Meier Hermann
(29. 05. 1906 - 19. 08. 2002)
Genre: Classical Music
Biography
* 29. 05. 1906, † 19. 08. 2002.
As a composer, Hermann Meier can in no wise be regarded as representative of his own generation, but is rather to be classed with those composers who were some twenty years younger (such as Boulez and Stockhausen). Meier uniquely turned away from the compositional methods and fashions of his contemporaries, to participate instead – albeit unrecognised – in the renewal of European art music. He is thus by far the oldest representative of the post-War avant-garde. He early on explored serial and pointillist techniques, and from 1949 onwards worked on a serial theory of his own. Already in the 1950s he was composing his first cluster works, and in the 1970s turned to noise composition and electronic music. Over several decades in the seclusion of his home in the Schwarzbubenland region of Switzerland, he produced an oeuvre that is quite staggeringly innovative and without parallel. It includes a large collection of graphic process diagrams that Meier used from 1955 onwards to visualise and concretise his musical compositions.
Despite the quality of his oeuvre, and despite isolated endeavours to get it better known, Meier's music remained unheard for a long time. By the time he reached his 70th year, Hermann Meier had experienced just three performances of his music. It was only from the mid-1980s onwards that his works began to emerge out of the shadows. In this regard, particular credit must go to Urs Peter Schneider and his Ensemble Neue Horizonte Bern, and the pianist Dominik Blum, a former student of Schneider's. Blum recorded the first CD to feature piano works by Meier, which was released during the composer's lifetime. However, it was only in 2010 that the basel sinfonietta first performed two of his 27 (!) pieces for orchestra.
In 2009, Meier's archives were acquired by the Paul Sacher Foundation, and this fact has played a crucial role in getting greater recognition for Meier's oeuvre. Since then, further works have been performed on a regular basis, the highpoint up to now being the world première of his Piece for Large Orchestra and Piano, HMV 62, at the 2018 Donaueschingen Music Days. Meier has also increasingly become the focus of musicological attention. In 2017, the richly illustrated book Mondrian-Musik was published by Chronos Verlag in Zurich, which is an initial effort to document Meier's oeuvre. It features twelve chapters devoted to his works and their context, along with a time chart, a work catalogue and an inventory of his archives.
aart verlag has set itself the objective of publishing Hermann Meier's complete works in facsimile, thereby enabling the music world to gain access to one of the most astonishing musical visionaries of the 20th century.
Marc Kilchenmann
As a composer, Hermann Meier can in no wise be regarded as representative of his own generation, but is rather to be classed with those composers who were some twenty years younger (such as Boulez and Stockhausen). Meier uniquely turned away from the compositional methods and fashions of his contemporaries, to participate instead – albeit unrecognised – in the renewal of European art music. He is thus by far the oldest representative of the post-War avant-garde. He early on explored serial and pointillist techniques, and from 1949 onwards worked on a serial theory of his own. Already in the 1950s he was composing his first cluster works, and in the 1970s turned to noise composition and electronic music. Over several decades in the seclusion of his home in the Schwarzbubenland region of Switzerland, he produced an oeuvre that is quite staggeringly innovative and without parallel. It includes a large collection of graphic process diagrams that Meier used from 1955 onwards to visualise and concretise his musical compositions.
Despite the quality of his oeuvre, and despite isolated endeavours to get it better known, Meier's music remained unheard for a long time. By the time he reached his 70th year, Hermann Meier had experienced just three performances of his music. It was only from the mid-1980s onwards that his works began to emerge out of the shadows. In this regard, particular credit must go to Urs Peter Schneider and his Ensemble Neue Horizonte Bern, and the pianist Dominik Blum, a former student of Schneider's. Blum recorded the first CD to feature piano works by Meier, which was released during the composer's lifetime. However, it was only in 2010 that the basel sinfonietta first performed two of his 27 (!) pieces for orchestra.
