Martin Frank
(15. 11. 1890 - 21. 11. 1974)Martin Frank
Société Frank Martin
Rue Rodolphe Toepffer 11 bis
CH-1206 Genève (GE)
Suisse
Tel: +41 (0)22 346 52 60
Fax: +41 (0)22 346 59 39
www.frankmartin.org/
Société Frank Martin
Rue Rodolphe Toepffer 11 bis
CH-1206 Genève (GE)
Suisse
Tel: +41 (0)22 346 52 60
Fax: +41 (0)22 346 59 39
www.frankmartin.org/
Genre: Classical Music
Biography
* 15. 11. 1890, † 21. 11. 1974.
The freelance composer and teacher Frank Martin was born on September 15, 1890, in Geneva and died on December 24, 1974, in Naarden (Holland). Frank Martin was born into a family of hugeunots who fled from the region of Montélimar in 1754 and settled in Geneva. He grew up in Geneva as the son of the vicar Charles Martin and attended the classical college there until completion of his undergraduate studies. Frank Martin learned to play the piano very early. At the age of 12 (1903) he had the opportunity of hearing St. Mathew's Passion by Johann-Sebastien Bach in Geneva. The emotions that Martin felt were very decisive and influenced his first compositions. Frank Martin never attended a conservatory but studied composition from 1906 onwards under Joseph Lauber (1864-1952) who had taught in Geneva since 1901. From 1908 onwards he studied (for two years) mathematics and physics at the University of Geneva but did not complete these studies, choosing instead to devote himself entirely to music. His first success came in 1911: his 'Trois poèmes païens' (1910) were performed at the Festival of Musicians in Vevey. Hans Huber (1852-1921) and Friedrich Klose (1862-1942) encouraged him to continue with his compositions.
In 1918 Martin married Odette Micheli who gave birth to their son Renaud in 1922. The following years were determined by numerous travels. The couple lived in Zurich between October 1918 and June 1920, for a certain time in Rome and thereafter in Paris. During the season 1924/1925 Martin was responsible for the scenic music of a marionett theatre in Paris which went bankrupt shortly after. He had little contact with other composers other than Arthur Honegger, Benjamin Britten and Marcel Mihalovici. It was around this time that his relationship with Odette began to crumble, ending with a divorce in 1930. In 1931 he married Irène Gardian. This marriage, which resulted in the birth of three daughters; Françoise (1932), Pernette (1935) and Adrienne (1937), saw a tragic end in 1939 when Irène died of septicemea. Frank Martin contributed heavily to the music scene of Geneva. In 1926 he founded the 'Société de Musique de chambre' (Chamber Music Society) of Geneva which he conducted as a pianist and harpsichordist. He also wrote for the 'Tribune de Genève' as a music critic. His extensive activities were rewarded with the position of the professor of chamber music at the conservatory in Geneva from 1930 until 1933 and from 1941 until 1946. In 1926 Martin became acquainted with Emile Jaques-Dalcroze (1865-1950) and his institute of eurythmics and music pedagogy. He studied there for two years before teaching rhythm theory and improvisation there himself from 1928 until 1938. He was unable to succeed Emile Jaques-Dalcroze in 1950 due to his position in Cologne. In 1933 he became the artistic director of the 'Technicum Moderne de Musique', a private music school founded by Zina and Serge Popovitzky in Geneva where he taught harmony, composition and chamber music. The school closed in 1940 due to bad management and the threat of war. The last diploma was given to the Dutch flautist Maria Boeke who married Martin in 1940.
Martin became acquainted with Arnold Schoenberg's theory of dodecaphony following 1933. His Concerto I for Piano and Orchestra (1933-1934), world premiered in 1936, bears witness to his profound interest in this technique. From 1940 onwards his compositions began receiving national recognition: 'l'Oratorio Le vin herbé' written for Robert Blum (1900-1994) and his 'Chœur madrigal de Zurich'. International renown followed with his 'Petite symphonie concertante' (1944-1945), commissioned by Paul Sacher and world premiered in 1946. In 1940 Martin signed a contract with Universal Edition in Vienna. In 1942 he was elected president of 'l'Association des Musiciens Suisses' (Association of Swiss Musicians) later the 'Association Suisse des Musiciens' (Swiss Association of Musicians). Other distinctions followed (1947: compositions prize of the Association of Swiss Musicians, 1949: doctor honoris causa from the University of Geneva) and bore witness to his ever increasing renown. In 1946 his family settled in Amsterdam where Martin composed the oratorio-passion 'Golgotha' (1945-1948) and fathered two children Jan Frank (1946) and Anne-Thérèse (1949). Between 1950 and 1957 Martin taught composition at the music school in Cologne after succeeding Philipp Jarnach (1892-1982). One of his students was Karlheinz Stockhausen. In 1956 the Martins left Amsterdam for Naarden. This was the period during which his famous works for musical theatre saw their world premiere; the National Opera in Vienna premiered the opera 'La tempête' (1952-1955), 'Le Mystère de la Nativité' (1957-1959) was premiered in Salzburg in 1960. The final years of the composer, during which he travelled to the United States and Israel, were extremely productive and inspired.
Source of the biography: Lukas Näf
The freelance composer and teacher Frank Martin was born on September 15, 1890, in Geneva and died on December 24, 1974, in Naarden (Holland). Frank Martin was born into a family of hugeunots who fled from the region of Montélimar in 1754 and settled in Geneva. He grew up in Geneva as the son of the vicar Charles Martin and attended the classical college there until completion of his undergraduate studies. Frank Martin learned to play the piano very early. At the age of 12 (1903) he had the opportunity of hearing St. Mathew's Passion by Johann-Sebastien Bach in Geneva. The emotions that Martin felt were very decisive and influenced his first compositions. Frank Martin never attended a conservatory but studied composition from 1906 onwards under Joseph Lauber (1864-1952) who had taught in Geneva since 1901. From 1908 onwards he studied (for two years) mathematics and physics at the University of Geneva but did not complete these studies, choosing instead to devote himself entirely to music. His first success came in 1911: his 'Trois poèmes païens' (1910) were performed at the Festival of Musicians in Vevey. Hans Huber (1852-1921) and Friedrich Klose (1862-1942) encouraged him to continue with his compositions.
