Instrumentation: for violin solo

Duration: 15' 00"

Instrumentation: for clarinet, viola and piano

Duration: 7' 00"

Instrumentation: for baritone and violin

Duration: 6' 00"

4 Movements

Instrumentation: for twenty-two strings

Duration: 10' 00"

Instrumentation: for soprano and baritone solos, mixed choir and organ

Duration: 8' 00"

Solo cantata

Instrumentation: for soprano and six instruments (fl(afl).ob(ca).cl(bcl-str trio)

Duration: 12' 00"

Instrumentation: for flute and piano

Duration: 12' 00"

Instrumentation: for three vocal-instrumental groups (1: male speaking voice, 2perc, gtr; 2: soprano, fl, pf; 3: alto, eleectromium)

Texts: Nelly Sachs, Jacques Prévert, Ambrosius von Mailand

A poem by Nelly Sachs, a protest song by Jacques Prévert and the the Te-Deum text are superposed in the form of a double motet. The three isolated groups predigate in German, French and Latin.

Duration: 15' 00"

Instrumentation: for wind quintet

Duration: 14' 00"

Cantata

Instrumentation: for flute, speaker, six female voices, choir, organ and electronic tape

Texts: Philip Oxman

Based on a theme by Philip Oxman.

Duration: 18' 00"

Instrumentation: for three orchestral groups (1.0.ca.1.1/1.1.1.0/2perc/hp/3.5.5.2)

Hidden behind the mask is Gustav Mahler's wonder horn song 'Where the beautiful trumpet blows'. Soloistic orchestral writing. Technically rather demanding.

Duration: 12' 00"

Instrumentation: for oboe and harpsichord

Duration: 13' 00"

Instrumentation: for organ

Largely graphical notation. Sponsored by the SME Lucerne.

Duration: 12' 00"

Instrumentation: for flute, percussion group (three players) and electronic tapes

Duration: 28' 00"

Instrumentation: for fanfare group, wind music corps and fireworks

Duration: 30' 00"

Instrumentation: for violin (or viola, violoncello) and piano

A huge, reeling mirror-canon, written in 'action writing' (tab. notation). The symbols for sound procreation are essentially identical for both instruments they do however, produce a completely different sound result. Involves experimental playing techniques for both instruments.

Duration: 10' 00"

Instrumentation: for string trio

Duration: 12' 00"

Instrumentation: for piano and harmonium

A meeting of virtuosity and resignation. This piece can be played as a piano solo.

Duration: 6' 00"

Instrumentation: for small orchestra (1.2.2.1/2.1.0.0/perc/str) and organ

Duration: 11' 00"

Instrumentation: for harmonium and log drum

Duration: 10' 00"

Instrumentation: for violoncello (or violin, viola) solo

A solo piece operating on two levels (light and dark) without any particularly difficult demands made on the performer. A version for bass recorder (or any other low-pitch woodwind instrument) is also available.

Duration: 8' 00"

Instrumentation: for string orchestra and small percussion

Suitable for an amateur choir.

Duration: 11' 00"

Instrumentation: for bass recorder (or another deep woodwind instrument) or buggle or sax or violin or viola or violoncello

Duration: 7' 00"

Instrumentation: for violin and piano

Utilises a theme by W.A. Mozart.

Duration: 7' 00"

Instrumentation: for orchestra (2.2.2.2/2.1.0.0/perc/str) or string orchestra

Both orchestra and string orchestra versions are written for an amateur orchestra.

Duration: 13' 00"

Instrumentation: for alto flute (in G) and string trio (with obligatory string instruments)

Duration: 11' 00"

Instrumentation: for trumpet and percussion (two players)

Commissioned by the city of Zurich. Also suitable for students.

Duration: 18' 00"

Instrumentation: for organ, string orchestra, trumpet, trombone and percussion

Duration: 13' 00"

Instrumentation: for orchestra (2.2.ca.3(3bcl).2.cbn/4.3.3.1/timp.3perc/str)

The traditional orchestral sound is gradually silenced by the percussion ensemble. Unusual percussion in parts: tin kettle, tin cans, break drums.

Duration: 12' 00"

Duration: 13' 00"

Instrumentation: for guitar solo

The four movements (standard notation) come complete with fingerings by Christoph Jäggin.