In 2009, Meier's archives were acquired by the Paul Sacher Foundation, and this fact has played a crucial role in getting greater recognition for Meier's oeuvre. Since then, further works have been performed on a regular basis, the highpoint up to now being the world première of his Piece for Large Orchestra and Piano, HMV 62, at the 2018 Donaueschingen Music Days. Meier has also increasingly become the focus of musicological attention. In 2017, the richly illustrated book Mondrian-Musik was published by Chronos Verlag in Zurich, which is an initial effort to document Meier's oeuvre. It features twelve chapters devoted to his works and their context, along with a time chart, a work catalogue and an inventory of his archives.
aart verlag has set itself the objective of publishing Hermann Meier's complete works in facsimile, thereby enabling the music world to gain access to one of the most astonishing musical visionaries of the 20th century.
Marc Kilchenmann
Work list
Klavierstück (HMV 3) (1937)
Marcia – Intermezzo – Scherzo
Instrumentation: for piano
Duration: ca. 20'
Instrumentation: for piano
Duration: ca. 20'
aart verlag
Klavierstück (HMV 4) (1937)
Allegro con fuoco – Andante – Molto Vivace – Adagio
Instrumentation: for piano
Duration: ca. 12'
Instrumentation: for piano
Duration: ca. 12'
aart verlag
Variationen und Fuge für Klavier (HMV 6) (1940)
Instrumentation: for piano
Duration: ca. 7'
aart verlag
Sonatine für Klavier (HMV 7) (1940)
Instrumentation: for piano
Duration: ca. 7'
aart verlag
Präludium für Klavier (HMV 8) (1942)
Passacaglia
Instrumentation: for piano
Duration: ca. 5'
Instrumentation: for piano
Duration: ca. 5'
aart verlag
Klavierstück (HMV 9) (1945)
Adagio – Allegro non troppo – Allegro molto
Instrumentation: for piano
Duration: ca. 3'
Instrumentation: for piano
Duration: ca. 3'
aart verlag
Klavierstück Losone (HMV 10) (1945)
Instrumentation: for piano
Duration: ca. 3'
aart verlag
Sechs Klavierstücke (HMV 13) (1946)
Instrumentation: for piano
Duration: ca. 33'
aart verlag
Klavierstück (HMV 16) (1947)
Instrumentation: for piano
Duration: ca. 9'
aart verlag
Sonate für Klavier (HMV 24) (1948-1949)
Instrumentation: for piano
Duration: ca. 25'
aart verlag
Klaviervariationen für Hermann Gattiker (HMV 27) (1951-1952)
Instrumentation: for piano
Duration: ca. 17'
aart verlag
Zwei Klavierstücke für Lilo Mathys (HMV 36) (1955-1956)
Instrumentation: for piano
Duration: ca. 27'
aart verlag
Klavierstück (HMV 37) (1956)
Instrumentation: for piano
Duration: ca. 13'
aart verlag
Klavierstück (HMV 39) (1957)
Instrumentation: for piano
Duration: ca. 12'
aart verlag
Klavierstück (HMV 40) (1957)
Instrumentation: for piano
Duration: ca. 9'
aart verlag
Kleine Elegie für Klavier für Gaby Stebler (HMV 69) (1968)
Instrumentation: for piano
Duration: ca. 1'
aart verlag
Klavierstück für Charles Dobler (HMV 70) (1968)
Instrumentation: for piano
Duration: 13' 00"
aart verlag
Klavierstück für Urs Peter Schneider (HMV 99) (1987)
Instrumentation: for piano
Duration: ca. 13'