In 1918 Martin married Odette Micheli who gave birth to their son Renaud in 1922. The following years were determined by numerous travels. The couple lived in Zurich between October 1918 and June 1920, for a certain time in Rome and thereafter in Paris. During the season 1924/1925 Martin was responsible for the scenic music of a marionett theatre in Paris which went bankrupt shortly after. He had little contact with other composers other than Arthur Honegger, Benjamin Britten and Marcel Mihalovici. It was around this time that his relationship with Odette began to crumble, ending with a divorce in 1930. In 1931 he married Irène Gardian. This marriage, which resulted in the birth of three daughters; Françoise (1932), Pernette (1935) and Adrienne (1937), saw a tragic end in 1939 when Irène died of septicemea. Frank Martin contributed heavily to the music scene of Geneva. In 1926 he founded the 'Société de Musique de chambre' (Chamber Music Society) of Geneva which he conducted as a pianist and harpsichordist. He also wrote for the 'Tribune de Genève' as a music critic. His extensive activities were rewarded with the position of the professor of chamber music at the conservatory in Geneva from 1930 until 1933 and from 1941 until 1946. In 1926 Martin became acquainted with Emile Jaques-Dalcroze (1865-1950) and his institute of eurythmics and music pedagogy. He studied there for two years before teaching rhythm theory and improvisation there himself from 1928 until 1938. He was unable to succeed Emile Jaques-Dalcroze in 1950 due to his position in Cologne. In 1933 he became the artistic director of the 'Technicum Moderne de Musique', a private music school founded by Zina and Serge Popovitzky in Geneva where he taught harmony, composition and chamber music. The school closed in 1940 due to bad management and the threat of war. The last diploma was given to the Dutch flautist Maria Boeke who married Martin in 1940.
Martin became acquainted with Arnold Schoenberg's theory of dodecaphony following 1933. His Concerto I for Piano and Orchestra (1933-1934), world premiered in 1936, bears witness to his profound interest in this technique. From 1940 onwards his compositions began receiving national recognition: 'l'Oratorio Le vin herbé' written for Robert Blum (1900-1994) and his 'Chœur madrigal de Zurich'. International renown followed with his 'Petite symphonie concertante' (1944-1945), commissioned by Paul Sacher and world premiered in 1946. In 1940 Martin signed a contract with Universal Edition in Vienna. In 1942 he was elected president of 'l'Association des Musiciens Suisses' (Association of Swiss Musicians) later the 'Association Suisse des Musiciens' (Swiss Association of Musicians). Other distinctions followed (1947: compositions prize of the Association of Swiss Musicians, 1949: doctor honoris causa from the University of Geneva) and bore witness to his ever increasing renown. In 1946 his family settled in Amsterdam where Martin composed the oratorio-passion 'Golgotha' (1945-1948) and fathered two children Jan Frank (1946) and Anne-Thérèse (1949). Between 1950 and 1957 Martin taught composition at the music school in Cologne after succeeding Philipp Jarnach (1892-1982). One of his students was Karlheinz Stockhausen. In 1956 the Martins left Amsterdam for Naarden. This was the period during which his famous works for musical theatre saw their world premiere; the National Opera in Vienna premiered the opera 'La tempête' (1952-1955), 'Le Mystère de la Nativité' (1957-1959) was premiered in Salzburg in 1960. The final years of the composer, during which he travelled to the United States and Israel, were extremely productive and inspired.
Source of the biography: Lukas Näf
Work list
Tête de Linotte (1899)
Children's song
Instrumentation: for one voice and piano
Duration: 3' 00"
Manuscript
Instrumentation: for one voice and piano
Duration: 3' 00"
Manuscript
Pour Papa (1900)
Small piece
Instrumentation: for two ocarinas and piano
Manuscript
Instrumentation: for two ocarinas and piano
Manuscript
Motet (1907)
Instrumentation: for choir and orchestra
Texts: Pauline Martin [?]
Paul Sacher Stiftung
Auf Burg, Münsterplatz 4
CH-4051 Basel
Schweiz
CH-4051 Basel
Schweiz
An (1909)
Chanson
Instrumentation: for voice and piano
Texts: Nikolaus Lenau
Instrumentation: for voice and piano
Texts: Nikolaus Lenau
Paul Sacher Stiftung
Auf Burg, Münsterplatz 4
CH-4051 Basel
Schweiz
CH-4051 Basel
Schweiz
"Pourquoi voient-ils le jour?" (1909)
Instrumentation: for mixed choir and orchestra
After Job 3, 20-23.
Duration: 5' 00"
Manuscript
Trois poèmes paiens (1910)
Instrumentation: for baritone and large orchestra (3(pic).3(ca).3.2/4.3.2.1/timp.perc/hp/str)
Texts: Leconte de Lisle
Duration: 20' 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
Suisse
Tel. +41 (0)22 738 91 10
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CH-1201 Genève
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Trois chansons du XVIIIe siècle (1911)
Instrumentation: for orchestra
Paul Sacher Stiftung
Auf Burg, Münsterplatz 4
CH-4051 Basel
Schweiz
CH-4051 Basel
Schweiz
Ode and sonnet (1912)
Instrumentation: for three female voices with violoncello ad lib.
Texts: Pierre de Ronsard
Duration: 5' 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
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CH-1201 Genève
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Sonata I (1913)
Instrumentation: for violin and piano
Duration: 18' 00"
Hug & Co. Musikverlage
Limmatquai 28-30
CH-8001 Zürich
CH-8001 Zürich
Suite (1913)
Instrumentation: for orchestra (2(pic).3(ca).3.3(cbn)/4.4.2.1/timp.perc/hp/str)
Duration: 15' 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
Suisse
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Symphony (1915)
Instrumentation: for burlesque orchestra (flute, cuckoo, quail, child's trumpet, glockenspiel, tam tam, drum, tambourine, castanets, triangle, piano, strings ad lib., hn in D, small bell in H, gtr)
Duration: 11' 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
Suisse
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Les Dithyrambes (1915-1918)
Instrumentation: for four soloists (SATB), mixed choir (SATB), children's choir and orchestra (3(pic).2(ca).3(bcl).3(cbn)/4.3.3.1/timp.perc/cel.hp.pf/str)
Texts: Pierre Martin
Duration: 60' 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
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Le roy a fait battre tambour (1916)
Instrumentation: for alto and small orchestra (2.2(ca).1.1/1.0.0.0/timp.dm/str)
Popular texts.
Duration: 5' 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
Suisse
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Quintet (1919)
Instrumentation: for piano, two violins, viola and violoncello
Duration: 23' 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
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Pavane couleur du temps (1920)
Instrumentation: for string orchestra
Duration: 6' 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
Suisse
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Sketch (1920)
Instrumentation: for orchestra (2(pic).2.2.2/2.2.0.0/timp/perc/hp.pf/str)
Duration: 12' 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
Suisse
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CH-1201 Genève
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Pavane couleur du temps (1920)
Instrumentation: for string quintet (two violins, viola and two violoncelli)
Original version.
Duration: 6' 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
Suisse
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CH-1201 Genève
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Chantons, je vous en prie (1920)
Instrumentation: for mixed choir (SATB) piano and several instruments
Texts: Arnoul Gréban
Chorals for a nativity play by Pauline Martin. They are based on old French Christmas carols taken from "Mystère de la Passion" by Arnoul.
