Instrumentation: for wind quintet (fl.ob.cl.hn.bn), viola and piano

Duration: 12' 00"

CHF: 21.00

Instrumentation: for flute, clarinet, violin, double-bass, marimba, percussion and orator

Texts: Robert Peterhans

Quasi-accompanied readings of texts by Robert Peterhans. Mini-overture; country life; city life (the eventful 80's); love; music.

Duration: 30' 00"

CHF: 32.70

Instrumentation: for two violins, two clarinets, double-bass and harpsichord

Duration: 10' 00"

CHF: 20.70

A sound world, oscillating between expressivity and absolute non-expressivity, is created from a simple initial motive.
First performed by the 'Ensemble Opera Nova' in Zurich, 04.12.95.


Duration: 12' 00"

CHF: 24.00

Ergon 4

Instrumentation: for clarinet solo

A musical unearthing of Kafkaesque and surrealist expressive moments, the source of the initial inspiration being hinted at by the title.

Duration: 9' 00"

CHF: 16.80

Instrumentation: for recitation, alto and clarinet

Texts: Vahé Godel

Based on text by Vahé Godel.

Duration: 8' 00"

CHF: 20.00

Instrumentation: for four Eb clarinets, two percussion, sisyphus machine, mirrored scenery and coloured lighting

The Sisyphus machine, mirror stage-layout and lighting can all be obtained on request. In the case of a version without these accessories the machine must be replaced by a running electronic tape.

Duration: 15' 00"

CHF: 24.00

Instrumentation: for flute, clarinet, bass clarinet, violin, viola and violoncello

The sextet musicalises five poems through various means e.g. the metre offers a background of incessant rhythmic variation, the rhyming scheme dictates the form even aspects of the content form the base of the instrumentation. Medium level of difficulty. Requires a conductor.

Duration: 11' 00"

CHF: 23.40

Instrumentation: for fl(afl).cl(bcl)bn/2perc/pf/vn.va.vc

Accentuated piano part.

Duration: 8' 00"

CHF: 32.00

Instrumentation: for violin, clarinet and piano

Impulsive, feverish movements with lyrical bright spells.

Duration: 5' 00"

CHF: 16.00

Instrumentation: für Klarinette in Es

Duration: 6' 00"

CHF: 12.00

Instrumentation: for mezzo-soprano, alto flute and clarinet

Texts: Wolfgang Borchert, Max Bolliger

Based on poems by Wolfgang Borchert and Max Bolliger.

Duration: 8' 00"

CHF: 14.70

Instrumentation: for four clarinets

Duration: 6' 00"

CHF: 13.80

Instrumentation: for flute (alto flute) clarinet (bass clarinet), violin, violoncello, percussion and piano

Paths leading nowhere, a search leading to nothingness; subsurface there is a trace that, in its lack of direction, actually depicts the way. In three parts. This piece was first performed on 23.5.1997 in Zurich by the Ensemble for New Music (Zurich) under the direction of Johannes Harneit.

Duration: 15' 00"

CHF: 32.00

Instrumentation: for sextet (fl, cl, vn, vc, mar, pf)

"My form is created entirely out of straight lines and flat surfaces ordered at symmetrical right-angles. Every side, every line is the same as every other. Intersection facing intersection. This is me at peace with myself. I can begin rotating at the slightest movement, yet it is not always possible to forsee my path of motion, for the possibility of changing direction at any moment I leave open. My way is found along my edges or my corners. If I am not resting on a surface then I am moving in this linear fashion."
A square's eye view - its inherent form is the lead for musical transformation.
The ensemble follows characteristic figurations as a compact motional unit. The way leads from a description of the object through to the mechanisms of its motion and on to playfully gestural formulations.
Circular motions, rotation around a fixed axis, gradual advancement over sound layers, using pulses to create structure, fragmentary phases and moments of dancy movement are but a few aspects which infuse throughout this piece.

Duration: 8' 30"

CHF: 31.80

Instrumentation: for female voice, clarinet and viola

A piece dealing with failure.

Duration: 2' 00"

CHF: 12.70

Instrumentation: for flute clarinet and...

A cicerone piece full of surprises, illusions, and some acrobatics. Requires a Bb clarinet, bass clarinet and contrabass clarinet.

Duration: 11' 00"

CHF: 22.20

Cycle based on poems by Josef Kopf

Instrumentation: for mezzo-soprano and ensemble (fl(pic).cl(bcl)/hp.pf.hpd/2vn.va.vc.db)

Texts: Josef Kopf

Large-scale song cycle in which the metaphors of ice, cold and freezing are centralised. The leading part for the mezzo-soprano is extremely demanding in the emotional and technical areas. (Vocal range e# - b").

Duration: 29' 00"

CHF: 66.70

Instrumentation: for choir (SATB), flute, clarinet, three violins viola and violoncello

Texts: Chinesisch

It is better to light a candle than to complain about the darkness.

Duration: 2' 00"

CHF: 16.20

Duration: 3' 00"

CHF: 15.30

Instrumentation: for flute, clarinet, violoncello and vibraphone

Diálogo de las flores - Danza de las abejas - Resurección de los árboles.

Duration: 7' 30"

CHF: 22.00

Instrumentation: for soprano saxophone solo and ensemble (fl.cl/tpt/perc/pf/vn.va.vc.db)

"The fascinating colours, the successful combination of the three wind players and their perfect connection with the string players are very well mastered from a formal point of view, they let arise an ensemble piece in the truest sense of the word. (S. Palm)
World premiere: 31.7.97, Klagenfurt, Janus-Ensemble Wien Robert HP Platz (cond.).


Duration: 12' 00"

CHF: 34.00

Instrumentation: for flute, clarinet, violin, violoncello, piano and percussion

Duration: 10' 00"

CHF: 22.80

Instrumentation: for clarinet and violoncello

A humming cellist with large lung capacity is required here. Very demanding piece. Clarinets in Bb, A and bass clarinet.

Duration: 13' 00"

CHF: 16.70

Instrumentation: for clarinet, violin and piano

CHF: 21.30

Vorderundnachsätzen - Gebannt - Inneres (in answer to Igor) - voces liquescentes (clar).
Aphorisms on pure intervals and some basic musical phenomena.


