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Mejer Thomas K. J.

(12. 06. 1961)

Mejer Thomas K. J.
Mejer Thomas K. J.
Moosmattstr. 26
CH-6005 Luzern
Schweiz

Tel: 41 (0)41 310 05 87
Internet: www.thomasmejer.com

Biography
Thomas Mejer was born in Lucerne. He studied saxophone under Urs Leimgruber at the Lucerne School of Jazz, with Marcus Weiss at the Lucerne Conservatory and with Mick Green at the Dartington College of Arts. He studied composition under Vinko Globokar, Per Norgard, Michael Finnissy, Philip Grange and received his MA in music from Exeter University. Mejer has won several awards, including a fellowship grant awarded by the Swiss Musicians Association, the Marianne and Curt Dienemann Composition Scholarship, and a financial award from the City and Canton of Lucerne. He teaches saxophone at the Musikschule Luzern and music of the 20th century, instrumentation and counterpoint at the Musikhochschule Luzern.

Work list
Under the pool of Pilatus (1988)
for piano
Duration: 15' 00"
Manuscript
The Minstrel is Entering Virtual Reality (1989)
for instrumental ensemble (fl.ob.bcl/hn/hp/vn.va.vc)
Inconclusive, trembling and weighed down with emotion, the minstrel attempts to enter through the gate of virtual reality. He fulfils his aim in the second movement; his physical trembling becomes a psychological one.
Duration: 8' 00"
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CHF: 47.00
String quartet No. 1 (1989)
Rhythmic superimpositions with simultaneous sonorous differentiation characterise the first and fourth movements. Movements two and three have song-like melodies, in which the second is slow and the third fast and very short (30").
Duration: 15' 00"
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CHF: 26.00
Melius est ... (1990)
for choir (three parts each with SATB)
Texts: Pope Gregory
The choir is split into three groups and positioned in three different spaces, in several sections they are also set at different tempi. The musical vocabulary stretches from monotones to frightening clusters. The starting point of the composition was the ‘Schweizer Fichenskandal’ - this piece is a sort of parable of this scandal.
Duration: 10' 00"
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CHF: 21.00
Sulpizianische Bilderwelt (1990)
saxophone quartet No. 1 (SATBar)
"The 'Sulpician Bilderwelt' unites Mejer's experience in the field of Jazz and electronic music in a formally convincing way. Between the multi-faceted jagged and fragmentary minimal motive in the first and fourth movements, Mejer has explored, in the organically developing middle movements, the best sound possibilities presented by the available setting." (LNN, May 1995, U. Mattenberger)
Duration: 21' 30"
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CHF: 47.00
(Parts available form the SME: sFr. 48.-; € 48.-)
Winterlicht (1990)
for alto saxophone and violin
Duration: 6' 00"
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CHF: 13.00
Alchemy I & II (1989-1991)
for flute, clarinet, violin, violoncello, piano and percussion
Duration: 8' 30"
Manuscript
Ouagadougou (1991)
for flute, clarinet, violin, violoncello, xylophone and piano
Duration: 15' 00"
Manuscript
Dark Snow Falls upon the Bagpiper (1992)
for alto saxophone
The bagpiper’s songs of love, courage and energy reach us in a submerged form, soft and fragmented - even if heard from close.
Duration: 9' 00"
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CHF: 16.00
Le chant des livrées (1992)
for flute, viola and harp
In ‘Le chant des livrées’, two old “chansons du mariage” were combined, rhythmically superimposed and their sounds distilled.
Duration: 6' 20"
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CHF: 18.00
Three Miniature to Morton Feldman (1992-1993)
for violin and piano
Duration: 8' 30"
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CHF: 16.00
Amandla Awethu (1993)
for four wandering percussionists
A ring of instruments surrounds the audience. Four percussionists swap from one instrument to the next, accelerating as they do so, seeking the point at which tone and the power of rhythm meet.
