Poffet Ingeborg
(17. 01. 1965)
Poffet Ingeborg
Güterstr. 213
CH-4053 Basel (BS)
Schweiz
Tel: +41 (0)61 361 56 70
Fax: +41 (0)61 361 56 70
www.duofatale.ch/
Güterstr. 213
CH-4053 Basel (BS)
Schweiz
Tel: +41 (0)61 361 56 70
Fax: +41 (0)61 361 56 70
www.duofatale.ch/
Genere: Musica Classica
Biografia
* 17. 01. 1965.
Ingeborg Poffet (accordion, vocals and composition) began singing and playing various instruments at a young age. She has performed solo accordion concerts since the age of four. From 1979 until 1983 she won several competition prizes, and from 1976 until 1973 she was composer for and conductor of various choir projects. She has played classic and contemporary literature as a soloist as well as in several orchestras since 1976 (1978 until 1981 soloist in the '1. Kölner Accordeon-Orchester'). She has taught accordion since 1976. She was schooled in modern pedagogic seminars and has developed her own teaching style, she has just created her own 'Schule für Konzertaccordeon' (school for concert accordion). She has been a member of various formations (accordion, vocals, keyboard, composition) since 1979. In 1981 she took her final exams in conducting at the Remscheid Academy. From 1984 until 1986 she studied computer music under Clarence Barlow at the music school in Cologne (Germany), she also collaborated on various computer music projects. Until 1987 she participated in many special training seminars for accordion with Hugo Noth, Mie Miki-Schenck, Guido Wagner, Elsbeth Moser and others. From 1986 until 1989 she worked in the electronic studios in Hamburg and Basel (music academies). In 1988 she participated in the computer music seminar in Berlin and Cologne. From 1988 until 1989 she was sound technician for the ensemble IGNM and 'Briefe aus dem toten Raum' with Serena Wey, actress. In 1989 together with JOPO she composed for 'Bericht eines Schiffbrüchigen' for quartet with Serena Wey. She played accordion for film music from Niki Reiser, Dani Levi, Dorís Dörrie, Daniel Detwiler & Ramon Schneider. Ingeborg Poffet lives, teaches concert accordion, vocals and theory in Basel and gives courses in aural training and mental training for musicians and a cappella at the music workshop in Basel. In 1989 she entered the group City/6/tett with tours in Switzerland and Turkey.
In 1989 She founded the formation 'Duo fatale' with her husband JOPO (alto sax, bass clarinet, composition). They conduct all their projects themselves and use exclusively their own compositions. Ingeborg Poffet has toured in Europe, Asia and Africa, participating at international festivals (Leipzig, St.Petersburg, Münster, Grenoble, Jakarta, Singapore, Khartoum, Odessa and many more) with various international radio and television productions (Izmir, Bologna, SWF, DRS, Moscow, Spain, Bandung, Jazz Swissmade, Bremerhaven, Odessa). 'Duo fatal' became 'Trio fatale Vision' after formation with Avant-garde, Ethno, classical, and rock musicians under the title 'Duo fatale meets international guests'. Since 1989 Duo fatale plus painter Heinz Schäublin received a financial award from the Alexander Clavel Foundation Riehen - Jardin lumière 1992; 2.Preis 'Kunstkredit Basel', 'NachtMachtPlatz' (1990) a multimedia formation with live performances 'fatale vision' at the international festivals of Smolensk (Russia), Pärnu (Estonia), Stuttgart, Singapore and exhibitions in Berowergut Riehen (Casa Obscura - Musica Magica 1994), in the exhibition room 'Klingenthal' (Sojourner´s Gallery 1998) and the old barracks at the 'Musikfestwochen Winterthur' (Sojourner´s Gallery 2000). Since 1991 and the formation of 'JAISH', JOPO and Ingeborg Poffet regularly play together on site with various Indian musicians, above all with Prakash Shejwal pakhavaj and Milind Sheorey bansouri (both from Bombay) with concerts in India (Bombay), Switzerland and Germany.
Since 1999 'Duo fatale meets percussion' with Barni Palm former percussionist of the group 'Brainticket', who returned to Switzerland after eighteen years residency in India. Concerts: 'Musikfestwochen Winterthur' 1999, 'Jazz à Mulhouse' 2000, 'Gundeldinger Kunsthalle' 2000 (Basel).