Duration: 7' 00"

CHF: 14.70

Instrumentation: for three clarinets, bass clarinet and piano

Molto animato - Moderato con brio - Andante con ánima.

Duration: 7' 00"

CHF: 26.70

Instrumentation: for two clarinets, two harps, piano, six percussion, two orators and four choir groups

Texts: Guillaume Apollinaire

For the 'Stadelhofer Death Dance'. A spatially performable score based on texts by Guillaume Apollinaire about the transition from this world to the next. Speechlessness in the face of death, a dance around the grave and the crossing of the threshold.

Duration: 16' 00"

CHF: 38.00

Instrumentation: for six instruments (flute, clarinet, violin, violoncello, piano and percussion)

For the Chinese, the 'Yin' and the 'Yang' were in the universe from the beginning and all creatures are animated by the 'Qi', the breath of life. Inspired by the order of the 64 hexagrams of the Book of Mutations and their composition in six masculine or feminine symbols, I divided this piece into six registers and wrote the music of the 64 hexagrams consecutively for six musicians.

Duration: 8' 00"

CHF: 16.70

Instrumentation: for flute, clarinet, violin, violoncello and piano

Duration: 10' 00"

CHF: 31.80

Instrumentation: for two violins, viola, violoncello, double-bass, flute (pic), oboe (ca), clarinet (Ebcl, bcl), bassoon (cbn), piano and marimba

Duration: 17' 00"

CHF: 32.70

Instrumentation: for four clarinets (two clarinets, basset horn, bass clarinet)

A virtuosic, amusing piece with musically playful surprises and merry moments.

Duration: 13' 00"

CHF: 17.40

Instrumentation: for clarinet, string quartet, orator and scenery

Four strophes with extremely differentiated parts, based on the principles of homoeopathy. For Joseph Beuys.

Duration: 10' 00"-15' 00"

CHF: 14.70

Instrumentation: for two flutes, clarinet and piano

Präludium - Scherzo - Tanz - Burleske.

Duration: 4' 00"

CHF: 13.80

Instrumentation: for alto, clarinet and chamber orchestra (flute, horn and strings)

Texts: Max Bolliger

Based on a text by Max Bolliger from the collection of poems 'Schweigen, vermehrt um den Schnee' (Silence multiplied by the snow). On the theme of nature and death.

Duration: 25' 00"

CHF: 63.60

Instrumentation: for clarinet (also bass clarinet), marimba and piano

The clarinet plays solo. Virtuosic passages. Demanding.

Duration: 18' 00"

CHF: 28.80

Trio

Instrumentation: for flute, alto saxophone (or clarinet/soprano saxophone) and piano

Duration: 4' 30"

CHF: 16.20

Instrumentation: for seven players (fl[=pic].bcl.Ebcl/2vn.vc.db) and sound technician

A single movement in eleven parts with play-back tape commissioned by the 'Luzerner Kammermusiker'.The tape is comprised of text fragments from Paul Celans prose 'Gespräch im Gebirg', read by the author; fragments of a prayer-call from canton Uri, an English nineteenth century hymn and Hebrew lyrics from Bialik. This piece takes Jewish identity in German speaking areas as its theme.

Duration: 16' 45"

CHF: 26.70

Ergon 9b

Instrumentation: Flöte, Klarinette, Klavier und Violoncello

Ein Ausloten formaler und inhaltlicher Grenzsituationen, um im Auskomponieren der Tiefendimension weiter vorzustoßen, was zu einer gedrängten Dauer der Musik, zu einer Art "Texturpolyphonie" führt.

Duration: 9' 00"

CHF: 52.00

Instrumentation: for flute, clarinet (bcl), violin and piano

Duration: 10' 00"

CHF: 21.00

Instrumentation: for soprano, three flutes and three clarinets

Texts: Jorge Manrique, Paul Eluard, Georg Philipp Harsdörffer, T.S. Eliot

In this composition four texts from different authors, languages and historical origin have been used, but all bear on the same theme: the fragility of existence, the problem of the concept of reality. A work of meditation, floating and fragile, it hints at the irrational in both its vocal and instrumental sounds. The Soprano sings in Spanish, French, German and English.

Duration: 10' 00"

CHF: 26.00

Instrumentation: for clarinet in A

A solo piece with a steady gait, in which tempered intervals from the lower and middle registers confront just intonated intervals in the higher register. Commissioned by Jürg Frey, Aarau.

Duration: 15' 00"

CHF: 16.20

Instrumentation: for clarinet and brass instruments (cn.bugle[=2tpt]/hn.tbn.tb)

Adaptation of folk musical elements.

Duration: 13' 00"

CHF: 22.20

Instrumentation: for wind quintet and strings

A polyphonic tonal meshwork - fluctuations between chromatic and polypentatonic - irridescent sound surfaces. For chamber musical performances: wind quintet and string quintet.

Duration: 15' 20"

CHF: 49.80

Instrumentation: for flute (also bfl), clarinet (also bcl), violin, violoncello, percussion and piano

Duration: 18' 00"

CHF: 37.30

Quartet

Instrumentation: for violin, cello and two clarinets

Duration: 20' 00"

CHF: 25.30

Instrumentation: for clarinet and piano

Inspired by Chinese calligraphy. As a way of reaching a fusion of the visual and the auditory - while the two instruments play I do some calligraphy.

Duration: 6' 00"

CHF: 18.00

Instrumentation: for baritone and instrumental quintet (fl.cl/hp/va.vc)

Texts: Henri Gaberel

Based on the poem by Henri Gaberel.Version for orchestra (2(pic).2(ca).2(bcl)2(cbn)/4.2.3.1/4perc/hp.cel/str) available from the composer.

Duration: 16' 00"

CHF: 34.20

Instrumentation: for clarinet in B

Duration: 5' 00"

CHF: 14.70

7 Entretiens

Instrumentation: Flöte, Klarinette/Bassklarinette, Violine, Violoncello, Klavier (Cembalo ad lib.)

Die "7 Entretiens" erklingen hier in direktem Vergleich mit ihren historischen Vorlagen.

Duration: 18' 00"

CHF: 22.80

Instrumentation: for clarinet and string quartet

Version for clarinet quartet.