Manuscript
Pavane couleur du temps (1920)
Instrumentation: for four-handed piano
Duration: 6' 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
Suisse
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CH-1201 Genève
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Four Sonnets to Cassandra (1921)
Instrumentation: for mezzo-soprano, flute, viola and violoncello
Texts: Pierre de Ronsard
Duration: 12' 00"
Hug & Co. Musikverlage
Limmatquai 28-30
CH-8001 Zürich
CH-8001 Zürich
Oedipe-Roi (1922)
Stage music with choirs
Instrumentation: for male choir, female choir and several instruments (1(pic).2(ca).2.2/0.2.2.0/timp/hp/2db)
Texts: Sophocle (Jules Lacroix)
Duration: 29' 00"
Instrumentation: for male choir, female choir and several instruments (1(pic).2(ca).2.2/0.2.2.0/timp/hp/2db)
Texts: Sophocle (Jules Lacroix)
Duration: 29' 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
Suisse
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CH-1201 Genève
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Messe (1922-1926)
Instrumentation: for double a-cappella choir
Duration: 26' 00"
Bärenreiter-Verlag
Oedipe à Cologne (1923)
Stage music with choirs
Instrumentation: for two soloists (SBar), small choir and small orchestra
Texts: Sophocle (André Secretan)
Duration: 28' 00"
Instrumentation: for two soloists (SBar), small choir and small orchestra
Texts: Sophocle (André Secretan)
Duration: 28' 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
Suisse
Tel. +41 (0)22 738 91 10
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CH-1201 Genève
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Chanson du Mezzetin (1923)
Instrumentation: for soprano and mandolin or oboe, violin and violoncello
Texts: Paul Verlaine
Duration: 3' 00"
Manuscript
Concerto pour les instruments à vent et le piano (concert for wind instruments and piano) (1924)
Instrumentation: for wind ensemble (2.0.2.asx.2/2.2.2.0/timp.perc/pf)
Duration: 10' 00"
Floricor Editions
Ascholdingerstrasse 1A
D-82544 Siegertshofen
BRD
Tel. +49 (0)8176 997195
Fax +49 (0)8176 997452
info@floricor-editions.com
www.floricor-editions.com/
D-82544 Siegertshofen
BRD
Tel. +49 (0)8176 997195
Fax +49 (0)8176 997452
info@floricor-editions.com
www.floricor-editions.com/
Entr'acte (1924)
Instrumentation: for orchestra (pic.1.1.1/1.2.1.0/timp.perc/2pf/str)
Duration: 8' 30"
Manuscript
Ouverture and foxtrot (1924)
Instrumentation: for two pianos
Duration: 8' 30"
G. Schirmer
257 Park Av S 20th floor
10010 New York
USA
10010 New York
USA
Trio based on popular Irish melodies (1925)
Instrumentation: for violin, violoncello and piano
Duration: 18' 00"
Hug & Co. Musikverlage
Limmatquai 28-30
CH-8001 Zürich
CH-8001 Zürich
Rythmes (1926)
Three symphonic movements
Instrumentation: for large orchestra (3.3.3.sx.3/4.3.3.1/timp.4perc/cel.2hp.pf/str)
Duration: 18' 00"
Instrumentation: for large orchestra (3.3.3.sx.3/4.3.3.1/timp.4perc/cel.2hp.pf/str)
Duration: 18' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
Tel. +43 1 337 23 0
Fax +43 1 337 23 400
office@universaledition.com
www.universaledition.com/
A-1010 Wien
Oesterreich
Tel. +43 1 337 23 0
Fax +43 1 337 23 400
office@universaledition.com
www.universaledition.com/
Le divorce (1928)
Theatre music
Instrumentation: for flute (or piccolo), saxophone (or clarinet or basset horn), percussion and piano
Texts: Jean-François Regnard
Instrumentation: for flute (or piccolo), saxophone (or clarinet or basset horn), percussion and piano
Texts: Jean-François Regnard
Paul Sacher Stiftung
Auf Burg, Münsterplatz 4
CH-4051 Basel
Schweiz
CH-4051 Basel
Schweiz
La Nique à Satan (1928-1931)
Popular spectacle
Instrumentation: for baritone solo, male choir, female choir, children's choir, wind instruments, percussion, two pianos and double-bass
Texts: Albert Rudhardt
Duration: 3h 00"
Instrumentation: for baritone solo, male choir, female choir, children's choir, wind instruments, percussion, two pianos and double-bass
Texts: Albert Rudhardt
Duration: 3h 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
Suisse
Tel. +41 (0)22 738 91 10
Fax +41 (0)22 738 91 16
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CH-1201 Genève
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Jeux du Rhône (1929)
Marches and choruses for the 'Fêtes du Rhône'
Instrumentation: for mixed choir and wind orchestra
Texts: René-Louis Piachaud
Instrumentation: for mixed choir and wind orchestra
Texts: René-Louis Piachaud
Paul Sacher Stiftung
Auf Burg, Münsterplatz 4
CH-4051 Basel
Schweiz
CH-4051 Basel
Schweiz
Romeo and Juliet (1929)
Stage music and choir
Instrumentation: for alto solo, mixed choir (SATB) and ensemble (fl, vn, bthn, timp, dm, vadg, db)
Texts: René Morax
Duration: 30' 00"
Instrumentation: for alto solo, mixed choir (SATB) and ensemble (fl, vn, bthn, timp, dm, vadg, db)
Texts: René Morax
Duration: 30' 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
Suisse
Tel. +41 (0)22 738 91 10
Fax +41 (0)22 738 91 16
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CH-1201 Genève
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Le coucou (1930)
Instrumentation: Canon with seven female voices
Texts: Paul-Jean Toulet
Duration: 3' 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
Suisse
Tel. +41 (0)22 738 91 10
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CH-1201 Genève
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Chanson (1930)
Instrumentation: for four female voices
Texts: Charles Ferdinand Ramuz
Le petit village.
Duration: 3' 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
Suisse
Tel. +41 (0)22 738 91 10
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CH-1201 Genève
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18 Chansons (1930-1931)
Instrumentation: for mixed choir and piano
Texts: Albert Rudhardt
Taken from "La Nique à Satan".
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
Suisse
Tel. +41 (0)22 738 91 10
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CH-1201 Genève
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Chanson en canon (1930)
Instrumentation: for mixed choir (SATB)
Texts: Charles Ferdinand Ramuz
Le petit village.
Duration: 3' 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
Suisse
Tel. +41 (0)22 738 91 10
Fax +41 (0)22 738 91 16
sidomusic@sidomusic.com
www.sidomusic.com
CH-1201 Genève
Suisse
Tel. +41 (0)22 738 91 10
Fax +41 (0)22 738 91 16
sidomusic@sidomusic.com
www.sidomusic.com
Sonata II (1931-1932)
Instrumentation: for violin and piano
Duration: 16' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Chaconne (1931-1932)
Instrumentation: for violoncello and piano
Taken from "Sonate II".
Duration: 9' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Concerto I (1933-1934)
Instrumentation: for piano and orchestra (2.2.2.2/4.3.3.0/timp.perc/str)
Duration: 17' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Four Short Pieces (1933)
Instrumentation: for guitar
Duration: 8' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Guitar (1933)
Instrumentation: for piano
Version of 'Quatre pièces brèves pour guitare' (Four Short Pieces for Guitar) for piano.
