4 Stückefür Flöte und Klavier
SME/EMS
Quadripartitumfür Sopran, Alt, Klavier, Celesta und Schlagzeug
SME/EMS
5 Praeambeln für Orgel (1961)Five short, very characteristic pieces in different registers.
Duration: 8' 00"
SME/EMS
Monodie (1963-1964)Organ music 1
for organ solo
Duration: 2' 00"
Müller & Schade AG
3 Stücke für Kleincembalo (1963)Three short characteristic pieces with wild cascading, bubbly tone-chains or echo stop cantilena.
Duration: 4' 00"
SME/EMS
Es ist ein Wort ergangen (1963)for organ solo
Duration: 2' 00"
Müller & Schade AG
Streichquartett (1964)Duration: 6' 00"
SME/EMS
Kristallisationen (1964)for organ
Soft organ sounds at high frequency begin this piece, as if sounding from afar. First performed at the EXPO Lausanne in 1964.
Duration: 5' 00"
SME/EMS
Komposition für Oboe und Orgel (1964) Four opposing parts combine to form a whole. Written extensively in space notation.
Duration: 5' 00"
SME/EMS
5 Stücke für Flöte und Orgel (1965)Five single pieces of various character, from superficially structured to atmospherically cautious.
Duration: 8' 00"
SME/EMS
Duo für Klarinette und Violine (1966)
Duration: 4' 00"
Manuscript
Leises für Gesinchen (1966)Organ music 1
for organ solo
Duration: 2' 00"
Müller & Schade AG
Suite für Orgel (1967)Organ music 1
Duration: 11' 00"
Müller & Schade AG
Trio für Flöte, Oboe und Cembalo (1967)Duration: 7' 00"
SME/EMS
Komposition für Violoncello und Orgel (1967)Duration: 6' 00"
SME/EMS
Klaviermusik in 5 Teilen (1968)Duration: 8' 00"
Breitkopf & Härtel
Postfach 1707
D-65195 Wiesbaden
Tel. +49 611 45 00 80
Komposition für Violine und Klavier (1968)Duration: 6' 00"
SME/EMS
rosa loui (1969)7 Lieder
for alto and piano
Texts: Kurt Marti
Duration: 9' 00"
Müller & Schade AG
Für zwei (1970)for two pianos or four-handed piano
Duration: 7' 00"
SME/EMS
Wettspiele (1971)for two young cellists
Composed for amateurs. Very short parts allow for different playing techniques. These parts can be 'self-assembled' based on certain rules of play.
Duration: 7' 00"
SME/EMS
Komposition für Flöte, Klarinette und Tonband (1971) A two-channel tape plays recordings of a variety of diversely processed piano sounds as a background to the live instruments (flute and clarinet (bass clarinet)).
Duration: 9' 00"
SME/EMS
Spielmusik für alte Instrumente (1973)
for three recorders, two gambas, trombone and positive
Duration: 7' 00"
Manuscript
5 liturgische Stücke (1974-1993)for organ
Five pieces of circa 3' in length for the festive days of Christmas, Good Friday, the Ascension and Pentecost. Musically between terror and expectation.
Duration: 16' 00"
Edition Gamma
Vokalisationen (1975)for five singing voices (SSATB)
Five singers generate a multiplicity of vocal sounds on a purely phonetic basis. The pitch levels are purely graphically notated (with no exact indication to elevation) The work oscillates between dense superimpositions and stationary sound surfaces.
Duration: 8' 00"
SME/EMS
Stimmen-Saiten (1976)for female choir and piano with four players
Text: Phonetic.
A piano with two players at the keys and two players inside creating sounds accompany the female choir (youth choir). Mostly notated without fixed pitch and therefore good for amateurs.
Duration: 5' 00"
SME/EMS
(Choir material available from SME)
Entwicklung (1977)for harpsichord
Duration: 4' 00"
SME/EMS
Tonal - Atonal (1977-1984)for organ
Music without taboos, neither those concerning clustering nor major triads. Contains fine transitions or rapid cuts between both areas.