Duration: 10' 00"-15' 00"

CHF: 14.70

Instrumentation: for seven clarinets and a bass clarinet

Duration: 3' 00"

CHF: 12.70

Instrumentation: for nine instruments (fl.cl/2perc/pf/vn.va.vc.db)

Chinese calligraphy is the essence of Chinese art. For me personally, it stands as an original score. From written characters, sounds emerge. With the words, music is created.

Duration: 12' 00"

CHF: 24.60

Instrumentation: version for clarinette in B

Duration: 7' 00"

CHF: 12.00

Instrumentation: for nineteen instruments

Texts: Duineser Elegien

with texts from Duineser Elegien: Die erste Elegie by Rainer Maria Rilke and citations from Maurice Ravel's Concerto for Piano in G Major

Duration: 12' 00"

CHF: 56.70

Instrumentation: for clarinet (basset horn or bass clarinet), piano and electro-acoustic slide show

The title is a neologism evoking spring or birth. The notation is graphic and rules define its interpretation. Accessories for the piano: a glass with a stem, claves, a percussion stick and a screw. The electro-acoustic device consists of 4 or 6 loud speakers divided in the room, two microphones for direct amplification and 2 Revox, the second of which reproduces, with a delay of about 10", that which is recorded by the first.

Duration: 18' 00"

CHF: 18.00

Instrumentation: for flute, clarinet and guitar

A melodic and lyrical piece with appealing rhythms and harmonies and rewarding solo cadenzas. This piece is demanding for all three instruments.

Duration: 12' 00"

CHF: 16.20

Instrumentation: for clarinet (horn), violin (violoncello) and partly prepared piano

Version I: cl.hn.vn.pf (op. 10a) Version II: cl.vn.vc.pf (op. 10b) After three fantastical poems about the origin of the world.

Duration: 14' 00"

CHF: 25.20

Lament

Instrumentation: for soprano, clarinet and horn

Texts: Wilhelm Felix Swoboda, Georg von der Vring

Text: Wilhelm Felix Swoboda, Georg von der Vring.

Duration: 20' 00"

CHF: 19.20

Instrumentation: for clarinet, violoncello and piano

Drei gehen über Stock und Stein
jeder seines Wegs
suchen sich einen Partner
DAS ALTE LIED I
gehen zuweilen Hand in Hand
verlieren den Boden unter den Füssen
finden sich schliessllich ganz oben
fallen einander ins Wort
DAS ALTE LIED II
zwei gegen einen?
einer gegen alle?
GLOCKEN.

This trio is dedicated to Elliott Carter who celebrated his 100th birthday in 2008.

Duration: 13' 00"

CHF: 22.20

Instrumentation: for flute, bass clarinet, violin and piano

Two movements (part one, part two)
My occupation with light and its spectrum of colours (in a poetic rather than scientific sense) formed the starting point of this composition. It lead to extraordinary answers on a formal and associative level. Intense and diversified at the same time.

Duration: 23' 00"

CHF: 24.60

Duration: ca. 10 min

CHF: 24.00

These five short movements require a very sensitive interpretation - already obvious from the detailed notation. Composed in an atonal style, it features rhythmic and articulatory differentiated structures.

Duration: 8' 00"

CHF: 15.00

Instrumentation: for boy and mixed choir, clarinet, harp and double-bass

Texts: Hans Leopold Davi

To stimulate moments of pause and contemplation, whether at the beginning, in the middle or at the end of life. Medium level of difficulty - also suitable for an amateur choir.

Duration: 18' 00"

CHF: 22.70

Instrumentation: for bass clarinet / Eb clarinet, bassoon, horn, two violins, viola, violoncello and double-bass

Duration: 7' 00"

CHF: 22.80

Instrumentation: for clarinet, violin, violoncello and piano

This is actually a prelude for Messiaen's "Quatuor pour la fin du temps" and written for the same instrumentation. It does, however, stand just as well performed on its own. The music is very colourful, partly abrupt with a very intimate middle part …

Duration: 11' 00"

CHF: 18.00

Zu Beginn und am Schluss kontrastieren sich Tiefe pp-Töne der Klarinette mit hohen Flageolett-Tönen der Violine. Ein dramatischer Zwischenteil befindet sich in der Mitte.

Duration: 4' 00"

CHF: 10.00

Instrumentation: for high voice, clarinet, horn, string quartet and piano

Texts: Anonymus, Heinrich von Morungen, Walter von der Vogelweide

This three-part work is based on text from a minnelied. The vocal line, which uses various sound modulations, is harmonically, melodically and rhythmically interwoven with the accompaniment.

Duration: 17' 00"

CHF: 58.20

Instrumentation: for six instruments (flute, clarinet, violin, violoncello, piano and percussion)

The ideal for ancient Chinese civilization is that nature and man are one. Although this piece seems to describe a divination ceremony and the natural elements, it mainly expresses the human feelings.

Duration: 19' 00"

CHF: 49.30

Instrumentation: Flöte, Klarinette, Violine, Violoncello, Klavier

First performed on 27.11.1999 in Boswil by 'Klangforum Vienna' under the direction of V. Kiradjiew.

Duration: 10' 40"

CHF: 21.30

Interior

Instrumentation: for speaking voice, two flutes, two clarinets and accordion

Texts: Johann Wolfgang von Goethe

Text from 'Die leiden des jungen Werthers' (The sufferings of young Werther) by J.W. Goethe.

Duration: 12' 00"

CHF: 21.60

2 recitatives + arias

Instrumentation: for soprano, mezzo-soprano, flute, clarinet, violin, violoncello and piano

Texts: Paul Scheerbart, Oskar Pastior, Bruno Stöckli

Uses the quarter-tone system.

Duration: 14' 00"

CHF: 34.80

Instrumentation: pour clarinettiste et ensemble

Duration: 14' 00"

CHF: 43.20

Instrumentation: for soprano, violin, trombone, violoncello, clarinet and piano

A piece with aperspective performance practice. The ever-changing aspects on the radix planets (instrumentalists) by the transitory moon (soprano) are made audible.