Since 1999 'KABA-QuARTett' with the musician Johannes Frisch from Karlsruhe (contrabass) and Michael Ströder (drums). Concerts at: 'Jubi' Karlsruhe, Parterre, Sudhaus, music workshop Basel in Basel (live recordings for Radio DRS March 2000). In 1997 she conducted and participated in the MKS-Vernetzungs-Orchester 'Frontières...' with JOPO.
In 1998 she conducted and participated in the Disabled Orchestra Sound Collages with JOPO.
In 1990, 1993 and 1997 she organised and participated in the international XOPF-Festivals in Basel.
Since 1989 she is manager of XOPF-Records and from 1997 until 2003 she delegated the single members of Swissperform.
In 1999, 2000 and 2001 she conducted and participated in the Disabled Orchestra 'Sound-Export with the Mega-Ram-Orchester' with performances at the Gundeldinger Casino in Basel, 'Wildwuchs-Festival' 2001 and in 'Parterre' in Basel.
In 2000 She was soloist and musician in the 'Klangkörper' Swiss pavilion Expo 2000 in Hannover.
2001 Trio Marguerite with Stefan Baumann cello, Andi Isler dr, Swiss improvisations prize 'Prix Marguerite de Reding 2001' (Fr. 7'500, -)
2001/2002 'Erst jenseits der Kastanien ist die Welt', Paul Celan (text), Freddy Allemann (speaking voice), Ingeborg Poffet (accordion and vocals), Laurent Charles (contrabass) with concerts in Switzerland.
2002 Fresh'nDJ, Duo fatale meets DJ GRU (Sergei Klein) form Odessa/Ukraine, concert nt/Areal Basel.
2002 Wood'nt Performance on the railway tracks of the nt/Areals with J.-J. Futterer cb, JOPO bcl, Ingeborg Poffet (electronics) and Christian Hefel (chainsaw).
2002 Marguerite-QuARTett with JOPO, Stefan Baumann (cello), Andi Isler (drums), Konzert 101. Tonkünstlerfest Zug/Baar, live recording by DRS 2
2003 4hoch3 with Peter Kleindienst (guitar), Georges Bloch (vocals), JOPO (bcl, as, vocals), Ingeborg Poffet (accordion, vocals); Six concerts in Switzerland Germany and France.
2003 Femme fatale composition, conduction and concept with JOPO, multimedia spectacle Open Air in front of the Orangerie/Sarasinpark, Riehen.
2003 El JIM V. with JOPO and Murat Coskun oriental percussion; concert in Switzerland.
Ingeborg Poffet (accordion, vocals and composition) began singing and playing various instruments at a young age. She has performed solo accordion concerts since the age of four. From 1979 until 1983 she won several competition prizes, and from 1976 until 1973 she was composer for and conductor of various choir projects. She has played classic and contemporary literature as a soloist as well as in several orchestras since 1976 (1978 until 1981 soloist in the '1. Kölner Accordeon-Orchester'). She has taught accordion since 1976. She was schooled in modern pedagogic seminars and has developed her own teaching style, she has just created her own 'Schule für Konzertaccordeon' (school for concert accordion). She has been a member of various formations (accordion, vocals, keyboard, composition) since 1979. In 1981 she took her final exams in conducting at the Remscheid Academy. From 1984 until 1986 she studied computer music under Clarence Barlow at the music school in Cologne (Germany), she also collaborated on various computer music projects. Until 1987 she participated in many special training seminars for accordion with Hugo Noth, Mie Miki-Schenck, Guido Wagner, Elsbeth Moser and others. From 1986 until 1989 she worked in the electronic studios in Hamburg and Basel (music academies). In 1988 she participated in the computer music seminar in Berlin and Cologne. From 1988 until 1989 she was sound technician for the ensemble IGNM and 'Briefe aus dem toten Raum' with Serena Wey, actress. In 1989 together with JOPO she composed for 'Bericht eines Schiffbrüchigen' for quartet with Serena Wey. She played accordion for film music from Niki Reiser, Dani Levi, Dorís Dörrie, Daniel Detwiler & Ramon Schneider. Ingeborg Poffet lives, teaches concert accordion, vocals and theory in Basel and gives courses in aural training and mental training for musicians and a cappella at the music workshop in Basel. In 1989 she entered the group City/6/tett with tours in Switzerland and Turkey.