Duration: 10' 00"
SME/EMS
Politische Gefangene (1977)für gemischten Chor
Texts: Hans Eugen Frischknecht
Duration: 4' 00"
SME/EMS
Fragend (1977)for organ
Duration: 2' 00"
Ref. Kirchenmusikverbände
Farben (1978)for symphony orchestra (3.3.3.3/4.3.3.0/hp/4perc/str)
The title relates partly to the timbre of the individual instruments (they remain side by side largely unmixed) and partly to the multifaceted 'colours' audible in the chords.
Duration: 15' 00"
SME/EMS
(Parts available from SME)
Fantasia für Violine, Schlagzeug und Orgel (1980)Three instruments initially appear unfitting but never the less create a homogenous alliance or compliment each other well in contrast.
Duration: 10' 00"
SME/EMS
Ohn-Mächtige (1980)for nine-part choir
Texts: Hans Eugen Frischknecht
Based on a text about political prisoners. On the musical level there is a continuously developing sound surface on a diatonic base throughout the work - a persisting expression of hope.
Duration: 10' 00"
SME/EMS
Rondeau für Flöte und Gitarre (1981)Duration: 7' 00"
SME/EMS
Rund um das Klavier (1983)Duration: 30' 00"
SME/EMS
Komposition für 2 Trompeten und Orgel (1984)Two high trumpets are required. This composition distances itself substantially from usual trumpet-organ pieces and unites the instruments in multifaceted sound combinations.
Duration: 10' 00"
SME/EMS
Verflechtungen (1984)for two organs
This piece is composed for a room with a large and small organ. It contains multifaceted interwoven sounds.
Duration: 12' 00"
SME/EMS
Klanggruppierungen (1984)
for three flutes, two clarinets, trumpet, trombone and four-handed piano
Duration: 12' 00"
Manuscript
Impulse für Klarinettenensemble (1986)or five clarinets and two bass clarinets
Duration: 5' 00"
SME/EMS
De l'Australopithèque à l'homme (1986)for voice and piano
Texts: Gudrun Ryhming
This piece was created during an experimental cooperation with the singer Gudrun Ryhming. The almost cabaret like piece spans and presents in text, the stages of modern mans development from Australopithecus.
Duration: 13' 00"
SME/EMS
"Lobet den Herrn" (1986)für dreistimmigen Chor und Orgel
In: Musikbeilage 1987 des schweizerischen Kirchengesangsbundes
Der Text knüpft an den Psalm 150 an. Wenn von Galaxien und Molekülen die Rede ist, zeigt sich aber eine Verbindung mit einem modernen wissenschaftlichen Denken. Durch eine weitgehende Vorausnahme oder Unterstützung von Tönen des Chores ist dieses Werk auch einem aufgeschlossenen Laienchor zugänglich.
Duration: 2' 00"
Reformierter Kirchengesangsbund
Lohn/BE
Schweiz
Farbschimmerungen I (1987)for organ
Duration: 10' 00"
edition gravis Musikverlag
18 Bilder (1988-2006)for piano
Short, homogonous pieces. However, great contrasts are present between the pieces. Texts are enclosed to explain the character of each piece.
Duration: 38' 00"
Edition Gamma
Psalm der Hoffnung (1988/11)for soprano oboe and organ (or clarinet and piano)
Texts: Anonymi
The texts, ranging from sorrow to hope, are derived from political prisoners of various dictatorships. The Soprano voice is identical for both versions.
Duration: 12' 00"
SME/EMS
Dis-Kon (1988)for four trombones
Duration: 10' 00"
SME/EMS
Farbschimmerungen II (1989)for organ
Duration: 12' 00"
edition gravis Musikverlag
Orgorchestra (1990)for organ and orchestra (2.2.2.2/2.2.2.0/2perc/str)
The organ and orchestra are equal concerting partners in this piece. An amateur orchestra can tackle the orchestral part but the organ, with its two large-scale cadenzas, requires an experienced organist.