Duration: 8' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Guitar (1934)
Instrumentation: for orchestra (2(pic).2(ca).3.asx.3/4.3.3.0/timp/perc/2hp/str)
1. Prélude
2. Air
3. Plainte
4. Comme une gigue
Duration: 8' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Rhapsody (1935)
Instrumentation: for string orchestra
Duration: 14' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Rhapsody (1935)
Instrumentation: for two violins, two violas and double-bass
Duration: 14' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Danse de la peur (1935)
Instrumentation: for two pianos and small orchestra (0.0.2.2sx.0/0.2.3.1/timp.perc/cel/str)
Taken from "Die blaue Blume".
Duration: 15' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Die Blaue Blume (1935-1936)
Ballet music
Not instrumented.
Duration: 75' 00"
Not instrumented.
Duration: 75' 00"
Paul Sacher Stiftung
Auf Burg, Münsterplatz 4
CH-4051 Basel
Schweiz
CH-4051 Basel
Schweiz
String trio (1936)
Instrumentation: for violin, viola and violoncello
Duration: 16' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Symphony (1936-1937)
Instrumentation: for large orchestra (3(2pic).0.3.3sx.cbn/0.3.3.1/timp.5perc/cel.2pf/str)
Duration: 27' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Little White March and a Black Trio (1937)
Instrumentation: for two pianos
Duration: 2' 00"
Manuscript
Les grenouilles, le rossignol et la pluie (1937)
Instrumentation: for two pianos
Duration: 2' 00"
Manuscript
Le vin herbé (1938-1941)
Instrumentation: for twelve solo voices, 2vn, 2ca, 2vc, db, pf
Texts: Joseph Bédier
cast:
The mother of Isolde (A)
Isolde the blond (S)
Brangaine (Mez)
Isolde of the white hands
Tristan (T)
Kaherdin (T)
Marc (Bar)
Two silent secondary roles.
After the book 'Tristan and Isolde'.
Duration: 90' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Ballad (1938)
Instrumentation: for alto saxophone and string orchestra, timp, perc and piano
Duration: 13' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
Oesterreich
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Sonata da chiesa (1938)
Instrumentation: for viola d'amore and organ
Duration: 14' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
Oesterreich
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Du Rhône au Rhin (1939)
Official March of the Swiss National Exhibition in Zurich
Instrumentation: for orchestra (3(pic).3(ca).3.3(cbn)/4.3.3.1/timp.3perc/str)
Duration: 4' 30"
Instrumentation: for orchestra (3(pic).3(ca).3.3(cbn)/4.3.3.1/timp.3perc/str)
Duration: 4' 30"
Hug & Co. Musikverlage
Limmatquai 28-30
CH-8001 Zürich
CH-8001 Zürich
Ballad (1939)
Instrumentation: for piano and orchestra (2(pic).2(ca).2.2/2.2.3.0/timp.3perc/hp/str)
Duration: 15' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
Tel. +43 1 337 23 0
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office@universaledition.com
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A-1010 Wien
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Ballad for flute (1939)
Instrumentation: for flute and piano
Original version.
Duration: 8' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
Oesterreich
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Ballad (1939)
Instrumentation: for flute and large orchestra (0.2.2.sax.1/2.0.0.0/timp/cel.hp/str)
Instrumentation by Ernest Ansermet.
Duration: 8' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Ballad for trombone (1940)
Instrumentation: for trombone (or tenor saxophone) and piano
Original version.
Duration: 7' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Cantata for the First of August (1941)
Instrumentation: for mixed choir or vocal quartet (SATB) and piano or organ
Texts: Charly Clerc
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
Suisse
Tel. +41 (0)22 738 91 10
Fax +41 (0)22 738 91 16
sidomusic@sidomusic.com
www.sidomusic.com
CH-1201 Genève
Suisse
Tel. +41 (0)22 738 91 10
Fax +41 (0)22 738 91 16
sidomusic@sidomusic.com
www.sidomusic.com
Das Märchen vom Aschenbrödel (Cinderella) (1941)
Ballet by Marie-Eve Kreis
Instrumentation: for soprano, mezzo-soprano, alto, tenor and small orchestra (1.1.0.2sx.0/0.1.1.0/timp.perc/pf)
Texts: Jacob Grimm Wilhelm Grimm
Duration: 60' 00"
Instrumentation: for soprano, mezzo-soprano, alto, tenor and small orchestra (1.1.0.2sx.0/0.1.1.0/timp.perc/pf)
Texts: Jacob Grimm Wilhelm Grimm
Duration: 60' 00"
Bärenreiter-Verlag
Sonata da chiesa (1941)
Instrumentation: for flute and organ
Duration: 14' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Little Lament (1941)
Instrumentation: for oboe and piano
Taken from 'Das Märchen vom Aschenbrödel' (Cinderella).
Duration: 3' 30"
Hug & Co. Musikverlage
Limmatquai 28-30
CH-8001 Zürich
CH-8001 Zürich
Ballad (1941)
Instrumentation: for flute, string orchestra and piano
Duration: 8' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
Tel. +43 1 337 23 0
Fax +43 1 337 23 400
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A-1010 Wien
Oesterreich
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Ballad (1941)
Instrumentation: for trombone (or tenor saxophone) and small orchestra (2.2.2.2/2.2.2.0/timp/pf/str)
Duration: 7' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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www.universaledition.com/
A-1010 Wien
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Danse grave (1941)
Instrumentation: for piano
Taken from "Das Märchen vom Aschenbrödel" (Cinderella).
Manuscript
Der Cornet (1942-1943)
Die Weise von Liebe und Tod des Cornets Christoph Rilke
Instrumentation: for alto and small orchestra (2(pic).1(ca).1.sx.1/2.1.1.0/timp/hp.pf.cel/str)
Texts: Rainer Maria Rilke
Duration: 58' 00"
Instrumentation: for alto and small orchestra (2(pic).1(ca).1.sx.1/2.1.1.0/timp/hp.pf.cel/str)
Texts: Rainer Maria Rilke
Duration: 58' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Petite église (1943-1944)
Instrumentation: for female (or male) choir
Texts: Henri Devain
Duration: 2' 00"
Manuscript
Janeton (1943-1944)
Instrumentation: for male choir
Texts: Roland Stähli
Duration: 2' 00"
Manuscript
Si Charlotte avait voulu (1943-1944)
Instrumentation: for male choir
Texts: Roland Stähli
Duration: 2' 00"
Manuscript
Six Monologues from 'Jedermann' (1943-1944)
Instrumentation: for baritone and piano
Texts: Hugo von Hofmannsthal
Original version.
Duration: 17' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Ein Totentanz zu Basel im Jahre 1943 (1943)
An open-air dance spectacle
Instrumentation: for male choir, boys' choir, string orchestra, jazz ensemble and Basel drums
A project by Mariette Meyenbourg and Frank Martin.