aart verlag
Stück für zwei Klaviere (HMV 44) (1958)
Instrumentation: for 2 pianos
Duration: ca. 25'
aart verlag
Dreizehn Stücke für zwei Klaviere (HMV 45) (1959)
Instrumentation: for 2 pianos
Duration: ca. 40'
aart verlag
Komposition für zwei Klaviere (HMV 46) (1959)
Instrumentation: for 2 pianos
Duration: 18' 00"-19' 00"
aart verlag
Stück für zwei Klaviere (HMV 47) (1959)
Instrumentation: for 2 pianos
Duration: ca. 18'
aart verlag
Stück für Klavier vierhändig (HMV 51) (1960)
Instrumentation: for 4-handed piano
Duration: 10' 00"
aart verlag
Stück für zwei Klaviere für Paul Baumgartner (HMV 58) (1963)
Instrumentation: for 2 pianos
Duration: 18' 00"-19' 00"
aart verlag
Stück für zwei Klaviere (HMV 59) (1963)
Instrumentation: for 2 pianos
Duration: ca. 13'
aart verlag
Stück für zwei Klaviere oder Klavier vierhändig (HMV 61) (1964-1965)
Instrumentation: for 2 pianos or 4-handed piano
Duration: ca. 11'
aart verlag
Stück für zwei Klaviere für Helena Stebler (HMV 63) (1965)
Instrumentation: for 2 pianos
Duration: ca. 10'
aart verlag
Stück für zwei Klaviere (HMV 64) (1965)
Grafische Partitur
Instrumentation: for 2 pianos
Instrumentation: for 2 pianos
aart verlag
Stück für zwei Klaviere (HMV 94) (1983-1984)
Instrumentation: for 2 pianos
Duration: 9' 00"
aart verlag
Stück für drei Klaviere vierhändig (HMV 67) (1967)
Instrumentation: for 3 pianos each 4-handed
Duration: ca. 8'
aart verlag
Stück für Klavier, Cembalo und elektrische Orgel (HMV 72) (1968-1969)
Instrumentation: for piano, cembalo and electronic organ
Duration: ca. 10'
aart verlag
Stück für zwei Klaviere, zwei elektrische Orgeln und zwei Cembali (HMV 73) (1969)
Instrumentation: for 2 pianos, 2 electronic organs and 2 cembalos
Duration: ca. 17'
aart verlag
Sechs Stücke für Tasteninstrumente (HMV 74) (1970)
Instrumentation: für Tasteninstrumente
aart verlag
Klangflächengefüge oder Wandmusik für Hans Oesch (HMV 75) (1970-1971)
Instrumentation: Stück für zwei Klaviere (I vierhändig), zwei Cembali und elektrische Orgel
Duration: ca. 27'
aart verlag
Stück für zwei Klaviere, zwei elektrische Orgeln und zwei Cembali je vierhändig (HMV 76) (1971-1972)
Instrumentation: für zwei Klaviere, zwei elektrische Orgeln und zwei Cembali je vierhändig
Duration: ca. 20'
aart verlag
Stück für zwei Klaviere, zwei Cembali und zwei elektrische Orgeln (HMV 77) (1973)
Instrumentation: for 2 pianos, 2 electronic organs and 2 cembalos
aart verlag
Stück für zwei Klaviere, zwei Cembali und zwei elektrische Orgeln (HMV 78) (1973)
Instrumentation: for 2 pianos, 2 electronic organs and 2 cembalos
aart verlag
Stück für drei Klaviere (HMV 95) (1984)
Instrumentation: for 3 pianos
Duration: ca. 12'
aart verlag
Elektronische Studie für drei Klaviere (HMV 96) (1984)
Instrumentation: for 3 pianos
Duration: ca. 12'
aart verlag
Grosse Wand ohne Bilder für Klavier, Cembalo und elektrische Orgel je vierhändig (HMV 100) (1988-1989)
Instrumentation: for piano, electric organ and harpsichord (each 4-handed)
Duration: ca. 15'
aart verlag
Stück für zwei Violinen (HMV 1) (1935)
