Schaeuble Hans
(31. 05. 1906 - 19. 12. 1988)
Schaeuble Hans
Zentralbibliothek Zürich Hans Schaeuble Stiftung
Dr. Urs Fischer
Zähringerplatz 6
CH-8001 Zürich (ZH)
Schweiz
Tel: +41 (0)44 268 31 00
Fax: +41 (0)44 268 32 90
www.zb.unizh.ch/sondersa/musik/HaSchSti/Index.htm
Zentralbibliothek Zürich Hans Schaeuble Stiftung
Dr. Urs Fischer
Zähringerplatz 6
CH-8001 Zürich (ZH)
Schweiz
Tel: +41 (0)44 268 31 00
Fax: +41 (0)44 268 32 90
www.zb.unizh.ch/sondersa/musik/HaSchSti/Index.htm
Genre: Classical Music
Biography
* 31. 05. 1906, † 19. 12. 1988.
Hans Schaeuble was a composer born the son of German parents (St. Blasien and Warnemünde) on may 31, 1906, in Arosa and died on December 19, 1988, in Zurich. His father, Dr. Alfred Schaeuble, was a chemist whose prosperity in Arosa enabled his son to lead a carefree later life. Hans Schaeuble initially attended the canton school in Trogen and then in Lausanne where he completed his undergraduate education, studied one semester at the university and lived until 1926. Performances of mostly French music (including Strawinsky) by the 'Orchestre de la Suisse Romande' under the direction of Ernest Ansermet (1883-1969) awoke in Schaeuble the desire to compose. Following auto-didactical studies he relocated to Leipzig in 1927 in order to attend the conservatory. There he studied composition under Hermann Grabner (1886-1969) who had been the professor for composition in Leipzig since 1932. His piano teacher was the educationalist Carl Adolf Martienssen (1881-1955). Hugo Distler (1908-1942) and Wolfgang Fortner (1907-1987) were amongst his fellow students. Schaeuble, although still studying, pursued an ambitious project to produce an opera after Theodor Storm's 'Dagmar', op.2. His first concert at the provincial conservatory and on the radio with the piano music 1929 (op.5) suggested a promising musical career. Further concerts followed in 1932, for instance at the 'Schweizerischen Tonkünstlerfest' (Swiss Musician's Festival) in Vevey, Switzerland and met with admirable success.
In 1931 Schaeuble relocated to Berlin where he met Helene Höhener whom he married in 1937, however Mrs Schaeuble died just one year later of breast cancer. Schaeuble's homosexual tendencies were suppressed during his marriage to Helene, such that the risk of exposure under the National Socialist regime was slight. Schaeuble appeared to have little interest in politics, his main worries revolved around his work. His first compositional success in concert halls and on radio was confirmed by a publishing contract from Bote & Bock who, in the following years, published Schaeuble's op. 18 to 23 and, post war, op. 38 and 39. He achieved further success in Berlin with, for example in 1934, the chamber musical evening of the Swiss Club in Berlin. The 'Lutz-Quartett' of Winterthur interpreted the works op. 19, op. 5 and op. 13 and the German press reacted, on the whole, positively to Schaeuble's work. His Symphonic Music for a Large Orchestra op. 22 was performed for the first time by the Berlin Philharmonic Orchestra under the direction of Carl Schuricht in March 1939. Schaeuble returned to Switzerland as a result of the increasing risk of war (with the general mobilisation of troops on August 29, 1939) only to return again to Berlin in the summer of 1941 and finally leaving for good in the Autumn of 1942. At the end of the war the long residency in Berlin contributed to repeated reproaches inflicted on Schaeuble that he had been 'too German friendly' during the Third Reich.
Schaeuble's occupation as a composer decreased and he was no longer able to rely on his pre-war success, nevertheless his Symphony op. 25 was world premiered in Winterthur by Hermann Scherchen in 1945. He did, however, have to tolerate numerous rejections including those from Volkmar Andreae and Radio Bern. It became obvious that Schaeuble no longer felt comfortable living in Switzerland, he blamed a conspiracy against him for his asserted misfortune. Indeed this speculation was confirmed in the statement by Hermann Scherchen that 'one can not perform the works of Schaeuble as he was a Nazi.' Schaeuble sued for libel and won the case. He realised the opera Dorian Gray after Oscar Wilde in 1947/1948, a large project for which Schaueble found no suitable stage; there was no question of it being performed on a provincial stage which was the only offer he received. The work was not performed until its world premiere at the opera house of the University of North Texas in Denton on February 6, 2004. The piano concert op. 34 from 1949 and op. 18 both deal with dodecaphony but in a very superficial manner. His later years were occupied with the meticulous reworking of his earlier works, there exist no original compositions from this time. The Hans Schaeuble Foundation, dedicated to the furtherance of young musicians and musicologists and to the care of the benefactors own musical works, was founded in 1988 following his death.
