15' 00"
Müller & Schade AG
APRIL. "Magma" (Aus dem Zyklus "Das Jahr in naiver Musik") (1976-1996)
'Magma' (from the cycle 'Das Jahr in naiver Musik). Instrumentation: for 18 free scored instruments and children's choir
In traditional and free notation. Play in open groups. Easy to intermediate level of difficulty.
Duration: 12' 00"
Müller & Schade AG
MAI. "Module Music" (Aus dem Zyklus "Das Jahr in naiver Musik") (1976-1996)
'Module Music' Instrumentation: for five free score instruments (SMzATB)
Unconventional notation, group improvisation, intermediate level of difficulty.
Duration: 6' 00"
Müller & Schade AG
JUNI. (Aus dem Zyklus "Das Jahr in naiver Musik") (1976-1996)
Music Instrumentation: for many instruments - ensemble with free score
Open play, traditionally notated, intermediate piece.
Duration: 10' 00"
Müller & Schade AG
JULI. "Jodel" (Aus dem Zyklus "Das Jahr in naiver Musik") (1976-1996)
'Jodel' Instrumentation: for violin and viola (or violin and violoncello)
Traditional notation. Difficult.
Duration: 3' 00"
Müller & Schade AG
AUGUST. "Eine musikalische Landschaft" (Aus dem Zyklus "Das Jahr in naiver Musik") (1976-1996)
A musical landscape Instrumentation: for four violins, three flutes, two sopranos, vibraphone, nail play, harmonium (or synthesizer)
Traditional notation, open play, easy to intermediate level of difficulty.
Duration: 10' 00"
Müller & Schade AG
SEPTEMBER. (Aus dem Zyklus "Das Jahr in naiver Musik") (1976-1996)
Instrumental music Instrumentation: for nine freely scored instruments
An unconventionally notated, open play, light to intermediate piece.
Duration: 9' 00"
Müller & Schade AG
OCTOBER. "Mourir" (From the Cycle "The Year in Naive Music") (1976-1996)
'Mourir' Instrumentation: for any number of freely scored instruments
Unconventional notation, easy to play, group improvisation.
Duration: 8' 00"-12' 00"
Müller & Schade AG
NOVEMBER. "Hymnus" (Aus dem Zyklus "Das Jahr in naiver Musik") (1976-1996)
'Hymnus' Instrumentation: for male choir, two clarinets, three horns (also trombones) and double-bass
Texts: Johann Wolfgang von Goethe, Jacob Michael Reinhold Lenz
Traditionally notated piece with an intermediate level difficulty.
Duration: 7' 00"
Müller & Schade AG
DEZEMBER. "Pax Aeterna" (Aus dem Zyklus "Das Jahr in naiver Musik") (1976-1996)
"Pax Aeterna" Instrumentation: a free score of 41 melodic instruments, two sopranos, children's choir, male choir, guitar choir and piano
Traditionally notated open play piece. Easy to intermediate level of difficulty.
Duration: 12' 00"
Müller & Schade AG
Zyklus "WEIHNACHTSMUSIK" (1988)
Instrumentation: for soli (soprano, tenor), mixed choir, children's choir, instrumental group: guitar choir, two oboes, two English horns, two bassoons, brass wind ensemble, solo orchestra (2fl.2cl/acn/str), amateur orchestra (str), three synthesizers and computer
Müller & Schade AG
Was hülfe es dem Menschen (Geistliche Chormotette aus der "Weihnachtsmusik") (1988)
Instrumentation: for four-part mixed choir
Duration: 3' 00"
Müller & Schade AG
Alles nun, was ihr wollt, dass euch die Leute tun (Geistliche Chormotette aus der "Weihnachtsmusik") (1988)
Instrumentation: for mixed choir, four-part or ad lib. eight-part in canon
Duration: 3' 00"
Müller & Schade AG
Selig sind, die reinen Herzens sind (Geistliche Chormotette aus der "Weihnachtsmusik") (1988)
Instrumentation: for three-part mixed choir, two flutes and two clarinets
Duration: 3' 00"
Müller & Schade AG
Schwingungen und Farben (Nr. 4 aus der "Weihnachtsmusik") (1988)
Instrumentation: for two flutes, two clarinets and a small string orchestra
New tonality.
