Instrumentation: for clarinet, viola and piano

Duration: 6' 00"
Manuscript

Instrumentation: for flute and chamber ensemble (1.0.ca.1.bcl.1/1.1.1.0/vib.mba.hp/str)

Duration: 13' 00"

Instrumentation: for soprano, flute, viola, horn and harp

Texts: Liselotte Lüscher

Duration: 4' 00"
Manuscript

Duration: 8' 00"

Instrumentation: for wind quintet

Duration: 12' 00"

Instrumentation: for one or two organs

Duration: 15' 00"

Instrumentation: for clarinet

A virtuosic solo piece incorporating a number of new playing techniques in "mobile form": The various sections can be rearranged into as many different permutations as the performer wishes.

Duration: 6' 00"-7' 00"

Duration: 6' 00"

Instrumentation: for harp

Duration: 6' 00"
Manuscript

Duration: 8' 00"

Instrumentation: for viola

Duration: 8' 00"

Instrumentation: for voice and orchestra (soprano/3(pic).2.ca.3.bcl.2.cbn/4.3.3.1/timp.4perc/2hp/str(20.0.10.8.6))

Texts: Helmut Heissenbüttel

Duration: 21' 00"

Instrumentation: for piano

Duration: 6' 00"

Sound object

Instrumentation: for 16 music boxes

Duration: 5' 00"
Manuscript

Instrumentation: for mixed choir

Duration: 6' 00"-8' 00"
Manuscript

Instrumentation: for 2 solo wind instrumentalists (any high woodwind) and strings (6vn, 3va, 2vc, db)

Duration: 12' 00"

Duration: 3' 00"-5' 00"

Instrumentation: for clarinet, violoncello and trombone

Duration: 8' 00"

Instrumentation: for any wind instrument

The performer is given great freedom in forming the tonal shape, which he must then adapt to the specific capabilities of the respective instrument.

Duration: 6' 00"-8' 00"

Instrumentation: for oboe

Duration: 3' 00"-4' 00"

Instrumentation: for orchestra (3.3.3.3/4.3.3.1/4perc/str)

Duration: 13' 00"

Instrumentation: for soprano, organ and chamber orchestra (2fl, 2ob, 2cl, bn/2tpt, 2tbn/4vc/2db)

Duration: 9' 00"

Instrumentation: for violin and organ

The widening (and coarsening) of the sound spectrum of both instruments is noticeable here. Best realised on an organ with mechanical action.

Duration: 8' 00"-9' 00"

Instrumentation: for oboe and strings (6vn, 2va, 2vc, db)

Duration: 15' 00"

Instrumentation: for flute, oboe and clarinet

Duration: 10' 00"

Instrumentation: for soprano and 5 instruments (fl, cl, bcl, vn, vc)

Texts: Franz Mon

Duration: 10' 00"

Instrumentation: for harpsichord (piano), flute, oboe, clarinet, violin and violoncello

Duration: 12' 00"-14' 00"

Interlude

Instrumentation: for organ

Duration: 4' 00"
Manuscript

Instrumentation: for piano

Duration: 10' 00"

Instrumentation: for violin

Duration: 3' 00"

Instrumentation: for soprano, alto, tenor, bass and organ

Duration: 12' 00"

Instrumentation: for wind quintet

Duration: 12' 00"-14' 00"

Instrumentation: for two violins, two violas and two violoncelli

Duration: 13' 00"

Instrumentation: for violin and piano

Duration: 15' 00"
Manuscript

Instrumentation: for oboe and harpsichord

Duration: 8' 00"

Instrumentation: for flute, cello and organ

Duration: 9' 00"
Manuscript

Instrumentation: for three choirs and orchestra (2ob, 3tpt, 3tbn, 4 perc players, vnI, vnII, va, vc, db)

Texts: Helmut Heissenbüttel

Duration: 12' 00"-14' 00"
Manuscript

Instrumentation: for one percussionist, 5 instrumentalists and a coductor (perc, fl(afl), cl(bcl), tbn, elec.org, vc)

Duration: 16' 00"-18' 00"
Manuscript

Instrumentation: for 23 woodwind and brass instruments

Manuscript

Instrumentation: for organ

Duration: 8' 00"

Instrumentation: for soprano, flute and violoncello

Texts: James Joyce

‘Tantris’ comes from a section of ‘Finnigan's Wake’ by James Joyce. Both the soprano and the instruments are set in a linear, contrapuntal fashion. Smaller intervals predominate in the soprano part, which circle around a pivotal central tone, often becoming enriched with the use of quartertones. Only in the setting of certain important words are bigger leaps used.