Duration: 17' 00"
Edition Gamma
Wettspiele für zwei Violinen (1990)2 Violinen
Duration: 4' 00"
Nepomuk Musik Verlag
Zwei Soli mit einem ruhigen Intermezzo (1990)for organ
Duration: 8' 00"
Edition Gamma
Labikiel (1990)for flute and harpsichord
In a transverse flute sound is generated using a labium, in a harpsichord it is produced using a quill. In this piece various tones are set in contrast against each other.
Duration: 7' 00"
SME/EMS
Ein Haus voller Klaviere (1990)
for twenty-four pianos
Duration: 7' 00"
Manuscript
Stereophonie (1991)for five transverse flutes
Composed for five good amateurs. They are to be arranged on a stage as far apart from each other as possible in order to produce a stereophonic effect.
Duration: 5' 00"
SME/EMS
Trio für Klarinette, Violoncello und Klavier (1993)Chamber music in fine sound shades. Space notation.
Duration: 11' 00"
Edition Gamma
7 Orgelskizzen (1993)Orgel
Die meisten zeitgenössichen Orgelwerke verlangen eine grössere Orgel für eine Aufführung. Bei den "Orgelskizzen" genügen 2 Manuale. Bei 2 Stücken existieren 2 Versionen, um die Realisierungsmöglichkeiten zu vergrössern. Bei 2 Stücken wurde eine erweiterte Fassung (Dauer: ca. 2') geschaffen, um diese als Eingangs- oder Ausgangsspiele für Gottesdienste verwendbar zu machen.
Duration: 8' 00"
Edition Gamma
Gleich ungleich (1994)for organ
Duration: 11' 00"
Edition Gamma
Eine neue Schöpfungsgeschichte (1994)for twelve singing voices (3.3.3.3)
Texts: Südamerikanische Texte
The text is taken from an unknown South American commune where an end to war and exploitation is visualised in a seven-day creation.
Duration: 19' 00"
SME/EMS
Clav Cemb (1994)for two harpsichords
Duration: 10' 00"
SME/EMS
Flöten im Raum (1996)
for two piccolos, nine flutes and three alto flutes
Duration: 14' 00"
Manuscript
"Jehan Alain, Facteur d'orgue" (1996)for mixed choir
Texts: Jehan Alain
The composer Jehan Alain (1911-1940) also produced surreal drawings that he branded with text. The composition, written without fixed tone pitch, is based on one of these texts. It can be performed easily by an amateur choir.
Duration: 4' 00"
SME/EMS
Oktett für drei Bläser und fünf Streicher (1996)
for clarinet, bassoon, horn, string quartet and double-bass
Duration: 10' 00"
Manuscript
Psalm 113 (1997)for three-part choir and piano
Duration: 3' 00"
SME/EMS
5 einfache Stücke in neuen Notationsarten (1997)for organ
Contemporary organ music is normally very difficult to play and rarely suitable for amateurs. Here are five simple pieces. An introduction to the new methods of notation and composition techniques is provided.
Duration: 6' 00"
SME/EMS
6 Stücke (6 pieces) (1997-2013)
for a 24 note organ
Duration: 13' 00"
Manuscript
Actions - Réactions (1998)for percussion and organ
The percussionist generates a sound - the organist reacts - the percussionist reacts on his part. Every action of one instrument results in a certain reaction.
Duration: 12' 00"
SME/EMS
Quintett (1999)for flute, clarinet, violin, violoncello and piano
A multi-part composition with contrasting parts.
Duration: 16' 00"
SME/EMS
Sprungbrett (1999)
for female choir, two mixed choirs, four choir groups (female voices), two choir groups (male voices), four-handed piano, two percussionists, two trumpets, two trombones, six flutes, two violoncelli, two violins, sounding metal rods
Texts: Anonymus
Duration: 28' 00"
Manuscript
5 Bilder für Cembalo (2000)The single pieces are very self-contained yet opposed to each other: An den Rändern - suchend - temperamentvoll geschichtet - leiselaut - leichtfüssig.
