Organ
Alfred KnüselMesse (1976)
Instrumentation: for vocal quartet, orator, mixed choir, violin and organ
Duration: 18' 00"
SME/EMS
Josef KostOrgel-Partita (1981-1982) Instrumentation: for a double manual organ
Six short, contrasting movements reflect the hymn's melody. Can be used liturgically or concertante.
Lower to intermediate level of difficulty.
Duration: 13' 00"
SME/EMS
Burkhard KinzlerO Traurigkeit, o Herzeleid (1989)
Choralvorspiel nach zwei fragmentarischen Takten von J. S. BachInstrumentation: für Orgel
Duration: 2' 00"
SME/EMS
Kurt MeierIch bin bei euch (1992)
Ecclesiastical concertInstrumentation: for soprano, mezzo-soprano and organ
Duration: 3' 00"
SME/EMS
Hans Eugen Frischknecht5 Praeambeln für Orgel (1961)
Five short, very characteristic pieces in different registers.
Duration: 8' 00"
SME/EMS
Thomas David MüllerTractus, quoqueversus (1977)
Instrumentation: for organ (eight organists and assistants)
The organ represents here a gigantic Morse encoder, which is connected to a respiratory machine. An experiment with primary expressive form. Action score.
Duration: 9' 00"
SME/EMS
Laurent MettrauxGethsemané, M. 456 (1990)
Instrumentation: for organ
Simultaneous evocation of pain and resignition. At least two manuals and pedals are required. Sounds particularly nice on big organs in the romantic style.
Duration: 4' 00"
SME/EMS
Felix BaumannVier Worte (1991)
Instrumentation: for choir and organ
Texts: Bibel / Liturgie
For a committed amateur choir. A piece of music in four movements for two female voices, one male voice and an organ. Based on biblical texts.
Duration: 19' 00"
SME/EMS
Kurt MeierDer Mensch lebt nicht vom Brot allein (1993)
Ecclesiastical concertInstrumentation: for soprano and organ
Duration: 7' 00"
SME/EMS
Kurt MeierWache auf (1994)
Ecclesiastical concertInstrumentation: for mezzo-soprano and organ
Duration: 7' 00"
SME/EMS
Josef KostSectio Aurea (1988-1989)
Toccata for organA virtuoso piece with almost continuous movement broken only with short moments of relaxation. For a double manual organ.
Duration: 8' 00"
SME/EMS
Alex RüediDrei Jazzideen (1995)
Instrumentation: for alto saxophone and organ
Moderato - Lento - Allegro.
Duration: 8' 30"
SME/EMS
Frédéric BolliPräludium, Fuga und Ciacona (1982)
Instrumentation: for organ
Duration: 10' 00"
SME/EMS
Stephan LaufferEin nachapostolisches Glaubensbekenntnis (1997-1998)
Instrumentation: for choir (SATB) and organ
Texts: Kurt Marti
Duration: 6' 00"
SME/EMS
(Parts: CHF 12.-)
Hans Eugen FrischknechtKomposition für Oboe und Orgel (1964) Four opposing parts combine to form a whole. Written extensively in space notation.
Duration: 5' 00"
SME/EMS
Balz TrümpyLibera (1975)
Instrumentation: for eight voices, electronic organ and synthesizer
Texts: Bibel / Liturgie
A snippet of text from the Catholic Requiem Mass is phonetically 'dissolved', reassembled as loud formations and returned to its original unit.