Duration: 6' 00"
Müller & Schade AG
Akkorde für Blechbläser (Nr. 12 aus der "Weihnachtsmusik") (1988)
Number 12 from the 'Weihnachtsmusik' Instrumentation: for seven-part brass group
New tonality using the algorithmic composition technique.
Duration: 2' 00"
Müller & Schade AG
Bläsermusik 2 (Music for wind instruments 2) (1997)
Open arrangement.
A version for brass band is also available.
Duration: 2' 00"
Müller & Schade AG
Musique pour Christian (1997)
Concert Instrumentation: for two pianos (or digital pianos) and wind music (fanfare)
New tonality using the algorithmic composition technique.
Duration: 17' 00"
Müller & Schade AG
Piece for Orchestra No. 1 "... cielo azzurro ..." (1972-1974)
'... cielo azzurro ...' Instrumentation: 2(pic).2(ca)2(bcl).2(cbn)/2.2.2.0/timp.perc/hp/syn(org)/8.8.4.4.2)
Post serial compositional technique, overtone harmonies.
Duration: 12' 00"
Müller & Schade AG
Orchesterstück Nr. 2 "Danses" (1978-1979)
'Danses' Instrumentation: for orchestra (2(pic).2.2.2(cbn)/3.3.3.0/timp.perc/hp.syn(org)/str)
Quint harmonics using a post-serial composition technique.
Duration: 13' 00"
Müller & Schade AG
Piece for Orchestra No. 3 (1989)
Instrumentation: (2.2.2.2/2.2.2.0/timp.syn(org)/str)
A melody frees itself from the harmonic ground and turns back again taking many others with it. New tonality.
Duration: 14' 00"
Müller & Schade AG
Orchesterstück Nr. 4 "Sinfonie RA" (2001)
'Sinfonie RA' Instrumentation: for symphony orchestra (2.2.2.2.2sx/2.2.2.0/timp.2perc/org[=synth]/str) Duration: 12' 00" Manuscript
Orchesterstück Nr. 5 "Greina" (orchestral piece N° 5 "Greina") (2007)
Instrumentation: for orchestra (2.2.2.2/2.2.0.0/str) Duration: 13' 00" Manuscript
Piece for orchestra n°6 "Chant de la Vigne" (2008)
Instrumentation: for orchestra (2(pic).2.2.2/4.2.0.0/timp/str) or 2hn.2tbn
Duration: 12' 00"
Müller & Schade AG
COSMOS 4 (2013)
Orchestra piece N° 7 Instrumentation: for orchestra (2.1.2.1/0.2.2.0/elec. sound track/synth[=org]/str) Duration: 15' 00" Manuscript
Concertino für Violine und Streicher (1979-1981)
Instrumentation: for strings: small score: 3.3.2.3.1, large score: 8.6.4.3.2
Post modern.
Duration: 15' 00"
Müller & Schade AG
Piano Concerto (1982-1985)
Instrumentation: 2(pic).2(ca).2(bcl).2(cbn)/2.2.2.0/timp.2perc/syn(org)/str
Post modern, with three different stylistic levels.
Duration: 23' 00"
Müller & Schade AG
MANTRA avec violon fou (1987)
Instrumentation: for string orchestra (4.4.3.3.1(five stringed)) and violin solo
Sweet, heavenly passacaglia in which the crazy violin seems out of place. Amateurs can perform the orchestral part.
Duration: 23' 00"
Müller & Schade AG
Metamusik (1990)
Short concert Instrumentation: for strings and percussion (4.4.2.3.1)
New tonality using the algorithmic composition technique. There is a version for keyboard as a replacement for the orchestral passage.
Duration: 15' 00"
Müller & Schade AG
Five Miniatures and Reminiscences (1975)
Instrumentation: for wind quintet
A comparison of classical and post serial notation.
