5 Praeambeln für Orgel (1961)
Five short, very characteristic pieces in different registers.
Duration: 8' 00"

CHF: 18.00

3 Stücke für Kleincembalo (1963)
Three short characteristic pieces with wild cascading, bubbly tone-chains or echo stop cantilena.
Duration: 4' 00"

CHF: 13.00

Monodie (1963-1964)
Organ music 1
for organ solo
Duration: 3' 00"

Kristallisationen (1964)
for organ
Soft organ sounds at high frequency begin this piece, as if sounding from afar. First performed at the EXPO Lausanne in 1964.
Duration: 5' 00"

CHF: 13.00

Komposition für Oboe und Orgel (1964)
Four opposing parts combine to form a whole. Written extensively in space notation.
Duration: 5' 00"

CHF: 16.00

Streichquartett (1964)
Duration: 6' 00"
Manuscript

5 Stücke für Flöte und Orgel (1965)
Five single pieces of various character, from superficially structured to atmospherically cautious.
Duration: 8' 00"

CHF: 16.00

Duo für Klarinette und Violine (1966)
Duration: 4' 00"
Manuscript

Leises für Gesinchen (1966)
Organ music 1
for organ solo
Duration: 2' 00"

Komposition für Violoncello und Orgel (1967)
Duration: 6' 00"
Manuscript

Suite für Orgel (1967)
Organ music 1
Duration: 11' 00"

Trio für Flöte, Oboe und Cembalo (1967)
Duration: 7' 00"
Manuscript

Klaviermusik in 5 Teilen (1968)
Duration: 8' 00"

Komposition für Violine und Klavier (1968)
Duration: 6' 00"
Manuscript

rosa loui (1969)
7 Lieder
for alto and piano
Texts: Kurt Marti
Duration: 9' 00"

Für zwei (1970)
for two pianos or four-handed piano
Duration: 7' 00"
Manuscript

Wettspiele (1971)
for two young cellists
Composed for amateurs. Very short parts allow for different playing techniques. These parts can be 'self-assembled' based on certain rules of play.
Duration: 7' 00"

CHF: 13.00

Komposition für Flöte, Klarinette und Tonband (1971)
A two-channel tape plays recordings of a variety of diversely processed piano sounds as a background to the live instruments (flute and clarinet (bass clarinet)).
Duration: 9' 00"

CHF: 16.00

Es ist ein Wort ergangen (1972)
for organ solo
Duration: 2' 00"

Spielmusik für alte Instrumente (1973)
for three recorders, two gambas, trombone and positive
Duration: 7' 00"
Manuscript

Vokalisationen (1975)
for five singing voices (SSATB)
Five singers generate a multiplicity of vocal sounds on a purely phonetic basis. The pitch levels are purely graphically notated (with no exact indication to elevation) The work oscillates between dense superimpositions and stationary sound surfaces.
Duration: 8' 00"

CHF: 16.00

Stimmen-Saiten (1976)
for female choir and piano with four players
Text: Phonetic.
A piano with two players at the keys and two players inside creating sounds accompany the female choir (youth choir). Mostly notated without fixed pitch and therefore good for amateurs.

Duration: 5' 00"

CHF: 23.00

Entwicklung (1977)
for harpsichord
Duration: 4' 00"
Manuscript

Klangflächen (1977)
for piano
Duration: 6' 00"
Manuscript

Fragend (1977)
for organ
Duration: 2' 00"
Manuscript

(1977)

Texts: Hans Eugen Frischknecht
Duration: 4' 00"
Manuscript

Farben (1978)
for symphony orchestra (3.3.3.3/4.3.3.0/hp/4perc/str)
The title relates partly to the timbre of the individual instruments (they remain side by side largely unmixed) and partly to the multifaceted 'colours' audible in the chords.
Duration: 15' 00"

CHF: 31.00

Schwarze Kla-4-klänge (1978)
for piano
Duration: 6' 00"
Manuscript

Fantasia für Violine, Schlagzeug und Orgel (1980)
Three instruments initially appear unfitting but never the less create a homogenous alliance or compliment each other well in contrast.
Duration: 10' 00"