In 1989 She founded the formation 'Duo fatale' with her husband JOPO (alto sax, bass clarinet, composition). They conduct all their projects themselves and use exclusively their own compositions. Ingeborg Poffet has toured in Europe, Asia and Africa, participating at international festivals (Leipzig, St.Petersburg, Münster, Grenoble, Jakarta, Singapore, Khartoum, Odessa and many more) with various international radio and television productions (Izmir, Bologna, SWF, DRS, Moscow, Spain, Bandung, Jazz Swissmade, Bremerhaven, Odessa). 'Duo fatal' became 'Trio fatale Vision' after formation with Avant-garde, Ethno, classical, and rock musicians under the title 'Duo fatale meets international guests'. Since 1989 Duo fatale plus painter Heinz Schäublin received a financial award from the Alexander Clavel Foundation Riehen - Jardin lumière 1992; 2.Preis 'Kunstkredit Basel', 'NachtMachtPlatz' (1990) a multimedia formation with live performances 'fatale vision' at the international festivals of Smolensk (Russia), Pärnu (Estonia), Stuttgart, Singapore and exhibitions in Berowergut Riehen (Casa Obscura - Musica Magica 1994), in the exhibition room 'Klingenthal' (Sojourner´s Gallery 1998) and the old barracks at the 'Musikfestwochen Winterthur' (Sojourner´s Gallery 2000). Since 1991 and the formation of 'JAISH', JOPO and Ingeborg Poffet regularly play together on site with various Indian musicians, above all with Prakash Shejwal pakhavaj and Milind Sheorey bansouri (both from Bombay) with concerts in India (Bombay), Switzerland and Germany.
Since 1999 'Duo fatale meets percussion' with Barni Palm former percussionist of the group 'Brainticket', who returned to Switzerland after eighteen years residency in India. Concerts: 'Musikfestwochen Winterthur' 1999, 'Jazz à Mulhouse' 2000, 'Gundeldinger Kunsthalle' 2000 (Basel).
Since 1999 'KABA-QuARTett' with the musician Johannes Frisch from Karlsruhe (contrabass) and Michael Ströder (drums). Concerts at: 'Jubi' Karlsruhe, Parterre, Sudhaus, music workshop Basel in Basel (live recordings for Radio DRS March 2000). In 1997 she conducted and participated in the MKS-Vernetzungs-Orchester 'Frontières...' with JOPO.
In 1998 she conducted and participated in the Disabled Orchestra Sound Collages with JOPO.
In 1990, 1993 and 1997 she organised and participated in the international XOPF-Festivals in Basel.
Since 1989 she is manager of XOPF-Records and from 1997 until 2003 she delegated the single members of Swissperform.
In 1999, 2000 and 2001 she conducted and participated in the Disabled Orchestra 'Sound-Export with the Mega-Ram-Orchester' with performances at the Gundeldinger Casino in Basel, 'Wildwuchs-Festival' 2001 and in 'Parterre' in Basel.
In 2000 She was soloist and musician in the 'Klangkörper' Swiss pavilion Expo 2000 in Hannover.
2001 Trio Marguerite with Stefan Baumann cello, Andi Isler dr, Swiss improvisations prize 'Prix Marguerite de Reding 2001' (Fr. 7'500, -)
2001/2002 'Erst jenseits der Kastanien ist die Welt', Paul Celan (text), Freddy Allemann (speaking voice), Ingeborg Poffet (accordion and vocals), Laurent Charles (contrabass) with concerts in Switzerland.
2002 Fresh'nDJ, Duo fatale meets DJ GRU (Sergei Klein) form Odessa/Ukraine, concert nt/Areal Basel.
2002 Wood'nt Performance on the railway tracks of the nt/Areals with J.-J. Futterer cb, JOPO bcl, Ingeborg Poffet (electronics) and Christian Hefel (chainsaw).
2002 Marguerite-QuARTett with JOPO, Stefan Baumann (cello), Andi Isler (drums), Konzert 101. Tonkünstlerfest Zug/Baar, live recording by DRS 2
2003 4hoch3 with Peter Kleindienst (guitar), Georges Bloch (vocals), JOPO (bcl, as, vocals), Ingeborg Poffet (accordion, vocals); Six concerts in Switzerland Germany and France.
2003 Femme fatale composition, conduction and concept with JOPO, multimedia spectacle Open Air in front of the Orangerie/Sarasinpark, Riehen.