Duration: 20' 00"
SME/EMS
Irena GriegStykhyra (Dankeshymnus) (1993-1998)
Instrumentation: for organ
Duration: 6' 00"
SME/EMS
Felix FalknerGere Curam Mei Finis (1995-1996)
MementoInstrumentation: for soprano, violoncello and organ
Texts: Bibel / Liturgie, Johann Wolfgang von Goethe, W.A. Mozart, Richard Scheid
Duration: 25' 00"
SME/EMS
Kurt MeierGehoben ist der Stein, die Menschheit auferstanden (1995)
MotetInstrumentation: for three-part female choir and organ or for choir (SATB) with or without organ
Duration: 3' 00"
SME/EMS
Bernhard Sieber"Das Volk, das im Finstern wandelt, sieht ein grosses Licht" (1965-2002)
Instrumentation: for organ and orchestra ((ob/str (soli and ripieni))
A re-working of the 'Chaconne for Organ and Orchestra' from 1965
Duration: 4' 00"
SME/EMS
Josef KostVesper (1994)
Instrumentation: for amateur choir, youth choir (both also speaking choirs), congregation, mezzo-soprano, baritone, liturgist, harp, organ and two percussion
Texts: Bibel / Liturgie
A composition in various scores based on texts from Psalms and paraphrases on the subject of creation. Both the youth and amateur choirs are accompanied by the organ or percussion instruments; the singing congregation is accompanied by harp and drums, and the female and male cantor are accompanied by marimbaphone.Intermediate to difficult level.Liturgical duration: 60'
Duration: 31' 00"
SME/EMS
Irena GriegAfter Breughel (1994-1996)
TrypticonInstrumentation: for trombone and organ
Duration: 10' 00"
SME/EMS
Stephan LaufferTränen... Für die unschuldigen Opfer eines sinnlosen Krieges (2003)
Instrumentation: for viola and organ (possibly piano)
Duration: 4' 00"
SME/EMS
Hans Eugen FrischknechtKristallisationen (1964)
Instrumentation: for organ
Soft organ sounds at high frequency begin this piece, as if sounding from afar. First performed at the EXPO Lausanne in 1964.
Duration: 5' 00"
SME/EMS
Michel HostettlerIntermède no. 2 (1977)
Instrumentation: for flute, oboe and organ (or strings)
Duration: 6' 00"
SME/EMS
Stephan Laufferen dankopfergsang - dä hundertschti psalm (2003)
Instrumentation: for choir (SATB), oboe, viola, xylophone, percussion, organ and double-bass
Texts: Bibel / Liturgie
Musical setting of the 100th Psalm.
Duration: 7' 00"
SME/EMS
Instrumental parts CHF. 16.-;
choir score CHF. 14.-
Hans Eugen Frischknecht5 Stücke für Flöte und Orgel (1965)
Five single pieces of various character, from superficially structured to atmospherically cautious.
Duration: 8' 00"
SME/EMS
Bernhard SieberSinfonia concertante (1965-2012)
für Orgel, Oboe, Streicher Concertino und Streichorchester ripienoInstrumentation: Orgel, Oboe solo, Vl. 1 + 2 soli, Vla solo, Vlc. solo, Kb. solo, Streicher ripieno: Vl. 1 + 2, Vla., Vlc., Kb.
Duration: 25' 30"
SME/EMS
Parts: CHF 70.00
Orgelauszug: CHF 33.00
Stephan Laufferen dankopfergsang - dä hundertschti psalm (2003)
Instrumentation: for choir (SATB) and organ
Texts: Bibel / Liturgie
Musical setting of the 100th Psalm.
Duration: 7' 00"
SME/EMS
Parts: CHF 12.00
Rudolf JaggiKleine Fantasie (1964)
Instrumentation: for organ
Duration: 4' 00"
SME/EMS
Maria A. Niederberger"Oh grosses Wunder". Ein Weihnachtslied (erste Fassung) (1995)
A Christmas carol (first version).Instrumentation: for choir and organ, for choir with flute, triangle and string quartet (string ensemble)
Texts: Maria Niederberger
Choir is one - two part, four strophes and in a traditional tonal style. German text by M. Niederberger.
Duration: 4' 00"
SME/EMS
(Version with instruments: CHF 14.-)
Peter SchärliTraummusik II (2002)
Instrumentation: for two trumpets and organ
Duration: 4' 00"
SME/EMS
Hansruedi WilliseggerO Heiland reiss die Himmel auf (1960)
Doric choral cantataInstrumentation: for soprano, choir, flute and organ
Duration: 16' 00"
SME/EMS
Mathias SteinauerDie gehaubte Braut, op. 11.2 (1994)
A little wedding musicInstrumentation: for Mezzo-soprano and organ
Texts: Japanisch, Barock-Lyrik, Alltags- Werbe- Mediensprache
Text: some Japanese Haiku, baroque lyric, and computer terms. Lovingly ironic music. Cyclic in 12 short sections.