Duration: 6' 00"
Müller & Schade AG
Concerto grosso (1976)
Instrumentation: for soprano, tenor, flute, oboe, bassoon, two violins, viola, violoncello, double-bass and harpsichord
Aleotoric, improvisational.
Duration: 12' 00"
Müller & Schade AG
ATON (1981-1982)
Instrumentation: for four instruments (variable score) SATB, can also be realised as an octet
Open play music, repetitive.
Duration: 10' 00"-15' 00"
Müller & Schade AG
Glendalough (1985)
Open play music Instrumentation: for flute, violin, clarinet, violoncello, piano and percussion
Minimal music.
Duration: 12' 00"-15' 00"
Müller & Schade AG
Music for Guitar 1 (1988)
Instrumentation: for two guitars
New tonality arranged aleatorically.
No. 8 from 'Weihnachtsmusik'.
Duration: 9' 00"-11' 00"
Müller & Schade AG
Gitarrenmusik 2 (1989/1995)
Music Instrumentation: for two guitars
New tonality using the algorithmic composition technique.
Duration: 5' 00"
Müller & Schade AG
Gitarrenmusik 3 (1994)
Music Instrumentation: for two, three or four guitars (also with bass guitar and octave guitar)
Aleatoric.
Duration: 9' 00"-12' 00"
Müller & Schade AG
Gitarrenmusik 4 (2000)
Music Instrumentation: for one guitar
New tonality using the algorithmic composition technique.
Duration: 6' 00"
Müller & Schade AG
Gitarrenmusik 5 (2002)
Instrumentation: for one guitar
New tonality using the algorithmic composition technique. Can be used as an accompaniment to text readings.
Duration: 7' 00"
Müller & Schade AG
Guitar music 6 (2002)
Algorithmic modifications of the 'Emmentaler Hochzeitstanz'.
Duration: 7' 00"
Müller & Schade AG
Music for Piano 1 (1990)
New tonality in algorithmic composition technique. Very demanding.
Duration: 7' 00"
Müller & Schade AG
Music for Piano 2 (1990)
New tonality in algorithmic composition technique. Very demanding.
Duration: 10' 00"
Müller & Schade AG
Music for Piano 3 (1995)
New tonality in algorithmic composition technique. Difficult.
Duration: 6' 00"
Müller & Schade AG
Klaviermusik 4 (2000)
Algorithmic composition over B-A-C-H.
Duration: 3' 00"
Müller & Schade AG
Klaviermusik 5 (2001)
Duration: 5' 00"
Müller & Schade AG
Music for piano 6 (2002)
Invention Instrumentation: for 2 pianos
Duration: 6' 00"
Müller & Schade AG
Music for piano 7 (2002)
Duration: 3' 00"
Müller & Schade AG
Music for piano 8 "Die Glocken von Ligerz" (2004)
Instrumentation: for 2 pianos
Duration: 8' 00"
Müller & Schade AG
Music for paino 9 "Greina" (2004)
Instrumentation: for 2 pianos
Duration: 6' 00"
Müller & Schade AG
Music for piano 10 (2006)
Duration: 4' 00"
Müller & Schade AG
Two miniatures "Fremde Töne in vertrauten Klängen" (2008)
Instrumentation: for piano
Duration: 3' 00"
Müller & Schade AG
Spielmusik für Blockflöten (1990)
Instrumentation: for a minimum of three recorders or a recorder ensemble
New tonality, aleatoric.
Duration: 6' 00"
Müller & Schade AG
Solfeggio (1990)
Instrumentation: for three-part female choir with computer controlled synthesizer (electronic can be play-back))
New tonality using the algorithmic composition technique.
Duration: 8' 00"
Müller & Schade AG
Verwandlungen (1991)
Music Instrumentation: for flute, oboe, horn, soprano, synthesizer and double-bass
New tonality using the algorithmic composition technique.
Duration: 12' 00"
Müller & Schade AG
Cosmos 1 (1991)
Open play music Instrumentation: for violin, violoncello, and piano with interactive computer programme
Minimal music.