2003 El JIM V. with JOPO and Murat Coskun oriental percussion; concert in Switzerland.
Elenco delle opere
Vampire love song (1982)
Strumentazione: für Alt, Bass, Bassklarinette und Gitarre
Durata: 8' 00"
Manuscritto
running attack, op. 145 (1986)
Strumentazione: für Stimme, Chor und Ensemble (V, Vc, KB - Git, Klav, Schlgz)
Testo: Ingeborg Poffet
Durata: 4' 00"
Manuscritto
still falling in love, op. 147 (1986)
Strumentazione: für Stimme, Chor und Ensemble (V, Vc, KB - Klav, Schlgz)
Testo: Ingeborg Poffet
Durata: 6' 00"
Manuscritto
TIME (1988)
Computermusik
Strumentazione: für digitale Zuspielbänder, fairlight, Live-Elektronik (Publison)
Durata: 4' 00"
Manuscritto
Strumentazione: für digitale Zuspielbänder, fairlight, Live-Elektronik (Publison)
Durata: 4' 00"
Manuscritto
Bericht eines Schiffbrüchigen (1989)
Strumentazione: für Akkordeon, Saxophon, Posaune, Schlagzeug
Testo: Gabriel Garcia Marquez.
Gemeinschaftskomposition Ingeborg Poffet & JOPO.
Ein Theater-Musik-Projekt mit Serena Wey, Schauspielerin.
Durata: 75' 00"
Manuscritto
Suffering Boy (1989)
Strumentazione: für Stimme und Altsax
Durata: 5' 00"
Manuscritto
Fluidum (1989)
Strumentazione: für Akkordeon und Altsax
Durata: 2' 00"
Manuscritto
Palaver (1989)
Strumentazione: für Stimme und Altsax
Durata: 11' 00"
Manuscritto
Turkish Suite (1989)
Strumentazione: für Akkordeon, Stimme, Altsax, Bassklarinette, türkische Klarinette, Bass und Schlagzeug
Durata: 50' 00"
Manuscritto
Spots & Spotlights (1991)
Strumentazione: für Alt- und Tenorsax, Posaune, Akkordeon, Stimme, Bass und Schlagzeug
Gemeinschaftskomposition Ingeborg Poffet & JOPO.
Durata: 5' 00"
Manuscritto
Supply - do why (1991)
Strumentazione: für Alt- und Tenorsax, Posaune, Akkordeon, Stimme, Bass und Schlagzeug
Durata: 8' 00"
Manuscritto
Trupti-Mupti (Therva) (1992)
Strumentazione: für Altsax, Akkordeon, Stimme, Pakhavaj, Tanpura
Gemeinschaftskomposition Ingeborg Poffet & JOPO.
Durata: 15' 00"
Manuscritto
Message for the craws [sic!] (Chautaal) (1992)
Strumentazione: für Altsax, Akkordeon, Stimme, Pakhavaj, Tanpura
Gemeinschaftskomposition Ingeborg Poffet & JOPO.
Durata: 16' 00"
Manuscritto
Polka di Goa (1992)
Strumentazione: für Altsax und Akkordeon
Durata: 10' 00"
Manuscritto
Cicada of Java (1993)
Strumentazione: für 3 Saxophone, Bassklarinette, Flöte, Shakuhachi, Rantang, Perkussion, Violine, Akkordeon, Stimme, Klavier, Pakhavaj, 2 Bässe, 2 Schlagzeuger (oder anderes gemischtes Orchester)
Durata: 16' 00"
Manuscritto
No dream (1994)
Strumentazione: für Stimme und Klavier
Durata: 6' 00"
Manuscritto
Sunday Waltz II (1994)
Strumentazione: für Altsax und Akkordeon
Gemeinschaftskomposition Ingeborg Poffet & JOPO.
Durata: 12' 00"
Manuscritto
Berastagi (1994)
Strumentazione: für Saxophon, Klarinette, Akkordeon, Stimme, Bass, Schlagzeug
Durata: 13' 00"
Manuscritto
No sugar no salt (1994)
Strumentazione: für 3 Stimmen und Klatschen
Gemeinschaftskomposition Ingeborg Poffet & JOPO.
Durata: 3' 00"
Manuscritto
Spirits (1994)
Strumentazione: für 3 Stimmen, Akkordeon, Altsax, Pakhavaj, Tanpura
Gemeinschaftskomposition Ingeborg Poffet & JOPO.
Durata: 25' 00"
Manuscritto
Casa Obscura (1994)
Musikalisch-bildnerische Rauminstallation
Strumentazione: für 8 räumlich verteilte Lautsprecher
Gemeinschaftswerk von Ingeborg Poffet und JOPO.
Durata: 70' 00"
Manuscritto
Strumentazione: für 8 räumlich verteilte Lautsprecher
Gemeinschaftswerk von Ingeborg Poffet und JOPO.
