Instrumentation: for trumpet and trombone

"Bright and noble" - a festive fanfare in D flat major.

Duration: 2' 00"

CHF: 12.00

Instrumentation: for trombone and piano

Composed in four movements (like a sonata da chiesa).

Duration: 8' 00"

CHF: 22.20

Instrumentation: for violin and trombone

Three-part piece: grosse Entfernung - Nähe - Entfernung, ohne die innere Beziehung zu verlieren.

Duration: 8' 00"

CHF: 14.70

Duration: 3' 00"

CHF: 15.30

Instrumentation: for two trumpets, horn, trombone and tuba

Duration: 9' 30"

CHF: 17.30

Instrumentation: for bass clarinet, trombone, violoncello and percussion

Shadowy diffused sounds are generated below the sound spectrum of the rainstick. Sounds which, the stronger and more corporeal they appear, the more fragile they really are.
Requires three rainsticks.
First performed by the 'Ensemble Avance' in Baden, 25.02.00.

Duration: 10' 30"

CHF: 25.80

Instrumentation: for viola, violoncello, trombone, tuba and piano

Duration: 10' 00"

CHF: 25.30

Instrumentation: for brass quintet (0.2.3.0) and four-voice mixed choir

Texts: Bibel / Liturgie

Text taken from the Song of Songs.A version for mixed eight-voice choir is available from the composer.

Duration: 10' 00"

CHF: 24.00

Instrumentation: for brass quintet (1.2.1.1), voice and timpani

Duration: 10' 00"

CHF: 16.00

Instrumentation: for trumpet, alto saxophone, tenor saxophone, trombone, violin, violoncello and double-bass

"I dealt with the subject of the four-part fugue in g minor from the WTK (Vol.I) as a model for this piece. I used these parts continually in various appendages and confronted them with a groovy theme." (composer).

Duration: 7' 00"

CHF: 18.60

Trypticon

Instrumentation: for trombone and organ

Duration: 10' 00"

CHF: 18.00

Scenic composition

Instrumentation: for four guitars, two mandolins, dulcimer, viola, 2 double-bass, saxophone, trombone, tuba, accordeon and three percussion instruments

Spatial composition based on the sound memories of the musicians/singers.

Duration: 25' 00"

CHF: 36.70

Instrumentation: for brass quintet, voice, timpani or for trumpet, french horn or saxophone, trombone, piano, double-bass and percussion

Duration: 9' 00"

CHF: 13.00

Instrumentation: for clarinet and brass instruments (cn.bugle[=2tpt]/hn.tbn.tb)

Adaptation of folk musical elements.

Duration: 13' 00"

CHF: 22.20

Instrumentation: for two recorders, zink, trombone, violin and two violoncelli

The 'Harmonies' by Erik Satie are the basis for several parts. Conductor of use.

Duration: 14' 00"

CHF: 26.00

Instrumentation: for nineteen instruments

Texts: Duineser Elegien

with texts from Duineser Elegien: Die erste Elegie by Rainer Maria Rilke and citations from Maurice Ravel's Concerto for Piano in G Major

Duration: 12' 00"

CHF: 56.70

Instrumentation: for two trumpets and two trombones

Duration: 12' 30"

CHF: 18.00

Instrumentation: for solo F/Bb trombone

Duration: 5' 30"
Manuscript

CHF: 13.80

1. Chorongo 2. Canción

Duration: 4' 00"

CHF: 16.70

Instrumentation: for trombone solo

When the ground is soft enough, the game leave a track.

Duration: 8' 00"

CHF: 14.00

Instrumentation: for tenor/bass trombone and piano

The Dream of Daedalus is a vision of the inventor of momentous creations such as flying machines or the labyrinth. We hear amorphous material confronted by predictable structures in several sequences. An extremely differentiated handling of sound.

Duration: 9' 40"

CHF: 26.00

Instrumentation: for soprano, violin, violoncello, trombone, percussion, piano, electronic tape and a piece of mechanical equipment

A half scenic attempt to look at the common ground between musical and theatrical operation and the resulting relationship between movement and sound.

Duration: 20' 00"

CHF: 24.70

Instrumentation: for soprano, violin, trombone, violoncello, clarinet and piano

A piece with aperspective performance practice. The ever-changing aspects on the radix planets (instrumentalists) by the transitory moon (soprano) are made audible.

Duration: 16' 00"

CHF: 40.00

Instrumentation: for 2 trumpets and 2 trombones

Duration: 3' 20"

CHF: 16.80

Instrumentation: for alto flute, trombone, violin, viola and violoncello

In the middle of the players sits a tub of water into which small pebbles are thrown. This triggers musical actions from the players.