Duration: 21' 00"
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CHF: 49.00
Fish and Hips (1993)
for viola solo
This composition was written for 'The International Viola Book' and is dedicated to Andrew Toovey. In this piece, loosely based on the blues, the viola must alternate (and increasingly during the piece) fulfill all instrumental functions inherent in a jazz combo.
Duration: 4' 50"
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CHF: 18.00
Uroboros Sends You His Regards (1993)
for clarinet solo
"...a kind of meditation on chaos and calm. Besides the instruments, the application of the body, stamping, bells and drawn out pauses are brought together in a dramaturgical coherence..." (LZ, May 1994).
Duration: 4' 20"
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CHF: 13.00
Holy Grail (1993)
for soprano saxophone
Duration: 4' 10"
Manuscript
In den Bauch und zurück (1993)
for contrabass saxophone
Duration: 6' 12"
Manuscript
Schnellen (1993)
for sopranino saxophone and alto flute
Duration: 4' 00"
Manuscript
1000° Celsius (1993)
for baritone saxophone
Duration: 5' 00"
Manuscript
Dark Snow falls upon the Bagpipers (1993)
Saxophone-quartet No. 2 (4 asx)
Duration: 9' 00"
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CHF: 31.00
Circle Aleatorik No 1-12 (1990-1994)
for 8-12 players
Duration: 42' 00"
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CHF: 23.00
Sex Crystals (1994)
for flute, clarinet, horn, violin, violoncello and double-bass
A horn line is sweet-talked with high intensity by perfect fourths and fifths, only on a low dynamic level.
Duration: 6' 30"
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CHF: 18.00
Ahn - Nachtung (1994)
for chamber orchestra (2.2.2.2/2.2.0.0/8.6.4.4.3)
By means of careful shading, melodic timbres with minimal dynamic variations and individual tempi, an attempt is made, using meagre materials and subtle means of figuration, to re-enact the two-liner by M. Herbener ("Nacht, dem Tag unterlegt / Der einzige Ton darüber ein Strich"). The harmony remains aleatoric but within a 'modal' framework.
Duration: 16' 00"
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CHF: 47.00
Musik für 12 + 1 Borsari Tanks (1994)
for female orator, flute, trombone, guitar, harp, violin and four percussion
Duration: 60' 00"
Manuscript
Interlude (1994)
for oboe and vibraphone
Duration: 3' 00"
Manuscript
Tubes (1994)
for ensemble (pic, bfl, bcl, asx, hn, tpt, mellophone, tbn, vc, db)
Duration: 2' 00"
Manuscript
Sternensturz (1995)
for english horn (or alto saxophone) and vibraphone
This composition is based on a poem bearing the same name by Rose Auslander. It advances in stages from spoken image, through associated image, to aural image.
Version a: cor anglais and vibraphone
Version b: alto saxophone and vibraphone
Duration: 6' 00"
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CHF: 13.00
O rubor sanguinis (1995)
for alto recorder solo
An antiphon by Hildegard von Bingen is used as the basis of these contemplative works. The composition is notated in 147 breaths. A recorder (440 Hz) and a Baroque flute (415 Hz) play in succession and simultaneously.
Duration: 31' 00"
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CHF: 29.00
Tartarelischer Tanz I (1995)
for contrabass saxophone (also baritone saxophone)
'Tartarelischer Tanz' comes from the Greek 'Tartaros' - the underworld where the souls of the dead repose in a happy and trouble less half state of being. Flittering 1/8 notes, only just audible as sound, build a spooky pulse which is animated in an irrational way by firmly pushed counter accents. (P.B.)
Duration: 5' 00"
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CHF: 16.00
Tartarelischer Tanz II (1995)
for conrabass flute, contrabass saxophone and contrabass tuba
Duration: 6' 30"
Manuscript
Macula Matris (1995-1996)
for seven musicians (fl(pic,bfl,cbfl).cl(bcl,cbcl).bn(cbn)/tbn/hp/perc/vc), seven orators and seven dancers.