Duration: 9' 00"
SME/EMS
Kurt Meier1. Gottesknechtslied Jesaias (1999)
Ecclesiastical concertInstrumentation: for soprano and organ
Duration: 10' 00"
SME/EMS
Kurt Meier4. Gottesknechtslied Jesaias (1999)
Ecclesiastical concertInstrumentation: for mezzo-soprano and organ
Duration: 7' 00"
SME/EMS
Stephan LaufferChoral fantasy "O Traurigkeit, o Herzeleid" (2007)
Instrumentation: for viola and organ
Duration: 3' 30"
SME/EMS
(Part incl.)
Laurent MettrauxSonata, M. 470 (1993)
Instrumentation: for trumpet and organ
Exploits the expressive possibilities of the trumpet. The organ part is without difficulties.
Duration: 6' 00"
SME/EMS
(Seperate parts: sFr. 10.-; € 10.-)
Hans Eugen FrischknechtKomposition für Violoncello und Orgel (1967)
Im ersten Teil verschmelzen Flageolettöne des Cellos mit einem leisen Orgelregister. Eine gewisse Dramatik weist der zweite Teil auf. Der dritte Teil entspricht dem ersten Teil – in Krebsform.
Duration: 6' 00"
SME/EMS
Rudolf JaggiFantasia canonica (1967)
Instrumentation: for violin and organ
Duration: 7' 30"
SME/EMS
(Including parts)
Alfred Knüselspecularis (1993-1994)
Instrumentation: for soprano, violin, two organs, and percussion with two or three players
Texts: Clara von Assisi, Franziskus von Assisi, Bibel / Liturgie
Homage to Clara von Assisi. The soprano is expected to use her voice in a widely colourful manner.
Duration: 15' 00"
SME/EMS
Bernhard SieberAll Morgen ist ganz frisch und neu (1972/18)
Instrumentation: for organ
Duration: 2' 00"
SME/EMS
Michel HostettlerIntermède no. 3 (1981)
Instrumentation: for flute and organ
Duration: 4' 00"
SME/EMS
incl. Parts
Michael Heischwechselspielwechsel I. "Fall" (2000)
Instrumentation: for organ and percussion
Duration: 12' 00"
SME/EMS
Josef KostAndante relaxando (2003)
Instrumentation: for large organ
This work uses the tonal and dynamic possibilities of a large organ. An excellent 16 foot register is necessary for an adequate interpretation.
Highly demanding.
Duration: 10' 15"
SME/EMS
Frédéric BolliUnd auch ihr habt nun Traurigkeit (1988)
Instrumentation: for bass and orchestra
Duration: 5' 00"
SME/EMS
Kurt MeierJesus Christus, unser Bruder und Heiland (2000)
Ecclesiastical concertInstrumentation: for soprano, mezzo-soprano and organ
Duration: 7' 00"
SME/EMS
Martin MetzgerDu Doppelgänger (2001)
Instrumentation: for trumpet, alto saxophone, organ, glockenspiel, vibraphone, marimba and tubular bells (one player)
Duration: 8' 00"
SME/EMS
Kurt MeierIch warte sehnsuchtsvoll (2002)
MotetInstrumentation: for choir (SATB) and organ
Duration: 6' 00"
SME/EMS
Josef KostOpus Lucernense (2007)
Instrumentation: for alto saxophone and organ (preferably 3 manual; 2 manual possible)
Four movements (2nd and 4th movement with improvised cadenza).
Duration: 28' 30"
SME/EMS
(Part for saxophone: CHF 30.-)
Hans Eugen FrischknechtPsalm 146 (1970)
Instrumentation: Dreistimmiger Chor SAM, Orgel
Der Chor singt den Text des Psalm 146, die Orgel sekundiert integrierend oder kontrastvoll.