Lukas Näf
Hans Schaeuble was a composer born the son of German parents (St. Blasien and Warnemünde) on may 31, 1906, in Arosa and died on December 19, 1988, in Zurich. His father, Dr. Alfred Schaeuble, was a chemist whose prosperity in Arosa enabled his son to lead a carefree later life. Hans Schaeuble initially attended the canton school in Trogen and then in Lausanne where he completed his undergraduate education, studied one semester at the university and lived until 1926. Performances of mostly French music (including Strawinsky) by the 'Orchestre de la Suisse Romande' under the direction of Ernest Ansermet (1883-1969) awoke in Schaeuble the desire to compose. Following auto-didactical studies he relocated to Leipzig in 1927 in order to attend the conservatory. There he studied composition under Hermann Grabner (1886-1969) who had been the professor for composition in Leipzig since 1932. His piano teacher was the educationalist Carl Adolf Martienssen (1881-1955). Hugo Distler (1908-1942) and Wolfgang Fortner (1907-1987) were amongst his fellow students. Schaeuble, although still studying, pursued an ambitious project to produce an opera after Theodor Storm's 'Dagmar', op.2. His first concert at the provincial conservatory and on the radio with the piano music 1929 (op.5) suggested a promising musical career. Further concerts followed in 1932, for instance at the 'Schweizerischen Tonkünstlerfest' (Swiss Musician's Festival) in Vevey, Switzerland and met with admirable success.
In 1931 Schaeuble relocated to Berlin where he met Helene Höhener whom he married in 1937, however Mrs Schaeuble died just one year later of breast cancer. Schaeuble's homosexual tendencies were suppressed during his marriage to Helene, such that the risk of exposure under the National Socialist regime was slight. Schaeuble appeared to have little interest in politics, his main worries revolved around his work. His first compositional success in concert halls and on radio was confirmed by a publishing contract from Bote & Bock who, in the following years, published Schaeuble's op. 18 to 23 and, post war, op. 38 and 39. He achieved further success in Berlin with, for example in 1934, the chamber musical evening of the Swiss Club in Berlin. The 'Lutz-Quartett' of Winterthur interpreted the works op. 19, op. 5 and op. 13 and the German press reacted, on the whole, positively to Schaeuble's work. His Symphonic Music for a Large Orchestra op. 22 was performed for the first time by the Berlin Philharmonic Orchestra under the direction of Carl Schuricht in March 1939. Schaeuble returned to Switzerland as a result of the increasing risk of war (with the general mobilisation of troops on August 29, 1939) only to return again to Berlin in the summer of 1941 and finally leaving for good in the Autumn of 1942. At the end of the war the long residency in Berlin contributed to repeated reproaches inflicted on Schaeuble that he had been 'too German friendly' during the Third Reich.
Schaeuble's occupation as a composer decreased and he was no longer able to rely on his pre-war success, nevertheless his Symphony op. 25 was world premiered in Winterthur by Hermann Scherchen in 1945. He did, however, have to tolerate numerous rejections including those from Volkmar Andreae and Radio Bern. It became obvious that Schaeuble no longer felt comfortable living in Switzerland, he blamed a conspiracy against him for his asserted misfortune. Indeed this speculation was confirmed in the statement by Hermann Scherchen that 'one can not perform the works of Schaeuble as he was a Nazi.' Schaeuble sued for libel and won the case. He realised the opera Dorian Gray after Oscar Wilde in 1947/1948, a large project for which Schaueble found no suitable stage; there was no question of it being performed on a provincial stage which was the only offer he received. The work was not performed until its world premiere at the opera house of the University of North Texas in Denton on February 6, 2004. The piano concert op. 34 from 1949 and op. 18 both deal with dodecaphony but in a very superficial manner. His later years were occupied with the meticulous reworking of his earlier works, there exist no original compositions from this time. The Hans Schaeuble Foundation, dedicated to the furtherance of young musicians and musicologists and to the care of the benefactors own musical works, was founded in 1988 following his death.