Duration: 65' 00"
Instrumentation: for male choir, boys' choir, string orchestra, jazz ensemble and Basel drums
A project by Mariette Meyenbourg and Frank Martin.
Duration: 65' 00"
Floricor Editions
Ascholdingerstrasse 1A
D-82544 Siegertshofen
BRD
Tel. +49 (0)8176 997195
Fax +49 (0)8176 997452
info@floricor-editions.com
www.floricor-editions.com/
D-82544 Siegertshofen
BRD
Tel. +49 (0)8176 997195
Fax +49 (0)8176 997452
info@floricor-editions.com
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Ein Totentanz zu Basel im Jahre 1943 (1943/2011)
Concert Suite
Instrumentation: for jazz ensemble and Basel drums
Implemented by Bastiaan Blomhert, Maria Martin and Edith Habraken.
Duration: 32' 00"
Instrumentation: for jazz ensemble and Basel drums
Implemented by Bastiaan Blomhert, Maria Martin and Edith Habraken.
Duration: 32' 00"
Floricor Editions
Ascholdingerstrasse 1A
D-82544 Siegertshofen
BRD
Tel. +49 (0)8176 997195
Fax +49 (0)8176 997452
info@floricor-editions.com
www.floricor-editions.com/
D-82544 Siegertshofen
BRD
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Fax +49 (0)8176 997452
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Six Monologues from 'Jedermann' (1943-1944)
Instrumentation: for baritone or alto and orchestra (2.2(ca).2.2/2.2.3.0/timp.perc/cel.hp.pf/str)
Texts: Hugo von Hofmannsthal
Duration: 17' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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office@universaledition.com
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A-1010 Wien
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Little Concertante Symphony (1944-1945)
Instrumentation: for harp, piano and two string orchestras
Duration: 22' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
Oesterreich
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Passacaglia (1944)
Instrumentation: for organ
Original version.
Duration: 13' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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Fax +43 1 337 23 400
office@universaledition.com
www.universaledition.com/
A-1010 Wien
Oesterreich
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Concertante Symphony (1944-1946)
Instrumentation: for orchestra (3.3.3.3/4.3.3.1/timp.perc/hp/pf/str)
Version of the 'Petite symphonie concertante' (Little Concertante Symphony) for large orchestra.
Duration: 22' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Canon for Werner Reinhart (1944)
Instrumentation: for eight voices (SSAATTBB)
Texts: Pierre de Ronsard
Duration: 2' 00"
Paul Sacher Stiftung
Auf Burg, Münsterplatz 4
CH-4051 Basel
Schweiz
CH-4051 Basel
Schweiz
In terra pax (1944)
Short oratorio
Instrumentation: for five soloists (SATBarB), two mixed choirs (SATBSATB) and orchestra (2(pic).2(ca).2.2/4.2.3.1/timp.3perc/cel.2pf/str)
To biblical texts.
Duration: 43' 00"
Instrumentation: for five soloists (SATBarB), two mixed choirs (SATBSATB) and orchestra (2(pic).2(ca).2.2/4.2.3.1/timp.3perc/cel.2pf/str)
To biblical texts.
Duration: 43' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
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Little Fanfare (1945)
Instrumentation: for two trumpets, two horns and two trombones
Duration: 3' 00"
Manuscript
A la foire d'amour (1945)
Instrumentation: for male choir
Texts: Francis Bourquin
Duration: 3' 30"
Manuscript
Chansons des jours de pluie (1945)
Instrumentation: for male choir
Texts: Roland Stählin
Duration: 2' 30"
Manuscript
Dédicace (1945)
Instrumentation: for tenor and piano
Texts: Pierre de Ronsard
Duration: 2' 30"
Bärenreiter-Verlag
Golgotha (1945-1948)
Passion oratorio
Instrumentation: for five soloists (SATBarB), mixed choir (SATB), orchestra (2(2.pic).2(1.obdam, 2.ca).2(2.cl-e).2/4.2.3.0/timp.2perc/pf/str) and organ
To texts from the Bible and St. Augustus.
Duration: 90' 00"
Instrumentation: for five soloists (SATBarB), mixed choir (SATB), orchestra (2(2.pic).2(1.obdam, 2.ca).2(2.cl-e).2/4.2.3.0/timp.2perc/pf/str) and organ
To texts from the Bible and St. Augustus.
Duration: 90' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
Oesterreich
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Ouverture for Athalie (1946)
Instrumentation: for orchestra (2.2.2.2/4.2.1.0/timp/hp.pf/str)
Duration: 9' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
Oesterreich
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Athalie (1946)
Incidental music and choruses
Instrumentation: for alto, two girl's choirs and small orchestra (2.2.2.2/4.2.1.0/timp.perc/hp.pf/str)
Texts: Jean Baptiste Racine
Duration: 40' 00"
Instrumentation: for alto, two girl's choirs and small orchestra (2.2.2.2/4.2.1.0/timp.perc/hp.pf/str)
Texts: Jean Baptiste Racine
Duration: 40' 00"
Paul Sacher Stiftung
Auf Burg, Münsterplatz 4
CH-4051 Basel
Schweiz
CH-4051 Basel
Schweiz
Quant n'ont assez fait do-do (1947)
Instrumentation: for tenor, guitar and four-handed piano
Texts: Charles d'Orléans
Duration: 2' 30"
Paul Sacher Stiftung
Auf Burg, Münsterplatz 4
CH-4051 Basel
Schweiz
CH-4051 Basel
Schweiz
Huit préludes (Eight Preludes) (1947-1948)
Instrumentation: for piano
Duration: 21' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
Oesterreich
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Three Christmas Carols (1947)
Instrumentation: for soprano, flute and piano
Texts: Albert Rudhardt
Duration: 6' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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A-1010 Wien
Oesterreich
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Concerto (1949)
Instrumentation: for seven wind instruments (1.1.1.1/1.1.1.0/timp.perc/str)
Duration: 22' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
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www.universaledition.com/
A-1010 Wien
Oesterreich
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Ballad (1949)
Instrumentation: for violoncello and small orchestra (2.2(ca).1.1/1.0.0.0/timp.2perc/hp/str)
Duration: 16' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
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Ballad for violoncello (1949)
Instrumentation: for violoncello and piano
Original version.