Instrumentation: for 2 violins
aart verlag
Stück für Violine solo (HMV 2) (1935)
Instrumentation: for violin solo
aart verlag
Streichtrio (HMV 5) (1939)
Instrumentation: for strin trio
aart verlag
Streichquartett Nr. 1 (HMV 12) (1945-1946)
Instrumentation: for string quartet
aart verlag
Drei Stücke für Violine und Klavier (HMV 15) (1946)
Instrumentation: for violin and piano
Duration: ca. 20'
aart verlag
Klavierquartett (HMV 17) (1947)
Instrumentation: for piano quartet
Duration: ca. 22'
aart verlag
Streichquartett Nr. 2 (HMV 18) (1947)
Instrumentation: for string quartet
Duration: ca. 18'
aart verlag
Vier Kanons für drei Streicher (HMV 19) (1947)
Instrumentation: for 3 strings
aart verlag
Invention für Violine solo (HMV 20) (1947)
Instrumentation: for violin solo
aart verlag
Trio für Flöte, Klarinette und Fagott (HMV 11) (1945-1946)
Instrumentation: for flute, clarinet and bassoon
aart verlag
Trio für Flöte, Oboe und Klarinette (HMV 22) (1948)
Instrumentation: for flute, oboe and clarinet
Duration: ca. 10'
aart verlag
Stück für vier Posaunen (HMV 29) (1952)
Instrumentation: for 4 trombones
Duration: ca. 20'
aart verlag
Quintett für Piccolo, Oboe, Horn, Bassklarinette und Kontrafagott (HMV 101) (1989)
Instrumentation: für Piccolo, Oboe, Horn, Bassklarinette und Kontrafagott
Duration: 9' 00"
aart verlag
Stück für zwei Klaviere vierhändig und Schlagzeug (HMV 57) (1963)
Instrumentation: for 2 pianos (4-handed) and percussion
Duration: ca. 19'
aart verlag
Sieben Lieder für Singstimme und Klavier (HMV 14) (1946)
Instrumentation: for voice and piano
Duration: ca. 20'
aart verlag
Drei Lieder für Singstimme und Klavier (HMV 33) (1946/1955)
Instrumentation: for voice and piano
Duration: ca. 8'
aart verlag
Blaue Stunde für Singstimme und Klavier (HMV 28) (1952)
Instrumentation: for voice and piano
Duration: ca. 12'
aart verlag
Sinfonie Nr. 1 (HMV 21) (1948)
[2 2 2 2 - 4 2 1 0 - Pauke - Streicher]
Instrumentation: for orchestra
Duration: ca. 35'
Instrumentation: for orchestra
Duration: ca. 35'
aart verlag
Sinfonie Nr. 2 (HMV 23) (1948-1949)
[3 2 2 2 - 3 2 2 1 - Pauke - Streicher]
Instrumentation: for orchestra
Instrumentation: for orchestra
aart verlag
Orchesterstück Nr. 1 (HMV 25) (1950)
[3 2 2 2 - 4 2 3 1 - Pauke - Streicher]
Instrumentation: for orchestra
Duration: ca. 15'
Instrumentation: for orchestra
Duration: ca. 15'
aart verlag
Orchesterstück Nr. 2 (HMV 26) (1951)
[2 2 2 2 - 3 2 3 1 - Pauke - Streicher]
Instrumentation: for orchestra
Duration: ca. 15'
Instrumentation: for orchestra
Duration: ca. 15'
aart verlag
Orchesterstück Nr. 3 (HMV 30) (1952-1953)
[2 2 2 2 - 2 2 2 1 - Pauke - Streicher]
Instrumentation: for orchestra
Duration: ca. 21'
Instrumentation: for orchestra
Duration: ca. 21'
aart verlag
Orchesterstück Hommage à Hans Arp (HMV 31) (1953)
[2 2 2 2 - 2 2 2 1 - Pauke - Streicher]
Instrumentation: for orchestra
Duration: ca. 21'
Instrumentation: for orchestra
Duration: ca. 21'
aart verlag
Orchesterstück (HMV 32) (1954)