Duration: 16' 00"

CHF: 40.00

5 Songs based on poems by Sarah Kirsch

Instrumentation: for singing voice (mezzo-soprano), clarinet, violin, violoncello and piano

Texts: Sarah Kirsch

The line skips by Sarah Kirsch turn the readers into stumblers. Stumblers have to re-read the text if they want to understand its content. They gain, thereby, unexpectedly in time and fall to a deeper level.

Duration: 15' 00"

CHF: 26.00

Instrumentation: for clarinet, saxophone, violin, violoncello and piano

Quartet for bass clarinet, violin, violoncello, and piano [vetro] (3')Quintet [incontro] (2')Quartet for clarinet, baritone saxophone, violin and violoncello [with bundled energy] (1'45)Solo violin with accompaniment [like eternally broken glass] (4')Quintet II [Melody granulated] (2'30)

Duration: 14' 00"

CHF: 31.20

Instrumentation: for piano (with flute, clarinet, violin and violoncello ad lib.)

Duration: 1' 00"

CHF: 10.80

Instrumentation: for clarinet and viola

Tonally sensitive, soft concert piece.

Duration: 5' 00"

CHF: 11.40

Instrumentation: for flute, clarinet, violin, violoncello and piano

A short nocturne for the first heart beat of the ensemble 'Oggimusica'.

Duration: 5' 00"

CHF: 15.30

Instrumentation: for flute, violin, clarinet and piano

Danza Idilica - Ikebana - Caja de recuerdos - Nieve - El Ángel de la Guardia.

Duration: 12' 30"

CHF: 24.00

Instrumentation: for wind quintet and string quartet

Duration: 11' 00"

CHF: 21.60

Instrumentation: for tenor recorder or any other woodwind instrument (alto flute, oboe, tenor saxophone...)

For a different woodwind instrument to the recorder, a somewhat smoother effect because the extreme registers of the recorder have a greater influence on the tone than other instruments with a wider range.First performed in Wädenswil 04.02.01 by Rico Gubler (tsx).

Duration: 6' 20"

CHF: 12.00

Instrumentation: for clarinet, saxophone, violin, violoncello, and piano

Duo for violin and violoncello [battuto – roughly a dance] (2')
Trio for clarinet, soprano saxophone and violin [approximately] (2'15)
Duo for clarinet and violoncello [mute ballet from billiard balls] (2')
Solo for clarinet (with additional instrumentation) [uneasy, murky] (2')
Trio for violin, violoncello and piano [inside pulsating] (2')
Quartet for bass clarinet, baritone saxophone, violoncello, and piano with poco solo violin [conspicuously quiet] (2')


Duration: 13' 00"

CHF: 29.40

Instrumentation: for soprano, flute (or pic or bfl), clarinet (or cbcl or Ebcl) and string trio

Texts: Volkslied

Text from the book 'knaben wunderhorn'.

Duration: 18' 00"

CHF: 32.00

Instrumentation: for flute, clarinet, harp, string quartet and double-bass

Duration: 12' 00"

CHF: 18.00

Instrumentation: for clarinet solo

"...a kind of meditation on chaos and calm. Besides the instruments, the application of the body, stamping, bells and drawn out pauses are brought together in a dramaturgical coherence..." (LZ, May 1994).

Duration: 4' 20"

CHF: 13.30

Instrumentation: for clarinet, saxophone, violin, violoncello and piano

Trio for clarinet, tenor saxophone, and violoncello [too coarsely assembled, rupturing] (2')Quartet for clarinet, tenor saxophone, violin and piano [inert, of stone and columns] (2')Quintet [somewhat course, in the interstice] (1'45)Duo for violoncello and piano [reserved, singing I] (2')Duo for clarinet and tenor saxophone [linear, with defiance] (2'30)Duo violin and piano [reserved, singing II] (2')

Duration: 13' 00"

CHF: 49.20

'Radio Play'

Instrumentation: for orator, solo soprano, violoncello and ensemble (fl.cl/perc/pf/vn.vc)

Texts: Sarah Kirsch, Sappho, Michel Serres, Stefan Buri, Hans Magnus Enzensberger

Commissioned by and with support of 'Pro Helvetia', (the Swiss culture foundation) for the 50th anniversary of the Zurich Chamber Voice Choir. First performed in Zurich on the 20th November 2001 by the Chamber Voice Choir Zurich, Martina Fausch, Martina Schucan, Ensemble for New Music Zurich (Bernhard Erne). A piece dealing with the proximity of music and speech, the border area between commutation and murmuring, exactly there where the word is weak and the music has already begun.

Duration: 45' 00"

CHF: 56.00

Instrumentation: for oboe, clarinet, violin and double bass

Composition by Eric Gaudibert / Nicolas Bolens.
This work is written by two hands, by two different composers who experimented in equally sharing the single instruments: the oboe and double-bass on the one hand side and the violin and the clarinet on the other.
The precisely written violin is the conducting element and the three other instruments are grouped accurately around it. A description of the tempi allows easy playing. This piece has a medium level of difficulty.

Duration: 7' 30"

CHF: 14.40

Instrumentation: for clarinet, saxophone, violin, violoncello and piano

Quintet [Impulse, a choice] (2')Solo for violoncello [circling the resistance] (2'45)Quartet for clarinet, tenor saxophone, violoncello and piano [muted screaming] (2')Duo for baritone saxophone and violoncello [deep ground] (2')Duo for clarinet and piano [... and a waltz] (1'45)Duo for violin and soprano saxophone [exercise for the death of agogics] (2'30)

Duration: 13' 00"

CHF: 30.00

Instrumentation: 1 Kl, 1 Vln, 1 Vlc, 1 Git, 1 Akk

Duration: 1' 00"

CHF: 13.20

und kleines Ensemble

Instrumentation: Solo-Klarinette, Flöte, Violine, Violoncello, Klavier, Percussion

Teilweise in Vierteltontechnik

Duration: 13' 00"

CHF: 34.20

Instrumentation: 1 Fl, 1 Ob, 1 Kl, 1 Hrn, 1 Fag

Duration: 2' 45"

CHF: 12.00

Instrumentation: Flöte, Klarinette in B/Bassklarinette in B, Violine, Violoncello, Klavier, Vibrafon

Duration: 11' 00"

CHF: 27.60

Instrumentation: for clarinet, violin, viola and violoncello

Duration: 7' 00"

CHF: 21.30

Instrumentation: for flute (afl) and clarinet (bcl)

Duration: 12' 00"

CHF: 24.00

Instrumentation: for Eb clarinet (poss. bass clarinet), clarinet in B, 2 Eb alto clarinets and bass clarinet in B

Duration: 7' 00"

CHF: 14.00

Instrumentation: for clarinet and piano

The work with under blown tones is an essential part of this composition. The fingered overblown tones sound merely as a reflection of the under blown shadow-sound.
First performed: 26.5.02 in Zollikon by Sarah Chardonnens-Lehmann (clar.), Eriko Kagawa (piano).