Lukas Näf
Work list
Sieben Winter-Lieder, op. 1 (1926)
Instrumentation: for alto and piano
Texts: Hans Roelli
1. Anfang: "Das Land ist bis zur Ferne hart"
2. Erster Schnee: "Und war die Dämmerung lange hier"
3. Schnee: "Und woher aus welchen Fernen kommt der Schnee so still und zart"
4. Winterwald: "Begleite mich. Ich gehe in ein Wunder ein"
5. Die unerträgliche Stille: "Schnee, ich werfe Dich rastlos auf"
6. Am Jahresend zu singen: "In dieser Nacht ist jeder Mensch"
7. Ende: "Das Scheien ist zu Ende"
Zentralbibliothek Zürich
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Dagmar, op. 2 (1927-1928)
an opera in two acts (six scenes)
Instrumentation: for voices, choir (SATB) and orchestra (2.2.ca.2.bcl.2/4.0.0.0/str)
Texts: Theodor Storm (Hans Schaeuble)
People:
Dagmar (S)
Her father - Castellan at Haderslevhuus (B)
The cousin - Dagmar's governess (A)
Rulf Lembeck - Wulfhild's second husband (T)
Wulfhild - his wife, born in Schauenburg (S)
Gaspard the raven - her clerk and confidant (Bar)
Four companions of war (TTBB)
Maidservant (silent role)
Publican (silent role)
Page (boy soprano or T)
Priest (B)
nuns, nobility, cavaliers, citizens, servants, page boys
Instrumentation: for voices, choir (SATB) and orchestra (2.2.ca.2.bcl.2/4.0.0.0/str)
Texts: Theodor Storm (Hans Schaeuble)
People:
Dagmar (S)
Her father - Castellan at Haderslevhuus (B)
The cousin - Dagmar's governess (A)
Rulf Lembeck - Wulfhild's second husband (T)
Wulfhild - his wife, born in Schauenburg (S)
Gaspard the raven - her clerk and confidant (Bar)
Four companions of war (TTBB)
Maidservant (silent role)
Publican (silent role)
Page (boy soprano or T)
Priest (B)
nuns, nobility, cavaliers, citizens, servants, page boys
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Songs from Hellas, op. 28 (1928)
Instrumentation: for alto, baritone, string quartet or double string quartet
1. Besonnenheit: "Sinkst du nieder" [Archilochos (Hans Voss)]
2. Mondlied: "Vor dir bergen ihr Antlitz alle Gestirne" [Sappho (Hans Voss)]
3. Gebet: "Kypris, lösche Glut" [Theognis (Hans Voss)]
4. Regen: "Rinnt von Quittenbaums Zweigen" [Sappho (Hans Voss)]
5. Fragment I: "Schön ists im Kampf ums Vaterland" [Tyrtäos (Hans Voss)
6. Elegie: "Gleich den Blättern im Wald" [Mimnermos (Hans Voss)]
7. Fragment II: "Denn sonst wahrhaftig ist nirgendwo und nichts" [Homer (Hans Voss)]
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Songs from Hellas, op. 4 (1928)
Instrumentation: for alto and string quartet
1. Besonnenheit: "Sinkst du nieder" [Archilochos (Hans Voss)]
2. Mondlied: "Vor dir bergen ihr Antlitz alle Gestirne" [Sappho (Hans Voss)]
3. Elegie: "Gleich den Blättern im Wald" [Mimnermos (Hans Voss)]
The Songs from Hellas, op. 4 have been incorporated into The Songs from Hellas, op. 28.
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Essay in four short movements, op. 3 (1928)
Instrumentation: for string quartet
1. Allegro
2. Andante
3. Scherzo
4. Finale
Amadeus Verlag
Hermannstrasse 7
CH-8400 Winterthur
Schweiz
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Requiem, op. 6 (1929-1930)
Instrumentation: for alto and baritone solo, mixed choir and orchestra (2.2.2.2/2.2.2.1/timp/pf/str)
Texts: Robert Prechtl
1. Vom irdischen Leben: "Des Menschen Leben ist mit Flammenzeichen ins ewige Buch des Schicksals eingeschrieben"
2. Vom Sterben: "Weisst du, was sterben heisst?"
3. Vom ewigen Leben: "Auf Gewesenem stehst du wo du auch bist"
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Piano Music 1929, op. 5 (1929)
Instrumentation: for piano
1. Praeludium
2. Fuge [later discarded]
3. Intermezzo
4. Toccata
Amadeus Verlag
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CH-8400 Winterthur
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Sonate in E minor, op. 7 (1930/1931/1942)
Instrumentation: for violin and piano
1. Animato
2. Adagio (Tema con Variationi I & II) - Intermezzo 1 (quasi Scherzo) - Adagio (Variatione III) - Intermezzo 2 (con passione) - Adagio (Tema)
Also entitled 'Fourth Chamber Music' by Schaeuble.
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Introduction (Prelude) and Choral Variations, op. 15 (1930-1934/1976/1980)
Instrumentation: for organ
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Quartet, op. 8 (1931-1976)
Instrumentation: for string quartet
1. Moderato
2. Scherzo
3. Largo
4. Finale
This work is lost. Only a fragment remains in the 'Zentralbibliothek' in zurich.