Duration: 4' 00"
SME/EMS
Frédéric BolliJe suis ravi de vous revoir, Monsieur Ravel! (1990)
Instrumentation: for flute, violin, violoncello and four-handed organ (or piano)
Duration: 10' 00"
SME/EMS
Kurt MeierGebet um Liebe (2003)
HymnInstrumentation: for soprano and organ
Texts: Michael Bauer
Duration: 6' 00"
SME/EMS
Josef KostOpus Muriense (2007)
Instrumentation: for organ (preferably 3 manual; 2 manual possible)
Duration: 23' 30"
SME/EMS
Kurt MeierDass da niemand hineingeht (Die Brunnenvision des Niklaus von Flüe) (2004)
Die Brunnenvision von Bruder Klaus - Ecclesiastical concertInstrumentation: for soprano and organ
Duration: 18' 00"
SME/EMS
Michael SchneiderPainting / Orange (2007)
Instrumentation: for organ and saxophone
This piece makes reference to a picture by one of Australia's most outstanding modern painters, Brett Whitely. It mirrors the intensity of the picture's colour effects and addresses the physical process of painting in five scenes (primer - gestures - colours - birds - varnish).
Duration: 8' 00"
SME/EMS
Bernhard SieberFantasie und Fuge über ein Zwölftonthema (1974-1981/19)
Instrumentation: for organ
Duration: 16' 00"
SME/EMS
René WohlhauserPiece for Organ (Orgelstück) (1986) Ergon 13Instrumentation: for organ solo
A rhapsodic circling around the source material moves in turn in ever increasing circles, gradually the tempo becomes caught up in the rolling motion and eventually leads to a standstill with zero tempo, an interesting size which the mathematician Leonhard Euler defined in his 'Algebra' (in combination with other sizes) as a symbol for infinity.
Duration: 8' 00"
SME/EMS
Bernhard SieberDer Du allein der Ew'ge heisst (1974-1978)
Instrumentation: for organ
Duration: 2' 50"
SME/EMS
Balz TrümpyPetrarca-Gesänge (1989)
Instrumentation: for coloratura soprano and organ
Texts: Francesco Petrarca
Each of the four movements illuminates one of several aspects of love from the poet to Laura: The glorification, the steady sorrow in loss, the deceptive vision, and the final idolisation.
Duration: 22' 00"
SME/EMS
Hans Eugen FrischknechtSpielmusik für alte Instrumente (1973)
Instrumentation: for three recorders, two gambas, trombone and positive
Drei Stücke für ein Ensemble mit Renaissance-Instrumenten
Duration: 7' 00"
SME/EMS
Rudolf JaggiPassacaille (1973)
Instrumentation: for organ
Duration: 5' 00"
SME/EMS
Pierre ThomaYon (1991)
Instrumentation: for solo organ
Yon is the Japanese term for 'four' (the work is dedicated to Kei Koïto). The number refers to the 4 constitutive parts of an organ (production, transmission, control and expiration of air) and to the 2 x 4 + 4 themes evolving through synthesis and progressive mutations. The registration is mainly left to the performer.
Duration: 9' 30"
SME/EMS
Valentin MartiInstrumentation: for Renaissance recorder, viola da gamba and harpsichord/organ
In 6 movements. The 6th movement is a modest hommage to György Ligeti:: "Clarity"
Duration: 15' 00"
SME/EMS
Alfred Knüsel... und lässt in gewisser Weise Bindung hinter sich (1997)
Collection of four ecclesiastical songsInstrumentation: for singing, keyboard instrument (organ) and percussion instrument ad lib.
Texts: André Duplain
Duration: 14' 00"
SME/EMS
Kit PowellInstrumentation: for organ solo
Duration: 4' 00"
SME/EMS
René WohlhauserErgon 18Instrumentation: for organ
'Musical light phenomena' Aspects of the incidence of light, refraction, translucency, and opacity on the background of an intentional and so-called 'light-transcendence'. Inspired by the paintings of Claude Monet.
Duration: 8' 00"
SME/EMS
Hans Eugen Frischknecht"Situationen" (1976)
Instrumentation: 2 Trompeten, Orgel
Originalkomposition für 2 Trompeten und Orgel, setzt bei beiden Instrumente ihre verschiedenartige Klangmöglichkeiten ein.