Duration: 16' 00"
Universal Edition
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Concerto (1950-1951)
Instrumentation: for violin and orchestra (2(pic).2.2.2/2.2.1.0/timp/hp.pf/str)
Duration: 30' 00"
Universal Edition
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Ariel (1950)
Five chansons of Ariel
Instrumentation: for mixed choir (SATB)
Texts: William Shakespeare
Duration: 13' 00"
Instrumentation: for mixed choir (SATB)
Texts: William Shakespeare
Duration: 13' 00"
Universal Edition
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Concert (1951-1952)
Instrumentation: for harpsichord and small orchestra (2.1.1.1/2.1.0.0/str)
Duration: 20' 00"
Universal Edition
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Sonata da chiesa (1952)
Instrumentation: for viola d'amore and string orchestra
Duration: 14' 00"
Universal Edition
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Passacaglia (1952)
Instrumentation: for string orchestra
Duration: 13' 00"
Universal Edition
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Der Sturm (1952-1955)
Opera in three acts
Instrumentation: for ten male voices, one female voice, a dancer, male choir, small mixed choir behind the scenes, ballet troop and large orchestra (3(pic).3(ca).3.sx.3(cbn)/4.3.3.1/timp.perc/hp.pf/str) and small orchestra (fl.2hn.tpt)
Texts: William Shakespeare (Friedrich Schlegel)
Cast:
The King Alonso (B)
Sebastian (B)
Prospero (BarB)
Antonio (T)
Ferdinand (T)
Gonzalo (BarB)
Adrian (T)
Caliban (B)
Trinculo (T)
Stephano (Bar)
A Bossmann (Bar)
Miranda (S)
Ariel, dancer
A Skipper
Iris
Ceres
Juno
Nymphs
A reaper
Ballet of sailors
Male choir
After "The Tempest"
Duration: 2h 30' 00"
Instrumentation: for ten male voices, one female voice, a dancer, male choir, small mixed choir behind the scenes, ballet troop and large orchestra (3(pic).3(ca).3.sx.3(cbn)/4.3.3.1/timp.perc/hp.pf/str) and small orchestra (fl.2hn.tpt)
Texts: William Shakespeare (Friedrich Schlegel)
Cast:
The King Alonso (B)
Sebastian (B)
Prospero (BarB)
Antonio (T)
Ferdinand (T)
Gonzalo (BarB)
Adrian (T)
Caliban (B)
Trinculo (T)
Stephano (Bar)
A Bossmann (Bar)
Miranda (S)
Ariel, dancer
A Skipper
Iris
Ceres
Juno
Nymphs
A reaper
Ballet of sailors
Male choir
After "The Tempest"
Duration: 2h 30' 00"
Universal Edition
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Three excerpts from the opera 'Der Sturm' (The Tempest) (1952-1955)
Instrumentation: for baritone and orchestra (2(pic).3(ca).3.3(cbn)/4.3.3.1/timp.perc/cel.hp.pf/str)
Texts: William Shakespeare
Overture and two airs of Prospero.
Duration: 25' 00"
Universal Edition
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Claire de lune (1952)
Instrumentation: for piano
Duration: 3' 00"
Gérard Billaudot
14, rue de l'Echiquier
F-75010 Paris
Frankreich
F-75010 Paris
Frankreich
Pavane couleur du temps (1954)
Instrumentation: for small orchestra (1.1.1.1/1.0.0.0/timp/hp/str)
Duration: 6' 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
Suisse
Tel. +41 (0)22 738 91 10
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CH-1201 Genève
Suisse
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Au clair de la lune (1955)
Three variations
Instrumentation: for four-handed piano
Duration: 5' 00"
Manuscript
Instrumentation: for four-handed piano
Duration: 5' 00"
Manuscript
Etudes (1955-1956)
Instrumentation: for two pianos
After the 'Etudes pour orchestre à cordes' (Etudes for String Orchestra).
Duration: 20' 00"
Universal Edition
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Etudes (1955-1956)
Instrumentation: for string orchestra
Duration: 20' 00"
Universal Edition
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Overture in homage to Mozart (1956)
Instrumentation: for orchestra (pic.2.2.2.2/2.2.0.0/timp/str)
Duration: 7' 00"
Universal Edition
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Short Piece (1957)
Instrumentation: for flute, oboe and harp
Taken from 'Mystère de la Nativité' (The Mystery of the Nativity).
Duration: 5' 00"
Hug & Co. Musikverlage
Limmatquai 28-30
CH-8001 Zürich
CH-8001 Zürich
Le Mystère de la Nativité (The Mystery of the Nativity) (1957-1959)
Christmas oratorio
Instrumentation: for nine soloists, small mixed choir, male choir, large mixed choir and large orchestra (pic.2(2.pic).3(3.obdam).ca.3(3.bcl).2.cbn/4.3.3.1/timp.4perc/2hp/str)
Texts: Arnoul Gréban
Duration: 1h 45' 00"
Instrumentation: for nine soloists, small mixed choir, male choir, large mixed choir and large orchestra (pic.2(2.pic).3(3.obdam).ca.3(3.bcl).2.cbn/4.3.3.1/timp.4perc/2hp/str)
Texts: Arnoul Gréban
Duration: 1h 45' 00"
Universal Edition
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Geneva Psalms (1958)
Instrumentation: for mixed choir (SATB), male choir, orchestra (0.4(ca).0.2/0.3.3.0/timp.perc/str) and organ
Texts: Théodore de Bèze Clément Marot
Duration: 22' 00"
Universal Edition
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Rondeau Overture (1958)
Instrumentation: for orchestra (3(pic).3(ca).3(bthn).3(cbn)/4.3.3.0/timp/xyl/2hp/str)
Duration: 11' 00"
Universal Edition
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Sonata da chiesa (1958)
Instrumentation: for flute and string orchestra
Duration: 14' 00"
Universal Edition
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Drey Minnelieder (1960)
Instrumentation: for soprano and piano
Texts: Anonymus; Dietmar von Eist; Walter von der Vogelweide
Duration: 9' 00"
Universal Edition
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Monsieur Pourceaugnac (1960-1962)
Comedy theatre in three acts
Instrumentation: for two sopranos, alto, five tenors (or 2), two baritones, six bass (or 3) and orchestra (2.2.2.sx.2/2.2.3.1/timp/4perc/hp.pf/str)
Texts: Jean-Baptiste Molière
Cast:
Monsieur de Pourceaugnac (B)
Oronte (B)
Julie, daughter of Oronte (S)
Nérine, a scheming woman (A)
Lucette, a fake Languedocian (S)
Eraste, Julie's lover (Bar)
Sbrigani, Neapolitan, a scheming man (T)
First doctor (B)
Second doctor (T)
The chemist (Bar)
A liberated man (Bar)
A composer (S)
First musician (T)
Second musician (B)
First solicitor (B)
Second solicitor (T)
First Swiss (B)
Second Swiss (T)
A farmer
Two archesr
Two small girls
A man (silent extra)
Group of dancers
Duration: 1h 45' 00"
Instrumentation: for two sopranos, alto, five tenors (or 2), two baritones, six bass (or 3) and orchestra (2.2.2.sx.2/2.2.3.1/timp/4perc/hp.pf/str)
Texts: Jean-Baptiste Molière
Cast:
Monsieur de Pourceaugnac (B)
Oronte (B)
Julie, daughter of Oronte (S)
Nérine, a scheming woman (A)
Lucette, a fake Languedocian (S)
Eraste, Julie's lover (Bar)
Sbrigani, Neapolitan, a scheming man (T)
First doctor (B)
Second doctor (T)
The chemist (Bar)
A liberated man (Bar)
A composer (S)
First musician (T)
Second musician (B)
First solicitor (B)
Second solicitor (T)
First Swiss (B)
Second Swiss (T)
A farmer
Two archesr
Two small girls
A man (silent extra)
Group of dancers
Duration: 1h 45' 00"
Universal Edition
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Drey Minnelieder (1960)
Instrumentation: for soprano, flute, viola and violoncello
Texts: Anonymus; Dietmar von Eist; Walter von der Vogelweide
Duration: 9' 00"
Universal Edition
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Oesterreich
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Ode to music (1961)
Instrumentation: for mixed choir (SATB) one trumpet, two horns, three trombones, piano and double-bass
Texts: Guillaume de Machaut
Duration: 9' 00"
Bärenreiter-Verlag
Verse à boire (1961)
Instrumentation: for mixed choir (SATB)
Folk tune from Anjou.