Duration: 6' 30"

CHF: 23.40

Instrumentation: for flute, clarinet, horn, violin, violoncello and double-bass

A horn line is sweet-talked with high intensity by perfect fourths and fifths, only on a low dynamic level.

Duration: 6' 30"

CHF: 13.80

Instrumentation: for wind and percussion instruments (fl.ob.cl.asx.bn/tpt.tbn/3perc/pf)

'Piping and Drumming' is a traditional Chinese musical form that uses only wind instruments and percussion. It is often played at ceremonies.

Duration: 12' 00"

CHF: 42.60

Instrumentation: for clarinet, violoncello and piano

A tone is coloured and set in motion, fragments of this tone develop their own life, fan out and become tonally coloured.
First performed in Basel 04.06.02 by the Avalon Trio.


Duration: 12' 00"

CHF: 24.00

Instrumentation: for flute, oboe, clarinet, bassoon, two percussion, piano, string quartet and double-bass

Fantasy, prelude, I. Nächtlicher Kojotentanz, II. Morgensonn' das Meer enthüllet, III. Purple Horses, IV. Yosemite.
Accentuated percussion.

Duration: 11' 00"

CHF: 63.00

Strophes from the 'Knaben Wunderhorn'

Instrumentation: for soprano, flute, clarinet, violin, viola and violoncello

Texts: Volkslied

Also in a version for mezzo-soprano and the same instrumentation. Mutations in the same edition. Seven songs: ABC-Schützen - Papiers Natur ist Rauschen - Ein Musikant wollt fröhlich sein - Ich sass auf einem Birnenbaum - Das Vöglein Butschli Butschli Bu (Brentano) - Letzter Zweck aller Krüppelei - Ich hört ein Sichlein rauschen.

Duration: 17' 00"

CHF: 21.30

Instrumentation: for seven musicians (fl(pic,bfl,cbfl).cl(bcl,cbcl).bn(cbn)/tbn/hp/perc/vc), seven orators and seven dancers.

Texts: Hermann Berger, André Gide, Marisa Holder, Elfriede Jelinek, Milan Kundera, Irmgard Morgner, Karin Struck

A stage work, somewhere between performance and installation.

CHF: 125.20

Instrumentation: for soprano, speaking voice/ piano, clarinet and accordion

Texts: Anna Achmatova

Midnight ghostly spook. The concert version of a scene from the forthcoming opera 'Poem ohne Held'. Composition commisioned by the 'Ensemble Klangheimlich', Bern.

Duration: 18' 00"

CHF: 43.20

Instrumentation: for flute, clarinet, violin, violoncello, piano and percussion

Duration: 10' 00"

CHF: 38.70

Trio

Instrumentation: for violin, oboe and Bb clarinet

Comissioned by the 'Conservatoir de Musique de Genève' for the students of the second classes. The theme of this piece is borrowed from the folkloristic Chinese song 'Cai diao'.

Duration: 3' 00"

CHF: 13.80

Cycle

Instrumentation: for mixed choir, flute, two clarinets and horn

Texts: Joseph von Eichendorff

Night has probably never been praised higher and in so many facets by anyone other than Joseph von Eichendorff. For myself, his poems are equivalent to the music of Schubert and Schumann. A possible discovery of reality on the edge of the concrete, proceeding to point out another reality.

Duration: 18' 00"

CHF: 36.00

Instrumentation: for speaking choir, violin, clarinet and keyboard instrument

Texts: Alfred Knüsel

'Peinture naïve' in music.

Duration: 16' 00"

CHF: 26.00

Cycle of "songs" after poems by Ludwig Fels

Instrumentation: for flute (afl, pic), clarinet (bcl) and piano trio

N° 1: Elegische Ballade
N° 5: Sterbenswort
N° 10: Sexuelle Panik

Duration: 10' 00"

CHF: 34.80

19 Singings

Instrumentation: for clarinet, bassoon, horn, string quartet and speaker

Texts: Gert Loschütz

Text: Gert Loschütz.

Duration: 45' 00"

CHF: 67.80

Instrumentation: Fl, Ob, Kl, Hn, Fg

Five Times ist in fünf Sätze gegliedert, welche die Wahrnehmung von musikalischen Verläufen zu unterscheiden versuchen. Dabei wird zeitlichen Verläufen wie Statik oder Dynamik, Vorhersehbarkeit oder Unvorhersehbarkeit nachgegangen. Der erste Satz folgt dem Aufbau eines Naturtonspektrums und entwickelt sich ausgehend vom Einklang zum weit aufgefächerten Klangvolumen, einen vorhersehbaren Verlauf. Der zweite Satz fokussiert auf der andauernden Entwicklung von musikalischen Elementen wie beispielsweise der Umspielung von Zentraltönen oder der Fragmentierung melodischer Gestalten. Der dritte Satz entwickelt sich, ausgehend von horizontaler Linienführung, verlaufend zu akkordischen Klangspektren. Der vierte Satz schafft Kontrast indem das Tempo der sich entwickelnden Elemente vorerst limitiert wird. Wiederholung und Homorhythmik dominieren das Satzgefüge bis auf dass es zerbirst. Der fünfte Satz sucht die Unvorhersehbarkeit in einer wechselhaften Entwicklung und fungiert als Reminiszenz an Vergangenes: er spielt mit dem Erinnern und streift Motive, Klänge und Strukturen, welche in Satz 1-4 erschienen sind.

Duration: 16' 00"

CHF: 38.40

Catata

Instrumentation: for baritone and instruments (1(pic).1(ca).1(bcl).1/hn/hp/vn.va.vc(db ad lib.))