Duration: 10' 00"
Edition Gamma
Dona nobis pacem (2000)for mixed choir
Texts: Bibel / Liturgie
The final text of the Catholic Mass is set opposite reports of things such as war, concentration camps and mobbing which all circumvent peace. Suitable for a good amateur choir.
Duration: 11' 00"
SME/EMS
5 Bilder für Querflöte (5 pictures for flute) (2000)Duration: 11' 00"
Edition Gamma
Organo pleno (2000)for organ solo
Duration: 4' 00"
Müller & Schade AG
"So benötigt der Friede dich" (2001)for mixed choir
The anonymous text was recited at an ACAT general meeting (Action des chrétiens pour l'abolition de la torture). The emphasis is on how important the individual is in world affairs.
Duration: 6' 00"
SME/EMS
4 Stücke (2001)for violin and organ
Duration: 9' 00"
Edition Gamma
FanSolSi für Klavier (2001)Klavier
Die "FanSolSi"-Kompositionen sind Fantasien für einen Solisten, mit Tönen, z.B. Fa, Sol und Si.
Duration: 11' 00"
Edition Gamma
"Posaunen" für Stimme und Orgel (2001)Beliebige Singstimme, Orgel
Der Text ist aus der Apokalypse 8, 7 - 13 entnommen. Als Stimme kommt hier eine beliebige Männer oder Frauenstimme in Frage. Von gesungen bis gesprochen gelangen verschiedene Klangerzeugungen zum Einsatz. Auch bei der Orgel sind die Tonhöhen nur andeutungsweise gegeben.
Duration: 6' 00"
Edition Kunzelmann
Grütstr. 28
CH-8134 Adliswil
FanSolSi (2001)
for piano
Duration: 11' 00"
Manuscript
4 Stücke (4 pieces) (2002)for violin and piano
The two instruments face each other as equals, once the violin dominates, then the piano. These pieces can also be performed seperately.
Duration: 9' 00"
SME/EMS
FanSolSi (2002)
for violin
Duration: 12' 00"
Manuscript
4 Stücke (2003)
for violin and piano
Duration: 9' 00"
Manuscript
FanSolSi (2003)
for horn
Duration: 12' 00"
Manuscript
"Kantone" (2005)for female choir or youth choir
This work is composed without a fixed pitch, the choir finds this themselves. The text is phonetically notated, the source of the sound is the different Swiss canton's car registration plates.
Duration: 5' 00"
SME/EMS
Quartett (2005)for flute and three strings (vn, va, vc)
This work lives for the most part from the contrast between the flute and the three string instruments. The string players sit during the performance and the flutist stand behind them.
Duration: 11' 00"
SME/EMS
4 Stücke (4 pieces) (2005)for trumpet and organ
These pieces can be performed together or seperately. Each piece has its own character and brings the various tonal possibilities of the instruments to the fore.
Duration: 9' 00"
Edition Gamma
4 Bilder (2005)for percussion
Each of these images is restricted to certain instruments:
1) Glockenspiel, triangle
2) Marimbaphone, templeblocks
3) Jazz percussion
4) Vibraphone
Duration: 11' 00"
Edition Gamma
Nov - Org (2005)
3 pictures
for dynamic organ
For the 'prototype 2' of the INNOV-ORGAN-UM project.
Duration: 30' 00"
Manuscript
Musik (2006)
for 15 wind instrumentalists (0.2.2.2/4.2.3.0)
Duration: 15' 00"
Manuscript
5 Impressionen zur Apokalypse (2007)
for soprano, flute, percussion and organ
Texts: Regula Riniker
Duration: 23' 00"
Manuscript
"FanSolSi" für Querflöte (2007)Querflöte
Die "FanSolSi"-Kompositionen sind Fantasien für einen Solisten, mit Tönen, z.B. Fa, Sol und Si.