Duration: 3' 00"
Maurice et Pierre Foetisch
5-7 rue de l'Ancien-Port
CH-1201 Genève
Suisse
Tel. +41 (0)22 738 91 10
Fax +41 (0)22 738 91 16
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CH-1201 Genève
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Agnus Dei (1962)
Instrumentation: for organ
Taken from "Messe".
Duration: 4' 30"
Bärenreiter-Verlag
Passacaglia (1962)
Instrumentation: for orchestra (3(pic).3(obdam&ca).2(bthn).3/4.2.3.1/timp/str)
Version of 'Passacaille pour orgue' (Passacaglia for organ, (1944)) for large orchestra.
Duration: 13' 00"
Universal Edition
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Inter arma caritas (1963)
Instrumentation: for orchestra (2(2pic).4(obdam and ca).4(bthn).3/4.2.3.1/timp/str)
Duration: 7' 00"
Paul Sacher Stiftung
Auf Burg, Münsterplatz 4
CH-4051 Basel
Schweiz
CH-4051 Basel
Schweiz
Les quatres éléments (The Four Elemens) (1963-1964)
Symphonic etudes
Instrumentation: for large orchestra (pic.2(2.pic).2ca.2(2.cl-e).bcl.asx.2.cbn/4.3.3.1/timp.3perc.glock.vib.2xyl/2hp.cel.pf/str)
1. La terre (Earth)
2. L'Eau (Water)
3. L'Air (Air)
4. Le Feu (Fire)
Duration: 20' 00"
Instrumentation: for large orchestra (pic.2(2.pic).2ca.2(2.cl-e).bcl.asx.2.cbn/4.3.3.1/timp.3perc.glock.vib.2xyl/2hp.cel.pf/str)
1. La terre (Earth)
2. L'Eau (Water)
3. L'Air (Air)
4. Le Feu (Fire)
Duration: 20' 00"
Universal Edition
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Pilate (1964)
Short oratorio
Instrumentation: for baritone (Pilate), mezzo-soprano, tenor, bass, mixed choir and orchestra (2(pic).2.2.2/4.2.3.1/timp.4perc/cel.pf/str)
Texts: Arnoul Gréban
Duration: 30' 00"
Instrumentation: for baritone (Pilate), mezzo-soprano, tenor, bass, mixed choir and orchestra (2(pic).2.2.2/4.2.3.1/timp.4perc/cel.pf/str)
Texts: Arnoul Gréban
Duration: 30' 00"
Universal Edition
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Concerto (1965-1966)
Instrumentation: for violoncello and orchestra (2(pic).1.2.sx.1/2.1.1.0/timp.4perc/cel.hp.pf/str)
Duration: 28' 00"
Universal Edition
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Etude rythmique (1965)
Instrumentation: for piano
Homage to Jaques-Dalcroze.
Duration: 2' 30"
Breitkopf & Härtel
Postfach 1707
D-65195 Wiesbaden
Tel. +49 611 45 00 80
D-65195 Wiesbaden
Tel. +49 611 45 00 80
Esquisse (1965)
Etude for the reading
Instrumentation: for piano
Duration: 3' 15"
Instrumentation: for piano
Duration: 3' 15"
Universal Edition
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String Quartet (1966-1967)
Instrumentation: for string quartet
Duration: 22' 00"
Universal Edition
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Concerto II (1968-1969)
Instrumentation: for piano and orchestra (2(pic).2(ca).2.sx.2(cbn)/2.2.1.0/timp.2perc/hp/str)
Duration: 25' 00"
Universal Edition
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Maria-Triptychon (1968)
Instrumentation: for soprano, violin solo and orchestra (2.2(ca).2.2(cbn)/2.2.1.0/timp/hp.pf/str)
1. Ave Maria (Martin Luther)
2. Magnificat (Martin Luther)
3. Stabat Mater (Paroissien Romain)
Duration: 22' 00"
Universal Edition
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Poems of Death (1969-1971)
Instrumentation: for three male voices (TBarB) and three electric guitars
Texts: François Villon
1. Mort saisit sans exception
2. Mort, j'appelle ta rigueur
3. Ballade des pendus
Duration: 17' 00"
Universal Edition
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Erasmi monumentum (1969)
Instrumentation: for large orchestra (3(pic).3(obdam.ca).3.sx.3(cbn)/4.3.3.1/timp.3perc/pf/str) and organ
Duration: 22' 00"
Universal Edition
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Three Dances (1970)
Instrumentation: for oboe, harp, string quintet and string orchestra
Duration: 18' 00"
Universal Edition
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Requiem (1971-1972)
Instrumentation: for four soloists (SATB), mixed choir and orchestra (2.(2.pic).2.2.2(2.cbn)/4.3.3.1/timp.5perc/hpd[=glock]/str) and organ
1. Introitus
2. Kyrie
3. Dies irae
4. Offertorium
5. Sanctus
6. Agnus Dei
7. In Paradisum
8. Lux aeterna
Duration: 45' 00"
Universal Edition
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Agnus Dei (1971-1972)
Instrumentation: for alto and organ
Taken from "Requiem".
Duration: 5' 00"
Universal Edition
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Ballad (1972)
Instrumentation: for alto and wind orchestra (2(pic).2(ca).2(bcl).2(cbn)/2.2.1.0/timp/hp/hpd)
Duration: 13' 00"
Universal Edition
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Oesterreich
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Fax +43 1 337 23 400
office@universaledition.com
www.universaledition.com/
Polyptyque (1973)
Instrumentation: for violin solo and two string orchestras
Duration: 25' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
Tel. +43 1 337 23 0
Fax +43 1 337 23 400
office@universaledition.com
www.universaledition.com/
A-1010 Wien
Oesterreich
Tel. +43 1 337 23 0
Fax +43 1 337 23 400
office@universaledition.com
www.universaledition.com/
Fantasy to the Flamenco Rhythm (1973)
Instrumentation: for piano and dance ad lib.