CHF: 23.00

Ohn-Mächtige (1980)
for nine-part choir
Texts: Hans Eugen Frischknecht
Based on a text about political prisoners. On the musical level there is a continuously developing sound surface on a diatonic base throughout the work - a persisting expression of hope.
Duration: 10' 00"

CHF: 26.00

Rondeau für Flöte und Gitarre (1981)
Duration: 7' 00"
Manuscript

Rund um das Klavier (1983)
Duration: 30' 00"
Manuscript

Tonal - Atonal (1977-1984)
for organ
Music without taboos, neither those concerning clustering nor major triads. Contains fine transitions or rapid cuts between both areas.
Duration: 10' 00"

CHF: 21.00

Verflechtungen (1984)
for two organs
This piece is composed for a room with a large and small organ. It contains multifaceted interwoven sounds.
Duration: 12' 00"

CHF: 31.00

Komposition für 2 Trompeten und Orgel (1984)
Two high trumpets are required. This composition distances itself substantially from usual trumpet-organ pieces and unites the instruments in multifaceted sound combinations.
Duration: 10' 00"

CHF: 26.00

Klanggruppierungen (1984)
for three flutes, two clarinets, trumpet, trombone and four-handed piano
Duration: 12' 00"
Manuscript

De l'Australopithèque à l'homme (1986)
for voice and piano
Texts: Gudrun Ryhming
This piece was created during an experimental cooperation with the singer Gudrun Ryhming. The almost cabaret like piece spans and presents in text, the stages of modern mans development from Australopithecus.
Duration: 13' 00"

CHF: 18.00

Impulse für Klarinettenensemble (1986)
or five clarinets and two bass clarinets
Duration: 5' 00"
Manuscript

Farbschimmerungen I (1987)
for organ
Duration: 10' 00"

Orgelskizzen (1988)
Especially suitable for a small to medium sized double manual organ. Some passages have two versions, which can be used depending on use and organ type.
Duration: 9' 00"

Psalm der Hoffnung (1988/11)
for soprano oboe and organ (or clarinet and piano)
Texts: Anonymi
The texts, ranging from sorrow to hope, are derived from political prisoners of various dictatorships. The Soprano voice is identical for both versions.
Duration: 12' 00"

CHF: 36.00

Color Chart (1988)
for synthesizer
Manuscript

Dis-Kont (1988)
for four trombones
Duration: 10' 00"
Manuscript

Farbschimmerungen II (1989)
for organ
Duration: 12' 00"

Labikiel (1990)
for flute and harpsichord
In a transverse flute sound is generated using a labium, in a harpsichord it is produced using a quill. In this piece various tones are set in contrast against each other.
Duration: 7' 00"

CHF: 21.00

Orgorchestra (1990)
for organ and orchestra (2.2.2.2/2.2.2.0/2perc/str)
The organ and orchestra are equal concerting partners in this piece. An amateur orchestra can tackle the orchestral part but the organ, with its two large-scale cadenzas, requires an experienced organist.
Duration: 17' 00"

CHF: 52.00

Ein Haus voller Klaviere (1990)
for twenty-four pianos
Duration: 7' 00"
Manuscript

Wettspiele für zwei Violinen (1990)
Duration: 4' 00"

Stereophonie (1991)
for five transverse flutes
Composed for five good amateurs. They are to be arranged on a stage as far apart from each other as possible in order to produce a stereophonic effect.
Duration: 5' 00"

CHF: 21.00

Zwei Soli mit einem ruhigen Intermezzo (1991)
for organ
Duration: 8' 00"
Manuscript

5 liturgische Stücke (1974-1993)
for organ
Five pieces of circa 3' in length for the festive days of Christmas, Good Friday, the Ascension and Pentecost. Musically between terror and expectation.
Duration: 16' 00"

CHF: 26.00

Zwei erweiterte Orgelskizzen (1993)
Duration: 4' 00"
Manuscript

Trio für Klarinette, Violoncello und Klavier (1993)
Chamber music in fine sound shades. Space notation.
Duration: 11' 00"