Texts: Hermann Berger, André Gide, Marisa Holder, Elfriede Jelinek, Milan Kundera, Irmgard Morgner, Karin Struck
A stage work, somewhere between performance and installation.
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CHF: 200.00
Frogland, No Princes! (1997)
Saxophone quartet No. 3 (SATBar)
A very strong feeling of rhythm and agility in the altissimo register is required.
Duration: 16' 00"
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CHF: 47.00
Recurrence of the Nymphs (1997)
for oboe (also English horn), alto saxophone, bass clarinet and bassoon (also contra bassoon)
Structured in four consecutive tonal images, each one takes its inspiration from a species of nymph: Orestiads, Dryades, Naiads and Nereids.
Duration: 18' 00"
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CHF: 42.00
Uroboros Awake (1997)
for bass clarinet solo
Duration: 10' 00"
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CHF: 16.00
Wanzen-Serenade (1997)
for contrabass flute, contrabass saxophone, tuba and electronic
Duration: 18' 00"
Manuscript
Morgenstern (1996)
Nordische Lichter II (Northern Lights II)
for chamber orchestra (2(2.pic).2(2.ca).2(2.bcl).2(2.cbn)/2.2.0.0/8.6.4.4.3(3 five stringed))
Duration: 8' 00"
SME/EMS
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CHF: 55.00
spiritus sonorus (1998)
for contrabass flute (or bass flute)
Duration: 12' 00"
Manuscript
Einmal ich und du: Die Bombe im Herzen (1995-1999/05)
Cycle of "songs" after poems by Ludwig Fels
for flute (afl, pic), clarinet (bcl) and piano trio
N° 1: Elegische Ballade
N° 5: Sterbenswort
N° 10: Sexuelle Panik
Duration: 10' 00"
Manuscript
CHF: 52.00
Streichquartett Nr. 2: Lux obscura (1999)
Lux obscura
Duration: 12' 00"
SME/EMS
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CHF: 26.00
Diligent Places (1999)
for contrabass flute, contrabass saxophone and contrabass tuba
Duration: 30' 00"
Manuscript
Lurking Loves (1999)
Saxophone quartet No. 4 (4 bsx)
Duration: 22' 00"
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CHF: 49.00
Höllische Konturen (1999)
for flute, sax and tuba
Duration: 58' 00"
Manuscript
Domino obscuro (1999)
Sound Concept
for bass sax, trombone, keyboard, 4 looped recordings, 4 minidiscs and 4 loud speakers
Duration: 57' 00"
Manuscript
Als ich noch Freunde hatte (2000)
for contrabass saxophone solo
Compositions for thermo powered sound objects by Hedwig Renggli.
Duration: 6h 00"
Manuscript
Barockengel im Schuss (2001)
for counter tenor, recorder, violin and viola da gamba
Duration: 8' 00"
SME/EMS
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CHF: 31.00
Vulnerable Spaces (2001)
for contrabass flute, contrabass sax and tuba
Duration: 11' 35"
Manuscript
Sulphur (2001-2002)
for improvisation trio (reeds, cello percussion) and symphony orchestra (4pic.4.3bcl.cbcl.3.cbn/4.4.4.1/3perc/16.14.12.10.8)
For the 'Koch-Schütz-Studer' trio, a commission for the Lucerne Festival.