[2 2 2 2 - 2 2 2 1 - Pauke, gr. Trommel - Streicher]
Instrumentation: for orchestra
Duration: ca. 22'
Instrumentation: for orchestra
Duration: ca. 22'
aart verlag
Orchesterstück Nr. 4 À Mondrian (HMV 34) (1955)
[2 2 2 2 - 2 2 2 1 - Pauke, gr. Trommel - Streicher]
Instrumentation: for orchestra
Duration: 16' 00"
Instrumentation: for orchestra
Duration: 16' 00"
aart verlag
Orchesterstück Nr. 5 (HMV 35) (1955)
[2 2 2 2 - 2 2 2 1 - Pauke, Schlagzeug - Klavier - Streicher]
Instrumentation: for orchestra
Duration: 14' 30"
Instrumentation: for orchestra
Duration: 14' 30"
aart verlag
Orchesterstück Nr. 6 (HMV 38) (1956-1957)
[2 2 2 2 - 2 2 2 1 - gr. Trommel - Streicher]
Instrumentation: for orchestra
Duration: ca. 9'
Instrumentation: for orchestra
Duration: ca. 9'
aart verlag
Orchesterstück Nr. 8 (HMV 41) (1957)
[2 2 2 2 - 2 2 2 1 - Streicher]
Instrumentation: for orchestra
Duration: ca. 14'
Instrumentation: for orchestra
Duration: ca. 14'
aart verlag
Orchesterstück Nr. 9 (HMV 42) (1957-1958)
[3 2 3 2 - 2 2 3 1 - Pauke, Schlagzeug - Streicher]
Instrumentation: for orchestra
Duration: ca. 15'
Instrumentation: for orchestra
Duration: ca. 15'
aart verlag
Orchesterstück Nr. 10 (HMV 43) (1958)
[2 2 2 2 - 2 2 3 1 - Streicher]
Instrumentation: for orchestra
Duration: ca. 22'
Instrumentation: for orchestra
Duration: ca. 22'
aart verlag
Orchesterstück (HMV 48) (1959-1960)
[3 3 3 3 - 4 3 3 1 - Streicher]
Instrumentation: for orchestra
Duration: ca. 12'
Instrumentation: for orchestra
Duration: ca. 12'
aart verlag
Stück für grosses Orchester (HMV 49) (1960)
[3 3 3 3 - 4 3 3 1 - Pauke, Schlagzeug - Streicher]
Instrumentation: for orchestra
Duration: ca. 14'
Instrumentation: for orchestra
Duration: ca. 14'
aart verlag
Stück für grosses Orchester (HMV 50) (1960)
[3 3 3 3 - 4 3 3 1 - Streicher]
Instrumentation: for orchestra
Duration: ca. 14'
Instrumentation: for orchestra
Duration: ca. 14'
aart verlag
Stück für grosses Orchester, Klavier vierhändig und Schlagzeug (HMV 52) (1960-1961)
[3 3 3 3 - 4 3 3 1 - Klavier vierhändig - Streicher]
Instrumentation: for orchestra, piano (4-handed) and percussion
Duration: ca. 30'
Instrumentation: for orchestra, piano (4-handed) and percussion
Duration: ca. 30'
aart verlag
Stück für grosses Orchester (HMV 53) (1961)
[3 3 3 3 - 4 3 3 1 - Pauke, Schlagzeug - Klavier - Streicher]
Instrumentation: for orchestra
Duration: ca. 20'
Instrumentation: for orchestra
Duration: ca. 20'
aart verlag
Stück für grosses Orchester und zwei Klaviere (HMV 54) (1961-1962)
[3 3 3 3 - 4 3 3 1 - Pauke, Schlagzeug - 2 Klaviere je vierhändig - Streicher]
Instrumentation: for orchestra, two pianos (4-handed)
Duration: ca. 14 - 18'
Instrumentation: for orchestra, two pianos (4-handed)
Duration: ca. 14 - 18'
aart verlag
Stück für grosses Orchester und Klavier vierhändig (HMV 55) (1962)
[3 3 3 3 - 4 3 3 1 - Pauke - Klavier vierhändig - Streicher]
Instrumentation: for orchestra and piano (4-handed)
Duration: ca. 3-4'
Instrumentation: for orchestra and piano (4-handed)
Duration: ca. 3-4'
aart verlag
