Instrumentation: (2(pic).2(ca).2(bcl).2/2.2.0.0/pf/8.6.4.4.3)

A single-movement work in which the extensively divided strings create a mass effect.

Duration: 15' 00"

CHF: 53.30

Instrumentation: for two pianos

This piece makes good use of silence and rests as well as resonance enhanced by use of the third pedal. The notation is partly aleatoric, partly metric. The playing techniques are traditional.

Duration: 5' 00"

CHF: 14.00

Instrumentation: for violin, viola, violoncello and piano

A single-movement work, originally belonging to a triptych for piano quartet titled '3 Essays'. With the exception of one passage where the piano part is independent of the strings, the notation and playing techniques are traditional.

Duration: 6' 00"

Instrumentation: for violin, viola, violoncello and piano

A suite consisting of ten extremely short pieces. The traditional writing utilises various organ points to signal expectation. Frequent bar changes. Traditional playing techniques.

Duration: 10' 00"

CHF: 18.60

Instrumentation: for violin, violoncello and piano

Each of the three acts presents a different combination of the three instruments. The first act is metrically notated and is to be played in very strict time. In the second, the string parts are metrically independent of the piano. In the third, all instruments play independently of each other; metrically notated, the violin acts as leader, and the others follow. Traditional playing techniques and occasional use of quarter-tones.

Duration: 16' 00"

CHF: 24.60

Instrumentation: for string quartet

This string quartet is based around five pieces, each taking a verse from one of Rilke's 'Orpheus Sonnets': 'Animal from the stillness...', 'And slept inside me', 'Forlorn she therefore speaks...', 'The sleep of the world...', and 'But for the air, but for the heavens...'. The first piece uses almost exclusively the lowest open strings of each instrument. The last piece is played extremely slowly. Traditional notation and playing techniques.

Duration: 20' 00"

Instrumentation: for violin and symphony orchestra (3(2 pic).3(ca).3(bcl).3(cbn)/4.3.3.1/3perc/hp.pf/10.8.6.5.4)

A work in three movements, written for the Tibor Varga Competition in 1996. Notation is traditional. The soloist's part contains a few cadenzas, which are written without bar lines.

Duration: 20' 00"

CHF: 44.70

Instrumentation: for four-handed piano

Here, all six variations are based on an original theme. In traditional notation and relatively easy to perform.

Duration: 7' 00"

CHF: 13.80

Instrumentation: for vocals (soprano) and piano

Texts: Pablo Neruda

Duration: 15' 00"

CHF: 18.60

Instrumentation: for soprano solo

To the poems of Adonis.

Duration: 8' 00"

CHF: 15.00

Instrumentation: for vocals (B) piano and violoncello

Texts: Giovanni Pascoli

Duration: 5' 00"

CHF: 12.60

Instrumentation: for voice (baritone or mezzo-soprano) and piano

Texts: Stéphane Mallarmé

Duration: 5' 00"

CHF: 13.20

Instrumentation: for string quintet or string orchestra

'Hommage à L.v.B.' is a didactical work based on the final part of Beethoven's third symphony. It is aimed at conductors who wish to make technical progress and master most of the difficulties inherent in a performance of the classical work.

Duration: 7' 00"

CHF: 14.40

Instrumentation: for choir, soloists (Soprano, Baritone) and orchestra (0.0.2.2/0.2.0.0/str)

Texts: William Shakespeare

Based the sonnet 154 by William Shakespeare.

Duration: 8' 00"

CHF: 17.40

Instrumentation: for guitar

Duration: 8' 00"

CHF: 13.20

Instrumentation: for tenor and guitar

Texts: Pablo Neruda

Duration: 4' 00"

CHF: 11.40

Instrumentation: for wind quintet and string quartet

Duration: 11' 00"

CHF: 21.60

Instrumentation: for marimba and string orchestra

Duration: 7' 00"

CHF: 18.00

Instrumentation: for oboe, clarinet, violin and double bass

Composition by Eric Gaudibert / Nicolas Bolens.
This work is written by two hands, by two different composers who experimented in equally sharing the single instruments: the oboe and double-bass on the one hand side and the violin and the clarinet on the other.
The precisely written violin is the conducting element and the three other instruments are grouped accurately around it. A description of the tempi allows easy playing. This piece has a medium level of difficulty.