Duration: 14' 00"
Müller & Schade AG
Cosmos 2 (1991)
Music Instrumentation: for two trumpets and two trombones with computer controlled synthesizer (electronic possible as play-back)
Duration: 8' 00"
Müller & Schade AG
Cosmos 3 (1992)
interactive computer programme to allow improvisation on a melody instrument with MIDI-converter or on a synthesizer Duration: 8' 00"-10' 00"
Müller & Schade AG
Kanon (1993)
Instrumentation: for instrumental ensemble or orchestra in free score
Parts SAB with a minimum of three groups of three instruments. This piece uses new tonality and can be performed by amateurs.
Duration: 10' 00"
Müller & Schade AG
Music for Flute and Keyboard Instrument (1994)
New tonality using the algorithmic composition technique.
Duration: 5' 00"
Müller & Schade AG
Quartett für Gabriel (1994)
Music Instrumentation: for two transverse flutes, viola and violoncello
New tonality, aleatoric.
Duration: 8' 00"-10' 00"
Müller & Schade AG
Dorischer Gesang (1996)
Instrumentation: for baritone, violoncello (or viola or horn) and piano, the vocal and string parts can be chorally set).
Church mode using the algorithmic composition technique.
Duration: 9' 00"
Müller & Schade AG
Phrygischer Gesang (2001)
Music Instrumentation: for Soprano, violoncello and piano
Church mode using the algorithmic composition technique.
Duration: 7' 00"
Müller & Schade AG
Lydischer Gesang (1999)
Instrumentation: for female voice (high or middle register), violin or viola and piano
The vocal and string parts can be set chorally. Church tone-like in algorithmic compositions technique.
Duration: 5' 00"
Müller & Schade AG
Musik für Viola (2001)
New tonality using the algorithmic composition technique.
Duration: 5' 00"
Müller & Schade AG
HipHop für Bläser (2000)
Music Instrumentation: for small wind ensemble
New tonality using the algorithmic composition technique.
Duration: 5' 00"
Müller & Schade AG
Sibirische Träume Nr. 1 (2001)
Instrumentation: for flute and clarinet
Variations on the folk song 'Napilassia ia piana'.
Duration: 4' 00"
Müller & Schade AG
Sibirische Träume Nr. 2 (2001)
Instrumentation: for flute, violin and guitar
Paraphrases on the melody 'B tchistom Nebe' by Evgenji Dmitrievitch Kuznetsov.
Duration: 5' 00"
Müller & Schade AG
ANAGRAMM (2002)
Instrumentation: for melody and keyboard instrument
Duration: 3' 00"
Müller & Schade AG
Concert for folk-music instruments and small orchestra (1985/2003)
Instrumentation: for folk-music band or dulcimer and orchestra (2.2.2.1/0.0.0.0/synth or org/str/perc ad lib)
Popular concert piece. Can be performed by amateurs.
Duration: 15' 00"
Müller & Schade AG
Alpine Klänge (2003)
Instrumentation: for 4 horns Duration: 5' 00" Manuscript
Septet (2002)
Instrumentation: for flute, clarinet, bassoon, piano, violin, viola and violoncello
Duration: 11' 00"
Müller & Schade AG
Glasfarbenmusik (2003)
Chamber music Instrumentation: for soprano, viola, organ (manuals)
Duration: 7' 00"
Müller & Schade AG
Musique pour Delémont (2003)
Music for music schools Instrumentation: for orchestra with variable instrumentation (2-4gtr, mar, 2-4pf/keyboard, bfl, 2tpt, tbn/euph synth/org, mel-instr high, mel-instr medium, mel-instr deep, db) and choir (SATB)
Duration: 13' 00"
Müller & Schade AG
Music for oboe, clarinet, bassoon and organ "Greina" (2004)