Durata: 70' 00"
Manuscritto
IDEE ALL (1994)
Musikalische Erlebnisräume
Strumentazione: für Altsax, Bassklarinette, Bass, präpariertes Klavier, Akkordeon, 3 Stimmen, Schlaginstrumente, Elektronik, Tonbans, Video und Bildprojektionen
Gemeinschaftswerk von Ingeborg Poffet und JOPO.
Durata: 55' 00"
Manuscritto
Strumentazione: für Altsax, Bassklarinette, Bass, präpariertes Klavier, Akkordeon, 3 Stimmen, Schlaginstrumente, Elektronik, Tonbans, Video und Bildprojektionen
Gemeinschaftswerk von Ingeborg Poffet und JOPO.
Durata: 55' 00"
Manuscritto
Härdöpfelstock, op. 192 (1994)
Strumentazione: für fünfstimmigen Chor
Testo: Ingeborg Poffet
Durata: 6' 00"
Manuscritto
Jaishid (1995)
Strumentazione: für Altsax, Akkordeon, Schlagzeug, Stimme
Durata: 8' 00"
Manuscritto
Jungle Style (1995)
Strumentazione: für Bassklarinette, Akkordeon, Stimme
Gemeinschaftswerk von Ingeborg Poffet und JOPO.
Durata: 10' 00"
Manuscritto
Mas al-Chunder (1995)
Strumentazione: für Akkordeon, Stimme, Altsax, Sarangi, Pakhavaj
Durata: 7' 00"
Manuscritto
Pink City (1996)
Strumentazione: für Altsax, Akkordeon, Stimme, Sarangi, Pakhavaj, Tanpura
Durata: 9' 00"
Manuscritto
Improbase, op. 194 (1996)
Strumentazione: für 4-5-stimmigen Chor
Testo: Ingeborg Poffet
Durata: 6' 00"
Manuscritto
Sistends, op. 205 (1996)
Strumentazione: für 5-8-stimmigen Chor
Testo: Ingeborg Poffet
Durata: 5' 00"
Manuscritto
Blauhelme im Röstigraben (1996)
Ein Krisenszenario für die Schweiz in 3 Akten
Strumentazione: für Altsax, Bassklarinette, Akkordeon, Stimme, Elektronik, Zuspielbänder, div. Zubehör und Bildprojektionen
Dramatische Multi-Media-Performance aus Anlass des "Tag des Flüchtlings" '96 in Co-Produktion mit der Schweizerischen Flüchtlingshilfe.
Gemeinschaftswerk von Ingeborg Poffet und JOPO.
Durata: 75' 00"
Manuscritto
Strumentazione: für Altsax, Bassklarinette, Akkordeon, Stimme, Elektronik, Zuspielbänder, div. Zubehör und Bildprojektionen
Dramatische Multi-Media-Performance aus Anlass des "Tag des Flüchtlings" '96 in Co-Produktion mit der Schweizerischen Flüchtlingshilfe.
Gemeinschaftswerk von Ingeborg Poffet und JOPO.
Durata: 75' 00"
Manuscritto
Kara (1997)
Strumentazione: für Sarangi, Altsax, Akkordeon, Stimme, Pakhavaj
Durata: 8' 00"
Manuscritto
Als ich dich sah (Kad es tevi redzeju) (1997)
Strumentazione: für Altsax, Bassklarinette, Gitarre, Posaune, Violine, Viola, 2 Stimmen, Bass, Schlagzeug, Perkussion, Djembe
Durata: 20' 00"
Manuscritto
take it, op. 199 (1997)
Strumentazione: für siebenstimmigen Chor
Testo: Ingeborg Poffet
Durata: 20' 00"
Manuscritto
Khela ke Pas (1998)
Strumentazione: für Altsax, Akkordeon, Stimme
Durata: 6' 00"
Manuscritto
Sojourner's Gallery (1998)
Visuell-akustische Installation
Strumentazione: für Altsax, Tenorsax, Baritonsax, Klarinette, Bassklarinette, 6 Stimmen, Klavier, präp. Klavier, Gongs, Violine, Bass, Rototoms, Zuspielbänder
Gemeinschaftswerk von Ingeborg Poffet und JOPO.
Durata: 36' 00"
Manuscritto
Strumentazione: für Altsax, Tenorsax, Baritonsax, Klarinette, Bassklarinette, 6 Stimmen, Klavier, präp. Klavier, Gongs, Violine, Bass, Rototoms, Zuspielbänder
Gemeinschaftswerk von Ingeborg Poffet und JOPO.