Duration: 22' 00"
Manuscript
Tartarelischer Tanz III (2002)
for wind ensemble (3-6 wind instruments)
Duration: 8' 00"
Manuscript
Linguine (2003)
for Tubax in E♭ and in C
Duration: 2' 00"
Manuscript
Nautilus (2003)
for contrabass clarinet and Tubax in C
Duration: 4' 00"
Manuscript
Blue Line (2004)
for tape, DVD and optional musicians (tuba, keyboard, e-bass)
Duration: 24' 00"
Manuscript
Crystals Horns (2004)
for horn solo
Duration: 1' 00"
Manuscript
Wabansia & Wabash (2004)
for 4 instruments (4 saxophones)
Duration: 13' 00"
Manuscript
Washburne &Woodlawn (2004)
for 4 instruments (4 saxophones)
Duration: 5' 00"
Manuscript
Turbitide (2005)
5 miniatures
for string orchestra (4.4.3.3.1)
Duration: 20' 00"
SME/EMS
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CHF: 39.00
(Parts available from the SME: sFr. 72.-; € 72.-)
Aguardiente de vida (2005)
for 8-handed piano (4 players, 1 piano)
Duration: 5' 00"
Manuscript
Homo quiescens (2005)
for 8 saxophones
Duration: 12' 00"
Manuscript
Pops (2005)
for Tubax in E♭ and in C
Duration: 2' 00"
Manuscript
Volonté! (2005)
for Tubax in C and in B♭
Duration: 7' 00"
Manuscript
Pøshalsta!! (2006)
for flute and double bass
Duration: 12' 00"
SME/EMS
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CHF: 21.00
Rural Bleeps (2006)
Five multi-track canons
for contrabass flute, contrabass sax or tuba
Duration: 14' 00"
Manuscript
Arousal City # 1-4 (2004-2006)
for contrabass sax, synthesizer, samples and tape
Duration: 32' 00"
Manuscript
Chatterboxes Meet a Deer (2010)
for KontraTrio (pic, tubax, tuba)
Duration: 8' 00"
Manuscript
Resonances of Wabash & Wabansia (2010)
for 4 cb sax
Duration: 26' 00"
Manuscript
Resonances of Washburne & Woodlawn (2010)
for 4 cb sax
Duration: 20' 00"
Manuscript
Princes' balls (2013)
for contrabass flute, contrabass saxophone, tuba and sextet (fl, cl, pf, perc, vn, vc)
Written for the "Kontra-Trio" Lucerne and the "Moscow Contemporary Music Ensemble", created for the project "Stravinskij Revisited".
Suite in five movements:
Wickedly
Obscured Beautiful
Insisting
Seductive
Concealed
Duration: 13' 00"
SME/EMS
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CHF: 55.00
Towards C Attraction (2014)
Dance Suite in 4 Movements
for tentet (fl, ob, cl, bn, hn, 2vn, va, vc, cb)
Duration: 20' 00"
SME/EMS
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Repertory
Leo Bachmann: Schwarzer Schatten for contrabass saxophone
Leo Bachmann: Uebermässig - Unmässig for contrabass saxophone and string orchestra
Thomas K. J. Mejer: 1000° Celsius for baritone saxophone
Thomas K. J. Mejer: Als ich noch Freunde hatte for contrabass saxophone solo
Thomas K. J. Mejer: In den Bauch und zurück for contrabass saxophone
Thomas K. J. Mejer: Tartarelischer Tanz I for contrabass saxophone (also baritone saxophone)
Franco Tosi: Concerto Grosso for contrabass saxophone in Eb solo, violoncello, double bass, 2 flutes, 1 oboe/English horn, 1 clarinet/bass clarinet, two trumpets, trombone and tuba
Diskographie
Jeux Circulaires (betweenthelines Nr. BTLCHR 71226, 2010)
Interpreten:
Mejer, Thomas K. J.
Bachmann, Leo
KONTRA-Trio
Werke:
Bachmann, Leo: Jeux Circulaires (2009)
Nashi dela - po-russki (earup Nr. 1008, 2007)
Interpreten:
Mejer, Thomas K. J.
Mit weiteren Werken von: Thomas .J. Mejer, Ilja Komarov, Marc Unternäher
Vulnerable Spaces (earup Nr. 1009, 2007)
Interpreten:
Mejer, Thomas K. J.