CHF: 29.00

Eine neue Schöpfungsgeschichte (1994)
for twelve singing voices (3.3.3.3)
Texts: Südamerikanische Texte
The text is taken from an unknown South American commune where an end to war and exploitation is visualised in a seven-day creation.
Duration: 19' 00"

CHF: 55.00

Clav Cemb (1994)
for two harpsichords
Duration: 10' 00"
Manuscript

Gleich ungleich (1994)
for organ
Duration: 11' 00"
Manuscript

"Jehan Alain, Facteur d'orgue" (1996)
for mixed choir
Texts: Jehan Alain
The composer Jehan Alain (1911-1940) also produced surreal drawings that he branded with text. The composition, written without fixed tone pitch, is based on one of these texts. It can be performed easily by an amateur choir.
Duration: 4' 00"

CHF: 16.00

Flöten im Raum (1996)
for two piccolos, nine flutes and three alto flutes
Duration: 14' 00"
Manuscript

Oktett für drei Bläser und fünf Streicher (1996)
for clarinet, bassoon, horn, string quartet and double-bass
Duration: 10' 00"
Manuscript

5 einfache Stücke in neuen Notationsarten (1997)
for organ
Contemporary organ music is normally very difficult to play and rarely suitable for amateurs. Here are five simple pieces. An introduction to the new methods of notation and composition techniques is provided.
Duration: 6' 00"

CHF: 23.00

Psalm 113 (1997)
for three-part choir and piano
Duration: 3' 00"
Manuscript

Actions - Réactions (1998)
for percussion and organ
The percussionist generates a sound - the organist reacts - the percussionist reacts on his part. Every action of one instrument results in a certain reaction.
Duration: 12' 00"

CHF: 26.00

Quintett (1999)
for flute, clarinet, violin, violoncello and piano
A multi-part composition with contrasting parts.
Duration: 16' 00"

CHF: 39.00

Sprungbrett (1999)
for female choir, two mixed choirs, four choir groups (female voices), two choir groups (male voices), four-handed piano, two percussionists, two trumpets, two trombones, six flutes, two violoncelli, two violins, sounding metal rods
Texts: Anonymus
Duration: 28' 00"
Manuscript

5 Bilder für Cembalo (2000)
The single pieces are very self-contained yet opposed to each other: An den Rändern - suchend - temperamentvoll geschichtet - leiselaut - leichtfüssig.
Duration: 10' 00"

Dona nobis pacem (2000)
for mixed choir
Texts: Bibel / Liturgie
The final text of the Catholic Mass is set opposite reports of things such as war, concentration camps and mobbing which all circumvent peace. Suitable for a good amateur choir.
Duration: 11' 00"

CHF: 47.00

Organo pleno (2000)
for organ solo
Duration: 3' 00"

Sesquialtera (2000)
for organ solo
Duration: 2' 00"

5 Bilder für Querflöte (5 pictures for flute) (2000)
Duration: 11' 00"
Manuscript

"So benötigt der Friede dich" (2001)
for mixed choir
The anonymous text was recited at an ACAT general meeting (Action des chrétiens pour l'abolition de la torture). The emphasis is on how important the individual is in world affairs.
Duration: 6' 00"

CHF: 23.00

FanSolSi (2001)
for piano
Duration: 11' 00"
Manuscript

4 Stücke (2001)
for violin and organ
Duration: 9' 00"
Manuscript

4 Stücke (4 pieces) (2002)
for violin and piano
The two instruments face each other as equals, once the violin dominates, then the piano. These pieces can also be performed seperately.
Duration: 9' 00"

CHF: 18.00

FanSolSi (2002)
for violin
Duration: 12' 00"
Manuscript

FanSolSi (2003)
for horn
Duration: 12' 00"
Manuscript

4 Stücke (2003)
for violin and piano
Duration: 9' 00"
Manuscript

"Kantone" (2005)
for female choir or youth choir
This work is composed without a fixed pitch, the choir finds this themselves. The text is phonetically notated, the source of the sound is the different Swiss canton's car registration plates.
Duration: 5' 00"