Duration: 3' 00"
SME/EMS
Eric GaudibertJetées (1987)
Instrumentation: for organ
Open score. Seven themes are proposed on twelve separate pages: continuum, chords, arpeggios, fugato, grave, melody and rondo. Any of these themes can be played in conjunction with any of the others. With only one exception, no indications of register are given. The composer proposes eight possible permutations.
Duration: 10' 00"-20' 00"
SME/EMS
Jacques DemierreAltus (1988)
Instrumentation: for organ
This piece is concerned with the moment. It is a contest in which the contestants are missing.
Duration: 8' 00"
SME/EMS
Bernhard SieberVerkündigung (1981-2016)
Einsätzige Kantate über Lukas 1, 26 - 55Instrumentation: S,A,T,B, - Soli, Gemischter Chor (S,A,T,B), Streichorchester (Violine 1 + 2, Viola, Violoncello, Kontrabass, Orgel (mit Pedal!)
Duration: 18' 42"
SME/EMS
Klavierauszug CHF 24.00; Parts CHF 55.00
Laurent MettrauxElégie, M. 529 (1995-1997)
Instrumentation: for trombone and organ
A piece of noble temperament, very well suited to the character of the trombone.
Duration: 5' 00"
SME/EMS
(Seperate parts: sFr. 10.-; € 10.-)
Hans Eugen FrischknechtTonal - Atonal (1977-1984)
Instrumentation: for organ
Music without taboos, neither those concerning clustering nor major triads. Contains fine transitions or rapid cuts between both areas.
Duration: 10' 00"
SME/EMS
Bernhard SieberPsalm 134 (1981)
Instrumentation: Sopran1 und 2, Alt 1+2, Orgel mit Pedal
Duration: 4' 20"
SME/EMS
Burkhard KinzlerToccatadagioral (2010)
Sopra "Wachet auf"Instrumentation: for organ and swellable soprano
Texts: "Wachet auf, ruft uns die Stimme"
Duration: 13' 00"
SME/EMS
Bernhard Sieber"Meine Seele erhebt den Herrn" oder "Deutsches Magnificat" (1981)
Instrumentation: for female choir, string orchestra and organ
Duration: 10' 00"
SME/EMS
Burkhard Kinzlerad vitam (2010)
Music for religious serviceInstrumentation: for soprano, mixed choir, vocal ensemble, two organs, speaker
Duration: 45' 00"
SME/EMS
Bernhard SieberWunderbarer König (1982)
Instrumentation: for organ
Duration: 3' 30"
SME/EMS
Jürg FreyDer Mensch gleicht einem Hauche (1993-1994)
Instrumentation: for counter-tenor, recorder, viola, violoncello, double-bass and organ
Texts: Bibel / Liturgie
Text: Psalms 144,4.At the heart, danger, desolation, and fragility are what most characterise this piece. The choice of notes is limited, and only collectively can their meaning be known.
Duration: 5' 00"
SME/EMS
Vladislav JarosTerzett (2007)
Instrumentation: for panflutes (or flutes), taragot (or oboe) and organ (or flute, clarinet and organ)
In memoriam Sándor Veress.
A piece with two themes from Hungarian folk music, slow lyrical parts alternate with lively, quick and very rhythmical parts. Expanded tonality.
Duration: 12' 00"
SME/EMS
Hans Eugen FrischknechtFantasia für Violine, Schlagzeug und Orgel (1980)
Three instruments initially appear unfitting but never the less create a homogenous alliance or compliment each other well in contrast.
Duration: 10' 00"
SME/EMS
Max E. KellerErinnerungen V (1988)
Instrumentation: for organ
Duration: 8' 00"
SME/EMS
Hansruedi WilliseggerChoralvariationen (1964)
Instrumentation: for violin and organ
Duration: 6' 30"
SME/EMS
Hans Eugen FrischknechtKomposition für 2 Trompeten und Orgel (1984)
Two high trumpets are required. This composition distances itself substantially from usual trumpet-organ pieces and unites the instruments in multifaceted sound combinations.