Duration: 14' 00"

CHF: 19.20

Instrumentation: for violoncello, double-bass, baritone saxophone, bass clarinet, two tenor-bass trombones and two percussion

An initial piece based on repetition in such a way that the repeated elements, located on many different levels, are not always immediately recognizable. This gives the impression of a loosely fabricated form. It is sonorously very soft, with lots of sounds and lots of interlocking rhythms. Requires a conductor.

Duration: 20' 00"

CHF: 34.00

Instrumentation: for wind and percussion instruments (fl.ob.cl.asx.bn/tpt.tbn/3perc/pf)

'Piping and Drumming' is a traditional Chinese musical form that uses only wind instruments and percussion. It is often played at ceremonies.

Duration: 12' 00"

CHF: 42.60

Instrumentation: for seven musicians (fl(pic,bfl,cbfl).cl(bcl,cbcl).bn(cbn)/tbn/hp/perc/vc), seven orators and seven dancers.

Texts: Hermann Berger, André Gide, Marisa Holder, Elfriede Jelinek, Milan Kundera, Irmgard Morgner, Karin Struck

A stage work, somewhere between performance and installation.

CHF: 125.20

''Planet Music"

Instrumentation: for brass quintet (1.2.1.1) and piano

This work is in three movements, parts of which are in aleatoric notation.

Duration: 40' 00"

CHF: 42.00

Instrumentation: for alto saxophone, trombone, accordion, piano and percussion

Premiered: 20.9.03, Lugano, Ensemble Oggimusica

Duration: 7' 00"

CHF: 19.30

Instrumentation: for soprano saxophone, horn, trombone, percussion and piano

Partly with an improvised second piano (ad libitum).

Duration: 10' 00"

CHF: 19.80

Instrumentation: for 2 trumpets, horn, trombone and tuba

Duration: 15' 00"

CHF: 29.40

Instrumentation: trp,asx,tsx,pos,pno,b,dr

Jazzseptett

Duration: 5' 00"

CHF: 15.60

Instrumentation: for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, double-bass, piano and percussion

I. Fluid Shapes, II. Light and Shadow, III. Symmetries - Broken Symmetries.Piano and trumpet accentuated.

Duration: 20' 00"

CHF: 45.30

Instrumentation: for saxophone, trombone, accordion, piano and percussion

Duration: 8' 00"

CHF: 22.20

Instrumentation: 1 Fl, 1 EH, 1 Kl, 1 Bkl, 2 Fag, 1 Hrn, 2 Tpt, 2 Pos, 1 Tba, 2 Vln, 1 Vla, 1 Vlc, 1 Ktb

Duration: 1' 00"

CHF: 12.00

Instrumentation: for three recorders, two gambas, trombone and positive

Drei Stücke für ein Ensemble mit Renaissance-Instrumenten

Duration: 7' 00"

CHF: 19.80

Instrumentation: for brass ensemble (4 trumpets, 2 horns, tuba and 4 trombones)

An entertaining piece from German and English folk songs.

Duration: 10' 00"

CHF: 30.00

Instrumentation: 1.fl,2.fl,trp,pos,pno,b,dr

Jazzseptett

Duration: 4' 00"

CHF: 16.20

Ein musikalisches Patchwork oder die Kunst des Fügens

Instrumentation: for nonet (oboe, bassoon, trumpet, trombone, viola, double-bass, accordion, piano and percussion)

A collaboration between members of the 'Komponistensekretariats Zürich' (Werner Bärtschi, Ulrich Gasser, Max Eugen Keller, Martin Sigrist und Peter Wettstein): The score is sent back and forth between the five composers, each fills in a 50-second section before sending it on to the next.

Duration: 50' 00"

CHF: 100.40

Instrumentation: for flute, clarinet, soprano saxophone, trombone, electric piano (or piano), electric bass (or double-bass) and percussion

Duration: 20' 00"

CHF: 34.00

Instrumentation: for trombone and organ

A piece of noble temperament, very well suited to the character of the trombone.

Duration: 5' 00"

CHF: 21.00

Instrumentation: for flute, (bfl, cbfl), horn, two trumpets, trombone and tuba

Helical searching for osculation points.

Duration: 12' 00"

CHF: 21.30

Instrumentation: for soprano, bass clarinet, trombone and percussion

1) for soprano and trombone
2) for soprano, bass clarinet and percussion.
Setting of a short story by Jürg Schubiger.

Duration: 7' 00"

CHF: 21.60

Instrumentation: for 3 tenor trombones and bass trombone

For professional players.

Duration: 10' 00"

CHF: 22.80

Instrumentation: for soprano, trombone and piano

Setting of 4 prose texts by Jürg Schubiger.