CHF: 16.00

Quartett (2005)
for flute and three strings (vn, va, vc)
This work lives for the most part from the contrast between the flute and the three string instruments. The string players sit during the performance and the flutist stand behind them.
Duration: 11' 00"

CHF: 31.00

4 Stücke (4 pieces) (2005)
for trumpet and organ
These pieces can be performed together or seperately. Each piece has its own character and brings the various tonal possibilities of the instruments to the fore.
Duration: 9' 00"

CHF: 26.00

4 Bilder (2005)
for percussion
Each of these images is restricted to certain instruments:
1) Glockenspiel, triangle
2) Marimbaphone, templeblocks
3) Jazz percussion
4) Vibraphone
Duration: 11' 00"

CHF: 16.00

Nov - Org (2005)
3 pictures
for dynamic organ
For the 'prototype 2' of the INNOV-ORGAN-UM project.
Duration: 30' 00"
Manuscript

18 Bilder (1988-2006)
for piano
Short, homogonous pieces. However, great contrasts are present between the pieces. Texts are enclosed to explain the character of each piece.
Duration: 38' 00"

CHF: 39.00

Musik (2006)
for 15 wind instrumentalists (0.2.2.2/4.2.3.0)
Duration: 15' 00"
Manuscript

5 Impressionen zur Apokalypse (2007)
for soprano, flute, percussion and organ
Texts: Regula Riniker
Duration: 23' 00"
Manuscript

Saiten - Pfeifen (2007)
for harp and organ
Duration: 12' 00"
Manuscript

D Bewegig - Schmärz (2008)
for singing violinist (or mezzo-soprano and violinist)
Texts: Guy Krneta
Duration: 9' 00"
Manuscript

Klee-Impressionen (2008)
7 short pieces
for oboe (ca), bassoon, viola and guitar
Duration: 10' 00"
Manuscript

Bilder (2008)
for a large organ
Duration: 17' 00"
Manuscript

Stereophonie (2009)
for 5 trumpets
Suitable for advanced amateuers.
The five players are distributed across the whole width of the hall, thus giving a sterophonic effect. Emphasis is placed upon the tonal possibilities of the instruments.
Duration: 5' 00"

CHF: 18.00

Quartett (2009)
for transverse flute, Baroque violine, Baroque bassoon and harpsochord
Duration: 11' 00"
Manuscript

6 Stücke (6 pieces) (1997-2013)
for a 24 note organ
Duration: 13' 00"
Manuscript

Lupoforte (2013)
Quintet
for oboe/lupophon, contraforte, harp, violin, violoncello
Duration: 15' 00"
Manuscript

Nov-Org 4 (2013)
4 images for the 4th prototype of the ORGANINNOVUM project
for organ
Duration: 18' 00"
Manuscript

Festival L’art pour l’Aar 2010/11 (Müller & Schade Nr. M&S 5079/2, 2011)

Interpreten:

Frischknecht, Hans Eugen
Haag, Ivo
Soós, Adrienne
Hagen, Javier
Mayer-Spohn, Ulrike
UMS 'n JIP

Werke:

Darbellay, Jean-Luc: Aube imaginaire (1994)
Keller, Max E.: Erinnerungen V (1988)
Frischknecht, Hans Eugen: Actions - Réactions (1998)
Frischknecht, Hans Eugen: Für zwei (1970)
Burkhard, Willy: Acht Sprüche aus dem "Cherubinischen Wandersmann" von Angelus Silesius, op. 17,1 (1927)
Bovey, Pierre-André: Arcturus (1997)
Bovey, Pierre-André: 2 Episodes (1996)
Furer, Arthur: 15 Blumenlieder (1953-1954)
Moeschinger, Albert: Der Herbst des Einsamen, op. 69 (1952)
Darbellay, Jean-Luc: Es war ein Kind, das wollte nie (2006)
Darbellay, Jean-Luc: Vela (2007)
Frischknecht, Hans Eugen: Quartett (2005)
Darbellay, Jean-Luc: BACH (2006-2007)
Darbellay, Jean-Luc: Dranse (2009)
Keller, Max E.: 1968 – und heute? (2010)
Bovey, Pierre-André: Lettre à Léonard sur les oiseaux (2010)
Gut, Ursula: Zeitlose (2011)
Mit weiteren Werken von: Christian Henking, Fritz Voegelin, Giorgio Tedde, Hans Studer, François Cattin