Texts: Patrice de la Tour du Pin

Fusion of a series of twelve tones with a constant reference to tonality.
Very expressive French poetry.

Duration: 19' 00"

CHF: 74.00

Zu den live spielenden Instrumenten Flöte und Klarinette (auch Bassklarinette) läuft im Hintergrund eine CD. Darauf befinden sich Klavierklänge verschiedenster Art, welche mannigfach verarbeitet wurden.

Duration: 9' 00"

CHF: 12.60

Instrumentation: for clarinet (Ebcl, bcl, bthn-f, bcl, cbcl-b), percussion instruments (2-4) and strings (4.2.2.1)

Duration: 15' 00"

CHF: 28.00

Instrumentation: for flute, oboe, clarinet and accordion

A piece about pitch, almost about melody. But certainly so that the borders between identical, similar and different dissolve leaving one finally hearing melodies where no melodies exist (?).

Duration: 19' 00"

CHF: 22.70

Instrumentation: for clarinet and piano

Duration: 7' 30"

CHF: 17.40

Instrumentation: For mixed Sextett

Instrumentation: Fl/Cl/Vl/Vc/Perc/Pno

Duration: 7' 00"

CHF: 25.20

Instrumentation: for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, double-bass, piano and percussion

I. Fluid Shapes, II. Light and Shadow, III. Symmetries - Broken Symmetries.Piano and trumpet accentuated.

Duration: 20' 00"

CHF: 45.30

Instrumentation: fl, cl(ssx), asx

Jazztrio

Duration: 2' 00"

CHF: 9.00

Instrumentation: 1 Fl, 1 EH, 1 Kl, 1 Bkl, 2 Fag, 1 Hrn, 2 Tpt, 2 Pos, 1 Tba, 2 Vln, 1 Vla, 1 Vlc, 1 Ktb

Duration: 1' 00"

CHF: 12.00

Two sound pairs set borders, isolate themselves and re-converge in a quartet relationship. A multi-faceted composition in five parts.

Duration: 12' 00"

CHF: 21.60

Instrumentation: for violin, clarinet, saxophone and piano

Duration: 10' 00"

CHF: 36.00

Trio

Instrumentation: for clarinet, viola and piano

Bits of this four-movement chamber music piece were drawn-up on train journeys, hence the title.

Duration: 14' 00"

CHF: 27.60

Instrumentation: for clarinet (alternating cl-b and bcl) and piano

Duration: 5' 00"

CHF: 18.00

Instrumentation: for oboe solo, flute (piccolo), clarinet, horn, harp, two violins, viola, violoncello and double-bass

This piece is suitable for oboe and ensemble but oboe and a small orchestra is preferable. The oboe is very demanding but the harp and horn also play important parts.

Duration: 20' 00"

CHF: 41.40

Instrumentation: fl,cl(ssx), asx

Jazztrio

Duration: 3' 00"

CHF: 9.00

Instrumentation: for clarinet or violin (or any other melodic instrument) and piano

This cycle of seven pieces encompasses mostly notated memories: a (quasi) summary of the seventies. Where one movement requires the courage to improvise, another contains a sung alternative version.

Duration: 17' 00"

CHF: 20.00

Instrumentation: for clarinet, bass clarinet, percussion and speaker

Texts: Eva Eisenmann-Westphal

Text: Eva Eisenmann-Westphal.

Duration: 6' 00"

CHF: 12.00

Instrumentation: for flute and clarinet

"Rhythm, is in fact, the only art or system in which the various energies can be ordered and sustained. The basis of a vital and psychological dynamic is rhythm." (G. Bachelard).

Duration: 15' 00"

CHF: 25.80

Instrumentation: for violin and clarinet

Duration: 5' 30"

CHF: 15.00

Instrumentation: for pipa, violoncello and clarinet

A work for two European instruments (clarinet and violoncello) and one Chinese instrument (pipa).
The title describes a non-stable state out of which various musical and cultural developments are possible.

Duration: 7' 30"

CHF: 16.70

Instrumentation: für Violine, Klarinette & Violoncello

Duration: 11' 00"

CHF: 16.00

ausnotiertes Improvisationskonzept

Instrumentation: 4 Stimmen, 2 Klarinetten, 2 Saxophone

Duration: 8' 00"

CHF: 10.80

Instrumentation: for oboe (also English horn), alto saxophone, bass clarinet and bassoon (also contra bassoon)

Structured in four consecutive tonal images, each one takes its inspiration from a species of nymph: Orestiads, Dryades, Naiads and Nereids.

Duration: 18' 00"

CHF: 28.20

Music

Instrumentation: for clarinet solo (in Bb)

Clowns are very important in the dance rituals of the Apache Indians. They can be jocular but are also holy. Attempt to be the 'holy clown' while you play the 'Apache Clown Dance'.

Duration: 10' 00"

CHF: 13.80

Instrumentation: for flute, clarinet, soprano saxophone, trombone, electric piano (or piano), electric bass (or double-bass) and percussion

Duration: 20' 00"

CHF: 34.00

Instrumentation: for clarinet, viola and piano

Alpsegen - Choral and Waltz - Choral and New Year's Song - Choral, Scottish and Choral.

Duration: 7' 00"

CHF: 24.60

Instrumentation: for wind septet (fl, ob, cl, bh, bcl, bn, hn)

"The seagull continues to play. But she is no longer alone. They came one after the other, against the wind. A bassoon is here, a long, thin lament; an oboe, guttural; a horn, horns, various colours, dry in the brass; a deep voice, a sonorous bass draws long, thick threads through the sound carpet. Above me on the craggy ledge sit thirteen seagulls, each with a tone of its own. Highs and lows, warmth and coolness, a mystical choir, a serenade from within the wind."
The number of seagulls in this excerpt from a short story by the Swiss author Andreas Neeser makes reference to the number of instruments in Mozart's famous wind serenade 'Gran Partitia', which also lends its name to Neeser's short story. Published in a volume of stories entitled 'Unsicherer Grund' or 'Unsafe Ground' (Haymon, 2010), Neeser's 'Gran Partita' pays homage to nature and the legends of Bretagne: An observation made at the westernmost side of Bretagne and a metaphor within which man and his emotions are mirrored.
Commissioned by the Bläsersolisten Aargau, my 'Gran Partita' reflects the music in Neeser's text and the nature it evokes - the structural elements of the short story and also the geology and fauna of Bretagne. The instrument's scales symbolise granite, the predominant stone in this area, and the vegetation and topos of the sea and the call of the seagulls. Non-musical parameters define the musical material, the form of which offers absolute priority to the melodic line. This leads to an autonomous sound metaphor comprising lines and colours, that makes the underlying substance as an explanation no longer necessary.