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Concert, op. 9 (1931-1932/1934)
Instrumentation: for piano and orchestra (2(2.picfl).2.2.2/2.3.3.0/timp/str)
1. Allegro assai
2. Sarabande
3. Alla breve
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Fabula aeterna, op. 26 (1931-1933)
A dance play
Instrumentation: for orchestra (2(2.picfl).2.2.0/3.2.2.0/timp/str)
1. Sarabande (from op. 9)
2. Duo (Allegro) (from op. 9)
3. Passacaglia (Duet) (from op. 12)
4. Pastorale (Intermezzo) (from op. 12)
5. Apotheose (Allegro) (from op. 12)
6. Sarabande (Reprise) (from op. 9)
Instrumentation: for orchestra (2(2.picfl).2.2.0/3.2.2.0/timp/str)
1. Sarabande (from op. 9)
2. Duo (Allegro) (from op. 9)
3. Passacaglia (Duet) (from op. 12)
4. Pastorale (Intermezzo) (from op. 12)
5. Apotheose (Allegro) (from op. 12)
6. Sarabande (Reprise) (from op. 9)
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Cantata, op. 11 (1933/1945)
"Wer dich einmal sah"
Instrumentation: for alto solo and chamber orchestra (2.2(2.ca).2(2.bcl).2(2.cbn)/2.1.1.0/timp/str)
Texts: Christian Morgenstern
Also known by Schaeuble as the 'Sixth Chamber music'.
Instrumentation: for alto solo and chamber orchestra (2.2(2.ca).2(2.bcl).2(2.cbn)/2.1.1.0/timp/str)
Texts: Christian Morgenstern
Also known by Schaeuble as the 'Sixth Chamber music'.
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Toccata, Passacaglia and Finale, op. 12 (1933)
Instrumentation: for orchestra (2(2.picfl).2(2.ca).2.bcl.2/4.3.3.1/timp/str)
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Music, op. 19 (1934-1935/1979/1980)
Instrumentation: for string quartet
1. Expanded
2. Flowing
3. Quick
4. Slow
5. quick
Bote & Bock
Lützowufer 26
D-10787 Berlin
Deutschland
Tel. +49 30 2500130
Fax +49 30 25001399
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D-10787 Berlin
Deutschland
Tel. +49 30 2500130
Fax +49 30 25001399
musikverlag@boosey.com
www.boosey.com
Solo Cantata, op. 14 (1934)
Instrumentation: for soprano, oboe, violin and viola
Texts: Hans Leifhelm
1. Sinfonia
2. Recitative and Arioso: "Also ward auch gegeben allen ein Werdegebot"
3. Duo/Canon: "Samenknospen und Blüten"
4. Aria: "Jedes kommt und vergeht"
5. Choral: "Uns ist geboten zu hüten"
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For the Birthday of Kurt Engisch (1934)
Instrumentation: for piano
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Sonatina, op. 13 (1934/1979)
Instrumentation: for piano
1. Intrada
2. Aria
3. Finale
This work was originally entitled 'Piano Piece 1934' and consisted of five movements.
Amadeus Verlag
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Motet (1935)
"Auf Gewesenem stehts du wo du auch bist"
Instrumentation: for alto and baritone soli, mixed choir (SATB) and organ
Texts: Robert Prechtl
An adaptation of the second part of the 'Requiems', op. 6.
Instrumentation: for alto and baritone soli, mixed choir (SATB) and organ
Texts: Robert Prechtl
An adaptation of the second part of the 'Requiems', op. 6.
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Music, op. 18 (1935-1950/1959/1977/1980)
Instrumentation: for two violins and string orchestra
Reconstruction of the corroded score from 1950.
Boosey & Hawkes
London
Toccata, Passacaglia and Finale, op. 16 (1935)
Instrumentation: for two pianos
An adaptation from 'Toccata, Passacaglia and Finale', op. 12.
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Music for Seven Wind and Strings, op. 20 (1936-1937)
Instrumentation: for fl.ob.cl.bn/2tpt.tbn/str
Bote & Bock
Lützowufer 26
D-10787 Berlin
Deutschland
Tel. +49 30 2500130
Fax +49 30 25001399
musikverlag@boosey.com
www.boosey.com
D-10787 Berlin
Deutschland
Tel. +49 30 2500130
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www.boosey.com
Fünf Chöre, op. 21 (1936-1975)
Instrumentation: for mixed choir (SATB)
Texts: Rudolf Pestalozzi
1. Büblein, nun fängst auch du die Bahn
2. Sind deine Tage wie die meinen
3. Im Feuer schmilzt das Gold
4. Ob auch Gebirg und Tal
5. Und wieder liegt ein Kindlein
Bote & Bock
Lützowufer 26
D-10787 Berlin
Deutschland
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D-10787 Berlin
Deutschland
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www.boosey.com
Symphonic Music, op. 22 (1937-1938)
Instrumentation: for large orchestra (2(2.picfl).2(2.ca).2.bcl.2(2.cbn)/4.2.3.0/timp/str)
Bote & Bock
Lützowufer 26
D-10787 Berlin
Deutschland
Tel. +49 30 2500130
Fax +49 30 25001399
musikverlag@boosey.com
www.boosey.com
D-10787 Berlin
Deutschland
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www.boosey.com
Symphonic Variations over an Own Theme for Piano Quintet, op. 17 (1937)
Instrumentation: for two violins, viola, violoncello and piano
1. Toccata
2. Passacaglia
3. Finale
This is an adaptation from 'Toccata, Passacaglia and Finale', op. 12.