Festival L'art pour l'Aar. Die Konzerte 2008/2009 (Müller & Schade Nr. 5071/2, 2009)

Interpreten:

Bovey, Pierre-André

Werke:

Darbellay, Jean-Luc: Aulos (2000)
Henking, Christian: 3 Bagatellen für 3 Englischhörner (1999)
Holliger, Heinz: KLAUS-UR (2001-2002)
Wohlhauser, René: Streichtrio (2007)
Keller, Max E.: Cinque (2008)
Schweizer, Alfred: Burleske (2008)
Frauchiger, Katrin: "Estos dias azules" (2008)
Frischknecht, Hans Eugen: FanSolSi (2002)
Darbellay, Jean-Luc: Vif (2008)
Frischknecht, Hans Eugen: Quartett (2009)
Mit weiteren Werken von: Gabrielle Brunner, Stefan Werren, Anastasiya Lozova, Theo Hirsbrunner, Daniel Andres, Pierre-André Bovey, Christian Giger, Markus Hofer, Ursula Gut

Info: www.fonoteca.ch

Politische Musik - Geistliche Musik (classic 2000 Nr. C2/15, 2009)

Werke:

Frischknecht, Hans Eugen: Psalm der Hoffnung (1988/2011)
Frischknecht, Hans Eugen: Ohn-Mächtige (1980)
Frischknecht, Hans Eugen: Eine neue Schöpfungsgeschichte (1994)
Frischknecht, Hans Eugen: Dona nobis pacem (2000)
Frischknecht, Hans Eugen: "So benötigt der Friede dich" (2001)
Frischknecht, Hans Eugen: Politische Gefangene (1977)

Info: www.fonoteca.ch

Festival L'art pour l'Aar. Die Konzerte. 2006 / 2007 (Müller und Schade Nr. 5050/2, 2007)

Interpreten:

Frischknecht, Hans Eugen
Monot, Pierre-Alain
Nouvel Ensemble Contemporain NEC

Werke:

Henking, Christian: Ich bin so müde von Seufzen (2001)
Schweizer, Alfred: Gitarrenmusik 5 (2002)
Frauchiger, Katrin: Lontano (2003-2004)
Furer, Arthur: Sechs geistliche Lieder (1963-1964)
Darbellay, Jean-Luc: Tschara (2007)
Schweizer, Alfred: Orchesterstück Nr. 5 "Greina" (2007)
Darbellay, Jean-Luc: Alize (2006)
Darbellay, Jean-Luc: Postojna (2004)
Frischknecht, Hans Eugen: 4 Bilder (2005)
Frischknecht, Hans Eugen: 4 Stücke (2001)
Gut, Ursula: ricercare (2006)
Mit weiteren Werken von: Hans Studer, Pierre-André Bovey, Gerhard Holzer, Olivia Schweingruber, Raphael Gogniat, Alain Corbellari, Daniel Andres, Christian Giger, Daniel Glaus, Willy Merz

Info: www.fonoteca.ch

Festival l'art pour l'Aar. Januar 2003 (Müller &Schade Nr. 5041/2, 2006)

Interpreten:

Monot, Pierre-Alain
Ebner, Matthias

Werke:

Darbellay, Jean-Luc: Concerto pour Violoncelle (1989)
Darbellay, Jean-Luc: Incident Room (1998)
Darbellay, Jean-Luc: Alea (2003)
Glaus, Daniel: "Il y a une autre espèce de cadence" (G. Tartini) (1984)
Glaus, Daniel: Tiphereth (1999)
Holliger, Heinz: Scardanelli-Zyklus (1975-1991)
Holliger, Heinz: Duo II (1988/1994)
Wyttenbach, Jürg: Harmonie mit schräger Dämpfung (1990)
Frischknecht, Hans Eugen: Oktett für drei Bläser und fünf Streicher (1996)
Werren, Stefan: Akróasis 1 (1996)
Bovey, Pierre-André: Une lueur dans l'infini (1997)
Frauchiger, Katrin: Es ist alles anders (1999)
Veress, Sándor: Sonate (1967)
Mit weiteren Werken von: Gerhard Holzer, Beatrix Graf, Sandor Veress, Christian Giger, Thomas Demenga, Alfred Schweizer

Festival l'art pour l'Aar. November 2003 (Müller &Schade Nr. 5042/2, 2006)

Interpreten:

Frischknecht, Hans Eugen
Monot, Pierre-Alain

Werke:

Darbellay, Jean-Luc: Ecumes (1996)
Darbellay, Jean-Luc: Shadows (1998-1999)
Keller, Max E.: insieme, a coppie, indipendente (2000)
Marti, Heinz: Passages (1970)
Frischknecht, Hans Eugen: Streichquartett (1964)
Zinsstag, Gérard: Sept fragments ou Cinq fragments (1982-1983)
Gut, Ursula: Aquamarin (1992)
Roth, Michel: Patera (2003)
Mit weiteren Werken von: Hans Eugen Frischknecht, Jürg Wyttenbach, Jost Meier, Katrin Frauchiger, Daniel Andres, Alfred Schweizer

Festival l'art pour l'Aar. Januar 2005 (Müller &Schade Nr. 5043/2, 2005)

Interpreten:

Frischknecht, Hans Eugen
Spina, Anna
Monot, Pierre-Alain

Werke:

Darbellay, Jean-Luc: Bach (2003)
Gasser, Ulrich: Engel, den toten Christus haltend, und Maria lächelt (1995)
Lehmann, Hans Ulrich: de profundis (1988-1989)
Marti, Heinz: Vierung und Umkreis (1967)
Wyttenbach, Jürg: Vier Kanzonen und Two nonsense Verses, an Epigram and a Madrigal (1964)
Frischknecht, Hans Eugen: Komposition für Oboe und Orgel (1964)
Frischknecht, Hans Eugen: Komposition für Flöte, Klarinette und Tonband (1971)
Andres, Daniel P.: Concerto für Bassposaune und Ensemble (2002)
Huber, Klaus: Ein Hauch von Unzeit III (1972)
Gut, Ursula: Mouchoirs (2005)
Mit weiteren Werken von: Hans Eugen Frischknecht, Jean-Luc Darbellay, Lukas Vogelsang, André Richard, Hans Studer, Stefan Daeppen, Alfred Schweizer, Christian Giger

Musik für meine Freunde (Classic 2000 Nr. C2 / 8, 1995)

Interpreten:

Frischknecht, Hans Eugen
Renggli, Felix

Werke:

Schweizer, Alfred: Klaviermusik 1 (1990)
Schweizer, Alfred: Klaviermusik 2 (1990)
Schweizer, Alfred: Klaviermusik 3 (1995)
Schweizer, Alfred: Musik für Querflöte und Tasteninstrument (1994)
Schweizer, Alfred: Gitarrenmusik 3 (1994)
Schweizer, Alfred: Verwandlungen (1991)

Info: www.fonoteca.ch

Frischknecht, Hans Eugen: Potential und Grenzen einer musikalischen Sprache. Olivier Messiaens "Modes à transpositions limitées" unter der Lupe, in: Dissonanz 104 (2008), S. 32-34 [Internet]

Hirsbrunner, Theo: Frischknecht, Hans Eugen; Improvisationen, notiert, in: Au carrefour des mondes, édition dissonance 1 (2008), S. 129-136

Hirsbrunner, Theo: Improvisationen, notiert. Der Komponist Hans Eugen Frischknecht, in: Dissonanz 63 (1998)