Duration: 14' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
Tel. +43 1 337 23 0
Fax +43 1 337 23 400
office@universaledition.com
www.universaledition.com/
A-1010 Wien
Oesterreich
Tel. +43 1 337 23 0
Fax +43 1 337 23 400
office@universaledition.com
www.universaledition.com/
Notre père (1973)
Instrumentation: for mixed unisono choir and organ
Duration: 2' 00"
Manuscript
Et la vie l'emporta (1974)
Chamber cantata
Instrumentation: for alto solo and baritone solo, small vocal and instrumental ensmble (2fl.ob.obdam/hp.pf.posorg/6vn.2va.2vc.db)
Texts by Maurice Zundel, Martin Luther, Frank Martin, and anonymous from the 16th century.
Duration: 26' 00"
Instrumentation: for alto solo and baritone solo, small vocal and instrumental ensmble (2fl.ob.obdam/hp.pf.posorg/6vn.2va.2vc.db)
Texts by Maurice Zundel, Martin Luther, Frank Martin, and anonymous from the 16th century.
Duration: 26' 00"
Universal Edition
Karlsplatz 6
A-1010 Wien
Oesterreich
Tel. +43 1 337 23 0
Fax +43 1 337 23 400
office@universaledition.com
www.universaledition.com/
A-1010 Wien
Oesterreich
Tel. +43 1 337 23 0
Fax +43 1 337 23 400
office@universaledition.com
www.universaledition.com/
Discography
Frank Martin: Intégrale des oeuvres pour flûte (Musiques Suisses Nr. MGB CD 6275, 2012)
Martin, Frank: Ballade pour flûte (1939)
Martin, Frank: Ballade (1941)
Martin, Frank: Sonata da chiesa (1941)
Martin, Frank: Sonata da chiesa (1958)
Works:
Martin, Frank: Ballade (1939)Martin, Frank: Ballade pour flûte (1939)
Martin, Frank: Ballade (1941)
Martin, Frank: Sonata da chiesa (1941)
Martin, Frank: Sonata da chiesa (1958)
Frank Martin: Werke für Gitarre (Musiques Suisses Nr. MGB CD b6264, 2009)
Martin, Frank: Quant n'ont assez fait do-do (1947)
Martin, Frank: Etudes (1955-1956)
Martin, Frank: Drey Minnelieder (1960)
Martin, Frank: Poèmes de la mort (1969-1971)
Interpreters:
Brütsch, TinoWorks:
Martin, Frank: Quatre pièces brèves (1933)Martin, Frank: Quant n'ont assez fait do-do (1947)
Martin, Frank: Etudes (1955-1956)
Martin, Frank: Drey Minnelieder (1960)
Martin, Frank: Poèmes de la mort (1969-1971)
Frank Martin: Cantate pour le temps de Noël (Musiques Suisses Nr. MGB 6259, 2007)
Interpreters:
Koch, AloisWorks:
Martin, Frank: Trois Chants de Noël (1947)Info: www.fonoteca.ch
Frank Martin: Musique de chambre (Musiques Suisses Nr. 6241, 2006)
Martin, Frank: Trio sur des mélodies populaires irlandaises (1925)
Martin, Frank: Sonate II (1931-1932)
Martin, Frank: Quatre pièces brèves (1933)
Works:
Martin, Frank: Sonate I (1913)Martin, Frank: Trio sur des mélodies populaires irlandaises (1925)
Martin, Frank: Sonate II (1931-1932)
Martin, Frank: Quatre pièces brèves (1933)
Info: www.fonoteca.ch
20th Century. Swiss Organ Music (Guild Nr. 7285, 2005)
Martin, Frank: Passacaille (1944)
Martin, Frank: Agnus Dei (1962)
With more works of: Paul Müller-Zürich, Hans Vollenweider, Ernst Hess, Conrad Beck, Max Kuhn
Works:
Honegger, Arthur: Fugue et choral, H. 14 (1917)Martin, Frank: Passacaille (1944)
Martin, Frank: Agnus Dei (1962)
With more works of: Paul Müller-Zürich, Hans Vollenweider, Ernst Hess, Conrad Beck, Max Kuhn
Info: www.fonoteca.ch
Juon, Martin, Schnyder: Klaviertrios (Musiques Suisses Nr. 6215, 2004)
Juon, Paul: Litaniae, op. 70 (1929)
With more works of: Daniel Schnyder
Interpreters:
Schweizer KlaviertrioWorks:
Martin, Frank: Trio sur des mélodies populaires irlandaises (1925)Juon, Paul: Litaniae, op. 70 (1929)
With more works of: Daniel Schnyder
Info: www.fonoteca.ch
Camerata Bern (Musikszene Schweiz Nr. MGB CTS-M 69, 2000)
Camerata Bern
Schoeck, Othmar: Sommernacht, op. 58 (1945)
Martin, Frank: Etudes (1955-1956)
Kelterborn, Rudolf: Variationen (1960)
Huber, Klaus: Alveare vernat (1965)
Holliger, Heinz: Eisblumen (1985/2006)
Interpreters:
Holliger, HeinzCamerata Bern
Works:
Martin, Frank: Pavane couleur du temps (1920)Schoeck, Othmar: Sommernacht, op. 58 (1945)
Martin, Frank: Etudes (1955-1956)
Kelterborn, Rudolf: Variationen (1960)
Huber, Klaus: Alveare vernat (1965)
Holliger, Heinz: Eisblumen (1985/2006)
Info: www.fonoteca.ch
Molto furioso (Musica Helvetica Nr. 99.2, 1997)
With more works of: Paul Kletzki, Rolf Liebermann
Works:
Martin, Frank: Ballade (1938)With more works of: Paul Kletzki, Rolf Liebermann
Info: www.fonoteca.ch
Schweizer Chor-Musik, Vol. 2 (Swiss Pan Nr. 510 072, 1994)
Furer, Arthur: Drei lieder nach texten von kurt marti (1977)
Pagliarani, Mario: Paesaggio - Madrigale (1991)
With more works of: Otto Barblan, Frank Martin, Robert Blum, Michel Hostettler
Works:
Martin, Frank: Verse à boire (1961)Furer, Arthur: Drei lieder nach texten von kurt marti (1977)
Pagliarani, Mario: Paesaggio - Madrigale (1991)
With more works of: Otto Barblan, Frank Martin, Robert Blum, Michel Hostettler
Info: www.fonoteca.ch
Konzertante Werke für Violine und Orchester von Schweizer Komponisten (Gallo Nr. CD 582, 1988)
Meier, Jost: Trames 1-4 (1969)
Baer, Walter: Konzert für Violine und Orchester (1987)
Works:
Martin, Frank: Concerto (1950-1951)Meier, Jost: Trames 1-4 (1969)
Baer, Walter: Konzert für Violine und Orchester (1987)
Info: www.fonoteca.ch
Last updated: 2020-10-06 16:48:10