Duration: 7' 30"

CHF: 14.40

7 Pictures

Instrumentation: for choir, piano and percussion

Traditional Spanish texts.

Duration: 50' 00"
Manuscript

Instrumentation: for three female voices (or female choir) and piano

After a Sephardi song. Extracted from "Terres".

Duration: 5' 00"

CHF: 12.60

Instrumentation: for violin solo

Duration: 8' 00"
Manuscript

Instrumentation: for violin solo

Duration: 8' 00"

CHF: 13.80

Instrumentation: for mixed a-cappella choir

Texts: Robert Rudin

Duration: 5' 00"
Manuscript

Instrumentation: for mixed a-cappella choir

Texts: Rainer Maria Rilke

To a sonnet with the title "Sonette an Orpheus".

Duration: 7' 00"

CHF: 12.00

Musical theatre

Instrumentation: for baritone, piano, percussion, violin and double-bass

Texts: Pierre-André Gamba

Duration: 29' 00"
Manuscript

Instrumentation: for string sextet

Duration: 16' 00"
Manuscript

Instrumentation: for saxophone, trombone, accordion, piano and percussion

Duration: 8' 00"

CHF: 22.20

Instrumentation: for string quartet and piano

Duration: 10' 00"
Manuscript

Instrumentation: for two Baroque violins, bass viola and harpsichord

Commissioned by the ensemble Les Nièces de Rameau.

Duration: 12' 00"
Manuscript

Suite

Instrumentation: for 2 Baroque violins, bass viola and harpsichord

Duration: 9' 00"

CHF: 30.60

Instrumentation: for vocal quartet

Texts: Henri Michaux, Paul Eluard, Catherine Fuchs

Commissioned by the vocal ensemble Canticum.

Duration: 10' 00"
Manuscript

Instrumentation: for female choir, children's choir and flute

Commissioned by the vocal ensemble Polhymnia.

Duration: 14' 00"
Manuscript

Commissioned by the Concours de Genève.

Instrumentation: for three saxophones

Commissioned by Laurent Estoppey.

Duration: 7' 00"
Manuscript

Instrumentation: for four solo voices (SMezTB)

Texts: Henri Michaux, Paul Eluard, Catherine Fuchs

Composition integrating some profane pieces by Orlande de Lassus.

Duration: 10' 00"

Instrumentation: for 8 solo voices (2S2A2T2B)

After "Un coup de Dés…" by Stéphane Mallarmé.

Duration: 18' 00"

CHF: 53.40

Instrumentation: for mixed a-cappella choir (SATB)

Texts: Dante Alighieri

To an extract from the Divine Comedy.

Duration: 9' 00"

CHF: 16.80

Instrumentation: for soprano, piccolo, clarinet, percussion, piano, violin and violoncello

Texts: Miguel de Cervantes

Duration: 4' 00"
Manuscript

Instrumentation: for six female voices (2 sopranos, 2 mezzo-sopranos, 2 altos) and percussion instruments (6 Chinese blocks played by the singers, 7 terracotta bells or high-sounding gongs (one player))

Words deriving from the spoken language of the Lisu, a Tibetan-Burmese population.

Duration: 7' 00"

CHF: 22.20

Instrumentation: for soprano and harp

Popular text taken from a Sardinian lullaby.

Duration: 6' 00"

CHF: 12.00

Instrumentation: for alto solo and string orchestra

Duration: 18' 00"

CHF: 37.80

Instrumentation: for multi-percussion and real-time electronics

Percussion: 3 wood blocks, 5 temple blocks, 2 log drums, 2 bongos, 4 toms, 1 bass drum, 5 suspended cymbals / 1 performer
Electronics: A series of numbered events determine the modifications of the electronic processing. The events can be activated by the percussionist (via pedal or midi) or by a sound technician.
Equipment: 7 wireless micros, 8 loudspeakers arranged throughout the audience, 1 macintosh computer with Max MSP 5 software installed, 1 sound card with 8 line-in and 8 line-out.

Duration: 11' 00"

CHF: 27.60

Instrumentation: for ensemble (ob, cl, sx, 3 perc, 3vn)

Duration: 13' 00"
Manuscript