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Music, op. 23 (1938/1957)
Instrumentation: for viola and orchestra (2.2(2.ca).2(2.bcl).2/3.2.3.0/timp/str)
1. Sonata
2. Divertimento (Arietta - Scherzo - Trio)
Boosey & Hawkes
London
Concert, op. 24 (1939-1940/1972/1982/1985)
Instrumentation: for violin and orchestra (2(2.picfl).2.2.2/3.2.3.0/timp/str)
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Symphony, op. 25 (1941-1942)
Instrumentation: for large orchestra (3(3.picfl).2(2.ca).3(3.bcl).2(2.cbn)/4.3.3.0/timp/str)
1. Langsam - Schnell - Langsam
2. Langsam
3. Schnell
Schaeuble adapted the second movement of the 'Symphony', op. 25 for two pianos for the second movement of the 'Concert for Piano and Orchestra', op. 50.
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Praeludium, op. 15a (1941)
Instrumentation: for orchestra (2.2.2.2/2.2.1.0/str)
Adaptation of the 'Praeludium for Organ', op. 15.
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Fabula aeterna, op. 26a (1942)
Suite No. 1
Instrumentation: for orchestra (2(2.pic).2.2.0/3.2.2.0/timp/str)
1. Praeludio (new composition)
2. Pastorale (op. 26, No. 4)
3. Capriccio (new composition)
4. Finale (op. 26, No. 5)
Instrumentation: for orchestra (2(2.pic).2.2.0/3.2.2.0/timp/str)
1. Praeludio (new composition)
2. Pastorale (op. 26, No. 4)
3. Capriccio (new composition)
4. Finale (op. 26, No. 5)
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Fabula aeterna, op. 26b (1942-1945)
Suite No. 2
Instrumentation: for orchestra (2/2.picfl).2.2.0/3.2.2.0/timp/str)
1. Sarabande (op. 26, No. 1)
2. Intermezzo (op. 26, No. 2)
3. Passacaglia (new composition)
4. Finale (not preserved)
Instrumentation: for orchestra (2/2.picfl).2.2.0/3.2.2.0/timp/str)
1. Sarabande (op. 26, No. 1)
2. Intermezzo (op. 26, No. 2)
3. Passacaglia (new composition)
4. Finale (not preserved)
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Symphony No. 2, op. 27 (1943-1944)
Instrumentation: for orchestra (2(2.picfl).2(2.ca).2(2.bcl).2(2.cbn)/4.3.3.0-timp/str)
1. Andantino (Preamble)
2. Allegro vivace (Scherzo)
3. Moderato
4. Allegro (Finale)
The first movement is a reworking of the 'Praeludium for Orchestra', op. 15a.
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In Memoriam, op. 27a (1943-1944/1945/1978)
Symphonic music
Instrumentation: for string orchestra (version 1944) or for string orchestra and kettle drum (version 1978)
1. Larghetto
2. Allegro - Meno mosso - Largo
Reworking of the third and fourth movements from the 'Symphony No. 2', op. 27.
Instrumentation: for string orchestra (version 1944) or for string orchestra and kettle drum (version 1978)
1. Larghetto
2. Allegro - Meno mosso - Largo
Reworking of the third and fourth movements from the 'Symphony No. 2', op. 27.
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Sarabande, Intermezzo and Canon, op. 26c (1945)
Instrumentation: for two pianos
1. Sarabande (from the ballet 'Fabula aeterna', op. 26, No. 1)
2. Intermezzo (from 'Fabula aeterna', op. 26, No. 2)
3. Canon (from 'Music for Viola and Orchestra', op. 23)
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Hymnus, op. 29 (1945)
Instrumentation: for orchestra (2(2.picfl).2(2.ca).2.2(2.cbn)/4.3.2.0/timp.cym/str)
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Sonata No. 2, op. 31 (1946/1977/1980/1982)
Instrumentation: for violin and piano
1. Introduction
2. Allegro scherzando
3. Lento (quasi fantasia)
4. Andante - Allegro - Andante
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Capriccio, op. 30 (1946)
Instrumentation: for piano and orchestra (2(2.picfl).2.2.2/3.3.3.0/timp.perc(tri, cym, small dm)/str)
1. Tempo di Scherzo
2. Pavane (quasi Trio)
3. Tempo di Scherzo
The first movement is an adaptation of the second movement of the 'Symphony', op. 27.