Duration: 17' 00"

CHF: 45.60

Instrumentation: for two trumpets and two trombones

This piece is not a collection of isolated miniatures - the five pieces result in a cyclic whole.

Duration: 9' 00"

CHF: 20.40

Instrumentation: for flute, clarinet, horn, trombone and four-handed piano

Duration: 13' 00"

CHF: 37.80

Instrumentation: for three flutes, two clarinets, trumpet, trombone and four-handed piano

Mehrteilige Komposition mit kontrastierenden Teilen.

Duration: 12' 00"

CHF: 18.60

Instrumentation: for trombone and piano

A medley of English nursery songs.

Duration: 5' 00"

CHF: 16.80

Instrumentation: for ensemble (fl.ssx.tsx.barsx/hn.3tpt.3tbn/pf/db)

Duration: 10' 00"

CHF: 17.30

Instrumentation: for soprano, baritone, horn, two trumpets, trombone, percussion and strings

Texts: Altgriechisch

Sappho and Alkaios from the isle of Lesbos are amongst the most prestigious representatives of Greek lyrics strongly connected with the Orpheus saga. After the heavenly singer has lost his beloved Eurydice to the underworld and, spurned by his endless mourning, he seeks the love of other women. Bacchante tear him to pieces in an angry rage and cast his head into the sea. The tide washes it onto the shores of Lesbos - here his mouth is once again brought to speech by the lyric of the island.
Mythological notions merge with personal experience and sufferance in connection with the erotic. Eros is the 'weirdest God' (Alkaois) whose effect is to rip open the abyss between the highest fulfilment and the degeneration towards death. The elemental force with which he encompasses man awakes in him an orpheic longing for immortality and the desire to overcome the underworld; simultaneously bringing even more painfully the forlornness of his wish to consciousness. While Alkaios attempts to forget in wild drunkenness and sexual indulgence, we eavesdrop on Sappho, and the dark tones of a wish for love in which pain resonates with the transient.
EIS EROTA combines fragments from both poets to produce a dialogue on the subject of love and death.


Duration: 12' 00"

CHF: 48.70

Instrumentation: for four trombones

Zu Beginn stehen die Spieler an den vier Ecken eines Raumes und vereinigen sich zusehends auf der Bühne in der Mitte.

Duration: 10' 00"

CHF: 15.60

Instrumentation: for 5 instrumental groups (piano and alto sax; alto sax and violoncello; violoncello and trombone; trombone and piano; e-bass and large drum) and 3 soloists (alphorn, violin and voice)

Several ups and downs in a hilly area. Enjoying the view on each occasion with a musical solo. For students.

Duration: 6' 00"

CHF: 16.80

Instrumentation: for panpipes, transverse flutes, recorders, clarinets, saxophone, horns, trombones, trumpets

Duration: 16' 00"

CHF: 39.60

Trio

Instrumentation: for violoncello, double bass and trombone

1. RetroSehnsucht
2. Assoziationsfelder
3. Environment, komplementär

Duration: 14' 00"

CHF: 22.00

Instrumentation: for soprano, choir (SATB), flute, zink (tr), trombone and organ

1. Doxologie
2. Antiphon
3. Ektenie I
4. Hymne
5. Ektenie II

Duration: 20' 00"

CHF: 26.70

Instrumentation: for melodica and objects, saxophone (bar, a) trombone, violin, viola, double bass and voice (soprano)

Texts: Hadrian

A trip to and into the Pantheon in Rome in four parts: Tympanon,
Pronaos, Innenraum, Opaion. The performance places the Endless Column in Targo Jiu by Constantin Brancusi into the Pantheon.

Duration: 14' 00"

CHF: 52.00

Instrumentation: for alto, baritone, tenor sax, trumpet, trombone, percussion, 2 e-guitars and e-bass

Texts: Vladislav Jaros

A rhythmical and lively jazz-funk song capturing the atmosphere of New York and life in this fascinating city.

Duration: 3' 00"

CHF: 27.60

Instrumentation: for four trombones, piano, electric guitar and elextronic amplification

Contains a large improvised portion - works humorously with the fire brigade-fourth. Simple pitch shifting and echoplex (quasi belt sander with a duration of 20 seconds).

Duration: 6' 00"

CHF: 13.20

Instrumentation: für Sopraninoblockflöte, Klarinette, Englischhorn, Violine, Kastagnetten, Tempelblock, Zink, Trompete, Horn, Posaune, Laute, Harfe

12 Fragmente zum Heidelberger Totentanz: Der Konig, von allem stadt, Der bruder, Die junckfrauiwe, Der artzt, Der ritter, Der spieler, Der schriber, Der wucherer, Der kaiser, Der wirt, der dumherr.