Stück für grosses Orchester (HMV 56) (1962-1963)
[3 3 3 3 - 4 3 3 1 - Streicher]
Instrumentation: for orchestra
Duration: ca. 18'
Instrumentation: for orchestra
Duration: ca. 18'
aart verlag
Stück für grosses Orchester und drei Klaviere (HMV 60) (1964)
[3 3 3 3 - 4 3 3 1 - Pauke, Schlagzeug - 3 Klaviere - Streicher]
Instrumentation: for orchestra and 3 pianos
Duration: ca 23'
Instrumentation: for orchestra and 3 pianos
Duration: ca 23'
aart verlag
Stück für grosses Orchester und Klavier vierhändig (HMV 62) (1965)
[3 3 3 3 - 4 3 3 0 - Klavier vierhändig - Perkussion - Streicher]
Instrumentation: for orchestra and piano (4-handed)
Duration: ca. 19'
Instrumentation: for orchestra and piano (4-handed)
Duration: ca. 19'
aart verlag
Stück für Streicher, Bläser und zwei Klaviere für Oscar Niemeyer (HMV 65) (1966-1967)
[2 2 2 2 - 3 2 3 0 - 2 Klaviere - Streicher]
Instrumentation: for orchestra and 2 pianos
Duration: ca. 14'
Instrumentation: for orchestra and 2 pianos
Duration: ca. 14'
aart verlag
Requiem für Orchester und zwei Klaviere (HMV 66) (1967)
[2 2 2 2 - 3 2 3 0 - 2 Klaviere - Streicher]
Instrumentation: for orchestra and 2 pianos
Duration: ca. 20'
Instrumentation: for orchestra and 2 pianos
Duration: ca. 20'
aart verlag
Stück für Streichorchester, zwei Hammondorgeln vierhändig und zwei Klaviere vierhändig (HMV 68) (1967-1968)
Instrumentation: für Streichorchester, zwei Hammondorgeln vierhändig und zwei Klaviere vierhändig
Duration: 18' 00"
aart verlag
Stück für Streicher, Bläser und zwei Klaviere für Werner Heisenberg (HMV 71) (1968)
[3 3 3 3 - 4 3 3 0 - Streicher]
Instrumentation: for strings, winds and 2 pianos
Duration: 20' 00"
Instrumentation: for strings, winds and 2 pianos
Duration: 20' 00"
aart verlag
Elektronisches Stück (HMV 79) (1975)
Elektronisches Stück (HMV 80) (1975)
19 3/5-Minuten-Stück für Elektronik (HMV 81) (1976)
Elektronisches Stück (HMV 82) (1976)
Klangschichten (HMV 83) (1976)
Zweites elektronisches Stück (HMV 84) (1977)
Fast ein Wiegenlied (HMV 85) (1977)
Elektronisches Stück (HMV 86) (1977)
Hommage à Judd (HMV 87) (1978)
Flächen-Konstellationen (HMV 88) (1978)
Elektronisches Stück (HMV 89) (1979)
Flecken (HMV 90) (1980)
Elektronisches Stück (HMV 91) (1981)
Konstellationen für Klangplatten (HMV 92) (1982)
22 3/4 Minuten-Elektronikstück (HMV 93) (1983)
Elektronisches Werk II (HMV 97) (1986)
Elektronisches Stück (HMV 98) (1987)
Discography
Grammont Sélection 6 (Musiques Suisses Nr. MGB CTS-M 140, 2013)
Ensemble Contrechamps
Collegium Novum Zürich
Gaudibert, Eric: Gong (2011-2012)
Jaggi, Martin: Gharra (2012)
Skrzypczak, Bettina: ...e subito parlando (2012)
Vassena, Nadir: D'oltremare (2012)
Kessler, Thomas: Flüchtige Gesänge (2012)
Jarrell, Michael: Nachlese V b (2012)
Interpreters:
Blank, WilliamEnsemble Contrechamps
Collegium Novum Zürich
Works:
Pelzel, Michael: ... vers le vent... (2010)Gaudibert, Eric: Gong (2011-2012)
Jaggi, Martin: Gharra (2012)
Skrzypczak, Bettina: ...e subito parlando (2012)
Vassena, Nadir: D'oltremare (2012)