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Dorian Gray, op. 32 (1947/1962/1974-1975)
opra in two parts (seven scenes)
Instrumentation: for voices, speaker, choir (SATB) and orchestra (2.2.2.2/4.3.3.0/timp.perc(tri, cym, small dm)/hp/str)
Texts: Oscar Wilde (Hans Schaeuble)
people:
Dorian Gray (T)
Lord Henry Wotton (Bar)
Basil Hallward (Bar)
Olivia (S)
Sibyl Vane (S)
Frau Vane (A)
Romeo (speaker)
Julia (speaker)
Servant(T)
Majordomo (B)
Valet de place (silent Role)
Theatre director (silent Role)
Ladies and Gentlemen of the English society, public, passers-by etc., extras
Instrumentation: for voices, speaker, choir (SATB) and orchestra (2.2.2.2/4.3.3.0/timp.perc(tri, cym, small dm)/hp/str)
Texts: Oscar Wilde (Hans Schaeuble)
people:
Dorian Gray (T)
Lord Henry Wotton (Bar)
Basil Hallward (Bar)
Olivia (S)
Sibyl Vane (S)
Frau Vane (A)
Romeo (speaker)
Julia (speaker)
Servant(T)
Majordomo (B)
Valet de place (silent Role)
Theatre director (silent Role)
Ladies and Gentlemen of the English society, public, passers-by etc., extras
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Symphonic Concertante Variations over an Own Theme, op. 33 (1949/1973/1979)
Instrumentation: for orchestra with obligatory piano
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Concert, op. 34 (1949/1973/1975)
Instrumentation: for piano and orchestra (2.2.2.2/4.3.3.0)/timp.perc(tri, cym, small dm)/str)
Allegro giusto - Andante - Allegro vivo - Scherzando
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String Quartet, op. 35 (1950)
Instrumentation: for string quartet
1. Allegro
2. Andante
3. Scherzo
4. Allegro
Amadeus Verlag
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Los Caprichos, op. 36 (1950-1951)
Choreographic suite
Instrumentation: for two hands or four hands or two pianos
1. Cortejo noble
2. Genio alegre
3. Novela pastoral
4. Capricho
5. Fandango
6. Habanera
7. Farándula
An adaptation of the ballet bearing the same name.
Instrumentation: for two hands or four hands or two pianos
1. Cortejo noble
2. Genio alegre
3. Novela pastoral
4. Capricho
5. Fandango
6. Habanera
7. Farándula
An adaptation of the ballet bearing the same name.
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Los Caprichos, op. 36 (1950-1951)
Choreographic suite
Instrumentation: for orchestra (2(2.picfl).2(2.ca).2(2.bcl).2/4.3.3.0/timp.perc(tri, cym, claves, small dm, tamb, castanets)/hp.str)
1. Cortejo noble
2. Genio alegre
3. Novela pastoral
4. Capricho
5. Fandango
6. Habanera
7. Farandula
Instrumentation: for orchestra (2(2.picfl).2(2.ca).2(2.bcl).2/4.3.3.0/timp.perc(tri, cym, claves, small dm, tamb, castanets)/hp.str)
1. Cortejo noble
2. Genio alegre
3. Novela pastoral
4. Capricho
5. Fandango
6. Habanera
7. Farandula
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Solo Cantata, op. 37 (1952/1979/1980)
Instrumentation: for baritone and organ
Texts: Robert Prechtl
1. Introduction (choral prelude "Wenn ich einmal soll scheiden")[1a.] Weisst du was Sterben heisst
2. Arioso: "Noch einmal lasse mich die Sonne schau'n"
3. Meditation: "Zu sterben spricht sich leicht"
4. Fugato
5. Doch wem das dunkle Los geworfen wird
6. Ein grosser Lehrherr ist der Tod
[7.] Choral prelude da capo
This cantata is an adaptation of the second part of the 'Requiem', op. 6.
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Ombra adorata, op. 38 (1952-1953)
Little symphony
Instrumentation: for orchestra (2.2(2.ca).2.2/3.2.1.0/timp.small dm/str)
1. Preambel
2. Allegro scherzando
3. Andante (semplice)
4. Allegro giocoso
Instrumentation: for orchestra (2.2(2.ca).2.2/3.2.1.0/timp.small dm/str)
1. Preambel
2. Allegro scherzando
3. Andante (semplice)
4. Allegro giocoso
Boosey & Hawkes
London
Sonata, op. 39 (1953-1954)
Instrumentation: for piano
1. Allegro
2. Andante (con moto)
3. Allegro (giocoso)
Boosey & Hawkes
London
Aspects et perspectives, op. 40 (1954/1959/1978)
Divertimento
Instrumentation: for orchestra (2(2.picfl).2(2.ca).2(2.bcl).2/4.3.2.0/timp.perc(tri, cym, small dm)/str)
Instrumentation: for orchestra (2(2.picfl).2(2.ca).2(2.bcl).2/4.3.2.0/timp.perc(tri, cym, small dm)/str)
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Concert, op. 41 (1955)
Instrumentation: for violoncello and orchestra (2(2.picfl).2(2.ca).2(2.bcl).2/2.2.2.0/timp.perc(cym, small dm)/str)
1. Intrada
2. Rondo (Scherzando - Moderato - Cadenza)
3. Allegro vivace
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Aspects et perspectives, op. 40 (1956/1978)
Instrumentation: for two-handed piano
An adaptation of the ballet bearing the same name.