Bachmann, Leo
KONTRA-Trio
Werke:
Mejer, Thomas K. J.: Vulnerable Spaces (2001)
Mejer, Thomas K. J.: Rural Bleeps (2006)
Mit weiteren Werken von: Hae-Kyung Choi, Hans-Joachim Hespos, Alvin Lucier
774th Street Quartet - A Rare Thing (Bloody Murder Nr. 101-1, 2006)
Interpreten:
Mejer, Thomas K. J.
Mit weiteren Werken von: Thomas K.J. Mejer, Guillermo Gregorio, Keefe Jackson, Aram Shelton
Nautilus (earup Nr. 1007, 2006)
Interpreten:
Mejer, Thomas K. J.
Mit weiteren Werken von: Peter Schmid, Thomas K.J. Mejer
Masul - The Arousal City (Creative Sources Recordings Nr. 84, 2005)
Interpreten:
Mejer, Thomas K. J.
Mit weiteren Werken von: Thomas K.J. Mejer, Paul Giallorenzo
Momentum 4 (Leo Records Nr. 440, 2005)
Interpreten:
Mejer, Thomas K. J.
Brennan, John Wolf
Mit weiteren Werken von: John Wolf Brennan, Gene Coleman, Thomas K.J. Mejer, Marc Unternährer
Info: www.fonoteca.ch
Ines Herbener: Ueberfahrten (earup Nr. 1004, 1999)
Interpreten:
Mejer, Thomas K. J.
Werke:
Mejer, Thomas K. J.: spiritus sonorus (1998)
Mit weiteren Werken von: Thomas K.J. Mejer
Kontra-Trio: Diligent Places (stv/asm Nr. 5, 1999)
Interpreten:
KONTRA-Trio
Werke:
Mejer, Thomas K. J.: Diligent Places (1999)
Bachmann, Leo: Multiplex (1999)
Mejer, Thomas K. J.: Tartarelischer Tanz II (1995)
Info: www.fonoteca.ch
Madame Claude - Music for Harp Trio (RAP Productions Nr. 130618-1, 1997)
Werke:
Mejer, Thomas K. J.: Le chant des livrées (1992)
Mit weiteren Werken von: Claude Debussy, Leif Thybo, Jesper Koch, Herman D. Koppel, Thomas Clausen
Compositions for Contrabass-Saxophone (earup Nr. 1003, 1996)
Interpreten:
Mejer, Thomas K. J.
Bachmann, Leo
Tosi, Franco
KONTRA-Trio
Werke:
Mäder, Urban: lieber ein Saxophon (1994)
Mejer, Thomas K. J.: Tartarelischer Tanz I (1995)
Planzer, Mani: The Awakening of ATMAN (1995)
Bachmann, Leo: Schwarzer Schatten (1993)
Tosi, Franco: Concerto Grosso (1993-1994)
Mit weiteren Werken von: Michael Finnissy, James Clapperton, Ulrich Krieger, sha, Frank Denyer, Andrew Toovey
Info: www.fonoteca.ch
Musik in 12+1 Borsari Tanks (earup Nr. 1001, 1995)
Interpreten:
Mejer, Thomas K. J.
Werke:
Mejer, Thomas K. J.: Musik für 12 + 1 Borsari Tanks (1994)
Info: www.fonoteca.ch
Bibliography
Bitterli, Peter: Den Wanzen ein Ohr leihen. Schweizerisches Tonkünstlerfest in Luzern, in: Luzern heute (19. März 1998) 12 (1998), S. 14
Bitterli, Peter: Zum Stand des Komponierens in Emmen, in: Luzern heute (30. Oktober 1997) 13 (1997), S. 20
Bitterli, Peter: Schichtenanalyse des Mutterkomplexes. "Macula Matris" von Thomas K.J. Mejer, in: Luzern heute (22. Mai 1997) 116 (1997)
Ensembles