Duration: 2' 00"

CHF: 9.00

Duos and trios

Instrumentation: for saxophone (soprano, baritone), trombone and piano

In December 2010, I held a lecture on polyphony in the music of Schumann. This event led me to perform the complete piano works by this composer, who has remained dear to me since childhood. My composing has been influenced on a subliminal level by Schuhmann's sound meshes and quirky-fantastical lines. I became accutely aware of this fact while working on my piece for the trio Weiss-Svoboda-Henneberger. Since the content of the three main pieces ("Rezitativ und Arioso" for trombone and piano, "Lied" for saxophone and piano as well as "Mit Leidenschaft" for the trio) turned out to be rather Schumannian, I decided to dedicate it to the two main characters of the circle of the Davidsbündler (League of David).

Duration: 19' 00"

CHF: 37.80

Instrumentation: for clarinet (bcl), trombone, violoncello and piano

This work is based on the interactions of the instruments in such a manner that the very close combination of twos (twins) are at the centre and with which one, two or no 'free' instruments can consort. The musical process is born of a dialectic between the above mentioned network and its realisation through three almost archetypal musical base models.

Duration: 10' 00"

CHF: 15.30

Instrumentation: for soprano, trombone, cello, percussion and piano

The Ensemble Eunoia's suggestion that I write a piece dealing with the letter 'U' set off in me a chain of associations relating to this vowel. The starting point was the tonal character of the phoneme U: For me its dark, earthy, warm timbre equated to the symbolic image of the Mother ("uterus", "ursprung" (=origin)...). My text selection combines the following excerpts taken from literature and lore that evoke different aspects of the Mother symbol: In the 3rd hymn of the legendary poet and Dionysus priest Orpheus, night is celebrated as the Mother of gods and men. In the second part of Goethe's "Faust", Mephistopheles describes the nocturnal and sinister descent into the obscure realm of the Mothers ("No way! Into the untrodden ..."), where Faust wants to lead Helena back to life. A mother grieving for her son and creation forms the basis of the liturgical "Stabat Mater". And finally, the text of "Tao te Ching" to the "valley spirit" elevates the image of the Mother as the origin of heaven and earth to the spiritual.

Duration: 17' 00"

CHF: 57.00

Instrumentation: for oboe, bassoon, horn, trombone, violin, viola, violoncello and double-bass

Duration: 9' 00"

CHF: 19.30

Instrumentation: for youth choir, mixed choir, three trumpets, three trombones and tuba

Texts: Volkslied

Folksong text.

Duration: 5' 30"

CHF: 25.30

Instrumentation: for oboe, clarinet, bassoon, horn, trombone and percussion

Work series A: Music for concerts.

Duration: 11' 00"

CHF: 24.00

Instrumentation: for male choir T1T2B1B2 and four brass instrumentalists and timpani (2tpt in b/2tbn/3timp)

Texts: Martin J.P. Schwitter

Duration: 4' 30"

CHF: 15.60

Instrumentation: for trumpet 1 in B, trumpet 2 in B, horn (F), trombone and tuba

The chirping of crickets is generally considered to be soft and quiet, it can, however, become truly clamorous when when many crickets are heard at close quarters - just as one can experience it in the copses or groves of Greece. What is apparently weak can, en mass and under specific circumstances, develop unimagined power. In German the word for cricket is 'Grillen' and carries with it another maeaning: fantastical or dull thoughts.

Duration: 6' 00"

CHF: 16.80

Instrumentation: for soprano saxophone, trombone and accordion

Wiederkehr (repetition) and Veränderung (variation) are archetypes of music, and perhaps even of life itself. A series of four basic structures are repeated four times, whereby the duration each time varies enormously, as does the characteristic of each of the basic models. Two of the four basic structures touch on repetition in their internal anatomy. The third basic structure is puzzle-like in its construction, whereby all three instruments repeat the same six elements several times and overlap. On another level, breathing/blowing - an existential basis of life - also plays an important part in this "wind trio".

Duration: 11' 00"

CHF: 16.80

for Bea

Instrumentation: for trombone

"Projektion" ist ein Versuch, den Vorgang einer Projektion musikalisch darzustellen. Meist steht als Projektionsfläche ein 4/4-Takt, gegen den sozusagen gespielt wird. Oder anders ausgedrückt: hier wird auf ein Raster eine den Puls umgebende Klangfläche, die auf der 12-Ton-Reihe des Konzertes Op. 24 von A. Webern beruht, projiziert. Die rhythmische Struktur besteht aus einem "freien" Vorspiel, aus figurativen Teilen und einem Nachspiel. Zwischen Vorspiel I und Vorspiel II darf ausgewählt werden.

CHF: 9.00