Duration: 9' 00"-11' 00"

Instrumentation: for an organ/percussion player and one assistant

Duration: 6' 00"-8' 00"
Manuscript

Instrumentation: for 2 wind instruments

Duration: 5' 00"-7' 00"
Manuscript

Instrumentation: for clarinet and piano

Duration: 10' 00"

Instrumentation: for 3 singers

Manuscript

Seven pieces

Instrumentation: for organ

Duration: 22' 00"
Manuscript

Instrumentation: for small orchestra (2(pic, afl).2.2(cl-B/Eb, bcl).1/3.2.1.0/timp.perc/cel/str(0.0.5.4.3))

Duration: 12' 00"

Instrumentation: for clarinet in Bb and piano

Duration: 7' 00"-9' 00"

Instrumentation: for a small orchestra (2.2.2.1/2.2.0.0/2perc/0.0.2.2)

Written predominantly in (conducted) space notation.

Duration: 12' 00"

Instrumentation: for 3 players (soprano, flute and violoncello)

Texts: Franz Mon

Duration: 21' 00"-22' 00"

Instrumentation: for soprano, flute, clarinet and violoncello

Texts: Marc Chagall

Duration: 22' 00"
Manuscript

Instrumentation: for organ

Duration: 7' 00"-8' 00"

Instrumentation: for three recorders

Duration: 7' 00"-9' 00"

Instrumentation: for soprano and instruments ad libitum

Texts: Edward Estlin Cummings

Duration: 6' 00"-7' 00"
Manuscript

Instrumentation: for solo trumpet, female choir, orchestra (2.2.2.2/2.0.0.0/2perc/str)

Texts: Kurt Marti

Duration: 18' 00"-19' 00"
Manuscript

Instrumentation: for soprano, flute and harpsichord

Texts: Kurt Marti

Text: Kurt Marti.

Duration: 9' 00"
Manuscript

Instrumentation: for soprano and a minimum of any two melodious instruments

Texts: Edward Estlin Cummings

The intensity of E. E. Cummings' texts is reflected in very expressive musical phrases. The handling of melody is similar to that of 'Tantris'. The realisation of intricate sound details is left to the possibilities of the chosen instruments and the musical imagination of their interpreters.

Duration: 9' 00"-10' 00"
Manuscript

For four timpani, four cymbals, three gongs, tam-tam, marimba, temple block and log drum. Space notation. Highly demanding.

Duration: 11' 00"-12' 00"

Instrumentation: for trumpet and piano

Duration: 8' 00"
Manuscript

Instrumentation: for flute solo

Generally refined, tender flute tones in many sonorous and noise like nuances.

Duration: 8' 00"

Instrumentation: for 12 solo stings (7.2.2.1)

Duration: 11' 00"-12' 00"

Instrumentation: for three percussionists

Duration: 14' 00"

Instrumentation: for tenor recorder

Duration: 6' 00"

Instrumentation: for three basset horns or three bass clarinets

Duration: 15' 00"-16' 00"

Instrumentation: for piano

The musicians choose the order of these nine short passages.

Duration: 12' 00"-15' 00"

Instrumentation: for recorder quartet

Employs new playing techniques for the instruments; containing a few improvisatory moments.

Duration: 12' 00"

Instrumentation: for violoncello and piano

Duration: 11' 00"

Instrumentation: for chamber oechestra (2.2.2.2/2.2.0.0/timp(1player)/str)

Duration: 2' 00"
Manuscript

Instrumentation: for soprano, clarinet, glockenspiel and organ

Texts: Bibel / Liturgie

Part of a joint composition: Proprium part of the Whitsunday mass by H. Holliger, H.U. Lehmann, J. Haselbach, P. Wettstein, G. Bennett and J. Wildberger.

Duration: 11' 30"

Instrumentation: for small orchestra (2.2.2.0/2.2.0.0/perc(2players)/str)

Duration: 9' 00"

Instrumentation: for violoncello and string quintet (2.2.1)

Duration: 2' 00"
Manuscript

Instrumentation: for trumpet

Duration: 2' 00"
Manuscript

Instrumentation: for 2 flutes, 2 violoncelli and organ

Duration: 16' 00"
Manuscript

Duration: 12' 00"-14' 00"

Instrumentation: for violoncello, contrabass clarinet and percussion

A slow developing music, which in spite of a few isolated dynamic shifts, is predominantly still and calm.

Duration: 15' 00"

Instrumentation: for soprano and basset horn

Duration: 14' 00"
Manuscript

Instrumentation: for flute, clarinet, harp and orator

Texts: Ernst Meister

Text: Ernst Meister.

Duration: 16' 00"
Manuscript

The title refers to aspects of study. Uses numerous less commonly encountered playing and sound techniques.

Duration: 20' 00"

Instrumentation: for orchestra (4.2.4.2/4.2.2.1/hp/timp.perc/str)

Duration: 11' 00"

Instrumentation: for tenor, baritone, bass clarinet and percussion

Duration: 8' 00"
Manuscript

Instrumentation: for guitar

On the whole a soft, quiet music, whose uniqueness lies in its tonal nuances and differentiation. The six parts are strong in character and more or less distinctly separate.