Duration: 11' 00"

Instrumentation: for violin, string orchestra and percussion

Demanding solo part in standard writing with no special difficulties for the string orchestra. Contains solo passages for the two percussionists.

Duration: 20' 00"

Instrumentation: for string trio

The meditative and dramatic elements of these pieces become repeatedly united in a synthesis. Standard notation.

Duration: 12' 00"

Instrumentation: for organ and electronic tape

Duration: 14' 00"

Instrumentation: for double-bass and vibraphone

Duration: 10' 00"

Instrumentation: for mezzo-soprano, alto flute in G, percussion and guitar

Duration: 20' 00"

Instrumentation: for string orchestra (or eleven solo strings) and percussion

The orchestral version is also suitable for an amateur orchestra.

Duration: 13' 00"

Instrumentation: for clarinet trio and twelve strings (6.3.2.1)

This work follows the literary model provided by Friedrich Durrenmatt's tale 'The Dying of Pythia'.

Duration: 14' 00"

Instrumentation: for alto saxophone and piano

Duration: 10' 00"

Instrumentation: for violin solo

Duration: 15' 00"

Instrumentation: for chamber ensemble (2vn.va.vc/2ca/hn)

Duration: 2' 00"

Instrumentation: for horn and orchestra (2.1.2(bcl).2/0.0.2.0/timp.perc/hp/str)

Duration: 12' 00"

Instrumentation: for two recorders, marimbaphone and speaking voice

Duration: 7' 00"

Instrumentation: for vibraphone solo

A demanding solo piece in free notation.

Duration: 15' 00"-20' 00"

Instrumentation: for flute, clarinet, violin, violoncello and piano

The five instruments play in spatial isolation - a kind of 'conversation with oneself' approach. In free notation.

Duration: 25' 00"

Instrumentation: for speaking choir, mixed choir and instrumental ensemble (fl.cl.asx.2bn/pf/gtr/perc)

Duration: 20' 00"

Instrumentation: for violoncello, vibraphone and percussion

Music based on images by Rita Ernst.

Duration: 15' 00"

Collage

Instrumentation: for violin, projections, electronic tape and light effects

Homage to Louis Soutter.

Duration: 25' 00"

Cantata

Instrumentation: for soprano and alto solo, choir, chamber orchestra (ob.bn/tpt/str), bells and organ

Texts: Kurt Marti

Text by Kurt Marti.

Duration: 10' 00"

Instrumentation: for string orchestra and Swiss harmonica

Duration: 15' 00"

The compulsory piece for the Landoldt prize, Winterthur / Zurich School of music.

Duration: 7' 00"

Three pieces

Instrumentation: for saxophone and violoncello

Duration: 10' 00"

Music for the scenic cycle 'Progetto Siciliano' by Rita Ernst

Instrumentation: for flute, mandolin and percussion

Duration: 10' 00"

Information theory and aesthetic perception

Instrumentation: for string quartet, percussion and voice

Texts by Abraham A. Moles, Ludwig Tieck and from an article on the promotion of culture.

Duration: 18' 00"

Choral cantata

Instrumentation: for three choirs and organ

Texts: Kurt Marti, Johann Caspar Schade, Häuptling Seattle, Jeremiah, Offenbarung des Johannes, Aurelo Peccei

Duration: 20' 00"

The Circle

Instrumentation: for mixed a-cappella choir and speaking choir

Texts: John Donne

Written for the 100th birthday of Sándor Veress.

Duration: 8' 00"

A musical board meeting

Instrumentation: for flute, violin, violoncello, percussion and piano

For the 10th anniversary of the Swiss Music Magazine.
Can be performed by amateurs.

Duration: 8' 00"

Instrumentation: for violoncello solo

Demanding solo piece.

Duration: 12' 00"

Instrumentation: for viola

Duration: 12' 00"

Instrumentation: for string quartet

Duration: 10' 00"

Instrumentation: for string quartet

Duration: 12' 00"

Instrumentation: for piano

Duration: 7' 30"

Instrumentation: for flute, clarinet, violin, viola, violoncello, piano and percussion

Group discord - Reflection - Group unity.

Duration: 2' 00"

Instrumentation: for mezzo-soprano, flute, clarinet, violin, viola and violoncello

Texts: Hilde Domin

Duration: 10' 00"