Chamber music Duration: 7' 00"
Müller & Schade AG
Music for five instruments "Lichtes Wasser" (2004)
Chamber music Instrumentation: for flute, violin, viola and 2 guitars
Duration: 10' 00"
Müller & Schade AG
Etincelles / Funken (2005)
Instrumentation: for piano and percussion (1 player)
Duration: 6' 00"
Müller & Schade AG
Music for guitar and harp (2006)
Duration: 6' 00"
Müller & Schade AG
Music for viola d'amore) (2006)
Duration: 8' 00"
Müller & Schade AG
Music for accordion "Emigration" (2007)
Duration: 6' 00"
Müller & Schade AG
Burleske (2008)
Instrumentation: for four bassoons
Duration: 4' 00"
Müller & Schade AG
Mosaik (2009)
Instrumentation: for flute, clarinet, crotales, piano, violine, violoncello and soundtrack Duration: 1' 00" Manuscript
Pulsations (2009)
Instrumentation: for soprano sax, trumpet, violoncello and percussion Duration: 5' 00" Manuscript
Vanessas Farbenspiel (2010)
Instrumentation: for flute (afl), violine, viola and violoncello Duration: 4' 00" Manuscript
Sommersinfonie (Symphonie d'Été) (1959/2011)
Instrumentation: for chamber orchestra (1.1.2.1/1.1.1.0/pf/str) Duration: 16' 00" Manuscript
Alfred Schweizer - Piano Music (classic 2000 Nr. C2/14, 2009)
Works: Schweizer, Alfred :
Klaviermusik 1 (1990)
Schweizer, Alfred :
Klaviermusik 2 (1990)
Schweizer, Alfred :
Klaviermusik 3 (1995)
Schweizer, Alfred :
Klaviermusik 4 (2000)
Schweizer, Alfred :
Klaviermusik 5 (2001)
Schweizer, Alfred :
Klaviermusik 6 (2002)
Schweizer, Alfred :
Klaviermusik 7 (2002)
Schweizer, Alfred :
Klaviermusik 8 "Die Glocken von Ligerz" (2004)
Schweizer, Alfred :
Klaviermusik 9 "Greina" (2004)
Schweizer, Alfred :
Klaviermusik 10 (2006)
Festival L'art pour l'Aar. Die Konzerte 2008/2009 (Müller & Schade Nr. 5071/2, 2009)
Interpreters: Bovey, Pierre-André Works: Henking, Christian :
3 Bagatellen für 3 Englischhörner (1999)
Darbellay, Jean-Luc :
Aulos (2000)
Holliger, Heinz :
KLAUS-UR (2001-2002)
Frischknecht, Hans Eugen :
FanSolSi (2002)
Wohlhauser, René :
Streichtrio (2007)
Keller, Max E. :
Cinque (2008)
Schweizer, Alfred :
Burleske (2008)
Frauchiger, Katrin :
"Estos dias azules" (2008)
Frischknecht, Hans Eugen :
D Bewegig - Schmärz (2008)
Darbellay, Jean-Luc :
Vif (2008)
Frischknecht, Hans Eugen :
Quartett (2009)
With more works of: Gabrielle Brunner, Stefan Werren, Anastasiya Lozova, Theo Hirsbrunner, Daniel Andres, Pierre-André Bovey, Christian Giger, Markus Hofer, Ursula Gut
Festival L'art pour l'Aar. Die Konzerte. 2006 / 2007 (Müller und Schade Nr. 5050/2, 2007)
Interpreters: Frischknecht, Hans Eugen Monot, Pierre-Alain Nouvel Ensemble Contemporain NEC Works: Furer, Arthur :
Sechs geistliche Lieder (1963-1964)
Henking, Christian :
Ich bin so müde von Seufzen (2001)
Frischknecht, Hans Eugen :
4 Stücke (2001)
Schweizer, Alfred :
Gitarrenmusik 5 (2002)
Frauchiger, Katrin :
Lontano (2003-2004)
Darbellay, Jean-Luc :
Postojna (2004)
Frischknecht, Hans Eugen :
4 Bilder (2005)
Darbellay, Jean-Luc :
Alize (2006)
Gut, Ursula :
ricercare (2006)
Darbellay, Jean-Luc :
Tschara (2007)
Schweizer, Alfred :
Orchesterstück Nr. 5 "Greina" (2007)
With more works of: Hans Studer, Pierre-André Bovey, Gerhard Holzer, Olivia Schweingruber, Raphael Gogniat, Alain Corbellari, Daniel Andres, Christian Giger, Daniel Glaus, Willy Merz