Durata: 36' 00"
Manuscritto
Feriensong, op. 200 (1998)
Strumentazione: für vierstimmigen Chor
Testo: Ingeborg Poffet
Durata: 5' 00"
Manuscritto
For Sascha, op. 206 (1998)
Strumentazione: für vierstimmigen Chor
Testo: Ingeborg Poffet
Durata: 5' 00"
Manuscritto
duba-Riff 1-98, op. 207 (1998)
Strumentazione: für vierstimmigen Chor
Testo: Ingeborg Poffet
Durata: 4' 00"
Manuscritto
duba-Riff 2-98, op. 208 (1998)
Strumentazione: für vierstimmigen Chor
Testo: Ingeborg Poffet
Durata: 3' 00"
Manuscritto
Suniye (1999)
Strumentazione: für gemischten Chor a cappella
Durata: 5' 30"
Manuscritto
Jod Paran (2000)
Strumentazione: für Altsaxophon, Akkordeon, Stimme
Durata: 15' 00"
Manuscritto
Himalaya-Tasviren (2001)
Strumentazione: für 54 (oder 108-) köpfiges individuelles und umplatziertes Symphonieorchester (2,2,2, 2 B-Klar,2 - 2,0,2,0 - Schlgz(2), Mar, Vib - 16,8,4,8)
Durata: 28' 00"
Manuscritto
Fresh-Suite Odessa (2001)
Strumentazione: für Akkordeon, Stimme, Altsax, Sopransax, Bassklarinette, Elektronik
Gemeinschaftswerk von Ingeborg Poffet und JOPO.
Durata: 35' 00"
Manuscritto
Adamis-Jam, op. 132 (2001)
Strumentazione: für Stimme, Akk, A-Sax, B-Klar, Schlgz, Didgeridoo, Elektronik
Gemeinschaftskomposition Ingeborg Poffet & JOPO.
Durata: 9' 00"
Manuscritto
Incroyable-Bâle-Suite (2001)
Strumentazione: für 2 Stimmen, 2 Klarinetten, Sa-Quartett, KB, Akk, Git, Schlgz
Gemeinschaftskomposition Ingeborg Poffet & JOPO.
Durata: 85' 00"
Manuscritto
Fresh Suite Palazzo, op. 138 (2001)
Strumentazione: für Sax, Klar, Akk, Gesang, Elektronik
Durata: 88' 00"
Manuscritto
dr Schissdreck-Blues, op. 203 (2001)
Strumentazione: für 6-7-stimmigen Chor
Testo: Ingeborg Poffet
Durata: 6' 00"
Manuscritto
Warteriff, op. 209 (2001)
Strumentazione: für sechsstimmigen Chor
Testo: Ingeborg Poffet
Durata: 4' 00"
Manuscritto
Fresh'nDJ@nt#1, op. 139 (2002)
Strumentazione: für 2 Sax, B-Klar, Akk, Gesang, Elektronik, DJ
Durata: 53' 00"
Manuscritto
Fresh'nDJ@nt#2, op. 140 (2002)
Strumentazione: für 2 Sax, B-Klar, Akk, Gesang, Elektronik, DJ
Durata: 58' 00"
Manuscritto
femme fatale (2003)
Szenische Multi-Media-Performance mit Tanz, son et lumière und Kettensäge
Strumentazione: für Altsax, Sopransax, Akkordeon, Stimme, Vibraphon, Violine, Violoncello, 2 Kontrabässen, Tänzerin, Bildhauer und Bildprojektion
Gemeinschaftswerk von Ingeborg Poffet und JOPO.
Durata: 75' 00"
Manuscritto
Strumentazione: für Altsax, Sopransax, Akkordeon, Stimme, Vibraphon, Violine, Violoncello, 2 Kontrabässen, Tänzerin, Bildhauer und Bildprojektion
Gemeinschaftswerk von Ingeborg Poffet und JOPO.
Durata: 75' 00"
Manuscritto
20 cm (2003)
Strumentazione: für 4 schauspielernde MusikerInnen oder 4 musikalische SchauspielerInnen (4 Stimmen, Gitarre, Akkordeon, Bassklarinette)
Durata: ' 14"
Manuscritto
Fiction-Suite-Palazzo (2004)
Ein elektro-akustisches Musikhörspiel über die Zeit
Strumentazione: für Akkordeon, Stimme, Altsax, Sopransax, Bassklarinette, Klarinette, live-electronics, sampler, drummachine, tapes
Für Reisende und Daheimgebliebene.