Kessler, Thomas: Flüchtige Gesänge (2012)
Jarrell, Michael: Nachlese V b (2012)
Info: www.fonoteca.ch
Hermann Meier - Kammermusik und Orchesterwerke 1960-69 (Musiques Suisses Nr. MGB CD 6268, 2010)
Radermacher, Erika
Henneberger, Jürg
Weber, Katharina
Blum, Dominik
Ensemble Neue Horizonte Bern
With more works of: und drei andere Stücke
Interpreters:
Schneider, Urs PeterRadermacher, Erika
Henneberger, Jürg
Weber, Katharina
Blum, Dominik
Ensemble Neue Horizonte Bern
Works:
Meier, Hermann: Stück für Klavier vierhändig (HMV 51) (1960)With more works of: und drei andere Stücke
Info: www.fonoteca.ch
Hermann Meier: Works for piano solo (Timescraper Music Nr. EWR 0001, 2000)
Meier, Hermann: Zwei Klavierstücke für Lilo Mathys (HMV 36) (1955-1956)
Interpreters:
Blum, DominikWorks:
Meier, Hermann: Klaviervariationen für Hermann Gattiker (HMV 27) (1951-1952)Meier, Hermann: Zwei Klavierstücke für Lilo Mathys (HMV 36) (1955-1956)
Info: www.fonoteca.ch
Hermann Meier: Works for piano solo 1949 - 1987 (Edition Wandelweiser Nr. EWR 1715)
Meier, Hermann: Zwei Klavierstücke für Lilo Mathys (HMV 36) (1955-1956)
Meier, Hermann: Klavierstück (HMV 37) (1956)
Meier, Hermann: Klavierstück (HMV 39) (1957)
Meier, Hermann: Klavierstück für Charles Dobler (HMV 70) (1968)
Interpreters:
Blum, DominikWorks:
Meier, Hermann: Sonate für Klavier (HMV 24) (1948-1949)Meier, Hermann: Zwei Klavierstücke für Lilo Mathys (HMV 36) (1955-1956)
Meier, Hermann: Klavierstück (HMV 37) (1956)
Meier, Hermann: Klavierstück (HMV 39) (1957)
Meier, Hermann: Klavierstück für Charles Dobler (HMV 70) (1968)
Hermann Meier: Works for piano solo 1949 - 1987 (Edition Wandelweiser Nr. EWR 1716)
Meier, Hermann: Zwei Klavierstücke für Lilo Mathys (HMV 36) (1955-1956)
Meier, Hermann: Klavierstück (HMV 40) (1957)
Meier, Hermann: Kleine Elegie für Klavier für Gaby Stebler (HMV 69) (1968)
Meier, Hermann: Klavierstück für Urs Peter Schneider (HMV 99) (1987)
Interpreters:
Blum, DominikWorks:
Meier, Hermann: Klaviervariationen für Hermann Gattiker (HMV 27) (1951-1952)Meier, Hermann: Zwei Klavierstücke für Lilo Mathys (HMV 36) (1955-1956)
Meier, Hermann: Klavierstück (HMV 40) (1957)
Meier, Hermann: Kleine Elegie für Klavier für Gaby Stebler (HMV 69) (1968)
Meier, Hermann: Klavierstück für Urs Peter Schneider (HMV 99) (1987)
Wandmusik (dbwaves)
Wirth, Stefan
Blum, Dominik
Kordzaia, Tamriko
Chitadze, Tamara
Meier, Philipp
Rütti, Rafael
Meier, Hermann: Grosse Wand ohne Bilder für Klavier, Cembalo und elektrische Orgel je vierhändig (HMV 100) (1988-1989)
Kilchenmann, Marc: ideai (2008-2015)
With more works of: Herman van San
Interpreters:
Ronner, PetraWirth, Stefan
Blum, Dominik
Kordzaia, Tamriko
Chitadze, Tamara
Meier, Philipp
Rütti, Rafael
Works:
Meier, Hermann: Klangflächengefüge oder Wandmusik für Hans Oesch (HMV 75) (1970-1971)Meier, Hermann: Grosse Wand ohne Bilder für Klavier, Cembalo und elektrische Orgel je vierhändig (HMV 100) (1988-1989)
Kilchenmann, Marc: ideai (2008-2015)
With more works of: Herman van San
Last updated: 2020-10-06 16:48:10