Duration: 13' 00"

CHF: 28.70

Instrumentation: for piano, flute, clarinet, oboe, violin and violoncello

No. III is a markedly beautiful piece to commemorate Berios 'O King'. No. I and II are confined to the piano and a melodic instrument of choice.

Duration: 8' 00"

CHF: 24.00

Instrumentation: for clarinet/bass clarinet and computer generated multi-channel ambisonic tape

Duration: 11' 45"

CHF: 26.00

Instrumentation: for clarinet, bassoon, horn, violin, viola, violoncello and double-bass

Including the fourth movement of the septet op. 20 by Ludwig van Beethoven.

Duration: 18' 00"

CHF: 32.40

Instrumentation: for clarinet, bass clarinet and string quartet

Duration: 11' 00"

CHF: 27.60

Highly virtuosic and concentrated.

Duration: 4' 00"

CHF: 12.60

Instrumentation: for clarinet and violoncello

Duration: 9' 30"

CHF: 13.80

Instrumentation: for clarinet, violoncello and piano

A single musical idea or gesture is explored in quasi slow motion.

Duration: 17' 00"

CHF: 18.00

Instrumentation: for two clarinets

Playful but not easy.

Duration: 6' 00"

CHF: 15.00

Instrumentation: for clarinet, cello and piano

Duration: 15' 00"

CHF: 24.00

Instrumentation: for flute, clarinet, violin, viola, cello, percussion, piano

Duration: 12' 00"

CHF: 32.40

Instrumentation: for wind and string quintet (fl.ob.cl.bn/hn/2.1.1.1)

Evening News - Summertime - Today Special - Meteo - Sonntag 03.17 Uhr MEZ - Breaking News.

Duration: 12' 00"

CHF: 40.80

Instrumentation: for clarinet orchestra (ebcl, 9cl-b, ebacl, bcl, cbcl)

A symphonic poem depicting the flow of the river from its source to its estuary at Rotterdam. Five quotes from Swiss, German, and Dutch folk music.
Freely tonal with several effects and atonal surfaces, easy to understand and play. Medium level of difficulty.

Duration: 16' 00"

CHF: 57.00

Praphrase of Cameroonian hymns

Instrumentation: for precentor (m/f), monophonic choir, oboe, clarinet, bassoon, violin, violoncello and double-bass

Duration: 18' 00"

CHF: 43.20

Instrumentation: for panflutes (or flutes), taragot (or oboe) and organ (or flute, clarinet and organ)

In memoriam Sándor Veress.
A piece with two themes from Hungarian folk music, slow lyrical parts alternate with lively, quick and very rhythmical parts. Expanded tonality.


Duration: 12' 00"

CHF: 15.60

Instrumentation: for flute, clarinet, percussion, piano, violin and violoncello

Duration: 11' 00"

CHF: 23.40

Instrumentation: for clarinet and string quartet

Duration: 3' 00"

CHF: 16.80

Instrumentation: for three clarinets, bass clarinet and piano

Five passages connected by various associations.

Duration: 18' 00"

CHF: 36.00

Quartet

Instrumentation: for clarinet in E-flat, basset horn and bass clarinet

As well as a symbol of self-indulgence (building of the tower) and speechlessness (confusion of speech) Babel also stands for hope and a longing for happiness. The musical core is created by the melody B-A-B-E-soL (sol = G).

Duration: 14' 00"

CHF: 18.60

Instrumentation: for oboe, trumpet in B (ossia soprano saxophone or clarinet in B), guitar

"Rather a cloud of birds in the sky than one in the hand." (Eduardo Chillida)

Duration: 11' 30"

CHF: 18.00

Instrumentation: for flute, clarinet, horn, trombone and four-handed piano

Duration: 13' 00"

CHF: 37.80

Ergon 15

Instrumentation: for three clarinets

An attempt to transfer the plurality of aspects - how an object can be seen from various stand points - into a musical setting. Based on the aspects of seeing as described by Ludwig Wittgenstein in his "Philosophischen Untersuchungen" (Philosophical explorations).

Duration: 11' 00"

CHF: 21.00

Instrumentation: for alto and instrumental ensemble (flute, clarinet (bass clarinet), violin, violoncello, percussion and piano

Texts: Franz Hohler, Hansjörg Schneider, Jürg Schmied, Sascha Anderson, Max E. Keller

Eight texts, different in kind, from poetry to excerpts from military regulations. Theme: order fetishism as a contrast to a chaotic, self-destructive world. Authors: Franz Hohler, Hansjorg Schneider, Jürg Schmied, Sascha Anderson, Max E. Keller.

Duration: 16' 00"

CHF: 30.70

Instrumentation: for three flutes, two clarinets, trumpet, trombone and four-handed piano

Mehrteilige Komposition mit kontrastierenden Teilen.

Duration: 12' 00"

CHF: 18.60

Trio

Instrumentation: for two clarinets and a basset horn

"The dream of a man is all that he possesses."

Duration: 15' 00"

CHF: 17.40

Piece in the medieval form of stantipes

Instrumentation: for clarinet, bass clarinet, contrabass clarinet and vibraphone

Fusion of medieval and contemporary notation.

Duration: 7' 00"

CHF: 18.00

Instrumentation: für Es- Klarinette, 3 B-Klarinetten, Alt-Klarinette und Bassklarinette und Kontrabassklarinette

Duration: 5' 00"

CHF: 15.60

Six part work block

Instrumentation: for double-bass solo and chamber ensemble (1(pic).1.1.1(cbn)/1.0.0.0/perc/pf/2vn.va.vc)

Duration: 20' 00"

CHF: 54.00

Trio

Instrumentation: for flute (afl), clarinet (bcl) and piano

This piece is concerned with the journey into another reality, a reality where one can encounter various magical animals.