Duration: 11' 00"
Edition Gamma
Saiten - Pfeifen (2007)for harp and organ
Duration: 12' 00"
Edition Gamma
D Bewegig - Schmärz (2008)
for singing violinist (or mezzo-soprano and violinist)
Texts: Guy Krneta
Duration: 9' 00"
Manuscript
Klee-Impressionen (2008)
7 short pieces
for oboe (ca), bassoon, viola and guitar
Duration: 10' 00"
Manuscript
Stereophonie (2009)for 5 trumpets
Suitable for advanced amateuers.
The five players are distributed across the whole width of the hall, thus giving a sterophonic effect. Emphasis is placed upon the tonal possibilities of the instruments.
Duration: 5' 00"
SME/EMS
Quartett (2009)
for transverse flute, Baroque violine, Baroque bassoon and harpsochord
Duration: 11' 00"
Manuscript
Amorgviola (2009)Viola d'amore, Orgel
Viola d'amore und Orgel sind gleichwertige Partner. Dem Streichinstrument mit seinen Klangschattierungen steht die Orgel mit seinen Registriermöglichketen gegenüber,
Duration: 8' 00"
Edition Gamma
Eurokürzel (2011)8 weibliche Singstimmen
Duration: 8' 00"
Edition Gamma
"FanSolSi" für Orgel (2013)Orgel
Die "FanSolSi"-Kompositionen sind Fantasien für einen Solisten, mit Tönen, z.B. Fa, Sol und Si. Mit Vorteil wird das Werk an einer Orgel mit elektronischen Setzerkombinationen gespielt.
Duration: 11' 00"
Edition Gamma
Lupoforte (2013)
Quintet
for oboe/lupophon, contraforte, harp, violin, violoncello
Duration: 15' 00"
Manuscript
Nov-Org 4 (2013)
4 images for the 4th prototype of the ORGANINNOVUM project
for organ
Duration: 18' 00"
Manuscript
"FanSolSi" für Gitarre (2014)Gitarre
Die "FanSolSi"-Kompositionen sind Fantasien für einen Solisten, mit Tönen, z.B. Fa, Sol und Si. Die Gitarre wird auf eine besondere Art gestimmt,sodass auch Vierteltonleitern realisierbar sind.
Duration: 9' 00"
Edition Gamma
"FanSolSi" für Alt-Saxophon (2014)Alt-Saxophon in Es
Duration: 11' 00"
Edition Gamma
"Saiten - Saiten" für Harfe und Klavier (2015)Harfe (mit Pedalen), Klavier
Vielfach spielen die beiden Instrumente gleiche Töne - zur Geltung kommt dabei vor allem das unterschiedliche Ausklingen der Töne.
Duration: 12' 00"
Edition Gamma
Concerto I per Strumenti (2015)18 Orchesterinstrumente (10 Streicher, 7 Bläser, 1 Schlagzeuger)
Viele Instrumente treten solistisch hervor und werden vom anderen Instrumenten begleitet.
Duration: 14' 00"
Edition Gamma
"FanSolSi" für Akkordeon (2016)Akkordeon
Die "FanSolSi"-Kompositionen sind Fantasien für einen Solisten, mit Tönen, z.B. Fa, Sol und Si.
Duration: 16' 00"
Edition Gamma
6 Bilder für eine grosse Orgel (2016)Quinte plus - 5 Ebenen - Naturseptimen - engmensuriert - Echos - Schwebungen
Grosse Orgel mit 4 Manualen
Zu einer Aufführung ist bei diesem Werk eine grosse viermanualige Orgel notwendig. Zum Teil sind die 4 Manuale in einem schnellen Wechsel eingesetzt. "Naturseptimen" verlangt als Register eine Septime (1 1/7' oder 2 1/7), "engmensuriert" drei engmensurierte Register, verteilt auf 3 Manuale.
Duration: 21' 00"
Edition Gamma