Gemeinschaftswerk von Ingeborg Poffet und JOPO.
Durata: 77' 00"
Manuscritto
Strumentazione: für Akkordeon, Stimme, Altsax, Sopransax, Bassklarinette, Klarinette, live-electronics, sampler, drummachine, tapes
Für Reisende und Daheimgebliebene.
Gemeinschaftswerk von Ingeborg Poffet und JOPO.
Durata: 77' 00"
Manuscritto
Van-A-Doo (2004)
Strumentazione: für Trompete und Posaune
Durata: 10' 00"
Manuscritto
all around, op. 204 (2005)
Strumentazione: für vierstimmigen chor
Testo: Ingeborg Poffet
Durata: 3' 00"
Manuscritto
Darling, op. 199 (2005)
Strumentazione: für Stimme, Saxophon, Klavier, Gitarre, Kontrabass und Schlagzeug
Testo: Ingeborg Poffet
Durata: 4' 00"
Manuscritto
Goodbye, op. 198 (2005)
Strumentazione: für Stimme, Klavier, Gitarre, Kontrabass und Schlagzeug
Testo: Ingeborg Poffet
Durata: 3' 00"
Manuscritto
The Gundeli-Walk, op. 198 (2005)
Strumentazione: für vierstimmigen Chor
Testo: Ingeborg Poffet
Durata: 6' 00"
Manuscritto
Nathariff, op. 213 (2005)
Strumentazione: für siebenstimmigen Chor
Testo: Ingeborg Poffet
Durata: 5' 00"
Manuscritto
Après, op. 308 (2005)
Strumentazione: für Stimme, Sax, Klavier und Kontrabass
Testo: Ingeborg Poffet
Durata: 5' 00"
Manuscritto
Indian Book (2006)
Strumentazione: für Saxophon (Eb & Bb), optionale Stimme & Akkordeon
Augemus Musikverlag
Just kick you up, Babe, op. 214 (2006)
Strumentazione: für 4 Singstimmen, Sax, Trompete, Klavier, Marimba, Pauke, Schlagzeug und Kontrabass
Testo: Ingeborg Poffet
Durata: 4' 00"
Manuscritto
Leben, op. 210 (2006)
Strumentazione: für Gesang, Tabla, Pakhavaj, Flöte, Sax, Synthesizer und Sampler
Testo: Ingeborg Poffet
Durata: 5' 00"
Manuscritto
Depressionen, op. 309 (2007)
Strumentazione: für Stimme, Sax, Klavier und Kontrabass
Testo: Ingeborg Poffet
Durata: 7' 00"
Manuscritto
Gobi Fractures, op. 311 (2007)
Strumentazione: für Stimme, Sopransax, Akkordeon und Tabla
Durata: 6' 00"
Manuscritto
Nele Sunshine, op. 310 (2007)
Strumentazione: für Altsax, Akkordeon und Tabla
Durata: 4' 00"
Manuscritto
Die Entführung der Aegolina, der schönsten Drachenfrau der Welt, op. 313-335 (2008)
Kinder-Musical
Strumentazione: Besetzung frei
Testo: Ingeborg Poffet
Durata: 65' 00"
Manuscritto
Strumentazione: Besetzung frei
Testo: Ingeborg Poffet
Durata: 65' 00"
Manuscritto
Die Klangbox 3, op. 341-363 (2008)
22 Kinderlieder
Strumentazione: für Kinderchor
Testo: Ingeborg Poffet
Im Land der Blasorianer, zur Ära der Solartia.
Durata: 48' 00"
Manuscritto
Strumentazione: für Kinderchor
Testo: Ingeborg Poffet
Im Land der Blasorianer, zur Ära der Solartia.
Durata: 48' 00"
Manuscritto
Remmi Demmi im Universum, op. 313-337 (2008)
Strumentazione: für Solisten, Schulchor und Schulorchester
Testo: Ingeborg Poffet
Ein kosmologisch sensologisches Composium.