Duration: 30' 00"

CHF: 27.60

Musical theatrical scenes

Instrumentation: for four actors(esses), four musicians (fl.ob.cl.vn) and a four-channel electronic tape

Texts: Alex Gfeller

Based on Alex Gfellers story 'Das Komitee'.The cities of Switzerland are contaminated, be it with poison or radioactivity, the ozone layer is depleted many paths leading to destruction have long been foreseeable. Only few have survived and sit vegetating in their shelters underneath the ruins of earlier prosperity. Some have already mutated, others live in a world of delusion.

Duration: 30' 00"

CHF: 24.60

Instrumentation: for clarinet in A and violoncello

Duration: 9' 00"

CHF: 20.70

Instrumentation: for three clarinets

Duration: 4' 00"

CHF: 11.40

Instrumentation: for clarinet solo

This virtuosic solo piece unites the complete palette of the clarinet's classical expressionistic possibilities.

Duration: 12' 00"

CHF: 14.00

Instrumentation: for string orchestra, flute, clarinet, saxophone, trumpet and piano

"A rhythmically moved, gesture-full, richly chromatic music." (Th. Gartmann) Second part of the trilogy based on Mozart's 'Don Giovanni'.

Duration: 24' 00"

CHF: 109.00

Instrumentation: for soprano, clarinet (also Ebcl, bcl), violoncello (also viola), piano (also clavichord) and DAT play-back

Texts: Fernando Pessoa

Eight scenes from the poems of Portuguese writer Fernando Pessoa (1888-1935). The Soprano sings and recites in Portuguese, German and French. Very demanding for all performers.

Duration: 48' 00"

CHF: 48.00

Instrumentation: for voice, flute, clarinet, violin, violoncello and piano

Texts: Jacques Roman

Three main 'characters'. A text by Jacques Roman based on African rhythm organisation and inspired by the solo fragments of jazz saxophonist Charlie Parker.

Duration: 13' 00"

CHF: 51.00

Ballad

Instrumentation: for clarinet in Bb and piano

Demands a very high degree of virtuosity by the clarinet player. Written for Michel Lethiec.

Duration: 8' 00"

CHF: 16.80

Instrumentation: for 6 pianos and 8 pairs of high instruments (flutes, clarinets, trumpets, cornets, harps and violins)

Spatial composition based on a text by Elisabeth Binder (from "Orfeo"). For students.

Duration: 8' 30"

CHF: 17.30

Instrumentation: für Sopran, Oboe und Orgel (oder Klarinette bzw. Oboe oder Flöte und Klavier)

Texts: Anonymi

The texts, ranging from sorrow to hope, are derived from political prisoners of various dictatorships. The Soprano voice is identical for all versions.

Duration: 13' 00"

CHF: 21.60

Instrumentation: for high singing voice, clarinet and piano

Texts: Chinesisch

I tried to avoid all allusions to ancient Chinese exotics in the realisation of the aphoristic and directness of the still up-to-date texts. All fourteen pieces are connected in a meaningful compositional manner.

Duration: 21' 00"

CHF: 35.40

Instrumentation: for flute, clarinet, violin and violoncello

Duration: 20' 00"

CHF: 26.70

Instrumentation: for two violins, violoncello and clarinet

Duration: 8' 00"

CHF: 16.80

Instrumentation: for clarinet and piano

Duration: 8' 00"

CHF: 31.80

Instrumentation: for eight instruments

Duration: 11' 00"

CHF: 53.40

Instrumentation: for Eb clarinet, 3 clarinets in B, 2 basset horns, 2 bass clarinets

Nach Wahl transponierend oder klingend

Duration: 10' 15"

CHF: 22.20

Instrumentation: for piccolo and clarinet

Duration: 6' 00"

CHF: 17.40

Instrumentation: for eight instruments (fl.cl/hn/cel/hp.pf/2perc)

Duration: 15' 00"

CHF: 30.00

Instrumentation: for flute, clarinet, violin, violoncello, piano and percussion

Three movements: gestaut, dickflüssig, überschwappend.

Duration: 12' 00"

CHF: 26.40

Ergon 20

Instrumentation: for flute, clarinet, percussion, piano, violin and violoncello

Conception of a dialectic tension between textual narrative and formal architectonically composite parts (inspired by literary narrative forms) integrated into a system of metric modulations.

Duration: 19' 00"

CHF: 56.00

Instrumentation: für Klarinette, Violoncello und Akkordeon

Duration: 8' 00"

CHF: 18.70

Instrumentation: for four clarinets (2cl, btnhn, bcl)

Duration: 4' 30"

CHF: 15.00

Instrumentation: for panpipes, transverse flutes, recorders, clarinets, saxophone, horns, trombones, trumpets

Duration: 16' 00"

CHF: 39.60

Instrumentation: for speaker, flute, clarinet, violin, viola and violoncello

Texts: Wilhelm Busch

Musical version of the adventures of those two likeable rascals...

Duration: 20' 00"

CHF: 40.20

Music

Instrumentation: for clarinet, viola, piano and percussion

Duration: 16' 00"

CHF: 16.80

Instrumentation: für Violine und Klarinette

Duration: ca. 10'-12'

CHF: 22.70

Instrumentation: for clarinet and piano

Duration: 3' 00"

CHF: 14.40

Instrumentation: Countertenor, Flöte (+Altflöte), Klarinette (+Bassklarinette), Violine, Viola, Violoncello, Kontrabass, Klavier, Schlagzeug

1. Bereschith (hebräisch), 2. Abwun d'bwaschmâja (aramäisch), 3. Sura Al-Imran (arabisch), 4. Kadacit (sanskrit), 5. Essais (Montaigne, alt-französisch), 6. Phaidon (Platon, griechisch) 7. Vivamus (Catull, latein), 8. Leaves of Grass (Whitman, englisch) 9. Em-chet (Ptahhotep, alt-arabisch) dazwischen Sequentia I - VI

Duration: 59' 44"

CHF: 83.20

Instrumentation: for clarinet (bass clarinet) and percussion (marimba, vibraphone)

Duration: 6' 00"

CHF: 18.00