Duration: 10' 00"
SME/EMS
Hans Eugen FrischknechtVerflechtungen (1984)
Instrumentation: for two organs
This piece is composed for a room with a large and small organ. It contains multifaceted interwoven sounds.
Duration: 12' 00"
SME/EMS
Kit PowellWedding Fanfare (2006)
Instrumentation: for horn and organ
Duration: 3' 30"
SME/EMS
incl. parts
Burkhard Kinzlerfantasia in ascensionem (2013)
Instrumentation: for organ solo
Duration: 6' 00"
SME/EMS
Rudolf JaggiGlosas (1983)
Instrumentation: for organ
Duration: 5' 30"
SME/EMS
Walter BaerDas Symposion des Xenophanes (2003)
CantataInstrumentation: for soli (AB from the choir) two choirs, flute, oboe, harp percussion and organ
Texts: Xenophanes von Kolophon, Marie Luise Kaschnitz
The two choirs are situated as far apart as possible. The vocal parts are demanding both for the soloists and the choir.
Duration: 38' 00"
SME/EMS
Hans-Jürg Meieranfione (2007)
Instrumentation: for saxophone and organ
Spatial music to the Legend of Amphion.
Duration: 8' 00"
SME/EMS
Urban MäderGesten - Nichts (2004)
Concert pieceInstrumentation: for choir (SATB), violin, double bass and organ
Commissioned by the Cantorin Contenti Zug. Even though the starting point for this composition is texts from Bach's "Jesu, meine Freude", "Gesten - Nichts" still remains a rudimentary music of sound and noise.
Duration: 14' 00"
SME/EMS
Rudolf JaggiLamentationes Jeremiae Prophetae (1983)
Instrumentation: for choir (SATB), orator and organ
Texts: Bibel / Liturgie
Duration: 20' 00"
SME/EMS
Rudolf JaggiTiento (1983)
Instrumentation: for organ
Duration: 2' 00"
SME/EMS
Bernhard SieberLob Gott getrost mit Singen (2003)
Instrumentation: for organ
Duration: 2' 00"
SME/EMS
Hans Eugen FrischknechtPsalm der Hoffnung (1988/11)
Instrumentation: für Sopran, Oboe und Orgel (oder Klarinette bzw. Oboe oder Flöte und Klavier)
Texts: Anonymi
The texts, ranging from sorrow to hope, are derived from political prisoners of various dictatorships. The Soprano voice is identical for all versions.
Duration: 13' 00"
SME/EMS
Pierre-André BoveyRicercare sur le nom de BACH (1994)
Instrumentation: for flute and organ
Duration: 7' 00"
SME/EMS
Bernhard SieberAmazing Grace (2004)
Variations and fugueInstrumentation: for organ (ad lib with piano and a melodic instrument)
Duration: 7' 00"
SME/EMS
Bernhard SieberSonne der Gerechtigkeit (2004-2008)
Instrumentation: for organ
In a blues style.
Duration: 1' 30"
SME/EMS
Michel HostettlerCanticum graduum (1990)
Instrumentation: for soprano and organ
Duration: 5' 00"
SME/EMS
Balz TrümpyInvocatio Domini (2004)
Instrumentation: for mezzo-soprano and organ
After Psalms 116.
Glorification of the soul and relive its torments.
Duration: 14' 00"
SME/EMS
Bernhard Siebergeh aus, mein Herz, Vögelistuck (2005)
OrgelchoralDuration: 2' 05"
SME/EMS
Burkhard Kinzler"Gott Vater, der du deine Sonn" (2015)
ChoralbearbeitungInstrumentation: für Orgel
Duration: 2' 00"
SME/EMS
Ernst PfiffnerInstrumentation: for organ, strings (min. 12.12.10.8.6) and four percussion instruments
The title here comes from Gottlieb Muffat's (1690-1770) 'Componimenti Musicale'. In this piece two rather contrasting movements are set against each other (chamber musical registration and 'Pleno' effects, combine agile percussion and string figuration with long held single notes with chords, strict structures with improvisatory elements, and various blends of organ and orchestral sound).
Work series A: Music for concerts.