Duration: 14' 00"-15' 00"

Instrumentation: for chamber orchestra (2.2.2.2/2.2.0.0/timp.perc/6.6.4.4.2)

Duration: 9' 00"

Instrumentation: for double-bass or bass clarinet

Duration: 8' 00"-9' 00"

Instrumentation: for soprano, baritone and small orchestra (3.0.1.2.bcl.0/2.2.0.0/3perc/6.6.4.4.2)

Texts: Edward Estlin Cummings, Bibel / Liturgie

The expressive and emotional texts (‘Hohelied’ and texts by E.E. Cummings) are set to music producing expanded, mostly very expressive phrases. The singing voice parts are handled as in ‘Tantris’.

Duration: 25' 00"-26' 00"

Instrumentation: for altus (alto) and recorder

Texts: Rose Ausländer

Text: Rose Ausländer.

Duration: 11' 00"

Instrumentation: for percussion with chamber orchestra (2.2.2(2bcl).1/2.2.0.0/6.6.4.4.2)

A concertino for a single percussionist. Conventional notation throughout.

Duration: 12' 00"

Instrumentation: for orchestra (1(pic).1.ca.bcl.1/1.1.1.0/perc(1 player)/hp.cel.pf.vib/str(1.1.1.1.1))

Duration: 10' 00"

Instrumentation: for flute and clarinet

Duration: 6' 00"

Instrumentation: for baritone, flute (also bass flute), violoncello and percussion

Texts: Edward Estlin Cummings

Based on texts by Edward Estlin Cummings.

Duration: 22' 00"

Instrumentation: for flute and harpsichord ad lib.

Duration: 6' 00"

Instrumentation: for bass flute solo

Duration: 6' 00"

Instrumentation: for clarinet and violoncello

Duration: 10' 00"

Instrumentation: for soprano and chamber orchestra (1.afl.1.1.bcl.1/2.2.0.0/timp.perc/6.6.4.4.2)

Texts: Edward Estlin Cummings

Based on text by Edward Estlin Cummings.

Duration: 15' 00"

Instrumentation: for accordion solo

Duration: 5' 00"

Instrumentation: for clarinet, violoncello and percussion

Duration: 5' 00"
Manuscript

Instrumentation: for bass clarinet, organ and percussion

Duration: 18' 00"

Instrumentation: for altus (alto) and piano

Texts: Edward Estlin Cummings

Text: Edward Estlin Cummings.

Duration: 10' 00"

Instrumentation: for violoncello and harp

Duration: 10' 00"

Instrumentation: for harp

Duration: 8' 00"-9' 00"

Instrumentation: for violin, violoncello and string quartet

Duration: 12' 00"

Instrumentation: for bass clarinet and orchestra (2.1.2.1/2.1.1.0/4timp.4perc/str)

Duration: 13' 00"

Instrumentation: für Klavier

Duration: 6' 00"
Manuscript

Five sketches

Instrumentation: for harp, alto flute, bass clarinet and vibraphone

Duration: 22' 00"-24' 00"

Instrumentation: for baritone, bass clarinet and violoncello

Texts: Giorgio Orelli

Duration: 14' 00"

Instrumentation: for mixed a-cappella choir (6.6.6.6)

Texts: Kurt Marti

Duration: 14' 00"

Instrumentation: for mixed a-cappella choir

Texts: Helmut Heissenbüttel

Duration: 12' 00"

Instrumentation: for viola solo

Duration: 7' 00"-8' 00"

Instrumentation: for baritone saxophone and guitar

Duration: 7' 00"-10' 00"

Instrumentation: for clarinet in A and piano

Duration: 14' 00"

Instrumentation: for soprano and piano

Texts: Donata Berra

Duration: 5' 00"-6' 00"
Manuscript

Instrumentation: for mezzo-soprano, alto flute and viola

Texts: Donata Berra

Duration: 6' 00"
Manuscript

Instrumentation: for baritone solo, violoncello solo and small orchestra (2bcl(1.cl)/hn/2percussionists/str(4.3.2.2.1)

Texts: Anne Weber

Duration: 23' 00"-24' 00"

Instrumentation: for clarinet solo and small orchestra (2(afl).1.bcl.0/2.1.0.0/timp.perc/0.5.5.3)

Duration: 18' 00"

Instrumentation: for harp solo

Duration: 8' 00"

Instrumentation: for soprano and orchestra (2.2.2.1/2.0.1.0/2perc/str)

Texts: Stéphane Mallarmé

Duration: 12' 00"

Instrumentation: for soprano solo

Texts: E.E. Cummings

up into the silence - if the lovestar grows most big - birds - silence - there is a moon sole - FINIS over silent waters

Duration: 8' 00"-9' 00"
Manuscript

Instrumentation: for soprano, viola, bass clarinet, percussion and speaker

Texts: Michel Butor

Duration: 28' 00"-30' 00"

Instrumentation: for viola and small orchestra

Duration: 18' 00"
Manuscript

Instrumentation: for viola and double bass

Duration: 6' 00"-7' 00"
Manuscript

Duration: 7' 00"
Manuscript

Instrumentation: for string quartet

Manuscript

5 Poems

Instrumentation: for soprano, clarinet, violoncello and percussion

Texts: Henri Michaux

Duration: 9' 00"
Manuscript

Instrumentation: for viola and piano

Manuscript