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Serenade B Major op. 42 (1956)
Instrumentation: for string orchestra
1. Concerto grosso
2. Romanze - Scherzando - Trio - Scherzando - Romanze
3. Finale
The final movement (Finale) is an adaptation of the prelude from 'Die Rose und der Schatten', op. 43.
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Variations for Piano over the Birthday Duet from Paul Burkhard's 'Schwarzem Hecht' (1957/1969)
Instrumentation: for piano
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Die Rose und der Schatten, op. 43 (1957-1958/1977 1979)
Ballet
Instrumentation: for orchestra (2(2.picfl).2(2.ca).2(2.bcl).2/3.2.2.0/timp.perc(xyl, tri, cym, small dm, tamb)
Prelude
1. Scene
Intermezzo
2. Scene
After the novella 'Peter Schlemihl' by Adalbert von Chamisso. Concept by Robert Borer and Hans Schaeuble.
Instrumentation: for orchestra (2(2.picfl).2(2.ca).2(2.bcl).2/3.2.2.0/timp.perc(xyl, tri, cym, small dm, tamb)
Prelude
1. Scene
Intermezzo
2. Scene
After the novella 'Peter Schlemihl' by Adalbert von Chamisso. Concept by Robert Borer and Hans Schaeuble.
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www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Die Rose und der Schatten, op. 43 (1957-1958/1977/1979)
Instrumentation: for piano solo resp. for two pianos
An adaptation of the ballet bearing the same name.
Zentralbibliothek Zürich
Musikabteilung
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
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Predigerplatz 33
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Schweiz
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musik@zb.uzh.ch
www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Concertino, op. 44 (1959/1980)
Instrumentation: for oboe and string orchestra
Amadeus Verlag
Hermannstrasse 7
CH-8400 Winterthur
Schweiz
Tel. +41 (0)52 233 28 66
Fax +41 (0)52 233 54 01
www.amadeusmusic.ch
CH-8400 Winterthur
Schweiz
Tel. +41 (0)52 233 28 66
Fax +41 (0)52 233 54 01
www.amadeusmusic.ch
Trio, op. 45 (1960)
Instrumentation: for violin, violoncello and piano
1. Moderato
2. Andante
3. Allegro
Amadeus Verlag
Hermannstrasse 7
CH-8400 Winterthur
Schweiz
Tel. +41 (0)52 233 28 66
Fax +41 (0)52 233 54 01
www.amadeusmusic.ch
CH-8400 Winterthur
Schweiz
Tel. +41 (0)52 233 28 66
Fax +41 (0)52 233 54 01
www.amadeusmusic.ch
Concertino, op. 47a (1961-1962/1966/1976)
Instrumentation: for flute and piano
1. Moderato - Poco meno - Moderato
2. Gique
3. Moderato - Poco meno
4. Intermezzo
5. Allegro deciso
An adaptation of the 'Concertino for Flute and String Orchestra', op. 47.
Zentralbibliothek Zürich
Musikabteilung
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Concertino, op. 47 (1961-1962/1966/1976)
Instrumentation: for flute and string orchestra
1. Moderato - Poco meno - Moderato
2. Gigue
3. Moderato - Poco meno
4. Intermezzo
5. Allegro deciso
Amadeus Verlag
Hermannstrasse 7
CH-8400 Winterthur
Schweiz
Tel. +41 (0)52 233 28 66
Fax +41 (0)52 233 54 01
www.amadeusmusic.ch
CH-8400 Winterthur
Schweiz
Tel. +41 (0)52 233 28 66
Fax +41 (0)52 233 54 01
www.amadeusmusic.ch
Concertino, op. 46 (1961/1969)
Instrumentation: for clarinet and string orchestra
1. Andante (Elegie)
2. Allegro
Zentralbibliothek Zürich
Musikabteilung
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
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Predigerplatz 33
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musik@zb.uzh.ch
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Music, op. 46 (1961/1969)
Instrumentation: for clarinet and string orchestra
1. Allegro
2. Andante (Elegie)
3. Allegro vivace
Second version of the 'Concertino for Clarinet and String Orchestra' with an added third movement (reworking of the third movement from the 'Cello Concert', op. 41).
Zentralbibliothek Zürich
Musikabteilung
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Monopartita, op. 48 (1963/1983)
Instrumentation: for string orchestra
Zentralbibliothek Zürich
Musikabteilung
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
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Predigerplatz 33
CH-8001 Zürich
Schweiz
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musik@zb.uzh.ch
www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Monopartita, op. 48a (1964/1971/1983)
Instrumentation: for two pianos
An adaptation of the 'Monopartita for Large String Orchestra', op. 48.