Duration: 20' 00"
SME/EMS
Bernhard SieberIch bete an die Macht der Liebe (2005)
Choral partita with fugueInstrumentation: for organ
Duration: 12' 35"
SME/EMS
Bernhard SieberDanket dem Herrn (2005)
Choral toccataInstrumentation: for organ
In the form of a virtuoso pedal exercise.
Duration: 1:40 o. W., 2:20 m.W.
SME/EMS
Pierre-André Bovey2 Episodes (1996)
Instrumentation: for flute in G and organ
Duration: 7' 00"
SME/EMS
incl. parts
Bernhard SieberGeh aus, mein Herz, und suche Freud (2005)
Choral fantasy with bird songInstrumentation: for organ
Duration: 1' 00"
SME/EMS
Alfred KnüselVesper als Massstabwechsel von einer Realität in eine andere (2006-2007)
Instrumentation: for soprano, choir (SATB), flute, zink (tr), trombone and organ
1. Doxologie
2. Antiphon
3. Ektenie I
4. Hymne
5. Ektenie II
Duration: 20' 00"
SME/EMS
Rudolf JaggiPetrus (Oratorium) (1989)
Instrumentation: for soprano, baritone, bass, choir (SATB), organ, flute, oboe, bassoon and strings
I Jünger
II Apostel
III Märtyrer
SME/EMS
Alfred KnüselSt. Clara Messe (2008)
Instrumentation: for choir (SATB), organ and one melodic instrument
Duration: 22' 00"
SME/EMS
Jean-Jacques DünkiJumelles (1998)
Instrumentation: for violin and organ
Duration: 5' 00"
SME/EMS
Hans Eugen Frischknecht5 einfache Stücke in neuen Notationsarten (1997)
Instrumentation: for organ
Contemporary organ music is normally very difficult to play and rarely suitable for amateurs. Here are five simple pieces. An introduction to the new methods of notation and composition techniques is provided.
Duration: 6' 00"
SME/EMS
Hans Eugen FrischknechtActions - Réactions (1998)
Instrumentation: for percussion and organ
The percussionist generates a sound - the organist reacts - the percussionist reacts on his part. Every action of one instrument results in a certain reaction.
Duration: 12' 00"
SME/EMS
Bernhard SieberEppich (Gesang und Klavier) (2018)
Instrumentation: Gesang (b - f''), Klavier
Texts: Conrad Ferdinand Meyer
Duration: 1' 47"
SME/EMS
Bernhard SieberEppich (Gesang und Orgel) (2018)
Instrumentation: Bariton (B - f') und Orgel (mit Pedal)
Texts: Conrad Ferdinand Meyer
Duration: 1' 47"
SME/EMS
Rudolf JaggiQuinquaginta (1998)
Instrumentation: for piano (or organ)
Duration: 1' 20"
SME/EMS
Rudolf JaggiFughette (1999)
Instrumentation: for organ
Duration: 1' 20"
SME/EMS
Hansruedi WilliseggerChoral (1972)
Instrumentation: for alphorn, piccolo and organ
Duration: 6' 00"
SME/EMS
Michel HostettlerMéditation (2012)
Instrumentation: for flute and organ
For Irène Gaudibert.
Duration: 6' 00"
SME/EMS
incl. parts
Michel HostettlerPsaume 137 (2012)
Instrumentation: for baritone, female choir, violin and organ
Duration: 8' 00"
SME/EMS
incl. parts
Max E. KellerOù est le roi? (2010)
Instrumentation: for flute, violin, violoncello and organ
1747: King Friedrich II challenged J.S. Bach to create a 3-part fugue over his own fugue theme, which resulted in 'The Musical Offering'.
2010: The Schweizer Kammerensemble challenged five very different composers to work with the same fugue theme. I transformed it with a contemporary edge into a theme consisting of 2 x 12 different tones - in the sense of 12-tone music but with a slight irregularity. The relation to Bach is initially almost imperceptible, a connection can only be drawn from the rhythm and the fluctuation in colour of the noise-like string sounds. The theme undergoes the normal transformations until it finally emerges in quasi purity.
Duration: 7' 00"
SME/EMS