Durata: 42' 00"
Manuscritto
Buddhas Song, op. 364 (2009)
Strumentazione: für Gesang, Chor, Sax, Klavier
Testo: Hsing Yun
Durata: 5' 00"
Manuscritto
Cryptochronics, op. 367-373 (2009)
Strumentazione: für Gesang, Klarinette, Akkordeon, Sampler, Elektronik, Laptops
Durata: 46' 00"
Manuscritto
The Lybic Hypertonic Suite, op. 384 (2009)
Strumentazione: für grosses Orchester (1,1,1,1, Sax - 1,1,0,0 - Pk, Schlgz, Akk - Str)
Durata: 10' 00"
Manuscritto
Tomaten, Fisch und Freunde, op. 386 (2009)
Strumentazione: für Chor, Sax, Keyboard, Sampler, Schlagzeug und Kontrabass
Testo: Ingeborg Poffet
Durata: 1' 00"
Manuscritto
Within, op. 365 (2009)
Strumentazione: für Stimme, Chor, Sax, Klavier und Kontrabass
Testo: Venerable Master Hsing Yun
Durata: 4' 00"
Manuscritto
Meeting on Sirius, op. 386 (2009)
Strumentazione: für 2 Stimmen, 2 Saxophone, Bassklarinette, Akkordeon, Gitarre, Elektronik, Dobro, Sampler
Testo: Ingeborg Poffet, JOPO
Durata: 74' 00"
Manuscritto
Heavy Storm, op. 416 (2011)
Strumentazione: für Gesang, Sax, Akkordeon, Gamelanorchester
Durata: 7' 00"
Manuscritto
Hua Hin, op. 415 (2011)
Strumentazione: für Gesang, Sax, Akkordeon, Gamelanorchester
Durata: 6' 00"
Manuscritto
Parangtritis, op. 428 (2012)
Strumentazione: für 2 Singstimmen, SopranSax, Akk/Klav und Gamelanorchester
Testo: Ingeborg Poffet
Durata: 8' 00"
Manuscritto
timelinetritis, op. 427 (2012)
Strumentazione: für 2 Singstimmen, SopranSax, Akk/Klav und Gamelanorchester
Testo: Ingeborg Poffet
Durata: 5' 00"
Manuscritto
Hammermusik for fata-fata, op. 431 (2012)
Strumentazione: für Gamelanorchester
Durata: 7' 00"
Manuscritto
Hot-Spots, op. 429 (2012)
Strumentazione: für Flöte, Klarinette, Benong, Akk/Klav
Durata: 1' 00"
Manuscritto
Soft Skills, op. 430 (2012)
Strumentazione: für Flöte, Klarinette und Akkordeon/Klavier
Durata: 2' 00"
Manuscritto
Crash astral méditatif / Meditativ-astrale Abstürze, op. 452 (2013)
Strumentazione: für Gesang und Big Band
Durata: 16' 00"
Manuscritto
Eclats de danse / Tanzsplitter, op. 453 (2013)
Strumentazione: für Gesang und Big Band
Durata: 15' 00"
Manuscritto
Harmonie transfrontalières exempte d'Impôt / Politische grenzübergreifende taktlos steuerfreie Harmonie, op. 449 (2013)
Strumentazione: für Gesang und Big Band
Durata: 17' 00"
Manuscritto
Lab-Cats, op. 444 (2013)
Strumentazione: für Gesang und Big Band
Durata: 12' 00"
Manuscritto
Discografia
KABA-QuARTett: kabalesque (stv/asm Nr. 15, 2001)
Poffet, Ingeborg: Berastagi (1994)
JOPO, : Common speakings (1993)
JOPO, : Bathroom Melody (1994)
JOPO, : Millenium Communication (1999)
Con più opere di: Johannes Frisch
Interpreti:
KABA-QuARTettOpere:
Poffet, Ingeborg: Supply - do why (1991)Poffet, Ingeborg: Berastagi (1994)
JOPO, : Common speakings (1993)
JOPO, : Bathroom Melody (1994)
JOPO, : Millenium Communication (1999)
Con più opere di: Johannes Frisch
Info: www.fonoteca.ch
Bibliografia
Wohnlich, David: Radikale Subjektivität und meditative Versenkung. Der musikalische Kosmos des wandlungsfähigen Duos Ingeborg Poffet / Jopo, in: Dissonanz 98 (2007), S. 32-33
Omlin, Christina: Ingeborg Poffet, musikalisches Kontrastprogramm: Kettensägen und Accordeon, in: Cling Klong, FMF-Bulletin 48 (2002), S. 34-36
Fink, Christian: Musikalische Seelenwanderung, in: Basler Magazin (Wochenendbeilage der Basler Zeitung) (5. Oktober 1991) 40 (1991), S. 1-3
Ensembles
Ultimo aggiornamento: 2020-10-06 16:48:10