Zentralbibliothek Zürich
Musikabteilung
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Diario, op. 49 (1964-1965/1969/1970/1983)
Instrumentation: for piano
1. Prelude
2. Allegro
3. Lento (Notturno)
4. Scherzo - Intermezzo (quasi Trio) - Scherzo - Coda
Amadeus Verlag
Hermannstrasse 7
CH-8400 Winterthur
Schweiz
Tel. +41 (0)52 233 28 66
Fax +41 (0)52 233 54 01
www.amadeusmusic.ch
CH-8400 Winterthur
Schweiz
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Fax +41 (0)52 233 54 01
www.amadeusmusic.ch
Epitaph for Heinrich Pestalozzi (1964)
'They may find peace deep in the earth'
Instrumentation: for mixed choir (SSAATBarBB)
Texts: Johann Heinrich Pestalozzi
Instrumentation: for mixed choir (SSAATBarBB)
Texts: Johann Heinrich Pestalozzi
Zentralbibliothek Zürich
Musikabteilung
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
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Predigerplatz 33
CH-8001 Zürich
Schweiz
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musik@zb.uzh.ch
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Adagio, op. 25a (1965)
Instrumentation: for two pianos
An adaptation of the second movement of the 'Symphony' op. 25.
Zentralbibliothek Zürich
Musikabteilung
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Concert, op. 50 (1967/1971/1979)
Instrumentation: for piano and string orchestra
1. Pavane
2. Adagio
3. Allegro
The second movement is an adaptation of the second movement of the 'Symphony', op. 25.
Zentralbibliothek Zürich
Musikabteilung
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Paradise lost, op. 51a (1968-1969/1977/1988)
Symphonic poem
Instrumentation: for two pianos
An adaptation of the orchestral work bearing the same name.
Instrumentation: for two pianos
An adaptation of the orchestral work bearing the same name.
Zentralbibliothek Zürich
Musikabteilung
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Paradise lost, op. 51 (1968-1969/1977 1988)
Symphonic poem
Instrumentation: for orchestra (2.2.2.2/4.2.2.0/timp.perc(cym, small dm)/str)
Instrumentation: for orchestra (2.2.2.2/4.2.2.0/timp.perc(cym, small dm)/str)
Zentralbibliothek Zürich
Musikabteilung
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Predigerplatz 33
CH-8001 Zürich
Schweiz
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musik@zb.uzh.ch
www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Praeambel - Cadenza - Coda, op. 47b (1976)
Instrumentation: for flute solo
An adaptation of the 'Concertino for Flute and String Orchestra', op. 47.
Zentralbibliothek Zürich
Musikabteilung
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Predigerplatz 33
CH-8001 Zürich
Schweiz
Tel. +41 (0)44 268 31 81
musik@zb.uzh.ch
www.zb.uzh.ch/spezialsammlungen/musikabteilung/index.html.de
Introduction and Fantasia, [op. 31] (1981)
Instrumentation: for English horn and piano
An adaptation of the first and third movements from the 'Violin sonata', op. 31.
Amadeus Verlag
Hermannstrasse 7
CH-8400 Winterthur
Schweiz
Tel. +41 (0)52 233 28 66
Fax +41 (0)52 233 54 01
www.amadeusmusic.ch
CH-8400 Winterthur
Schweiz
Tel. +41 (0)52 233 28 66
Fax +41 (0)52 233 54 01
www.amadeusmusic.ch
Discography
Swiss String Quartets (Guild Nr. GMCD 7303, 2006)
Schaeuble, Hans: Musik, op. 19 (1934-1935/1979/1980)
Schütter, Meinrad: Streichquartett (1990)
Works:
Schmid, Erich: Streichquartett, op. 4 (1930-1931/1934)Schaeuble, Hans: Musik, op. 19 (1934-1935/1979/1980)
Schütter, Meinrad: Streichquartett (1990)
Info: www.fonoteca.ch
Christopher Hogwood Conducts (Guild Nr. 7253, 2003)
Schaeuble, Hans: Praeludium, op. 15a (1941)
With more works of: Paul Müller-Zürich, Adolf Brunner
Works:
Burkhard, Willy: Sonatine für Orgel, op. 52 (1938)Schaeuble, Hans: Praeludium, op. 15a (1941)
With more works of: Paul Müller-Zürich, Adolf Brunner
Info: www.fonoteca.ch
20th Century Concertos for Flute and Clarinet (Guild Nr. 7250, 2002)
With more works of: Hermann Haller, Wladimir Vogel, Robert Blum
Interpreters:
Camerata ZürichWorks:
Schaeuble, Hans: Concertino, op. 47 (1961-1962/1966/1976)With more works of: Hermann Haller, Wladimir Vogel, Robert Blum
Info: www.fonoteca.ch
Last updated: 2020-10-10 13:43:51